If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen’s The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
Franzen and Oprah: Together at Last?
Truthiness and the Realish
Now that NPR has begun fact checking his work, it’s come to light that David Sedaris is a liar. Or, he sort of embellishes. His work is ‘realish.’ So basically, he tells stories. On NPR. Which is feeling pretty sensitive abut the line between truth and truthiness after the Mike Daisey upset.
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Updike the Cartoonist
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
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Recommended Reading: Saturday Special
Recommended Reading: “Gregory’s Year” by Gospel of Anarchy author Justin Taylor.
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LA Review of Self-Published Books
The Los Angeles Review will start reviewing one self-published book each month. They plan on applying “the same standards of good literature” to their reviews of self-published content as they do to traditionally published content.
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New from Jess Walter
The Financial Lives of the Poets author Jess Walter has a new short story out in the Kindle Single format: “Don’t Eat Cat“.
Anybody want to start a pool estimating how long till Franzen says something that provokes Oprah to rescend her invite?