If Moby Lives is right, the literary beef that erupted when Oprah selected Jonathan Franzen’s The Corrections for her book club and he rejected the (in his mind, dubious) honor is about to get a curious denouement. Speculation is that Freedom is poised to become another Oprah selection. And your author suspects that Franzen will be more welcoming this time around. (Oprah sticker haters should probably buy their copies of Freedom now, just to be safe.) Update: The AP confirms and so it begins again.
Alice Driver writes for Vela about growing up in Arkansas and becoming an artist. As she explains it, “Because I have no debt, I have been able to pursue writing and have had the opportunity to fail time and again.” Pair with Kate Angus’s Millions essay on making a living as a poet.
“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”
Wells Tower is having himself a great week, and it stands to reason that when he’s having a good week, we’re all having one as well. After all, we get to ponder the potential of the script Tower wrote for You Shall Know Our Velocity, an upcoming film based on Dave Eggers’s novel of the same name. We also get to read Tower’s Garden & Gun piece on “the nervous work of owning – and finally loving – a Chihuahua.” And as though that wasn’t enough already, we also get to savor Tower’s gripping feature story in the latest GQ, “Who Wants to Shoot an Elephant?”
The Mississippi was integral to Mark Twain’s fiction, so David Carkeet traced Twain’s path on the river in the new issue of Smithsonian. “What would Samuel Clemens have made of the Riverwalk? He was a grown child who readily took a God’s-eye view of life on earth. He would have loved it.” Pair with: Our essay on Twain’s travel writing.