New this week: Gary Shteyngart’s much buzzed about Super Sad True Love Story, Rick Moody’s The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN’R fans: GN’R drummer Steven Adler’s tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N’ Roses.
“The older I get, the more my own boundaries seem to be fading, which is terrifying and fascinating in equal measure.” For The Paris Review, Lucie Shelly interviewed Lauren Groff about nature, spirituality, and her newest collection, Florida. (Our review called the collection “startling and precious.”)
Read Karl Ove Knausgaard’s acceptance speech for the Welt Literaturpreis, an annual prize awarded by the German newspaper Die Welt, at The New Yorker. He writes, “The difference between engaging with a real neighbor and one in a novel is that the former occurs in the social sphere, within the boundaries of its rules and practical constraints, whereas the latter occurs outside of it, in the reader’s own most private, intimate sphere, where the rules that govern our social interaction do not apply and its practical constraints do not exist.” You could also check out Knausgaard’s book excerpt at The Millions.
Much fuss was made about Barack Obama’s ex-girlfriends this week, as an excerpt from David Maraniss’ forthcoming Barack Obama: The Story was published in Vanity Fair. Of course, we sophisticated book readers care less about the man’s old flames than we do his literary pursuits, right? That’s why Mr. President’s analysis of T.S. Eliot’s poem “The Wasteland” is so interesting.