Well-known established writers like Peter Carey and Andrea Levy and up and coming author Tom McCarthy made the 2010 Booker shortlist, while David Mitchell, probably the best-known name on the longlist, failed to make the cut. The longlist was offered here with some excerpts a month ago, but since you might not have gotten around to them then, we’ll offer the same with the shortlist below.
Most of the Booker longlisters are fairly well-known, and (as of this writing) all of them, save three, have their own Wikipedia pages. However, one of those three has actually been the subject of a Wikipedia war over the last few years, and his page was deleted after months of contentious argument.Ed O’Loughlin is a first-time novelist, who was until recently Middle East correspondent for The Australian, Sydney Morning Herald, and The Age. His book, Not Untrue and Not Unkind is about a former war correspondent looking back on years of reporting from Africa.It appears that O’Loughlin was at the center of intense debate over his Middle East coverage for the Australian papers, where he was a target of critics who charged that he was biased against Israel. A note (scroll down) in The Australian gives a taste of the rancor O’Laughlin incited:He walked away from journalism last year with impressive references. Federal MP for Melbourne Ports Michael Danby, for example: “There’s nothing funny about O’Loughlin’s systematic bias against Israel, which is indeed both intellectually lazy and politically intemperate.” Or journalist Tzvi Fleischer: “Ed O’Loughlin is obviously a talented journalist who brilliantly distorts facts and substitutes opinions for news.” O’Loughlin responded to such attacks saying there had been an “intensive lobbying effort to skew the Herald and The Age to a pro-Israeli position”.Even as O’Loughlin was targeted by critics in Australia, a debate raged over his Wikipedia page in the back rooms of the online encyclopedia. One such page serves as something of an index to the ongoing dispute (the encyclopedia’s procedural intricacies can be notoriously difficult to parse for the casual Wikipedia reader, myself included). It appears that at one point, O’Loughlin himself requested that his page be removed from Wikipedia. His request, reprinted below, is taken from another page covering the debate over his entry:Dear whoever you all areMy name is Ed O’Loughlin – this is my real name, I stress – and I am the subject of this article.The article as it has appeared in its various manifestations in recent months is a starkly one-sided attack on my personal and professional character which is based entirely on highly partisan sources and falsehoods. The moving forces behind it are anonymous people who do not have the integrity to reveal their identities or interests, and whose malicious intent is quite clear from their contributions to the discussion pages and their vandalisation of posts expressing differing views.I note that the article has already been deleted once on precisely these grounds, and I am puzzled as to why it has now been re-instated. If it were published in the “old media” – which is to say, by people who have to publicly stand over and justify what they say and suffer the potentially severe personal consequences, such as loss of livelihood – it would clearly be actionable.Please note that my work has been repeatedly critiqued in the public domain in Australia for the past five years and in that time not one factual error or instance of bias has been substantiated. Please also note that every newspaper reporter covering the Israeli-Palestinian conflict has to stand up to a level of vexatious attack from interest groups and ethnic partisans unknown in any other posting. Nevertheless, all the complaints against me to our internal ombudsmen and to the Australian Press Council have been dismissed as entirely without merit, including one (Press Council number 1305, December 2005) which went to full arbitration. My employers, whose commitment to truth in journalism comes second to no media organisation in Australia or indeed the world, has seen fit to extend my contract here from the original two years to five years and counting.I am, overall, an admirer of the Wikipedia project but I am disturbed to see how easily it can be manipulated by those hell-bent on imposing their personal beliefs, without regard to balance or empirical truth. I recently watched an episode of the Colbert Report in which the presenter demonstrated the pitfalls of what he terms “wikiality” by editing the page on African elephants to assert that their numbers are exploding. I now understand what he meant.I am requesting that this article be deleted. If anybody wants to write about me in future I would expect them to at least have the courtesy and guts to put their real name to their writing, as do I. If the article is not deleted I expect this letter be prominently displayed both on the front page and on the discussion page, and that the letter be protected from the vandalism which has been such a marked feature of this supposed debate.Yours, Ed O’Loughlin, Middle East Correspondent, Sydney Morning Herald, The AgeOne assumes that after all this O’Loughlin is pleased to have graduated from foreign correspondent to Booker-nominated author.Bonus Link: O’Loughlin has just completed his second novel.
Longtime readers will recall my interest in a fairly obscure literary prize called the Lettre Ulysses Award, which recognizes works of book-length journalism from around the world. I wrote about the shortlist and winner in 2005 and the longlist and winner in 2006. Thinking it might be time for this year’s installment of the Lettre Ulysses, I recently visited the award’s website and was dismayed to discover that the award is on hiatus, perhaps permanently:The Lettre Ulysses Award for the Art of Reportage will not be presented in 2007. The only world prize for literary reportage was brought to life by the cultural quarterly Lettre International in 2003 with the financial support of the Aventis Foundation and was presented annually up until 2006. The Goethe-Institut has been a partner of the project from the very beginning. Since the contract with the Aventis Foundation expired the Foundation Lettre International Award has not succeeded so far in finding a new partner to finance the award. The organizers hope to be able to present the award again annually from 2008.I’m hoping that Lettre Ulysses is successful in finding backing for next year. Though not a well-known prize, it highlighted the work of reporters around the world who shed light on conflicts and cultures that deserve global attention.
With the awarding of the International IMPAC Dublin Literary Award, the 2010/2011 literary award season is now over, which gives us the opportunity to update our list of prizewinners.
Literary prizes are, of course, deeply arbitrary in many ways; such is the nature of keeping score in a creative field. Nonetheless, our prizewinners post is compiled in the same spirit that one might tally up Cy Young Awards and MVPs to determine if a baseball player should be considered for the Hall of Fame. These awards nudge an author towards the “canon” and help secure them places on literature class reading lists for decades to come.
There are three books climbing the ranks this year. Jennifer Egan’s A Visit from the Goon Squad unsurprisingly had a good showing with judges. Meanwhile, the IMPAC win puts Colum McCann’s Let the Great World Spin on our list, and the shortlist nod does the same for Colm Tóibín’s Brooklyn.
Here is our methodology:
I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Costa from the British side. Because I wanted the British books to “compete” with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out.
I looked at these six awards from 1995 to the present, awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here’s the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Costa Book Award [formerly the Whitbread] bold=winner, red=New to the list or moved up* the list since last year’s “Prizewinners” post
*Note that the IMPAC considers books a year after the other awards do, and so this year’s IMPAC shortlist nods were added to point totals from last year.
11, 2003, The Known World by Edward P. Jones – C, I, N, P
9, 2001, The Corrections by Jonathan Franzen – C, I, N, P
8, 2009, Wolf Hall by Hilary Mantel – B, C, W
8, 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz – C, P, I
8, 1997, Underworld by Don DeLillo – C, I, N, P
7, 2005, The March by E.L. Doctorow – C, N, P
7, 2004, Line of Beauty by Alan Hollinghurst – B, C, W
7, 2002, Middlesex by Jeffrey Eugenides – I, N, P
7, 2001, Atonement by Ian McEwan – B, C, W
7, 1998, The Hours by Michael Cunningham – C, I, P
7, 1997, Last Orders by Graham Swift – B, I, W
7, 1997, Quarantine by Jim Crace – B, I, W
6, 2010, A Visit from the Goon Squad by Jennifer Egan – C, P
6, 2009, Let the Great World Spin by Colum McCann – N, I
6, 2009, Home by Marilynn Robinson – C, N, I
6, 2005, The Inheritance of Loss by Kiran Desai – B, C
6, 2004, Gilead by Marilynn Robinson – C, P
5, 2009, Brooklyn by Colm Tóibín – W, I
5, 2008, The Secret Scripture by Sebastian Barry – B, W
5, 2008, Olive Kitteridge by Elizabeth Strout – C, P
5, 2007, Tree of Smoke by Denis Johnson – N, P
5, 2006, The Road by Cormac McCarthy – C, P
5, 2006, The Echo Maker by Richard Powers – N, P
5, 2005, Europe Central by William T. Vollmann – C, N
5, 2005, The Accidental by Ali Smith – B, W
5, 2004, The Master by Colm Toibin – B, I
5, 2003, The Great Fire by Shirley Hazzard – I, N
5, 2001, True History of the Kelly Gang by Peter Carey – B, I
5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon – C, P
5, 2000, The Blind Assassin by Margaret Atwood – B, I
5, 1999, Waiting by Ha Jin – N, P
5, 1999, Disgrace by J.M. Coetzee – B, C
5, 1999, Being Dead by Jim Crace – C, W
5, 1998, Charming Billy by Alice McDermott – I, N
5, 1997, American Pastoral by Philip Roth – C, P
5, 1996, Every Man for Himself by Beryl Bainbridge – B, W
5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser – N, P
5, 1995, The Moor’s Last Sigh by Salman Rushdie – B, W
5, 1995, The Ghost Road by Pat Barker – B, W
5, 1995, Independence Day by Richard Ford – C, P
5, 1995, Sabbath’s Theater by Philip Roth – N, P
The winners of the National Book Critics Circle Award have been announced in New York City. The award is voted on by critics and considers all books in English (including in translation), no matter the country of origin. The winners in the various categories and some supplementary links:
Criticism: Franco Moretti, Distant Reading
Poetry: Frank Bidart, Metaphysical Dog (The Poet and the Movie Star: An Evening with Frank Bidart and James Franco)
Previously: The finalists