The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
Lispector Inspector
Happy 110th Bloomsday! (2/2)
In honor of Bloomsday, some recommended reading, listening, and playing: one-day diaries of four modern Blooms in New York, Radio Bloomsday’s seven hours of readings (by Alec Baldwin, John Lithgow, Jerry Stiller, Garrison Keillor, and others), even found poetry and an iPhone game drawn from the text of Ulysses. Oh, and–of course–James Joyce’s book itself.
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On Remembering and Forgetting
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in ‘clouds.’ While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.
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There Goes Ten Minutes of Your Weekend
The visual wizards of Pop Chart Lab have put together yet another mind-bogglingly thorough visual taxonomy. This time, instead of cocktails or monsters, the graphic artists have turned their attention toward “The Magnificent Map of Rap Names.”
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Zuccotti Park: Day 10
An n+1 writer revisits Zuccotti Park to find Michael Moore reporting for MSNBC on the tenth day of the protest against financial inequity.
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The Naked Truth About Favorite Poems
Reddit users asked one another to name their all-time favorite poems. Not to be outdone, Poetry Brain asked its Twitter followers to name their all-time favorite poems… to read naked. Since I imagine the latter group is usually only able to read in the buff while at home, I bet they really lament the 2001 demise of Harvard’s “Phone-a-Poem” feature.
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Working Title
Our own Hannah Gersen writes for Catapult on titling her debut novel, Home Field. As she puts it, “The idea that a title could dissuade a reader was not something I had even considered.” Pair with Bill Morris’s Millions interview with the author.