Settle in, folks, because this is one the longest first-half previews we’ve run in a long while. Putting this together is a labor of love, and while a huge crop of great spring books increases the labor, it also means there is more here for readers to love. We’d never claim to be comprehensive—we know there are far more excellent books on the horizon than one list can hold, which is why we’ve started doing monthly previews in addition to the semi-annual lists (and look out for the January Poetry Preview, which drops tomorrow). But we feel confident we’ve put together a fantastic selection of (almost 100!) works of fiction, memoir, and essay to enliven your January through June 2018. What’s in here? New fiction by giants like Michael Ondaatje, Helen DeWitt, Lynne Tillman, and John Edgar Wideman. Essays from Zadie Smith, Marilynne Robinson, and Leslie Jamison. Exciting debuts from Nafkote Tamirat, Tommy Orange, and Lillian Li. Thrilling translated work from Leïla Slimani and Clarice Lispector. A new Rachel Kushner. A new Rachel Cusk. The last Denis Johnson. The last William Trevor. The long-awaited Vikram Seth.
As Millions founder and publisher C. Max Magee wrote recently, you can help ensure that these previews, and all our great books coverage, continue for years to come by lending your support to the site as a member. The Millions has been running for nearly 15 years on a wing and a prayer, and we’re incredibly grateful for the love of our recurring readers and current members who help us sustain the work that we do.
So don your specs, clear off your TBR surfaces, and prepare for a year that, if nothing else, will be full of good books.
The Perfect Nanny by Leïla Slimani (translated by Sam Taylor): In her Goncourt Prize-winning novel, Slimani gets the bad news out of the way early—on the first page to be exact: “The baby is dead. It only took a few seconds. The doctor said he didn’t suffer. The broken body, surrounded by toys, was put inside a gray bag, which they zipped up.” Translated from the French by Sam Taylor as The Perfect Nanny—the original title was Chanson Douce, or Lullaby—this taut story about an upper-class couple and the woman they hire to watch their child tells of good help gone bad. (Matt)
Halsey Street by Naima Coster: Coster’s debut novel is set in Bedford-Stuyvesant, a rapidly gentrifying corner of Brooklyn. When Penelope Grand leaves a failed art career in Pittsburgh and comes home to Brooklyn to look after her father, she finds her old neighborhood changed beyond recognition. The narrative shifts between Penelope and her mother, Mirella, who abandoned the family to move to the Dominican Republic and longs for reconciliation. A meditation on family, love, gentrification, and home. (Emily)
Fire Sermon by Jamie Quatro: Five years after her story collection, I Want to Show You More, drew raves from The New Yorker’s James Wood and Dwight Garner at The New York Times, Quatro delivers her debut novel, which follows a married woman’s struggle to reconcile a passionate affair with her fierce attachment to her husband and two children. “It’s among the most beautiful books I’ve ever read about longing—for beauty, for sex, for God, for a coherent life,” says Garth Greenwell, author of What Belongs to You. (Michael)
The Largesse of the Sea Maiden by Denis Johnson: Johnson’s writing has always had an antiphonal quality to it—the call and response of a man and his conscience, perhaps. In these stories, a dependably motley crew of Johnson protagonists find themselves forced to take stock as mortality comes calling. The writing has a more plangent tone than Angels and Jesus’ Son, yet is every bit as edgy. Never afraid to look into the abyss, and never cute about it, Johnson will be missed. Gratefully, sentences like the following, his sentences, will never go away: “How often will you witness a woman kissing an amputation?” R.I.P. (Il’ja)
A Girl in Exile by Ismail Kadare (translated by John Hodgson): Kadare structures the novel like a psychological detective yarn, but one with some serious existential heft. The story is set physically in Communist Albania in the darkest hours of totalitarian rule, but the action takes place entirely in the head and life of a typically awful Kadare protagonist—Rudian Stefa, a writer. When a young woman from a remote province ends up dead with a provocatively signed copy of Stefa’s latest book in her possession, it’s time for State Security to get involved. A strong study of the ease and banality of human duplicity. (Il’ja)
Frankenstein in Baghdad by Ahmed Saadawi (translated by Jonathan Wright): The long-awaited English translation of the winner of the International Prize for Arabic Fiction in 2014 gives American readers the opportunity to read Saadawi’s haunting, bleak, and darkly comic take on Iraqi life in 2008. Or, as Saadawi himself put it in interview for Arab Lit, he set out to write “the fictional representation of the process of everyone killing everyone.” (Check out Saadawi’s Year in Reading here.) (Nick M.)
This Will Be My Undoing by Morgan Jerkins: Wünderkind Jerkins has a background in 19th-century Russian lit and postwar Japanese lit, speaks six languages, works/has worked as editor and assistant literary agent; she writes across many genres—reportage, personal essays, fiction, profiles, interviews, literary criticism, and sports and pop culture pieces; and now we’ll be seeing her first book, an essay collection. From the publisher: “This is a book about black women, but it’s necessary reading for all Americans.” The collected essays will cover topics ranging from “Rachel Dolezal; the stigma of therapy; her complex relationship with her own physical body; the pain of dating when men say they don’t ‘see color’; being a black visitor in Russia; the specter of ‘the fast-tailed girl’ and the paradox of black female sexuality; or disabled black women in the context of the ‘Black Girl Magic’ movement.” (Sonya)
Mouths Don’t Speak by Katia D. Ulysse: In Drifting, Ulysse’s 2014 story collection, Haitian immigrants struggle through New York City after the 2010 earthquake that destroyed much of their county. In her debut novel, Ulysse revisits that disaster with a clearer and sharper focus. Jacqueline Florestant is mourning her parents, presumed dead after the earthquake, while her ex-Marine husband cares for their young daughter. But the expected losses aren’t the most serious, and a trip to freshly-wounded Haiti exposes the way tragedy follows class lines as well as family ones. (Kaulie)
The Sky Is Yours by Chandler Klang Smith: Smith’s The Sky Is Yours, is a blockbuster of major label debuts. The dystopic inventiveness of this genre hybrid sci-fi thriller/coming of age tale/adventure novel has garnered comparisons to Gary Shteyngart, David Mitchell and Ridley Scott’s Blade Runner. And did I mention? It has dragons, too, circling the crumbling Empire Island, and with them a fire problem (of course), and features a reality TV star from a show called Late Capitalism’s Royalty. Victor LaValle calls The Sky Is Yours “a raucous, inventive gem of a debut.” Don’t just take our word for it, listen to an audio excerpt. (Anne)
Everything Here Is Beautiful by Mira T. Lee: Spanning cultures and continents, Lee’s assured debut novel tells the story of two sisters who are bound together and driven apart by the inescapable bonds of family. Miranda is the sensible one, thrust into the role of protector of Lucia, seven years younger, head-strong, and headed for trouble. Their mother emigrated from China to the U.S. after the death of their father, and as the novel unfurls in clear, accessible prose, we follow the sisters on journeys that cover thousands of miles and take us into the deepest recesses of the human heart. Despite its sunny title, this novel never flinches from big and dark issues, including interracial love, mental illness and its treatment, and the dislocations of immigrant life. (Bill)
The Infinite Future by Tim Wirkus: I read this brilliant puzzle-of-a-book last March and I still think about it regularly! The Infinite Future follows a struggling writer, a librarian, and a Mormon historian excommunicated from the church on their search for a reclusive Brazilian science fiction writer. In a starred review, Book Page compares Wirkus to Jonathan Lethem and Ron Currie Jr., and says the book “announces Wirkus as one of the most exciting novelists of his generation.” I agree. (Edan)
The Job of the Wasp by Colin Winnette: With Winnette’s fourth novel he proves he’s adept at re-appropriating genre conventions in intriguing ways. His previous book, Haint’s Stay, is a Western tale jimmyrigged for its own purposes and is at turns both surreal and humorous. Winnette’s latest, The Job of the Wasp, takes on the Gothic ghost novel and is set in the potentially creepiest of places—an isolated boarding school for orphaned boys, in the vein of Robert Walser’s Jakob von Gunten, Jenny Erpenbeck’s The Old Child, or even Charles Dickens’s Oliver Twist. “Witty and grisly” according to Kelly Link, strange and creepy, Job of the Wasp reveals Winnette’s “natural talent” says Patrick deWitt. (Anne)
Brass by Xhenet Aliu: In what Publishers Weekly calls a “striking first novel,” a daughter searches for answers about the relationship between her parents, a diner waitress from Waterbury, Conn. and a line cook who emigrated from Albania. Aliu writes a story of love, family, and the search for an origin story, set against the decaying backdrop of a post-industrial town. In a starred review, Kirkus writes “Aliu’s riveting, sensitive work shines with warmth, clarity, and a generosity of spirit.” (Lydia)
The Immortalists by Chloe Benjamin: Four adolescent sibling in 1960s New York City sneak out to see a psychic, who tells each of them the exact date they will die. They take this information with a grain of salt, and keep it from each other, but Benjamin’s novel follows them through the succeeding decades, as their lives alternately intertwine and drift apart, examining how the possible knowledge of their impending death affects how they live. I’m going to break my no-novels-about-New-Yorkers rule for this one. (Janet)
King Zeno by Nathaniel Rich: This historical thriller features an ax-wielding psychopath wreaking havoc in the city of Sazeracs. It’s been eight years since Rich moved to New Orleans, and in that time, he’s been a keen observer, filing pieces on the city’s storied history and changing identity for various publications, not least of all The New York Review of Books. He’s certainly paid his dues, which is vitally important since the Big Easy is an historically difficult city for outsiders to nail without resorting to distracting tokenism (a pelican ate my beignet in the Ninth Ward). Fortunately, Rich is better than that. (Nick M.)
The Monk of Mokha by Dave Eggers: Eggers returns to his person-centered reportage with an account of a Yemeni-American man named Mokhtar Alkhanshali’s efforts to revive the Yemeni tradition of coffee production just when war is brewing. A starred Kirkus review calls Eggers’s latest “a most improbable and uplifting success story.” (Lydia)
In Every Moment We Are Still Alive by Tom Malmquist (translated by Henning Koch): A hit novel by a Swedish poet brought to English-reading audiences by Melville House. This autobiographical novel tells the story of a poet whose girlfriend leaves the world just as their daughter is coming into it–succumbing suddenly to undiagnosed leukemia at 33 weeks. A work of autofiction about grief and survival that Publisher’s Weekly calls a “beautiful, raw meditation on earth-shattering personal loss.” (Lydia)
Peculiar Ground by Lucy Hughes-Hallett: The award-winning British historian (The Pike: Gabriele D’Annunzio, Poet, Seducer and Preacher of War) makes her fiction debut. Narrated by multiple characters, the historical novel spans three centuries and explores the very timely theme of immigration. Walls are erected and cause unforeseen consequences for both the present and futurey. In its starred review, Kirkus said the novel was “stunning for both its historical sweep and its elegant prose.” (Carolyn)
Neon in Daylight by Hermione Hoby: A novel about art, loneliness, sex, and restless city life set against the backdrop of Hurricane Sandy-era New York, Neon in Daylight follows a young, adrift English catsitter as she explores the galleries of New York and develops an infatuation with a successful writer and his daughter, a barista and sex-worker. The great Ann Patchett called Hoby “a writer of extreme intelligence, insight, style and beauty.” (Lydia)
This Could Hurt by Jillian Medoff: Medoff works a double shift: when she isn’t writing novels, she’s working as a management consultant, which means, as her official bio explains, “that she uses phrases like ‘driving behavior’ and ‘increasing ROI’ without irony.” In her fourth novel, she turns her attention to a milieu she knows very well, the strange and singular world of corporate America: five colleagues in a corporate HR department struggle to find their footing amidst the upheaval and uncertainty of the 2008-2009 economic collapse. (Emily)
The Afterlives by Thomas Pierce: Pierce’s first novel is a fascinating and beautifully rendered meditation on ghosts, technology, marriage, and the afterlife. In a near-future world where holograms are beginning to proliferate in every aspect of daily life, a man dies—for a few minutes, from a heart attack, before he’s revived—returns with no memory of his time away, and becomes obsessed with mortality and the afterlife. In a world increasingly populated by holograms, what does it mean to “see a ghost?” What if there’s no afterlife? On the other hand, what if there is an afterlife, and what if the afterlife has an afterlife? (Emily)
Grist Mill Road by Christopher J. Yates: The follow-up novel by the author of Black Chalk, an NPR Best of the Year selection. Yates’s latest “Rashomon-style” literary thriller follows a group of friends up the Hudson, where they are involved in a terrible crime. “I Know What You Did Last Summer”-style, they reconvene years later, with dire consequences. The novel receives the coveted Tana French endorsement: she calls it “darkly, intricately layered, full of pitfalls and switchbacks, smart and funny and moving and merciless.” (Lydia)
The Friend by Sigrid Nunez: In her latest novel, Nunez (a Year in Reading alum) ruminates on loss, art, and the unlikely—but necessary—bonds between man and dog. After the suicide of her best friend and mentor, an unnamed, middle-aged writing professor is left Apollo, his beloved, aging Great Dane. Publishers Weekly says the “elegant novel” reflects “the way that, especially in grief, the past is often more vibrant than the present.” (Carolyn)
Feel Free by Zadie Smith: In her forthcoming essay collection, Smith provides a critical look at contemporary topics, including art, film, politics, and pop-culture. Feel Free includes many essays previously published in The New Yorker and The New York Review of Books and it is divided into five sections: In the World, In the Audience, In the Gallery, On the Bookshelf, and Feel Free. Andrew Solomon described the collection as “a tonic that will help the reader reengage with life.” (Zoë)
What Are We Doing Here? by Marilynne Robinson: One of my favorite literary discoveries of 2017 was that there are two camps of Robinson fans. Are you more Housekeeping or Gilead? To be clear, all of us Housekeeping people claim to have loved her work before the Pulitzer committee agreed. But this new book is a collection of essays where Robinson explores the modern political climate and the mysteries of faith, including, “theological, political, and contemporary themes.” Given that the essays come from Robinson’s incisive mind, I think there will be more than enough to keep both camps happy. (Claire)
An American Marriage by Tayari Jones: In our greatest tragedies, there is the feeling of no escape—and when the storytelling is just right, we feel consumed by the heartbreak. In Jones’s powerful new novel, Celestial and Roy are a married couple with optimism for their future. Early in the book, Jones offers a revelation about Roy’s family, but that secret is nothing compared to what happens next: Roy is arrested for a crime he didn’t commit, and sentenced to over a decade in prison. An American Marriage arrives in the pained, authentic voices of Celestial, Roy, and Andre—Celestial’s longtime friend who moves into the space left by Roy’s absence. Life, and love, must go on. When the couple writes “I am innocent” to each other in consecutive letters, we weep for their world—but Jones makes sure that we can’t look away. (Nick R.)
The Strange Bird by Jeff VanderMeer: Nothing is what it seems in VanderMeer’s fiction: bears fly, lab-generated protoplasm shapeshifts, and magic undoes science. In this expansion of his acclaimed novel Borne, which largely focused on terrestrial creatures scavenging a post-collapse wasteland, VanderMeer turns his attention upward. Up in the sky, things look a bit different. (Check out his prodigious Year in Reading here.) (Nick M.)
House of Impossible Beauties by Joseph Cassara: First made famous in the documentary Paris Is Burning, New York City’s House of Xtravaganza is now getting a literary treatment in Cassara’s debut novel—one that’s already drawing comparisons to Hanya Yanagihara’s A Little Life. The story follows teenage Angel, a young drag queen just coming into her own, as she falls in love, founds her own house and becomes the center of a vibrant—and troubled—community. Critics call it “fierce, tender, and heartbreaking.” (Kaulie)
Freshwater by Akwaeke Emezi: A surreal, metaphysical debut novel dealing with myth, mental health, and fractured selves centering around Ada, a woman from southern Nigeria “born with one foot on the other side.” She attends college in the U.S., where several internal voices emerge to pull her this way and that. Library Journal calls this “a gorgeous, unsettling look into the human psyche.” (Lydia)
Red Clocks by Leni Zumas: The latest novel from the author of The Listeners follows five women of different station in a small town in Oregon in a U.S. where abortion and IVF have been banned and embryos have been endowed with all the rights of people. A glimpse at the world some of our current lawmakers would like to usher in, one that Maggie Nelson calls “mordant, political, poetic, alarming, and inspiring–not to mention a way forward for fiction now.” (Lydia)
Heart Berries by Terese Mailhot: In her debut memoir, Mailhot—raised on the Seabird Island Indian Reservation in southwestern Canada, presently a postdoctoral fellow at Purdue—grapples with a dual diagnosis of PTSD and Bipolar II disorder, and with the complicated legacy of a dysfunctional family. Sherman Alexie has hailed this book as “an epic take—an Iliad for the indigenous.” (Emily)
Asymmetry by Lisa Halliday: 2017 Whiting Award winner Halliday has written a novel interweaving the lives of a young American editor and a Kurdistan-bound Iraqi-American man stuck in an immigration holding room in Heathrow airport. Louise Erdrich calls this “a novel of deceptive lightness and a sort of melancholy joy.” (Lydia)
Back Talk by Danielle Lazarin: long live the short story, as long as writers like Lazarin are here to keep the form fresh. The collection begins with “Appetite,” narrated by nearly 16-year-old Claudia, whose mother died of lung cancer. She might seem all grown up, but “I am still afraid of pain—for myself, for all of us.” Lazarin brings us back to a time when story collections were adventures in radical empathy: discrete panels of pained lives, of which we are offered chiseled glimpses. Even in swift tales like “Window Guards,” Lazarin has a finely-tuned sense of pacing and presence: “The first time Owen shows me the photograph of the ghost dog, I don’t believe it.” Short stories are like sideways glances or overheard whispers that become more, and Lazarin makes us believe there’s worth in stories that we can steal moments to experience. (Nick R.)
The Château by Paul Goldberg: In Goldberg’s debut novel, The Yid, the irrepressible members of a Yiddish acting troupe stage manages a plot to assassinate Joseph Stalin in hopes of averting a deadly Jewish pogrom. In his second novel, the stakes are somewhat lower: a heated election for control of a Florida condo board. Kirkus writes that Goldberg’s latest “confirms his status as one of Jewish fiction’s liveliest new voices, walking in the shoes of such deadpan provocateurs as Mordecai Richler and Stanley Elkin.” (Matt)
The Line Becomes a River by Francisco Cantú: A memoir by a Whiting Award-winner who served as a U.S. border patrol agent. Descended from Mexican immigrants, Cantú spends four years in the border patrol before leaving for civilian life. His book documents his work at the border, and his subsequent quest to discover what happened to a vanished immigrant friend. (Lydia)
Call Me Zebra by Azareen Van der Vliet Oloomi: If the driving force of Van der Vliet Oloomi’s first novel, Fra Keeler, was “pushing narrative to its limits” through unbuilding and decomposition, her second novel, Call Me Zebra, promises to do the same through a madcap and darkly humorous journey of retracing the past to build anew. Bibi Abbas Abbas Hossein is last in a line of autodidacts, anarchists, and atheists, whose family left Iran by way of Spain when she was a child. The book follows Bibi in present day as she returns to Barcelona from the U.S., renames herself Zebra and falls in love. Van der Vliet Oloomi pays homage to a quixotic mix of influences—including Miguel de Cervantes, Jorge Luis Borges, and Kathy Acker—in Call Me Zebra, which Kirkus calls “a brilliant, demented, and bizarro book that demands and rewards all the attention a reader might dare to give it.” (Anne)
Some Hell by Patrick Nathan: A man commits suicide, leaving his wife, daughter, and two sons reckoning with their loss. Focused on the twinned narratives of Colin, a middle schooler coming to terms with his sexuality, as well as Diane, his mother who’s trying to mend her fractured family, Nathan’s debut novel explores the various ways we cope with maturity, parenting, and heartbreak. (Read Nathan’s Year in Reading here.) (Nick M.)
The Wedding Date by Jasmine Guillory: If 2017 was any indication, events in 2018 will try the soul. Some readers like to find escape from uncertain times with dour dystopian prognostications or strained family stories (and there are plenty). But what about something fun? Something with sex (and maybe, eventually, love). Something Roxane Gay called a “charming, warm, sexy gem of a novel….One of the best books I’ve read in a while.” Something so fun and sexy it earned its author a two-book deal (look out for the next book, The Proposal, this fall). Wouldn’t it feel good to feel good again? (Lydia)
The Census by Jesse Ball: Novelist Ball’s nimble writing embodies the lightness and quickness that Calvino prized (quite literally, too: he pens his novels in a mad dash of days to weeks). And he is prolific, too. Since his previous novel, How to Start a Fire and Why, he has has written about the practice of lucid dreaming and his unique form of pedagogy, as well as a delightfully morbid compendium of Henry King’s deaths, with Brian Evenson. Ball’s seventh novel, The Census, tells the story of a dying doctor and his concern regarding who will care for his son with Down Syndrome, as they set off together on a cross-country journey. (Anne)
Men and Apparitions by Lynne Tillman: News of a new Tillman novel is worthy of raising a glass. Men and Apparitions is the follow-up novel to Tillman’s brilliant, ambitious American Genius: A Comedy. Men and Apparitions looks closely at our obsession with the image through the perspective of cultural anthropologist Ezekiel “Zeke” Hooper Stark. Norman Rush says, “this book is compelling and bracing and you read many sentences twice to get all the juice there is in them.” Sarah Manguso has said she is “grateful” for Tillman’s “authentically weird and often indescribable books.” I second that. (Anne)
Whiskey & Ribbons by Leesa Cross-Smith: Police officer Eamon Michael Royce is killed in the line of duty. His pregnant wife, Evi, narrates Eamon’s passing with elegiac words: “I think of him making the drive, the gentle peachy July morning light illuminating his last moments, his last heartbeat, his last breath.” Months later and wracked with grief, Evi falls for her brother-in-law Dalton: “Backyard-wandering, full-moon pregnant in my turquoise maternity dress and tobacco-colored cowboy boots. I’d lose my way. Dalton would find me. He was always finding me.” The sentences in Cross-Smith’s moving debut are lifted by a sense of awe and mystery—a style attuned to the graces of this world. Whiskey & Ribbons turns backward and forward in time: we hear Eamon’s anxieties about fatherhood, and Dalton’s continuous search for meaning in his life. “I am always hot, like I’m on fire,” Evi dreams later in the novel, still reliving her husband’s death, “burning and gasping for air.” In Cross-Smith’s novel, the past is never forgotten. (Nick R.)
The Emissary by Yoko Tawada (translated by Margaret Mitsutani): In a New Yorker essay on Tawada, author of Memoirs of a Polar Bear, Riva Galchen wrote that “often in [her] work, one has the feeling of having wandered into a mythology that is not one’s own.” Tawada’s latest disorienting mythology is set in a Japan ravaged by a catastrophe. If children are the future, what does it presage that, post-disaster, they are emerging from the womb as frail, aged creatures blessed with an uncanny wisdom? (Read her Year in Reading here.) (Matt)
The Sparsholt Affair by Alan Hollinghurst: Hollinghurst’s sixth novel has already received glowing reviews in the U.K. As the title suggests, the plot hinges on a love affair, and follows two generations of the Sparsholt family, opening in 1940 at Oxford, just before WWII. The Guardian called it “an unashamedly readable novel…indeed it feels occasionally like Hollinghurst is trying to house all the successful elements of his previous books under the roof of one novel.” To those of us who adore his books, this sounds heavenly. (Hannah)
The Chandelier by Clarice Lispector (translated by Magdalena Edwards and Benjamin Moser): Since Katrina Dodson published a translation of Lispector’s complete stories in 2015, the Brazilian master’s popularity has enjoyed a resurgence. Magdalena Edwards and Benjamin Moser’s new translation of Lispector’s second novel promises to extend interest in the deceased writer’s work. It tells the story of Virginia, a sculptor who crafts intricate pieces in marked isolation. This translation marks the first time The Chandelier has ever appeared in English (Ismail).
The Parking Lot Attendant by Nafkote Tamirat: It’s very easy to love this novel but difficult to describe it. A disarming narrator begins her account from a community with strange rules and obscure ideology located on an unnamed island. While she and her father uneasily bide their time in this not-quite-utopia, she reflects on her upbringing in Boston, and a friendship–with the self-styled leader of the city’s community of Ethiopian immigrants–that begins to feel sinister. As the story unfolds, what initially looked like a growing-up story in a semi-comic key becomes a troubling allegory of self-determination and sacrifice. (Lydia)
Let’s No One Get Hurt by Jon Pineda: A fifteen-year-old girl named Pearl lives in squalor in a southern swamp with her father and two other men, scavenging for food and getting by any way they can. She meets a rich neighbor boy and starts a relationship, eventually learning that his family holds Pearl’s fate in their hands. Publisher’s Weekly called it “an evocative novel about the cruelty of children and the costs of poverty in the contemporary South.” (Lydia)
The Merry Spinster by Mallory Ortberg: Fairy tales get a feminist spin in this short story collection inspired by Ortberg’s most popular Toast column, “Children’s Stories Made Horrific.” This is not your childhood Cinderella, but one with psychological horror and Ortberg’s signature snark. Carmen Maria Machado calls it a cross between, “Terry Pratchett’s satirical jocularity and Angela Carter’s sinister, shrewd storytelling, and the result is gorgeous, unsettling, splenic, cruel, and wickedly smart.” Can’t wait to ruin our favorite fables! (Tess)
The House of Broken Angels by Luis Alberto Urrea: Urrea is one of the best public speakers I’ve ever seen with my 35-year-old eyes, so it’s incredible that it’s not even the thing he’s best at. He’s the recipient of an American Book Award and a Pulitzer nominee for The Devil’s Highway. His new novel is about the daily life of a multi-generational Mexican-American family in California. Or as he puts it, “an American family—one that happens to speak Spanish and admire the Virgin of Guadalupe.” (Janet)
Speak No Evil by Uzodinma Iweala: Nearly 15 years after his critically-acclaimed debut novel, Beasts of No Nation, was published, Iweala is back with a story as deeply troubling. Teenagers Niru and Meredith are best friends who come from very different backgrounds. When Niru’s secret is accidentally revealed (he’s queer), there is unimaginable and unspeakable consequences for both teens. Publishers Weekly’s starred review says the “staggering sophomore novel” is “notable both for the raw force of Iweala’s prose and the moving, powerful story.” (Carolyn)
American Histories: Stories by John Edgar Wideman: Wideman’s new book is a nearly fantastical stretching and blurring of conventional literary forms—including history, fiction, philosophy, biography, and deeply felt personal vignettes. We get reimagined conversations between the abolitionist Frederick Douglass and the doomed white crusader for racial equality John Brown. We get to crawl inside the mind of a man sitting on the Williamsburg Bridge, ready to jump. We get Wideman pondering deaths in his own family. We meet Jean Michel Basquiat and Nat Turner. What we get, in the end, is a book unlike any other, the work of an American master working at peak form late in a long and magnificent career. (Bill)
Happiness by Aminatta Forna: A novel about what happens when an expert on the habits of foxes and an expert on the trauma of refugees meet in London, one that Paul Yoon raved about it in his Year in Reading: “It is a novel that carries a tremendous sense of the world, where I looked up upon finishing and sensed a shift in what I thought I knew, what I wanted to know. What a gift.” In a starred review, Publisher’s Weekly says “Forna’s latest explores instinct, resilience, and the complexity of human coexistence, reaffirming her reputation for exceptional ability and perspective.” (Lydia)
The Neighborhood by Mario Vargas Llosa (translated by Edith Grossman): The Nobel Prize winner’s latest arrives in translation from the extraordinary Edith Grossman. The Neighborhood is symphonic, a “thriller,” if you can call it that, about a detective whose wife gets roped into a debilitating situation. It is set in Llosa’s 1990s Peru, and you see this place with its paradox of grayness and color, juxtaposed with spots of blood. Two women married to very affluent men are having a lesbian affair, and one of their husbands, Enrique, is being blackmailed. When he fails to meet a photo magazine editor’s demands, he is slandered with photos of an erotic encounter on the front pages of the magazine. These two threads will converge at a point of explosion as is wont with Llosa’s novels. While this may not be his best work, it will keep readers reading all the way. (Chigozie)
My Dead Parents by Anya Yurchyshyn: Sometimes truth is more fascinating than fiction. Such is the case with Yurchyshyn’s My Dead Parents, which started as an anonymous Tumblr blog where the author posted photos and slivers of her parents’ correspondences in an attempt to piece together the mystery of their lives. Yurchyshyn’s father was a banker who died in Ukraine in a car “accident” that was possibly a hit when she was 16, and years later, though not many, her mother succumbed to alcoholism. Her parents made an enviously handsome couple, but they lived out Leo Tolstoy’s adage of each family being unhappy in its own way. Yurchyshyn’s tale is one of curiosity and discovery; it’s also an inquiry into grief and numbness. Her Buzzfeed essay, “How I Met My Dead Parents,” provides an apt introduction. (Anne)
The Last Watchman of Old Cairo by Michael David Lukas: Year in Reading alum and author of The Oracle of Stamboul explores the history of Cairo’s Ben Ezra Synagogue (site of the famous Cairo Geniza document trove discovered in the nineteenth century) through the story of its generations of Muslim watchmen as gleaned by their modern-day, Berkeley-dwelling scion. Rabih Alameddine calls it “a beautiful, richly textured novel, ambitious and delicately crafted…a joy.” (Lydia)
Bury What We Cannot Take by Kirstin Chen: This is an atmospheric novel of betrayal and ardent allegiance to ideology and political choices. When young Ah Liam decides it’s virtuous to report the resistance of his grandmother to Maoist rule to the authorities, he unravels his family with his own hands. His decision leads to the family having to flee the country and for them to have to make a decision: leave a fraction of the family behind or face greater harm. With its striking title about the sacrifice (the “burying”) of those who are left behind, the novel succeeds in drawing a very striking portrait of this turbulent period of Chinese history. (Chigozie)
Memento Park by Mark Sarvas: Many of us who have been with The Millions for some years surely remember Sarvas’s pioneer lit blog, The Elegant Variation—and look forward to his second novel, Memento Park, 10 years after his critically acclaimed Harry, Revised. Memento Park is about art, history, Jewishness, fathers and sons: Joseph O’Neill writes pithily, “A thrilling, ceaselessly intelligent investigation into the crime known as history.” So far, Kirkus praises Sarvas for “skillful prose and well-drawn characters.” (Sonya)
Wrestling with the Devil by Ngũgĩ wa Thiong’o: Famously, Kenyan author Ngugi wrote his Gikuyu novel Devil on the Cross while serving out a prison sentence. (And he did it on toilet paper, no less.) Now, the writer whom Chimamanda Adichie calls “one of the greatest of our time” is releasing a memoir of his prison stay, begun a half-hour before he was finally released. Taking the form of an extended flashback, the memoir begins at the moment of the author’s arrest and ends, a year later, when he left prison with a novel draft. (Thom)
Stray City by Chelsey Johnson: Twenty-something artist Andrea ran away from the Midwest to Portland to escape the expectation to be a mother and create a life for herself as a queer artist. Then, confused and hurt by a break-up, she hooked up with a man—and ended up having his child. Chelsey Johnson’s debut novel, which comes after a successful run of short stories like the Ploughshares Solo “Escape and Reverse,” is a humorous and heartfelt exploration of sexual identity and unconventional families. (Ismail)
The Female Persuasion by Meg Wolitzer: Wolitzer is one of those rare novelists who is able to capture the zeitgeist. Her follow up to The Interestings, The Female Persuasion centers around Greer Kadetsky, who is a freshman in college when she meets Faith Frank, an inspiring feminist icon who ignites Greer’s passions. After graduation, Greer lands a job at Frank’s foundation and things get real. Wolitzer is a master weaver of story lines and in this novel she brings four together as the characters search for purpose in life and love. As the starred review in Publisher’s Weekly says, this novel explores, “what it is to both embrace womanhood and suffer because of it.” Amen sister. (Claire)
The Recovering by Leslie Jamison: The bestselling author of The Empathy Exams brings us The Recovering, which explores addiction and recovery in America, in particular the stories we tell ourselves about addiction. Jamison also examines the relationship many well-known writers and artists had with addiction, including Amy Winehouse, Billie Holiday, Raymond Carver, David Foster Wallace, and more. The Recovering has received advance praise from Stephen King, Vivian Gornick, and Anne Fadiman. Chris Kraus described the The Recovering as “a courageous and brilliant example of what nonfiction writing can do.” (Zoë)
Circe by Madeline Miller: It took Miller 10 years to write her Orange Prize-winning debut novel, The Song of Achilles. Happily, we only had to wait another five for Circe, even more impressive when one considers that the novel’s story covers millennia. Here Miller again invokes the classical world and a massive cast of gods, nymphs, and mortals, but it’s all seen through the knowing eyes of Circe, the sea-witch who captures Odysseus and turns men into monsters. (Kaulie)
America Is Not the Heart by Elaine Castillo: As we enter year two of the Donald Trump presidency, Castillo’s first novel challenges readers to look beyond the headlines to grasp the human dimension of America’s lure to immigrants in this big-hearted family saga about three generations of Filipina women who struggle to reconcile the lives they left behind in the Philippines with the ones they are making for themselves in the American suburbs. (Michael)
You Think It, I’ll Say It by Curtis Sittenfeld: Is Sittenfeld a serious literary novelist who dabbles in chick lit? Is she a writer of frothy beach reads who happens to have an MFA from Iowa? Do such distinctions still have any meaning in today’s fiction market? Readers can decide for themselves when Sittenfeld publishes her first story collection, after five novels that have ranged from her smash debut Prep to American Wife, her critically acclaimed “fictional biography” of former First Lady Laura Bush. (Michael)
Varina by Charles Frazier: Returning to the setting of his NBA winning Cold Mountain, Frazier taps into the American Civil War, specifically the life of Varina Howell Davis, the teenage bride of Jefferson Davis, president of the Confederacy. In this personal tragedy set in an epic period of American history, Frazier examines how “being on the wrong side of history carries consequences” regardless of one’s personal degree of involvement in the offense. Something to think about. (Il’ja)
Sharp: The Women Who Made an Art of Having an Opinion by Michelle Dean: You’ve been reading Dean’s reviews and journalism for some time at The Nation, The Guardian, Buzzfeed, The New Yorker, Slate, Salon The New Republic, et alia. Winner of the 2016 NBCC’s Nona Balakian Citation for Excellence in Reviewing, Dean is debuting her first book with apt timing: Sharp features intertwining depictions of our most important 20th-century female essayists and cultural critics—Susan Sontag, Dorothy Parker, Hannah Arendt, Pauline Kael, Rebecca West, Janet Malcolm, Joan Didion, and others. A hybrid of biography, literary criticism, and cultural history, Sharp has been praised and starred by PW as “stunning and highly accessible introduction to a group of important writers.” (Sonya)
How to Write an Autobiographical Novel by Alexander Chee: In addition to receiving a starred review—and being named a Top 10 Essay Collection of Spring 2018—by Publishers Weekly, Chee’s essay collection explores a myriad of topics that include identity, the AIDS crisis, Trump, tarot, bookselling, art, activism, and more. Ocean Vuong described the book as “life’s wisdom—its hurts, joys and redemptions—salvaged from a great fire.” (Zoë)
Disoriental by Négar Djavadi (translated by Tina Kover): From the waiting room of a French fertility clinic, a young woman revisits the stories of generations of her Iranian ancestors culminating in her parents, who brought her to France when she was 10. This French hit, published in English by Europa Editions, is called “a rich, irreverent, kaleidoscopic novel of real originality and power” by Alexander Maksik. (Lydia)
Heads of the Colored People by Nafissa Thompson-Spires: A debut collection of stories exploring black identity and middle-class life in so-called “post-racial” America, with storylines ranging from gun violence and depression to lighter matters like a passive-aggressive fight between the mothers of school kids. George Saunders called these stories “vivid, fast, funny, way-smart, and verbally inventive.” (Lydia)
Black Swans by Eve Babitz: Until last year, Babitz was an obscure writer who chronicled hedonistic Los Angeles in the 1960s and 1970s. And then Counterpoint and NYRB Classics began reissuing her memoirs and autofiction, and word of Babitz’s unique voice began to spread. In The New Yorker, Jia Tolentino wrote, “On the page, Babitz is pure pleasure—a perpetual-motion machine of no-stakes elation and champagne fizz.” Novelist Catie Disabato asserts that Babitz “isn’t the famous men she fucked or the photographs she posed in. She is the five books of memoir and fiction she left behind for young women, freshly moved to Los Angeles, to find.” Black Swans is the latest in these recent reissues. Published in 1993, these stories/essays cover everything from the AIDS crisis to learning to tango. And, of course, the Chateau Marmont. (Edan)
Look Alive Out There by Sloane Crosley: Crosley, author of the New York Times bestselling essay collection I Was Told There’d Be Cake, returns with a new collection of essays. Ten years removed from her debut, Crosley takes on issues ranging from the pressures of fertility, to swingers, to confronting her own fame. Look Alive promises to be a worthwhile follow-up to Crosley’s 2011 collection How Did You Get This Number?. (Ismail)
The Only Story by Julian Barnes: Give this to Barnes: the Man Booker laureate’s not afraid of difficult premises. In his 13th novel, a college student named Paul spends a lazy summer at a tennis club, where he meets a middle-aged woman with two daughters around his age. Soon enough, the two are having an affair, and a flash-forward to a much-older Paul makes clear it upended their lives. (Thom)
Blue Self-Portrait by Noémi Lefebvre (translated by Sophie Lewis): In this torrential inner monologue out from Oakland publisher Transit Books, a woman reflects on music, politics and her affair with a musician, a pianist obsessed with the 1910 self-portrait painted by Arnold Schoenberg, a haunting, blue-tinted work in which the composer’s“expression promised nothing positive for the art of the future, conveyed an anxiety for the future, looked far beyond any definition of the work of art or of the future.” (Matt)
How to Be Safe by Tom McCallister: This novel, by the author of The Young Widower’s Handbook, is billed as We Need to Talk About Kevin meets Dept. of Speculation—those are two of my favorite books! Also? Tom McCallister…is a man! Although high school English teacher Anna Crawford is quickly exonerated after being named a suspect in a campus shooting, she nevertheless suffers intense scrutiny in the wake of the tragedy. As the jacket copy says, “Anna decides to wholeheartedly reject the culpability she’s somehow been assigned, and the rampant sexism that comes with it, both in person and online.” Of the book, novelist Amber Sparks writes, “It’s so wonderful—so furious and so funny and urgent and needed in this mad ugly space we’re sharing with each other.” Author Wiley Cash calls McCallister “an exceptionally talented novelist.” (Edan)
Warlight by Michael Ondaatje: From internationally acclaimed, bestselling author of The English Patient and Divisidero among his other works, this new novel from Ondaatje is set in the decade after World War II. When their parents move to Singapore, 14-year-old Nathaniel and his older sister, Rachel, are left in London under the watchful eye of a mysterious figure called The Moth. As they become immersed in his eccentric circle of friends, they are both protected and educated in confusing ways. The mystery deepens when their mother returns months later without their father, but gives them no explanation. Years later, Nathaniel begins to uncover the story through a journey of facts, recollection, and imagination. If only Anthony Minghella were still with us to make the movie. (Claire)
The Mars Room by Rachel Kushner: In her third novel, two-time National Book Award-finalist Kushner writes about a woman named Romy Hall who is serving two consecutive life sentences (plus six years) in a prison in California’s Central Valley. The year is 2003, and the Mars Room in the title refers to a strip club in San Francisco where Romy used to dance; according to the jacket copy, Kushner details “the deadpan absurdities of institutional living…with humor and precision.” George Saunders calls Kushner “a young master” and Robert Stone wrote that she is “a novelist of the very first order.” Check out this short excerpt published by Entertainment Weekly. (Edan)
Some Trick by Helen DeWitt: If you periodically spend afternoons sitting around wondering when you will get to read something new by DeWitt, this is your season. In May we get 13 stories from the brilliant writer who brought us The Last Samurai—one of the best books of this or any millennium—and the evilly good Lightning Rods. In this collection DeWitt will evidently apply her mordant virtuosity to territory ranging from statistics to publishing. (Lydia)
Motherhood by Sheila Heti: Heti’s previous two books have created and followed lines of inquiry—with Misha Glouberman she wrote a book of conversational philosophy, The Chairs Are Where People Go. Heti’s novel How Should a Person Be? is an early work of autofiction that delves deep into art-making and friendship. Some called it a literary form of reality TV, making James Wood’s backhanded assessment of the book as both “unpretentious” and “narcissistic” quite the unintentional compliment. Heti’s new novel Motherhood follows in a similar line of existential questioning—the narrator approaches the topic of motherhood, asking not when but if she should endeavor to become a mother at all. (Anne)
That Kind of Mother by Rumaan Alam: “Just because something is natural doesn’t mean it’s easy.” Priscilla Johnson says those words to Rebecca Stone early in Alam’s novel. Rebecca’s just given birth to her son Jacob, and the novel’s first scene feels both dizzying and precise—a visceral reminder of life’s complex surprises. Priscilla is the hospital staffer who most calms Rebecca’s anxieties, so much that she asks Priscilla to be Jacob’s nanny. A few years later, Priscilla’s own pregnancy ends in heartbreak. Rebecca’s decision to adopt Andrew is complex: she loves and misses Priscilla, and dearly loves this boy, but is she ready for the reality of raising a black son as a white mother? Alam’s sharp narrative asides—lines like “Some percentage of the things she did for the children were actually for her”—carry such weight and truth that we trust his route toward the bigger question of the book: are we ever ready for the pain and joy that life delivers us? (Nick R.)
Adjustment Day by Chuck Palahniuk: Four years since publishing his last novel, Palahniuk returns in the era of fake news, obvious government corruption, and widespread despair. (It’s as though the protagonists in his most famous novels were right from the start.) In Adjustment Day, these themes weave together in the form of a mysterious day of reckoning orchestrated by an out of touch, aging group of elected officials. (Nick M.)
Last Stories by William Trevor: Prior to his death in November 2016, Trevor told a friend that the book he was working on would be called Last Stories. That is this book—the last we will ever have from the Irish author. Six of the 10 stories included here have never been published before, and what preview would be sufficient? Perhaps just this: if the engine of accomplished fiction truly is empathy, then you will be hard pressed to uncover a finer practitioner of the core humanity that inspired and inspires this deliberate, and personal, epitaph. RIP. (Il’ja)
MEM by Bethany Morrow In this debut novel set in a speculative past, a Montreal-based scientist discovers a way to extract memories from people, resulting in physical beings, Mems, who are forced to experience the same memory over and over. Complications ensue when one of the Mems, Dolores Extract #1, begins to make and form her own memories. (Hannah)
And Now We Have Everything by Meaghan O’Connell: O’Connell’s memoir—her first book—is here to remedy the “nobody tells you what it’s really like” refrain of new mothers. Giving birth to her son in her 20s, after an unplanned pregnancy, O’Connell chronicles the seismic changes that happened to her body, routine, social life, and existential purpose before she knew what was coming. All the cool moms of literary twitter (including Edan!) are raving. (Janet)
The Ensemble by Aja Gabel: A novel about art and friendship and the fraught world of accomplished musicians—four young friends who comprise a string quartet. Mat Johnson said Gabel’s novel “deserves a standing ovation.” For a taste of Gabel’s prose, read her Best American Essays-notable piece on grief and eating ortolans in France. (Lydia)
The Lost Empress by Sergio De La Pava: De La Pava’s first novel, A Naked Singularity, was the rare self-published novel to receive critical acclaim, including the PEN/Bingham Prize. The Lost Empress is as ambitious as his first, a 672-page doorstopper that takes on both football and the criminal justice system. The novel has a large cast, but centers on two characters: Nina Gill, the daughter of the owner of the Dallas Cowboys, and presumed heir to the franchise; and Nuno DeAngeles, “a brilliant criminal mastermind,” who gets himself thrown into prison in order to commit a crime. (Hannah)
A Lucky Man by Jamel Brinkley: New York-bred writer Brinkley (and Year in Reading alum) delivers this anticipated debut story collection. Ranging from encounters on the New York subway to a young boy’s first encounter with the reality of racial hierarchy, these sensitive and probing stories promise to captivate. If you’ve read Brinkley’s title story “A Lucky Man” in A Public Space, then you know that he’s a talent to watch. (Ismail)
Belly Up by Rita Bullwinkel: Bullwinkel’s stories are fantastic and fabulist feats that (often) address our messy, cumbersome bodies in thrilling and imaginative ways. For example: in lieu of a bra, a man is hired to support a daughter’s breasts; a woman whose plastic surgeon, when fixing her eyes, leaves her with a turkey neck (not literally but); twin brothers Gleb and Oleg, surgeon and sculptor, live in a prison infirmary and perform a thumb transplant. A compelling new voice, Bullwinkel has had stories in Tin House, Guernica, and Noon. Her first book, the story collection Belly Up, will be published by A Strange Object. (Anne)
The Pisces by Melissa Broder: You may know Broder because of her incredible So Sad Today tweets. If you do, you won’t be surprised to hear about her novel, The Pisces, which follows a Ph.D student in love with a Californian merman. The student, Lucy, has a breakdown after nine years of grad school, which compels her Angeleno sister to invite her to dogsit at her place. On the beach, a merman appears, and Lucy embarks on a romance that seems impossible. (Thom)
Kudos by Rachel Cusk: When I first encountered Cusk’s writing in the mid-aughts I wrote her off as an author of potentially tedious domestic drama. I was woefully wrong. It’s true Cusk is a chronicler of the domestic: she is as known for her memoirs of motherhood and divorce as she is for her novels, but her writing is innovative, observant, and bold. The New Yorker declared that with the trilogy that her latest novel Kudos completes, Cusk has “renovated” the novel, merging fiction with oral history, retooling its structure. Cusk has said: “I’ve never treated fiction as a veil or as a thing to hide behind, which perhaps was, not a mistake exactly, but a sort of risky way to live.” (Anne)
A Suitable Girl by Vikram Seth: Reportedly delayed by writer’s block brought on by a breakup, Seth has finally produced the much-anticipated sequel to his international smash of 1993, A Suitable Boy. That novel, a gargantuan epic set in post-independence India in the 1950s, was a multi-family saga built around the pursuit of a suitable husband in a world of arranged marriages. In the “jump sequel,” the original protagonist is now in her 80s and on the prowl for a worthy bride for her favorite grandson. Though best-known for A Suitable Boy, the versatile Seth has produced novels, poetry, opera, a verse novel, a travel book, and a memoir. (Bill)
Florida by Lauren Groff: After collecting fans like Barack Obama with her bestselling novel Fates and Furies, Groff’s next book is a collection of short stories that center around Florida, “the landscape, climate, history, and state of mind.” Included is ”Dogs Go Wolf,” the haunting story that appeared in The New Yorker earlier in the year. In a recent interview, Groff gave us the lay of the land: “The collection is a portrait of my own incredible ambivalence about the state where I’ve lived for twelve years...I love the disappearing natural world, the sunshine, the extraordinary and astonishing beauty of the place as passionately as I hate the heat and moisture and backward politics and the million creatures whose only wish is to kill you.” (Claire)
There There by Tommy Orange: Set in Oakland, Orange’s novel describes the disparate lives that come together for the Oakland Powwow and what happens to them when they get there. In an extraordinary endorsement, Sherman Alexie writes that Orange’s novel “is truly the first book to capture what it means to be an urban Indian—perhaps the first novel ever to celebrate and honor and elevate the joys and losses of urban Indians. You might think I’m exaggerating but this book is so revolutionary—evolutionary—that Native American literature will never be the same.” (Lydia)
Upstate by James Wood: It’s been 15 years since Wood’s first novel, The Book Against God, was published. What was Wood doing in the meantime? Oh, just influencing a generation of novelists from his perch at The New Yorker, where his dissecting reviews also functioned as miniature writing seminars. He also penned a writing manual, How Fiction Works. His sophomore effort concerns the Querry family, who reunite in upstate New York to help a family member cope with depression and to pose the kinds of questions fiction answers best: How do people get through difficulty? What does it mean to be happy? How should we live our lives? (Hannah)
The Great Believers by Rebecca Makkai: This third novel from the acclaimed author of The Borrower and The Hundred-Year House interlaces the story of an art gallery director whose friends are succumbing to the AIDS epidemic in 1980s Chicago with a mother struggling to find her estranged daughter 30 years later in contemporary Paris. “The Great Believers is by turns funny, harrowing, tender, devastating, and always hugely suspenseful,” says Margot Livesey, author of Mercury. (Michael)
Good Trouble by Joseph O’Neill: Frequent New Yorker and Harper’s readers will know that O’Neill has been writing a lot of short fiction lately. With the new Good Trouble, the Netherland author now has a full collection, comprised of 11 off-kilter, unsettling stories. Their characters range from a would-be renter in New York who can’t get anyone to give him a reference to a poet who can’t decide whether or not to sign a petition. (Thom)
Number One Chinese Restaurant by Lillian Li: A family chronicle, workplace drama, and love story rolled into one, Li’s debut chronicles the universe of the Beijing Duck House restaurant of Rockville, Md., run by a family and long-time employees who intertwine in various ways when disaster strikes. Lorrie Moore raves, “her narratives are complex, mysterious, moving, and surprising.” (Lydia)
SICK by Porochista Khakpour: In her much anticipated memoir SICK, Khakpour chronicles her arduous experience with illness, specifically late-stage Lyme disease. She examines her efforts to receive a diagnosis and the psychological and physiological impact of being so sick for so long, including struggles with mental health and addiction. Khakpour’s memoir demonstrates the power of survival in the midst of pain and uncertainty. (Zoë)
Fight No More by Lydia Millet: Millet’s 2010 collection Love in Infant Monkeys was a Pulitzer Prize finalist. Eight years later she’s released another collection of stories arranged around a real estate broker and their family as they struggle to reconnect. Millet’s satire is well-known for it’s sharp brutality—and its compassionate humanity. Both sides are on full display here. (Kaulie)
Tonight I’m Someone Else by Chelsea Hodson: Examining the intersection of social media and intimacy, the commercial and the corporeal, the theme of Hodson’s essay collection is how we are pushed and pulled by our desire. The Catapult teacher’s debut has been called “racingly good…refreshing and welcome” by Maggie Nelson. (Tess)
Invitation to a Bonfire by Adrienne Celt: On the heels of her critically praised debut, The Daughters, Celt gives us a love-triangle story that, according to the publisher, is “inspired by the infamous Nabokov marriage, with a spellbinding psychological thriller at its core.” The protagonist is a young Russian refugee named Zoya who becomes entangled with her boarding school’s visiting writer, Leo Orlov, and his imperious wife, Vera. Our own Edan Lepucki praised the novel as “a sexy, brilliant, and gripping novel about the fine line between passion and obsession. I am in awe of Celt’s mastery as a prose stylist and storyteller; I can’t stop thinking about this amazing book.” (Sonya)
There are many ways to measure a year, but the reader is likely to measure it in books. There was the novel that felt as fresh and full of promise as the new year in January, the memoir read on the bus to and from work through the grey days of March, the creased paperback fished from a pocket in the park in May, the stacks of books thumbed through and sandy-paged, passed around at the beach in August, the old favorite read by light coming in the window in October, and the many books in between. And when we each look back at our own years in reading, we are almost sure to find that ours was exactly like no other reader’s.
The end of another year brings the usual frothy and arbitrary accounting of the “best” this and the “most” that. But might it also be an opportunity to look back, reflect, and share? We hope so, and so, for a seventh year, The Millions has reached out to some of our favorite writers, thinkers, and readers to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2011 a fruitful one.
As we have in prior years, the names of our 2010 “Year in Reading” contributors will be unveiled one at a time throughout the month as we post their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed and follow along in your favorite feed reader.
Stephen Dodson, coauthor of Uglier Than a Monkey’s Armpit, proprietor of Languagehat.
Fiona Maazel, author of Last Last Chance.
John Banville, author of The Sea, The Infinities, and many other books.
Al Jaffee, legendary Mad Magazine writer and cartoonist.
Lionel Shriver, author of So Much for That and several other books.
Emma Rathbone, author of The Patterns of Paper Monsters.
Joshua Cohen, author of Witz.
Jonathan Dee, author of The Privileges and several other books.
Jennifer Gilmore, author of Something Red.
Stephen Elliott, editor of The Rumpus and author of The Adderall Diaries.
Dan Kois, author of Facing Future.
Bill Morris, Millions staff writer and author of Motor City.
Mark Sarvas, author of Harry, Revised, proprietor of The Elegant Variation.
Emma Donoghue, author of Room and several other books.
Margaret Atwood, author of Year of the Flood and many other books.
Lynne Tillman, author of American Genius and several other books.
Hamilton Leithauser, of The Walkmen.
Padgett Powell, author of The Interrogative Mood and other books.
Anthony Doerr, author of Memory Wall and other books.
Paul Murray, author of Skippy Dies.
Tom Rachman, author of The Imperfectionists.
Aimee Bender, author of The Particular Sadness of Lemon Cake and several other books.
Philip Lopate, author of Notes on Sontag and several other books.
Sam Lipsyte, author of The Ask and other books.
Julie Orringer, author of The Invisible Bridge.
Joseph McElroy, author of Women and Men and several other books.
Alexander Theroux, author of Laura Warholic and several other books.
Laura van den Berg, author of What the World Will Look Like When All the Water Leaves Us.
Emily St. John Mandel, Millions staff writer and author of Last Night In Montreal and The Singer’s Gun.
John Williams, founding editor of The Second Pass.
Edan Lepucki, Millions staff writer, author of If You’re Not Yet Like Me.
Ed Champion, proprietor of edrants.com and The Bat Segundo Show.
Maud Newton, proprietor of maudnewton.com.
Lorin Stein, editor of The Paris Review.
Tom McCarthy, author of C and Remainder.
Keith Gessen, author of All the Sad Young Literary Men and founding editor of n+1.
Rosecrans Baldwin, author of You Lost Me There and co-founder of The Morning News.
Paul Harding, author of Tinkers.
Sigrid Nunez, author of Salvation City and several other books.
Matt Weiland, editor of The Thinking Fan’s Guide to the World Cup and State by State.
Allegra Goodman, author of The Cookbook Collector and several other books.
Adam Levin, author of The Instructions and several other books.
Michael Cunningham, author of By Nightfall, The Hours and several other books.
Sam Anderson, book critic, New York magazine.
Richard Nash, of Cursor and Red Lemonade.
Seth Mnookin, author of Hard News and The Panic Virus.
Joanna Smith Rakoff, author of A Fortunate Age.
Marisa Silver, author of The God of War and other books.
David Gutowski, of Largehearted Boy.
Emily Colette Wilkinson, Millions staff writer.
Jenny Davidson, author of Invisible Things and other books.
Scott Esposito, proprietor of Conversational Reading and editor of The Quarterly Conversation.
Carolyn Kellogg, LA Times staff writer.
Anne K. Yoder of The Millions.
Marjorie Kehe, book editor at the Christian Science Monitor.
Neal Pollack, author of Stretch: The Unlikely Making Of A Yoga Dude and other books.
Danielle Evans, author of Before You Suffocate Your Own Fool Self.
Allen Barra writes for the Wall Street Journal and the Daily Beast.
Dorothea Lasky, author of Black Life and AWE.
Avi Steinberg, author of Running the Books, The Adventures of an Accidental Prison Librarian.
Stephanie Deutsch, critic and historian.
Lydia Kiesling, Millions staff writer.
Lorraine Adams, author of The Room and the Chair.
Rachel Syme, NPR.com books editor.
Garth Risk Hallberg, Millions staff writer and author of A Field Guide to the North American Family.
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Year in Reading logo and graphics by Michael Barbetta
The end of another year (and decade) offers many amusements and diversions, chief among them the inevitable, retrospective lists. We made our own attempt in September, with our Best of the Millennium (So Far) series, which proved to be an instructive and contentious exercise. Among the chief arguments leveled against such “best of” lists is the way they posit an illusory pinnacle of achievement and quality. By means of a grand consensus, the list smooths over natural and exciting variations in individual taste. But true discoveries are often made not by finding out what everybody liked, but by getting from one trusted fellow reader a recommendation that strikes a nerve or piques an interest.
It’s also true that the reader who reflects on a year will find a thread of reading experiences to parallel the real-life ones…and particularly sublime moments alone (even in a crowd, alone) when a book has taken the reader out of her world and into its own. This experience transcends the cold qualitative accounting that names one book better than another.
And so amid all the lists (even our own), to round out the year, we offer a new installment of our annual “Year in Reading” series – an anti-list, as it were. Acknowledging that few readers, if any, read exclusively newly published books, we’ve asked our regular contributors and distinguished guests to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these considerations, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help your year in reading in 2010 be a fruitful one.
As we have in prior years, the names of our 2009 “Year in Reading” contributors will be unveiled one at a time throughout the month as we post their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed and follow along in your favorite feed reader.
Hari Kunzru, author of My Revolutions
Julie Klam, author of Please Excuse My Daughter
Phillip Lopate, author of Notes on Sontag
Stephen Dodson, coauthor of Uglier Than a Monkey’s Armpit, proprietor of Languagehat.
Mark Sarvas, author of Harry, Revised, proprietor of The Elegant Variation.
Diane Williams, author of It Was Like My Trying to Have a Tender-Hearted Nature, editor of NOON
Jonathan Lethem, author of Chronic City
David Gutowski, proprietor of Largehearted Boy
Jesse Ball, author of The Way Through Doors
Deb Olin Unferth, author of Vacation
Edan Lepucki of The Millions
Michelle Huneven, author of Blame
Joshua Ferris, author of Then We Came to the End
William H. Gass, author of The Tunnel
Reif Larsen, author of The Selected Works of T.S. Spivet
Victor LaValle, author of Big Machine
Dana Goodyear, author of Honey & Junk, New Yorker staff writer
Rosecrans Baldwin, founding editor of The Morning News and author of You Lost Me There
Nick Flynn, author of Another Bullshit Night in Suck City
David Shields, author of Reality Hunger
Stephen Elliott, editor of The Rumpus and author of The Adderall Diaries
Brady Udall, author of The Miracle Life of Edgar Mint
Rick Moody, author of The Black Veil
Kate Christensen, author of The Great Man
Marco Roth, a founding editor of N+1
Maud Newton, proprietor of maudnewton.com
Patrick Brown of The Millions
Hamilton Leithauser of The Walkmen
Scott Esposito editor of The Quarterly Conversation and of Conversational Reading
Ben Fountain, author of Brief Encounters with Che Guevara
Joe Meno, author of The Great Perhaps
Elizabeth Kostova, author of The Historian
Emily St. John Mandel, author of Last Night In Montreal
Jennifer Egan, author of The Invisible Circus
Rivka Galchen, author of Atmospheric Disturbances
Samantha Peale, author of The American Painter Emma Dial
Lan Samantha Chang, author of Inheritance
David L. Ulin, book editor of the Los Angeles Times
Jerome Charyn, author of The Secret Life of Emily Dickinson
Jon Raymond, author of The Half-Life
Sarah Shun-lien Bynum, author of Ms. Hempel Chronicles
Ken Chen, author of Juvenilia
Mark Haskell Smith, author of Moist
Brad Watson, author of Last Days of the Dog-Men
John Williams, editor of The Second Pass
Carolyn Kellogg, of Jacket Copy and www.carolynkellogg.com
Anne K. Yoder, of The Millions
Tim W. Brown, author of American Renaissance
Traver Kauffman, of Rake’s Progress
Jeff Martin, author of My Dog Ate My Nobel Prize
Ed Park, author of Personal Days
Cristina Henríquez, author of The World in Half
Garth Risk Hallberg, author of A Field Guide to the North American Family: An Illustrated Novella, contributor to The Millions
Motoyuki Shibata, author of American Narcissus
Robert Lopez, author of Kamby Bolongo Mean River
Masatsugu Ono, author of Graves Buried in Water
Roland Kelts, author of Japanamerica
Dan Kois, author of Facing Future
Michael Fusco, of Michael Fusco Design
Mark Sarvas’s debut novel Harry, Revised, compared by the Chicago Tribune to Updike and Roth, has been sold in more than a dozen countries. He is also the host of internationally renowned litblog The Elegant Variation, and a member of the National Book Critics Circle. His criticism has appeared in The New York Times Book Review, the Dallas Morning News, the Philadelphia Inquirer, The Threepenny Review and elsewhere.Well, my favorite book of this year – of quite a few years – is Joseph O’Neill’s magisterial Netherland but it’s been deservedly praised everywhere, so I will save my word count for a less well-publicized book. And a non-fiction title, to boot. Rob Riemen’s Nobility of Spirit: A Forgotten Ideal was my surprise of 2008, a slender but dense cri de coeur from Yale University Press. It hit my radar around the same time that Sarah Palin hit ours, and I could think of no more stirring rebuttal to the proud ignorance she represents than Riemen’s heartfelt pitch for the grand old values of Western Civ. The author, founder of the Nexus Institute, a European humanist think-tank, populates his crash course in the great thinkers with the likes of Socrates and Thomas Mann, and I can think of no better book for the President-elect’s bedside table. Nobility of Spirit argues (among other things) that the pursuit of High Thought will always – must always – trump the pursuit of Fleeting Gain. (And as we move uncertainly through a historic meltdown of our financial infrastructure, we see just how fleeting it can be.) In the end, Riemen argues, high ideals (embodied by art) are as essential as food and shelter. The examined self never seemed so timely. (And, as a bonus title, I finally got around to Ed Hirsch’s glorious How To Read a Poem and Fall In Love with Poetry, a book that makes me want to grab my Norton anthology and read every poem out loud. To be passionate about literature is unfashionable in too many quarters these days; Hirsch is an essential corrective.)More from A Year in Reading 2008
The distractions of a good book have been in high demand this year. A quiet corner and a transporting story offered a reprieve from relentless campaign news not to mention cheap entertainment for the many feeling a sudden impulse for thriftiness. 2008 was a loud year, and this final month seems likely to be only more deafening. The annual shopping frenzy has already ramped up, this year with overtones of desperation and the macabre.Yet in the spirit of the season (though in defiance of the prevailing mood), we offer a month of gifts – collected with the help of many generous friends – to our readers. There will be plenty of lists in the coming days assigning 2008’s best books (and movies and music and everything else you can think of), but it is our opinion that these lists are woefully incompatible with the habits of most readers. As it does with many things in our culture, what we call “the tyranny of the new” holds particularly strong sway over these lists. With books, however, it is different. We are as likely to be moved by a book written 200 years ago as we are by one written two months ago, and a list of the “Best Books of 2008” feels fairly meaningless when you walk down the aisles of your favorite bookstore or library.Being a reader is about having millions of choices, and a lucky reader has trusted fellow readers as her guides. With this in mind, we’ve asked a number of our favorite readers (and writers and thinkers) to be your guides for the month of December, with each contributor sharing with us the best book(s) they read in 2008, regardless of publication date. And so we present to you our 2008 Year in Reading, a non-denominational advent calendar of reading recommendations to take you through to the end of 2008.We’re doing it a little differently this year. The names 2008 Year in Reading contributors will be unveiled one at a time throughout the month as we post their contributions. You can bookmark this post to follow the series from here, you can just load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed and follow along in your favorite feed reader.Stephen Dodson author of Uglier Than a Monkey’s Armpit, proprietor of LanguagehatNam Le author of The BoatBenjamin Kunkel founding editor of N+1 and author of IndecisionRosecrans Baldwin founding editor of The Morning News and author of You Lost Me ThereHamilton Leithauser lead singer of The WalkmenMark Binelli author of Sacco and Vanzetti Must Die!Dan Kois founding editor of VultureAmanda Petrusich author of It Still MovesJoseph O’Neill author of NetherlandRex Sorgatz of Fimoculous.com.Elizabeth McCracken author of An Exact Replica of a Figment of My ImaginationJoan Silber author of Ideas of Heaven and The Size of the WorldAnder Monson author of Other ElectricitiesDon Lee author of Wrack and RuinTraver Kauffman of Black GarterbeltBuzz Poole author of Madonna of the ToastEdan Lepucki of The MillionsJim Shepard author of Like You’d Understand, AnywayPeter Straub author of seventeen novelsRachel Fershleiser co-editor of Not Quite What I Was PlanningCharles Bock author of Beautiful ChildrenEdward Champion of The Bat Segundo Show and edrants.comHelen Dewitt author of The Last SamuraiManil Suri author of The Age of ShivaCharles D’Ambrosio author of The Dead Fish MuseumChristopher Sorrentino author of TranceWells Tower author of Everything Ravaged, Everything BurnedLawrence Hill author of Someone Knows My NameJohn Wray author of LowboyEd Park founding editor of The Believer and author of Personal DaysSarah Manguso author of The Two Kinds of DecayKrin Gabbard author of Hotter Than ThatJosh Henkin author of MatrimonyJosh Bazell author of Beat the ReaperBrian Evenson by The Open CurtainCarolyn Kellogg of Jacket Copy and www.carolynkellogg.comHesh Kestin author of Based on a True StoryScott Esposito editor of The Quarterly Conversation and proprietor of Conversational ReadingGarth Risk Hallberg author of A Field Guide to the North American Family: An Illustrated Novella, contributor to The MillionsSana Krasikov author of One More YearSeth Lerer author of Children’s Literature: A Reader’s HistoryLorraine López author of The Gifted Gabaldon SistersAnne Landsman author of The Rowing Lesson and The Devil’s ChimneyMark Sarvas author of Harry, Revised and proprietor of The Elegant VariationBrad Gooch author of City PoetKyle Minor author of In the Devil’s TerritoryChristine Schutt author of Florida and All SoulsTodd Zuniga founding editor of Opium MagazineDavid Heatley author of My Brain is Hanging Upside DownV.V. Ganeshananthan author of Love MarriageFrances de Pontes Peebles author of The SeamstressLaura Miller cofounder of Salon.com author of The Magician’s Book: A Skeptic’s Adventures in NarniaDustin Long author of IcelanderMaria Semple author of This One is MineRob Gifford of NPR, author of China RoadJohn Dufresne author of Requiem, MassMatthew Rohrer author of Rise UpMickey Hess author of Big Wheel at the Cracker FactoryGregory Rodriguez author of Mongrels, Bastards, Orphans and VagabondsDavid Ebershoff author of The 19th WifeTim W. Brown author of Walking ManPablo De Santis author of The Paris EnigmaHugo Hamilton author of DisguiseJoshua Furst author of The Sabotage CafeKevin Hartnett of The MillionsRoland Kelts author of JapanamericaNikil Saval assistant editor at n+1The Year in Reading RecapBonus Links: A Year in Reading 2007, 2006, 2005
Mark Sarvas is the next to weigh in on this year’s Tournament of Books, deciding between Denis Johnson’s Tree of Smoke and Vendela Vida’s Let the Northern Lights Erase Your Name. He spends much of the review lamenting the early loss of Robert Bolano’s The Savage Detectives (as Garth did here), but he’s able to momentarily put his chagrin aside to judge the two novels at hand. Since I haven’t read any of these three books, I can’t agree or disagree with Sarvas’ assessment. I was most interested, though, in the commentary by Kevin Guilfoile and John Warner. Guilfole wonders if Sarvas’ description of Vida’s novel as “effective if slight” is really praise at all. He goes on to say:To be fair to Mark, I’m now going well beyond what I think is either his conscious or even subconscious intention, but the “slight” business in this case strikes me as vaguely sexist as well, as though a book about a young woman literally searching for her identity, no matter how skillfully it is rendered, could live up to the grand (at least judging by physical size) ambitions of either Bolano’s or Johnson’s opuses.Guilfoile admits he might be reading too much into Sarvas’ commentary because he loved Vida’s novel so much, bit it did get me wondering: Was Sarvas correct in advancing Denis Johnson’s novel because it is, in his words, the “Big Literary Book”?There’s also some interesting commentary, mainly by John Warner, about how Sarvas, with the publication of his debut book, Harry, Revised, is “about to make the complicated transition from critic to novelist.” A sticky (and exhilarating) situation to be in, for sure.
With 2007 in the rear view mirror, we now look ahead to a new year of reading, one packed with intriguing titles.Let’s kick off with a pair that Garth was already pining for a year ago:Jonathan Littell’s Les Bienveillantes (The Kindly Ones) won the Prix Goncourt and was a runaway bestseller in France. Not bad for a novel that runs over 900 pages. The Kindly Ones has been generating buzz on this continent for a while now, with Forbes asking “2008’s Hottest Book?” back in 2006. The delay, of course, is the translation, which many have suggested is quite an undertaking for this complex volume. Literature-in-translation headquarters, The Literary Saloon, meanwhile, has been following the progress, and recent accounts indicate that the going is slow. Many readers are hoping to get their hands on this one in 2008, but my sources at HarperCollins tell me 2009 is a likelier bet. Of course, you could read it in French.The other book, Roberto Bolano’s 2666 (we were 600 years off when we wrote about it last year), also lacks a release date, but its arrival seems somewhat more tangible in that the translator has at least been identified – it’s Natasha Wimmer. Late last month she told the Times’ book blog that she was just finishing up. She added, “Long stretches of the novel are set on the Mexico-U.S. border and inside a prison. And that’s not all. Bolano really gives the translator a workout. I also researched Black Panther history, pseudo-academic jargon (actually, some of that came naturally), World War II German army terminology, Soviet rhetoric, boxing lingo, obscure forms of divination and forensic science vocabulary, among other things. If that makes the novel sound like a hodgepodge, I promise it’s not. Even the most obscure detours are thoroughly Bolano-ized – filtered through his weird, ominous, comic worldview.” The Spanish speakers among us can already have this one in hand if they want.Already out or coming soon: 2006’s surprise Pulitzer winner for March, Geraldine Brooks, has another novel out that draws from both literary and literal history. Last time it was the Civil War and Little Women, with The People of the Book, it’s World War II and the Sarajevo Haggadah. If you want to learn more about the famed Haggadah and the real-life events that inspired Brooks’ novel, there was a recent New Yorker story on the topic (which is sadly not available online.)Roddy Doyle’s new collection of stories, The Deportees, includes one that revisits characters from his iconic novel The Commitments. Of the collection, The Independent writes, “Charm and animation are the qualities that count with Doyle’s deportees, as he goes about sticking up for disparaged incomers in a context of Dublin demotic exuberance.”Adam Langer decamps Chicago, the stomping ground of his last two novels, for his new book Ellington Boulevard, “an ode to New York” according to the catalog copy. The book, says The Daily News, “tells the story of one apartment before, during and after the boom years in city real estate. 2B is on W. 106th St. and a new landlord is looking to make a killing.”February: Lauren Groff’s debut, The Monsters of Templeton arrives on the scene with a nice boost from Stephen King, who way back last summer had this to say about the book in Entertainment Weekly: “The sense of sadness I feel at the approaching end of The Monsters of Templeton isn’t just because the story’s going to be over; when you read a good one – and this is a very good one – those feelings are deepened by the realization that you probably won’t tie into anything that much fun again for a long time.” That taken together with novel’s first line – “The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass.” – is enough to pique the interest of many a reader, I’d imagine.In keeping with the theme of debut novels with impressive backers, Ceridwen Dovey, who grew up in South Africa and Australia, scored blurbs from J.M. Coetzee and Colum McCann for Blood Kin, which PW describes as “a parable of a military coup as told by the ex-president’s barber, portraitist and chef.” It sounds like it may share some territory with Ngugi wa Thiong’o’s Wizard of the Crow. Another novel of a regime and its hangers on.In The Invention of Everything Else, Samantha Hunt has crafted an “imagining of an unlikely friendship between the eccentric inventor Nikola Tesla and a young chambermaid in the Hotel New Yorker where Tesla lives out his last days,” according to the publisher’s catalog description. Hunt was one of the National Book Foundation’s “5 under 35” in 2006. We can report that, anecdotally at least, the book is generating some interest. When we requested a galley from Houghton Mifflin a few weeks ago, we were told they were all gone.March: Tobias Wolff has a handsome volume of “New and Selected” stories on the way, Our Story Begins. The title story appeared in a 1985 collection, Back in the World, reviewed here by Michiko Kakutani.April: Interesting coincidence: Richard Bausch recently told Washington Post readers about his new novel, “It’s called Peace, and is set in Italy, near Mt. Cassino, in the terrible winter of 1944. Based on something my father told me long ago.” Over the last couple weeks, I’ve been reading about the battles that raged around Cassino in the winter of 1944, in Rick Atkinson’s excellent history of the liberation of Italy, Day of Battle. I would imagine there’s much for Bausch to draw from there.Keith Gessen, of n+1 fame will see his debut novel, All the Sad Young Literary Men, published in April. The LA Times, naming Gessen a “writer to watch,” offers back handed half-compliments, calling the book “a novel about, well, other bookish, male, Ivy League-schooled bohos in New York — their burning literary, academic and journalistic ambition, their pain. It’s a powerfully intelligent book that stylistically falls somewhere between a narcissistic wallow and a Tom Perrotta-style satire.” That may or may not be too harsh, as Gessen and company seem to inspire snark wherever they tread, but if anything, the discussion surrounding the book may be as fun to read as the book itself.Esteemed host of The Elegant Variation and friend of The Millions, Mark Sarvas will deliver his long awaited debut, Harry, Revised in April. He’s been keeping us up to date on his blog.Andrew Sean Greer also has a new book out in April, The Story of a Marriage. It’s set in 1950s San Francisco.You may have read Jhumpa Lahiri’s “Year’s End” in the year end New Yorker fiction issue. It’ll be collected with several other stories in Unaccustomed EarthMay: James Meek blew me away in 2006, with his odd and fantastical historical novel, A People’s Act of Love, which immersed readers in a world of post World War I Czech soldiers marooned in Siberian Yazyk among a mystical sect of castrati who lurk through the town like ghosts. And let’s not forget the escaped convict who claims he is being pursued by a cannibal. Meek is back in May with a much more conventional sounding effort, We Are Now Beginning Our Descent, about a journalist in the Afghan mountains covering the post-9/11 war and then back, trying to make sense of the “real” world upon his return.Tim Winton is a big name among Australian readers but not so much in the States. However, his rough-edged characters and windswept, lonely landscapes will transport nearly any reader to the remoter parts of Australia with ease. His latest, Breath, coming in May, offers big-wave surfers “on the wild, lonely coast of Western Australia.”June: Regular New Yorker readers may recognize the name Uwem Akpan. The Nigerian-born native of Zimbabwe landed a coveted spot in the Debut Fiction Issue in 2005 for his story “An Ex-Mas Feast,” and he was back again 2006 with “My Parents’ Bedroom.” Both stories appear in his forthcoming debut collection, Say You’re One of Them, which seems likely to fit in well with the mini-boom of African literature that we’ve seen over the last few years.Salman Rushdie’s forthcoming novel The Enchantress of Florence sounds very ambitious. Here’s a description from the Guardian: “Machiavellian intrigues of international high politics are scarcely the preserve of our century alone and in Salman Rushdie’s The Enchantress of Florence, the original master of unscrupulous strategy takes a starring role. This seductive saga links the Mughal empire with the Renaissance by way of an Indian princess, Lady Black Eyes, who finds herself central to the power struggles of 16th-century Florence. A virtuoso feat of storytelling, Rushdie’s novel also reflects on the dangers that come when fantasy and reality grow too intertwined.”July: Chris Adrian wowed readers in 2006 with his post-apocalyptic novel The Children’s Hospital. That novel’s ardent fans will be pleased to get their hands on a new collection of stories called A Better Angel. The collection’s title story appeared in the New Yorker in 2006.Western Haruki Murakami fans may have heard that another of his books has been translated. This one is a memoir titled – with a casual reference to another literary giant Raymond Carver – What I Talk About When I Talk About Running. On his blog Ted Mahsun notes, “The book is about his experience running in marathons. He’s quite the accomplished runner, having run in the Boston, New York and Tokyo marathons, amongst others. I didn’t think it would get translated into English since a lot of Murakami’s non-fiction which have been published in Japan gets ignored by his translators.” It’s Murakami’s only other non-fiction to appear in English besides UndergroundAugust: Paul Theroux is ready to tell us about another of his epic train rides in Ghost Train to the Eastern Star: 28,000 Miles in Search of the Railway Bazaar. “Thirty years after his classic The Great Railway Bazaar, Paul Theroux revisits Eastern Europe, Central Asia, India, China, Japan, and Siberia.”Date undetermined: Garth enjoyed Gregoire Bouillier’s “refreshingly odd voice” in his quirky memoir The Mystery Guest. Another memoir, Report on Myself, which won the Prix de Flore in France is forthcoming in spring 2008, but a release date has not yet been indicated.Tell us about your most anticipated books in the comments.
Mark Sarvas is the host of literary blog The Elegant Variation and author of Harry, Revised, to be published by Bloomsbury in May 2008.I suspect there might be something inherently unfair in asking about best books any year that J.M. Coetzee has a new novel out. He is truly sui generis and seems to operate at a level that the rest of us can only sort of admire from afar. After the interesting misstep that was Slow Man, he’s returned with the extraordinary Diary of a Bad Year. The book consists of three narratives that share each page: At the top of the page are, in a nod to Nabokov, the protagonist’s “Strong Opinions” – essays on subjects ranging from political life in Australia to al-Qaida. In the second thread, the protagonist “JC”, who bears a striking resemblance to the author, describes his obsession with his beautiful young amanuensis. And the third voice tells that same story from her point of view. The result is an alternating comic and tragic aria for three voices that asks questions no less fundamental than what is it we require of our writers and novels? A painter friend once told me that any serious painter needed to contend with Picasso and Pollock. Anyone who cares for literature must do the same with J.M. Coetzee.More from A Year in Reading 2007
This time of year there is a media stampede for lists. They are seemingly suddenly everywhere, sprouting like an odd breed of December weed. In a competition to write the first draft of our cultural history, all of our “bests” are assigned, duly praised once more, and then archived as the slate is cleared for another year. That fresh feeling you get on January 1, that is the false notion that you no longer have to think about all those things that happened a year ago, that you can start building your new lists for the new year.But books, unlike most forms of media, are consumed in a different way. The tyranny of the new does not hold as much sway with these oldest of old media. New books are not forced upon us quite so strenuously as are new music and new movies. The reading choices available to us are almost too broad to fathom. And so we pick here and there from the shelves, reading a book from centuries ago and then one that came out ten years ago. The “10 Best Books of 2007” seems so small next to that.But with so many millions of books to choose from, where can we go to find what to read?If somebody hasn’t already coined this phrase, I’ll go ahead and take credit for it: A lucky reader is one surrounded by many other readers. And what better way to end a long year than to sit (virtually) with a few dozen trusted fellow readers to hear about the very best book (or books) they read all year, regardless of publication date.And so we at The Millions are very pleased to bring you our 2007 Year in Reading, in which we offer just that. For the month of December, enjoy hearing about what a number of notable readers read (and loved) this year. We hope you’ve all had a great Year in Reading and that 2008 will offer more of the same.The 2007 Year in Reading contributors are listed below. As we post their contributions, their names will turn into links, so you can bookmark this page to follow the series from here, or you can just load up the main page for more new Year in Reading posts appearing at the top every day. Stay tuned because additional names may be added to the list below.Languagehat of LanguagehatSarah Weinman of Confessions of an Idiosyncratic MindJoshua Ferris, author of Then We Came to the EndBen Ehrenreich, author of The SuitorsLydia Millet, author of Oh Pure and Radiant HeartArthur Phillips, author of Prague and The EgyptologistPorochista Khakpour author of Sons and Other Flammable ObjectsHamilton Leithauser, lead singer of The WalkmenMatthew Sharpe, author of JamestownAmanda Eyre Ward, author of Forgive Me and How to be LostLauren Groff, author of The Monsters of TempletonJoshua Henkin, author of MatrimonyBuzz Poole, managing editor at Mark Batty PublisherBen Dolnick, author of ZoologyElizabeth Crane, author of When the Messenger Is Hot and All This Heavenly GloryMeghan O’Rourke, author of Halflife, literary editor SlateAndrew Saikali of The MillionsEdan Lepucki of The MillionsDavid Gutowski of largehearted boyMark Sarvas of The Elegant Variation, author of Harry, RevisedCarolyn Kellogg of Pinky’s PaperhausPeter Ho Davies, author of The Welsh GirlZachary Lazar, author of SwayMatt Ruff, author of Bad MonkeysAlex Rose, author of The Musical IllusionistJames Hynes, author of The Lecturer’s Tale and Kings of Infinite SpaceMartha Southgate, author of Third Girl From The LeftJunot Díaz, author of The Brief, Wondrous Life of Oscar WaoRudolph Delson, author of Maynard and JennicaRosecrans Baldwin, founding editor of The Morning NewsBonny Wolf author of Talking With My Mouth Full and NPR correspondentBret Anthony Johnston, author of Corpus ChristiJoshilyn Jackson, author of Gods in Alabama and Between, GeorgiaElif Batuman, n+1 and New Yorker contributorRichard Lange, author of Dead BoysSara Ivry, editor at NextbookScott Esposito of Conversational ReadingEd Champion of Return of the ReluctantDavid Leavitt, author of The Indian ClerkRoy Kesey, author of All OverLiz Moore, author of The Words of Every SongYannick Murphy, author of Signed, Mata Hari and Here They ComeSam Sacks, editor at Open LettersTed Heller, author of Slab RatBookdwarf of BookdwarfJess Row, author of The Train to Lo WuMarshall N. Klimasewiski, author of The Cottagers and TyrantsBrian Morton author of Breakable YouEli Gottlieb, author of Now You See HimDan Kois, editor of Vulture, New York magazine’s arts and culture blog.Robert Englund, actorGarth Risk Hallberg, A Field Guide to the North American Family: An Illustrated Novella, contributor to The Millions