Slave Old Man, written by Patrick Chamoiseau, translated by Linda Coverdale, and published by The New Press, won for fiction. Of Death. Minimal Odes, written by Hilda Hilst, translated by Laura Cesarco Eglin, and published by co-im-press, took the prize for poetry.
Slave Old Man is translated from the French and Creole. It is the first BTBA win for a book from the French. It is also the first victory for an author from Martinique.
Of Death. Minimal Odes is translated from the Portuguese. It is the second time poetry from Brazil has claimed the prize, after Rilke Shake won the 2016 award.
It is the first victory for both translators, and for The New Press and co-im-press. Linda Coverdale and The New Press were previously finalists for Jean Echenoz’s The Lightning.
Here is the jury’s statement on Slave Old Man:
In turns biblical and mythical, Patrick Chamoiseau’s Slave Old Man is a powerful reckoning with the agonies of the past and their persistence into the present. It is a modern epic, a history of the Caribbean, and a tribute to Creole languages, all told through the story of one slave old man. Linda Coverdale’s translation sings as she beautifully renders language as lush and vividly alive as the wilderness the old man plunges into in his flight to freedom. It is dreamy yet methodical prose, vivid, sensual but also a touch strange, forcing you to slow down and reread. Thoughtful, considered footnotes provide added context and explanation, enriching the reader’s understanding of this powerful and subversive work of genius by a master storyteller. Slave Old Man is a thunderclap of a novel. His rich language, brilliant in Coverdale’s English, evokes the underground forces of resistance that carry the slave old man away. It’s a novel for fugitives, and for the future.
And here’s the jury statement on Of Death. Minimal Odes:
The first collection of Hilda Hilst’s poetry to be appear in English, Of Death. Minimal Odes is masterfully translated by Laura Cesarco Eglin. Hilda Hilst’s odes are searing, tender blasphemies. One is drawn to Of Death in the way we’re drawn to things that might be dangerous. These are poems that lure readers well beyond their best interests, regardless of whatever scars might be sustained. In language that is twisted, animalistic, yet at times plain, Eglin reveals another layer in the work of this Brazilian great.
The fiction jury included Pierce Alquist (BookRiot), Caitlin L. Baker (Island Books), Kasia Bartoszyńska (Monmouth College), Tara Cheesman (freelance book critic), George Carroll (litintranslation.com), Adam Hetherington (reader), Keaton Patterson (Brazos Bookstore), Sofia Samatar (writer), Elijah Watson (A Room of One’s Own). The poetry jury included Jarrod Annis (Greenlight Bookstore), Katrine Øgaard Jensen (EuropeNow), Tess Lewis (writer and translator), Aditi Machado (poet and translator), and Laura Marris (writer and translator).
Thanks to grant funds from the Amazon Literary Partnership, the living winning author and the translators will each receive $2,000 cash prizes. Three Percent at the University of Rochester founded the BTBAs in 2008, and since then, the Amazon Literary Partnership has contributed more than $150,000 to international authors and their translators through the BTBA. For more information, visit the official Best Translated Book Award site and the official BTBA Facebook page, and follow the award on Twitter.
The 10th annual Best Translated Book Awards were announced this evening at The Folly in New York City. Lúcio Cardoso’s Chronicle of the Murdered House, translated from the Portuguese by Margaret Jull Costa and Robin Patterson, won for fiction, and Alejandra Pizarnik’s Extracting the Stone of Madness, translated by Yvette Siegert, won for poetry (read our review here).
With four books on the Best Translated Book Award Fiction longlist, Margaret Jull Costa had pretty good odds that one of her projects would win the prize. This is the first time Jull Costa, Robin Patterson, and Open Letter Books have received the award.
According to BTBA judge Jeremy Garber (Powell’s Books), “Though it took longer than 50 years to finally appear in English, Lúcio Cardoso’s Chronicle of the Murdered House was well worth the wait. Epic in scope and stunning in its execution, the late Brazilian author’s 1959 masterpiece is a resounding accomplishment. Thanks to the translational prowess of Margaret Jull Costa and Robin Patterson, Cardoso’s saga of familial scheming and salacious scandal deservingly comes to an even wider audience.”
Fellow judge Mark Haber (Brazos Bookstore) adds “Chronicle has hints of Dostoevsky, García Márquez, and William Faulkner, yet the DNA is wholly Cardoso’s, who was not only a friend, but a mentor to Clarice Lispector. This novel is not only beautifully written and strangely profound, but a joy to read. The dramas of a prestigious family in a provincial Brazilian jungle, complete with gossip, backstabbing, cross-dressing and suicide attempts all take place beneath a single roof. There’s a fully-formed universe in this run-down mansion rotting away in the woods. Chronicle of the Murdered House is a novel about family, trust, madness, betrayal, human nature, all heavy themes really, yet handled with aplomb. . . . Its translation feels long overdue.”
Extracting the Stone of Madness is the fourth collection of Alejandra Pizarnik’s to be translated by Yvette Siegert, but the first to win the Best Translated Book Award. It is published by New Directions — which has won the BTBA on three past occasions, twice for fiction, once for poetry — and collects all of Pizarnik’s middle and late works, including some posthumous pieces.
Judge Emma Ramadan (Riffraff Bookstore) said, “The judges were extremely impressed by Donald Nicholson- Smith’s translation of Abdellatif Laâbi’s In Praise of Defeat, but ultimately chose Yvette Siegert’s translation of Alejandra Pizarnik’s Extracting the Stone of Madness as this year’s poetry winner. It’s a book screaming and barking with jagged solitude and beautiful pain, each poem’s broken melody attempting to fill a void we can all see lurking. Yvette Siegert perfectly inhabits Pizarnik’s tortuous, vivid world and allows us to do the same.”
For the sixth year in a row, the winning books will receive $10,000 each (split equally between the authors and translators) thanks to funding from the Amazon Literary Partnership. Over this period, the Amazon Literary Partnership has contributed more than $120,000 to international authors and their translators through the BTBA.
“By sharing new voices with English-language readers, the Best Translated Book Awards highlight literary excellence from around the globe while also shrinking the world a bit, fostering empathy through storytelling,” said Neal Thompson, Amazon’s Director of Author and Publishing Relations. “The Amazon Literary Partnership is proud to continue its support of the diverse voices of BTBA’s international authors and their translators.”
Nine judges served on this year’s fiction jury: Trevor Berrett (The Mookse and the Gripes), Monica Carter (Salonica World Lit), Rachel Cordasco (Speculative Fiction in Translation), Jennifer Croft (translator, co-founder of the Buenos Aires Review), Lori Feathers (Interabang Books), Jeremy Garber (Powell’s Books), Mark Haber (writer, Brazos Bookstore), George Henson (World Literature Today, Latin American Literature Today, University of Oklahoma), and Steph Opitz (Marie Claire).
The poetry jury was made up of: Jarrod Annis (Greenlight Bookstore), Katrine Øgaard Jensen (EuropeNow), Tess Lewis (writer and translator), Becka McKay (writer and translator), and Emma Ramadan (translator, Riffraff Bookstore).
Past winners of the fiction award include: Signs Preceding the End of the World by Yuri Herrera, translated from the Spanish by Lisa Dillman; The Last Lover by Can Xue, translated from the Chinese by Annelise Finegan Wasmoen; Seiobo There Below and Satantango, both by László Krasznahorkai, and translated from the Hungarian by Ottilie Mulzet and George Szirtes respectively; Stone Upon Stone by Wiesław Myśliwski, translated from the Polish by Bill Johnston; and The True Deceiver by Tove Jansson, translated from the Swedish by Thomas Teal.
In terms of the poetry award, past winners include: Rilke Shake by Angélica Freitas, translated from the Portuguese by Hilary Kaplan; Diorama by Rocío Cerón, translated from the Spanish by Anna Rosenwong; The Guest in the Wood by Elisa Biagini, translated from the Italian by Diana Thow, Sarah Stickney, and Eugene Ostashevsky; Wheel with a Single Spoke by Nichita Stănescu, translated from the Romanian by Sean Cotter; and Spectacle & Pigsty by Kiwao Nomura, translated from the Japanese by Kyoko Yoshida and Forrest Gander.
Announced simultaneously here and at The Folly in New York City, the winners for this year’s Best Translated Book Awards are Yuri Herrera’s Signs Preceding the End of the World, translated from the Spanish by Lisa Dillman, for fiction, and Angélica Freitas’s Rilke Shake, translated from the Portuguese by Hilary Kaplan, for poetry.
This is the ninth iteration of the BTBA and the fifth in which the four winning authors and translators will receive $5,000 cash prizes thanks to funding from the Amazon Literary Partnership program.
With Rilke Shake taking home the poetry award, Phoneme Media becomes the first press to win for poetry in back-to-back years. (Diorama by Rocío Cerón, translated from the Spanish by Anna Rosenwong, won last year). Hilary Kaplan also received a PEN/Heim Translation Award to work on this collection.
According to Tess Lewis, BTBA judge and author of the “Why This Book Should Win” piece at Three Percent, “[Kaplan] has done the grant and Freitas’s poems justice, capturing the many shifts in tone in and between the lines, from playful to wry to sardonic to pathetic, even sentimental, to deadpan and back to playful, sometimes within a single poem. For all of Freitas’s lyric clowning, it’s clear she takes poetry too seriously not to dismantle it and use it to her own purposes.”
Yuri Herrera is the first Spanish-language writer to win the award for fiction. According to “Why This Book Should Win” piece by bookseller (and former BTBA judge) Stephen Sparks, “Signs Preceding the End of the World tells the story of a young switchboard operator’s harrowing attempt to cross a border between worlds — Mexico and the United States, but also between reality and myth, between the living and the dead, between any here and distant there — in search of her brother, who like uncountable others before him has gone north to seek out a better life.”
Lisa Dillman has translated almost a dozen books over the past few years, including works by Andrés Barba and Eduardo Halfon, and teaches Spanish at Emory College. Her translation of Herrera’s next novel, The Transmigration of Bodies (also published by And Other Stories), comes out in July.
Next week during BookExpo America, 57th Street Books in Chicago will be hosting a BTBA party from 5 to – 6:30 pm at the store. The event — which will feature a number of BTBA judges — is free and open to the public.
As always, the judges deserve a round of congratulations for all their hard work, reading dozens of titles and choosing these worthy books. This year’s fiction jury is made up of: Amanda Bullock (Literary Arts, Portland), Heather Cleary, translator from the Spanish, co-founder of the Buenos Aires Review), Kevin Elliott (57th Street Books), Kate Garber (192 Books), Jason Grunebaum (translator, writer), Mark Haber (writer, Brazos Bookstore), Stacey Knecht (translator), Amanda Nelson (Book Riot), and P.T. Smith (writer and reader).
And this year’s poetry jury is made up of: Jarrod Annis (Greenlight Bookstore), Katrine Øgaard Jensen (Council for European Studies), Tess Lewis (writer and translator), Becka McKay (writer, translator), and Deborah Smith (writer, translator, founder of Tilted Axis).
We’re very proud to announce the finalists for this year’s Best Translated Book Awards here on The Millions. This is the ninth iteration of the awards, which have honored a variety of books and authors over the years, including Can Xue (who won in 2015 for The Last Lover) and László Krasznahorkai (the only two-time winner for Satantango and Seiobo There Below). On the poetry side of things, past winners include Rocío Cerón (Diorama), Elisa Biagini (The Guest in the Wood), and Kiwao Nomura (Spectacle & Pigsty), among others.
Five years ago, Amazon started underwriting the awards through their Literary Partnership program, providing $20,000 in cash prizes every year, which is split up equally between the winning authors and translators. After this year’s awards have been granted, the Best Translated Book Awards will have given out $100,000 to international authors and translators.
This year’s winners will be announced on Wednesday, May 4th at 7pm sharp, both online at Three Percent and live in person at The Folly (92 W. Houston St. in Manhattan). If you’re in the New York City area, please feel free to stop by. The event is open to the public.
More information about the awards, the finalists, and the celebrations can be found at the Three Percent.
First off, here are the 10 fiction finalists:
A General Theory of Oblivion by José Eduardo Agualusa, translated from the Portuguese by Daniel Hahn (Angola, Archipelago Books)
Arvida by Samuel Archibald, translated from the French by Donald Winkler (Canada, Biblioasis)
The Story of the Lost Child by Elena Ferrante, translated from the Italian by Ann Goldstein (Italy, Europa Editions)
The Physics of Sorrow by Georgi Gospodinov, translated from the Bulgarian by Angela Rodel (Bulgaria, Open Letter)
Signs Preceding the End of the World by Yuri Herrera, translated from the Spanish by Lisa Dillman (Mexico, And Other Stories)
Moods by Yoel Hoffmann, translated from the Hebrew by Peter Cole (Israel, New Directions)
The Complete Stories by Clarice Lispector, translated from the Portuguese by Katrina Dodson (Brazil, New Directions)
The Story of My Teeth by Valeria Luiselli, translated from the Spanish by Christina MacSweeney (Mexico, Coffee House Press)
War, So Much War by Mercè Rodoreda, translated from the Catalan by Maruxa Relaño and Martha Tennent (Spain, Open Letter)
Murder Most Serene by Gabrielle Wittkop, translated from the French by Louise Rogers Lalaurie (France, Wakefield Press)
This year’s fiction judges are: Amanda Bullock (Literary Arts, Portland), Heather Cleary (translator from the Spanish, co-founder of the Buenos Aires Review), Kevin Elliott (57th Street Books), Kate Garber (192 Books), Jason Grunebaum (translator from the Hindi, writer), Mark Haber (writer, Brazos Bookstore), Stacey Knecht (translator from Czech and Dutch), Amanda Nelson (Book Riot), and P.T. Smith (writer and reader).
In terms of the BTBA for poetry, here are the six finalists:
Rilke Shake by Angélica Freitas, translated from the Portuguese by Hilary Kaplan (Brazil, Phoneme Media)
Empty Chairs: Selected Poems by Liu Xia, translated from the Chinese by Ming Di and Jennifer Stern (China, Graywolf)
Load Poems Like Guns: Women’s Poetry from Herat, Afghanistan, edited and translated from the Persian by Farzana Marie (Afghanistan, Holy Cow! Press)
Silvina Ocampo by Silvina Ocampo, translated from the Spanish by Jason Weiss (Argentina, NYRB)
The Nomads, My Brothers, Go Out to Drink from the Big Dipper by Abdourahman A. Waberi, translated from the French by Nancy Naomi Carlson (Djibouti, Seagull Books)
Sea Summit by Yi Lu, translated from the Chinese by Fiona Sze-Lorrain (China, Milkweed)
The judges for this year’s poetry award are: Jarrod Annis (Greenlight Bookstore), Katrine Øgaard Jensen (Words Without Borders), Tess Lewis (writer and translator), Becka McKay (writer and translator), and Deborah Smith (writer, translator, founder of Tilted Axis).