Mentioned in:
A Year in Reading: 2024
Welcome to the 20th (!) installment of The Millions' annual Year in Reading series, which gathers together some of today's most exciting writers and thinkers to share the books that shaped their year. YIR is not a collection of yearend best-of lists; think of it, perhaps, as an assemblage of annotated bibliographies. We've invited contributors to reflect on the books they read this year—an intentionally vague prompt—and encouraged them to approach the assignment however they choose.
In writing about our reading lives, as YIR contributors are asked to do, we inevitably write about our personal lives, our inner lives. This year, a number of contributors read their way through profound grief and serious illness, through new parenthood and cross-country moves. Some found escape in frothy romances, mooring in works of theology, comfort in ancient epic poetry. More than one turned to the wisdom of Ursula K. Le Guin. Many describe a book finding them just when they needed it.
Interpretations of the assignment were wonderfully varied. One contributor, a music critic, considered the musical analogs to the books she read, while another mapped her reads from this year onto constellations. Most people's reading was guided purely by pleasure, or else a desire to better understand events unfolding in their lives or larger the world. Yet others centered their reading around a certain sense of duty: this year one contributor committed to finishing the six Philip Roth novels he had yet to read, an undertaking that he likens to “eating a six-pack of paper towels.” (Lucky for us, he included in his essay his final ranking of Roth's oeuvre.)
The books that populate these essays range widely, though the most commonly noted title this year was Tony Tulathimutte’s story collection Rejection. The work of newly minted National Book Award winner Percival Everett, particularly his acclaimed novel James, was also widely read and written about. And as the genocide of Palestinians in Gaza enters its second year, many contributors sought out Isabella Hammad’s searing, clear-eyed essay Recognizing the Stranger.
Like so many endeavors in our chronically under-resourced literary community, Year in Reading is a labor of love. The Millions is a one-person editorial operation (with an invaluable assist from SEO maven Dani Fishman), and producing YIR—and witnessing the joy it brings contributors and readers alike—has been the highlight of my tenure as editor. I’m profoundly grateful for the generosity of this year’s contributors, whose names and entries will be revealed below over the next three weeks, concluding on Wednesday, December 18. Be sure to subscribe to The Millions’ free newsletter to get the week’s entries sent straight to your inbox each Friday.
—Sophia Stewart, editor
Becca Rothfeld, author of All Things Are Too Small
Carvell Wallace, author of Another Word for Love
Charlotte Shane, author of An Honest Woman
Brianna Di Monda, writer and editor
Nell Irvin Painter, author of I Just Keep Talking
Carrie Courogen, author of Miss May Does Not Exist
Ayşegül Savaş, author of The Anthropologists
Zachary Issenberg, writer
Tony Tulathimutte, author of Rejection
Ann Powers, author of Traveling: On the Path of Joni Mitchell
Lidia Yuknavitch, author of Reading the Waves
Nicholas Russell, writer and critic
Daniel Saldaña París, author of Planes Flying Over a Monster
Lili Anolik, author of Didion and Babitz
Deborah Ghim, editor
Emily Witt, author of Health and Safety
Nathan Thrall, author of A Day in the Life of Abed Salama
Lena Moses-Schmitt, author of True Mistakes
Jeremy Gordon, author of See Friendship
John Lee Clark, author of Touch the Future
Ellen Wayland-Smith, author of The Science of Last Things
Edwin Frank, publisher and author of Stranger Than Fiction
Sophia Stewart, editor of The Millions
A Year in Reading Archives: 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2011, 2010, 2009, 2008, 2007, 2006, 2005
The Great Fall 2024 Book Preview
With the arrival of autumn comes a deluge of great books. Here you'll find a sampling of new and forthcoming titles that caught our eye here at The Millions, and that we think might catch yours, too. Some we’ve already perused in galley form; others we’re eager to devour based on their authors, plots, or subject matters. We hope your next fall read is among them.
—Sophia Stewart, editor
October
Season of the Swamp by Yuri Herrera, tr. Lisa Dillman [F]
What it is: An epic, speculative account of the 18 months that Benito Juárez spent in New Orleans in 1853-54, years before he became the first and only Indigenous president of Mexico.
Who it's for: Fans of speculative history; readers who appreciate the magic that swirls around any novel set in New Orleans. —Claire Kirch
The Black Utopians by Aaron Robertson [NF]
What it is: An exploration of Black Americans' pursuit and visions of utopia—both ideological and physical—that spans the Reconstruction era to the present day and combines history, memoir, and reportage.
Who it's for: Fans of Saidiya Hartman's Wayward Lives, Beautiful Experiments and Kristen R. Ghodsee's Everyday Utopia. —Sophia M. Stewart
The Third Realm by Karl Ove Knausgaard, tr. Martin Aitken [F]
What it is: The third installment in Knausgaard's Morning Star series, centered on the appearance of a mysterious new star in the skies above Norway.
Who it's for: Real Knausgaard heads only—The Wolves of Eternity and Morning Star are required reading for this one. —SMS
Brown Women Have Everything by Sayantani Dasgupta [NF]
What it is: Essays on the contradictions and complexities of life as an Indian woman in America, probing everything from hair to family to the joys of travel.
Who it's for: Readers of Durga Chew-Bose, Erika L. Sánchez, and Tajja Isen. —SMS
The Plot Against Native America by Bill Vaughn [F]
What it is: The first narrative history of Native American boarding schools— which aimed "civilize" Indigenous children by violently severing them from their culture— and their enduring, horrifying legacy.
Who it's for: Readers of Ned Blackhawk and Kathleen DuVal. —SMS
The Mighty Red by Louise Erdrich [F]
What it is: Erdrich's latest novel set in North Dakota's Red River Valley is a tale of the intertwined lives of ordinary people striving to survive and even thrive in their rural community, despite environmental upheavals, the 2008 financial crisis, and other obstacles.
Who it's for: Readers of cli-fi; fans of Linda LeGarde Grover and William Faulkner. —CK
The Position of Spoons by Deborah Levy [NF]
What it is: The second book from Levy in as many years, diverging from a recent streak of surrealist fiction with a collection of essays marked by exceptional observance and style.
Who it's for: Close lookers and the perennially curious. —John H. Maher
The Bog Wife by Kay Chronister [F]
What it's about: The Haddesley family has lived on the same West Virginia bog for centuries, making a supernatural bargain with the land—a generational blood sacrifice—in order to do so—until an uncovered secret changes everything.
Who it's for: Readers of Karen Russell and Jeff VanderMeer; anyone who has ever used the phrase "girl moss." —SMS
The Great When by Alan Moore [F]
What it's about: When an 18-year old book reseller comes across a copy of a book that shouldn’t exist, it threatens to upend not just an already post-war-torn London, but reality as we know it.
Who it's for: Anyone looking for a Sherlock Holmes-style mystery dipped in thaumaturgical psychedelia. —Daniella Fishman
The Message by Ta-Nehisi Coates [NF]
What it's about: One of our sharpest critical thinkers on social justice returns to nonfiction, nearly a decade after Between the World and Me, visiting Dakar, to contemplate enslavement and the Middle Passage; Columbia, S.C., as a backdrop for his thoughts on Jim Crow and book bans; and the Israeli-occupied West Bank, where he sees contemporary segregation in the treatment of Palestinians.
Who it’s for: Fans of James Baldwin, George Orwell, and Angela Y. Davis; readers of Nikole Hannah-Jones’s The 1619 Project and Isabel Wilkerson’s Caste, to name just a few engagements with national and racial identity. —Nathalie op de Beeck
Abortion by Jessica Valenti [NF]
What it is: Columnist and memoirist Valenti, who tracks pro-choice advocacy and attacks on the right to choose in her Substack, channels feminist rage into a guide for freedom of choice advocacy.
Who it’s for: Readers of Robin Marty’s The New Handbook for a Post-Roe America, #ShoutYourAbortion proponents, and followers of Jennifer Baumgartner’s [I Had an Abortion] project. —NodB
Gifted by Suzuki Suzumi, tr. Allison Markin Powell [F]
What it's about: A young sex worker in Tokyo's red-light district muses on her life and recounts her abusive mother's final days, in what is Suzuki's first novel to be translated into English.
Who it's for: Readers of Susan Boyt and Mieko Kanai; fans of moody, introspective fiction; anyone with a fraught relationship to their mother. —SMS
Childish Literature by Alejandro Zambra, tr. Megan McDowell [F]
What it is: A wide-ranging collection of stories, essays, and poems that explore childhood, fatherhood, and family.
Who it's for: Fans of dad lit (see: Lucas Mann's Attachments, Keith Gessen's Raising Raffi, Karl Ove Knausgaard's seasons quartet, et al). —SMS
Books Are Made Out of Books ed. Michael Lynn Crews [NF]
What it is: A mining of the archives of the late Cormac McCarthy with a focus on the famously tight-lipped author's literary influences.
Who it's for: Anyone whose commonplace book contains the words "arquebus," "cordillera," or "vinegaroon." —JHM
Slaveroad by John Edgar Wideman [F]
What it is: A blend of memoir, fiction, and history that charts the "slaveroad" that runs through American history, spanning the Atlantic slave trade to the criminal justice system, from the celebrated author of Brothers and Keepers.
Who it's for: Fans of Clint Smith and Ta-Nehisi Coates. —SMS
Linguaphile by Julie Sedivy [NF]
What it's about: Linguist Sedivy reflects on a life spent loving language—its beauty, its mystery, and the essential role it plays in human existence.
Who it's for: Amateur (or professional) linguists; fans of the podcast A Way with Words (me). —SMS
An Image of My Name Enters America by Lucy Ives [NF]
What it is: A collection of interrelated essays that connect moments from Ives's life to larger questions of history, identity, and national fantasy,
Who it's for: Fans of Ives, one of our weirdest and most wondrous living writers—duh; anyone with a passing interest in My Little Pony, Cold War–era musicals, or The Three Body Problem, all of which are mined here for great effect. —SMS
Women's Hotel by Daniel Lavery [F]
What it is: A novel set in 1960s New York City, about the adventures of the residents of a hotel providing housing for young women that is very much evocative of the real-life legendary Barbizon Hotel.
Who it's for: Readers of Mary McCarthy's The Group and Rona Jaffe's The Best of Everything. —CK
The World in Books by Kenneth C. Davis [NF]
What it is: A guide to 52 of the most influential works of nonfiction ever published, spanning works from Plato to Ida B. Wells, bell hooks to Barbara Ehrenreich, and Sun Tzu to Joan Didion.
Who it's for: Lovers of nonfiction looking to cover their canonical bases. —SMS
Blue Light Hours by Bruna Dantas Lobato [F]
What it's about: Through the emanating blue-glow of their computer screens, a mother and daughter, four-thousand miles apart, find solace and loneliness in their nightly Skype chats in this heartstring-pulling debut.
Who it's for: Someone who needs to be reminded to CALL YOUR MOTHER! —DF
Riding Like the Wind by Iris Jamahl Dunkle [NF]
What it is: The biography of Sanora Babb, a contemporary of John Steinbeck's whose field notes and interviews with Dust Bowl migrants Steinbeck relied upon to write The Grapes of Wrath.
Who it's for: Steinbeck fans and haters alike; readers of Kristin Hannah's The Four Winds and the New York Times Overlooked column; anyone interested in learning more about the Dust Bowl migrants who fled to California hoping for a better life. —CK
Innie Shadows by Olivia M. Coetzee [F]
What it is: a work of crime fiction set on the outskirts of Cape Town, where a community marred by violence seeks justice and connection; also the first novel to be translated from Kaaps, a dialect of Afrikaans that was until recently only a spoken language.
Who it's for: fans of sprawling, socioeconomically-attuned crime dramas a la The Wire. —SMS
Dorothy Parker in Hollywood by Gail Crowther [NF]
What it is: A history of the famous wit—and famous New Yorker—in her L.A. era, post–Algonquin Round Table and mid–Red Scare.
Who it's for: Owners of a stack of hopelessly dog-eared Joan Didion paperbacks. —JHM
The Myth of American Idealism by Noam Chomsky and Nathan J. Robinson [NF]
What it is: A potent critique of the ideology behind America's foreign interventions and its status as a global power, and an treatise on how the nation's hubristic pursuit of "spreading democracy" threatens not only the delicate balance of global peace, but the already-declining health of our planet.
Who it's for: Chomskyites; policy wonks and casual critics of American recklessness alike. —DF
Mysticism by Simon Critchley [NF]
What it is: A study of mysticism—defined as an experience, rather than religious practice—by the great British philosopher Critchley, who mines music, poetry, and literature along the way.
Who it's for: Readers of John Gray, Jorge Luis Borges, and Simone Weil. —SMS
Q&A by Adrian Tomine [NF]
What it is: The Japanese American creator of the Optic Nerve comic book series for D&Q, and of many a New Yorker cover, shares his personal history and his creative process in this illustrated unburdening.
Who it’s for: Readers of Tomine’s melancholic, sometimes cringey, and occasionally brutal collections of comics short stories including Summer Blonde, Shortcomings, and Killing and Dying. —NodB
Sonny Boy by Al Pacino [NF]
What it is: Al Pacino's memoir—end of description.
Who it's for: Cinephiles; anyone curious how he's gonna spin fumbling Diane Keaton. —SMS
Seeing Baya by Alice Kaplan [NF]
What it is: The first biography of the enigmatic and largely-forgotten Algerian artist Baya Mahieddine, who first enchanted midcentury Paris as a teenager.
Who it's for: Admirers of Leonora Carrington, Hilma af Klint, Frida Kahlo, and other belatedly-celebrated women painters. —SMS
Absolution by Jeff VanderMeer [F]
What it is: A surprise return to the Area X, the stretch of unforbidding and uncanny coastline in the hit Southern Reach trilogy.
Who it's for: Anyone who's heard this song and got the reference without Googling it. —JHM
The Four Horsemen by Nick Curtola [NF]
What it is: The much-anticipated cookbook from the team behind Brooklyn's hottest restaurant (which also happens to be co-owned by James Murphy of LCD Soundsystem).
Who it's for: Oenophiles; thirty-somethings who live in north Williamsburg (derogatory). —SMS
Seeing Further by Esther Kinsky, tr. Caroline Schmidt [F]
What it's about: An unnamed German woman embarks on the colossal task of reviving a cinema in a small Hungarian village.
Who it's for: Fans of Jenny Erpenbeck; anyone charmed by Cinema Paradiso (not derogatory!). —SMS
Ripcord by Nate Lippens [NF]
What it's about: A novel of class, sex, friendship, and queer intimacy, written in delicious prose and narrated by a gay man adrift in Milwaukee.
Who it's for: Fans of Brontez Purnell, Garth Greenwell, Alexander Chee, and Wayne Koestenbaum. —SMS
The Use of Photography by Annie Ernaux and Marc Marie, tr. Alison L. Strayer [NF]
What it's about: Ernaux's love affair with Marie, a journalist, while she was undergoing treatment for cancer, and their joint project to document their romance.
Who it's for: The Ernaux hive, obviously; readers of Sontag's On Photography and Janet Malcolm's Still Pictures. —SMS
Nora Ephron at the Movies by Ilana Kaplan [NF]
What it is: Kaplan revisits Nora Ephron's cinematic watersheds—Silkwood, Heartburn, When Harry Met Sally, You've Got Mail, and Sleepless in Seattle—in this illustrated book. Have these iconic stories, and Ephron’s humor, weathered more than 40 years?
Who it’s for: Film history buffs who don’t mind a heteronormative HEA; listeners of the Hot and Bothered podcast; your coastal grandma. —NodB
[millions_email]
The Philosophy of Translation by Damion Searls [NF]
What it is: A meditation on the act and art of translation by one of today's most acclaimed practitioners, best known for his translations of Fosse, Proust, et al.
Who it's for: Regular readers of Words Without Borders and Asymptote; professional and amateur literary translators alike. —SMS
Salvage by Dionne Brand
What it is: A penetrating reevaluation of the British literary canon and the tropes once shaped Brand's reading life and sense of self—and Brand’s first major work of nonfiction since her landmark A Map to the Door of No Return.
Who it's for: Readers of Christina Sharpe's Ordinary Notes and Elizabeth Hardwick's Seduction and Betrayal. —SMS
Masquerade by Mike Fu [F]
What it's about: Housesitting for an artist friend in present-day New York, Meadow Liu stumbles on a novel whose author shares his name—the first of many strange, haunting happenings that lead up to the mysterious disappearance of Meadow's friend.
Who it's for: fans of Ed Park and Alexander Chee. —SMS
November
The Beggar Student by Osamu Dazai, tr. Sam Bett [F]
What it is: A novella in the moody vein of Dazai’s acclaimed No Longer Human, following the 30-something “fictional” Dazai into another misadventure spawned from a hubristic spat with a high schooler.
Who it's for: Longtime readers of Dazai, or new fans who discovered the midcentury Japanese novelist via TikTok and the Bungo Stray Dogs anime. —DF
In Thrall by Jane DeLynn [F]
What it is: A landmark lesbian bildungsroman about 16-year-old Lynn's love affair with her English teacher, originally published in 1982.
Who it's for: Fans of Joanna Russ's On Strike Against God and Edmund White's A Boy's Own Story —SMS
Washita Love Child by Douglas Kent Miller [NF]
What it is: The story of Jesse Ed Davis, the Indigenous musician who became on of the most sought after guitarists of the late '60s and '70s, playing alongside B.B. King, Bob Dylan, John Lennon, and more.
Who it's for: readers of music history and/or Indigenous history; fans of Joy Harjo, who wrote the foreword. —SMS
Set My Heart on Fire by Izumi Suzuki, tr. Helen O'Horan [F]
What it is: Gritty, sexy, and wholly rock ’n’ roll, Suzuki’s first novel translated into English (following her story collection, Hit Parade of Tears) follows 20-year-old Izumi navigating life, love, and music in the underground scene in '70s Japan.
Who it's for: Fans of Meiko Kawakami, Ursula K. Le Guin, and Marlowe Granados's Happy Hour. —DF
Didion & Babitz by Lili Anolik [NF]
What it is: A dual portrait of Joan Didion and Eve Babitz, who are so often compared to—and pitted against—each other on the basis of their mutual Los Angeles milieu.
Who it's for: Fans or haters of either writer (the book is fairly pro-Babitz, often at Didion's expense); anyone who has the Lit Hub Didion tote bag. —SMS
The Endless Refrain by David Rowell [NF]
What it's about: How the rise of music streaming, demonitizing of artist revenue, and industry tendency toward nostalgia have laid waste to the musical landscape, and the future of music culture.
Who it's for: Fans of Kyle Chayka, Spence Kornhaber, and Lindsay Zoladz. —SMS
Every Arc Bends Its Radian by Sergio De La Pava [F]
What it is: A mind- and genre-bending detective story set in Cali, Colombia, that blends high-stakes suspense with rigorous philosophy.
Who it's for: Readers of Raymond Chandler, Thomas Pynchon, and Jules Verne. —SMS
Something Close to Nothing by Tom Pyun [F]
What it’s about: At the airport with his white husband Jared, awaiting a flight to Cambodia to meet the surrogate mother carrying their adoptive child-to-be, Korean American Wynn decides parenthood isn't for him, and bad behavior ensues.
Who it’s for: Pyun’s debut is calculated to cut through saccharine depictions of queer parenthood—could pair well with Torrey Peters’s Detransition, Baby. —NodB
Rosenfeld by Maya Kessler [F]
What it is: Kessler's debut—rated R for Rosenfeld—follows one Noa Simmons through the tumultuous and ultimately profound power play that is courting (and having a lot of sex with) the titular older man who soon becomes her boss.
Who it's for: Fans of Sex and the City, Raven Leilani’s Luster, and Coco Mellor’s Cleopatra and Frankenstein. —DF
Lazarus Man by Richard Price [F]
What it is: The former The Wire writer offers yet another astute chronicle of urban life, this time of an ever-changing Harlem.
Who it's for: Fans of Colson Whitehead's Crook Manifesto and Paul Murray's The Bee Sting—and, of course, The Wire. —SMS
Stranger Than Fiction by Edwin Frank [NF]
What it is: An astute curveball of a read on the development and many manifestations of the novel throughout the tumultuous 20th century.
Who it's for: Readers who look at a book's colophon before its title. —JHM
Letters to His Neighbor by Marcel Proust, tr. Lydia Davis
What it is: A collection of Proust’s tormented—and frequently hilarious—letters to his noisy neighbor which, in a diligent translation from Davis, stand the test of time.
Who it's for: Proust lovers; people who live below heavy-steppers. —DF
Context Collapse by Ryan Ruby [NF]
What it is: A self-proclaimed "poem containing a history of poetry," from ancient Greece to the Iowa Workshop, from your favorite literary critic's favorite literary critic.
Who it's for: Anyone who read and admired Ruby's titanic 2022 essay on The Waste Land; lovers of poetry looking for a challenge. —SMS
How Sondheim Can Change Your Life by Richard Schoch [NF]
What it's about: Drama professor Schoch's tribute to Stephen Sondheim and the life lessons to be gleaned from his music.
Who it's for: Sondheim heads, former theater kids, end of list. —SMS
The Serviceberry by Robin Wall Kimmerer [NF]
What it is: 2022 MacArthur fellow and botanist Kimmerer, an enrolled member of the Citizen Potawatomi Nation, (re)introduces audiences to a flowering, fruiting native plant beloved of foragers and gardeners.
Who it’s for: The restoration ecologist in your life, along with anyone who loved Braiding Sweetgrass and needs a nature-themed holiday gift. —NodB
My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor by Homeless [F]
What it is: A pseudonymous, tenderly comic novel of blue whales and Golden Arches, mental illness and recovery.
Who it's for: Anyone who finds Thomas Pynchon a bit too staid. —JHM
Yoke and Feather by Jessie van Eerden [NF]
What it's about: Van Eerden's braided essays explore the "everyday sacred" to tease out connections between ancient myth and contemporary life.
Who it's for: Readers of Courtney Zoffness's Spilt Milk and Jeanna Kadlec's Heretic. —SMS
Camp Jeff by Tova Reich [F]
What it's about: A "reeducation" center for sex pests in the Catskills, founded by one Jeffery Epstein (no, not that one), where the dual phenomena of #MeToo and therapyspeak collide.
Who it's for: Fans of Philip Roth and Nathan Englander; cancel culture skeptics. —SMS
Selected Amazon Reviews by Kevin Killian [NF]
What it is: A collection of 16 years of Killian’s funniest, wittiest, and most poetic Amazon reviews, the sheer number of which helped him earn the rarefied “Top 100” and “Hall of Fame” status on the site.
Who it's for: Fans of Wayne Koestenbaum and Dodie Bellamy, who wrote introduction and afterword, respectively; people who actually leave Amazon reviews. —DF
Cher by Cher [NF]
What it is: The first in a two-volume memoir, telling the story of Cher's early life and ascendent career as only she can tell it.
Who it's for: Anyone looking to fill the My Name Is Barbra–sized hole in their heart, or looking for something to tide them over until the Liza memoir drops. —SMS
The City and Its Uncertain Walls by Haruki Murakami, tr. Philip Gabriel [F]
What it is: Murakami’s first novel in over six years returns to the high-walled city from his 1985 story "Hard-Boiled Wonderland and the End of the World" with one man's search for his lost love—and, simultaneously, an ode to libraries and literature itself.
Who it's for: Murakami fans who have long awaited his return to fiction. —DF
American Bulk by Emily Mester [NF]
What it's about: Reflecting on what it means to "live life to the fullest," Mester explores the cultural and personal impacts of America’s culture of overconsumption, from Costco hauls to hoarding to diet culture—oh my!
Who it's for: Lovers of sustainability; haters of excess; skeptics of the title essay of Becca Rothfeld's All Things Are Too Small. —DF
The Icon and the Idealist by Stephanie Gorton [NF]
What it is: A compelling look at the rivalry between Margaret Sanger, of Planned Parenthood fame, and Mary Ware Dennett, who each held radically different visions for the future of birth control.
Who it's for: Readers of Amy Sohn's The Man Who Hated Women and Katherine Turk's The Women of NOW; anyone interested in the history of reproductive rights. —SMS
December
Rental House by Weike Wang [F]
What it's about: Married college sweethearts invite their drastically different families on a Cape Code vacation, raising questions about marriage, intimacy, and kinship.
Who it's for: Fans of Wang's trademark wit and sly humor (see: Joan Is Okay and Chemistry); anyone with an in-law problem.
Woo Woo by Ella Baxter [F]
What it's about: A neurotic conceptual artist loses her shit in the months leading up to an exhibition that she hopes will be her big breakout, poking fun at the tropes of the "art monster" and the "woman of the verge" in one fell, stylish swoop.
Who it's for: Readers of Sheena Patel's I'm a Fan and Chris Kraus's I Love Dick; any woman who is grateful to but now also sort of begrudges Jenny Offil for introducing "art monster" into the lexicon (me). —SMS
Berlin Atomized by Julia Kornberg, tr. Jack Rockwell and Julia Kornberg [F]
What it's about: Spanning 2001 to 2034, three Jewish and downwardly mobile siblings come of age in various corners of the world against the backdrop of global crisis.
Who it's for: Fans of Catherine Lacey's Biography of X and Joshua Cohen's The Netanyahus. —SMS
Sand-Catcher by Omar Khalifah, tr. Barbara Romaine [F]
What it is: A suspenseful, dark satire of memory and nation, in which four young Palestinian journalists at a Jordanian newspaper are assigned to interview an elderly witness to the Nakba, the violent 1948 expulsion of native Palestinians from Israel—but to their surprise, the survivor doesn’t want to rehash his trauma for the media.
Who it’s for: Anyone looking insight—tinged with grim humor—into the years leading up to the present political crisis in the Middle East and the decades-long goal of Palestinian autonomy. —NodB
The Shutouts by Gabrielle Korn [F]
What it's about: In the dystopian future, mysteriously connected women fight to survive on the margins of society amid worsening climate collapse.
Who it's for: Fans of Korn's Yours for the Taking, which takes place in the same universe; readers of Becky Chambers and queer-inflected sci-fi. —SMS
What in Me Is Dark by Orlando Reade [NF]
What it's about: The enduring, evolving influence of Milton's Paradise Lost on political history—and particularly on the work of 12 revolutionary readers, including Malcom X and Hannah Arendt.
Who it's for: English majors and fans of Ryan Ruby and Sarah Bakewell—but I repeat myself. —SMS
The Afterlife Is Letting Go by Brandon Shimoda [NF]
What it's about: Shimoda researches the mass incarceration of Japanese Americans during WWII, and speaks with descendants of those imprisoned, for this essay collection about the “afterlife” of cruelty and xenophobia in the U.S.
Who it’s for: Anyone to ever visit a monument, museum, or designated site of hallowed ground where traumatic events have taken place. —NodB
No Place to Bury the Dead by Karina Sainz Borgo, tr. Elizabeth Bryer [F]
What it's about: When Angustias Romero loses both her children while fleeing a mysterious disease in her unnamed Latin American country, she finds herself in a surreal, purgatorial borderland where she's soon caught in a power struggle.
Who it's for: Fans of Maríana Enriquez and Mohsin Hamid. —SMS
The Rest Is Silence by Augusto Monterroso, tr. Aaron Kerner [F]
What it is: The author of some of the shortest, and tightest, stories in Latin American literature goes long with a metafictional skewering of literary criticism in his only novel.
Who it's for: Anyone who prefers the term "palm-of-the-hand stories" to "flash fiction." —JHM
Tali Girls by Siamak Herawi, tr. Sara Khalili [F]
What it is: An intimate, harrowing, and vital look at the lives of girls and women in an Afghan mountain village under Taliban rule, based on true stories.
Who it's for: Readers of Nadia Hashimi, Akwaeke Emezi, and Maria Stepanova. —SMS
Sun City by Tove Jansson, tr. Thomas Teal [F]
What it's about: During her travels through the U.S. in the 1970s, Jansson became interested in the retirement home as a peculiarly American institution—here, she imagines the tightly knit community within one of them.
Who it's for: Fans of Jansson's other fiction for adults, much of which explores the lives of elderly folks; anyone who watched that documentary about The Villages in Florida. —SMS
Editor's note: We're always looking to make our seasonal book previews more useful to the readers, writers, and critics they're meant to serve. Got an idea for how we can improve our coverage? Tell me about it at sophia@themillions.com.
[millions_email]
A Year in Reading: Garth Risk Hallberg
Last summer, several sheets to the wind, a novelist friend of mine and I found ourselves waxing nostalgic about 1997 - the year when Underworld, American Pastoral, The Wind-Up Bird Chronicle, and Mason & Dixon came out. (It was also probably the year both of us finished working our way through Infinite Jest, which had been published a year earlier.) Ah, sweet 1997. I was tempted to say that times like those wouldn't come around again.
This year, however, Pisces must have been in Aquarius, or vice versa, or something. The number of novelists with a plausible claim to having published major work forms a kind of alphabet: Aira, Amis, Bolaño, Boyd, Carey, Cohen, Cunningam, Donoghue, Flaubert (by way of Davis), Grossman, Krauss, Krilanovich, Lee, Lipsyte, Marlantes, McCarthy, Mitchell, Moody, Ozick, Shriver, Shteyngart, Udall, Valtat, Yamashita... A career-defining omnibus appeared from Deborah Eisenberg, and also from Ann Beattie. Philip Roth, if the reviews are to believed, got his groove back. It even feels like I'm forgetting someone. Oh, well, it will come to me, I'm sure. In the meantime, you get the point. 2010 was a really good year for fiction.
Among the most enjoyable new novels I read were a couple that had affinities: Paul Murray's Skippy Dies and Adam Levin's The Instructions. (Disclosure: Adam Levin once rewired a ceiling fan for me. (Disclosure: not really.)) Each of these huge and hugely ambitious books has some notable flaws, and I wanted to resist them both, having developed an allergy to hyperintelligent junior high students. But each finds a way to reconnect the hermetic world of the 'tween with the wider world our hopes eventually run up against. Murray and Levin are writers of great promise, and, more importantly, deep feeling, and their average age is something like 34, which means there's likely more good stuff to come.
Another book I admired this year was Jennifer Egan's A Visit from the Goon Squad, but since everybody else did, too, you can read about it elsewhere in this series. Let me instead direct your attention to Matthew Sharpe's more modestly pyrotechnic You Were Wrong. Here Sharpe trains his considerable narrative brio on the most mundane of worlds - Long Island - with illuminating, and disconcerting, results. You Were Wrong, unlike The Instructions et al, also has the virtue of being short. As does Bolaño's incendiary Antwerp (or any of the several great stories in The Return). Or Cesar Aira's wonderful Ghosts, which I finally got around to. Hey, maybe 2010 was actually the year of the short novel, I began to think, right after I finished a piece arguing exactly the opposite.
Then, late in the year, when I thought I had my reading nailed down, the translation of Mathias Énard's Zone arrived like a bomb in my mailbox. The synopsis makes it sounds like rough sledding - a 500-page run-on sentence about a guy on a train - but don't be fooled. Zone turns out to be vital and moving and vast in its scope, like W.G. Sebald at his most anxious, or Graham Greene at his most urgent, or (why not) James Joyce at his most earthy, only all at the same time.
Notwithstanding which, the best new novel I read this year was...what was that title again? Oh, right. Freedom.
When it came to nonfiction, three books stood out for me, each of them a bit older. The first was Douglas Hofstadter's Gödel, Escher, Bach, an utterly unclassifiable, conspicuously brilliant, and criminally entertaining magnum opus about consciousness, brains, and formal systems that has been blowing minds for several generations now. The second was Alberto Manguel's 2008 essay collection, The Library at Night. No better argument for the book qua book exists, not so much because of what Manguel says here, but because the manner in which he says it - ruminative, learned, patient, just - embodies its greatest virtues. And the third was The Magician's Doubts, a searching look at Nabokov by Michael Wood, who is surely one of our best critics.
Speaking of Nabokov: as great a year as 2010 was for new fiction, it was also the year in which I read Ada, and so a year when the best books I read were classics. In this, it was like any other year. I loved Christina Stead's The Man Who Loved Children for its language. I loved Andrey Platonov's Soul for its intimate comedy and its tragic sensibility. I loved that Chekhov's story "The Duel" was secretly a novel. I loved the Pevear/Volokhonsky production The Death of Ivan Ilyich and Other Stories for making a third fat Tolstoy masterpiece to lose myself in. About A House for Mr. Biswas, I loved Mr. Biswas.
And then there were my three favorite reading experiences of the year: Péter Esterházy's Celestial Harmonies, a book about the chains of history and paternity and politics that reads like pure freedom; Dr. Faustus, which I loved less than I did The Magic Mountain, but admired more, if that's even possible; and The Age of Innocence. Our own Lydia Kiesling has said pretty much everything I want to say about the latter, but let me just add that it's about as close to perfection as you'd want that imperfect beast, the novel, to come. She was wild in her way, Edith Wharton, a secret sensualist, and still as scrupulous as her great friend Henry James. Like his, her understanding of what makes people tick remains utterly up-to-the-minute, and is likely to remain so in 2015, and 2035... by which time we may know about which of the many fine books that came out this year we can say the same thing. Ah, sweet 2010, we hardly knew ye.
More from a Year in Reading 2010
Don't miss: A Year in Reading 2009, 2008, 2007, 2006, 2005
The good stuff: The Millions' Notable articles
The motherlode: The Millions' Books and Reviews
Like what you see? Learn about 5 insanely easy ways to Support The Millions
The Bolaño Syllabus, Updated
Though the great Roberto Bolaño fever of 2008 appears to have moderated somewhat, this year saw new Bolaño titles pop up in American bookstores with the frequency of periodicals. We've probably passed that point in the hype cycle - and in Bolaño's own back catalogue - where we might look for critical consensus: in January, reviewers seemed hesitant to gainsay Monsieur Pain; by autumn, The Return was getting a decidedly mixed reception. (In between, no one except our own Emily St. John Mandel seemed to know what to do with Antwerp.) So where was a Bolañophile to turn first?
We first tried to answer this question with our original Bolaño syllabus. With the aim of offering continued guidance to newcomers and enthusiasts alike, we've updated it below to take into account the two most recent novels and the thirteen stories in The Return. The Insufferable Gaucho will be added shortly. We continue to feel, hype notwithstanding, that this is one of the most important authors to emerge in the last decade, and we'll try to stay on top of the work yet to appear: an essay collection, a book of poetry, and The Sorrows of the Real Policeman (a.k.a. the "sixth part of 2666.")
Updated 1. "Dance Card" and "Sensini" (from Last Evenings on Earth) and "Detectives" (from The Return) [1997 - 2001]
Together, these three stories offer a précis of the personal mythology that animates Bolaño's most important writing. The first explores Latin American - and especially Chilean - politics in the 1960s and 1970s and their impact on a generation of young writers. The second finds a Bolaño-like narrator many years later, in artistic and geographic exile. The third offers a finer-grained look at "Arturo Belano's" brief but transformative stint in Pinochet's prison system.
2. Nazi Literature in the Americas [1996]
This early novel, a compendium of fictional writers, offers our first glimpse of the hugeness of Bolaño's ambition. Not incidentally, it's an excellent introduction to his peculiar sense of humor, which compacts the absurd and the deadpan until it's hard to tell which is which. It's a favorite (See our review).
3. Distant Star [1996]
When it was published, this probably constituted Bolaño's most compelling narrative to date. An expansion of a chapter in Nazi Literature, it yokes together two signature preoccupations: poetry and detectives. Another favorite.
4. "Last Evenings on Earth" and "The Grub" (from Last Evenings on Earth) [1997 - 2001]
Tales of young Arturo Belano, I'm guessing. The former provides one of Bolaño's rare glimpses of fatherhood; the latter introduces the Caborca knife and Villaviciosa, the town of assassins. Both are implicated in Bolaño's later work.
Updated 5. Antwerp [1980s - 2002]
New Directions' decision to publish this 90-page novella as a hardcover initially roused my suspicions, but it amply repays the investment. It is a total avant-garde freakout, and has to be among the most linguistically beautiful things Bolaño wrote. Initially, it presents as an aleatory collection of prose poems, half Nicanor Parra, half David Lynch. Quickly, though, it develops into a kind of quantum murder mystery, in which we're trying to identify both the perpetrator and crime. In its enjambment of poetry and mayhem, a perfect set-up for...
6. The Savage Detectives [1999]
What remains to be said about The Savage Detectives? Once you read this book, you'll want to read everything else this guy wrote (See our review).
7. "Photos" (from The Return) [1999]
A moving coda to The Savage Detectives, this story finds Arturo Belano in exile, as usual.
8. The Romantic Dogs [1980 - 1998]
Now that you've read The Savage Detectives, you're probably wondering: why all this fuss about poetry? You're probably also willing to bear with this collection, which mingles wheat and chaff, cream and crop, as it further adumbrates Bolaño's personal mythology. It's worth noting that Bolaño's gifts as a poet - narrative, character, and a dreamlike vision - are identical to his gifts as a novelist.
Updated 9. "Henri Simon LePrince," "A Literary Adventure," and "Anne Moore's Life" [2001]; "Phone Calls," "Vagabond in France and Belgium," and "Days of 1978" [1997] (from Last Evenings on Earth), "Meeting With Enrique Lihn" (from The Return) [2001]
The first three of these stories read like minor-key variations on Nazi Literature. The second three share a narrator, B, who in some incarnation - protagonist or revenant - haunts most of Bolaño's fiction. And the third offers us a literary dream that feels almost like a dry-run for "Sensini."
Updated 10."Cell Mates" and "Clara" (from The Return) [1997]
Two of Bolaño's most straightforward and accessible stories about love, these nonetheless manage to be mysteriously harrowing.
11. The Skating Rink [1993]
I humbly dissent from Wyatt Mason; this isn't a masterpiece. It is Bolaño's first published novel, however, and is one of his most technically accomplished. It won a regional writing contest, back in the days when (per "Sensini") Bolaño was entering scores of them. By this point, such things are probably interesting to you.
12. "Joanna Silvestri," "Snow," "Buba" (from The Return) [1997 - 2001]
This triumvirate is, for me, the heart of The Return. Whereas the earlier Bolaño collection in English circled around the author's fictional mirror image, these three - concerning a porn star, a gangster, and a soccer star, respectively - look outward, with spectacular results.
13. "Gomez Palacio," "Mauricio 'The Eye' Silva," "Dentist" (from Last Evenings on Earth) [1997 - 2001]
To hell with technique; here the other side of Bolaño holds sway. These pieces are not so much crafted as dreamed into being, and the hallucinatory intensity of the latter two serve as a perfect warm-up for 2666...
14. Amulet [1999]
...As does this novella-length expansion on an incident from The Savage Detectives. I don't think this one is as successful as Distant Star, but by now, you're willing to forgive that, right? Arturo Belano features heavily here. And the heroine, Auxilio Lacoutre, feels like a sketch for Florita Almada of 2666...about which Auxilio (like Césarea Tinajero) seems to be having visions...is anyone else getting dizzy?
15. "Enrique Martin" (from Last Evenings on Earth) [2001]
This is one of my two or three favorite Bolaño stories. Enrique seems to have contracted his numerological delirium from Auxilio and Césarea.
16. 2666 [2004]
Supernova and apotheosis. You can read my take here.
Updated 17. Monsieur Pain [1981 - 1982]
Again, I dissent from the newspaper reviews. Monsieur Pain strikes me as the least essential of Bolaño's novels to appear in English. It's palpably an early work, and far less incendiary than Antwerp. Atmospherically, it has affinities with his best short novels, but in historical drag that somehow cuts against Bolaño's usual sense of suspense. At this point you may be willing to put up with that.
Updated 18. "William Burns," "Murdering Whores" (from The Return) [1997 - 2001]
Speaking of inessential, I wasn't particularly taken with these two.
Updated 19. "Prefiguration of Lalo Cura" (from The Return) [2001]
This story, on the other hand, deserves mention alongside the stronger "Joanna Silvestri" for its enthusiastically gritty take on the porn industry. Curiously, this Lalo Cura is not the same as - or at least doesn't share parents with - the character of that name we meet in 2666. Hence "prefiguration?"
20. By Night in Chile [2000]
Some people think that this short, late novel is Bolaño's finest, and though I don't agree with them, it's always good to save something for dessert. Of all Bolaño's books, this one seems to have the fewest connections with the others, and so perhaps it would be as good a place to start as to end.
Updated 21. "The Return" (from The Return) [2001]
This story, at once revolutionary and relaxed, suggests to me where Bolaño might be headed were he still alive to day...which is to say, everywhere.
Tuesday New Release Day
New this week: Gary Shteyngart's much buzzed about Super Sad True Love Story, Rick Moody's The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN'R fans: GN'R drummer Steven Adler's tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses.
Most Anticipated Summer Reading 2010 and Beyond: The Great 2010 Book Preview Continued
2010 has already been a strong year for fiction lovers, with new novels by the likes of Joshua Ferris, Don DeLillo, Ian McEwan, Lionel Shriver, Jennifer Egan, and David Mitchell. Meanwhile, publishing houses offered up posthumous works by Ralph Ellison, Robert Walser, and Henry Roth, and the font of Roberto Bolaño fiction continued to flow.
The second half of 2010 will bring much anticipated work by Gary Shteyngart, Antonya Nelson, Salman Rushdie, and especially Jonathan Franzen. So that readers may set their literary calendars anew, we've selected a few dozen books we're looking forward to. (The writer of each preview is noted in parenthesis.)
July (or already available)
The Cookbook Collector by Allegra Goodman: I first took note of Allegra Goodman's off-kilter prose thanks to a New Yorker short story five years ago. As it turns out, that story, gently poking fun at the exuberance of the late 1990s, but also quietly weighty, touching on pain, religion and the whole idea of being “centered,” was a piece of Goodman's new novel, The Cookbook Collector. The book focuses on a pair of sisters at the turn of the millennium toiling on either end of the technology continuum, one the founder of a dot-com startup, the other an antiquarian book dealer. PW loves the book, calling it "Goodman's most robust, fully realized and trenchantly meaningful work yet." (Max)
The Four Fingers of Death by Rick Moody: The Four Fingers of Death is a 700 page supercollider. It brings together the various interests Rick Moody has explored in his eight previous books: metafiction, domestic drama, satire, the entertainment industry, and the Way We Live Now...er, tomorrow. The framing tale, set in the year 2025 (yes, man is still alive), concerns Montese Crandall, a self-involved writer-type who will be familiar to readers of Moody's short stories. The longer, framed section is a Vonnegut-inspired sci-fi romp. Gradually, one imagines, the two converge. Mutual illumination ensues. (Garth)
Memory Wall by Anthony Doerr: Doerr came to the attention of many readers with his debut collection of stories The Shell Collector. Now, after a novel and a travel memoir, he's back with another collection that includes two novellas and four short stories. As with The Shell Collector, Doerr's scope in Memory Wall is global. A recent profile with Boise Weekly -- Doerr is wrapping up his tenure as Idaho's writer in residence -- places the action in China, South Africa, Germany, Korea, Lithuania, Wyoming and, of course, Idaho. (Max)
Super Sad True Love Story by Gary Shteyngart: The author of the critically acclaimed and deliriously off-kilter novels The Russian Debutante’s Handbook and Absurdistan returns with a third novel set in an apocalyptic near-future. Books are all but extinct and America is functionally illiterate, there are riots in Central Park and National Guard tanks on every Manhattan street corner, and the narrator is, as the Random House publicity department puts it, “the proud owner of what may well be the world’s last diary.” It’s difficult to resist the book’s opening lines: “Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.” (Emily M.)
Faithful Place by Tana French: Faithful Place is the #1 Indie Next Pick for the month of July. (This is a big deal—it means that independent booksellers across the United States have picked French’s new novel as their favorite out of all the books being published in the US in July 2010.) This alone should be enough to make us sit up and take notice,
but the plotline is particularly beguiling: when Frank Mackey was nineteen, he made plans with his girlfriend Rosie to leave the poverty and dysfunction of their lives in Dublin’s inner city and flee to London. But Rosie never appeared on the night they were supposed to meet, and Frank, assuming that she’d changed her mind, went on to England without her. Twenty-two years later, a suitcase is found behind a fireplace in a run-down building on the street where Frank grew up; when it becomes clear that the suitcase belonged to Rosie, Frank returns home to try and unravel the mystery of what happened to her. French is also the author
of two previous critically-acclaimed novels: In the Woods, which won the Edgar, Barry, Macavity, and Anthony awards, and The Likeness. (Emily M.)
The Thieves of Manhattan by Adam Langer: Adam Langer, who is the author of the well-received Crossing California and two other books, will publish The Thieves of Manhattan this month. In a starred review, Publishers Weekly called it "an über-hip caper that pays homage to and skewers the state of publishing and flash-in-the-pan authors... Part Bright Lights, Big City, part The Grifters, this delicious satire of the literary world is peppered with slang so trendy a glossary is included." (Edan)
The Return and The Insufferable Gaucho by Roberto Bolaño: The frenzy of posthumous Bolaño publication continues. The Return (July) is a new volume of short stories. And The Insufferable Gaucho (August) -- more stories, plus two essays -- was apparently the last book Bolaño delivered to a publisher. And we hear there's more "new" Bolaño to come in 2011. (Max)
August
My Hollywood by Mona Simpson: Simpson, author of Anywhere but Here and Off Keck Road, among others, took ten years to write this new novel about Claire, who has recently moved to Los Angeles with her husband and young son, and Lola, their Filipina nanny. In Publishers Weekly, Simpson said, "There are thousands of women who are here working, often with their own young children left behind. That leads to a whole different vision of what it is to raise a child, what's important." (Edan)
Hollywood by Larry McMurtry: Although Texas epicist Larry McMurtry has written dozens of novels, he’s best known for the films that have come from them: The Last Picture Show, Terms of Endearment, Hud, and the CBS colossus "Lonesome Dove." Over the last five decades, he’s turned others’ work into triumph (Brokeback Mountain), seen his own ground into pabulum (Texasville), and written a screenplay for The Cougar (John Mellencamp’s Falling From Grace). In short, he’s a veteran of the L.A. movie wars, and in Hollywood—his third memoir in as many years—he’ll share the stories behind them. Or, at least, he should: in a harsh review of his second memoir, 2009’s Literary Life, The New York Times wrote, “Too often… Mr. McMurtry will sidle up to an interesting anecdote and then tell the reader to wait for his third and concluding memoir, Hollywood… He’ll explain then.” (Jacob)
I Curse the River of Time by Per Petterson: Petterson has been on the road to international literary stardom for a few years now and that means his new novels get translated into English with relative alacrity. The book won the Norwegian Brage prize and, according to a “sample translation” on Petterson’s agent’s website, it begins: “I did not realize that my mother had left. There was too much going on in my own life. We had not spoken for a month, or even longer, which I guess was not that unusual, in 1989, when you consider the things that went on around us back then, but it felt unusual.” (Max)
Encounter by Milan Kundera: Fans of Milan Kundera’s previous essays on the power of art (particularly that of the novel), memory, mortality, and human nature can look forward to Encounter, his newest collection, which was released in France in 2009 and will land in the English-speaking world in August. Kundera’s devotion to modernism is a particular focus here, with reflections both critical and personal on the work of established masters – Francis Bacon, Leo Janacek, Garcia Marquez, Dostoevsky, and Fellini – as well as homages to those he considers unsung, including Anatole France, Curzio, Malaparte, and Celine. (Both the Malaparte and Celine sections apparently hone in on episodes involving dogs – the dignified way in which animals face death, in contrast to human posturing and vanity – which I especially look forward to). In a review last year, Trevor Cribben Merrill described Encounter as “a self-portrait of the artist as an old man […]the most personal of Kundera’s essays.” (Sonya)
You Lost Me There by Rosecrans Baldwin: In this debut novel by the co-founder of one of The Millions' favorite sites, The Morning News, Alzheimer's researcher Victor Aaron discovers his late wife's notes about the state of their marriage. Her version of their relationship differs greatly from his own, and Victor is forced to reexamine their life together. Wells Tower says the novel "is a work of lucid literary art, roisterous wit, and close, wry knowledge of the vexed circuits of the human mind and heart." (Edan)
Sympathy for the Devil, edited by Tim Pratt: This anthology will collect stories from an impressive roster of writers -- Neil Gaiman, Stephen King, Kelly Link, China Mieville, Michael Chabon, and others -- with the devil being the common thread. This being a reprint anthology, fans of the individual authors included may find nothing new, though they may appreciate the clever theme and may encounter work by writers they don't regularly read. (Max)
The Thousand by Kevin Guilfoile: While many readers might associate Guilfoile with McSweeney's, where he's a frequent contributor, or The Morning News, where with John Warner he provides essential commentary for the Tournament of Books, his fiction occupies a space that some readers might not associate with these latter-day literary tastemakers. Case in point, the titular Thousand are "a clandestine group of powerful individuals safeguarding and exploiting the secret teachings of Pythagoras." That may sound like Dan Brown fodder, but you'll be getting something much, much smarter. (Max)
September
Freedom by Jonathan Franzen: Freedom, Jonathan Franzen's first novel in nearly a decade, is a love story - albeit one surrounded by more ideas and insights and plot-lines than many novelists manage in a career. As he anatomizes the marriage of Minnesotans Patty and Walter Berglund, Franzen also looks at environmentalism, politics, sex, gentrification, and the pains and pleasures of growing up. And though a youthful anger animates his writing on the Bush years, his patience with Patty, in particular, suggests a writer who has done some growing himself. Franzen's longest book is also, for great swaths of pages, his best. (Garth)
Bound by Antonya Nelson: If two women can bond by mutual disdain for a third, then reading Antonya Nelson’s fiction is like being the second woman listening as Nelson dishes tales of family, friends, and small town life with precision, venom, and humor. Typical to Nelson is a swift and biting portrait that’s as honest as it is unsentimental--consider this line from her story “Incognito” for example: “My mother the widow had revealed a boisterous yet needy personality, now that she was alone, and Eddie, least favorite sibling, oily since young, did nothing more superbly than prop her up.” Nelson’s latest novel, Bound, returns to her hometown of Wichita, Kansas, and depicts the turmoil of a couple on the rocks--the wife haunted by her past and the husband a serial adulterer--while a serial killer, the BTK (Bound Torture, and Kill), reappears after a long silence, taking vicious to a new level. (Anne)
Zero History by William Gibson: Zero History will round out a trilogy that also includes Pattern Recognition and Spook Country. Gibson recently laid out how the three books fit into our 21st century milieu: "If Pattern Recognition was about the immediate psychic aftermath of 9-11, and Spook Country about the deep end of the Bush administration and the invasion of Iraq, I could say that Zero History is about the global financial crisis as some sort of nodal event." (Max)
Ape House by Sara Gruen: Following her surprise hit with Water for Elephants, Gruen earned a $5 million advance for Ape House and whatever she writes next. Whether or not Gruen earns back that hefty advance, the new book sounds like madness: super smart apes -- bonobos, specifically -- escape a lab in an explosion and not long after, a mega-hit reality TV show appears featuring the missing apes. This reminds me of that movie Project X. (Max)
C by Tom McCarthy: One of Tom McCarthy’s many roles in addition to novelist includes acting as the General Secretary of the International Necronautical Society, who in their first manifesto declared: “our very bodies are no more than vehicles carrying us ineluctably towards death” and that “the construction of mankind’s sole chance of survival lies in its ability, as yet unsynthesised, to die in new, imaginative ways.” In keeping with these moribund tendencies, McCarthy returns with his second third novel, C, which in general terms deals with technology and mourning. In McCarthy’s own words, “C is about the age of the wireless: the roar of transmission, signals flung from towering masts, global reaches crackling out of earphones. And empire. And insects. And incest.” Simultaneously a bildungsroman and an anti-realist period novel, C follows the life of Serge Carrefax, the son of a man who runs a school for the blind, who grows up to become a WWI radio operator for reconnaissance planes, is imprisoned by the Germans, and escapes. The book jacket designer, Peter Mendelsund, claims that if MacCarthy’s first novel, Remainder, recalls Beckett then C reads like Joyce. McCarthy says that if Remainder is his French novel, then C is his German. If one can judge a book by its cover and anticipatory buzz, C will be one to remember. (Anne)
True Prep by Lisa Birnbach with Chip Kidd: The Official Preppy Handbook had that rare spark of wit that makes a good joke many things to many people. Actual preppy people were chuffed to find themselves the subject of a well-drawn lampoon (or earnestly concerned with inaccuracies), the great unwashed found an arsenal or an atlas, depending on their aspirations, and people somewhere in the middle could feel a sheepish pride in being kind of sort of related to a tribe important enough to have its own book. People with real problems, of course, didn't care either way. Now, True Prep is upon us, and if it fulfills the 1.3 million-print run promise of its precursor, Knopf Doubleday and authors Lisa Birnbach and Chip Kidd (original collaborator Jonathan Roberts did not participate, fearing the project wasn't true to the subversive intention of the Handbook) stand to rake it in. But the popularity of the original book, the shifting sands of American society and wealth, and the proliferation of lifestyle blogs by people with no sense of humor or irony have created a monster simulacrum of "prepdom," one without easily defined parameters. Will the sequel be able to paint such a sharp and comic portrait as the first Handbook, or will it be yet another non-book littering the aisles of Borders? (Lydia)
All is Forgotten, Nothing is Lost by Lan Samantha Chang: Chang, who is the author of one other novel, Inheritance, and a story collection, Hunger, is also the director of the Iowa Writers' Workshop. Perhaps the Workshop inspired her new book, which is about poets at a renowned writing school. At just over 200 pages, this slim novel examines the age-old question, "What are the personal costs of a life devoted to the pursuit of art?" (Edan)
By Nightfall by Michael Cunningham: Cunningham's last novel Specimen Days didn't quite replicate the critical and commercial success of The Hours. This new novel was initially called Olympia, and a long excerpt of it was published in the inaugural issue of Electric Literature. Discussing the novel, Cunningham told Entertainment Weekly, "Peter is the central character. He’s an art dealer and he finds that he is increasingly drawn to his wife’s very much younger brother, who evinces for him everything that was appealing about his wife when he first met her. He’s not gay. Well, he’s probably a little gay because we’re all a little gay, right? But it’s certainly eroticized. It’s not because he wants to f— this boy. The boy is like the young wife." (Max)
Salvation City by Sigrid Nunez: In early 2009 in these pages, Sana Krasikov considered the contention the women aren't known for writing novels of ideas. Her rejoinder to this was Sigrid Nunez’s The Last of Her Kind, "a book that, in addition to being beautifully written, was as much about ideas as it was about characters." This new novel exploring a dystopia -- it's set in the near future after a flu pandemic has ravaged the world and a sheltered, but cultish community has survived the carnage -- seems likely to extend Krasikov's thesis. (Max)
The Elephant's Journey by Jose Saramago: From the late Nobel laureate, this novel "traces the travels of Solomon, an Indian elephant given by King John III to Archduke Maximilian II of Austria." (Max)
October
Nemesis by Philip Roth: This latest novel from Roth should prove to be more accessible than his last, The Humbling. The book is set during a war-time polio epidemic in Newark, New Jersey in 1944. At the center of the book is a 23-year-old playground director who sees polio ravage the children he looks after. The book has been in the works since at least early 2009, when it was first described by Roth. (Max)
Travels in Siberia by Ian Frazier: If, like me, you were wowed when you read in The New Yorker Ian Frazier's expansive, two-part travelogue of a trip across Siberia at the turn of the millennium, then you'll be thrilled to find out that this massive piece was likely just a small fraction of Frazier's forthcoming 544-page book. Frazier's entertaining guides Sergei and Volodya (they are a pair of lovable, though sometimes frightening, curmudgeons), his insistence on traveling by car (which lent Frazier's NYer piece many comic moments but also an unimpeachable authenticity), and the moment in history when his trip takes place (he arrives at the Pacific on September 11th, 2001), seem likely to make this book a classic. (Max)
Listen to This by Alex Ross: If New Yorker music critic Alex Ross’s second book Listen to This lives up to its title essay, then we’re in for a treat. I remember being floored and invigorated by that essay in 2004; Ross’s depth of knowledge, passion, and youth – just 36 then – converted me to his cause in a blink. “I hate ‘classical music,’” he wrote, “not the thing but the name. It traps a tenaciously living art in a theme park of the past... Yes, the music can be great and serious… It can also be stupid, vulgar, and insane. Music is too personal a medium to support an absolute hierarchy of values.” In other words, no music, classical or otherwise, is categorically superior nor the moribund realm of rich ladies; all great music is by definition “something worth loving.” In Listen to This, Ross reaches beyond “classical” (his award-winning first book The Rest is Noise explored 20th century classical composers) into a more eclectic canvass -- in Ross’s words, a “panoramic view” – of music worth loving, including Verdi, Brahms, Marian Anderson, Chinese classical music, Kiki and Herb, Led Zeppelin, Björk, Radiohead, Mitsuko Uchida, Esa-Pekka Salonen, and Bob Dylan. (Sonya)
Picture This: The Near Sighted Monkey Book by Lynda Barry: For the visually patient—those who inspect collage, squint into details, and willingly sift through doodles—Lynda Barry’s work is a unique gift. The cartoonist/novelist/lecturer’s Picture This: The Near Sighted Monkey Book will continue the thread begun with 2008’s What It Is, her bust-out graphic memoir-cum-instructional. As What It Is encouraged the act of writing, Picture This will push the reader to draw and remind us of the happiness it once could bring. Remember when you filled your looseleaf margins with rough Darth Vaders and ridiculous monsters? If anyone can get us to put down our phones, pick up our pencils, and get back to that pleasure, it’s Barry—whose boundless, cramming technique is evidence of both the work and reward of creation. (Jacob)
The Masque of Africa by V.S. Naipaul: V.S. Naipaul, hoping to reach "the beginning of things," traveled to six sub-Saharan African countries and examined the belief structures found therein for The Masque of Africa, a travelogue and treatise on the role of religion in culture. Apparently Naipaul learned much from this project, which complicated his sense of an old-new dichotomy and his notion that religious practices varied greatly between nations. Naipaul's detractors have accused him of being a colonial apologist, so it will be interesting to see how this work of non-fiction will engage with complex ideas of faith and progress, neither of which can be separated from Africa's colonial past, nor, as Naipaul concedes, from the present-day politics of the nations he explores. (Lydia)
Doctor Zhivago by Boris Pasternak (translated by Richard Pevear and Larissa Volokhonsky): Pevear and Volokhonsky's vigorous translations have turned new editions of the Russian greats into publishing events, and we've watched as their translations of classics like War and Peace and The Death of Ivan Ilyich and Other Stories climbed our otherwise contemporary-leaning top-ten lists. Last year, we interviewed the husband and wife team and got a sense of their unique process. In an interview around the same time with the Wall Street Journal, the couple called Zhivago the toughest of the 16 books they've translated: "The issue is the prose. It's not that rich or ornate, but it's extremely difficult to translate. His language is very studied. Even when it looks simple, it's not. The sentences aren't long or complex, but it's the quality of the words. It's never what you expect." (Max)
The Great House by Nicole Krauss: Bestselling author of The History of Love, Nicole Krauss returns with The Great House, a novel about a desk that, according to the publisher's description, "contains the secrets, and becomes the obsession, of the lives it passes through... a desk of enormous dimension and many drawers that exerts a power over those who possess it or give it away." Krauss was one of The New Yorker's "20 under 40" writers, and "The Young Painters," published in the magazine's June 28, 2010 issue, is an excerpt from her forthcoming novel. You can read a Q&A with her here. (Edan)
X’ed Out by Charles Burns: I once saw a comics panel discussion in which Charles Burns complained, fairly wryly, about the amount of effort he forces into his work: in one issue of Black Hole, he said, he spent hours applying his sharp black inks to an endpaper image of twigs—a picture that each reader would spend “maybe three seconds on,” then move along. Such frustration is understandable, but I don’t know that he was actually right. Each page, each panel, of Burns’ work claws you in; each line is unsettling in its perfection. He cannot be read casually. His newest, X’ed Out, will touch on typically Burnisan themes: quiet distress, eerie isolation, a heavy apocalyptic oddness. But, as always, the look of the book is the thing: we’ll be gripped by its feel as much as by its story—and, yes, take our time with its potent renderings of splintered boards, broken walls, and specimens shut in jars. (Jacob)
False Friends by Myla Goldberg: We included Goldberg on our own "20 under 40" list and suggested that "literary mandarins" put off by her smash-hit debut Bee Season take a look. Another opportunity to do so will arrive in October with Goldberg's third novel. (Max)
If You're Not Yet Like Me by Edan Lepucki: In October, Millions contributor Edan Lepucki will publish her novella If You're Not Yet Like Me under Flatmancrooked's New Novella imprint. The title will initially be available for limited edition presale under Flatmancrooked's LAUNCH program, designed for emerging authors. (Max)
November:
Luka and the Fire of Life by Salman Rushdie: In the wake of the fatwa and accompanying media frenzy that followed the publication of The Satanic Verses, Rushdie, apparently at the prodding of his then nine-year-old son, shifted gears to focus on something much less contentious, a children's book called Haroun and the Sea of Stories. Now, twenty years later, Rushdie is returning with a sequel to the book he wrote for his son. Fatherhood has once again inspired Rushdie, who, according to bookseller.com, decided to write this new book for his "youngest son, Milan, who was born in 1999." (Max)
Autobiography of Mark Twain: On April 21, 1910, Mark Twain died of a heart attack. His death brought to a close maybe the greatest literary life America has ever known, and it started the countdown to the publication of Twain's autobiography, which Twain instructed was not to be released until he had been good and gone for 100 years. Well, the waiting is finally over, and from early reports it appears as though it might have taken an entire century to wrestle the mass of writing Twain left behind into publishable form. This November, the University of California Press will release the first volume in a trilogy that Twain wrote according to the rambling dictate, "talk only about the thing which interests you for the moment." (Kevin)
The Box: Tales from the Darkroom by Gunter Grass: The publisher's description of this one lays out its unique premise: "In an audacious literary experiment, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives." It's another journey into autobiography for Grass, whose Peeling the Onion set off a furor in Germany and elsewhere with its revelation that Grass had been a member of the Waffen-SS during World War II. (Max)
Life Times: Stories, 1952-2007 by Nadine Gordimer: FSG will collect the "best" short fiction from the South African Nobel laureate in this hefty volume. (Max)
The Petting Zoo by Jim Carroll: Readers mourned the death of punk poet Jim Carroll last year. As Garth wrote in these pages, "Before he was a screenwriter, Carroll was a diarist, a frontman, an addict, and a poet, and he left behind at least a couple of very good books." For Carroll fans, this posthumously published novel that takes the late-1980s art scene as its inspiration, will at the very least be another opportunity to experience his work and at best may be another one of those "very good books." (Max)
Selected Stories by William Trevor: This volume will collect nearly 600 pages worth of short stories from this verable master of the form. (Max)
Foreign Bodies by Cynthia Ozick: This forthcoming novel from Ozick is framed as a nifty literary trick. It's a retelling of Henry James' The Ambassadors, but, according to the publisher's description, "the plot is the same, [but] the meaning is reversed." (Max)
December:
Dead or Alive by Tom Clancy: It's actually been seven years since the last Tom Clancy book came out, the longest gap of his career. This fact plus the usual excitement from Jack Ryan fans could make this more of a publishing event than expected. (Max)
My Prizes by Thomas Bernhard: This collection of essays was originally published in 1980 but never in the U.S. The book will be a balm to those worked up by literary prizes and the teapot tempests they tend to foment. Bernhard's focus here is the myriad prizes he collected and his bemused, sardonic reaction to them. The book seems likely to stand as an irreverent footnote at the intersection of 20th century literary history and 20th century publishing culture. A review of the German edition of the book suggests: "Although it’s a barrel of laughs, it’s also a serious book about what drove Bernhard to become the writer he eventually turned out to be." (Max)
February 2011:
Swamplandia! by Karen Russell: Karen Russell was just 23 when she had a story in The New Yorker's 2005 debut fiction issue. Since then, she has published an acclaimed collection of stories, St. Lucy's Home for Girls Raised by Wolves, and been named to The New Yorker's 20 writers under 40 list. With the accolades already piled sky high, this will be one of the more anticipated debut novels in recent years. The publishers' description suggests we should expect big, ambitious things: "think Buddenbrooks set in the Florida Everglades." (Max)
Townie: A Memoir by Andre Dubus III Dubus, already much feted for his short stories and novels, will be trying his hand at the memoir. In this case, the trajectory is from hard-bitten youth to redemption in writing. Fans can expect perhaps to gain some insights into the genesis of Dubus' fiction. (Max)
March 2011:
You Think That's Bad: Stories by Jim Shepard: You Think That's Bad will be Shepard's fourth collection of short stories, and from the Knopf catalogue description, it sounds like it won't disappoint; there's a story about a farm boy who "becomes the manservant of a French nobleman who’s as proud of having served with Joan of Arc as he’s aroused by slaughtering children"--need we say more? Shepard's previous collection, Like You'd Understand, Anyway, was nominated for the National Book Award. (Edan)
The Tiger's Wife by Tea Obreht: Obreht secured a special place in the literary pantheon not just by being on The New Yorker's recent 20 under 40 list, but by being, at 25, the youngest one on it. With her debut novel, readers will get a larger sense of what the praise for Obreht is all about (an excerpt of the novel, in the form of a peculiar story of the same title, appeared in the magazine last year). (Max)
Unknown:
The Pale King by David Foster Wallace: When he died in September 2008, David Foster Wallace left behind more than 1,000 pages of notes and drafts of an unfinished novel that he had given the preliminary title The Pale King. The book had been in progress for more than a decade and one of the last things Wallace did before taking his own life was to tidy what he written so that it would be easier to sort after he was gone. Since then the manuscript has been in the hands of Michael Pietsch, Wallace's longtime editor at Little, Brown, and it is expected that a version of the book running about 400 pages will be published late this year or early next. Four confirmed excerpts from The Pale King have appeared in The New Yorker and Harper's. They suggest a story centered around IRS agents at a Midwestern processing office struggling to deal with the "intense tediousness" of their work. (Kevin)
There are many other exciting books coming out in the coming months not mentioned here – let us know what books you are most looking forward to in the comments section below.
Most Anticipated: The Great 2010 Book Preview
Update: Don't miss our newest "Most Anticipated" list, highlighting books for the rest of 2010 and beyond.
There's something for every lover of fiction coming in 2010, but, oddly enough, the dominant theme may be posthumous publication. Roberto Bolaño's relentless march into the canon has inured us to the idea of the bestseller from beyond the grave (and of course, for as long as there have been literary executors, this has been nothing new), but beyond the four(!) new books by Bolaño we also have have potentially important works by the likes of Ralph Ellison and Henry Roth, intriguing new books from Robert Walser and Ernst Weiss, a guaranteed bestseller from Stieg Larsson, and, looming in 2011, the final, unfinished novel of David Foster Wallace. Perhaps, amid all this, it is a relief to hear that we have many exciting books on their way from those still with us, including Elizabeth Kostova, Joshua Ferris, David Mitchell, Jennifer Egan, Don DeLillo, Ian McEwan, Yann Martel, and many others.Special thanks to The Millions Facebook group for helping us compile this list.January (or already available)
Three Days Before the Shooting by Ralph Ellison: Fitting that this book preview starts off with a posthumous novel. Ellison's unfinished opus will not be the the only posthumous work to grab readers attention in 2010, but it will be perhaps the one with the most history attached to it and maybe, in the accounting of those who manage the canon, the most important. Ellison famously struggled to complete a second novel after the landmark publication of The Invisible Man. After Ellison's death, Juneteenth was cobbled together by his literary executor John Callahan and met with decidedly mixed reviews. But, as a 2007 article in the Washington Post argues, Three Days Before the Shooting, the result of years of work by Callahan and co-editor Adam Bradley, was always meant to be the true Ellison second novel. Readers will soon find out if it's the masterpiece they've been waiting for for decades.The Unnamed by Joshua Ferris: If your debut effort (in this case, Then We Came to the End) gets nominated for a National Book Award, you are on the express train to literary stardom. Quickly, however, focus shifts to the sophomore effort. For Ferris, early signs look good. Word is that The Unnamed is dark in tone, darker than and by all early accounts dissimilar to TWCTTE. The protagonist Tim's affliction is that he's unable to stop walking. In an early review, Bookforum likes it and says "Ferris possesses an overriding writer's gift: a basic and consistent ability to entertain while spurring engagement." See also: Joshua Ferris writing at The MillionsMonsieur Pain by Roberto Bolaño: The frenzy of posthumous Bolaño publication will continue in 2010 with as many as four (that I was able to find) books by the Chilean author published. Bolaño has been unmistakably one of the biggest publishing stories of the last few years, and publisher New Directions has been capably and speedily adding title after title to the Bolaño shelf at your local bookstore. Monsieur Pain (January) is about a Peruvian poet with a chronic case of hiccups. Antwerp (April) has been described as both a prose poem and a crime novel. The Return (July) is a new volume of short stories, as is The Insufferable Gaucho (August?), which was apparently the last book Bolaño delivered to a publisher. And look for more Bolaño in 2011. Garth may need to start updating his Bolaño Syllabus on a quarterly basis.Fun with Problems by Robert Stone: Fun with Problems will be Stone's first collection of short fiction in twelve years. And his first book since his 2007 memoir Prime Green: Remembering the Sixties (see Garth's review).Ordinary Thunderstorms by William Boyd: Boyd's novel is already out in the UK where it has been receiving characteristically good notices. "There are tantalising hints of a broader ambition in William Boyd's wide-ranging new thriller," said The Guardian. The book is ostensibly about a man on the run, but Boyd, in an interview with Edinburgh Festivals alluded to the depth that The Guardian picked up on, "It's a chase. And the drive is that the man is being hunted. But like the last four of my novels, it's also about identity, about what happens when you lose everything that makes up your social identity, and how you then function in the modern city."The Swan Thieves by Elizabeth Kostova - The follow-up to Kostova's big selling The Historian (the first ever first novel to debut at #1 on the New York Times bestseller list) promises to be just as densely detailed as its predecessor, weighing in at a hefty 576 pages. Recently departed Kirkus has some quibbles with the plot machinations, but says "lush prose and abundant drama will render logic beside the point for most readers." PW adds "The Swan Thieves succeeds both in its echoes of The Historian and as it maps new territory for this canny and successful writer." See Also: Elizabeth Kostova's Year in ReadingIn January, Archipelago Books will publish a translation of Ernst Weiss' Georg Letham: Physician and Murderer some 70 years after the novel's appearance in German. Enthusiasts of German-language literature have compared Weiss favorably with his contemporary Thomas Mann and his friend Franz Kafka, but he has remained something of an unknown on this side of the Atlantic. Already, Joel Rotenberg's translation has begun to remedy this neglect. An excerpt appeared in A Public Space a while back. (Garth)February
Point Omega by Don DeLillo: Anticipation for DeLillo's forthcoming book has been decidedly truncated. Publisher Scribner first tweeted about DeLillo delivering the manuscript in June, and the book will hit shelves a scant eight months later. One reason for the quick turnaround might be the book's surprising slimness, coming in somewhere between 117 pages (says PW) and 128 pages (says Scribner). Imagine: reading an entire DeLillo novel in an afternoon, or perhaps just over lunch. So will the book's slight profile belie some interior weightiness? A recently posted excerpt may offer some clues, and PW says "Reading it is akin to a brisk hike up a desert mountain—a trifle arid, perhaps, but with occasional views of breathtaking grandeur."Reality Hunger: A Manifesto by David Shields: We've already discussed Shields' forthcoming "manifesto" quite a lot at The Millions. It was first noted, in glowing terms, by Charles D’Ambrosio. This prompted me to dig deeper in a longer look at the book. From my sleuthing, and noting blurbs by J.M. Coetzee, Jonathan Lethem, and others, I posited "the intriguing possibility that a book of ideas will capture the popular interest [in 2010]." The book now sits on my desk, and while haven't yet jumped in with both feet, I can report that it is both structurally (a lettered and numbered organization scheme whose logic is not immediately discernible) and stylistically (deep thoughts, reminiscences, aphorisms, and pop culture nuggets abound) unique. It will be interesting to see if readers decide the book coalesces into a successful whole. This just in - British publisher Hamish Hamilton reports that Zadie Smith will be writing up the book in The Guardian soon. See Also: David Shield's Year in ReadingThe Infinities by John Banville: Banville follows up his Booker-winning effort The Sea with a novel with a rather unique conceit: it is narrated by the god Hermes. The reviews hint at further oddities. In The Guardian, for example, "Old Adam, a physicist-mathematician, has solved the infinity problem in a way that's not only led to some useful inventions – cars that run on brine, for example – but also proved the existence of parallel universes, a category that includes the one he inhabits. In this novel, Sweden is a warlike country, and evolution and relativity have been discredited."Union Atlantic by Adam Haslett: Haslett made a big splash in 2002 when his debut effort - a collection of short stories called You Are Not a Stranger Here - was a finalist for the National Book Award and the Pulitzer Prize. Union Atlantic, his first novel, takes the depths of the recent financial collapse as a backdrop (which explains why a work of literary fiction is getting notice from publications like American Banker). PW gave it a starred review and insinuates it might be a seminal novel of that particular historical moment. Esquire recently published the novel's prologue. It begins, "Their second night in port at Bahrain someone on the admiral's staff decided the crew of the Vincennes deserved at least a free pack of cigarettes each."March
Solar by Ian McEwan: McEwan's new novel was discussed extensively in Daniel Zalewski's New Yorker profile of McEwan in February 2009. More recently, the magazine published an excerpt from the novel. The book's protagonist is a Nobel Prize-winning physicist, and it appears that the book's chief drama will arise in his becoming embroiled in the climate change "debate." The book is also being called a satire, but, to the extent that several of McEwan's books have elements of satire, it's unclear whether Solar will be much of a departure for McEwan. The excerpt in the New Yorker would seem to indicate it'll be a typical, and probably quite good, effort.The Ask by Sam Lipsyte: Lipsyte had a breakout hit with Home Land in 2005. His follow-up novel was reviewed recently in The Quarterly Conversation, which says "let’s be frank: this is a hard novel to review. The Ask makes for your heart with its claws so efficiently that it leaves you torn and depleted. How are you to review a book that simply frightens you?" Ultimately, TQC decides The Ask "isn’t quite as good as Home Land. The latter was nearly perfect in idea and execution—an ’80s high-school movie gone sick with nostalgia for its own John Hughesian past. The Ask is more generationally diffuse. While just as snot-blowingly funny as its predecessor, The Ask is more devastating in its pitilessness."The Surrendered by Chang-Rae Lee: Bookdwarf read this one recently and says Lee "offers no easy endings or heartwarming coming-together, instead bringing to life a powerful, unpredictable, and occasionally painful story."Burning Bright by Ron Rash: Rash's follow-up to Serena is a collection of stories. The book's title story appeared in Ecotone in 2008.One More Story: Thirteen Stories in the Time-Honored Mode by Ingo Schulze: Garth has been talking about Schulze here for at least two years. Most recently he wrote "The East German setting of New Lives, and its uroboric epistolary structure – starting late in the story, slowly filling in the background – made for slow going at first, but the ethical intensity of its restaging of Faust has haunted me since I read it." The English (and somewhat illogical) title of Schulze's new book would seem to obscure the unifying theme of the new collection, whose title, translated directly from the German original, is Cell Phone: Thirteen Stories in the Old Style. According to an abstract for a paper in the journal German Monitor, "the cell phone functions in many stories as a threatening symbol of exposure to pressures and problems that make East(ern) Germans feel ill at ease."So Much for That by Lionel Shriver: More hot button issues. Just as Ian McEwan's forthcoming novel is informed by climate change, Shriver's latest takes on the healthcare debate.
The Bradshaw Variations by Rachel Cusk: Cusk's novel is already out in the U.K. where Hilary Mantel wrote, "It is the author's mix of scorn and compassion that is so bracing. Sometimes she complicates simple things, snarling them in a cat's cradle of abstraction, but just as often, a sentence rewards with its absolute and unexpected precision."Silk Parachute by John McPhee: This new collection by McPhee is built around what FSG's promotional material calls "McPhee’s most anthologized piece of writing." "Silk Parachute" is, especially for the typically measured McPhee, a brief, tight, funny and emotional essay (It's available here as a .doc file). The rest of the new collection is composed of McPhee's recent New Yorker essays on lacrosse, "long-exposure view-camera photography, the weird foods he has sometimes been served in the course of his reportorial travels, a U.S. Open golf championship, and a season in Europe 'on the chalk' from the downs and sea cliffs of England to the Maas valley in the Netherlands and the champagne country of northern France." Since McPhee's most recent collections have had fairly strong thematic threads running through them, this more loosely tied book sounds like a bit of a departure.Long for This World by Sonya Chung: And, of course, Millions contributor Sonya Chung will see her debut novel Long for This World arrive in March. Sonya wrote about the peculiar challenges of settling on a book design in a recent essay.April
The Notebook by Jose Saramago: Nobel Laureates can do "blooks" too. The Notebook is the collected entries from 87-year-old Saramago's blog, O Caderno de Saramago. The book, "which has already appeared in Portuguese and Spanish, lashes out against George W. Bush, Tony Blair, the Pope, Israel and Wall Street," according to the Independent, in its report on the book's Italian publisher dropping it for criticizing Prime Minister Silvio Burlusconi. Despite his age, Saramago is a busy man. In addition to The Notebook, there's an August release date in the U.K. for a new novel, The Elephant's Journey, which "traces the travels of Solomon, an Indian elephant given by King John III to Archduke Maximilian II of Austria," and Cain, "an ironic retelling of the Bible story," was recently published in Portuguese and Spanish.Parrot and Olivier in America by Peter Carey: Carey's new book is based on the life of Alexis de Tocqueville and wields two narrators. Olivier, the de Tocqueville "character" is, like de Tocqueville, the heir apparent of a wealthy family. Parrot is his clever servant who also happens to be a spy and all around rake. Early reviews from Australia, where the book is already out, have been strong. The Sydney Morning Herald called it "a tour de force, a wonderfully dizzying succession of adventures and vivid, at times caricatured, characters executed with great panache."The Dead Republic by Roddy Doyle: This book wraps up Doyle's The Last Roundup trilogy (previously: A Star Called Henry and Oh, Play That Thing!). This time Henry Smart has gone to Hollywood and then back to Dublin. A bomb blast there turns him into an accidental hero.What Becomes by A.L. Kennedy: This short story collection is already out in the U.K. The Spectator likes it: "The hardest thing about the advent of a new collection of stories by A.L. Kennedy... is the search for synonyms for 'brilliant.'"Beatrice and Virgil by Yann Martel: Though Martel's previous effort, Life of Pi, was far from universally loved, the book became something of a literary phenomenon, putting up sales impressive even for a Booker winner. As a result, nearly a decade later, Martel's follow up is one of the most heavily anticipated books of the year. As before, it seems Martel will be trading in talking animals, a taxidermied donkey and monkey. More details: The book is about the Holocaust, reportedly. It's Canadian publisher has called it "shocking." And Martel is comparing it to Animal Farm.The Big Short by Michael Lewis: Original set for November 2009, the publication of Michael Lewis’ much anticipated chronicle of the financial crisis, The Big Short has been pushed back to April. In October 2008, when economic uncertainty was at its height and fears were voiced in some rarefied quarters about the possibility of some sort of structural collapse, we wrote, “The world needs an exhaustive look at what happened in 2008 and why.” There have already been many books about the collapse and what caused it, from The Two Trillion Dollar Meltdown to The Return of Depression Economics and the Crisis of 2008, but many readers have been waiting for a book by Lewis, both because of his long history writing about Wall Street’s excesses and because of the powerful essay he penned on the topic for Portfolio magazine at the height of the crisis. Some readers may be weary of the topic by the time the book comes out, but it’s sure to garner some interest. Noir by Robert Coover: An excerpt of this new novel by "pioneering postmodernist" Coover was published a while back in Vice. It is introduced thusly: "Noir is a short novel starring you as Philip M. Noir, Private Investigator. It began as a story about a dockside detective in pursuit of something—like truth or beauty, the ineffable—and became over the course of its writing a kind of companion piece to Ghost Town, which played with the western genre and mythology the way this one plays with the hard-boiled/noir genre and urban myth. It was the French who discovered and defined noir; consequently, this book will have its first publication in Paris, in French, in the spring of 2008."May
The Pregnant Widow by Martin Amis: This book, long in the works, has been evolving as Amis has struggled to write it. In 2006, he told The Independent it was, "blindingly autobiographical, but with an Islamic theme." As it turns out, the autobiographical bits were causing Amis trouble. He told the National Post in August 2009, "it turned out it was actually two novels, and they couldn’t go together. So I wrote The Pregnant Widow, [that’s] one half of it, and the other half I started, and it will be very autobiographical, the next one." Subsequent comments from Amis appear to indicate the two book solution is still the plan.
Imperial Bedrooms by Bret Easton Ellis: Imperial Bedrooms is reportedly a sequel to Ellis' first novel Less Than Zero. First sentence of the novel? "They had made a movie about us."The Invisible Bridge by Julie Orringer: Orringer received more than the typical notice for a debut short story collection when her 2003 How to Breathe Underwater was named a New York Times Notable Book, landed on various other lists, and picked up a small prize or two. It's looking like that promising first effort may translate into a "big" novel for Orringer in 2010. Library Journal reported a 60,000-copy first printing for The Invisible Bridge - the book follows a trio of Hungarian brothers in Budapest and Paris before and during World War II - and it carries with it a blurb from Michael Chabon ("To bring an entire lost world... to vivid life between the covers of a novel is an accomplishment; to invest that world, and everyone who inhabits it, with a soul... takes something more like genius.")The Girl Who Kicked the Hornet's Nest by Stieg Larsson: Larsson's nordic crime fiction (which has won Larsson posthumous stardom in the States) isn't exactly in The Millions wheelhouse, but, with nary a mention on the site, The Girl with the Dragon Tattoo vaulted into our Millions Top Ten and has stayed there. When Millions' readers get behind a book, it's often worth taking notice. The Girl Who Kicked the Hornet's Nest is the final book in Larsson's "Millennium Trilogy" (Dragon was the first and The Girl Who Played with Fire, the second). Though just becoming well known in the U.S., Larsson was the second top-selling author in the world in 2008. Part of Larsson's sudden success is his odd path to (posthumous) publishing fame. Larsson was a journalist and activist who died of a heart attack. The manuscripts of his novels were found after his death. He had apparently written them just for fun. Five years later, the books are a publishing sensation.Private Life by Jane Smiley: There's not much info on this one yet other than that it follows a Missouri woman's life, from the 1880s to World War II.The Good Man Jesus and the Scoundrel Christ by Philip Pullman: Pullman (famous for his His Dark Materials children's series) will once again be courting controversy with this new book. According to The Guardian, "The book will provide a new account of the life of Jesus, challenging the gospels and arguing that the version in the New Testament was shaped by the apostle Paul." In addition, the book will be released on Easter in the U.K. and is part of Canongate's "Myths" series of books. Pullman also wrote an introduction to that series.The Microscripts by Robert Walser: The pothumous publication of Nabokov's The Original of Laura, reproducing, front and back, the notecards on which Nabokov hat charted this unfinished work, was met with no small amount of scorn. This year, another posthumously published book, based off of notecard scrawlings, may be met more favorably. The story behind Walser's Microscripts is fascinating. From the New Directions blog: "Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper... covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a German script: a whole story could fit on the back of a business card... Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment."June
The Thousand Autumns of Jacob de Zoet by David Mitchell: After Black Swan Green, a departure from the frenetic, layered Cloud Atlas which was broadly considered one of the best novels of the last decade, Mitchell fans may be pleased to hear that The Thousand Autumns of Jacob de Zoet is being described as a return to form. It's long (512 pages) and set in Japan in 1799. The Guardian says, "Mitchell returns to the big canvas with this historical novel set in a Japanese outpost of the Dutch empire."An American Type by Henry Roth: Here's another interesting posthumous publication. Roth is revered for his 1934 novel Call It Sleep and his 1990s "comeback" effort, the Mercy of a Rude Stream cycle, and so news of this book, "discovered," according to the publicity materials, "in a stack of nearly 2,000 unpublished pages by a young New Yorker editor," will surely interest readers. A little more detail from the publicity materials: "Set in 1938, An American Type reintroduces us to Roth’s alter ego, Ira, who abandons his controlling lover, Edith, in favor of a blond, aristocratic pianist at Yaddo. The ensuing conflict between his Jewish ghetto roots and his high-flown, writerly aspirations forces Ira, temporarily, to abandon his family for the sun-soaked promise of the American West."A Visit from the Goon Squad by Jennifer Egan: This new novel by National Book Award nominee Egan sounds like it's as ambitious and layered as Look At Me--and I'm sure it'll be as addictively readable as The Keep. According to Amazon, it centers on the life of Bennie Salazar, "an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs," and the narrative traverses various eras and locales, "from the pre-Internet nineties to a postwar future." Color me intrigued. (Edan)July
Update: Super Sad True Love Story by Gary Shteyngart: A reader points out in the comments that Shteyngart has a new book coming out and since we absolutely would have included it had we known about it, here it is. A recent item at The Rumpus has the scoop: "His new novel is set slightly in the future. When he started writing it a few years ago, he envisioned a world where the world’s economy had collapsed and the central banks had to bail out the Big Three automakers. As that came to pass, he had to keep changing his novel, which got bleaker and bleaker. And now it’s set in 'a completely illiterate New York,' he said. 'In other words, next Tuesday.'"
August
Sympathy for the Devil: This is a long way off so it's hard to say how good it will be, but it sounds pretty cool: an anthology of stories about the devil from the likes of Neil Gaiman, Stephen King, Kelly Link, China Mieville, Michael Chabon, and others.I Curse the River of Time by Per Petterson: Petterson has been on the road to international literary stardom for a few years now and that means his new novels get translated into English with relative alacrity. This means that English-speaking readers will get to see I Curse the River of Time, first published in Norwegian in 2008, later this year. The book won the Norwegian Brage prize and, according to a "sample translation" on Petterson's agent's website, it begins: "I did not realize that my mother had left. There was too much going on in my own life. We had not spoken for a month, or even longer, which I guess was not that unusual, in 1989, when you consider the things that went on around us back then, but it felt unusual."
September
C by Tom McCarthy: At Ready Steady Book in September 2007, Mark Thwaite asked McCarthy: "What are you writing now?" And McCarthy responded: "Pathetically, my answer to this question is the same as it was when you last asked it over a year ago. I’m just under half way through a novel called C, which is about mourning, technology and matter. I’m writing it very slowly. It’s called C because it has crypts, cauls, call-signs, cocaine, cyanide and cysteine in it. And carbon: lots of carbon."Unknown
Nemesis by Philip Roth: News of this novel was announced nearly a year ago, but there is no release date thus far and not much is known about it beyond that it's "a work of fiction set in the summer of 1944 that tells of a polio epidemic and its effects on a closely knit Newark community and its children."Freedom by Jonathan Franzen: Jonathan Franzen's follow-up to The Corrections, Freedom, is likely to cause a stir when it appears, most likely in the fall. Among the prominent media narratives - the backlash, the backlash-to-the-backlash - will be the length of the novel's gestation. Really, though, in novelist time (as distinct from internet time), nine years is a mere blip - particularly when you publish two books of nonfiction in the interim. Far more remarkable is how tight-lipped Franzen has managed to be about the novel's content. From various obscure interviews, we've managed to cobble together the following: 1) The novel has something to do with U.S. politics, of the Washington, D.C. variety. 2) Franzen's original conception of how those politics would intersect with the narrative changed radically in the writing, likely shifting from an "inside baseball" look at bureaucracy toward the personal. 3) Germany, where Franzen has spent some time recently, "will play an important role in the novel." 4) After two New Yorker short stories notable for their smallness and misanthropy, the excerpt from the novel that appeared last year was notable for its return to the more generous ironies that endeared The Corrections to our "Best Fiction of the Millennium (So Far) panel." (Garth)The Pale King by David Foster Wallace: Wallace's unfinished opus is sure to be a blockbuster when it appears - April 2011 is the latest word on a release date. The Howling Fantods, home to all things DFW, has been staying on top of the story. A recent report contained a number of tidbits, including this: "The subject of the novel is boredom. The opening of the book instructs the reader to go back and read the small type they skipped on the copyright page, which details the battle with publishers over their determination to call it fiction, when it's all 100% true. The narrator, David Foster Wallace, is at some point confused with another David F. Wallace by IRS computers, pointing to the degree to which our lives are filled with irrelevant complexity."There are many other exciting books coming out in 2010 not mentioned here - let us know what books you are most looking forward to in 2010 in the comments section below.