Looking for a way to spice up your short story? Add a ghost. “This is going to sound strange, but what your story really needs is a ghost,” Lorrie Moore said in an interview with The New York Times. She discussed her new professorship at Vanderbilt and her new short story collection, Bark, which, yes, does contain a ghost story.
Scary Stories with Lorrie Moore
E-book Release Delays
An article in the Wall Street Journal about the third publishing house -- HarperCollins, who joined Simon & Schuster and Hachette -- to delay e-book publication of new (hardcover) titles. The debate over timing and pricing of new-release e-books (@$9.99) continues.
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John Cage, Silence
Don't listen to John Cage's 4'33" while you read Marjorie Perloff's article on the 50th anniversary of Silence. It could be a distraction.
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The Platonic Library
The Guardian has an excerpt of My Ideal Bookshelf, with pieces by Judd Apatow, David Sedaris and Chimamanda Ngozie Adichie, available for viewing on its website. Take a guess which one said Raymond Carver makes writing fiction look easy.
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Dispatch from the Online Retail War
During its ongoing contract talks with the publisher, Amazon has been displaying that Hachette's books ship in "up to 3-5 weeks." James Patterson, one of their biggest authors, has declared on Facebook that “there is a war going on between Amazon and book publishers.” The Washington Post has more on the backstory of Amazon's strategy, while the New York Times blog details how Patterson and other authors are fighting back.
Voices in Asian-Anglophone Fiction
This week in the New Yorker Jane Hu analyzes the "dispassionate first-person narrators" prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. "Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian."
Where Words Go
Recommended Reading: Jenny Diski on our lost words. “So I had a thought about writing a book for the elderly, the old. Those who have lost their words more comprehensively than the friends around our lunch table, but haven’t lost themselves entirely. A book about where all the words go, where after a time they find the others and collaborate to make sentences.”
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