Our own Emily Mandel may have been onto something with her “catastrophic” summer reading list; dystopia seems to be all the rage this summer. The WSJ sets Rick Moody’s The Four Fingers of Death in “a dystopian United States that is halfway between Kurt Vonnegut’s Player Piano and Woody Allen’s Sleeper.” The SF Chron calls Gary Shteyngart’s Super Sad True Love Story “literature’s first dystopian epistolary romantic satire.” And later this year, as we noted this month, will be Salvation City by Sigrid Nunez, which focuses on a cultish community in the dystopian aftermath of a flu pandemic.
The Atlantic has a great list up: “10 Essential Books for Thought-Provoking Summer Reading,” including The Late American Novel.
Get Your War On creator and How to Sharpen Pencils author David Rees was recently interviewed about his new show on the National Geographic channel. The premise behind the new venture is simple: “anything in the world that seems like there’s nothing to learn about, that’s what we want to learn about.”
Pamela Paul’s recent New York Times piece on the “permanent reunion” Facebook has trapped us in and an 18-year-old’s op-ed in the New York Post about why the shallow connections of Facebook led him to quit, have me feeling queasy about checking my timeline. So, I’m re-reading Edan Lepucki’s essay about taking a social media detox instead. (Cue the cognitive dissonance of clicking the “like” button next to this entry.)
John Jeremiah Sullivan writes about heritage, history, literature, and the Emerald Isle in this piece for The New York Times Magazine, “My Debt to Ireland.” In the essay, Sullivan talks about the Aran Islands, and in particular Dún Aonghasa. On our Tumblr, I’ve shared some photos I took at the place.