“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.
Not Scenes
‘Tis the Season…
If your honey-bun doesn’t need another iPod or bottle of perfume this Christmas, consider Heifer International, a non-profit that lets you give the gift of heifers, sheep, goats, bees, rabbits, or water buffalo.
Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
The Made-up Divide
For The Guardian, Richard Lea investigates the fine line between fiction and nonfiction writing, a boundary that is drawn most firmly in the anglophone world. Pair with this Millions piece in defense of blurring the lines of fiction and autobiography.
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Tuesday New Release Day
Happy Freedom Day: The work at the center of all the reviews, magazine covers, and even, of course, controversy, has arrived. Jonathan Franzen’s long-awaited novel Freedom hits shelves today. Our review. Also out today is Booker longlister Skippy Dies by Paul Murray. Another newly translated Roberto Bolaño is out, The Insufferable Gaucho. As is You Were Wrong by Jamestown author Matthew Sharpe. Finally, fashion fans will dig vintage Japanese prepster handbook Take Ivy.