I know this is old news, but I thought I’d give my brief thoughts on the stories from the New Yorker debut fiction issue. I wasn’t bowled over any of the stories, but I was most impressed by Umwem Alpem’s “Ex-Mas Feast,” not so much for writerly virtuosity as for the glimpse of the exotic the story provides. Perhaps because so many short stories seem to be set in the suburbs, I am always drawn to stories set in faraway places. I was somewhat less impressed by Karen Russell’s “Haunting Olivia,” which I thought would have been a more successful story if it had been half as long. I did, however, enjoy how Russell injected a bit of the surreal into her story. I was also dutifully shocked upon discovering that she is only 23 years old, even though I should know that the New Yorker loves to find these fiction savants. Least interesting of all to me was Justin Tussing’s “The Laser Age,” which, at first glance, I thought was going to be a story of the twisted not to distant future, but instead was just another mismatched boy-meets-girl tale.
Debut Fiction Reax
Some good posts and other notes
The Rake is underwhelmed by a Lily Tuck reading, but nonetheless manages to put together a characteristically amusing recap of the event. Now that’s dedication.Ed visits used bookstore run by the cranky and paranoid and lives to tell the tale.CAAF on good vs. bad protagonists.McSweeney’s fans: I couldn’t help but notice that Amazon is shilling issue #14 for the low, low price of 6 bucks. Get ’em while they’re hot.
Handicapping the Great 20th Century Novels
Brandon, who runs the blog antimodal, has created a little application that “handicaps” the great 20th century novels. It allows you to assign scores for different features, like “stream of consciousness,” and themes, like the “Black experience.” The scores enable you to promote or penalize a book based on these different characteristics. Note that you can add additional categories to the ones already listed by pressing the “Add New Category” button at the top of the page. In Brandon’s words, “The book list is still a work in progress. I am not familiar with many of the books there, so if you have information that would help classify a book, let me know.” Check it out.
‘5 Under 35’
The National Book Foundation announced the young writers that it will be honoring with its annual “5 Under 35” selections, which the Foundation calls “a celebration of bright new voices.”Mostly I wanted to bring this up because two of the five have recently been featured at The Millions in posts arranged/conducted by Edan. Nam Le, whose book The Boat has been garnering much praise, was the subject of a highly entertaining interview last month. And Sana Krasikov, author of the equally praised One More Year, recently penned a guest post for us about reading Andre Dubus in Iowa.Also on the list is Keith Gessen, author of All the Sad Young Literary Men, who once made an appearance in the only all out comment war ever to transpire at The Millions. Rounding out the five are Matthew Eck who wrote The Farther Shore and Fiona Maazel who wrote Last Last Chance.
Frank Wilson, An Editor Who Tried Something New
Tomorrow is Frank Wilson’s final day as book editor of the Philadelphia Inquirer. This is notable not just because fragile book sections can ill afford to lose advocates like Wilson and not just because of the boisterous and popular link blog, Books, Inq, that Wilson ran on the side (and has hinted he will continue.) It is notable because as much as anyone in the literary world, Wilson embodies the positive changes that have gone on among both the media and the masses in the discourse surrounding books.About a year ago, in taking stock of book blogs’ place in the world, I noted that “though there has sometimes been an unhealthy ‘us against them’ mentality between bloggers and professional critics, in many ways this friction has melted away as critics have become bloggers themselves and as a number of talented bloggers have begun to invade the book pages, providing a pool of talent and a new voice to book review sections that were shrinking and stultified.”In this last regard, Wilson was key. While some of his colleagues looked upon bloggers warily, concerned that these “enthusiasts” would squeeze them out by doing their work for free, Wilson was prescient enough to recognize the enthusiasm and talent of quite a few bloggers. Though he was not the first to look to the blogs, he was perhaps the most fervent in tapping this new pool of talent, giving people like Ed, Scott, and Levi the wider audiences that they deserved.All of this is also important in the context of what’s going on in the newspaper industry. Wilson has not announced the particulars of his departure – which to this observer seemed sudden – but the Inquirer is as embattled as any newspaper out there. Late last month, Jim Romenesko reported, “Philadelphia Inquirer and Daily News chief Brian Tierney told his unions… that there will be ‘a dire situation’ by summer or fall if the company can’t find ways to cut costs by 10%.” However, while many of Wilson’s colleagues across the country rail against the fate of the industry, Wilson tried something new, both with his blog and by reaching outside of the normal circles for writers.Finally, as a fairly recent transplant to Philadelphia (one who has quickly come to love the city), I will feel Wilson’s departure more personally. In a once great newspaper town, Wilson was something to hold onto, even amid the “dire” warnings of the Inquirer and the Daily News. Luckily not everything is so dire. Though Wilson will leave behind his book section, he will continue to be part of a literary conversation that it is as vibrant as it has ever been. Fueled by readers, this conversation has migrated from book club meetings and bookstore aisles out into the open, amongst all the blogs, newspapers, and magazines that choose to take part.
Diddy fails to deliver
Perhaps you’ve heard the recent news that Random House is suing to recover a $300,000 advance from P. Diddy for an autobiography he failed to deliver back in 1999. In the Guardian, Blake Morrison argues that Random House’s litigousness represents a departure from gentlmanly publishing practices of the past. It is most certainly the only article that I’ve ever come across that manages to find what P. Diddy and Marcel Proust have in common.Of course, P Diddy is not a poet starving in a garret. In fact, thanks to his business interests, which range from ownership of Bad Boy Entertainment to the Sean John clothing line, he could probably afford to buy every garret in Manhattan – and still have something left over. Moreover, Random House could put that £160,000 to good uses – to encourage a first-time novelist, for instance.Still, a worrying precedent is being set here. What will the world of literature come to if every late-delivering author is held to account? Authors have been slow to deliver ever since Moses came down from Mount Sinai with his tablets of stone (40 days and nights late, according to his editor). In the 19th century, those who failed to produce their promised magnum opus ranged from Coleridge and de Quincey (both of whom suffered an opium habit) to Casaubon in George Eliot’s novel Middlemarch, with his grandiose plans to write a scholarly Key to All Mythologies.In the 20th century, it was Proust who set the appropriate tortoise pace.Link