Inherent Vice

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The Millions Top Ten: December 2009

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for December.

This
Month
Last
Month

Title
On List

1.
3.

Cloud Atlas
4 months

2.


The Interrogative Mood
1 month

3.
7.

Austerlitz
3 months

4.
5. (tie)

The Corrections
2 months

5.


Let the Great World Spin
1 month

6.
4.

The Girl with the Dragon Tattoo
6 months

7.
1.

Zeitoun
6 months

8.


The Death of Ivan Ilyich and Other Stories
1 month

9. (tie)
7. (tie)

Asterios Polyp
4 months

9. (tie)


The Mystery Guest
1 month

December saw a flurry of activity as four books made their first appearances on the list. Padgett Powell’s The Interrogative Mood, endorsed by both Jonathan Lethem and Rick Moody, caught readers’ interest. Colum McCann’s Let the Great World Spin has been building momentum since its National Book Award win. I also reviewed it here and last month, Reif Larsen wrote glowingly of the book. Our recent interview with superstar translators Richard Pevear and Larissa Volokhonsky clearly got readers interested in their latest effort, a Tolstoy collection. And David Shields’ Year in Reading contribution, while eclectic, nonetheless drew readers’ focus to Gregoire Bouillier’s The Mystery Guest.

Powered by continued interest in The Millions’ Best of the Millennium series, where the book had a strong showing on both out panel list and our readers’ list, David Mitchell’s Cloud Atlas took over the top spot in the Top Ten.

And finally, dropping from the list were Thomas Pynchon’s Inherent Vice, The Skating Rink by Roberto Bolaño, The Year of the Flood by Margaret Atwood, and The Wild Things by Dave Eggers.

See Also: Last month’s list

A Year in Reading: Carolyn Kellogg

Each time I talk about two of my favorite books this year, I find myself discussing what people wanted from them as much as the books themselves. I adored them both, but both seem to need positioning.

Take Chronic City by Jonathan Lethem. It’s a novel of not-quite-real New York, in which a former child actor becomes friends with an obsessive fanatic/critic, threaded through with surrealism, a second-life-type game, esoteric cultural discussions, a romance or two and questions of identity and self. It is everything a novel can be: funny, smart, puzzling, engrossing, layered. It is very Lethem-ian, in that it is Philip K. Dick-ish, but it is more controlled and mature – more ambitious, even – than Dick. It works on several levels; it’s the kind of book that’s fun to talk about. What it isn’t is a noir pastiche with a detective with Tourette’s – there’s no need for Lethem to write Motherless Brooklyn again, but some people are stuck on it. Re-read Motherless Brooklyn if that’s what you want from Lethem — but you’ll be missing out.

And then there’s Thomas Pynchon’s Inherent Vice. A vocal Pynchon contingent loves big, perplexing Gravity’s Rainbow – talk about layers! – and looks down on The Crying of Lot 49. The Pynchonmanes like the intellectual challenge of his massive books, and they tend to balk against the straightforward elements of Inherent Vice, which has a relatively clear plotline and a likeable, stoned main character. I would argue that comprehensibility is not a fault, that this book is as full of giddy joy with language and ephemeral ideas as his others. Those who don’t see that are looking too close, but perhaps that’s because they (we) are the target: when you step back, the book reads as an argument against the ambitious digging of his ardent fans. It’s a 400-page case for living with mystery. Long may Pynchon’s seclusion reign.

More from A Year in Reading

The Millions Top Ten: November 2009

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for November.

This
Month
Last
Month

Title
On List

1.
2.

Zeitoun
5 months

2.
1.

Inherent Vice
4 months

3.
3.

Cloud Atlas
3 months

4.
4.

The Girl with the Dragon Tattoo
5 months

5. (tie)


The Corrections
1 month

5. (tie)
7.

The Skating Rink
4 months

7. (tie)
5.

Asterios Polyp
3 months

7. (tie)
10.

Austerlitz
2 months

9.


The Year of the Flood
2 months

10.
6.

The Wild Things
2 months

Dave Eggers bookends our list as Zeitoun moves into the top spot and The Wild Things lands at number 10. Jonathan Franzen’s 2001 novel The Corrections hits our list two months after a panel of writers, editors and critics assembled by The Millions named it the Best of the Millennium (So Far). The book joins Cloud Atlas and Austerlitz, which both figured prominently in the series as well. Margaret Atwood’s The Year of the Flood has re-entered the list after falling off last month. And dropping from the list are Felonious Jazz by Bryan Gilmer and Imperial by William T. Vollmann.
See Also: Last month’s list.

The Millions Top Ten: October 2009

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for October.

This
Month
Last
Month

Title
On List

1.
1.

Inherent Vice
3 months

2.
2.

Zeitoun
4 months

3.
7.

Cloud Atlas
2 months

4.
3.

The Girl with the Dragon Tattoo
4 months

5.
5. (tie)

Asterios Polyp
2 months

6.


The Wild Things
1 month

7.
4.

The Skating Rink
3 months

8.
10. (tie)

Imperial
2 months

9.
5. (tie)

Felonious Jazz
6 months

10.


Austerlitz
1 month

Dave Eggers lands a second book on our Top Ten with his novelization of the Spike Jonze movie The Wild Things. (Eggers is having similar success on some other distinguished lists.) Here at The Millions, Wild Things was a Most Anticipated book and Emily recent revisited the beloved children’s book that started it all. Also debuting is Austerlitz, the 2001 novel by W.G. Sebald. The book recently landed at #7 in our “Best of the Millennium” series.

We didn’t have any new Hall of Fame inductees this month, and falling off the Top Ten were The Year of the Flood by Margaret Atwood, The White Tiger by Aravind Adiga, Future Missionaries of America by Matthew Vollmer, and Netherland by Joseph O’Neill.

And, finally, Inherent Vice and Zeitoun hold on to their top positions.

See Also: Last month’s list.

The Millions Top Ten: September 2009

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for September.

This
Month
Last
Month

Title
On List

1.
1.

Inherent Vice
2 months

2.
2.

Zeitoun
3 months

3.
8.

The Girl with the Dragon Tattoo
3 months

4.
6. (tie)

The Skating Rink
2 months

5. (tie)


Asterios Polyp
1 month

5. (tie)
10.

Felonious Jazz
5 months

7.


Cloud Atlas
1 month

8.


The Year of the Flood
1 month

9.


The White Tiger
1 month

10. (tie)


Future Missionaries of America
1 month

10. (tie)


Imperial
1 month

10. (tie)
9.

Netherland
4 months

Four inductees to The Millions Hall of Fame plus gridlock in the tenth spot on our list meant room for plenty of new titles on the list in September.

Graduating to our Hall of Fame were four illustrious titles, Infinite Jest by David Foster Wallace, The Brief Wondrous Life of Oscar Wao by Junot Díaz, Matthew Diffee’s The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker, and Carl Wilson’s Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste. The former two titles are good examples of our readers’ taste in fiction (Wao in fact won our recent readers’ poll of the best fiction of the decade). The latter two are niche titles that sparked an enduring interest in readers despite relatively minor mentions at The Millions.

Newly appearing on the list are some recently published titles. Asterios Polyp, which we reviewed not long ago, Margaret Atwood’s The Year of the Flood and William T. Vollmann’s Imperial, which were both on our most recent Most Anticipated list, and Future Missionaries of America by Matthew Vollmer, who was an interviewer and an interviewee for us in June.

Also debuting are Cloud Atlas, which emerged as a big favorite in our Best of the Millennium project, and The White Tiger. That one’s a bit of a mystery because we haven’t talked about it much, but it did, of course, win the Booker Prize a year ago.

Finally, Inherent Vice and Zeitoun hold on to their positions, but there are still several new releases on tap for the fall, so they may be challenged soon for the top spots.

See Also: Last month’s list.

The Millions Top Ten: August 2009

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for August.

This
Month
Last
Month

Title
On List

1.


Inherent Vice
1 month

2.
5.

Zeitoun
2 months

3.
4.

The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker
6 months

4.
2.

Infinite Jest
6 months

5.
6.

Celine Dion’s Let’s Talk About Love: A Journey to the End of Taste
6 months

6. (tie)
7.

The Brief Wondrous Life of Oscar Wao
6 months

6. (tie)


The Skating Rink
1 month

8.
8.

The Girl with the Dragon Tattoo
2 months

9.
10.

Netherland
2 months

10.
9.

Felonious Jazz
3 months

Thomas Pynchon staged an impressive debut in August, hitting number one in The Millions Top Ten as Inherent Vice hit shelves. Garth, our resident Pynchon expert, shared his thoughts on the post-modern detective story just this week. Also debuting on our list in August is yet another title from Roberto Bolaño. Out of the gate, The Skating Rink is looking less like a footnote in Bolaño’s prolific career and more like another Bolaño masterpiece, receiving impressive notices from the likes of Wyatt Mason in The New York Times (a “short, exquisite novel“) and Scott Esposito in The Quarterly Conversation (“well worth your time“). The book was also on our most recent “Most Anticipated Books” list.

Graduating to our Hall of Fame (after being on our list for 6+ months) are two books that have been surprise Millions favorites. Kitty Burns Florey’s Sister Bernadette’s Barking Dog: The Quirky History and Lost Art of Diagramming Sentences was the jumping off point for a grammar rodeo that Garth put on analyzing a snippet of a speech by President Obama. The upshot? A Venn diagram of Millions readers and grammar lovers would show quite a lot of overlap, I now suspect. Also newly honored in our Hall of Fame is prizewinner Olive Kitteridge by Elizabeth Strout, which inspired Edan to pen her much discussed “Mom Book” essay.

Other notable action: Dave Eggers’ Zeitoun, recently reviewed around here and generally getting outstanding notices, shot to the number two spot in its second month on the list.

Next month should be quite interesting as we’re poised to have four titles join the Hall of Fame, freeing up room for lots of newcomers.

See Also: Last month’s list.

Hard-Boiled or Half-Baked?: A Review of Thomas Pynchon’s Inherent Vice

When publishing industry stool-pigeons started whispering last fall that Thomas Pynchon’s latest would be a detective novel, I couldn’t see what the fuss was about. By my count, he’d already written four. From Hubert Stencil and the Case of the Missing V. to Tryone Slothrop and the V-2 Syndrome, Pynchon has, like Dickens and Dostoevsky before him, often used the form of the mystery-story to structure his loose, baggy monsters. The difference – and it is pretty much the difference between modernity and postmodernity – is that where Bleak House and The Brothers Karamazov tend toward solutions, Pynchon’s mysteries only ramify into further mysteries.

What is actually novel, then, about Pynchon’s new novel? Well for one thing, Inherent Vice gives us a protagonist who is even more apt than its author to digress, to space out, to lose the thread: a pint-sized pothead and sometime gumshoe named Larry “Doc” Sportello. (Don’t ask.) Becalmed, circa 1970, in the surf community of Gordita Beach, Cal., Doc ekes out just enough money as the proprietor of LSD Investigations to keep himself stoned. (LSD, naturally, “standing for ‘Location, Surveillance, Detection.'”) When his ex-squeeze tips him off to a plot to kidnap her new old man, Doc finds himself drawn into an underworld where real-estate moguls, neo-Nazis, and dentists conspire to…uh…do something or other. Or is it when black nationalist Tariq Khalil shows up? Or when surf-rock saxophonist Coy Harlingen goes missing? Oh, who cares, man? Pass me an E-Z Wide and cue The Boards.

Inherent Vice is at its best when (like this trailer, narrated by Pynchon himself) it hews to the half-baked perspective of its hero – when it uses its Raymond Chandler-ish plot as a kind of excuse for its set pieces. Nor are these set pieces merely ornamental. My favorites – the lost empire of Lemuria (“The Atlantis of the Pacific”); visits to any number of greasy spoons; Doc’s acid trip – adumbrate the novel’s moral vision, to the extent that it has one. Here, as elsewhere, Pynchon is on the side of the Preterite. Witness, for example, Doc’s side-trip to Vegas:
According to Tito, the Kismet, built just after WWII, had represented something of a gamble that the city of North Las Vegas was about to be the wave of the future. Instead, everything moved southward, and Las Vegas Boulevard South entered legend as the strip, and places like the Kismet languished. Heading up North Las Vegas Boulevard, away from the unremitting storm of light, episodes of darkness began to occur at last, like night breezes off the desert. Parked trailers and little lumberyards and air-conditioning shops went drifting by.
Also new in Inherent Vice is the mellow bittersweetness that shades the last couple of sentences, the benign half-grin with which much of the book is put across. For great stretches, description retreats entirely, in favor of dialogue. Depending on the level of chemical enhancement, the results can be amusing, if inessential. “Why is there Chicken of the Sea,” one character muses, “but no Tuna of the Farm?” Pynchon has done hippies before, but rarely has his writing felt so loose.

Then again, this looseness, the book’s great innovation, is also the source of its most glaring weaknesses. Because Pynchon is pretty much making stuff up as he goes along, Inherent Vice falls apart whenever it attempts to actually generate suspense. (Presumably, there’s some play going on here with the byzantine conventions of film noir and the gaps in Doc’s memory, but outside of the work of David Foster Wallace, tedium is not a legitimate aesthetic effect.) To put it another way, the book is entertaining except when it isn’t.

Worse: with the exception of Doc and a couple of others, Pynchon half-asses his characters. Character has always been Pynchon’s weakness – too often people in his novels feel like mere linguistic events, conjunctions of syllables – but here the lack of any sense of life beyond the page makes it hard to keep track of who’s speaking, much less whodunit. In the time it takes to disentangle Riggs Warbling from Adrian Prussia, one forgets what the significance of either is supposed to be.

As in 2006’s Against the Day, there are moments here that feel like Pynchon doing Pynchon. The songs, in particular, amount to parodies of parodies. (If you’ve ever wondered whether any of Pynchon’s songs had any aesthetic value, compare Inherent Vice’s “Just the Lasagna” to anything in Gravity’s Rainbow.)

The novel’s ideas have a recycled quality, too. In this case, though, a quality of obsession redeems them. Pynchon’s great subject has turned out to be not paranoia but history: specifically, those moments in it when the world might change, but doesn’t. If Against the Day amounted to a sprawling catalogue of such moments, Inherent Vice profitably limits itself to a specific instance – one Pynchon lived through. As the novel shambles toward its conclusion, a pedal-note of genuine loss builds:
Tito snored away on the other bed. Out there, all around them to the last fringes of occupancy, were . . . the Starship Enterprise, Hawaiian crime fantasies, cute kids in make-believe living rooms with invisible audiences to laugh at everything they did, baseball highlights, Vietnam footage, helicopter gunships and firefights, and midnight jokes, and talking celebrities, and a slave girl in a bottle, and Arnold the pig, and there was Doc, on the natch, caught in a low-level bummer he couldn’t find a way out of, about how the Psychedelic Sixties, this little parenthesis of light, might close after all, and all be lost, taken back into darkness…
The effect here is not nostalgia, which packages the past for bite-sized consumption, and so palliates our hunger for utopia. Rather, Pynchon seems to be trying to awaken us to the idea that things might become other than they are, by reaching back for the last time when Americans actually seemed to believe it – before, as Hunter S. Thompson wrote, the “high and beautiful wave” of the middle Sixties “finally broke and rolled back.”

Ultimately – perhaps regrettably – Inherent Vice is a wash. Depending on your angle, it’s either a breezy Something that looks like an airy Nothing, or vice versa. Those looking for a brilliant cannabinoid caper should add The Big Lebowski, The Long Goodbye, or Pineapple Express to the Netflix queue post-haste. But those who believe (with the Buddhists and Yogi Berra) that if things were perfect, they wouldn’t be probably won’t regret a few hours spent in the company of…oh, crap, man. What’s the guy’s name again?

Revisiting a Literary Throwdown: Zombie Books for Free

It was a battle between an evangelizing visionary and a sage defender of the past, perhaps the first big tussle in the great sorting out of publishing’s new look in the digital age.This was 2006, when Wired Magazine technology evangelist Kevin Kelly wrote about the helter skelter future of books in the digital age. In the New York Times Magazine, Kelly looked at then still nascent book scanning efforts, and extrapolated a future that sent a shiver through writers, editors, publishers, and many readers:Turning inked letters into electronic dots that can be read on a screen is simply the first essential step in creating this new library. The real magic will come in the second act, as each word in each book is cross-linked, clustered, cited, extracted, indexed, analyzed, annotated, remixed, reassembled and woven deeper into the culture than ever before. In the new world of books, every bit informs another; every page reads all the other pages.Later he added:[Authors] can sell performances, access to the creator, personalization, add-on information, the scarcity of attention (via ads), sponsorship, periodic subscriptions – in short, all the many values that cannot be copied. The cheap copy becomes the “discovery tool” that markets these other intangible valuables.At the annual Book Expo, keynote speaker John Updike responded, heaping scorn: The economic repercussions of this paradise of freely flowing snippets are touched on with a beguiling offhandedness, as a matter of course, a matter of an inexorable Marxist unfolding.Everyone reveled in the literary throwdown at the time (Gawker called it a Crossover Nerdfight). There was no “winner,” however, and neither Kelly nor Updike was proven right, but there are some interesting new developments to contemplate.When Kelly wrote of “remixed” books, many were aghast, envisioning zombified, soulless collages, based on the desecrated works that had been co-opted for profit. They may have been right about the zombie part: At least one book remix has caused quite a stir this year. According to Publishers Weekly, there are “more than 600,000 copies in print of… Jane Austen mashup, Pride and Prejudice and Zombies.” A graphic novel version is in the works, as is a sequel, Sense and Sensibility and Sea Monsters. Even though this recent example looms large, when you start thinking about it there is a rich history of literary remixes. At the Vromans Bookstore Blog, Patrick Brown recently compiled a thorough exploration of the topic in response to J.D. Salinger’s lawsuit over an unauthorized sequel to his novel The Catcher in the Rye. Though that remix is not looking particularly auspicious, Patrick notes the many venerable and successful remixes that have come before it, from James Joyce’s Ulysses to Gregory Maguire’s Wicked to a pair of recent books by Maile Meloy. Brown doesn’t mention it, but you can even go all the way back to the “first” novel, and look at Don Quixote’s second part as an inspired calling out of unauthorized “copycat” versions of the book. It’s entirely plausible to make the case that literary history is in many ways a history of literary “remixes,” and, as Kelly has suggested, current, ever-stricter copyright regimes are an artificial impediment to this free flow of ideas.Returning to Pride and Prejudice and Zombies, silly as it may be, one wonders if the book’s success doesn’t prove there is an appetite – in our heavily remixed, mashed up culture – for freer rein to be afforded writers who want to experiment in this vein. It’s also clear that the public domain offers an unending font of material for those inclined to use it (for a more highbrow example, think of the relationship between Tom Stoppard and Shakespeare). Meanwhile, the Salinger case would seem to indicate that when it comes to books under copyright and the cross-linking, clustering, and reassembling that Kelly prophesied, we are still very much at the whim of the copyright holder.Kelly’s other point – that of a new business model for writers that relies not on selling the book but on using the book to sell “access” to the writer, has been taken up enthusiastically by another Wired guy, Chris Anderson, who has written an entire book on this topic, Free. Anderson is “selling” (read: giving away) the book under this model and his ideas have caused media types quite a bit of heartburn.Interestingly, the backlash to Anderson’s book seems to be resonating (to me, anyway) much more than the book itself. The unfortunate revelation that Anderson had lifted substantial passages for the book from Wikipedia suggests that in a world where writers don’t get paid for writing and information wants to be free, the writing itself is almost beside the point as compared to the ancillary, profit-making schemes that can surround the “author as brand” idea. This criticism would only seem to be confirmed by Anderson’s explanation that there was an oversight in citing the copied passages properly.With a new novel coming soon from our greatest literary recluse, I wonder too whether a flourishing of the idea that authors make money from selling “access” and not books would mean that we could never have another Pynchon or McCarthy or DeLillo whose works alone tower above any notion that they might experiment with alternative revenue models.In the end, there are some elements out of the Kelly/Anderson view of the future of publishing that remain compelling. The remixed book is an important idea that need not be villainized or trivialized, particularly as digitization provides new opportunities for experimentation. The notion of “free,” meanwhile, seems far more potentially damaging in that whole swathes of literary culture are not particularly compatible with the “authors selling access” model. However, if you believe that good writing is always worth something to somebody, you don’t have much to worry about.

Pynchon by Way of ‘Sally Forth’

Readers of the Sunday funnies may have spotted an odd juxtaposition somewhere between “Garfield” and “Beetle Bailey” this morning. “Sally Forth” writer Ces Marciuliano has reimagined the opening lines of Pynchon’s postmodern classic Gravity’s Rainbow as a baseball-themed essay by grade-schooler Hilary. We will be running an essay here on literary mashups tomorrow, but this has to be one of the stranger intersections – the banality of the comics page, crossed with one of the more famously challenging novels in history. What a goofy, subversive thing to do.See Also: Pynchon fans, Inherent Vice drops in just a week.[Image and link via Ces Marciuliano]

Most Anticipated: Rounding Out 2009, An Epic Year for Books

At the beginning of the year, we noted that “2009 may be a great year for books.” With the publishing schedule for the remainder of the year filled out, calling 2009 a great year for readers is now a certainty. If anything, 2009 is backloaded, with new titles coming in the second half of the year from legends like Thomas Pynchon and Philip Roth and fan favorites like Lorrie Moore and Jonathan Lethem. A peek into 2010, meanwhile, reveals more literary excitement on tap, with new titles on the way from Jonathan Franzen, Joshua Ferris, and others. Below you’ll find, in chronological order, the titles we’re most looking forward to right now. (Special thanks to the illustrious members of The Millions Facebook group who let us know what they are looking forward to. Not everyone’s suggestions made our list, but we appreciated hearing about all of them.)In July, Dave Eggers continues the trend he started with What is the What, working closely with his subject to produce a work with elements of memoir and non-fiction. In Zeitoun, the subject is Abdulrahman Zeitoun, “a prosperous Syrian-American and father of four,” who lived in New Orleans and disappeared in the aftermath of Hurricane Katrina. A few weeks ago, The Rumpus ran a long interview with Eggers that touches on Zeitoun, among several other topics. Eggers first encountered Zeitoun when McSweeney’s put out Voices from the Storm, an oral history of Katrina, and he told The Rumpus, “Their story intrigued me from the start, given that it’s at the intersection of so many issues in recent American life: the debacle of the government response to Katrina, the struggles facing even the most successful immigrants, a judicial system in need of repair, the problem of wrongful conviction, the paranoia wrought by the War on Terror, widespread Islamophobia.” (Scroll down to October for more “Anticipated” action from Eggers.)William T. Vollmann is known for his superhuman writing output, but his forthcoming book Imperial is a monster, even for him. Weighing in at 1,296 pages and carrying a list price of $55, this work of non-fiction is “an epic study,” in the words of the publisher, of Imperial County, California along the U.S.-Mexico border. Ed offers quite a bit more discussion of the book. Don’t miss the comments, where it’s said that Vollmann has called the book “his Moby-Dick.”August kicks off with what will no doubt be a peculiar literary event, the publication of Thomas Pynchon’s Inherent Vice. It is a rare thing these days when a flurry of media attention centers on someone who has no interest in basking in it. And so, perhaps as Pynchon intends, the focus will be on the book. Inherent Vice promises to be odd. It’s 416 pages, shorter than the typical Pynchon doorstop, and the publisher Penguin, in its catalog, notes that Pynchon is “working in an unaccustomed genre” this time around. “Genre” seems to be the buzzword here. The book sports neon cover art and follows a private eye (Doc Sportello). The book begins: “She came along the alley and up the back steps the way she always used to.” Review copies are already out, and the early word is that the novel overlaps somewhat with and bears some similarities to Vineland.Inherent Vice shares a release date with a new book by Richard Russo, That Old Cape Magic, which Entertainment Weekly has already called “very beach-y.” (Sadly, it appears to have come in last in their poll to determine the “Must book of the summer.”) It sounds like fairly standard “suburban malaise” fare in which a mid-life crisis is endured over the course of the summer, the upside for the reader being that Russo is bringing his considerable skills to the table. PW is fairly tepid on the book, “Though Russo can write gorgeous sentences and some situations are amazingly rendered… the navel-gazing interior monologues that constitute much of the novel lack the punch of Russo’s earlier work.”Of Roberto Bolaño’s forthcoming, newly translated novels, Millions contributor Lydia writes: “I almost never know about the hot, up-and-coming items, but I do happen to know about this one, and I feel that, like many readers, my relationship to Bolaño has been one of breathless anticipation since the moment I first heard his name. Which was like this: at my old job, I was going through the mail. There was a New Directions catalog of aforementioned hot, up-and-coming items. I haven’t historically had a lot of interest in contemporary trade publications, but New Directions has a very warm spot in my heart because I associate it with The Berlin Stories. Anyway, in said mag I read a blurb about Nazi Literature in the Americas, and thought it sounded really neat, and then learned I would have to wait a year to read it, and since then it feels like there’s been a lot of waiting – sometimes with glorious gratification at the end (2666), sometimes not (Nazi Literature in the Americas, ironically). It’s thrilling that they keep coming! The Skating Rink in August, Monsieur Pain in 2010. It’s like new the James Bond franchise (btw, I’m a Craig, not a Brosnan). I just love having something to look forward to. I hope I don’t wet my pants on the way to the bookstore.” (Bolaño fans will also be looking out for Melville House’s Bolaño: The Last Interview And Other Conversations)Dan Chaon’s Await Your Reply returns to the territory of separated siblings (You Remind Me of Me looked at a pair of long-lost brothers.) This time, the focus is on twins, one of whom has been missing for ten years. The book garnered a blurb from Jonathan Franzen, who will appear later in this list and who says of Chaon’s book, “I’ve been waiting for somebody to write the essential identity-theft novel, and I’m very glad Dan Chaon’s the one to have done it”Let’s just get this out of the way: In September, you are going to hear a lot about Dan Brown’s The Lost Symbol.More importantly, we’ll get Richard Powers’ follow up to his award-winning novel The Echo Maker. In Generosity: An Enhancement, Powers explores the idea of patenting the human gene for happiness. Last year, Powers wrote about the human genome for GQ. There’s not a lot of info available about this one but Ed Champion writes he “foresee(s) some animosity from the vanilla critics hostile to idea-driven novels,” and Sarah Weinmantweeted,” “Richard Powers’ new novel Generosity is about as audacious as a novel gets, and has fucked with my head as a reader every which way.”Lorrie Moore is set to deliver her first novel in over a decade, A Gate at the Stairs. All those Moore fans out there are faced with a huge dilemma this week. Do they read the “Childcare,” the excerpt of the novel that is the fiction offering in this week’s New Yorker, or do they avoid the magazine and hold out for two more months until the novel comes out? We’ve never been big fans of the New Yorker’s packaging of novel excerpts as short stories, so to all the Moore fans out there, we say – avert your eyes when you reach page 70 of this week’s issue!Kazuo Ishiguro’s Nocturnes: Five Stories of Music and Nightfall is already out in much of the rest of the English-speaking world. In The Guardian, Christopher Taylor described the book as “a carefully arranged sequence of interlocking stories” and said, “while many of the stories hinge on artistic talent – the risks and unkindnesses associated with it; who’s got it and who hasn’t – the strong focus on more widespread problems in life makes Nocturnes more than a writer’s thoughts on his job.” The Complete Review rounds up the rest of the early reactions.Pete Dexter returns in September with Spooner. This one sounds like another dark, Southern tale not unlike Paris Trout, the book that first put Dexter on the fiction map. The first line of Spooner is “Spooner was born a few minutes previous to daybreak in the historic, honeysuckled little town of Milledgeville, Georgia, in a make-shift delivery room put together in the waiting area of the medical offices of Dr. Emil Wood.”We’ll also get a new novel from E.L. Doctorow about a pair of brothers. Homer & Langley is about Homer and Langley Collyer, two famous Manhattan hoarders and recluses, who, after gaining notoriety for their obsessive habits and reportedly booby-trapped home, were found dead in 1947 surrounded by, according to Wikipedia, “over 100 tons of rubbish that they had amassed over several decades.” Newsweek has an excerpt of the book. The novel’s first line is “I’m Homer, the blind brother. I didn’t lose my sight all at once, it was like the movies, a slow fade-out.”Dan Brown is no doubt getting serious bank for his return to airport bookshelves and grocery store check-out lines, but he’s not the only one having a great recession. Audrey Niffenegger reportedly took home a $5 million advance for Her Fearful Symmetry, her follow-up to her very popular The Time Traveler’s Wife. Niffenegger describes the book on her website: “The novel concerns a pair of mirror-image twins, Julia and Valentina Poole… Julia and Valentina are inseparable, and function almost as one being, although in temperament they are opposites.”Acclaimed novelist Margaret Atwood will have a new novel out in September called The Year of the Flood, which has been described as “a journey to the end of the world.” The Random House catalog, meanwhile, called it a “dystopic masterpiece and a testament to her visionary power.” If that all isn’t intriguing enough, it appears that the book is maybe (or maybe not) the second book in a trilogy that was kicked off with Oryx & Crake. Atwood and her publishers have offered mixed signals on the trilogy question. Quill & Quire looked into the question, and included a quote from Atwood saying, “It’s not a sequel and it’s not a prequel… It’s a simultaneouel.” Ah, one of those.In The Anthologist, Nicholson Baker covers well-trod literary ground by focusing on a writer protagonist. However, PW gave the book a starred review, calling it “lovely” and saying “Baker pulls off an original and touching story, demonstrating his remarkable writing ability while putting it under a microscope.” Baker’s protagonist is Paul Chowder, who is tasked with writing an introduction for a poet friend’s anthology and delivers the book’s stream of consciousness narration. By all early accounts the book is quite funny and also deeply immersed in poetry, with digressions on a number of history’s great poets. The Simon & Schuster catalog calls the book a “beguiling love story about poetry.”It’s my feeling that John Irving’s fiction has fallen off quite a bit in recent years (the last really good read for me was A Son of the Circus), but I still keep an eye on Irving’s new novels for any sign that he has regained his early career mojo. His last several books haven’t tempted me, and it’s probably too early to tell whether the Last Night in Twisted River will. Reading the first sentence of the publisher’s description, we already find a couple of Irving’s authorial tics, New Hampshire and bears: “In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear.” Don’t be surprised if a wrestler figures into the action somewhere in there. Still, Irving has compared the new book to The Cider House Rules. That’s a good sign.The venerable William Trevor will have a new novel out, Love and Summer.Millions reader Matthew looks forward to Laird Hunt’s Ray of the Star, due in September, “because Laird’s novels are fantastic.” Of Kamby Bolongo Mean River by Robert Lopez, he writes “This is his sophomore novel; his first, Part of the World was bizarre and funny.” He plans to read The Museum of Eterna’s Novel by Macedonio Fernandez (arriving in 2010) “because Borges sez so.”October is sure to bring Wild Things mania and Dave Eggers is going to be right in the middle of it. He worked with Spike Jonze on the film version of Where the Wild Things Are. And, in what is sure to be the most literary novelization of a film (adapted from a children’s book) ever, an Eggers-penned version of Wild Things is set to hit shelves when the movie comes out. There’s also the fur-covered edition.New Yorker readers have already gotten a taste of Jonathan Lethem’s forthcoming book Chronic City. Of the excerpt, packaged as the story “Lostronaut,” I wrote, “This story was pretty awesome. It was the only speculative fiction to land in The New Yorker this year, not quite making up for the absence of Murakami and Saunders from the magazine’s pages. This story is told in the form of letters from Janice, a ‘Lostronaut’ aboard some sort of space station, to her ‘Dearest Chase.’ She and her fellow astronauts are trapped in orbit by Chinese space mines and that’s not even the worst of it for poor Janice. While the premise and epistolary style are intriguing, Janice’s unique, irrepressible voice really carries the story.”Readers are soon set to see the fruits of an ambitious project by R. Crumb, his illustrated Book of Genesis, a surprisingly faithful rendering of the first book of The Bible done in Crumb’s unique style. Crumb talked about the project four years ago with Robert Hughes: “I was fooling around with Adam and Eve one day. Doodling about Adam and Eve. At first I did this satirical take off on Adam and Eve – lots of jokey asides and Jewish slang because they’re Jewish right? God is Jewish… Finally I got over fooling around and I realized I just had to tell it straight.”Booker winner A.S. Byatt’s The Children’s Book, according to publisher Knopf’s description, “spans the Victorian era through the World War I years, and centers around a famous children’s book author and the passions, betrayals, and secrets that tear apart the people she loves.” The book is out already in the UK, where a review in the Telegraph included this intriguing aside: “Byatt’s publisher is keen to present The Children’s Book, her first novel for seven years, as an equal to Possession, the work that secured her reputation and her mass-market appeal nearly 20 years ago. It certainly compares to its popular predecessor in its daring and scope and, unlike the more cerebral parts of Byatt’s output, is its equivalent in terms of storytelling and readability.”J.M. Coetzee’s Summertime is a follow up to Boyhood and Youth in Coetzee’s series of memoirs. The NYRB recently published an excerpt.Quite a lot of sub-par material has been published in order to satiate the ravenous demand for Hunter S. Thompson’s writing. Thompson’s essays for ESPN in his later years were uneven at best, but fans may find something to like in The Mutineer, which Simon & Schuster says is “The highly anticipated final volume of the previously unpublished letters of Hunter S. Thompson, king of Gonzo journalism and one of the greatest literary figures of our time.” Insofar as HST,in his latter years, may have been more entertaining and lucid in his letters, this may put The Mutineer slightly above the low bar set by other recent HST collections. On the other hand, the book is edited by Johnny Depp, implying that the book is more about venerating the cult of HST than unearthing new work on par with his best efforts.November will bring the publication of Michael Lewis’ much anticipated chronicle of the financial crisis, The Big Short. In October last year, when economic uncertainty was at its height and fears were voiced in some rarefied quarters about the possibility of some sort of structural collapse, we wrote, “The world needs an exhaustive look at what happened in 2008 and why.” There have already been several books about the collapse and what caused it, from The Two Trillion Dollar Meltdown to The Return of Depression Economics and the Crisis of 2008, but many readers have been waiting for a book by Lewis, both because of his long history writing about Wall Street’s excesses and because of the powerful essay he penned on the topic for Portfolio magazine in November. Some readers may be weary of the topic by the time the book comes out, but it’s sure to garner some interest.The great Philip Roth keeps churning out new novels. This year’s offering is The Humbling, Roth’s 30th novel. The publisher copy says “Everything is over for Simon Axler, the protagonist of Philip Roth’s startling new book. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent, and his assurance.” The NY Times reported that yet another Roth novel, Nemesis, is due in 2010.Jonathan Safran Foer will have a non-fiction book out in November called Eating Animals, which most are guessing focuses on vegetarianism. An interview with Foer at Penguin’s UK website would seem to confirm this. It doesn’t mention the book, but the introduction says “Jonathan Safran Foer on why he doesn’t eat anything with parents.”Millions reader Laurie points us to My Bird by Fariba Vafi, translated from Farsi and originally published in Iran in 2002. The publisher Syracuse University Press says: “The narrator, a housewife and young mother living in a low-income neighborhood in [modern] Tehran…[is] forced to raise [her] children alone and care for her ailing mother… One of the most acclaimed and best-selling contemporary Iranian writers.” Laurie adds, “The novel won several literary awards in Iran and, according to a 2005 article in the New York Times, Vafi never attended college and writes when her children are in school.”2010: Probably the most anticipated book of next year will be the The Pale King, a coda to David Foster Wallace’s sadly shortened life as a writer. We already know a fair amount about the book – it will center on an IRS agent – and three excerpts have been published already, “Good People” and “Wiggle Room” in The New Yorker and “The Compliance Branch” (pdf) in Harper’s. A piece by D.T. Max went into some detail about The Pale King following DFW’s death. Given the amount work that lies ahead for DFW’s editors, this may be a second half of 2010 release.Also possibly arriving in the second half of 2010 is Jonathan Franzen’s Freedom, which we are just beginning to hear about. The book is the long-awaited follow-up to Franzen’s loved, hated, celebrated, Oprah-snubbing novel of nearly a decade ago, The Corrections. Franzen has been coy about the title – the book is reportedly called Freedom – but readers got a taste of what Franzen has in store in “Good Neighbors,” an excerpt that was published in the New Yorker a few weeks ago.Joshua Ferris will follow up his blockbuster debut Then We Came to the End with The Unnamed. The Book Case writes, “The novel focuses on Tim and Jane Farnsworth, a long-married couple who seem to have it all. But Tim has twice battled a bizarre, inexplicable illness.” Beattie’s Book Blog mentions that the illness is that he “can’t stop walking.”John McPhee has a new book due out called Silk Parachute. McPhee wrote a 1997 Shouts & Murmurs piece called “Silk Parachute” about his elderly mother. It begins “When your mother is ninety-nine years old, you have so many memories of her that they tend to overlap, intermingle, and blur.”Time Out NY says Sam Lipsyte’s The Ask is about “Milo, a New York father who is on the brink of economic ruin, and covers themes including but not limited to ‘work, war, sex, class, race, child-rearing, romantic comedies, Benjamin Franklin, cooking shows on death row, the old-model brain, the commercialization of sadness and the eroticization of chicken wire.'”British publisher Faber says Rachel Cusk’s The Bradshaw Variations “is a powerful novel about how our choices and our loves and the family life we build will always be an echo – a variation – of a theme played out in our own childhood.”In the comments or on your own blogs, let us know what books you’re looking forward to.

Ask a Book Question: #73 (Tuesday New Releases)

Poornima writes in with this question:Why is it that new hardcovers seem to always release on a Tuesday? I have noticed this pattern a lot and I wonder if there is a reason.The Tuesday release date is an industry standard, and not just for books; new CDs and DVDs are almost invariably released on Tuesdays. Before we get to why this might be, though, a quick note about book releases: 99% of books don’t have a hard release date at all. Generally, books are set to arrive during a particular month, and bookstores just put the books on the shelves when they arrive at the store. Only the most popular books merit a street date that is actually enforced. These books arrive ahead of the date in boxes marked “Do not open before…” and they sit there until that date arrives. For Oprah picks (and other big TV book club picks) these boxes don’t even have a book title listed on them. The box might just be marked “Oprah book club selection.” I suspect that not many books have specific street dates because, for many stores, it wouldn’t be feasible to store all the books that have been shipped but can’t yet be offered for sale.In the book world, street dates exist for books that will have a large, unified publicity push behind them. They include the “book club” books noted above and generally any other book by a recognizable name. In the fiction world, for example, Thomas Pynchon’s Inherent Vice and Richard Russo’s That Old Cape Magic are set to hit shelves on the first Tuesday in August. But why Tuesday?An Ask Metafilter thread and a Google Answers item offer some clues, though both focus on music and movies. Among the theories thrown around on those pages, a few would seem to make the most sense for the publishing world: “If a Tuesday release is selling well, there still is time to order more before the weekend.” This makes sense, as it can often be difficult to gauge just how popular a release will be.”Consumers know when to look for new releases.” This explains why new releases continue to be on Tuesdays but not why it was decided they should be on Tuesday in the first place.Consolidating the releases to one day greatly reduces the costs to the distributor. (This doesn’t explain why it has to be a Tuesday, nor does it account for the fact that new releases often arrive at stores prior to Tuesdays.)Tuesday is traditionally the lowest sales day of the week, so popular new releases boost otherwise weak sales.My theory, somewhat inspired by what I read in the above links and somewhat drawn from experience is that releasing a new book on Tuesday allows for several full days of book-related hype in the media to get people interested leading into the weekend when most of the shopping happens. Allowing a weekend to break up the media hype cycle too soon might let the new book fall from people’s consciousness before they got a chance to buy.Anyone in publishing got the real story on Tuesday releases? Let us know.

Curiosities: Seekers, Idiots, Grazers, Browsers, Campers, Independents, Time-Sucks

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Lots of action with the online mags: There’s a new issue of The Hipster Book Club, with a review of Aleksander Hemon’s Love and Other Obstacles, and an interview with Glen David Gold. There’s a new Quarterly Conversation, which includes Scott Esposito’s thoughtful consideration of Cormac McCarthy. Issue 3 of N1BR is out. And the first issue of The Point includes a piece on David Foster Wallace’s legacy.Brooklyn gets a new bookstore: Greenlight!Corpus Librus, the BEA editionIn an interview with Ed Champion, Sherman Alexie clarifies his comments about the Kindle being elitist.Tibor Fischer shares a first look at Thomas Pynchon’s forthcoming Inherent Vice.The seven types of bookstore customers. (via)An incredible collection of pocket paperback colophons.Coming soon from The Onion, Inventory, a collection of “obsessively specific pop-culture lists.”The Ask Metafilter crowd suggests what to read after 2666.For fans of style guides, here’s one from The EconomistFOUND Magazine founder Davy Rothbart is crazy about vintage NBA jerseys. (via)Further Reading: Edan’s post on gifting books in a digital age generated a bunch of interesting comments. Be sure to check them out. On a related note, in PopMatters, Michael Antman bemoans the disappearance of the “physical manifestations of contemporary culture.”

Most Anticipated: 2009 May Be a Great Year for Books

The publishing industry (and every other industry) may be going down the tubes, but readers won’t be wanting for good new books this year, I suspect. Readers will get their hands on new Pynchon, Atwood, Lethem, and Zadie Smith – those names alone would make for a banner year, but there’s much more. Below you’ll find, in chronological order, the titles we’re most looking forward to this year. (Garth penned a few of these little previews, where noted. And special thanks to members of The Millions Facebook group who let us know what they are looking forward to. Not everyone’s suggestions made our list but we appreciated hearing about all of them.)In February, T.C. Boyle returns again to his unique brand of historical fiction with The Women. The four women in question all loved famous architect (and eccentric) Frank Lloyd Wright. Given the time period and subject matter, this one may resemble Boyle’s earlier novel The Road to Wellville. PW says “It’s a lush, dense and hyperliterate book – in words, vintage Boyle.”Yiyun Li wowed quite a few readers with a pair of standout stories in the New Yorker last year, and all her fans now have her debut novel The Vagrants to look forward to. PW gave this one a starred review and called it “magnificent and jaw-droppingly grim.” Quite a combo. All signs point to Li being a writer to watch in 2009 and beyond.Out of My Skin by John Haskell: I like John Haskell’s writing a lot, and I like books about L.A., and so I think I’ll like John Haskell writing a novel about L.A. (Garth)Home Schooling by Carol Windley: This book of short stories set in the Pacific Northwest is certain to garner comparisons to that other Canadian, Alice Munro. (Garth)March brings Jonathan Littell’s very long-awaited novel The Kindly Ones. American readers have waited for an English translation since 2006, when the book was originally published in French. The German reviews for this Prix Goncourt winner were decidedly mixed, but I’m still intrigued to read this novel about an S.S. Officer. Literature, pulp, or kitsch? We’ll know soon enough. (Garth)Walter Mosley, best known for his Easy Rawlins mysteries, offers up The Long Fall, the first in a new series, the Leonid McGill mysteries. The new book is notable in the change of venue from Los Angeles, Mosley’s heretofore preferred fictional setting, to New York City. PW says Mosley “stirs the pot and concocts a perfect milieu for an engaging new hero and an entertaining new series.”In Castle by J. Robert Lennon, “A man buys a large plot of wooded land in upstate New York, only to find that someone has built a castle in the middle of it–and the castle is inhabited.” Intriguing, no? (That description is from Lennon’s website.) In related news, Lennon’s collection of stories Pieces for the Left Hand will be published also in March. It’ll be the book’s first U.S. edition.Mary Gaitskill’s 2005 novel Veronica was a National Book Award finalist. Now she’s back with Don’t Cry. The title story in this collection appeared in the New Yorker last year.I’ve already devoured Wells Tower’s debut collection Everything Ravaged, Everything Burned. Tower’s eclectic style is on full display here. Some of these stories are masterful iterations in the New Yorker style, while others experiment with voice and style. The collection closes with the title story, his most well known, an ingenious tale of vikings gone plundering. Normally a debut collection wouldn’t merit much buzz, but readers have had their eye on Tower for years because of his impressive long-form journalism in Harper’s and elsewhere. (Tower also appeared in our Year in Reading this year.)Zoe Heller had a huge hit with What Was She Thinking in 2003. Her follow-up effort, The Believers arrives in March. PW gives it a starred review and says it “puts to pointed use her acute observations of human nature in her third novel, a satire of 1960s idealism soured in the early 21st century.” The book came out in the UK last year, so you can learn plenty more about this one if you are so inclined. Here’s the Guardian’s review for starters.April brings Colson Whitehead’s novel Sag Harbor, which jumped a few notches on many readers’ wish lists following the publication of an excerpt (registration required) in the New Yorker’s Winter Fiction issue. Based on that excerpt (and the publisher’s catalog copy), we are in store for a coming of age story about Benji, a relatively well-off African-American kid growing up in New York (and summering on Long Island) in the 1980s.Colm Toibin has a new novel coming in May called Brooklyn. This one looks to be a novel of immigration. From the catalog copy: “In a small town in the south-east of Ireland in the 1950s, Eilis Lacey is one among many of her generation who cannot find work at home. So when a job is offered in America, it is clear that she must go.”I’ve been following Clancy Martin’s How to Sell as it’s appeared in excerpts in NOON and McSweeney’s. The writing is terrific, funny, and disturbing: ripe for a Coen Brothers adaptation. (Garth)Summer reading season gets going in June with Colum McCann’s Let the Great World Spin, which his publisher is calling “his most ambitious work to date.” This one sounds like it will look in on the lives of several disparate characters in New York city in the mid-1970s. Audio of McCann reading from the book is available at CUNY Radio.Chimamanda Ngozi Adichie won tons of praise for Half of a Yellow Sun. Now she’s back with a collection of stories, The Thing Around Your Neck, likely including “The Headstrong Historian,” which appeared in the New Yorker last year.Monica Ali is back with her third novel, In the Kitchen. This one is based in London and apparently involves a murder at a hotel.July: William T. Vollmann is known for his superhuman writing output, but his forthcoming book Imperial is a monster, even for him. Weighing in at 1,296 pages and carrying a list price of $55, this work of non-fiction is “an epic study,” in the words of the publisher, of Imperial County, California. Ed offers quite a bit more discussion of the book. Don’t miss the comments, where it’s said that Vollmann has called the book “his Moby-Dick.”August: When the deliberate and reclusive Thomas Pynchon puts out a new book it’s a publishing event, and with Pynchon set to deliver a new book just three years after his last one, well, that’s like Christmas in July, er, August. This one is called Inherent Vice and its cover is already causing much speculation (and some consternation) among the Pynchon fans. Expect rumors about the book to be rife through the first part of the year. Pynchon’s publisher Penguin, meanwhile, has called it “part noir, part psychedelic romp, all Thomas Pynchon – private eye Doc Sportello comes, occasionally, out of a marijuana haze to watch the end of an era as free love slips away and paranoia creeps in with the L.A. fog.”The Amateur American by Joel Saunders Elmore: I have to mention this novel by my old friend Joel, sections of which I read in manuscript. Surreal yet propulsive, it has one of the sharpest opening lines I’ve ever read… assuming he kept the opening line. (Garth)September: Scarcely a year goes by without Philip Roth sending a new novel our way. Little is known about his forthcoming novel except the title The Humbling. Amazon UK’s listing for the book puts it at just 112 pages which seems like just an afternoon’s work for the prolific Roth. As Garth notes, his last two outings have been underwhelming but with Roth there’s always a chance of greatness.Kazuo Ishiguro’s collection of stories also comes out in the U.S. in September (though it will be out in much of the rest of the English-speaking world in May). The catalog copy calls Nocturnes: Five Stories of Music and Nightfall “a sublime story cycle” that “explores ideas of love, music and the passing of time.”Acclaimed novelist Margaret Atwood will have a new novel out in September called The Year of the Flood. There’s not much info on this except that it is being described as “a journey to the end of the world.”E.L. Doctorow has an as yet untitled novel on tap for September.As does Jonathan Lethem. According to Comic Book Resources, Lethem said his untitled novel is “set on the Upper East Side of Manhattan, it’s strongly influenced by Saul Bellow, Philip K. Dick, Charles Finney and Hitchcock’s Vertigo and it concerns a circle of friends including a faded child-star actor, a cultural critic, a hack ghost-writer of autobiographies, and a city official. And it’s long and strange.” I like the sound of that.A Gate at the Stairs, Lorrie Moore’s first new novel in over a decade will arrive in September. The Bookseller sums up some of the excitement.October: You probably already know that Dave Eggers is working with Spike Jonze on a film version of Where the Wild Things Are, but did you know that Eggers is doing a novelization of the childrens classic too? It’s apparently called The Wild Things and will show up in October.Arriving at some point in late 2009 is Zadie Smith’s Fail Better. With her critical writing in The New York Review, Zadie Smith has quietly been making a bid to become the 21st Century Virginia Woolf. When she writes from her own experience as a novelist, she’s sublime; when projecting her own anxieties onto others, she’s less so. It will be interesting to see which Zadie Smith appears in this book of essays on books and writing. (Garth)We encourage you to share your own most anticipated books in the comments or on your own blogs. Happy Reading in 2009!

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