Our favorite teenage misfit couple is coming to the big screen. Dreamworks will adapt Eleanor & Park with Rainbow Rowell writing the script. Filming doesn’t begin until 2015, so you have plenty of time to read the book. Here’s our own Janet Potter’s review.
Eleanor & Park on Screen
NBCC Finalist Party
The NBCC finalists will be announced tonight at an event in New York City, and you’re invited! The event will feature drinks, hors d’ouevre, and (probably) a lot of reading glasses.
Patty and Walter, anyone?
In The New York Times Magazine, Heather Havrilesky cautions against “The Divorce Delusion,” or one of modern drama’s most unrealistic tropes. “Infidelity, a love child (or two), dalliances with prostitutes, lewd online behavior; we’ve watched so many spouses bounce back from hell,” she writes, “that maybe we’re beginning to believe that there’s no trauma so great that it can’t be quickly metabolized into a courageous determination to sally forth against the storm.”
●
●
J.D. Salinger’s Stories: Read Them If You Must
OK, so you’ve read our article about why you should respect J.D. Salinger’s wishes by not reading his unpublished stories, but you’ve also noticed that nobody’s really said anything about his stories that are out-of-print.
●
●
“Life is a cutup.”
Graying Beats, Allen Ginsberg and William S. Burroughs, discuss the cut-up technique and shamanism during a never before published 1992 interview in the latest issue of Sensitive Skin Magazine. David L. Ulin provides commentary on the conversation.
●
●
Blue Nights: Released Next Week
Jacket Copy visits Joan Didion at her apartment in Manhattan to discuss Blue Nights, which moves back and forth between the death of Didion’s 39-year-old daughter, Quintana, six years ago and the author’s reflections on aging. The book is a much anticipated follow-up to 2005’s The Year of Magical Thinking, in which Didion wrote about the death of her husband, John Gregory Dunne.
●
●
Forgetting Poetry
We all probably had the humiliating experience of reciting a poem in high school. Yet at Salon, Nina Kang believes that memorizing poetry is a lost art. She blames the loss of the discipline on our tendency to skim and new poetry’s seeming aversion to memorization. “Writers actively fight against the appearance of artifice, and often instead strive for an informal, offhand tone, with that hint of clumsiness that lends a certain authenticity to the voice. It turns out this is a quality that makes the reciter’s job that much more difficulty.” Here’s our take on the lost art of recitation.
●
●
Tuesday New Release Day: Dovlatov, Wolitzer, Moore, Sickels
2012 could be the year that we get to know Sergei Dovlatov, and our own Sonya Chung may have played a role. Her 2009 piece on the forgotten Russian humorist helped land one of his stories in PEN America. Soon we started seeing Dovlatov mentioned everywhere, and last year, Counterpoint published The Suitcase, and now The Zone will be released this week. Other new releases this week: An Available Man by Hilma Wolitzer, Heft by Liz Moore, and The Evening Hour, a debut novel by Carter Sickels.
The James Ellroy Phenomenon
“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.