Freedom: A Novel

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Most Anticipated: The Great 2023A Book Preview

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Welcome to our biannual Great Book Preview! We've assembled the best books of 2023A (that is, the first half of 2023), including new work from Nicole Chung, Tsitsi Dangarembga, Claire Dederer, Brian Dillon, Samantha Irby, Heidi Julavits, Catherine Lacy, Mario Vargas Llosa, Rebecca Makkai, Fernanda Melchor, Lorrie Moore, Jenny Odell, Curtis Sittenfeld, Clint Smith, Zadie Smith, Brandon Taylor, Colm Tóibín, and many, many more. At 85 titles, you may notice our 2023A list is a bit trimmer and more selective than in year's past. We wanted to make sure that our list comprises the books that we are truly anticipating the most—which is to say, we've carefully curated our selections to showcase the very best books coming out in the first half of 2023. We hope you enjoy! Love reading our Great Book Previews? Learn how you can support The Millions here. January Age of Vice by Deepti Kapoor Part crime thriller and part saga of the powerful Wadia family, Age of Vice roams across India, from the dusty villages of Uttar Pradesh to the cauldron of New Delhi. Three lives intersect in this world of lavish estates, extravagant parties, drugs and seamy business deals: Ajay, the watchful family servant; Sunny, the playboy heir; and Neda, a journalist out to expose the consequences of corruption. The writing has authority. Kapoor, author of the novel Bad Character, grew up in northern India and has worked as a journalist in New Delhi. The result is an addictive, vivid spellbinder of a novel. —Bill Morris Decent People by De'Shawn Charles Winslow Winslow returns to the fictional Southern town of West Mills for a second time in this expertly-plotted and character-driven follow-up to his award-winning debut novel. In the 1970s, an investigation into a triple homicide reveals surprising and profoundly sad layers of reality for the townspeople of West Mills—the trauma and ramifications of segregation, class, deeply kept secrets, and underlying homophobia. A haunting, page-turning mystery, Decent People makes a must-read on anyone’s literary list. —Jianan Qian The Survivalists by Kashana Cauley In this debut novel, a perpetually single Black lawyer, Aretha, falls in love with Aaron, a coffee entrepreneur who shares a brownstone with a stable of bizarre roommates. When Aretha moves in with Aaron, she gets caught up in their household dramas, which range from illegal gun sales to half-baked schemes to prepare for the end of the world. It will not surprise people who’ve read Cauley's essays—or seen her work on The Daily Show, or read her excellent tweets—that The Survivalists is, according to Tom Perrotta, an “edgy” and “darkly funny” book. —Thom Beckwith Still Pictures by Janet Malcolm Malcolm was a master of reportage, able to dissect and decipher her subjects with startling precision. (Also one of my own writerly heroes.) She often mused on the relationship between journalist and subject; in much of her journalism, she judged her subjects from a cool distance. How, then, would she approach a memoir? What would a self-portrait by one of our most formidable portraitists look like? These were the questions that exhilarated me when I began Malcolm's posthumous memoir. Still Pictures is as much a look at Malcolm's own photos and memories as the nature of photography and memory, written with all her characteristic style and clarity. —Sophia M. Stewart The Half Known Life by Pico Iyer In this philosophical and theological travelog, Iyer searches the globe for paradise. Not for himself—he wants to understand the idea of paradise, that incentive and dream and goal that undergirds the world's religions. Maria Popova herself, the brilliant mind behind The Marginalian, has called Iyer "one of the most soulful and perceptive writers of our time" and I expect The Half Known Life will further cement that status. —SMS OK by Michelle McSweeney In this slim and lucid addition to the Object Lessons series, which explores the hidden lives of everyday objects, linguist and author Michelle McSweeney unpacks the phrase “OK,” coined 200 years ago and now ubiquitous in spoken English. As an object, “OK” reveals how technologies inscribe themselves into languages—originally, it was an acronym that stood for “all correct,” a phrase which marked some of the earliest printed newspapers as ready for publication. From there, McSweeney traces the word’s evolution through the present, illuminating the ways in which its meaning developed over time. —TB The 12th Commandment by Daniel Torday Torday presents a provocative and unexpected tale of contemporary Jewish life that owes less to Philip Roth and Saul Bellow than it does to Cynthia Ozick and Isaac Bashevis Singer. The 12th Commandment concerns the historical sect known as the Dönmeh, Turkish followers of a seventeenth-century Jewish pseudo-messiah who outwardly practice Islam but who are actually adherents of an esoteric kabbalistic faith. “Weird folk,” explains a character, “They’re like Jews and Muslims at the same time. Or something.” Unexpectedly set among an imagined group of Dönmeh in small-town Ohio, with a noirish murder plot driving the action, and The 12th Commandment will appeal to fans of Michael Chabon’s The Yiddish Policeman’s Union, but Torday’s unique imagination and vital vision are his own. —Ed Simon Forbidden Notebook by Alba de Céspedes, translated by Ann Goldstein The story begins when Valeria Cossati—a 43-year-old office worker, self-sacrificing wife, and mother of two—buys a thick black notebook and begins writing at night—her thoughts, experiences, and fury. What follows over the course of six months are reflections on motherhood and femininity in postwar Rome that were as urgent and revelatory in the 1950s, when the novel was originally published, as they are today in post-Roe America. In the words of Annie Ernaux: “Reading Alba de Céspedes was, for me, like breaking into an unknown universe.” —Jenny Wu Life on Delay: Making Peace with a Stutter by John Hendrickson I've been waiting for John to write this book since I first read his paradigm-shifting Atlantic article "What Joe Biden Can't Bring Himself to Say." Like Biden, John is a person who stutters. In Life on Delay, and with profound intelligence and insight, John examines his own stuttering life, as well as the lives of many other stutterers, to probe the many contradictions of disfluency. John has become something of a torchbearer in our community, and this book is going to be an essential contribution to the (currently very limited) literature of stuttering. I hate when people call certain books "important"—but this book is very important me, and will be important to a lot of people. We've been waiting a long time for a book like this. —SMS The Call of the Tribe by Mario Vargas Llosa, translated by John King When I began my undergraduate studies, I was disappointed by how little nonfiction appeared on the syllabi of my Spanish literature classes. Then I encountered Llosa, a Nobel-winning nonfictioneer and intellectual heavyweight (and occasional novelist) who rose to prominence during the Latin American Boom. In The Call of the Tribe, he maps out the minds that shaped his own: Sartre and Adam Smith, Friedrich A. Hayek and Isaiah Berlin, and many more (mostly male) writers and thinkers. It's a pleasure—and a pleasurable challenge—to read Llosa on the roots of his ideology. —SMS The Once and Future Sex: Going Medieval on Women's Roles in Society by Eleanor Janega Ever since I visited the Cloisters for the first time earlier this year, I've been hungry to learn more about medieval life, and specifically women's place in it. Enter The Once and Future Sex, the subtitle of which quite directly addresses this yen of mine. Janega, a medievalist by training, makes middle-age sociology accessible, highlighting how archaic notions of femininity continue to shape modern womanhood in ways both subtle and overt. Beauty, sex, work, labor, motherhood, decorum—no aspect of women's lives goes unexplored in this rigorous study, which also highlights many of the era's subversive trailblazers. —SMS Black and Female by Tsitsi Dangarembga Zimbabwean writer Dangarembga explores the long shadow cast by imperialism in her own life, and the lives of all African people, in this volume of essays. The personal and political commingle (because, as all feminists know, they're one and the same) as Dangarembga excavates her own history and the history of her nation. The result is a clear-eyed look at what navigating life and art-making as a woman in Zimbabwe has taught her, as well as the possibilities and limits of a distinctly Black feminism, which she calls "the status quo’s worst nightmare." —SMS A Guest at the Feast by Colm Tóibín One of Ireland's greatest living novelists, Tóibín is known the world over for his fiction. That's why I'm so curious to read his new essay collection, to see how he transfers his mastery across genres. A (supposedly) great compliment is to be called a nonfiction writer with a "novelist's" sensibility—the implication being that nonfiction is best when it reads like fiction. (I disagree!) This isn't Tóibín's first foray into nonfiction (he's written books on Elizabeth Bishop; contemporary queer artists; and the fathers of famous Irish writers)—but it is one of his most intimate. This is clear from the book's outset, which features one of best opening lines I've read in a minute: "It all started with my balls." —SMS Vintage Contemporaries by Dan Kois I always love reading Dan Kois's criticism (if you haven't yet read him on Tár, please do yourself the favor—and prepare to have your mind blown) so I was thrilled to hear about his forthcoming novel, a coming-of-age set in New York City at the turn of the millennium that wrestles with art, friendship, and what it means to cultivate a creative life. Our very own Lydia Kiesling blurbed it and gave it what is in my book one of the ultimate compliments: "poignant without being treacly." A near-impossible literary feat—I can't wait to see (read?) Kois pull it off for myself. —SMS Your Driver Is Waiting by Priya Guns A retelling of the movie Taxi Driver featuring a ride-share driver? An incredible premise for a novel that explores work, class, and solidarity (or the lack thereof). Damani Krishanthan works for an Uber-like company, scraping by after her father dies during his shift at a fast-food restaurant. During a summer of uprising, she drives through throngs of protestors trying to make enough to cover rent. A relationship with a white wealthy protestor goes south, prompting a dramatic ending (considering its cinematic source material, I can only imagine). —Lydia Kiesling The Guest Lecture by Martin Riker Abby, a young economist, can't sleep the night before the talk she is scheduled to present tomorrow, optimism and John Maynard Keynes. A lapsed optimist struggling to support her family, she feels grossly unprepared to offer any insights into Keynes. With wry humor and true wisdom, Riker, co-founder and publisher of Dorothy, a Publishing Project, transforms one woman’s insomnia into an enchanting and playful exploration of literature, performance, and the life of the mind. —JQ After Sappho by Selby Wynn Schwartz At the turn of the twentieth century, three queer women—Rina Faccio, Romaine Brooks, and Virginia Woolf among them—make the same decision: They take up their pens or paintbrushes to define their lives and their identities on their own terms. Taking cues from the Greek poet, After Sappho, Schwartz's Booker-longlisted debut novel, reimagines the intertwined voices of those pioneering women artists in the collective first-person, whose courage and struggles never cease to inspire and encourage those who come after. —JQ Hanging Out by Sheila Liming We’ve all heard the admonitions to slow down, drop out, resist the rush—but what does that actually look like? “Hanging out is about daring to do nothing much and, even more than that, about daring to do it in the company of others,” writes Liming in her treatise on the subject, the follow-up to her 2020 book What a Library Means to a Woman on Edith Wharton and book collections. Hanging Out, an endearing and revealing book, is well-timed, but as she notes, “we were having a hard time hanging out well before COVID-19 came along.” She makes a compelling case for us to get together. —Nick Ripatrazone Call and Response: Stories by Gothataone Moeng This debut story collection joins a chorus of literary voices rising out of contemporary Africa. Set in the author’s native village of Serowe, as well as in Gabarone, the thrumming capital of Botswana, these stories are spun from the struggles of women seeking to reconcile ancestral expectations with imported dreams—a girl who hides her sexual exploits from her family while her older brother flaunts his conquests; a young widow who ponders the custom of wearing mourning clothes for a year; a woman who returns from America, ashamed to have given up on the land of opportunity. The great Namwalli Serpell praised the collection for its "sharply observed vignettes," which together amount to a "beautiful" book full of "deep insight." —BM Black Empire by George S. Schuyler Originally published in serial form in the 1930s, Black Empire is the masterwork of George S. Schuyler, a journalist, Harlem Renaissance man, socialist-turned-arch-conservative, and creator of acid satires. This novel is the story of Dr. Henry Belsidus, a Black genius who sets out to cultivate a global network that will reclaim Africa from imperial powers and punish Europe and America for their crimes against the world’s Black population. Schuyler’s earlier novel, Black No More, is a satirical romp about a Black man who turns his skin white. In all his work, Schuyler work confronts an abiding and urgent moral quandary: How far should one go to bring justice to an unjust world? —BM February Where I'm Coming From by Barbara Brandon-Croft Drawn & Quarterly has never let me down, and its winning streak won’t be snapped by this collection from the first Black woman to have a nationally-syndicated comic strip. In the witty and groundbreaking "Where I’m Coming From," which ran from 1989 to 2005, nine Black girlfriends deliver insights and punchlines in equal measure, touching on politics, race, relationships, and everything in between. Tayari Jones says that Brandon-Croft’s work has “aged beautifully,” hailing the collection as “both ahead of its time and right on time.” —Evan Allgood Brutes by Dizz Tate This surreal and ambitious debut novel, written partially in first-person plural and billed as “The Virgin Suicides meets The Florida Project,” follows a clan of teenaged girls in Falls Landing, Florida, as they grapple with the disappearance of the local preacher's daughter. Brutes’s adolescent cast, time-jumping narrative, and promise of violence evoke the hit show Yellowjackets. Mariana Enríquez calls it “a beautiful and deeply strange novel, full of dread and longing.” —EA City of Blows by Tim Blake Nelson I love movies, but Hollywood—both the city and the industry that undergirds it—has never much interested me. Honestly, celebrity culture in America baffles me. But when a Hollywood insider and an accomplished playwright—and, not to mention, a fine actor—decides to satirize the toxic culture of Tinsel Town, I’m in. Nelson's debut novel follows four men fighting for control of a script and a place in a rapidly transforming Hollywood. There’s something sustaining in a story that shows how beautiful people can be just as petty—just as ugly—as the rest of us. —Il’ja Rákoš Couplets by Maggie Millner Lovers of horny, rhyming poetry rejoice: Millner’s “love story in poems,” arrives a week before Valentine’s Day, just in time to tie your brain to its bedposts. Kink and queerness, power and polyamory—this debut by the senior editor of the Yale Review has it all. Read an excerpt in BOMB to see why Elif Batuman, Garth Greenwell, and Leslie Jamison are all head over heels for this clever, seductive story of coming out and coming of age. —EA The Black Guy Dies First by Robin R. Means Coleman and Mark H. Harris This collaboration between Coleman, a scholar, and Harris, a journalist and film critic, explores the history of Black horror films since 1968. Named for the well-known cinematic trope, the book spans cult classics like Spider Baby up to commercial and critical successes like Get Out. According to Kirkus Reviews, the book is written with “keen observation, a satirical eye, and a genuine love for the subject.” —Edan Lepucki Big Swiss by Jen Beagin "A sex therapist's transcriptionist falls in love with a client while listening to her sessions"—that was all I needed to hear to get excited about Beagin's third novel. Throw in blurbs from Melissa Border and A Touch of Jen author Beth Morgan, and I was all but convinced that Big Swiss will be weird and horny and unfettered in all the best ways. "Pick it up because you like cheese," Morgan urges, "stay for the brilliant sentences." —SMS Culture: The Story of Us, From Cave Art to K-Pop by Martin Puchner So many books these days are described as being "sweeping histories"; Culture, which promises in its subtitle to take us from our most primitive artistic impulses all the way to the machinery of modern-day fandom. But what intrigues me most about Puchner's latest isn't its scope—it's its driving question: "What good are the arts?" In my more hopeless moments, this question bubbles up inside me, and I'm chomping at the bit to hear Puchner's answer, grounded in history and informed by cultures around the world. —SMS Dyscalculia by Camonghne Felix Following her poetry collection Build Yourself a Boat, which landed a spot on the National Book Award longlist, Camonghne Felix makes her nonfiction debut with this memoir, which charts a life-changing breakup and its many consequences for her life. When the author ends up in the hospital, she draws a parallel between her troubles as an adult and her childhood diagnosis of dyscalculia, a condition which makes it difficult to learn math or estimate place value. As she starts to tally her romantic miscalculations, she asks a wide-ranging question: who gets the right to freely express their own pain? —TB All the Beauty in the World: The Metropolitan Museum of Art and Me by Patrick Bringley A former New Yorker staffer turned museum guard is a pretty compelling tagline, to be certain, and Bringley delivers in this intimate and philosophical debut memoir—he muses on the artworks, coworkers, and museumgoers that surround him. Adding poignancy to the memoir's conceit, his observations are all permeated with profound grief as he reels from the death of his older brother. Bringly brings the Met to life on a grand scale and granular level. —NR The Wife of Willesden by Zadie Smith For her first foray into playwriting, novelist and essayist Smith reimagines Chaucer’s Canterbury Tale about the Wife of Bath for twenty-first century, northwest London. Alvita, a Jamaican-born British woman in her early fifties, tells her life story to strangers in a pub. In its review, The Guardian calls it “a celebration of community and local legends, of telling a good story and living a life worth telling. Not bad for an original text that’s 600 years old.” —EL Palo Alto: A History of California, Capitalism, and the World by Malcolm Harris I went to college in the Bay Area, where the allure of Silicon Valley was palpable. My classmates posted about their internships at Twitter and Microsoft, wore t-shirts with emblazoned with the logos of Google and Linkedin, and went on to get jobs with six-figure starting salaries. I remembered my dad's quaint stories of growing up in nearby Los Altos and struggled to reconcile that history with the present. Harris's comprehensive history of Silicon Valley, from railroad capitalism to free love to big tech, does just that. Palo Alto spans centuries in order to thoroughly demystifying the region's economics and unearth its enduring legacy of settler colonialism. Users by Colin Winnette I worked for years as a consultant at American-based IT companies with teams in Kyiv, and among those Ukrainians I knew who were handling the code, it was rare to find anyone who worshipped Steve Jobs, loved tech, or saw STEM work as anything particularly noble. No true believers in panaceas or "essential" tech. Here, in the fictional world of Winnette’s latest novel, we encounter a strong critique and timely caution that my Kyiv ITshnyks certainly understood well: the devastation that awaits when we entrust the mechanisms we’ve built to do our thinking, our feeling, and our living for us. —IR I Have Some Questions for You by Rebecca Makkai In her follow-up to her 2018 novel The Great Believers, a Pulitzer and National Book Award finalist, Makkai brings us to a New Hampshire boarding school. Film professor Bodie Kane has been eager to forget her four awful years there, which included a murder of a classmate by the athletic trainer. But when she's brought back to campus to teach a two-week course, everything she thought she knew about the case is thrown into question. Makkai plays with true-crime tropes to deliver a literary exploration of friendship. —Marie Myung-Ok Lee Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman Michael Shulman is one of the great profile-writers of our time, and one of our best writers, period. (His New Yorker profiles of Jeremy Strong, Bo Burnahm, and Adam Driver long ago took up permanent residence in my brain.) What Schulman, a student of personality, could accomplish in a study of the Oscars—that most official of personality contests—is limitless. It's also just a perfect opportunity to spill so much celebrity gossip. I imagine devouring this book poolside, while sipping on a blue drink; a big umbrella overhead, a little umbrella in my glass. Slime by Susanne Wedlich, translated by Ayca Turkoglu  Primordial slime has long been considered a cornerstone of life on Earth; without it, the natural world would be unrecognizable. Slimy substances like mucous and slobber are also common features of fictional monsters in popular culture from Lovecraft to Alien. Munich-based science and nature journalist Susanne Wedlich’s ode to the semi-liquids that hold our world together—and our minds in awe—reminds us “we are sticky beings living in a sticky place” (TLS), whether we like it or not. —JW March Monstrilio by Gerardo Sámano Córdova What lengths would you go to get back someone you've loved and lost? Just for a bit, to look in their eyes one more time, or tell them what needed to be told? But play that possibility out to its inevitable conclusion and it’s difficult to envision anything good coming from it. In  Córdova’s horror debut, a grieving mother in Mexico City goes to unimaginable extremes to bring her late 11-year-old son back to life, only to discover that there are worse things than death. Grief, she learns, is not something to be trifled with, or worse, avoided. —IR Francisco by Alison Mills Newman Though it garnered plaudits from Toni Morrison when it was first published in 1974, Newman's autobiographical novel has long been out of print. Now, a reissue by New Directions—with a new foreword by Saidiya Hartman—promises to introduce a new generation of readers to Newman’s innovative and genre-bending story, which draws on the author’s experience as a young actress in 1960s Hollywood. —TB The Fifth Wound by Aurora Mattia In her new novel, the Mattia reinvents the roman à clef with a magical realist memoir that puts the dusty genre of autofiction to shame. Sifting from multiple narratives—and dimensions—The Fifth Wound is a romance, a meditation on transphobic violence, and a speculative tale of time travel, ecstatic visionaries, and mystical union. Transcending the limiting confines of not just society, but reality as well, and Mattia’s novel promises the reader an experience that recalibrates simplistic notions of truth and fiction, reality and illusion.  —ES Saving Time by Jenny Odell I love books that force me to recognize or reconsider the structure of existence—and Odell’s book does just this, in a way that's both enlightening and generative. Her previous book, How to Do Nothing, was a runaway hit about what happens when we subvert the temporal expectations that are placed upon us: “Letting go of one overwhelming rhythm, you invite the presence of others. Perhaps more important, you remember that the arrangement is yours to make.” Odell demonstrates how it's never too late to save the time we have left. —NR The Best of Everything by Rona Jaffe In 1958, at the age of 27, Rona Jaffe published her first novel, a revolutionary portrait of three young women employed at a New York publishing house. Renowned for its frankness and honesty, particularly in its depictions of sexual harassment, The Best of Everything is, per Michele Moses, “what you would get if you took Sex and the City and set it inside Mad Men’s universe.” Now, for its 65th anniversary, Penguin Classics is reissuing the novel, complete with a new introduction by New Yorker staff writer Rachel Syme, who is the perfect voice to prime us for a retro romp through postwar New York and its attendant glitzy patina. —TB Raving by McKenzie Wark Wark's entry into Duke University Press's Practices series, which spotlights the activities that make us human, invites us into the underground queer and trans rave scene of New York City. A bombastic collision of sound and movement, raving is, to Wark, the ideal activity for "this era of diminishing futures." An avid raver herself, she blends academic analysis with her own first-hand accounts, all relayed with sensual, staccato prose. "Some come to serve looks; some come to leave their sweat on the dance floor," she writes. "I’m the latter kind. I want to be animate and animated on the floor." —SMS Still Life with Bones by Alexa Hagerty From 1960 to 1996, more than 200,000 Guatemalans were killed, and tens of thousands more disappeared, after an American-backed coup gave rise to a steady march of genocidal dictators. Decades later, anthropologists like Alexa Hagerty are working to exhume and examine the dead, piecing together their bodies and their stories in an urgent but potentially quixotic quest for resolution, and attempting to bring a sense of humanity to the forensic sciences. —EA How to Think Like a Woman by Regan Penaluna In her first book, journalist Penaluna, who has a PhD in philosophy, explores the oft-forgotten and under-taught feminist philosophers of the seventeenth and eighteenth centuries: Mary Astell, Damaris Masham, Mary Wollstonecraft, and Catherine Cockburn. Blending biography, criticism, and memoir, Penaluna explores the lives and beliefs of these thinkers, as well as the ways women—past and present—have been devalued within philosophy, academia, and history. How  to Think Like a Woman serves as an alternate philosophical canon, where women and their intellect are deeply and rigorously examined. —Carolyn Quimby Y/N by Esther Yi “Y/N,” short for “[Your/Name],” refers to a type of fanfiction that allows readers to insert their own names into brackets in the story, so as to imagine themselves in romantic scenarios with popular idols. In Esther Yi’s debut novel, our narrator devotes herself to writing fanfic about a K-pop star named Moon. When Moon suddenly retires and retreats from the spotlight, the narrator embarks on a transnational search that unveils the absurd innards of a Korean entertainment company, as well as the loneliness of modern life and the various fantasies we enact to try to escape it. Yi, a Leipzig-based writer, has earned comparisons to Elif Batuman, Thomas Pynchon, Yoko Tawada, and Marie NDiaye. —JW How Not to Kill Yourself: A Portrait of a Suicidal Mind by Clancy Martin Clancy Martin has tried to die by suicide more than 10 times. In How Not to Kill Yourself, he speaks frankly about these attempts and the thoughts that fueled them. In probing his own experiences, he inevitably comes to larger conclusions about the nature of the self-destructive mind and the philosophy of suicide. He also turns to other writers who have attempted suicide and written about it, from Yiyun Li to David Foster Wallace. Written with surprising tenderness and humor, this memoir-cum-critical-inquiry is a perspective-shifting study. Biography of X by Catherine Lacy With a title that recalls both Alex Haley’s biography of Malcolm X and Gertrude Stein’s consideration of her partner Alice B. Toklas, Lacey audaciously explores the contingencies of identity, memory, and history in her latest experimental novel. Lacey’s novel takes place in an alternative history where the American South separated from the United States and was governed as a fascist theocracy only recently being reabsorbed into the wider nation. Ostensibly The Biography of X is about the titular unknown, a celebrated but mysterious artist, and her widow’s account of that life as much as can be assembled. But with cameos by such twentieth-century luminaries as Sontag and Bowie, the novel is also a biography of American art and theory which understands that sometimes history is best understood at a slant. —ES The Last Catastrophe by Allegra Hyde This collection of 15 stories by the author of Eleutheria continues Hyde’s interest in humanity grappling with climate change. Alexandra Kleeman writes that these speculative stories are “dazzling, inventive, and glinting with dark humor.” Spaceships, AI, zombies, and body-switching abound. I, for one, am most excited to read the story about the girl growing a unicorn horn! —EL The New Earth by Jess Row A century which began with 9/11, and has so far seen economic collapse, a ground war in Europe, a global pandemic, and the rise of neo-fascism is painfully interesting. Jess Row’s latest novel interlays these interesting times on a family drama among the privileged Wilcoxes of the Upper East Side, from 2000 to 2018. The global perspective becomes synonymous with the vantage point of daughter Winter Wilcox, who on the eve of her wedding must grapple not just with her estranged family, but the ways in which her personal tragedies from years coincide with both parental secrets and historical injustices. “Disguising your origins is a deeply American impulse,” Row wrote in 2014, “but that doesn’t make it any less compromising,” a theme heartily interrogated in The New Earth.  —ES Chlorine by Jade Song Song's debut novel revolves around high-schooler Ren Yu, a competitive swimmer who spends her days in the pool. Her immigrant parents expect her to train hard and secure a college scholarship, but she aspires to transform into a mermaid, freeing herself from the terrestrial world. A spiky, sapphic coming-of-age that embraces fantasy and horror to explore girlhood and its discontents. —JQ In Search of a Beautiful Freedom by Farah Jasmine Griffin A new volume of collected essays both new and previously published by Farah Jasmine Griffin, the William B. Ransford Professor of English and Comparative Literature and African American Studies at Columbia. Following her last book Read Until You Understand: The Profound Wisdom of Black Life and Literature, these new and previously unpublished essays range in topic from Covid to the efforts to ban Toni Morrison to the life work of Odetta. Griffin's insights into Black music, feminism, and literature are unparalleled. —LK Affinities by Brian Dillon When I read Dillon's previous books, Essayism and Suppose a Sentence, I considered them a diptych: two close looks at two literary forms (the essay and the sentence) that were driven by what Dillon himself calls his own "affinity." It turns out, Essayism and Suppose a Sentence were really the first two entries in a triptych! His latest book, Affinities, centers on images, from photographs to paintings to migraine auras. Why do images make us feel the way they do? Why are we drawn to certain images over other ones? Dillon is one of my favorite writers, thinkers, and close-readers, and I can't wait to read him on the pleasures of looking. —SMS Above Ground by Clint Smith I long for a literature—especially a poetry—of joy; life is too short and bland without it. Smith’s new poetry collection teems with images of love and fatherhood. Great poetry comes in many modes and subjects, but there’s something unique about a book of verse that makes me want to hold my own children a little tighter, as I think of his description of delivering a bear hug: “my arms are still / open like a universe / in need of a planet / to make it worth / something.” Juxtaposed with lines of grief and recognition—“men attempting / to unlearn the anger on their father’s / tongues, the heat in their hands”—Smith’s songs of joy are that much sweeter. —NR Ada's Room by Sharon Dodua Otoo, translated by Jon Cho-Polizzi Otoo's debut novel is about four women, all with the same name: Ada, a mother in fifteenth-century West Africa; Ada Lovelace, the real-life programmer in Victorian England; Ada, a prisoner in a concentration camp in 1945; and Ada, a young Ghanian woman in present day. As Otoo connects their narratives across centuries, the linear confines of history break down and a profound sorority comes into focus. R.O. Kwon calls this one "thrillingly, astonishingly original." —SMS April This Is Not Miami by Fernanda Melchor, translated by Sophie Hughes Taking place in and around the Mexican city of Veracruz, this collection of crónicas—narrative nonfiction pieces that blend reportage with novelistic structures—explores the criminal underworld, shedding light on social problems that manifest in gory headlines. As in her novels Paradais and Hurricane Season, Melchor draws empathetic portraits of deeply unsympathetic figures, forcing her readers to understand the mindsets of monstrous characters. —TB Chain Gang All-Stars by Nana Kwame Adjei-Brenyah Ever since the moment I finished Adjei-Brenyah’s surreal, satirical, and original debut story collection, Friday Black, I’ve been not-so-patiently waiting for whatever he wrote next. In his upcoming debut novel, two female gladiators fight to the death for their freedom on the hugely popular and controversial TV show, Chain-Gang All Stars, which airs on CAPE (Criminal Action Penal Entertainment). With his sharp eye for satire and reverence for humanity, Adjei-Brenyah’s latest explores the exploitation, violence, and false promises of the prison industrial complex, capitalism, and the country itself. —CQ Work-Life Balance by Aisha Franz, translated by Nicholas Houde This graphic novel, which was originally a comic series published by Colorama, concerns three friends who, disillusioned with their work lives, seek help from the same therapist. Franz, who lives in Berlin, was nominated for a Los Angeles Times book prize for her previous book, Shit is Real, which the Guardian called “a wise and funny journey through loneliness and confusion.” Her latest sounds just as promising. —EL Ordinary Notes by Christina Sharpe The latest book by scholar of English literature and Black Studies Christina Sharpe takes the form of a series of 248 notes on history, art, literature, and life whose meanings accumulate over the course of nearly 400 pages. At the center of the resulting polyphonic portrait of Black existence is the figure of Ida Wright Sharpe, the author’s mother. Saidiya Hartman calls Ordinary Notes "an exquisite text" that "demands everything of the reader and, in turn, offers us a vocabulary for living.” —JW A Living Remedy by Nicole Chung Chung's bestselling memoir All You Can Ever Know, published in 2018, cemented her as one of this generation's great chroniclers of family, both adoptive and biological: its limits and possibilities, what it means, how it shapes us. Her follow-up, which follows Chung as she mourns her parents and navigates the institutional inequities baked into American society, promises to be just as poignant. Blurbers Megha Majumdar, Julie Otsuka, Imani Perry, and Bryan Washington certainly think so. —SMS Second Star: And Other Reasons for Lingering by Philippe Delerm, translated by Jody Gladding A runaway hit in France, Second Star is a collection of vignettes about life's smallest and simplest moments, from washing your windows to peeling a clementine. With evocative descriptions of taste, touch, and sound, Delerm zeroes in on the sensations and pleasures that, while often overlooked or taken for granted, can make us feel most alive. Linger in the moment, he says, stay a while—be here, now. —SMS Romantic Comedy by Curtis Sittenfeld  I first encountered Curtis Sittenfeld in high school, when my dad's then-girlfriend gifted me a copy of Prep. It was smart and sexy and felt like a portal into womanhood, which I was on the precipice of. Sittenfeld knows how to write romantic comedy without ever slipping into the saccharine, the chivalrous, the cliche. (Also, Brandon Taylor is a fan!) So I can't wait for her new rom-com, about a comedy writer whose decision to swear off love is rocked when she falls for a pop star. —SMS Sea Change by Gina Chung Chung's debut centers on thirty-something Ro who feels stalled in her life—heartbroken after a breakup, father missing, mother remote, friends drifting away. She's also stagnating at her job at a mall aquarium, where one of her favorite sea creatures (and last remaining link to her father), an octopus named Dolores, is about to be sold to a wealthy investor intent on moving her to a private collection. Joseph Han called Ro one of his favorite Korean American characters of all time. —MML The One by Julia Argy Argy’s debut novel, about a woman who’s a contestant on a Bachelor-style dating reality show, has garnered some killer blurbs. Julie Buntin writes, “I could not stop reading Julia Argy’s smart, funny, and tender debut novel about falling in love and finding oneself on and offscreen,” and Claire Messud calls it “riveting, astute and darkly comic.” —EL Without Children by Peggy O'Donnell Heffington As a mother of three myself, I’m interested in why people become parents—or don’t. In Without Children, Heffington, a historian of gender, explores the long history of women who did not become mothers, for a variety of reasons. Situating what seems to some to be a modern phenomenon within a larger historical context, this one seems like an essential read. Ada Calhoun deems it a “timely, refreshingly open-hearted study.” —EL The Double Life of Benson Yu by Kevin Chong I hear the word “metafiction” and I usually figure I’m in for a cerebral workout and probably a headache. While Chong’s story of a graphic novelist focusing on his art in an attempt to process his difficult youth is indeed a workout, it’s also a hugely engaging, headache-free read about a world, Chinatown, and a creative outlet, graphic arts, that I know nothing about. Yes, there is a lot of darkness in this story, episodes that could present challenges to some readers, but ultimately the heft of this novel lies in its powerful reminder that unless we confront our demons, we’ll never exorcise them. —IR Arrangements in Blue by Amy Key An essay collection about unpartnered life set to the soundtrack of Joni Mitchell's Blue—so thoughtful of Amy Key to write a book specifically and exclusively for me! Looking back at her past romantic longings and collisions, Key considers the (inflated?) value of romantic love and finds her contradictory feelings on the matter reflected in Mitchell's lyrics. There's nothing poor-me about Arrangements in Blue; in Key's hands, solitary life becomes more capacious—and more complicated—than I ever thought possible. —SMS The Ugly History of Beautiful Things by Katy Kelleher In this deeply researched collection of essays, Paris Review contributor Katy Kelleher explores the hidden histories of our favorite luxury goods, revealing how even the most beautiful objects have dark, unsavory backgrounds. In a blend of historical, scientific and autobiographical writing, Kelleher explains why some red lipstick contains beetle shells, why certain perfumes include rodent musk, and why a fancy class of dishware is made with the ashes of cow bones. Along with helping us understand how these objects came to signify beauty, Kelleher reveals the price workers pay to bring them to us – and suggests a few ways we can ethically appreciate their products. —TB May Written on Water by Eileen Chang It is no exaggeration to say Eileen Chang has shaped our perceptions of modern cities in China. Before her, big cities were monstrous, with myriads of people often seen as sordid sinners. Chang portrayed Shanghai and Hong Kong as the intersections of tradition and modernity, of the East and the West. The pleasures of modernity embody new ways of life. The subtleties of everyday life signify people’s pursuit of happiness. Chang is sharp, rebellious, and unique. You will find even her examination of Shanghainese food eerily resonating. —JQ Homebodies by Tembe Denton-Hurst  When Mickey Hayward loses her coveted media job, she pens a scathing letter about the racism and sexism she's encountered in the industry. It's met with silence and soon forgotten, until a media scandal catapults the letter—and Mickey—back into the spotlight. This witty take on fame, media, and the institutions that rule our lives, Homebodies already garnered blurbs from Danielle Evans, Honorée Fanonne Jeffers, and Bryan Washington. —SMS Quietly Hostile by Samantha Irby If you’ve read Irby’s previous collections, or even skimmed her Instagram, you’re likely waiting for her next book of hilarious essays. This one sounds promising: it has a skunk on the front and covers everything from working in Hollywood, to getting a “deranged pandemic dog” (per the jacket copy), to being turned away from a restaurant for being dressed inappropriately. I can’t wait! —EL Dances by Nicole Cuffy At the age of 22, Cece Cordell is catapulted to fame when she becomes the first Black principal dancer in the history of the storied New York City Ballet. But her achievement doesn’t feel right, and she she soon embarks on a journey to find a missing older brother— and the pieces of herself that have been devoured by the voracious machinery of the highly competitive ballet world. This debut novel by the author of a decorated work of short fiction, 2018's Atlas of the Body, is an examination of the physical and spiritual costs all artists must pay in the pursuit of their art. —BM Monsters by Claire Dederer How to separate the art from the artist? A question I—and most cultural critics—have been wrestling with for a long time now. In Monsters, Claire Dederer takes a stab. Inspired by her Paris Review essay, "What Do We Do with the Art of Monstrous Men?," Dederer takes on Hemingway and Picasso, Miles Davis and Roman Polanski, to construct a deeply personal theory of art, genius, and cruelty, written from the perspective of both a critic and a fan. I've been counting down the days to this one for a while. —SMS Dykette by Jenny Fran Davis In her blurb for Davis's debut novel, the writer Samantha Hunt tells me everything I needed to know: "Like a tightly rolled spliff passed around the room," she writes, "you will inhale Dykette." Following three queer couples on a 10-day country getaway, Dykette takes on desire, debauchery, and destruction through a distinctly queer—and propulsively entertaining—lens. —SMS Avidly Reads Screen Time by Phillip Maciak Phillip Maciak is one of the best TV critics alive right now, full stop. Whether he's writing about Girls or Station Eleven or Bluey, his criticism is always characterized by wit, insight, and a remarkable propensity for close-reading. So yes, I was over the moon to learn about his new book of cultural criticism and history, Avidly Reads Screen Time, about how we define screens and how they define us. There are three Mad Men screen caps within the book's first 30 pages, so, yeah, it's gonna be ridiculously good. —SMS Thinning Blood by Leah Myers Leah Myers is likely the last official member of the Jamestown S'Klallam Tribe as a consequence of blood quantum laws. In a work of memoir and family excavation of her ancestors lives' in the Pacific Northwest, Myers explores the meaning of legacy, documentation, belonging, and weaves between and together her own life, the lives of her ancestors, and the hypotheticals of future generations.  —LK King: A Life by Jonathan Eig Martin Luther King Jr. has, at this point, been flattened into an icon. The Selma to Montgomery march, "I Have a Dream," his assassination—this is what his life has been boiled down for many of us, and in the American imagination as a whole. King the leader, the orator, the pastor, the martyr—what about King the man? Eig's forthcoming tome on King, the first full biography in decades, contains new research and shines a fresh light on King's life, relationships, and interiority. —SMS A Life of One's Own: Nine Women Writers Begin Again by Joanna Biggs I've recently realized that I will read just about any book of nonfiction that has the word "women" in the title. A Life of One's Own is no exception, though the draw certainly does not end at its title. Biggs's latest combine memoir, criticism, and biography (my favorite literary concoction) to study how women writers across the centuries—Plath, Woolf, Morrison, et al.— have carved out freedom for themselves in their lives and work. (I suspect this one will be a great companion to the aforementioned How to Think Like a Woman.) —SMS The Late Americans by Brandon Taylor Everyone’s favorite Booker Prize shortlister, national bestseller, Story Prize winner, Henry James prefacer, litcrit-newsletter purveyor, tweet-sender, and sweater-enjoyer Brandon Taylor, returns in May 2023 with The Late Americans. Like his acclaimed 2020 novel Real Life, The Late Americans is set in a small midwestern college town; also like Real Life, it is more accurately set in its young characters’ exquisitely sensitive and private psyches. Its three protagonists, and a larger constellation of midwestern eccentrics, artists, and academics, confront and provoke one another in a volatile year of self-discovery leading to a trip to a cabin where they bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.  —Adam O'Fallon Price The Lost Journals of Sacajewea by Debra Magpie Earling Earling reimagines the well-trodden tale of Sacajewea and her role in the fateful expedition of Lewis and Clark in this historical novel. Endowed agency, authority, and interiority, Earling's Sacajewea rewrites the version of herself handed down through American history. Her life before the expedition comes into vivid focus, as do her complicated feelings about her role in charting the course for American imperialism. Night of the Living Rez author Morgan Talty praises this "transcendental work of literature" as "striking" and "elegant." —SMS On Women by Susan Sontag, edited by David Rieff Susan Sontag, Merve Emre—the collab of the century? I'll read anything by either writer, so I will of course be reading this. Sontag's takes on feminism, sexuality, beauty, fascism, aging, and more are the focus of this seven-essay collection, introduced by Emre and edited by Sontag's son David Rieff. Always drawn to the grey, the murky, the complicated, here Sontag considers the ubiquitous, amorphous forces that shape women's lives with her characteristic curiosity and authority. —SMS Lesbian Love Story by Amelia Possanza In her debut memoir, Brooklynite Possanza dives into the archives to recover the stories of twentieth-century New York lesbians. Sifting through records she finds role models and cautionary tales, juicy gossip and heart-wrenching regret. Writing with empathy, wit, and imagination, Possanza constructs a personal, political, and romantic history of lesbian life and love. —SMS June Where Are Your Boys Tonight?: The Oral History of Emo's Mainstream Explosion 1999-2008 by Chris Payne Emo exploded just as I gained consciousness as a human being with aesthetic tastes. For me, and many of my peers, emo music was a formative force in our lives, enunciating the frustration and darkness that many of us found ourselves newly harboring as adolescents. So I can't wait to read Chris Payne's oral history of the genre, which uses interviews with My Chemical Romance, Paramore, Panic! at the Disco, Fall Out Boy, and more to reconstruct emo's meteoric ascent and profound cultural footprint. —SMS Wannabe: Reckoning with the Pop Culture That Shapes Me by Aisha Harris Harris, host of NPR's Pop Culture Happy Hour, always has a take. Movies, TV, music—she's got an opinion and she's excited to tell you about it. Adapting her radio presence into book form, Wannabe sees Harris turning her talents for critique and criticism inward, looking at the media that has shaped her life and examining its effects. From Clueless to the Spice Girls, New Girl to Chance the Rapper, Harris teases out the connections between her identity and her love of pop culture with wit and elan. —SMS Rivermouth: A Chronicle of Language, Faith, and Migration by Alejandra Oliva Oliva is a writer, translator and immigration activist who has translated for people seeking asylum along the US-Mexico border since 2016. In this work of memoir and journalism, which won a 2022 Whiting Nonfiction Award, Oliva describes her experiences of translation, describes her own Mexican-American family's relationship to the border, and interrogates notions of citizenship and belonging. —LK I Am Homeless If This Is Not My Home by Lorrie Moore Moore's first novel since 2009's A Gate at the Stairs, I Am Homeless If This Is Not My Home (that title!) is a ghost story set in the nineteenth and twenty-first centuries about grief, devotion, and narrative. I'll be honest, I have no idea what this book is actually going to be about (the descriptive copy sums up the plot thusly: "A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .") but the intrigue makes it all the more anticipated. —SMS Directions to Myself: A Memoir of Four Years by Heidi Julavits  My first introduction to Julavits was 2015's The Folded Clock, which I read the week after I first moved to New York, back in 2020. I've been waiting for her next book ever since. It's finally here—Directions to Myself sees Julavits studying what she calls "the end times of childhood." She writes about her son's upbringing as well as her own to find answers about motherhood, family life, and growing up. George Saunders calls it "an absolute stunner." I predict I'll feel the same. —SMS [millions_email]

The Millions Top Ten: March 2015

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  We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March. This Month Last Month Title On List 1. 1. The Novel: A Biography 6 months 2. 2. Station Eleven 6 months 3. 3. My Brilliant Friend 4 months 4. 5. The Narrow Road to the Deep North 6 months 5. 7. The Strange Library 4 months 6. 6. The David Foster Wallace Reader 3 months 7. 9. Dept. of Speculation 4 months 8. 8. All the Light We Cannot See 5 months 9. 10. Loitering: New and Collected Essays 3 months 10. - The Buried Giant 1 month   Well, folks, it's happened. The enduring success of David Mitchell's The Bone Clocks has pushed the author to a Millions echelon so high that it's never before been reached. That's right: Mitchell is now the only author in site history to reach our hallowed Hall of Fame for three (count 'em!) different works. And with The Bone Clocks joining his past works, Cloud Atlas and The Thousand Autumns of Jacob de Zoet, Mitchell's latest achievement puts him ahead of David Foster Wallace (Infinite Jest,The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon TattooThe Girl Who Kicked the Hornet’s Nest), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and Dave Eggers (Zeitoun, The Circle), each of whom authored two Hall of Fame titles. Maybe this repeated success will be enough to coax him into a Year in Reading 2015 appearance. (ARE YOU LISTENING, PUBLICISTS?) Joining this month's list thanks to The Bone Clocks's graduation is Kazuo Ishiguro's latest novel, The Buried Giant. It's a book "about war and memory," wrote Millions staffer Lydia Kiesling in her extremely personal review of the work for this site. "But it is also about love and memory, and you don’t need to have lived through an atrocity to get it." Lastly, I would be remiss if I didn't point out that our own Emily St. John Mandel's Station Eleven, which is poised to graduate to our Hall of Fame next month, was the recent winner of The Morning News's annual Tournament of Books. (It beat out Anthony Doerr's All the Light We Cannot See, which is also on our Top Ten.) The novel, which has earned the praise of George R. R. Martin, took the final match-up by a score of 15-2, which should be decisive enough to persuade all of you who haven't yet bought the book to do so immediately. Join us next month as we graduate three books and open the doors for three newcomers. Will they be among the "Near Misses" below, or will they be something new entirely? Near Misses: My Struggle: Book 1, To Rise Again at a Decent Hour, An Untamed State, The Paying Guests and The First Bad Man. See Also: Last month's list.

The Millions Top Ten: May 2014

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May. This Month Last Month Title On List 1. 1. The Beggar Maid: Stories of Flo and Rose 6 months 2. 2. Beautiful Ruins 3 months 3. 5. Bark: Stories 2 months 4. 3. The Son 2 months 5. 4. Just Kids 5 months 6. 8. Eleanor & Park 2 months 7. 6. Well-Read Women: Portraits of Fiction's Most Beloved Heroines 2 months 8. 9. The Good Lord Bird 2 months 9. - A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World 1 month 10. 10. Jesus' Son: Stories 2 months   In order to graduate to our Hall of Fame, books must remain on the Millions Top Ten for more than six months. The feat has only been accomplished by 82 books in the series's five year history. Within that subset of hallowed tomes, though, eight authors have attained an even higher marker of success: they've reached the Hall of Fame more than once. This accomplishment is remarkable for two reasons: 1) the Top Ten typically favors heavily marketed new releases, so it means that these eight authors have more than once produced blockbusters in the past few years; and 2) because Top Ten graduates must remain on our monthly lists for over half a year before ascending to the Hall of Fame, that means their books must be popular enough to have sustained success. (In other words, marketing only gets you far.) The names of these eight authors should be familiar to Millions readers, of course. They belong to some of the most successful writers of the past 25 years: David Foster Wallace* (Infinite Jest, The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon TattooThe Girl Who Kicked the Hornet's Nest), David Mitchell (Cloud Atlas, The Thousand Autumns of Jacob De Zoet), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and — as of this month — Dave Eggers (Zeitoun, The Circle). (*David Foster Wallace has the unique distinction, actually, of having two of his own books in our Hall of Fame in addition to a biography written about him.) Even money would seem to indicate that Alice Munro is poised to join this esteemed group next. Her Selected Stories graduated to the Hall of Fame shortly after her Nobel Prize was awarded in 2013, and her collection, The Beggar Maid, has been holding fast ever since. Meanwhile, the surprise re-emergence of Denis Johnson's Jesus' Son, which has been hovering at the bottom of the Top Ten lists these past two months, indicates that maybe he'll reach that group soon as well. His novella, Train Dreams, graduated in August of 2012. Changing gears a bit: the lone new addition to our Top Ten this month in the form of Rachel Cantor's mouthful of a novel, A Highly Unlikely Scenario, or a Neetsa Pizza Employee's Guide to Saving the World. The book, which was published last month, was featured in our Great 2014 Book Preview, during which time Millions staffer Hannah Gersen posed the eternal question, "It’s got time travel, medieval kabbalists, and yes, pizza. What more can you ask for?" What more, indeed? Near Misses: Little Failure: A MemoirAmericanahStories of Anton Chekhov, My Struggle: Book 1, and Tampa. See Also: Last month's list.

The Millions Top Ten: February 2011

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for February. This Month Last Month Title On List 1. 3. The Imperfectionists 2 months 2. 4. Atlas of Remote Islands 3 months 3. 8. Skippy Dies 2 months 4. 5. Room 6 months 5. 7. Cardinal Numbers 3 months 6. 10. The Finkler Question 4 months 7. 9. Unbroken: A World War II Story of Survival, Resilience, and Redemption 3 months 8. - The Late American Novel: Writers on the Future of Books 1 month 9. - Autobiography of Mark Twain, Vol. 1 1 month 10. - The Hunger Games 1 month Tom Rachman's The Imperfectionists surges to the top of our list, followed by Judith Schalansky's Atlas of Remote Islands, and Paul Murray's Skippy Dies. Meanwhile, the bottom of our list includes three very diverse debuts. The Late American Novel, co-edited by yours truly, is only just now "officially" out but it has been shipping from Amazon for a few weeks now. (To everyone out there who's picked up the book, thanks for all your support.) Also, new on the list is the Mark Twain Autobiography that has gotten so much attention over the last few months. A few commentators, notably Adam Gopnik in the New Yorker, deflated the hype somewhat, but there is undoubtedly an enormous amount of interest in this literary legend. Finally, all the excitement around YA sensation The Hunger Games has landed the first book in the popular series on our list. Those three debuts took the spots left open by a trio of new Hall of Fame inductees, three books you could argue were the biggest literary reads of last summer, Gary Shteyngart's Super Sad True Love Story, Jennifer Egan's A Visit from the Goon Squad, and, of course, Jonathan Franzen's Freedom. Near Misses: How to Write a Sentence: And How to Read One, Postcards from Penguin: One Hundred Book Covers in One Box, To the End of the Land, Just Kids , and Woman in White. See Also: Last month's list

The Millions Top Ten: January 2011

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for January. This Month Last Month Title On List 1. 2. A Visit from the Goon Squad 6 months 2. 1. Freedom 6 months 3. - The Imperfectionists 1 month 4. 4. Atlas of Remote Islands 2 months 5. 3. Room 5 months 6. 6. Super Sad True Love Story 6 months 7. 8. Cardinal Numbers 2 months 8. - Skippy Dies 1 month 9. 10. Unbroken: A World War II Story of Survival, Resilience, and Redemption 2 months 10. 9. The Finkler Question 3 months Goon Squad! In the last month on our list before they graduate to the Hall of Fame, Jennifer Egan's underdog A Visit from the Goon Squad toppled Jonathan Franzen's Freedom for our top spot. Egan's book started with a lot of buzz last summer, and that buzz grew deafening over the course of 2010 (and into 2011) as it became the book to read among discerning fans of contemporary literature. Meanwhile, after months knocking on the door, Tom Rachman's The Imperfectionists (not coincidentally just out in paperback) rockets onto our list with a debut appearance in third spot. Our other debut is another book that's been much discussed around here, Paul Murray's Skippy Dies. Rachman participated in our Year in Reading this year, as did Murray. Those two debuts took the spots vacated by our latest Hall of Fame inductees, a pair of summer reads that stayed hot as the weather got cold, Justin Cronin's vampire tale The Passage and Tana French's thriller Faithful Place. Near Misses: The Autobiography of Mark Twain, The Hunger Games, Postcards from Penguin: One Hundred Book Covers in One Box, Just Kids , and Woman in White. See Also: Last month's list

The Millions Top Ten: December 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for December. This Month Last Month Title On List 1. 1. Freedom 5 months 2. 3. A Visit from the Goon Squad 5 months 3. 6. (tie) Room 4 months 4. - Atlas of Remote Islands 1 month 5. 6. (tie) Faithful Place 6 months 6. 4. Super Sad True Love Story 5 months 7. 8. The Passage 6 months 8. - Cardinal Numbers 1 month 9. 9. The Finkler Question 2 months 10. - Unbroken: A World War II Story of Survival, Resilience, and Redemption 1 month During the month of December, The Millions was flooded with book recommendations thanks to our Year in Reading series. Many of these recommendations piqued the interest of our readers, and a pair of hidden gems were intriguing enough to make it into our Top Ten. One was Anthony Doerr's effusive praise for Judith Schalansky’s Atlas of Remote Islands, and the other was Sam Lipsyte's unearthing of the late and little known Hob Broun and his Gordon Lish-edited book Cardinal Numbers. A third debut in December was Laura Hillenbrand's Unbroken, her hotly anticipated follow up to Seabiscuit that was noted with an "AAAH!" in December by Sam Anderson. December also graduated a pair of books to our Hall of Fame, the second such honor for each of the authors. Joining Cloud Atlas as an all-time Millions favorite is David Mitchell's newest, The Thousand Autumns of Jacob de Zoet. Meanwhile, The Girl Who Kicked the Hornet's Nest is a second inductee from the late Stieg Larsson's global sensation, the Millennium Trilogy Finally, it's worth noting that after many months of skewing male, our list has acheived gender parity, with four of the top five books penned by female writers. Don't be surprised if Jennifer Egan's breakout hit A Visit from the Goon Squad eclipses Jonathan Franzen's Freedom next month for our top spot. Near Misses: Skippy Dies, The Imperfectionists, The Hunger Games, The Autobiography of Mark Twain , and Out of Sheer Rage: Wrestling with D. H. Lawrence. See Also: Last month's list

The Millions Top Ten: November 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for November. This Month Last Month Title On List 1. 1. Freedom 4 months 2. 2. The Thousand Autumns of Jacob de Zoet 6 months 3. 5. A Visit from the Goon Squad 4 months 4. 9. Super Sad True Love Story 4 months 5. 4. The Girl Who Kicked the Hornet's Nest 6 months 6. (tie) 6. Room 3 months 6. (tie) 8. Faithful Place 5 months 8. 7. The Passage 5 months 9. - The Finkler Question 1 month 10. 10. Out of Sheer Rage: Wrestling With D.H. Lawrence 6 months November saw Booker-winner The Finkler Question, which we reviewed here, debut on our list. Last year's Booker winner Wolf Hall also landed on our list after being awarded the prize and ended up in our Hall of Fame. Speaking of which, another prizewinner, Pulitzer-winning underdog Tinkers is the newest inductee into our hallowed hall. Meanwhile, Freedom by Jonathan Franzen retains our top spot, while Jennifer Egan's A Visit from the Goon Squad and Super Sad True Love Story continue to surge higher on a wave of interest from Millions readers. Near Misses: The Hunger Games, The Imperfectionists, Things We Didn't See Coming, The Autobiography of Mark Twain, and The Gone-Away World. See Also: Last month's list

The Notables: 2010

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This year’s New York Times Notable Books of the Year list is out. At 100 titles, the list is more of a catalog of the noteworthy than a distinction. Sticking with the fiction exclusively, it appears that we touched upon a few of these books as well: The Ask by Sam Lipsyte (our profile of Lipsyte, a most anticipated book) Bound by Antonya Nelson (a most anticipated book) Foreign Bodies by Cynthia Ozick (a most anticipated book) Freedom by Jonathan Franzen (our review, an all-female book club reads Freedom, taking down B.R. Myers' take on Freedom, "Is Big Back?," the Franzen cover of Time, a Millions Top Ten book, a most anticipated book) Fun With Problems by Robert Stone (our review, a most anticipated book) The Girl Who Kicked the Hornet’s Nest by Stieg Larsson (The Stieg Larsson takedown, a most anticipated book, a Millions Top Ten book) Great House by Nicole Krauss (National Book Award finalist, a most anticipated book) I Curse the River of Time by Per Petterson (a most anticipated book) The Imperfectionists by Tom Rachman (our review) The Invisible Bridge by Julie Orringer ("20 More Under 40," a most anticipated book) The Long Song by Andrea Levy (Booker shortlister) The Lotus Eaters by Tatjana Soli (Tatjana Soli's writing at The Millions) Matterhorn by Karl Marlantes ("Is Big Back?") Memory Wall by Anthony Doerr (our review, a most anticipated book) The Privileges by Jonathan Dee (The Millions interview) Room by Emma Donoghue (our review, Booker shortlister, a Millions Top Ten book) Selected Stories by William Trevor (a most anticipated book) Solar by Ian McEwan (a most anticipated book) Super Sad True Love Story by Gary Shteyngart (our review, a most anticipated book, a Millions Top Ten book) The Surrendered by Chang-Rae Lee (a most anticipated book) The Thousand Autumns of Jacob de Zoet by David Mitchell (a morning with David Mitchell, our review, a Millions Top Ten book, a most anticipated book) To the End of the Land by David Grossman (our review) A Visit from the Goon Squad by Jennifer Egan (our profile of Jennifer Egan, our review, a Millions Top Ten book, a most anticipated book) What Becomes by A.L. Kennedy (a most anticipated book)

No Boys Allowed: A Book Club to Discuss Jonathan Franzen’s Freedom

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Last month, a group of women between the ages of 25 and 35 got together in Los Angeles to talk about Jonathan Franzen's new novel, Freedom.  I was one of these women.  I loved the idea of getting together to discuss a big book, one that people across the nation were also buying, and reading, and meeting to talk about.  It felt like we were participating in a cultural moment--it was like getting a Cabbage Patch Kid in the 1980s.   Plus, there would be snacks. Since the novel is 562 pages, we decided to discuss the book over two meetings--crazy, I know.  Because I actually get paid to facilitate a different book club (can you believe that?), I held back from planning questions and discussion points for this new one.  I would not let this group become a job. I would not bring a highlighter.  However, I did bring one quote, from Garth Risk Hallberg's review on this very site.  To start the meeting off, I read the quote aloud to the others: It is surely worth mentioning that Franzen writes more persuasively and attentively about the inner life of women than any male American novelist since Henry James. "Who wrote that?"  someone asked. "What? You don't think a man can write from a woman's perspective?" "Was the reviewer a man or a woman?" "How does he know?" "The question isn't whether a man can write a woman's perspective, but if Franzen can. Was he successful?" The responses were mixed to this question.  All of us felt Patty Berglund, midway through the novel at least, was a complicated and believable character, but a few of us--myself included--did not buy the conceit of her autobiography.  It did not feel as if she had written it; arbitrarily capitalizing words does not render a perspective true!  To me it felt half-assed, almost offensive. Why present these words as Patty's, when they are really the author's, barely concealing himself?  It didn't seem like a true investigation of a character's world or her use of language to describe that world. But I digress.  We talked a whole lot about Patty. "Why did Richard keep saying she was tall?  She's only like 5' 9"!" (So said our tallest member.) "Did anyone really imagine her as attractive?" "When I think female basketball player, I'm unable to imagine a good looking woman." What's interesting to me about an unguided book club is how quickly it dives into content, with only brief exchanges about form.  There is analysis, but it's about the characters.  Why did Patty marry Walter?   What is the nature of the love between Richard and Walter?  What the hell was up with the dirty talk between Joey and Connie?  ("That was my favorite part!")  The great fun of these meetings--and perhaps why they're not particular productive--is that you get to talk about the characters as if they're real.  People describe emotional reactions to the events in the book.  They make value judgments.  They psychoanalyze the characters--and this inevitably pulls the discussion away from the text.  I recall one moment, as we were debating the potential selfishness of the characters, when someone said, "Well, first, we need to define selfishness."  This led us down a thorny but fascinating path, which had little to do with the Berglunds and their problems.  In a book club about Freedom, it's easy to go from a discussion of Walter's environmentalism to a discussion of overpopulation to a discussion of having babies to a discussion of orgasms to, "What do you think Jonathan Franzen's lovemaking style is?"  No wonder Franzen hemmed and hawed his way to a dis-invitation from Oprah nearly ten years ago!  He understood how dangerous a group of women can be. It turned out, after our first meeting (four hours long, no joke), we were all talked out.  Our second meeting was shorter and more subdued.  We discussed the ending, and the relative happiness of Patty and Walter.  Had anyone changed?  Could anyone really change?  We discussed the structural and narrative similarities of the first and final sections--was that return to the elevated perspective beautiful, or a cop-out?  (My answer?  Both.)  We talked about whether or not the sections about mountain top removal were sort of interesting or incredibly boring, and how we reacted to real-life details in fiction. "You think Jonathan Franzen listens to Bright Eyes?" "Is there a real life version of Richard Katz?  I never believed he was actually famous." "What the fuck is up with the band name Walnut Surprise?" "It was so silly!" "Should have been Walnut Hotel or something." "Walnut Surprise sounds sexual, and scatological--like a Joey and Connie thing.  Franzen is obsessed with poop." In both meetings, we came back to this question of whether or not Freedom is a masterpiece.  Why was Jonathan Franzen, out of the many talented and important authors, the anointed one?  We all agreed it was pretty great to see a writer on the cover of TIME, but was he truly "the great American novelist"?   He is both commercially successful and critically acclaimed, and few can claim that mysterious combination these days.   We were saddened, or sobered, by the fact that a woman, at least in the present day, would not be given that title.  Everyone agreed with that. Of course, we spent the last twenty minutes discussing the most important question: "What should we read next?"

The Millions Top Ten: October 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for October. This Month Last Month Title On List 1. 1. Freedom 3 months 2. 2. The Thousand Autumns of Jacob de Zoet 5 months 3. 4. Tinkers 6 months 4. 3. The Girl Who Kicked the Hornet's Nest 5 months 5. 6. (tie) A Visit from the Goon Squad 3 months 6. 10. Room 2 months 7. 5. The Passage 4 months 8. 6. (tie) Faithful Place 4 months 9. 9. Super Sad True Love Story 3 months 10. 8. Out of Sheer Rage: Wrestling With D.H. Lawrence 5 months October was relatively quiet for our list, with no new arrivals or departures, but Jennifer Egan's A Visit from the Goon Squad and Emma Donoghue's Booker shortlisted Room were our top movers, with both books continuing to enjoy significant interest. Meanwhile, the same four books remained ensconced in our top four spots, with Freedom by Jonathan Franzen still in the top spot, while Pulitzer-winning underdog Tinkers continues to find new fans. Near Misses: The Imperfectionists, The Gone-Away World, The Girl Who Played with Fire, Things We Didn't See Coming, and Although Of Course You End Up Becoming Yourself. See Also: Last month's list

The Millions Top Ten: September 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for September. This Month Last Month Title On List 1. 1. Freedom 2 months 2. 2. The Thousand Autumns of Jacob de Zoet 4 months 3. 3. The Girl Who Kicked the Hornet's Nest 4 months 4. 5. Tinkers 5 months 5. 4. The Passage 3 months 6. (tie) 10. A Visit from the Goon Squad 2 months 6. (tie) 6. Faithful Place 3 months 8. 8. (tie) Out of Sheer Rage: Wrestling With D.H. Lawrence 4 months 9. 8. (tie) Super Sad True Love Story 2 months 10. - Room 1 month Summer favorites stayed firmly ensconsed on our list in September, but Emma Donoghue's Booker shortlisted Room managed to debut on the list in the tenth spot. Edan recently offered up a compelling review of the book in our pages. Meanwhile, the top three spots on our list remain unchanged from the prior month, with Freedom by Jonathan Franzen still in the top spot. Garth's review of the book was published here in August. Graduating to our Hall of Fame this month was Michael Lewis' The Big Short. Garth offered up a a look at the book and n+1's entry into the financial meltdown post-mortem genre earlier this week. Near Misses: The Girl Who Played with Fire, The Gone-Away World, War and Peace, Things We Didn't See Coming, The Imperfectionists. See Also: Last month's list

Franzen and Oprah: Together at Last?

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If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen's The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.

Is Big Back?

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Is Google making us stupid? Is reading in America a dying pursuit? Will novel srviv in age of twtr? String together enough of these think-piece propositions, and you begin to notice a pattern. Ostensibly open-ended, their very existence presumes an answer in the affirmative: yes, Google is making us stupid...at least, too stupid to entertain the possibility that this is other than a yes/no question. If the presumption is correct, we might reasonably expect to see it reflected in the evolving form of the literary novel. Just last month, in a cover story on Jonathan Franzen, Time's Lev Grossman postulated that "the trend in fiction over the past decade has been toward specialization: the closeup, the miniature, the microcosm." And in practice, a young writer presenting her manuscript  to editors quickly surmises that the working definition for a novel is no longer Randall Jarrell's "a prose narrative of a certain length that has something wrong with it," but "a prose narrative of 235 to 325 pages that we can bring out as a paperback original." Joshua Cohen, the 29-year-old author of several books, recently told The New York Observer that, of the eight publishers who passed on his novel Witz (800 pp), "One of them told me they would publish it if it was 200 pages.... One said 10 years ago they would have done it, back when people read novels." But if, as Grossman suggests, the "literary megafauna of the 1990s" no longer roam the earth, how to explain Time's interest in Freedom (576 pp)? Moreover, how to explain the thicket of big novels that surround it on the shelves of America's bookstores - not only Witz, but also A.S. Byatt's The Children's Book (675 pages), and Brady Udall's The Lonely Polygamist (599 pp), and Rick Moody's The Four Fingers of Death (725 pp), and Karl Marlantes' Matterhorn (592 pp), and Ralph Ellison's Three Days Before the Shooting (1136 pp), and Hilary Mantel's Wolf Hall (560 pp), and Javier Marías' Your Face Tomorrow trilogy (1255 pp) and Adam Levin's The Instructions (1030 pp)? Surveying those shelves, one begins to suspect that the spread of micro-designations like "literary megafauna" (or less charitably, "phallic meganovels"), rather than the plenitude or scarcity of the species in question, is the true marker of our changing culture. Not so long ago, the phrase "long novel" was no less redundant than "short novel." The serial publication practices of the 19th Century nudged the Victorian novelist toward amplitude. Multiply 16 (the number of pages in a signature) by two (the number of signatures in an installment) by 20 (the number of installments favored by Dickens and his publishers), and you get 640 serial pages - the length, give or take, of Dombey and Son, Little Dorrit, and Bleak House. Not to mention Vanity Fair and Middlemarch and Daniel Deronda... Soon, Trollope would be conceptualizing his novels explicitly as two- or three-volume affairs. My Oxford World Classics edition of Barchester Towers retains its two-volume pagination; it runs from 1 to 271, and then from 1 to 280. Toward the end of the second volume, the author begins to make asides about having to reach a certain page count. In the age of offset printing, the long novel is more heterodox. Not much unites Moody and Marías and Mantel, other than the fact that they are currently stacked half-read on my nightstand. (There's nothing like the birth of a child to foreground the sheer length of a book in one's mind.) To yoke these writers together is thus to risk several kinds of reductionism. Most importantly (and speaking of Trollope): one doesn't want to conflate geometric greatness with the aesthetic kind. Some of the best novels I've read recently are shorter than American presses tend to publish. (In the Spanish-speaking world, in particular, the short novel seems to have thrived in a way it hasn't Stateside. A parallel essay may be warranted). Still, the current profusion of long novels would seem to complicate the picture of the Incredible Shrinking Attention Span. Publishers' willingness to take a chance on a long book circa 2010 may be directly connected to chances taken in the past. The fierce bidding, in 2007, for Jonathan Littell's The Kindly Ones (992 pp), a demanding work in translation, surely owes something to the rapt reception of Roberto Bolaño's The Savage Detectives (600 pp) and subsequent widespread anticipation for 2666 (912 pp). McSweeney's may be hoping The Instructions repeats the success of Chris Adrian's The Children's Hospital (615 pp). And David Foster Wallace's Infinite Jest (1104 pp) continues to have a remarkable second life on the backlist, which is still the publisher's bread and butter. Biographical books and articles by David Lipsky and D.T. Max, as well as copious online discussion, sustain interest in the book. A clerk at a local bookstore told me last week that, for the last two months, it's been flying off the shelves. Indeed, après Jest, doubters may catch a whiff of decadence, or at least self-consciousness, around the efforts of Cohen, Levin, and other candidates for wunderkindency. To be even more crassly economic, in the slog of the Great Recession, the long novel offers readers a compelling value proposition. One may revile all the works of William T. Vollmann, and admire those of the Mexican novelist Mario Bellatin, but even at 55 bucks, Imperial (1344 pp) offers a wildly higher hours-to-dollars ratio (it's roughly one-to-one) than The Beauty Salon (72 pp). (Well, Imperial isn't actually a novel, but it feels weird to discuss long books and exclude Vollmann's megaliths.) To put it another way: Ann Beattie's Walks With Men (102 pp) will cost you about as much as a trip to the local multiplex, and last about as long. And let's not forget that publishers can charge more for a long book than a short one. This helps explain why the Harry Potter novels kept getting longer and longer... On the other hand, barring a guarantee of Potter-like sales, publishers hate big books, as Cohen learned the hard way. They're expensive to print, to ship, and to warehouse. And, to compound the problem, reviewers hate long novels. How much easier to say of Tom Rachman's The Imperfectionists (288 pp) than of, say, Joseph McElroy's Women and Men (1191 pp), "It's so good I had to read it twice." For a deeper explanation of the long novel's enduring health, we have to look toward something harder to quantify: the construction of the reader. The more we're told we're becoming readers of blogs, of texts, of tweets, of files the more committing to a big book feels like an act of resistance. To pick up a novel in excess of 600 pages is to tell oneself, "I am going to spend twenty-four to forty-eight hours of my life with a book, rather than the newspaper, the internet, or the smartphone. I am going to feel it in my muscles" (Some will object here that lugging Infinite Jest on the subway is more a way of saying, "Look at me!" But surely matters of style, and of gender, are at play here; no one levels the same charge at readers of Marguerite Young.) The desire to escape the hive-mind of cyberspace - to be, once more, a solitary reader - may also be at play in the rise of "the Kindle-proof book": the book so tailored to the codex form that it can't yet be reproduced electronically. Think of The Original of Laura, or of Reif Larsen's The Selected Works of T.S. Spivet, or of New Directions' editions of B.S. Johnson's The Unfortunates, or Anne Carson's Nox (actually more of a scroll), or Robert Walser's Microscripts. At the very least, the current boom, or miniboom, in big books should tell us that novelists still believe in this kind of reader.  In the end, this may be enough to ensure her survival; just as the audience shapes the writer's habits, the writer, by the demands she chooses to make on her imaginary readers, calls her audience into being. One  of the underappreciated things about Franzen is that he writes as if the novel still (as Benjamin Kunkel puts it) "dominate[s] the landscape like a mountain range." And lo and behold, there he is on the cover of Time! One doesn't want to draw a veil over the various corporate machinations that made that possible. At the end of the day, though, a large number of readers are, like their 19th Century antecedents, currently reading and thinking about and talking about a work of fiction whose physical dimensions signal a corresponding largeness of intellect and spirit. Surely, we can agree that that's a good thing. For amid all the debatable, slippery stuff about our evolving consciousness, the relationship between the novel and a certain quality of attention appears to be inescapable. Whether in long or otherwise demanding books, or in long or otherwise demanding sentences, or in prodigious subtleties of perspective, writers of the 21st century continue to seek out an audience possessed of that attention. And, in defiance (so far) of predictions to the contrary, readers keep rising up to meet them.

Millions Top Ten: August 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for August. This Month Last Month Title On List 1. - Freedom 1 month 2. 2. The Thousand Autumns of Jacob de Zoet 3 months 3. 4. The Girl Who Kicked the Hornet's Nest 3 months 4. 10. The Passage 2 months 5. 3. Tinkers 4 months 6. 4. Faithful Place 2 months 7. 6. The Big Short 6 months 8. (tie) 7. Out of Sheer Rage: Wrestling With D.H. Lawrence 3 months 8. (tie) - Super Sad True Love Story 1 month 10. - A Visit from the Goon Squad 1 month Three of the summer's biggest literary novels vaulted onto our list in August. Surprising probably no one, Freedom by Jonathan Franzen came out on August 31 and in one day was popular enough to debut at the top of our list. Two other literary superstars also debuted, Gary Shteyngart with Super Sad True Love Story, reviewed here, and Jennifer Egan with A Visit from the Goon Squad, reviewed and profiled here. Meanwhile, David Shields' controversial Reality Hunger ended its run on our list and graduated to the Hall of Fame. Shields wrote a spritied defense of his book for us and provided a supplementary and exhaustive reading list as well. Elsewhere, Stieg Larsson's second "Millennium" book, The Girl Who Played with Fire, got bumped from our list (though the trilogy's final book remains firmly ensconced), as did weighty fave War and Peace. Near Misses: The Girl Who Played with Fire, War and Peace, The Imperfectionists, The Gone-Away World, Things We Didn't See Coming. See Also: Last month's list

Tuesday New Release Day

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Happy Freedom Day: The work at the center of all the reviews, magazine covers, and even, of course, controversy, has arrived. Jonathan Franzen's long-awaited novel Freedom hits shelves today. Our review. Also out today is Booker longlister Skippy Dies by Paul Murray. Another newly translated Roberto Bolaño is out, The Insufferable Gaucho. As is You Were Wrong by Jamestown author Matthew Sharpe. Finally, fashion fans will dig vintage Japanese prepster handbook Take Ivy.

Tough Love: A Review of Jonathan Franzen’s Freedom

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Jonathan Franzen seems to have always known what kind of writer he wanted to be when he grew up. His underrated first book, The Twenty-Seventh City, published before he was thirty, managed to synthesize the warring impulses of postwar fiction - toward black comedy and intimate lyricism, toward domestic realism and busy narrative, toward the personal and the political - in a language of aphoristic wit, journalistic specificity, and lapidary precision. The Twenty-Seventh City was a little bit of everything, without seeming like the average of anything. Notwithstanding his subsequent (and public) hemming and hawing about the social vs. the domestic, the difficult vs. the hospitable, art vs. entertainment, Franzen's ambitions have proven remarkably stable since then. Every seven or eight years, he brings out another dense and dazzling slab of pages - another panorama of American life viewed through the prism of the individual conscience. With 2001's The Corrections, he would seem to have perfected his method. It won the National Book Award, pissed off Oprah, and sold a million billion copies. Our recent poll of authors and editors singled it out as the best novel of the last decade. What could it possibly mean, then, to say that Freedom, his long-awaited follow-up, finds Franzen maturing? Surely not that he is more confident at 50 than at 40. (It's hard to think of a novel more confident than The Corrections.) Nor that Freedom is more or less expansive, or that it represents, in the canned phraseology of newspaper reviews, any kind of "stunning departure" in substance or in sensibility. Rather, the novelty of this novel - the richest reward it offers us for our patience - is the deepening of the author's moral imagination. One thinks of flavors ripening over a slow boil, of instruments changing as they age. To put it another way, in Freedom, Franzen's blues are bluer. The ironies are stronger, the pain more mysterious, and the characters more given to change. Like its predecessors, Freedom can be read as a species of family novel. Unlike them, it is, at heart, a love story...though Franzen cannily muddles the terms of the genre. The lovers in question are Patty and Walter Berglund, parents of two and members in good standing of the urban gentry of St. Paul, Minnesota. But it is not at all clear initially that Patty loves Walter - or, at any rate, how Patty loves Walter, or how well Walter knows Patty. It is, moreover, not at all clear that we should care. A bravura overture, "Good Neighbors," introduces us to the Berglunds through the eyes of their fellow gentrifiers, offering a mordant catalogue of the foibles of "the Whole Foods generation." The satire is delicious, but also offputting. We come to agree with community sentiment, expressed in the free indirect third-person Franzen favors: "There had always been something not quite right about the Berglunds." Immediately afterward, however, Freedom takes a sharp turn: it plunges us into Patty's point-of-view. Seeing through her eyes Walter - and their son, Joey, and Walter's best friend, the charismatic rock musician Richard Katz - we are shaken from our comfortable judgments. And then, in long, subsequent sections that follow, we move into Richard's head, and Walter's, and Joey's, and back to Patty's, each time having to adjust our understanding of this core quartet, the married couple and the manchildren who come between them. Franzen has played this inside-outside game before; The Corrections shuffled us serially among the Lamberts. Here, though, the sharper disjunctions between the various perspectives make the stereoscopic effect at once deeper and more unsettling. Between the outward and inward lives of these characters is a chasm we begin to wonder if we will ever bridge. Which is, of course, exactly the chasm Walter and Patty will have to bridge. First, though, we hopscotch through time. We explore the Berglunds' formative years (their meeting at college, Patty's rape, Walter's alcoholic father); the flickering, destabilizing presence of Richard in their lives; their move to post-September 11 Washington, D.C.; Joey's and Walter's entanglements with the conservative powers of that city; and the slow dissolution of the Berglund marriage under the familiar Franzen formula of depression, anger, and explosive sex. If this sounds heavy, it should be pointed out that Franzen is one of our funniest writers. His sense of humor, too, constitutes an inside-outside game. When Patty, years later, "envies and pities the younger Patty standing there in the Fen City Co-op and innocently believing that she'd reached the bottom," we are both the wiser, older self (how bad can things really be, in the Fen City Co-Op?) and the "innocent" younger one. Franzen has a wonderful way of boiling down this kind of perspectival comedy even further, into a little bouillon cube of diction: "Joey was staggered by the quantity of hardcover books and by the obviously top quality of the multicultural swag that Jonathan's father had collected during distinguished foreign residencies." "Multicultural swag" is funny - we catch the superficiality of Joey's hosts, and a flicker of glib self-awareness in Joey. A lesser novelist might have stopped there. But the agrammatical "obviously top quality," tucked away nearby, is funnier. For all his efforts at savoir-faire, Joey is also ingenuous, in ways he can't quite see. For Franzen, as for the Buddhists, understanding, whatever pieties it may traduce, is the supreme act of compassion. And to understand people in all of their contradictions is, perforce, to be ironic. To speak of the "likeability" of Freedom's characters is thus to miss the moral project completely. Joey is a product of his generation; as another character observes, there is "something Reaganite" about him. But because the novel cares enough about him to inhabit his consciousness fully, we care about him, too. We are laughing at once with him and at him. And with and at ourselves. Such anthropological laughter is a constant in Freedom. The novel picks up and probes everything it comes into contact with, managing in the process to take apart a goodly portion of what currently constitutes American life. It's not that Franzen "knows a thousand different things," as James Wood has suggested the contemporary American novelist seeks to - he's no Tom Wolfe, thank heavens. But he is curious about everything: Volvo maintenance, phone sex, alt-country, iPods, college life, Leo Strauss, NCAA women's basketball... Franzen's curiosity - his wish to welcome the world into his book - at times becomes overly antic, in a way that sits less easily against Freedom's midlife sobriety than it did in The Corrections' atmosphere of oxygenated adolescence. Joey's excursion in South America as a would-be war profiteer is like a less compelling version of Chip Lambert's sojourn in Estonia. And the coal-company conspiracy that envelops environmentally-minded Walter in the middle of the book is far less effective, as political commentary, than the tensions within Walter's own family. One thing Franzen does not seem to know particularly well is Washington, D.C., and there is an opacity to Walter here that we don't feel with Walter elsewhere, or with Joey, Richard, or Patty. (It is surely worth mentioning that Franzen writes more persuasively and attentively about the inner life of women than any male American novelist since Henry James.) But Franzen has the wisdom not to strand Walter inside the Beltway. Against the urban densities where the Berglunds have chosen to make their lives, Freedom keeps returning to a family cabin in the Minnesota woods where they seek respite. And it is a mark of Franzen's growth as a novelist that he keeps letting them find it - letting them breathe. Here, for example, is Walter, late in the novel, but early in his life: Seventeen years in cramped quarters with his family had given him a thirst for solitude whose unquenchability he was discovering only now. To hear nothing but wind, birdsong, insects, fish jumping, branches squeaking, birch leaves scraping as they tumbled against each other: he kept stopping to savor this unsilent silence as he scraped paint from the house's outer walls. And here is Patty, twenty years later and 300 pages earlier, just before her life falls apart in earnest: She took War and Peace out to the grassy knoll, with the vague ancient motive of impressing Richard with her literacy, but she was mired in a military section and kept reading the same page over and over. A melodious bird that Walter had despaired of teaching her the proper name of, a veery or a vireo, grew accustomed to her presence and began to sing in a tree directly above her. Its song was like an idee fixe that it couldn't get out of its little head. In the delicate mirroring of these passages, Franzen insists on nothing. Instead, he lets meaning, the elusive thing, emerge through momentum, like widening circles from a pond-tossed rock. The songbird's repetition echoes Patty's, and its idee fixe is really hers: the "vague ancient" impulse to sleep with Richard. Moreover, the grassy openness of the place Patty calls "Nameless Lake" speaks of a freedom neither Patty nor Walter can find in the "cramped" confines of the nuclear family, or of the society of which it is a microcosm. Freedom, in its intertwining personal and political aspects, is Freedom's explicit concern. It should be noted, though, that the bird the novel keeps coming back to (and that graces its cover), is a blue one, allied not so much with freedom as with happiness. Franzen's real quarry here is the vexed relationship between the two. In the space of the Minnesota woods, the Berglunds are - like Richard on the road or Joey off at college - free, but alone. Ultimately, in these and other moments that call to each other across time and across the space of the novel, Franzen also allows the patient reader to see what Walter and Patty cannot: that they are made for each other. I cede the floor to James Baldwin: Love takes off the masks that we fear we cannot live without and know we cannot live within. I use the word "love" here not merely in the personal sense but as a state of being, or a state of grace – not in the infantile American sense of being made happy but in the tough and universal sense of quest and daring and growth. It is the surprising grace - in every sense - with which Franzen evokes Patty and Walter's love that marks Freedom as the work of a master. Readers looking for the pleasures of The Corrections will find all of them here, in force. But they are also likely to come away from this novel moved in harder-to-fathom ways - and grateful for it. Which is to express the hope that, amid the general childishness of the cultural scene he skewers so lovingly, Jonathan Franzen and his audience may be growing up together.

The Franzen Cover and a Brief History of Time

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Jonathan Franzen occupies the cover of this week's Time, and, as the magazine will happily point out, he's the first novelist to do so in "more than a decade." The Franzen cover---and the Franzen headline: "Great American Novelist"---is a pretty transparent bit of attention-mongering. After all, Franzen's predecessor, Stephen King, got only one paragraph in his cover story, and Time profiled Franzen only four years ago. (Both Franzen stories include lots of bird watching and Lev Grossman.) Still, Time could use a boost as much as literature, and it's hard to fault the magazine. In fact, its choice of Franzen provides an opportunity to look back at Time's long history as literary arbiter and evangelist. In The Powers That Be, David Halberstam writes that Time impresario Henry Luce had a powerful sense of what people should read, what was good for them to read, and an essential belief worthy of the best journalist, that any subject of importance could be made interesting. Thus the cover story, the personalizing of issues so that a lay reader could become more interested and more involved in serious reading matter. This same impulse seems to be at work in Time's Franzen cover. (Under the headline it reads: "His characters don't solve mysteries, have magical powers or live in the future.") Franzen himself has remarked on it. In his famous Harper's essay "Perchance to Dream," he writes that "my father, who was not a reader, nevertheless had some acquaintance with James Baldwin and John Cheever, because Time magazine put them on its cover." Franzen ends up arguing that a shift in Time's cover choices—from James Joyce to Scott Turow—offers more proof of America's cultural decline. But just about every interaction between Time and a literary type has been characterized by a waffling between reaching out and selling out that, today, we'd describe as Franzean. Two favorite examples: When Bennett Cerf tried to convince William Faulkner to do a second Time cover, 15 years after his first, Faulkner asked for an estimate on how much it would add to Random House's bottom line so that he could simply reimburse the publisher. In The Prisoner of Sex, Norman Mailer---who seems to have married Jeanne Campbell, Luce's former mistress, for revenge as much as for love---recalls Time's offer of "a cover story on the author's reactions to the most prominent phenomenon of the summer season: the extraordinary surge of interest in Women's Liberation." Despite having a movie to promote, Mailer decides that "only a fool would throw serious remarks into the hopper at Time." In 1923, Joseph Conrad appeared on Time's first bookish cover and its sixth overall. The story began: Joseph Conrad, rover of the seven seas, has never set foot in the United States. Now he is coming. At about the end of this month the man who holds probably the most exalted position in contemporary English letters is to arrive here for a visit which it is hoped will last through May. And that's about it. Conrad's entire cover story ran only 425 words, a standard length for early Time articles, and this first batch of literary covers were mostly linked to reviews. Thanks to the magazine's short and punchy house style, these reviews always managed to include some biographical information. (The section on "The Author" came right after the one on "The Significance.") By the 1930s, though, you could see a formula beginning to set -- a personalized opening, a capsule biography, some detailed description (Willa Cather "looks and talks like a kindly, sensible Middle-Western housewife, stout, low-heeled, good at marketing and mending"), and, above all, a few kind words about the author's latest. Given Time's practice of deploying multiple reporters, these profiles were often the most thorough or invasive of their time. (The J. D. Salinger cover story is a good example of this.) Given Time's goal of reaching the broadest possible audience, these profiles also turned their subjects into rather flat characters: Cather the housewife, Hemingway the hunter, and so on. The other thing to say about Time's audience is that, from the beginning, the magazine has paid attention to lowbrow lit. Its cover story on E. Phillips Oppenheim praises his "light fiction" and opens with a mutually flattering comparison to Henry Ford, and this is one of many such examples. In fact, after surveying its literary history, I'm more surprised that Time hasn't put Dan Brown or Stephanie Meyer on its cover than that Jonathan Franzen made the cut. (Time did put Harry Potter on its cover for what was essentially a profile of J. K. Rowling.) Below, you too can survey this history through links to the covers and cover stories for each of Time's literary stars. Read them to chuckle at the magazine's weakness for hype (Robinson Jeffers is someone "a considerable public now considers the most impressive poet the U. S. has yet produced"). Read them to get a contemporary perspective on some historical figures (though don't expect the best and the brightest: Lillian Ross's New Yorker profile of Hemingway, for example, is much better than Time's). Read them to marvel at Time's uncanny ability to feature the best writers' worst books. Most of all, read them to watch how this red-bordered cultural institution ferries between the high and the low. The Virginia Woolf cover story is especially good at this, but all of them do it to one degree or another. Even Jonathan Franzen's. Methods Time put 14 authors on its cover in the 1920s, 23 in the 1930s, seven in the 1940s, 11 in the 1950s, 10 in the 1960s, eight in the 1970s, four in the 1980s, four in the 1990s, one in the 2000s, and, now, Franzen in 2010. That adds up to an objective-sounding 83, but I should explain my principles in compiling this list. While Time also likes to revive dead authors---Faulkner, for example, submitted to that second cover in 1964, two years after his death---I included only living authors who wrote primarily imaginative work: novels, plays, or poetry. These criteria still left room for some judgment calls---William Allen White did not make the list because he's better known for his politics and his newspapering (and because White's cover story focuses on his Kansas gubernatorial campaign), but I kept Upton Sinclair and the cover story on his California gubernatorial campaign. Feel free to dispute my choices or to add anyone I missed in the comments. Each entry includes the author's name and, where applicable, the name of the work that prompted the profile. There are also links to a print-friendly version of the cover story and to an image of the cover itself. In fact, thanks to Time's new paywall, the Franzen cover story is the only one you can't read online. The List 1920-1929 Joseph Conrad. "A Great Novelist to Visit the United States." April 7, 1923. Cover image. Israel Zangwill. "Imaginary Interviews: Israel Zangwill, Englishman of Letters." September 17, 1923. Cover image. George Bernard Shaw / Saint Joan. "Saint Joan." December 24, 1923. Cover image. Eugene O'Neill / All God's Chillun Got Wings. "All God's Chillun." March 17, 1924. Cover image. Amy Lowell / John Keats. "Miss Lowell Eulogizes, Analyzes, Forgives the Poet." March 2, 1925. Cover image. Booth Tarkington / Women. "Mr. Tarkington's Ladies." December 21, 1925. Cover image. H. G. Wells / The World of William Clissold. "Wells, Wells, Wells." September 20, 1926. Cover image. Rudyard Kipling / Debits and Credits. "Loud Kipling." September 27, 1926. Cover image. Sinclair Lewis / Elmer Gantry. "Bible Boar." March 14, 1927. Cover image. Michael Arlen / Young Men in Love. "Mayfairian." May 2, 1927. Cover image. E. Phillips Oppenheim / Miss Brown of X. Y. O.. "Number 100." September 12, 1927. Cover image. Eugene O'Neill / Strange Interlude. "New Plays in Manhattan." February 13, 1928. Cover image. Edgar Wallace / People. "Master of Mass." April 15, 1929. Cover image. Robert Bridges / The Testament of Beauty. "Laureate Testifies." December 2, 1929. Cover image. 1930-1939 Willa Cather / Shadows on the Rock. "Amen, Sinner." August 3, 1931. Cover image. Eugene O'Neill / Mourning Becomes Electra. "Greece in New England." November 2, 1931. Cover image. Philip Barry / The Animal Kingdom. "Angel Like Lindbergh." January 25, 1932. Cover image. Robinson Jeffers / Thurso's Landing and Other Poems. "Harrowed Marrow." April 4, 1932. Cover image. T. E. Lawrence / The Odyssey [trans.]. "Scholar-Warrior." November 28, 1932. Cover image. Noel Coward / Design for Living. "First Englishman." January 30, 1933. Cover image. Gertrude Stein / The Autobiography of Alice B. Toklas. "Stem's Way." September 11, 1933. Cover image. James Joyce / Ulysses. "Ulysses Lands." January 29, 1934. Cover image. Thomas Mann / Joseph and his Brothers. "Great Mann." June 11, 1934. Cover image. Upton Sinclair. "California Climax." October 24, 1934. Cover image. Maxwell Anderson / Valley Forge. "Washington, by Anderson." December 10, 1934. Cover image. Kathleen Norris / Woman in Love. "Golden Honeymoon." January 28, 1935. Cover image. John Buchan. "Canada's New Governor General." October 21, 1935. Cover image. George Santayana / The Last Puritan. "Philosophic Footballer." February 3, 1936. Cover image. John Dos Passos / U.S.A. trilogy. "Private Historian." August 10, 1936. Cover image. Virginia Woolf / The Years. "How Time Passes." April 12, 1937. Cover image. Sidney Howard. "Meat Show Meeting." June 7, 1937. Cover image. Ernest Hemingway / To Have and To Have Not. "All Stones End . . . ." October 18, 1937. Cover image. Holger Cahill. "In the Business District." September 5, 1938. Cover image. Andre Malraux / Man's Hope. "News From Spain." November 7, 1938. Cover image. William Faulkner / The Wild Palms. "When the Dam Breaks." January 23, 1939. Cover image. James Joyce / Finnegans Wake. "Night Thoughts." May 8, 1939. Cover image. Carl Sandburg / Abraham Lincoln: The War Years. "Your Obt. Servt." December 4, 1939. Cover image. 1940-1949 Kenneth Roberts / Oliver Wiswell. "Angry Man's Romance." November 25, 1940. Cover image. Sinclair Lewis / Cass Timberlane. "Laureate of the Booboisie." October 8, 1945. Cover image. Craig Rice. "Mulled Murder, with Spice." January 28, 1946. Cover image. Eugene O'Neill / The Iceman Cometh. "The Ordeal of Eugene O'Neill." October 21, 1946. Cover image. C. S. Lewis / The Screwtape Letters. "Don v. Devil." September 8, 1947. Cover image. Rebecca West / The Meaning of Treason. "Circles of Perdition." December 8, 1947. Cover image. John P. Marquand / Point of No Return. "Spruce Street Boy." March 7, 1949. Cover image. 1950-1959 T. S. Eliot / The Cocktail Party. "Mr. Eliot." March 6, 1950. Cover image. Robert Frost. "Pawky Poet." October 9, 1950. Cover image. James Thurber. "Priceless Gift of Laughter." July 9, 1951. Cover image. Graham Greene / The End of the Affair. "Shocker." October 29, 1951. Cover image. Joyce Carey / Prisoner of Grace. "Cheerful Protestant." October 20, 1952. Cover image. Thorton Wilder. "An Obliging Man." January 12, 1953. Cover image. Ernest Hemingway. "An American Storyteller." December 13, 1954. Cover image. Andre Malraux. "Man's Quest." July 18, 1955. Cover image. Herman Wouk / Marjorie Morningstar. "The Wouk Mutiny." September 5, 1955. Cover image. James Gould Cozzens / By Love Possessed. "The Hermit of Lambertville." September 2, 1957. Cover image. Boris Pasternak / Doctor Zhivago. "The Passion of Yurii Zhivago." December 15, 1958. Cover image. 1960-1969 J. D. Salinger / Franny and Zooey. "Sonny." September 15, 1961. Cover image. Tennessee Williams / The Night of the Iguana. "The Angel of the Odd." March 9, 1962. Cover image. Evgeny Evtushenko. "A Longing for Truth." April 13, 1962. Cover image. James Baldwin / The Fire Next Time. "The Root of the Negro Problem." May 7, 1963. Cover image. John Cheever / The Wapshot Scandal. "Ovid in Ossining." March 27, 1964. Cover image. Phyllis McGinley. "The Telltale Heart." June 18, 1965. Cover image. Robert Lowell. "The Second Chance." June 2, 1967. Cover image. John Updike / Couples. "View from the Catacombs." April 26, 1968. Cover image. Alexander Solzhenitsyn / In The First Circle. "The Writer as Russia's Conscience Headline." September 27, 1968. Cover image. Vladimir Nabokov / Ada, or Ardor: A Family Chronicle. "Prospero's Progress." May 23, 1969. Cover image. 1970-1979 Gunter Grass / Local Anaesthetic. "The Dentist's Chair as an Allegory in Life." April 13, 1970. Cover image. Richard Bach / Jonathan Livingston Seagull. "It's a Bird! It's a Dream! It's Supergull!" November 13, 1972. Cover image. Norman Mailer / Marilyn. "Two Myths Converge: NM Discovers MM." July 16, 1973. Cover image. Alexander Solzhenitsyn / The Gulag Archipelago. "An Artist Becomes an Exile." February 25, 1974. Cover image. Gore Vidal / 1876. "Laughing Cassandra." March 1, 1976. Cover image. Alex Haley / Roots. "Why 'Roots' Hit Home." February 14, 1977. Cover image. John Le Carre / The Honourable Schoolboy. "The Spy Who Came in for the Gold." October 3, 1977. Cover image. Mario Puzo / Fools Die. "Paperback Godfather." August 28, 1978. Cover image. 1980-1989 John Irving / The Hotel New Hampshire. "Life Into Art." August 31, 1981. Cover image. John Updike / Bech is Back. "Perennial Promises Kept." October 18, 1982. Cover image. Garrison Keillor / Lake Wobegon Days. "Lonesome Whistle Blowing." November 4, 1985. Cover image. Stephen King / It. "King of Horror." October 6, 1986. Cover image. 1990-1999 Scott Turow / Burden of Proof. "Burden of Success." June 11, 1990. Cover image. Michael Crichton / The Lost World. "Meet Mr. Wizard." September 25, 1995. Cover image. Toni Morrison / Paradise. "Paradise Found." January 19, 1998. Cover image. Tom Wolfe / A Man in Full. "Tom Wolfe Writes Again." November 2, 1998. Cover image. 2000-2009 Stephen King / "Riding the Bullet." "Everyone's A Star.com." March 27, 2000. Cover image. 2010 Jonathan Franzen / Freedom. "Great American Novelist." August 23, 2010. Cover image.

Most Anticipated Summer Reading 2010 and Beyond: The Great 2010 Book Preview Continued

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2010 has already been a strong year for fiction lovers, with new novels by the likes of Joshua Ferris, Don DeLillo, Ian McEwan, Lionel Shriver, Jennifer Egan, and David Mitchell. Meanwhile, publishing houses offered up posthumous works by Ralph Ellison, Robert Walser, and Henry Roth, and the font of Roberto Bolaño fiction continued to flow. The second half of 2010 will bring much anticipated work by Gary Shteyngart, Antonya Nelson, Salman Rushdie, and especially Jonathan Franzen. So that readers may set their literary calendars anew, we've selected a few dozen books we're looking forward to. (The writer of each preview is noted in parenthesis.) July (or already available) The Cookbook Collector by Allegra Goodman: I first took note of Allegra Goodman's off-kilter prose thanks to a New Yorker short story five years ago. As it turns out, that story, gently poking fun at the exuberance of the late 1990s, but also quietly weighty, touching on pain, religion and the whole idea of being “centered,” was a piece of Goodman's new novel, The Cookbook Collector. The book focuses on a pair of sisters at the turn of the millennium toiling on either end of the technology continuum, one the founder of a dot-com startup, the other an antiquarian book dealer. PW loves the book, calling it "Goodman's most robust, fully realized and trenchantly meaningful work yet." (Max) The Four Fingers of Death by Rick Moody: The Four Fingers of Death is a 700 page supercollider. It brings together the various interests Rick Moody has explored in his eight previous books: metafiction, domestic drama, satire, the entertainment industry, and the Way We Live Now...er, tomorrow. The framing tale, set in the year 2025 (yes, man is still alive), concerns Montese Crandall, a self-involved writer-type who will be familiar to readers of Moody's short stories. The longer, framed section is a Vonnegut-inspired sci-fi romp. Gradually, one imagines, the two converge. Mutual illumination ensues. (Garth) Memory Wall by Anthony Doerr: Doerr came to the attention of many readers with his debut collection of stories The Shell Collector. Now, after a novel and a travel memoir, he's back with another collection that includes two novellas and four short stories. As with The Shell Collector, Doerr's scope in Memory Wall is global. A recent profile with Boise Weekly -- Doerr is wrapping up his tenure as Idaho's writer in residence -- places the action in China, South Africa, Germany, Korea, Lithuania, Wyoming and, of course, Idaho. (Max) Super Sad True Love Story by Gary Shteyngart: The author of the critically acclaimed and deliriously off-kilter novels The Russian Debutante’s Handbook and Absurdistan returns with a third novel set in an apocalyptic near-future. Books are all but extinct and America is functionally illiterate, there are riots in Central Park and National Guard tanks on every Manhattan street corner, and the narrator is, as the Random House publicity department puts it, “the proud owner of what may well be the world’s last diary.” It’s difficult to resist the book’s opening lines: “Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.” (Emily M.) Faithful Place by Tana French: Faithful Place is the #1 Indie Next Pick for the month of July. (This is a big deal—it means that independent booksellers across the United States have picked French’s new novel as their favorite out of all the books being published in the US in July 2010.) This alone should be enough to make us sit up and take notice, but the plotline is particularly beguiling: when Frank Mackey was nineteen, he made plans with his girlfriend Rosie to leave the poverty and dysfunction of their lives in Dublin’s inner city and flee to London. But Rosie never appeared on the night they were supposed to meet, and Frank, assuming that she’d changed her mind, went on to England without her. Twenty-two years later, a suitcase is found behind a fireplace in a run-down building on the street where Frank grew up; when it becomes clear that the suitcase belonged to Rosie, Frank returns home to try and unravel the mystery of what happened to her. French is also the author of two previous critically-acclaimed novels: In the Woods, which won the Edgar, Barry, Macavity, and Anthony awards, and The Likeness. (Emily M.) The Thieves of Manhattan by Adam Langer: Adam Langer, who is the author of the well-received Crossing California and two other books, will publish The Thieves of Manhattan this month. In a starred review, Publishers Weekly called it "an über-hip caper that pays homage to and skewers the state of publishing and flash-in-the-pan authors... Part Bright Lights, Big City, part The Grifters, this delicious satire of the literary world is peppered with slang so trendy a glossary is included." (Edan) The Return and The Insufferable Gaucho by Roberto Bolaño: The frenzy of posthumous Bolaño publication continues. The Return (July) is a new volume of short stories. And The Insufferable Gaucho (August) -- more stories, plus two essays -- was apparently the last book Bolaño delivered to a publisher. And we hear there's more "new" Bolaño to come in 2011. (Max) August My Hollywood by Mona Simpson: Simpson, author of Anywhere but Here and Off Keck Road, among others, took ten years to write this new novel about Claire, who has recently moved to Los Angeles with her husband and young son, and Lola, their Filipina nanny. In Publishers Weekly, Simpson said, "There are thousands of women who are here working, often with their own young children left behind. That leads to a whole different vision of what it is to raise a child, what's important." (Edan) Hollywood by Larry McMurtry: Although Texas epicist Larry McMurtry has written dozens of novels, he’s best known for the films that have come from them: The Last Picture Show, Terms of Endearment, Hud, and the CBS colossus "Lonesome Dove." Over the last five decades, he’s turned others’ work into triumph (Brokeback Mountain), seen his own ground into pabulum (Texasville), and written a screenplay for The Cougar (John Mellencamp’s Falling From Grace). In short, he’s a veteran of the L.A. movie wars, and in Hollywood—his third memoir in as many years—he’ll share the stories behind them. Or, at least, he should: in a harsh review of his second memoir, 2009’s Literary Life, The New York Times wrote, “Too often… Mr. McMurtry will sidle up to an interesting anecdote and then tell the reader to wait for his third and concluding memoir, Hollywood… He’ll explain then.” (Jacob) I Curse the River of Time by Per Petterson: Petterson has been on the road to international literary stardom for a few years now and that means his new novels get translated into English with relative alacrity. The book won the Norwegian Brage prize and, according to a “sample translation” on Petterson’s agent’s website, it begins: “I did not realize that my mother had left. There was too much going on in my own life. We had not spoken for a month, or even longer, which I guess was not that unusual, in 1989, when you consider the things that went on around us back then, but it felt unusual.” (Max) Encounter by Milan Kundera: Fans of Milan Kundera’s previous essays on the power of art (particularly that of the novel), memory, mortality, and human nature can look forward to Encounter, his newest collection, which was released in France in 2009 and will land in the English-speaking world in August. Kundera’s devotion to modernism is a particular focus here, with reflections both critical and personal on the work of established masters – Francis Bacon, Leo Janacek, Garcia Marquez, Dostoevsky, and Fellini – as well as homages to those he considers unsung, including Anatole France, Curzio, Malaparte, and Celine. (Both the Malaparte and Celine sections apparently hone in on episodes involving dogs – the dignified way in which animals face death, in contrast to human posturing and vanity – which I especially look forward to). In a review last year, Trevor Cribben Merrill described Encounter as “a self-portrait of the artist as an old man […]the most personal of Kundera’s essays.” (Sonya) You Lost Me There by Rosecrans Baldwin: In this debut novel by the co-founder of one of The Millions' favorite sites, The Morning News, Alzheimer's researcher Victor Aaron discovers his late wife's notes about the state of their marriage. Her version of their relationship differs greatly from his own, and Victor is forced to reexamine their life together. Wells Tower says the novel "is a work of lucid literary art, roisterous wit, and close, wry knowledge of the vexed circuits of the human mind and heart." (Edan) Sympathy for the Devil, edited by Tim Pratt: This anthology will collect stories from an impressive roster of writers -- Neil Gaiman, Stephen King, Kelly Link, China Mieville, Michael Chabon, and others -- with the devil being the common thread. This being a reprint anthology, fans of the individual authors included may find nothing new, though they may appreciate the clever theme and may encounter work by writers they don't regularly read. (Max) The Thousand by Kevin Guilfoile: While many readers might associate Guilfoile with McSweeney's, where he's a frequent contributor, or The Morning News, where with John Warner he provides essential commentary for the Tournament of Books, his fiction occupies a space that some readers might not associate with these latter-day literary tastemakers. Case in point, the titular Thousand are "a clandestine group of powerful individuals safeguarding and exploiting the secret teachings of Pythagoras." That may sound like Dan Brown fodder, but you'll be getting something much, much smarter. (Max) September Freedom by Jonathan Franzen: Freedom, Jonathan Franzen's first novel in nearly a decade, is a love story - albeit one surrounded by more ideas and insights and plot-lines than many novelists manage in a career. As he anatomizes the marriage of Minnesotans Patty and Walter Berglund, Franzen also looks at environmentalism, politics, sex, gentrification, and the pains and pleasures of growing up. And though a youthful anger animates his writing on the Bush years, his patience with Patty, in particular, suggests a writer who has done some growing himself. Franzen's longest book is also, for great swaths of pages, his best. (Garth) Bound by Antonya Nelson: If two women can bond by mutual disdain for a third, then reading Antonya Nelson’s fiction is like being the second woman listening as Nelson dishes tales of family, friends, and small town life with precision, venom, and humor. Typical to Nelson is a swift and biting portrait that’s as honest as it is unsentimental--consider this line from her story “Incognito” for example: “My mother the widow had revealed a boisterous yet needy personality, now that she was alone, and Eddie, least favorite sibling, oily since young, did nothing more superbly than prop her up.” Nelson’s latest novel, Bound, returns to her hometown of Wichita, Kansas, and depicts the turmoil of a couple on the rocks--the wife haunted by her past and the husband a serial adulterer--while a serial killer, the BTK (Bound Torture, and Kill), reappears after a long silence, taking vicious to a new level. (Anne) Zero History by William Gibson: Zero History will round out a trilogy that also includes Pattern Recognition and Spook Country. Gibson recently laid out how the three books fit into our 21st century milieu: "If Pattern Recognition was about the immediate psychic aftermath of 9-11, and Spook Country about the deep end of the Bush administration and the invasion of Iraq, I could say that Zero History is about the global financial crisis as some sort of nodal event." (Max) Ape House by Sara Gruen: Following her surprise hit with Water for Elephants, Gruen earned a $5 million advance for Ape House and whatever she writes next. Whether or not Gruen earns back that hefty advance, the new book sounds like madness: super smart apes -- bonobos, specifically -- escape a lab in an explosion and not long after, a mega-hit reality TV show appears featuring the missing apes. This reminds me of that movie Project X. (Max) C by Tom McCarthy: One of Tom McCarthy’s many roles in addition to novelist includes acting as the General Secretary of the International Necronautical Society, who in their first manifesto declared: “our very bodies are no more than vehicles carrying us ineluctably towards death” and that “the construction of mankind’s sole chance of survival lies in its ability, as yet unsynthesised, to die in new, imaginative ways.” In keeping with these moribund tendencies, McCarthy returns with his second third novel, C, which in general terms deals with technology and mourning. In McCarthy’s own words, “C is about the age of the wireless: the roar of transmission, signals flung from towering masts, global reaches crackling out of earphones. And empire. And insects. And incest.” Simultaneously a bildungsroman and an anti-realist period novel, C follows the life of Serge Carrefax, the son of a man who runs a school for the blind, who grows up to become a WWI radio operator for reconnaissance planes, is imprisoned by the Germans, and escapes. The book jacket designer, Peter Mendelsund, claims that if MacCarthy’s first novel, Remainder, recalls Beckett then C reads like Joyce. McCarthy says that if Remainder is his French novel, then C is his German. If one can judge a book by its cover and anticipatory buzz, C will be one to remember. (Anne) True Prep by Lisa Birnbach with Chip Kidd: The Official Preppy Handbook had that rare spark of wit that makes a good joke many things to many people. Actual preppy people were chuffed to find themselves the subject of a well-drawn lampoon (or earnestly concerned with inaccuracies), the great unwashed found an arsenal or an atlas, depending on their aspirations, and people somewhere in the middle could feel a sheepish pride in being kind of sort of related to a tribe important enough to have its own book. People with real problems, of course, didn't care either way. Now, True Prep is upon us, and if it fulfills the 1.3 million-print run promise of its precursor, Knopf Doubleday and authors Lisa Birnbach and Chip Kidd (original collaborator Jonathan Roberts did not participate, fearing the project wasn't true to the subversive intention of the Handbook) stand to rake it in. But the popularity of the original book, the shifting sands of American society and wealth, and the proliferation of lifestyle blogs by people with no sense of humor or irony have created a monster simulacrum of "prepdom," one without easily defined parameters. Will the sequel be able to paint such a sharp and comic portrait as the first Handbook, or will it be yet another non-book littering the aisles of Borders? (Lydia) All is Forgotten, Nothing is Lost by Lan Samantha Chang: Chang, who is the author of one other novel, Inheritance, and a story collection, Hunger, is also the director of the Iowa Writers' Workshop. Perhaps the Workshop inspired her new book, which is about poets at a renowned writing school. At just over 200 pages, this slim novel examines the age-old question, "What are the personal costs of a life devoted to the pursuit of art?" (Edan) By Nightfall by Michael Cunningham: Cunningham's last novel Specimen Days didn't quite replicate the critical and commercial success of The Hours. This new novel was initially called Olympia, and a long excerpt of it was published in the inaugural issue of Electric Literature. Discussing the novel, Cunningham told Entertainment Weekly, "Peter is the central character. He’s an art dealer and he finds that he is increasingly drawn to his wife’s very much younger brother, who evinces for him everything that was appealing about his wife when he first met her. He’s not gay. Well, he’s probably a little gay because we’re all a little gay, right? But it’s certainly eroticized. It’s not because he wants to f— this boy. The boy is like the young wife." (Max) Salvation City by Sigrid Nunez: In early 2009 in these pages, Sana Krasikov considered the contention the women aren't known for writing novels of ideas. Her rejoinder to this was Sigrid Nunez’s The Last of Her Kind, "a book that, in addition to being beautifully written, was as much about ideas as it was about characters." This new novel exploring a dystopia -- it's set in the near future after a flu pandemic has ravaged the world and a sheltered, but cultish community has survived the carnage -- seems likely to extend Krasikov's thesis. (Max) The Elephant's Journey by Jose Saramago: From the late Nobel laureate, this novel "traces the travels of Solomon, an Indian elephant given by King John III to Archduke Maximilian II of Austria." (Max) October Nemesis by Philip Roth: This latest novel from Roth should prove to be more accessible than his last, The Humbling. The book is set during a war-time polio epidemic in Newark, New Jersey in 1944. At the center of the book is a 23-year-old playground director who sees polio ravage the children he looks after. The book has been in the works since at least early 2009, when it was first described by Roth. (Max) Travels in Siberia by Ian Frazier: If, like me, you were wowed when you read in The New Yorker Ian Frazier's expansive, two-part travelogue of a trip across Siberia at the turn of the millennium, then you'll be thrilled to find out that this massive piece was likely just a small fraction of Frazier's forthcoming 544-page book. Frazier's entertaining guides Sergei and Volodya (they are a pair of lovable, though sometimes frightening, curmudgeons), his insistence on traveling by car (which lent Frazier's NYer piece many comic moments but also an unimpeachable authenticity), and the moment in history when his trip takes place (he arrives at the Pacific on September 11th, 2001), seem likely to make this book a classic. (Max) Listen to This by Alex Ross: If New Yorker music critic Alex Ross’s second book Listen to This lives up to its title essay, then we’re in for a treat. I remember being floored and invigorated by that essay in 2004; Ross’s depth of knowledge, passion, and youth – just 36 then – converted me to his cause in a blink. “I hate ‘classical music,’” he wrote, “not the thing but the name. It traps a tenaciously living art in a theme park of the past... Yes, the music can be great and serious… It can also be stupid, vulgar, and insane. Music is too personal a medium to support an absolute hierarchy of values.” In other words, no music, classical or otherwise, is categorically superior nor the moribund realm of rich ladies; all great music is by definition “something worth loving.” In Listen to This, Ross reaches beyond “classical” (his award-winning first book The Rest is Noise explored 20th century classical composers) into a more eclectic canvass -- in Ross’s words, a “panoramic view” – of music worth loving, including Verdi, Brahms, Marian Anderson, Chinese classical music, Kiki and Herb, Led Zeppelin, Björk, Radiohead, Mitsuko Uchida, Esa-Pekka Salonen, and Bob Dylan. (Sonya) Picture This: The Near Sighted Monkey Book by Lynda Barry: For the visually patient—those who inspect collage, squint into details, and willingly sift through doodles—Lynda Barry’s work is a unique gift. The cartoonist/novelist/lecturer’s Picture This: The Near Sighted Monkey Book will continue the thread begun with 2008’s What It Is, her bust-out graphic memoir-cum-instructional. As What It Is encouraged the act of writing, Picture This will push the reader to draw and remind us of the happiness it once could bring. Remember when you filled your looseleaf margins with rough Darth Vaders and ridiculous monsters? If anyone can get us to put down our phones, pick up our pencils, and get back to that pleasure, it’s Barry—whose boundless, cramming technique is evidence of both the work and reward of creation. (Jacob) The Masque of Africa by V.S. Naipaul: V.S. Naipaul, hoping to reach "the beginning of things," traveled to six sub-Saharan African countries and examined the belief structures found therein for The Masque of Africa, a travelogue and treatise on the role of religion in culture. Apparently Naipaul learned much from this project, which complicated his sense of an old-new dichotomy and his notion that religious practices varied greatly between nations. Naipaul's detractors have accused him of being a colonial apologist, so it will be interesting to see how this work of non-fiction will engage with complex ideas of faith and progress, neither of which can be separated from Africa's colonial past, nor, as Naipaul concedes, from the present-day politics of the nations he explores. (Lydia) Doctor Zhivago by Boris Pasternak (translated by Richard Pevear and Larissa Volokhonsky): Pevear and Volokhonsky's vigorous translations have turned new editions of the Russian greats into publishing events, and we've watched as their translations of classics like War and Peace and The Death of Ivan Ilyich and Other Stories climbed our otherwise contemporary-leaning top-ten lists. Last year, we interviewed the husband and wife team and got a sense of their unique process. In an interview around the same time with the Wall Street Journal, the couple called Zhivago the toughest of the 16 books they've translated: "The issue is the prose. It's not that rich or ornate, but it's extremely difficult to translate. His language is very studied. Even when it looks simple, it's not. The sentences aren't long or complex, but it's the quality of the words. It's never what you expect." (Max) The Great House by Nicole Krauss: Bestselling author of The History of Love, Nicole Krauss returns with The Great House, a novel about a desk that, according to the publisher's description, "contains the secrets, and becomes the obsession, of the lives it passes through... a desk of enormous dimension and many drawers that exerts a power over those who possess it or give it away." Krauss was one of The New Yorker's "20 under 40" writers, and "The Young Painters," published in the magazine's June 28, 2010 issue, is an excerpt from her forthcoming novel. You can read a Q&A with her here. (Edan) X’ed Out by Charles Burns: I once saw a comics panel discussion in which Charles Burns complained, fairly wryly, about the amount of effort he forces into his work: in one issue of Black Hole, he said, he spent hours applying his sharp black inks to an endpaper image of twigs—a picture that each reader would spend “maybe three seconds on,” then move along. Such frustration is understandable, but I don’t know that he was actually right. Each page, each panel, of Burns’ work claws you in; each line is unsettling in its perfection. He cannot be read casually. His newest, X’ed Out, will touch on typically Burnisan themes: quiet distress, eerie isolation, a heavy apocalyptic oddness. But, as always, the look of the book is the thing: we’ll be gripped by its feel as much as by its story—and, yes, take our time with its potent renderings of splintered boards, broken walls, and specimens shut in jars. (Jacob) False Friends by Myla Goldberg: We included Goldberg on our own "20 under 40" list and suggested that "literary mandarins" put off by her smash-hit debut Bee Season take a look. Another opportunity to do so will arrive in October with Goldberg's third novel. (Max) If You're Not Yet Like Me by Edan Lepucki: In October, Millions contributor Edan Lepucki will publish her novella If You're Not Yet Like Me under Flatmancrooked's New Novella imprint. The title will initially be available for limited edition presale under Flatmancrooked's LAUNCH program, designed for emerging authors. (Max) November: Luka and the Fire of Life by Salman Rushdie: In the wake of the fatwa and accompanying media frenzy that followed the publication of The Satanic Verses, Rushdie, apparently at the prodding of his then nine-year-old son, shifted gears to focus on something much less contentious, a children's book called Haroun and the Sea of Stories. Now, twenty years later, Rushdie is returning with a sequel to the book he wrote for his son. Fatherhood has once again inspired Rushdie, who, according to bookseller.com, decided to write this new book for his "youngest son, Milan, who was born in 1999." (Max) Autobiography of Mark Twain: On April 21, 1910, Mark Twain died of a heart attack. His death brought to a close maybe the greatest literary life America has ever known, and it started the countdown to the publication of Twain's autobiography, which Twain instructed was not to be released until he had been good and gone for 100 years. Well, the waiting is finally over, and from early reports it appears as though it might have taken an entire century to wrestle the mass of writing Twain left behind into publishable form. This November, the University of California Press will release the first volume in a trilogy that Twain wrote according to the rambling dictate, "talk only about the thing which interests you for the moment." (Kevin) The Box: Tales from the Darkroom by Gunter Grass: The publisher's description of this one lays out its unique premise: "In an audacious literary experiment, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives." It's another journey into autobiography for Grass, whose Peeling the Onion set off a furor in Germany and elsewhere with its revelation that Grass had been a member of the Waffen-SS during World War II. (Max) Life Times: Stories, 1952-2007 by Nadine Gordimer: FSG will collect the "best" short fiction from the South African Nobel laureate in this hefty volume. (Max) The Petting Zoo by Jim Carroll: Readers mourned the death of punk poet Jim Carroll last year. As Garth wrote in these pages, "Before he was a screenwriter, Carroll was a diarist, a frontman, an addict, and a poet, and he left behind at least a couple of very good books." For Carroll fans, this posthumously published novel that takes the late-1980s art scene as its inspiration, will at the very least be another opportunity to experience his work and at best may be another one of those "very good books." (Max) Selected Stories by William Trevor: This volume will collect nearly 600 pages worth of short stories from this verable master of the form. (Max) Foreign Bodies by Cynthia Ozick: This forthcoming novel from Ozick is framed as a nifty literary trick. It's a retelling of Henry James' The Ambassadors, but, according to the publisher's description, "the plot is the same, [but] the meaning is reversed." (Max) December: Dead or Alive by Tom Clancy: It's actually been seven years since the last Tom Clancy book came out, the longest gap of his career. This fact plus the usual excitement from Jack Ryan fans could make this more of a publishing event than expected. (Max) My Prizes by Thomas Bernhard: This collection of essays was originally published in 1980 but never in the U.S. The book will be a balm to those worked up by literary prizes and the teapot tempests they tend to foment. Bernhard's focus here is the myriad prizes he collected and his bemused, sardonic reaction to them. The book seems likely to stand as an irreverent footnote at the intersection of 20th century literary history and 20th century publishing culture. A review of the German edition of the book suggests: "Although it’s a barrel of laughs, it’s also a serious book about what drove Bernhard to become the writer he eventually turned out to be." (Max) February 2011: Swamplandia! by Karen Russell: Karen Russell was just 23 when she had a story in The New Yorker's 2005 debut fiction issue. Since then, she has published an acclaimed collection of stories, St. Lucy's Home for Girls Raised by Wolves, and been named to The New Yorker's 20 writers under 40 list. With the accolades already piled sky high, this will be one of the more anticipated debut novels in recent years. The publishers' description suggests we should expect big, ambitious things: "think Buddenbrooks set in the Florida Everglades." (Max) Townie: A Memoir by Andre Dubus III Dubus, already much feted for his short stories and novels, will be trying his hand at the memoir. In this case, the trajectory is from hard-bitten youth to redemption in writing. Fans can expect perhaps to gain some insights into the genesis of Dubus' fiction. (Max) March 2011: You Think That's Bad: Stories by Jim Shepard: You Think That's Bad will be Shepard's fourth collection of short stories, and from the Knopf catalogue description, it sounds like it won't disappoint; there's a story about a farm boy who "becomes the manservant of a French nobleman who’s as proud of having served with Joan of Arc as he’s aroused by slaughtering children"--need we say more? Shepard's previous collection, Like You'd Understand, Anyway, was nominated for the National Book Award. (Edan) The Tiger's Wife by Tea Obreht: Obreht secured a special place in the literary pantheon not just by being on The New Yorker's recent 20 under 40 list, but by being, at 25, the youngest one on it. With her debut novel, readers will get a larger sense of what the praise for Obreht is all about (an excerpt of the novel, in the form of a peculiar story of the same title, appeared in the magazine last year). (Max) Unknown: The Pale King by David Foster Wallace: When he died in September 2008, David Foster Wallace left behind more than 1,000 pages of notes and drafts of an unfinished novel that he had given the preliminary title The Pale King. The book had been in progress for more than a decade and one of the last things Wallace did before taking his own life was to tidy what he written so that it would be easier to sort after he was gone. Since then the manuscript has been in the hands of Michael Pietsch, Wallace's longtime editor at Little, Brown, and it is expected that a version of the book running about 400 pages will be published late this year or early next. Four confirmed excerpts from The Pale King have appeared in The New Yorker and Harper's. They suggest a story centered around IRS agents at a Midwestern processing office struggling to deal with the "intense tediousness" of their work. (Kevin) There are many other exciting books coming out in the coming months not mentioned here – let us know what books you are most looking forward to in the comments section below.

The Millions Top Ten: May 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May. This Month Last Month Title On List 1. 3. Reality Hunger 4 months 2. 2. The Death of Ivan Ilyich and Other Stories 6 months 3. 4. Let the Great World Spin 6 months 4. 5. The Mystery Guest 6 months 5. 6. Stoner 5 months 6. 8. The Big Short 3 months 7. 9. The Interrogative Mood 6 months 8. - Tinkers 1 month 9. 10. War and Peace 2 months 10. 7. Wolf Hall 5 months This month, David Shields' controversial Reality Hunger slips into the top spot. Shields recently offered an energetic defense of the book and an accompanying reading list. Graduating to our Hall of Fame this month is Jonathan Franzen's The Corrections, which appeared at the top of our panel's list and number eight on our readers' list in our "Best of the Millennium (So Far)" series last year. We've been learning more about Franzen's next novel, Freedom, out later this year. Our only debut this month is the surprise Pulitzer winner and small press hero, Tinkers by Paul Harding. Near Misses: The Girl Who Kicked the Hornet's Nest, Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace, The Known World, Twilight of the Superheroes, Then We Came to the End See Also: Last month's list

First Lines of the New Jonathan Franzen

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I'd heard that the New Yorker excerpt was the opening of Jonathan Franzen's new novel Freedom, but it turns out it is preceded in the novel by this: "The news about Walter Berglund wasn't picked up locally--he and Patty had moved away to Washington two years earlier and meant nothing to St. Paul now--but the urban gentry of Ramsey Hill were not so loyal to their city as not to read the New York Times. According to a long and very unflattering story in the Times, Walter had made quite a mess of his professional life out there in Washington. His old neighbors had some difficulty reconciling the quotes about him in the Times ('arrogant,' 'high-handed,' 'ethically compromised') with the generous, smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up Summit Avenue in February snow; it seemed strange that Walter, who was greener than Greenpeace and whose own roots were rural, should be in trouble now for conniving with the coal industry and mistreating country people. Then again, there had always been something not quite right about the Berglunds."

The Millions Top Ten: April 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April. This Month Last Month Title On List 1. 1. The Corrections 6 months 3. 3. The Death of Ivan Ilyich and Other Stories 5 months 3. 2. Reality Hunger 3 months 4. 4. Let the Great World Spin 5 months 5. 10. The Mystery Guest 5 months 6. 9. Stoner 4 months 7. 6. Wolf Hall 4 months 8. 5. The Big Short 2 months 9. 7. The Interrogative Mood 5 months 10. - War and Peace 1 month Graduating to our Hall of Fame this month is W.G. Sebald's Austerlitz, which appeared on both our panel's list and our readers list in our "Best of the Millennium (So Far)" series last year. Our panel's winner in the same series, Jonathan Franzen's The Corrections, stays in the top spot. We've been looking forward to Franzen's next novel, Freedom, out later this year. Our only debut this month is a classic. Leo Tolstoy's War and Peace landed on lots of reading lists after we published Kevin's thoughtful meditation on the book and what it means to be affected by great art. Near Misses: Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace, Asterios Polyp, The Known World, Tinkers, Solar, Twilight of the Superheroes See Also: Last month's list

The Millions Top Ten: March 2010

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March. This Month Last Month Title On List 1. 2. The Corrections 5 months 2. 5. Reality Hunger 2 months 3. 10. The Death of Ivan Ilyich and Other Stories 4 months 4. 6. Let the Great World Spin 4 months 5. - The Big Short 1 month 6. 9. Wolf Hall 3 months 7. 3. The Interrogative Mood 4 months 8. 4. Austerlitz 6 months 9. 7. Stoner 3 months 10. 8. The Mystery Guest 4 months Graduating to our Hall of Fame this month is David Mitchell's Cloud Atlas, which was the readers' favorite in our "Best of the Millennium (So Far)" series last year. That allows our panel's winner in the same series, Jonathan Franzen's The Corrections, to take over the top spot. Of late, readers have begun looking forward to Franzen's next novel, Freedom, out later this year. Our only debut this month is Michael Lewis' look at the financial crisis of the last two years, The Big Short. Of the hundreds of books on the topic, Lewis' was one of the most widely anticipated, both because of his long history writing about Wall Street’s excesses and because of the powerful essay he penned on the topic for Portfolio magazine at the height of the crisis. Near Misses: Asterios Polyp, The Known World, War and Peace, Then We Came to the End, Union Atlantic See Also: Last month's list

An Exclusive Look at the Cover of Jonathan Franzen’s Freedom

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We learned recently that Jonthan Franzen's long-awaited follow-up to The Corrections, a new novel called Freedom, will arrive at the end of August. Now we have a cover too. Franzen's name looms appropriately large on the cover (in a font that recalls Ed Ruscha [edit: or Wayne White]), as does what appears to be a variety of blue jay a Cerulean Warbler. All of this is set atop a lake scene at sunset, the evergreen trees in the background suggesting northern latitudes. As we noted in our 2010 book preview: "The excerpt from the novel that appeared last year [in The New Yorker] was notable for its return to the more generous ironies that endeared The Corrections to our 'Best Fiction of the Millennium (So Far) panel.'"

Freedom Looms

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Franzen fans: Freedom, the long-awaited follow-up to The Corrections is now available for pre-order. The specs: 576 pages, August 31st 2010. "Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom’s intensely realized characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time."

Most Anticipated: The Great 2010 Book Preview

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Update: Don't miss our newest "Most Anticipated" list, highlighting books for the rest of 2010 and beyond. There's something for every lover of fiction coming in 2010, but, oddly enough, the dominant theme may be posthumous publication. Roberto Bolaño's relentless march into the canon has inured us to the idea of the bestseller from beyond the grave (and of course, for as long as there have been literary executors, this has been nothing new), but beyond the four(!) new books by Bolaño we also have have potentially important works by the likes of Ralph Ellison and Henry Roth, intriguing new books from Robert Walser and Ernst Weiss, a guaranteed bestseller from Stieg Larsson, and, looming in 2011, the final, unfinished novel of David Foster Wallace. Perhaps, amid all this, it is a relief to hear that we have many exciting books on their way from those still with us, including Elizabeth Kostova, Joshua Ferris, David Mitchell, Jennifer Egan, Don DeLillo, Ian McEwan, Yann Martel, and many others.Special thanks to The Millions Facebook group for helping us compile this list.January (or already available) Three Days Before the Shooting by Ralph Ellison: Fitting that this book preview starts off with a posthumous novel. Ellison's unfinished opus will not be the the only posthumous work to grab readers attention in 2010, but it will be perhaps the one with the most history attached to it and maybe, in the accounting of those who manage the canon, the most important. Ellison famously struggled to complete a second novel after the landmark publication of The Invisible Man. After Ellison's death, Juneteenth was cobbled together by his literary executor John Callahan and met with decidedly mixed reviews. But, as a 2007 article in the Washington Post argues, Three Days Before the Shooting, the result of years of work by Callahan and co-editor Adam Bradley, was always meant to be the true Ellison second novel. Readers will soon find out if it's the masterpiece they've been waiting for for decades.The Unnamed by Joshua Ferris: If your debut effort (in this case, Then We Came to the End) gets nominated for a National Book Award, you are on the express train to literary stardom. Quickly, however, focus shifts to the sophomore effort. For Ferris, early signs look good. Word is that The Unnamed is dark in tone, darker than and by all early accounts dissimilar to TWCTTE. The protagonist Tim's affliction is that he's unable to stop walking. In an early review, Bookforum likes it and says "Ferris possesses an overriding writer's gift: a basic and consistent ability to entertain while spurring engagement." See also: Joshua Ferris writing at The MillionsMonsieur Pain by Roberto Bolaño: The frenzy of posthumous Bolaño publication will continue in 2010 with as many as four (that I was able to find) books by the Chilean author published. Bolaño has been unmistakably one of the biggest publishing stories of the last few years, and publisher New Directions has been capably and speedily adding title after title to the Bolaño shelf at your local bookstore. Monsieur Pain (January) is about a Peruvian poet with a chronic case of hiccups. Antwerp (April) has been described as both a prose poem and a crime novel. The Return (July) is a new volume of short stories, as is The Insufferable Gaucho (August?), which was apparently the last book Bolaño delivered to a publisher. And look for more Bolaño in 2011. Garth may need to start updating his Bolaño Syllabus on a quarterly basis.Fun with Problems by Robert Stone: Fun with Problems will be Stone's first collection of short fiction in twelve years. And his first book since his 2007 memoir Prime Green: Remembering the Sixties (see Garth's review).Ordinary Thunderstorms by William Boyd: Boyd's novel is already out in the UK where it has been receiving characteristically good notices. "There are tantalising hints of a broader ambition in William Boyd's wide-ranging new thriller," said The Guardian. The book is ostensibly about a man on the run, but Boyd, in an interview with Edinburgh Festivals alluded to the depth that The Guardian picked up on, "It's a chase. And the drive is that the man is being hunted. But like the last four of my novels, it's also about identity, about what happens when you lose everything that makes up your social identity, and how you then function in the modern city."The Swan Thieves by Elizabeth Kostova - The follow-up to Kostova's big selling The Historian (the first ever first novel to debut at #1 on the New York Times bestseller list) promises to be just as densely detailed as its predecessor, weighing in at a hefty 576 pages. Recently departed Kirkus has some quibbles with the plot machinations, but says "lush prose and abundant drama will render logic beside the point for most readers." PW adds "The Swan Thieves succeeds both in its echoes of The Historian and as it maps new territory for this canny and successful writer." See Also: Elizabeth Kostova's Year in ReadingIn January, Archipelago Books will publish a translation of Ernst Weiss' Georg Letham: Physician and Murderer some 70 years after the novel's appearance in German. Enthusiasts of German-language literature have compared Weiss favorably with his contemporary Thomas Mann and his friend Franz Kafka, but he has remained something of an unknown on this side of the Atlantic. Already, Joel Rotenberg's translation has begun to remedy this neglect. An excerpt appeared in A Public Space a while back. (Garth)February Point Omega by Don DeLillo: Anticipation for DeLillo's forthcoming book has been decidedly truncated. Publisher Scribner first tweeted about DeLillo delivering the manuscript in June, and the book will hit shelves a scant eight months later. One reason for the quick turnaround might be the book's surprising slimness, coming in somewhere between 117 pages (says PW) and 128 pages (says Scribner). Imagine: reading an entire DeLillo novel in an afternoon, or perhaps just over lunch. So will the book's slight profile belie some interior weightiness? A recently posted excerpt may offer some clues, and PW says "Reading it is akin to a brisk hike up a desert mountain—a trifle arid, perhaps, but with occasional views of breathtaking grandeur."Reality Hunger: A Manifesto by David Shields: We've already discussed Shields' forthcoming "manifesto" quite a lot at The Millions. It was first noted, in glowing terms, by Charles D’Ambrosio. This prompted me to dig deeper in a longer look at the book. From my sleuthing, and noting blurbs by J.M. Coetzee, Jonathan Lethem, and others, I posited "the intriguing possibility that a book of ideas will capture the popular interest [in 2010]." The book now sits on my desk, and while haven't yet jumped in with both feet, I can report that it is both structurally (a lettered and numbered organization scheme whose logic is not immediately discernible) and stylistically (deep thoughts, reminiscences, aphorisms, and pop culture nuggets abound) unique. It will be interesting to see if readers decide the book coalesces into a successful whole. This just in - British publisher Hamish Hamilton reports that Zadie Smith will be writing up the book in The Guardian soon. See Also: David Shield's Year in ReadingThe Infinities by John Banville: Banville follows up his Booker-winning effort The Sea with a novel with a rather unique conceit: it is narrated by the god Hermes. The reviews hint at further oddities. In The Guardian, for example, "Old Adam, a physicist-mathematician, has solved the infinity problem in a way that's not only led to some useful inventions – cars that run on brine, for example – but also proved the existence of parallel universes, a category that includes the one he inhabits. In this novel, Sweden is a warlike country, and evolution and relativity have been discredited."Union Atlantic by Adam Haslett: Haslett made a big splash in 2002 when his debut effort - a collection of short stories called You Are Not a Stranger Here - was a finalist for the National Book Award and the Pulitzer Prize. Union Atlantic, his first novel, takes the depths of the recent financial collapse as a backdrop (which explains why a work of literary fiction is getting notice from publications like American Banker). PW gave it a starred review and insinuates it might be a seminal novel of that particular historical moment. Esquire recently published the novel's prologue. It begins, "Their second night in port at Bahrain someone on the admiral's staff decided the crew of the Vincennes deserved at least a free pack of cigarettes each."March Solar by Ian McEwan: McEwan's new novel was discussed extensively in Daniel Zalewski's New Yorker profile of McEwan in February 2009. More recently, the magazine published an excerpt from the novel. The book's protagonist is a Nobel Prize-winning physicist, and it appears that the book's chief drama will arise in his becoming embroiled in the climate change "debate." The book is also being called a satire, but, to the extent that several of McEwan's books have elements of satire, it's unclear whether Solar will be much of a departure for McEwan. The excerpt in the New Yorker would seem to indicate it'll be a typical, and probably quite good, effort.The Ask by Sam Lipsyte: Lipsyte had a breakout hit with Home Land in 2005. His follow-up novel was reviewed recently in The Quarterly Conversation, which says "let’s be frank: this is a hard novel to review. The Ask makes for your heart with its claws so efficiently that it leaves you torn and depleted. How are you to review a book that simply frightens you?" Ultimately, TQC decides The Ask "isn’t quite as good as Home Land. The latter was nearly perfect in idea and execution—an ’80s high-school movie gone sick with nostalgia for its own John Hughesian past. The Ask is more generationally diffuse. While just as snot-blowingly funny as its predecessor, The Ask is more devastating in its pitilessness."The Surrendered by Chang-Rae Lee: Bookdwarf read this one recently and says Lee "offers no easy endings or heartwarming coming-together, instead bringing to life a powerful, unpredictable, and occasionally painful story."Burning Bright by Ron Rash: Rash's follow-up to Serena is a collection of stories. The book's title story appeared in Ecotone in 2008.One More Story: Thirteen Stories in the Time-Honored Mode by Ingo Schulze: Garth has been talking about Schulze here for at least two years. Most recently he wrote "The East German setting of New Lives, and its uroboric epistolary structure – starting late in the story, slowly filling in the background – made for slow going at first, but the ethical intensity of its restaging of Faust has haunted me since I read it." The English (and somewhat illogical) title of Schulze's new book would seem to obscure the unifying theme of the new collection, whose title, translated directly from the German original, is Cell Phone: Thirteen Stories in the Old Style. According to an abstract for a paper in the journal German Monitor, "the cell phone functions in many stories as a threatening symbol of exposure to pressures and problems that make East(ern) Germans feel ill at ease."So Much for That by Lionel Shriver: More hot button issues. Just as Ian McEwan's forthcoming novel is informed by climate change, Shriver's latest takes on the healthcare debate. The Bradshaw Variations by Rachel Cusk: Cusk's novel is already out in the U.K. where Hilary Mantel wrote, "It is the author's mix of scorn and compassion that is so bracing. Sometimes she complicates simple things, snarling them in a cat's cradle of abstraction, but just as often, a sentence rewards with its absolute and unexpected precision."Silk Parachute by John McPhee: This new collection by McPhee is built around what FSG's promotional material calls "McPhee’s most anthologized piece of writing." "Silk Parachute" is, especially for the typically measured McPhee, a brief, tight, funny and emotional essay (It's available here as a .doc file). The rest of the new collection is composed of McPhee's recent New Yorker essays on lacrosse, "long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his reportorial travels, a U.S. Open golf championship, and a season in Europe 'on the chalk' from the downs and sea cliffs of England to the Maas valley in the Netherlands and the champagne country of northern France." Since McPhee's most recent collections have had fairly strong thematic threads running through them, this more loosely tied book sounds like a bit of a departure.Long for This World by Sonya Chung: And, of course, Millions contributor Sonya Chung will see her debut novel Long for This World arrive in March. Sonya wrote about the peculiar challenges of settling on a book design in a recent essay.April The Notebook by Jose Saramago: Nobel Laureates can do "blooks" too. The Notebook is the collected entries from 87-year-old Saramago's blog, O Caderno de Saramago. The book, "which has already appeared in Portuguese and Spanish, lashes out against George W. Bush, Tony Blair, the Pope, Israel and Wall Street," according to the Independent, in its report on the book's Italian publisher dropping it for criticizing Prime Minister Silvio Burlusconi. Despite his age, Saramago is a busy man. In addition to The Notebook, there's an August release date in the U.K. for a new novel, The Elephant's Journey, which "traces the travels of Solomon, an Indian elephant given by King John III to Archduke Maximilian II of Austria," and Cain, "an ironic retelling of the Bible story," was recently published in Portuguese and Spanish.Parrot and Olivier in America by Peter Carey: Carey's new book is based on the life of Alexis de Tocqueville and wields two narrators. Olivier, the de Tocqueville "character" is, like de Tocqueville, the heir apparent of a wealthy family. Parrot is his clever servant who also happens to be a spy and all around rake. Early reviews from Australia, where the book is already out, have been strong. The Sydney Morning Herald called it "a tour de force, a wonderfully dizzying succession of adventures and vivid, at times caricatured, characters executed with great panache."The Dead Republic by Roddy Doyle: This book wraps up Doyle's The Last Roundup trilogy (previously: A Star Called Henry and Oh, Play That Thing!). This time Henry Smart has gone to Hollywood and then back to Dublin. A bomb blast there turns him into an accidental hero.What Becomes by A.L. Kennedy: This short story collection is already out in the U.K. The Spectator likes it: "The hardest thing about the advent of a new collection of stories by A.L. Kennedy... is the search for synonyms for 'brilliant.'"Beatrice and Virgil by Yann Martel: Though Martel's previous effort, Life of Pi, was far from universally loved, the book became something of a literary phenomenon, putting up sales impressive even for a Booker winner. As a result, nearly a decade later, Martel's follow up is one of the most heavily anticipated books of the year. As before, it seems Martel will be trading in talking animals, a taxidermied donkey and monkey. More details: The book is about the Holocaust, reportedly. It's Canadian publisher has called it "shocking." And Martel is comparing it to Animal Farm.The Big Short by Michael Lewis: Original set for November 2009, the publication of Michael Lewis’ much anticipated chronicle of the financial crisis, The Big Short has been pushed back to April. In October 2008, when economic uncertainty was at its height and fears were voiced in some rarefied quarters about the possibility of some sort of structural collapse, we wrote, “The world needs an exhaustive look at what happened in 2008 and why.” There have already been many books about the collapse and what caused it, from The Two Trillion Dollar Meltdown to The Return of Depression Economics and the Crisis of 2008, but many readers have been waiting for a book by Lewis, both because of his long history writing about Wall Street’s excesses and because of the powerful essay he penned on the topic for Portfolio magazine at the height of the crisis. Some readers may be weary of the topic by the time the book comes out, but it’s sure to garner some interest. Noir by Robert Coover: An excerpt of this new novel by "pioneering postmodernist" Coover was published a while back in Vice. It is introduced thusly: "Noir is a short novel starring you as Philip M. Noir, Private Investigator. It began as a story about a dockside detective in pursuit of something—like truth or beauty, the ineffable—and became over the course of its writing a kind of companion piece to Ghost Town, which played with the western genre and mythology the way this one plays with the hard-boiled/noir genre and urban myth. It was the French who discovered and defined noir; consequently, this book will have its first publication in Paris, in French, in the spring of 2008."May The Pregnant Widow by Martin Amis: This book, long in the works, has been evolving as Amis has struggled to write it. In 2006, he told The Independent it was, "blindingly autobiographical, but with an Islamic theme." As it turns out, the autobiographical bits were causing Amis trouble. He told the National Post in August 2009, "it turned out it was actually two novels, and they couldn’t go together. So I wrote The Pregnant Widow, [that’s] one half of it, and the other half I started, and it will be very autobiographical, the next one." Subsequent comments from Amis appear to indicate the two book solution is still the plan. Imperial Bedrooms by Bret Easton Ellis: Imperial Bedrooms is reportedly a sequel to Ellis' first novel Less Than Zero. First sentence of the novel? "They had made a movie about us."The Invisible Bridge by Julie Orringer: Orringer received more than the typical notice for a debut short story collection when her 2003 How to Breathe Underwater was named a New York Times Notable Book, landed on various other lists, and picked up a small prize or two. It's looking like that promising first effort may translate into a "big" novel for Orringer in 2010. Library Journal reported a 60,000-copy first printing for The Invisible Bridge - the book follows a trio of Hungarian brothers in Budapest and Paris before and during World War II - and it carries with it a blurb from Michael Chabon ("To bring an entire lost world... to vivid life between the covers of a novel is an accomplishment; to invest that world, and everyone who inhabits it, with a soul... takes something more like genius.")The Girl Who Kicked the Hornet's Nest by Stieg Larsson: Larsson's nordic crime fiction (which has won Larsson posthumous stardom in the States) isn't exactly in The Millions wheelhouse, but, with nary a mention on the site, The Girl with the Dragon Tattoo vaulted into our Millions Top Ten and has stayed there. When Millions' readers get behind a book, it's often worth taking notice. The Girl Who Kicked the Hornet's Nest is the final book in Larsson's "Millennium Trilogy" (Dragon was the first and The Girl Who Played with Fire, the second). Though just becoming well known in the U.S., Larsson was the second top-selling author in the world in 2008. Part of Larsson's sudden success is his odd path to (posthumous) publishing fame. Larsson was a journalist and activist who died of a heart attack. The manuscripts of his novels were found after his death. He had apparently written them just for fun. Five years later, the books are a publishing sensation.Private Life by Jane Smiley: There's not much info on this one yet other than that it follows a Missouri woman's life, from the 1880s to World War II.The Good Man Jesus and the Scoundrel Christ by Philip Pullman: Pullman (famous for his His Dark Materials children's series) will once again be courting controversy with this new book. According to The Guardian, "The book will provide a new account of the life of Jesus, challenging the gospels and arguing that the version in the New Testament was shaped by the apostle Paul." In addition, the book will be released on Easter in the U.K. and is part of Canongate's "Myths" series of books. Pullman also wrote an introduction to that series.The Microscripts by Robert Walser: The pothumous publication of Nabokov's The Original of Laura, reproducing, front and back, the notecards on which Nabokov hat charted this unfinished work, was met with no small amount of scorn. This year, another posthumously published book, based off of notecard scrawlings, may be met more favorably. The story behind Walser's Microscripts is fascinating. From the New Directions blog: "Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper... covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card... Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment."June The Thousand Autumns of Jacob de Zoet by David Mitchell: After Black Swan Green, a departure from the frenetic, layered Cloud Atlas which was broadly considered one of the best novels of the last decade, Mitchell fans may be pleased to hear that The Thousand Autumns of Jacob de Zoet is being described as a return to form. It's long (512 pages) and set in Japan in 1799. The Guardian says, "Mitchell returns to the big canvas with this historical novel set in a Japanese outpost of the Dutch empire."An American Type by Henry Roth: Here's another interesting posthumous publication. Roth is revered for his 1934 novel Call It Sleep and his 1990s "comeback" effort, the Mercy of a Rude Stream cycle, and so news of this book, "discovered," according to the publicity materials, "in a stack of nearly 2,000 unpublished pages by a young New Yorker editor," will surely interest readers. A little more detail from the publicity materials: "Set in 1938, An American Type reintroduces us to Roth’s alter ego, Ira, who abandons his controlling lover, Edith, in favor of a blond, aristocratic pianist at Yaddo. The ensuing conflict between his Jewish ghetto roots and his high-flown, writerly aspirations forces Ira, temporarily, to abandon his family for the sun-soaked promise of the American West."A Visit from the Goon Squad by Jennifer Egan: This new novel by National Book Award nominee Egan sounds like it's as ambitious and layered as Look At Me--and I'm sure it'll be as addictively readable as The Keep. According to Amazon, it centers on the life of Bennie Salazar, "an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs," and the narrative traverses various eras and locales, "from the pre-Internet nineties to a postwar future." Color me intrigued. (Edan)July Update: Super Sad True Love Story by Gary Shteyngart: A reader points out in the comments that Shteyngart has a new book coming out and since we absolutely would have included it had we known about it, here it is. A recent item at The Rumpus has the scoop: "His new novel is set slightly in the future. When he started writing it a few years ago, he envisioned a world where the world’s economy had collapsed and the central banks had to bail out the Big Three automakers. As that came to pass, he had to keep changing his novel, which got bleaker and bleaker. And now it’s set in 'a completely illiterate New York,' he said. 'In other words, next Tuesday.'" August Sympathy for the Devil: This is a long way off so it's hard to say how good it will be, but it sounds pretty cool: an anthology of stories about the devil from the likes of Neil Gaiman, Stephen King, Kelly Link, China Mieville, Michael Chabon, and others.I Curse the River of Time by Per Petterson: Petterson has been on the road to international literary stardom for a few years now and that means his new novels get translated into English with relative alacrity. This means that English-speaking readers will get to see I Curse the River of Time, first published in Norwegian in 2008, later this year. The book won the Norwegian Brage prize and, according to a "sample translation" on Petterson's agent's website, it begins: "I did not realize that my mother had left. There was too much going on in my own life. We had not spoken for a month, or even longer, which I guess was not that unusual, in 1989, when you consider the things that went on around us back then, but it felt unusual." September C by Tom McCarthy: At Ready Steady Book in September 2007, Mark Thwaite asked McCarthy: "What are you writing now?" And McCarthy responded: "Pathetically, my answer to this question is the same as it was when you last asked it over a year ago. I’m just under half way through a novel called C, which is about mourning, technology and matter. I’m writing it very slowly. It’s called C because it has crypts, cauls, call-signs, cocaine, cyanide and cysteine in it. And carbon: lots of carbon."Unknown Nemesis by Philip Roth: News of this novel was announced nearly a year ago, but there is no release date thus far and not much is known about it beyond that it's "a work of fiction set in the summer of 1944 that tells of a polio epidemic and its effects on a closely knit Newark community and its children."Freedom by Jonathan Franzen: Jonathan Franzen's follow-up to The Corrections, Freedom, is likely to cause a stir when it appears, most likely in the fall. Among the prominent media narratives - the backlash, the backlash-to-the-backlash - will be the length of the novel's gestation. Really, though, in novelist time (as distinct from internet time), nine years is a mere blip - particularly when you publish two books of nonfiction in the interim. Far more remarkable is how tight-lipped Franzen has managed to be about the novel's content. From various obscure interviews, we've managed to cobble together the following: 1) The novel has something to do with U.S. politics, of the Washington, D.C. variety. 2) Franzen's original conception of how those politics would intersect with the narrative changed radically in the writing, likely shifting from an "inside baseball" look at bureaucracy toward the personal. 3) Germany, where Franzen has spent some time recently, "will play an important role in the novel." 4) After two New Yorker short stories notable for their smallness and misanthropy, the excerpt from the novel that appeared last year was notable for its return to the more generous ironies that endeared The Corrections to our "Best Fiction of the Millennium (So Far) panel." (Garth)The Pale King by David Foster Wallace: Wallace's unfinished opus is sure to be a blockbuster when it appears - April 2011 is the latest word on a release date. The Howling Fantods, home to all things DFW, has been staying on top of the story. A recent report contained a number of tidbits, including this: "The subject of the novel is boredom. The opening of the book instructs the reader to go back and read the small type they skipped on the copyright page, which details the battle with publishers over their determination to call it fiction, when it's all 100% true. The narrator, David Foster Wallace, is at some point confused with another David F. Wallace by IRS computers, pointing to the degree to which our lives are filled with irrelevant complexity."There are many other exciting books coming out in 2010 not mentioned here - let us know what books you are most looking forward to in 2010 in the comments section below.
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