Our own Emily Mandel may have been onto something with her “catastrophic” summer reading list; dystopia seems to be all the rage this summer. The WSJ sets Rick Moody’s The Four Fingers of Death in “a dystopian United States that is halfway between Kurt Vonnegut’s Player Piano and Woody Allen’s Sleeper.” The SF Chron calls Gary Shteyngart’s Super Sad True Love Story “literature’s first dystopian epistolary romantic satire.” And later this year, as we noted this month, will be Salvation City by Sigrid Nunez, which focuses on a cultish community in the dystopian aftermath of a flu pandemic.
“Let me be frank,” writes our own Edan Lepucki for the opening round of this year’s Tournament of Books. “I went into this matchup excited to read The Round House, whereas I approached The Fault in Our Stars with curiosity and trepidation.” But did she wind up pleasantly surprised? Check out the rest of her write-up to see which tearjerker moved on to the next round. (Bonus: Janet Potter on John Green’s heartbreaking novel.)
Some corners of the literary world were confused last week when news hit about the passing of Beatles producer George Martin, forcing Game of Thrones author George R.R. Martin to make this statement: “While it is strangely moving to realize that so many people around the world care so deeply about my life and death, I have to go with Mark Twain and insist that the rumors of my death have been greatly exaggerated. It was Sir George Martin, of Beatles fame, who has passed away. Not me.”
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.