The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
Lispector Inspector
The Seduction of Deductions
“Tax authorities in Finland are turning to poetry in a bid to get more firms to file their tax returns electronically.”
Tune in next week
Emily Nussbaum on the poetry of cliffhangers, “which makes visible the storyteller’s connection to his audience—like a bridge made out of lightning. Primal and unashamedly manipulative, cliffhangers are the signature gambit of serial storytelling.”
●
●
2012 Hugo Nominees — For Free!
John Scalzi rounded up online versions of all of the stories nominated for this year’s Hugo Award. Read up!
●
●
Franzen on HBO’s The Corrections
Jonathan Franzen dishes about the forthcoming HBO adaptation of The Corrections.
●
●
Bookstore Pricing Wars
E-book pricing wars continue. Sony tries to hit the Kindle where it hurts by offering cheaper e-books. Meanwhile, $0 is becoming an important price point at the Kindle store.
●
●
Michael K. Williams’s Charade and Redemption
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
●
●