“Inherent Vice . . . is like a novelization of Grand Theft Auto, claims Nerd World. And hey, they’ve got ten points of comparison to back it up, so you know it must be true. (via)
Thomas Pynchon: The Video Game
Why is historical fiction maligned?
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
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Book of Lies
Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.
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Cerebral Los Angelenos
Who says L.A. can’t be bookish? (Ok, I say that a lot.) But here to prove me (and you) wrong is next week’s calendar events for cerebral Los Angelenos. On the “books?”: Amiri Baraka, Joan Didion, and Jonathan Lethem, just to name a few.
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I want to feel what I feel. Even if it’s not happiness
Toni Morrison gives a devastating interview in The Guardian.
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Granta’s Best of Young American Novelists
Once a decade, Granta publishes a special “Best of Young American Novelists” issue featuring work from American fiction writers under the age of forty. The latest list includes Millions staffer and City on Fire author Garth Risk Hallberg, as well as Lauren Groff, Yaa Gyasi, Ottessa Moshfegh, and Claire Vaye Watkins, to name just a few. The issue will hit shelves on May 4th.
Some doubles adverbial terms
If you happen to be looking for a long essay on peculiar and systematically ambiguous language of contemporary writing on fine art, and it’s strangely anti-local lexicon Triple Canopy’s got just the thing.