I’d heard that the New Yorker excerpt was the opening of Jonathan Franzen’s new novel Freedom, but it turns out it is preceded in the novel by this: “The news about Walter Berglund wasn’t picked up locally–he and Patty had moved away to Washington two years earlier and meant nothing to St. Paul now–but the urban gentry of Ramsey Hill were not so loyal to their city as not to read the New York Times. According to a long and very unflattering story in the Times, Walter had made quite a mess of his professional life out there in Washington. His old neighbors had some difficulty reconciling the quotes about him in the Times (‘arrogant,’ ‘high-handed,’ ‘ethically compromised’) with the generous, smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up Summit Avenue in February snow; it seemed strange that Walter, who was greener than Greenpeace and whose own roots were rural, should be in trouble now for conniving with the coal industry and mistreating country people. Then again, there had always been something not quite right about the Berglunds.”
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.