One downside to being an internationally acclaimed author is that people care an awful lot about digging into your past. Haruki Murakami has found this out the hard way, as a librarian from Kobe High School (which Murakami attended during his younger years) has made public a list of books checked out by then-budding author. For more “Murakami meets library,” here’s a review of his own The Strange Library.
An illustration of why Cliffs Notes are never a substitute for the real thing.The Britannica Blog looks at “fun facts” about the 1,000 most popularly held books in libraries around the world, including this item: “Which author has the most works on the OCLC Top 1000 list? William Shakespeare (with 37 works). He is followed by Charles Dickens (16 works) and John Grisham (13 works).” Here’s the full list where The Bible comes in at #1, the Census at #2, and Mother Goose at #3 (in 2,036 different versions and editions.) (via)Powell’s is making a series of short documentaries about writers that will supplement and stand in for book tours. From the New York Times: “The British author Ian McEwan is the star of the first film, which is planned to run 23 minutes and will feature snippets from an on-camera interview with Mr. McEwan, as well as commentary from peers, fans and critics.” The film is being put out to coincide with the release of his new novel, On Chesil Beach. (via)
Measuring a writer’s success is tricky. An author might make The New York Times Bestseller List now but only be a footnote in an encyclopedia a century later. At The Guardian, D.J. Taylor wonders what contributes to a writer’s posterity and concludes a pushy publisher or sponsor is often a writer’s best asset. Pair with: Our essay on how John Updike fans attempt to maintain his reputation.
Are people losing interest in fiction that “offers more questions than answers?” In her book Thirteen Ways of Looking at the Novel, Jane Smiley suggested that modern readers have little taste for uncertainty. At The Rumpus, Rob Roberge asks how much this contributes to popular disinterest in literature.