Jonathan Franzen spent the first half of his life thinking about literature, now he plans to devote the other half to birds. It looks like Freedom is becoming reality as he puts on his bird-watching binoculars again to discuss the “appalling” songbird hunting in the Mediterranean for National Geographic.
Try out our new “Random Post” button below the search boxes on the sidebar.CJR unveils new software in the quest to stamp out “gotcha journalism.”* Charlie Gibson, September 11, 2008:Question: “Have you ever met a foreign head of state?”Gotcha Quotient: 95Reason: First of all, foreign policy-related questions are incredibly unfair…Tennis reprints David Foster Wallace’s feature essay from its September 1996 issue.Perhaps not the most useful link in these tight times: “The Most Expensive Things I could Find On Amazon.com” (Note: several of these are out of stock. Coincidence?)None of you saw this coming: Rapper Coolio to release his own cookbook.Cindy Sherman’s famous librarian “Untitled Film Still” fetched $900k at a recent auction.
According to The Secret Literary Life of Augusto Pinochet author Cristóbal Peña, the Chilean dictator “was tormented by an intense inferiority complex, which he tried to deal with by collecting books.” A recent article in The New York Times provides a look at that book collection, which totaled around 50,000 books and has been valued at around $3 million.
StoryBundle, a new service that lets you pay as much (or as little) as you want for preselected bundles of ebooks, announced on Wednesday that their latest bundle is a collection of writing about video games. Among other things, it includes two books by Jordan Mechner, the man behind Prince of Persia, as well as two issues of Kill Screen.
Anyone who’s majored in the humanities has likely heard warnings that it’s better to major in the sciences. If, as many would have it, we live in a scientist’s world, what place is there for the arts? At the Ploughshares blog, Cathe Shubert finds a place for writers in a STEM-obsessed society. You could also read Cathy Day on the job prospects of writers.
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.