We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April.
| This Month |
Last Month |
Title | On List | |
| 1. | 6. |  |
The Beggar Maid: Stories of Flo and Rose | 5 months |
| 2. | 9. |  |
Beautiful Ruins | 2 months |
| 3. | – |  |
The Son | 1 month |
| 4. | 8. |  |
Just Kids | 4 months |
| 5. | – |  |
Bark: Stories |
1 month |
| 6. | – |  |
Well-Read Women: Portraits of Fiction’s Most Beloved Heroines | 1 month |
| 7. | 10. |  |
The Circle | 2 months |
| 8. | – |  |
Eleanor & Park |
1 month |
| 9. | – |  |
The Good Lord Bird | 1 month |
| 10. | – |  |
Jesus’ Son: Stories | 1 month |
Major shakeups to the April Top Ten were wrought by the graduation of six (count ’em) titles to our Millions Hall of Fame: The Goldfinch, Selected Stories, The Flamethrowers, The Luminaries, Draw It With Your Eyes Closed, and The Lowland. This “March 2014” class of ascendants is noteworthy not only for being the biggest single-month Hall of Fame class ever, but also for being one of the most highly-decorated classes in series history. How decorated? Let’s run the tape: Donna Tartt’s novel won this year’s Pulitzer Prize for Fiction. Alice Munro won the last Nobel Prize for Literature. Rachel Kushner’s novel was a finalist for the National Book Award. Eleanor Catton was the winner of last year’s Man Booker Prize. And Jhumpa Lahiri’s work was shortlisted for that same Man Booker Prize. Objectively speaking, this is the biggest and best class to date.
Of course, here at The Millions, our readers have plenty of decorated authors on their “to be read” shelves, and as a result, our Top Ten doesn’t so much rebuild — to borrow the parlance of a college football team — as it reloads.
To wit: we’re replacing a National Book Award finalist, a Pulitzer winner, and a Man Booker winner with two National Book Award winners, a Pulitzer finalist, and Lorrie Moore.
Heading off this new crop of titles is Philipp Meyer’s The Son, which was a Pulitzer finalist this past year, and which was met with critical acclaim for weeks after it was first published. It’s a book that John Davidson described for our site as being, “a sprawling, meticulously researched epic tale set in southern Texas,” and one that “leverages” a “certain theory of Native American societies … to explore the American creation myth.” Indeed, Meyer himself noted in his Millions interview that, “If there’s a moral purpose to the book, it’s to put our history, the history of this country, into a context.”
Additionally, the April Top Ten welcomes James McBride’s The Good Lord Bird, which blew past the field at last year’s National Book Awards to claim top prize overall. (The announcement of a movie deal soon followed.) For The Millions, our own Bill Morris sang the work’s praises and he sang them loudly. The book, Morris wrote in his latest Year in Reading piece, is “one of the most astonishing, rollicking, delightful, smart and sad books I’ve read in all my life.” Evidently you listened.
New(ish) releases weren’t the only new additions to our list this month, either. Sneaking into the tenth spot on our list was a classic collection from Denis Johnson, the winner of the National Book Award in 2007. It’s a pity they no longer print the version that fits in your pocket.
And what to say of Lorrie Moore, whose addition to the Vanderbilt faculty last Fall was overshadowed by news of Bark‘s imminent publication? Perhaps it’s best if I let the final paragraph from Arianne Wack’s profile of the author speak for itself:
Exploring the demands of a life is the heart of Moore’s work, and the resonate truth of her prose has fueled a fevered desire for her books. Her characters don’t so much adventure through life as they do drift and stumble through it, making it a map of emotional landmarks, places you keep finding yourself in. One suspects that Moore is not simply writing a life, but cleverly recording yours. There is a commonality linking reader with character, an elastic boundary between her fiction and our reality that both reinforces and subverts one’s own sense of uniqueness. Coming away from one of her stories, one is reminded that we are all just doing this the best we know how.
Or better yet, perhaps I should point you toward our own Edan Lepucki’s summation of Moore’s influence on a generation of American short story writers:
We all came out of Lorrie Moore’s overcoat–or her frog hospital, her bonehead Halloween costume. If you’re a young woman writer with a comic tendency, and you like similes and wordplay, and you traffic in the human wilderness of misunderstanding and alienation, then you most certainly participate in the Moore tradition.
Lastly, the April Top Ten welcomes two other newcomers as well. Entering the field in the eighth spot is Eleanor & Park, of which Janet Potter proclaimed, “Rarely is a realistic love story a page-turner, but when I got to the end I tweeted: ‘Stayed up til 3 finishing Eleanor & Park by Rainbow Rowell. Would have stayed up forever.'” (The book is being made into a movie, by the way.) Meanwhile, a collection of portraits entitled Well-Read Women: Portraits of Fiction’s Most Beloved Heroines enters the list in sixth place, likely owing to its prominence on Hannah Gersen’s list of gift ideas from last year.
Near Misses: Americanah, Little Failure: A Memoir, Stories of Anton Chekhov, A Highly Unlikely Scenario, or a Neetsa Pizza Employee’s Guide to Saving the World: A Novel, and Tampa. See Also: Last month’s list.
