Our own Emily Mandel may have been onto something with her “catastrophic” summer reading list; dystopia seems to be all the rage this summer. The WSJ sets Rick Moody’s The Four Fingers of Death in “a dystopian United States that is halfway between Kurt Vonnegut’s Player Piano and Woody Allen’s Sleeper.” The SF Chron calls Gary Shteyngart’s Super Sad True Love Story “literature’s first dystopian epistolary romantic satire.” And later this year, as we noted this month, will be Salvation City by Sigrid Nunez, which focuses on a cultish community in the dystopian aftermath of a flu pandemic.
2010: The Year of the Literary Dystopia?
Keeping Tabs
The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.
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Rock Your Nox Off
Anne Carson‘s Kindle-defying Nox earns a rave from New York Magazine.
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Writing History
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
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The Best Book for Every State
This week in book-related internet graphics: “A Map of the Best Book for Every State,” complete with the promise that “every last one will let you understand a time and place in a more profound way than you maybe thought possible.”
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The Poet’s Novel
Do poets make great novelists? Naja Marie Aidt, a phenomenal poet-novelist herself, picks her favorite novels by poets, featuring Anne Carson’s Autobiography of Red, Ben Lerner’s Leaving the Atocha Station, and more.
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