A Year in Reading: Jonathan Lethem

Roy Kesey's fiction, nonfiction and poetry have appeared in more than sixty magazines, including McSweeney's, The Georgia Review and The Iowa Review, and in several anthologies including The Future Dictionary of America, New Sudden Fiction, The Robert Olen Butler Prize Anthology and Best American Short Stories. He's the author of a novella called Nothing in the World and a collection of short stories called All Over.I've been reading a lot of history and historiography lately, and a lot of the books are magnificent, but the coolest by some stretch was Carlo Ginzburg's History, Rhetoric and Proof. Does that, from its title, sound like a fun book? Perhaps not so much. But it is joyously smart and fast and important. Ginzburg makes you feel like your brain is as big as his is, which is a very nice feeling indeed.More from A Year in Reading 2007

Russell Shorto’s The Island at the Center of the World had me at page one. It opens with the description of a lone researcher deep inside the New York State Library in Albany, patiently translating some 12,000 manuscript sheets that contain the lost history of 17th-century Dutch Manhattan. Dutch Manhattan? In the course I’ve taught for 20 years at Georgetown University about the literature of New York City, I’d always been content to dispense with the Dutch by mouthing the conventional wisdom that they left behind no significant literary record. That was before Shorto’s superb book brought me up short. The first Dutch settlers of Manhattan may not have been “literary,” but they sure could write...and write. Shorto’s book, which is partly drawn from those Old Dutch documents, is a revelatory read not just for anyone who loves New York City and wants to take a time travel trip back to its earliest European origins, but also for anyone curious about how the wide open commercial and cultural character of “New Netherland” shaped the destiny of what would become the United States of America. A bonus of The Island at the Center of the World is Shorto’s evocative style: though steeped in scholarship, he knows how to dramatize the past through outsized personalities (Henry Hudson, Peter Minuit) and by poetically re-imagining the familiar. As Shorto says at the end of his introduction: [T]his book invites you to do the impossible: to strip from your mental image of Manhattan Island all associations of power, concrete, and glass; to put time into full reverse, unfill the massive landfills, and undo the extensive leveling programs that flattened hills and filled gullies. To witness the return of waterfalls, to watch freshwater ponds form in place of asphalt intersections; to let buildings vanish and watch stands of pin oak, sweetgum, basswood, and hawthorne take their place. Of all the books I’ve read this year -- old and new -- Shorto’s 2005 account of Dutch Manhattan is the one I keep thinking about and want to make time to reread. More from A Year in Reading 2014 Don't miss: A Year in Reading 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005 The good stuff: The Millions' Notable articles The motherlode: The Millions' Books and Reviews Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.