The Strange Library

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The Young Library

One downside to being an internationally acclaimed author is that people care an awful lot about digging into your past. Haruki Murakami has found this out the hard way, as a librarian from Kobe High School (which Murakami attended during his younger years) has made public a list of books checked out by then-budding author. For more “Murakami meets library,” here’s a review of his own The Strange Library.

Back to the Bookstore

The Guardian reports that Kinokuniya, a Japanese book chain, has bought 90 percent of the print run of Haruki Murakami’s latest essay collection, Novelist As a Vocation, to be released September 10th in Japan. The company hopes to bring more customers back into bookstores. Need more Murakami? Read our review of The Strange Library.

The Millions Top Ten: June 2015


We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for June.

This Month
Last Month

Title
On List

1.
4.

Loitering: New and Collected Essays
6 months

2.
5.

The Buried Giant
4 months

3.
6.

The David Foster Wallace Reader
6 months

4.
7.

The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing
3 months

5.
8.

The Girl on the Train
3 months

6.


Book of Numbers
1 month

7.
10.

Satin Island
2 months

8.
9.

The First Bad Man: A Novel
3 months

9.


The Familiar, Vol. 1
1 month

10.


The Paying Guests
1 month

Our Hall of Fame added three volumes this month — Elena Ferrante’s My Brilliant Friend, Haruki Murakami’s The Strange Library, and Jenny Offill’s Dept. of Speculation — and that opened the door for three new entrants. Before moving on to them, however, let’s give a shout out to Murakami, who’s now officially made it into the Hall of Fame for two separate books (1Q84 graduated in April ’12). It’s a praiseworthy feat, and one that’s only been accomplished by nine other authors: David Foster Wallace, Junot Díaz, Stieg Larsson, David Mitchell, Hilary Mantel, Jonathan Franzen, George Saunders, Dave Eggers, and Alice Munro. That’s some lofty company to keep.

Also noteworthy is the fact that, David Foster Wallace has the unique distinction of having two of his own books in our Hall of Fame in addition to a biography written about him. And if current trends hold true for another 31 days, then he’ll be adding an anthology put together in his honor to that group as well.

Of the three new entrants to our list, two of them — Book of Numbers by Joshua Cohen and The Familiar, Vol. 1 by Mark Z. Danielewski — appeared in our Most Anticipated List earlier this year. Danielewski teased his ambitious 27-volume Familiar project in our 2012 interview. Meanwhile, the third new book on the list is Sarah Waters’s The Paying Guests. To quote Emily Gould in last year’s Year in Reading, “God, this book. This BOOK!”

Stay tuned next month as we open two more spots. Will they be books we featured in our new Book Preview? My guess is yes, but there’s only one way to find out.

Near Misses: My Struggle: Book 1Everything I Never Told You: A Novel, Redeployment, The Martian, and To Rise Again at a Decent Hour. See Also: Last month’s list.

The Millions Top Ten: April 2015

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April.

This
Month
Last
Month

Title
On List

1.
3.

My Brilliant Friend
5 months

2.
8.

All the Light We Cannot See
6 months

3.
5.

The Strange Library

5 months

4.
7.

Dept. of Speculation

5 months

5.
6.

The David Foster Wallace Reader

4 months

6.
10.

The Buried Giant

2 months

7.
9.

Loitering: New and Collected Essays

4 months

8.


The First Bad Man: A Novel
1 month

9.


The Girl on the Train
1 month

10.


The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing
1 month

 

Major shake-ups this month as we bid adieu to three Top Ten fixtures of the past six months. After half a year of consistent success, Michael Schmidt’s door-stopping biography of the novel goes to our Hall of Fame, along with Emily St. John Mandel’s Station Eleven and Richard Flanagan’s The Narrow Road to the Deep North. This is the third time a Millions staffer has had their own work graduate to the site’s Hall of Fame, and in so doing, Emily St. John Mandel joins site founder C. Max Magee (The Late American Novel) and site writer Mark O’Connell (Epic Fail) on the list.

How fitting it is, too, that in our first Springtime Top Ten, we welcome three new, fresh additions to our list!

Checking in at #8 is Miranda July’s The First Bad Man, which was previewed in our Great 2015 Book Preview. July was also interviewed for our site in January, and at the time she described the inspiration for her novel in terms sure to salt the wound of anyone who’s ever struggled with writer’s block:
Well, the inspiration came very suddenly. I literally just had the idea on a long drive: of Cheryl and Clee, and their relationship and how it changed. I even knew that there would be a baby at the end and that Cheryl would end up alone with it. So that all came in a few minutes, which was very lucky and I still thank the gods for that.
Next on our list is Paula Hawkins’s The Girl on the Train, which was recently shouted out by Jon Ronson in his By the Book column for the New York Times Book Review. Hawkins’s novel has been described elsewhere as “an ingenious slant on the currently fashionable amnesia thriller,” and “a gripping, down-the-rabbit-hole thriller.”

Keeping with our “Spring” motif, we also welcome Marie Kondo’s The Life-Changing Magic of Tidying Up to our April list, most likely as we all begin in earnest to at least think about finally doing some Spring cleaning. In her review, our own Janet Potter noted that Kondo’s work lays out “a method for cleaning and reorganizing your home that might be crazy and might be brilliant, but works either way.”

Next month, we should clear up at least one spot for another newcomer. Will it be one of these “Near Misses” at the bottom of this post, or will it be something else entirely?

Near Misses: To Rise Again at a Decent HourMy Struggle: Book 1An Untamed State, The Paying Guests and Everything I Never Told You. See Also: Last month’s list.

The Millions Top Ten: March 2015


 

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March.

This
Month
Last
Month

Title
On List

1.
1.

The Novel: A Biography
6 months

2.
2.

Station Eleven
6 months

3.
3.

My Brilliant Friend
4 months

4.
5.

The Narrow Road to the Deep North

6 months

5.
7.

The Strange Library

4 months

6.
6.

The David Foster Wallace Reader

3 months

7.
9.

Dept. of Speculation
4 months

8.
8.

All the Light We Cannot See

5 months

9.
10.

Loitering: New and Collected Essays

3 months

10.


The Buried Giant
1 month

 

Well, folks, it’s happened. The enduring success of David Mitchell’s The Bone Clocks has pushed the author to a Millions echelon so high that it’s never before been reached. That’s right: Mitchell is now the only author in site history to reach our hallowed Hall of Fame for three (count ’em!) different works.

And with The Bone Clocks joining his past works, Cloud Atlas and The Thousand Autumns of Jacob de Zoet, Mitchell’s latest achievement puts him ahead of David Foster Wallace (Infinite Jest,The Pale King), Junot Díaz (The Brief Wondrous Life of Oscar Wao, This Is How You Lose Her), Stieg Larsson (The Girl with the Dragon TattooThe Girl Who Kicked the Hornet’s Nest), Hilary Mantel (Wolf Hall, Bring Up the Bodies), Jonathan Franzen (The Corrections, Freedom), George Saunders (Tenth of December, Fox 8), and Dave Eggers (Zeitoun, The Circle), each of whom authored two Hall of Fame titles. Maybe this repeated success will be enough to coax him into a Year in Reading 2015 appearance. (ARE YOU LISTENING, PUBLICISTS?)

Joining this month’s list thanks to The Bone Clocks’s graduation is Kazuo Ishiguro’s latest novel, The Buried Giant. It’s a book “about war and memory,” wrote Millions staffer Lydia Kiesling in her extremely personal review of the work for this site. “But it is also about love and memory, and you don’t need to have lived through an atrocity to get it.”

Lastly, I would be remiss if I didn’t point out that our own Emily St. John Mandel’s Station Eleven, which is poised to graduate to our Hall of Fame next month, was the recent winner of The Morning News’s annual Tournament of Books. (It beat out Anthony Doerr’s All the Light We Cannot See, which is also on our Top Ten.) The novel, which has earned the praise of George R. R. Martin, took the final match-up by a score of 15-2, which should be decisive enough to persuade all of you who haven’t yet bought the book to do so immediately.

Join us next month as we graduate three books and open the doors for three newcomers. Will they be among the “Near Misses” below, or will they be something new entirely?

Near Misses: My Struggle: Book 1, To Rise Again at a Decent Hour, An Untamed State, The Paying Guests and The First Bad Man. See Also: Last month’s list.

The Millions Top Ten: February 2015


 

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for February.

This
Month
Last
Month

Title
On List

1.
1.

The Novel: A Biography
5 months

2.
2.

Station Eleven
5 months

3.
4.

My Brilliant Friend
3 months

4.
3.

The Bone Clocks

6 months

5.
5.

The Narrow Road to the Deep North
5 months

6.
6.

The David Foster Wallace Reader

2 months

7.
7.

The Strange Library
3 months

8.
8.

All the Light We Cannot See

4 months

9.
9.

Dept. of Speculation

3 months

10.
10.

Loitering: New and Collected Essays
2 months

 

I’m not going to pull any punches with you, Millions readers. This is the most boring update to our Top Ten in the history of the Top Ten. Not a single new title has cracked our list, and the flipping of My Brilliant Friend and The Bone Clocks is the only movement on the list whatsoever.

That in mind, let’s take a look at this month’s crop.

In first place is the hefty Novel: A Biography, a book that has been on the list for five months. Last month, it was also the first on the list. The hardcover book is 1,200 pages long, published by Belknap Press, and measures 2.2 x 6.5 x 10.5 inches. Its ISBN-13, which serves as its identification number to industry insiders and computer systems alike, is 978-0674724730. There is also an ISBN-10 used for identifying the book on Amazon, and in our website’s shortlink system. That number is 0674724739. The list price of the book is $39.95, which at the time of this writing translates to approximately ¥4,776.62, £25.98, and R$116.18 in Japanese, English, and Brazilian currencies, respectively.

Next on the list is Station Eleven, which is exactly 6 inches wide and 8.5 inches long. You would need to lay 185,614,983.5 copies of this book end-to-end if you wanted them to circle the Earth. The book’s shipping weight of 1.2 pounds means it weighs more than three fully-grown pygmy marmosets, which each account for only 4.9 ounces apiece. There are three unique vowels in the first word used for this book’s title; the second word in this book’s title uses the same vowel three times.

My Brilliant Friend is the book in third place this month, and this is the book’s third month on our list. The book’s cover features an illustration of three little girls, and there are three words in the book’s title. It is three hundred and thirty one pages long. So far I have written three sentences in this paragraph, excepting this one.

The fourth book on the Top Ten this month is The Bone Clocks, which is published by Random House. Random House’s United States headquarters are located in New York City, but the publisher’s contact information page lists addresses in Argentina, Australia, Canada, Chile, Colombia, Germany, India, Ireland, Mexico, New Zealand, South Africa, Spain, United Kingdom, Uruguay, and Venezuela as well. The chief exports of Uruguay are meat, wool, and hides and skins. Uruguay declared independence in 1825, but that independence was not recognized by Brazil until 1828.

At 352 pages, a hardcover copy of The Narrow Road to the Deep North is exactly 1.3 inches thick. You could stack 66 copies of the book in a pile and that pile would be slightly taller than Shaquille O’Neal. Because this book is 9.6 inches tall and 6.5 inches wide, and because a stack of 66 copies would top off above seven feet in height, you could lie down on the floor staring up at the stack and it would appear, in a certain way, and with the right perspective, as if the stack of Narrow Road to the Deep North books was forming a sort of narrow road to the deep sky, if that makes any sense at all, which perhaps it doesn’t.

Sixth on this month’s list is The David Foster Wallace Reader. A Google search of David Foster Wallace’s name yields 31,400,000 results in 0.22 seconds. That same search on Bing results in 2,050,000 results. My attempt to search AltaVista did not yield any results, as apparently Googling for AltaVista now directs people to Yahoo’s search page. A similar nostalgic search did prove to me that Ask Jeeves is still alive and kicking, however.

The New York Knicks had a pitiful 4-15 record on December 2nd, the day The Strange Library was published in America. Since then, the Knicks have “improved” to 12-46 at the time of this writing. The Strange Library, meanwhile, has reached the seventh spot on our Top Ten.

All the Light We Cannot See remains in the eighth spot this month. The ninth spot belongs to Dept. of Speculation. In tenth position is Loitering: New and Collected Essays. If you bought all three of these books and put them in a tote bag with a can of Coca-Cola, the contents of that bag would weigh a total of 3.6 pounds.

Join us next month to see if we can shake things up a bit further!

Near Misses: My Struggle: Book 1, To Rise Again at a Decent Hour, An Untamed State, The Paying Guests and The First Bad Man. See Also: Last month’s list.

The Millions Top Ten: January 2015


 

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for January.

This
Month
Last
Month

Title
On List

1.
1.

The Novel: A Biography
4 months

2.
2.

Station Eleven
4 months

3.
3.

The Bone Clocks
5 months

4.
5.

My Brilliant Friend

2 months

5.
6.

The Narrow Road to the Deep North
4 months

6.


The David Foster Wallace Reader

1 month

7.
7.

The Strange Library
2 months

8.
8.

All the Light We Cannot See

3 months

9.
10.

Dept. of Speculation

2 months

10.


Loitering: New and Collected Essays
1 month

 

Happy New Year and glad tidings to you and yours. It’s 2015 now; the year we’ve been promised hoverboards and self-lacing sneakers. We have half of these things (so far), and we also have two new entrants to our hallowed Hall of Fame: Reading Like a Writer and We Are All Completely Beside Ourselves.

Overall, though, there is little change beyond the calendar. Our top-ranking book, The Novel: A Biography, remains the same for a second consecutive month, a second consecutive year. It’s followed by our own Emily St. John Mandel’s Station Eleven, which concerns itself with, among other things, a contagious disease that brings about the disintegration of civilization. (Et tu, California*?)

And yet, the dawn of the new year does come with some new additions as well. Cracking our list in the tenth position is two-time Year in Reading alumnus (one, two) Charles D’Ambrosio’s widely acclaimed essay collection, Loitering. In her review for our site, staffer Hannah Gersen identified the qualities of the work that make it so impressive:
What I admired most about these essays is the way each one takes its own shape, never conforming to an expected narrative or feeling the need to answer all the questions housed within. D’Ambrosio allows his essays their ambivalence, and this gives ideas space to move freely across time, so that even “Seattle, 1974,” which was published twenty years ago, reflecting upon a time twenty years before, speaks to the present day.
Higher up on the list, in the sixth spot, we find Little, Brown’s nearly 1,000-page long omnibus, The David Foster Wallace Reader. It’s a collection composed of excerpts and full-length pieces from David Foster Wallace’s oeuvre, as selected by a dozen writers and critics, such as Hari Kunzru and Anne Fadiman. These pieces and their afterwords, wrote Jonathan Russell Clark, appeal equally to new readers and longtime devotees alike:
For those unfamiliar with Wallace, the Reader will hopefully spark enough interest in his work to help some readers get over just how damned intimidating his writing can be. … For Wallace fans, however, TDFWR is a chance to go back and read some of his most inventive and brilliant pieces, but more than that it’s an opportunity to reassess Wallace’s work, to judge it chronologically and thus progressively, and by doing so reacquaint one’s self to this incredible writer and thinker and person.
Next month, we’ll watch closely to see if David Mitchell’s The Bone Clocks will come one month closer to the Hall of Fame. As I noted last September, doing so would make Mitchell the only author to have reached The Millions’s Hall of Fame for three separate works.

*Was that a measles reference, or a pun related to another Millions staffer’s recent novel? Why not both?

Near Misses: To Rise Again at a Decent Hour, My Struggle: Book 1, Colorless Tsukuru Tazaki and His Years of PilgrimageAn Untamed State, and The Paying Guests. See Also: Last month’s list.

The Millions Top Ten: December 2014


 

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for December.

This
Month
Last
Month

Title
On List

1.
4.

The Novel: A Biography
3 months

2.
2.

Station Eleven
3 months

3.
1.

The Bone Clocks
4 months

4.
6.

Reading Like a Writer
6 months

5.


My Brilliant Friend
1 month

6.
7.

The Narrow Road to the Deep North

3 months

7.


The Strange Library
1 month

8.
10.

All the Light We Cannot See

2 months

9.
3.

We Are All Completely Beside Ourselves

6 months

10.


Dept. of Speculation
1 month

 

Ohio State over Alabama wasn’t the only New Year’s upset: in the first Top Ten of 2015, Millions readers propelled a mammoth, scholarly 1,200-page history of the novel ahead of David Mitchell’s latest. That’s right. The Novel: A Biography is our new number one. Let us all join hands as we usher in a new age dominated not by the Crimson Tide and kaleidoscopic fiction but instead by the Buckeyes and literary history. (Or you could read the review that started it all.)

And that’s not the only surprise this month, either. Two fixtures in our most recent Top Ten lists — Haruki Murakami and Karl Ove Knausgaard — saw their latest works — Colorless Tsukuru and My Struggle — drop out of our standings altogether. (Have no fear, Murakami fans: your darling remains on this month’s list with the debut of The Strange Library, which Buzz Poole recently described as a heavily illustrated 96-page paperback that “like … so much of Murakami’s fiction, questions the differences between what is real and what is not, and whether such a distinction even matters.”)

Moving along, it seems apparent that our recent Year in Reading series motivated a good number of Millions readers to purchase works by Elena Ferrante and Jenny Offill. In the case of Ferrante, whose My Brilliant Friend debuts this month in our list’s fifth spot, we probably have Charles Finch to thank. He’s the one who wrote, “I read Elena Ferrante’s Neapolitan trilogy this year. I read it twice, actually. It made me want to quit writing.” For her part, Offill’s Dept. of Speculation earned heaps of praise in the series entries from Rachel Fershleiser, Scott Cheshire, and Dinaw Mengestu. (And Sam Lipsyte, way back in ’13.)

Meanwhile our own Emily St. John Mandel maintains a strong presence on the list with Station Eleven, and next month we’ll likely see the graduation of two works— Reading Like a Writer and We Are All Completely Beside Ourselves — to our Hall of Fame.

Near Misses: To Rise Again at a Decent Hour, My Struggle: Book 1, Colorless Tsukuru Tazaki and His Years of Pilgrimage, Loitering: New and Collected Essays, and An Untamed State. See Also: Last month’s list.

The Elusive Qualities of Dreams: On Haruki Murakami’s ‘The Strange Library’

It’s not news drawing attention to the fact that books released in different markets almost always have different covers. But what do we make of three different editions of an illustrated fiction, two of which have been translated to English from Japanese, with covers and interiors that could not be any more different from one another? Such is the case with the latest Haruki Murakami book, The Strange Library. What’s that? You thought Colorless Tsukuru Tazaki and His Years of Pilgrimage was the most recently translated Murakami novel? You are correct, and incorrect. Without getting involved with trying to delineate the differences between a novel, a novella, and a short story, it just doesn’t seem right calling The Strange Library a novel. The U.S. edition is a 96-page paperback with elaborate flaps that open vertically and the 88-page U.K. edition is small hardcover embracing the library conceit with a check-out card holder on the cover — both versions are heavily illustrated and use the same Ted Goossen translation, with American English spelling and punctuation, and the text probably only takes up about half of the pages in both editions. The Japanese edition is also illustrated and was released in 2008 in the compact dust-jacketed paperback format known as bunko-bon.

Murakami’s most enduring talent is his ability to rein in his expansive imagination with sentences strung together with elegant simplicity. As is the case in most, if not all, Murakami, The Strange Library features a male protagonist unexpectedly caught out of sorts, unsure how to extricate himself from the predicament, and reliant on eccentric characters, one of whom is, of course, a beautiful young woman. In many ways, The Strange Library is familiar territory, but even by Murakami’s standards this prose is sparse, and, it turns out, secondary to the storytelling.

The unnamed narrator goes to the library to return books and find more about tax collection in the Ottoman Empire. After being directed to a room in the basement, the narrator is confronted by a cranky old librarian who procures three tomes. The appreciative narrator tries to check out the books only to learn that they cannot be removed from the library. Not wanting to worry his mother by being late for dinner the narrator apologizes for any inconvenience he might have caused the crusty librarian, but the old man guilts the narrator into staying after hours, at which point he forces the narrator down a dark staircase and imprisons him, with the assistance of a sheep man. The narrator is ordered to read the three books the librarian pulled for him so that the old man can eat the narrator’s brain. When the narrator asks why, the sheep man explains, “Brains packed with knowledge are yummy, that’s why. They’re nice and creamy. And sort of grainy at the same time.” Without spoiling the ending, that’s The Strange Library.

The story’s pacing is dreamlike with very little consideration of events as they happen and how they are all accepted no matter how absurd. When the narrator is told his brain will be eaten, he isn’t happy about it, but he resigns himself to the idea and gets reading about the Ottoman Empire. As captors go, the sheep man is quite likeable, especially since he fries up a mean doughnut. The enchanting woman is mute, but the narrator is able to communicate with her effortlessly. From a psychoanalytic perspective, it is not a reach to posit that we are reading the narrator’s dream. The old man could easily symbolize an estranged father figure and the repeated appearance of a green-eyed dog represents trauma. Plus, a library, like a brain, is a place full of knowledge we think we want to access and knowledge we have no idea that we want to access, or should access.

Everything that comes to pass in The Strange Library, like in so much of Murakami’s fiction, questions the differences between what is real and what is not, and whether such a distinction even matters. In 1Q84, the intersection of two different temporal realms drives the plot, and in Colorless Tsukuru Tazaki, certain occurrences take place in “reality, but a reality imbued with all the qualities of a dream.” But in both of these books the characters devote themselves to fleshing out the mysterious intricacies of these unreal realities, whereas in The Strange Library the narrator simply accepts everything that comes his way.

The illustrations, more than the words on the page, are what ignite the reader’s thoughts about what the narrator is up against. In the Japanese edition the kooky Saturday morning cartoon images are quite literal — there is the narrator crying on his bed, a ball and chain shackled around his ankle; and here is the sheep man carrying in a tray of doughnuts. There is nothing dark and foreboding about the images and they come off more like an afterthought and not integral to the text (which I cannot read).

What is immediately clear upon seeing both English-language editions is just how much thought went into the design and illustrated content of these two very different books. Published by Knopf, the U.S. edition is a Chip Kidd production (top), and while Kidd’s prolific portfolio demonstrates how comfortable he is working within any and all design idioms, The Strange Library is an in-your-face zoom-in on the faded comics qualities Kidd so often employs when working on Murakami titles. Suzanne Dean, art director for the book’s U.K. publisher, Harvill Secker, takes a very different approach to The Strange Library (bottom). Open up that edition to any page and the word “vintage” will spring to mind, from the lovely marbled endpapers to the reproduced antique plates of dogs and birds.

Both designs inject a sinister quality into the goofy story, but the illustrations and design interact with the text quite differently. In the U.K. edition, the illustrations and design are about much more than ornamenting the story; the illustrations actually complete sentences and respond much more literally to the words on the page, making the relationship between the two dependent on one another. In the U.S. edition, certain of the illustrations respond directly to the narrative flow, but in a more evocative, atmospheric manner. Some of the images, judging by the colors and pulpy quality, appear to have been scanned from source material that probably qualifies as vintage, but how they are used on the page gives them a more contemporary collage dynamic a la Roy Lichtenstein and FAILE.

It is fascinating that Murakami would permit his words to be so freely interpreted, but perhaps that was his intention all along with this story. As an author who has devoted a great amount of thought to dreams and dreamlike realities, it might have struck him as fitting to let designers manifest the elusive qualities of dreams on the page. (And it is impossible not to think about what these three different editions say about the differences between publishers and readers in Japan, the U.S., and U.K., but that is a topic for another time.)

Both English-language editions are aesthetically pleasing as objects, but the designs eclipse the text like a new moon-doughnut (an actual image that fills two pages in the U.S. edition). One traditional tenet of graphic design is that it shouldn’t be noticed, so as not to interfere with the reading process. Here, it is impossible not to notice the designs, but rather than distract from the reading experience the designs force the reader to actually read, and read into, the design, giving it more thought than the narrator gives to his circumstances. The three different designs employed for this one story provide readers with three very different psyches for the narrator, reinventing the narratives in a way, the same as when you remember a dream after waking up and then think back on it later in the day and it never seems quite the same.

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