Don't Call Us Dead: Poems

Any book can be a beach read with the right attitude. On offer this summer are a bevy of books to take seaside, or poolside, or to the park, patio, or outdoor setting of your choosing. Here you’ll find just over 100 titles out this summer that we’re excited about here at The Millions. Some we’ve already read in galley form; others we’re simply eager to dive into based on their authors or subjects. We hope you find your next great read among them.  The Millions is, alas, still on hiatus, but we're determined to continue bringing you our seasonal Most Anticipated previews in the interim (if, at times, a bit belatedly).  —Sophia Stewart, editor * July I Want to Burn This Place Down by Maris Kreizman (Ecco) Kreizman's writing captures that distinctly millennial brand of malaise with refreshing wit and vigor, and her always-correct book world takes are informed by a deep love of literature. I'm looking forward to seeing these chops and more on display in her debut essay collection. —Sophia M. Stewart Hot Girls with Balls by Benedict Nguyễn (Catapult) Nguyen's debut is a subversive satire and romantic romp rolled into one, following two Asian American trans women's scheme to join a men's pro indoor volleyball league. —SMS Vera, or Faith by Gary Shteyngart (Random House) Shteyngart returns with the story of a precocious little girl as she searches for her birth mother, navigates her imploding family, and strives toward unending love. —Eva M. Baron Long Distance by Ayşegül Savaş (Bloombsury) Savas's followup to her brilliant novel The Anthropologists is a collection of stories that deconstruct contemporary life through the lenses of desire, loss, and intimacy. —SMS A Bomb Placed Close to the Heart by Nishant Batsha (Ecco) The sophomore novel from Batsha, inspired by the real-life romance of 20th-century radicals M.N. Roy and Evelyn Trent, tells the love story of an Indian revolutionary and Stanford grad student who fall for one another in 1917. —SMS Bring the House Down by Charlotte Runcie (Doubleday) A ruthless theater critic meets his match in a struggling actress, who sets off the unraveling of his reputation after a one-night stand in Runcie’s clever tale, which also offers a piercing critique of power games and misogyny. —Sam L. Spratford Putafeminista by Monique Prada, tr. Amanda De Lisio (Feminist Press) Brazilian sex worker and activist Prada calls for a working class women's movement that rejects "whorephobia" and critiques current feminist discourse around sex work in this bracing manifesto. —SMS Sunburn by Chloe Michelle Howarth (Melville House) Howarth's queer coming-of-age novel set in small-town Ireland in the early 1990s mines the intensity of first love (and first heartbreak) as well as the pain of being queer in a small, conservative community. —SMS Fools for Love by Helen Schulman (Knopf) Following her 2023 novel Lucky Dogs, Schulman offers up a smart short story collection complete with a cast of characters including an East Village playwright, a precocious baby, and an American mother and French Orthodox rabbi who become lovers. —EMB The Feather Detective by Chris Sweeney (Avid Reader) In the 1960s, Roxie Laybourne pioneered the field of forensic ornithology, which is exactly what it sounds like—using feathers to solve bird-related mysteries and crimes, from plane crashes to a racist tarring-and-feathering. Sweeney's biography must be read to be believed. —SMS A Return to Self by Aatish Taseer (Catapult) Part travelogue, part memoir, A Return to Self was spurred by the revocation of Taseer's Indian citizenship in 2019, exiling him from his home of 30 years. Traveling across cities in Turkey and Mexico, he considers questions of identity, home, and why certain sites become historical epicenters. —SMS The Convenience Store by the Sea by Sonoko Machida, tr. Bruno Navasky (Putnam) Centered on a small-town Japanese mini-mart aptly called Tenderness, Machida’s international bestseller is a heartfelt ode to community and the unassuming delights that help us all endure. —SLS Passport to Paris and Los Angeles Poems by Vernon Duke, tr. Boris Dralyuk (Paul Dry Books) I've been reading Dralyuk's translations of and writing about Vernon Duke for a couple years now, courtesy of his wonderful blog, and could not be more excited to see Duke's Los Angeles poems paired with his 1995 memoir—both rendered in Dralyuk's always-brilliant translation from the Russian. —SMS A Flower Traveled in My Blood by Haley Cohen Gilliland (Avid Reader) Gilliland's sweeping, rigorous narrative history tells the story of the Abuelas de Plaza de Mayo, the fearless Argentine grandmothers whose pregnant daughters were disappeared and whose grandchildren were kidnapped by the government—and have much to teach us now. —SMS Make Your Way Home by Carrie R. Moore (Tin House) The 11 stories in Moore's debut collection explore the lives of Black men and women in the American South—from North Carolina to Florida to Texas—who seek a sense of belonging in the oppressive shadow of history. —SMS Information Age by Cora Lewis (Joyland) Lewis’s novella of a journalist covering technology in the late 2010s looks back on the not-so-distant early days of our dizzying digital news cycle, through the ears of one woman whose reporting and personal life meld into one noisy milieu. —SLS Blowfish by Kyung-Ran Jo, tr. Chi-Young Kim (Astra House) A successful sculptor contemplates killing herself by eating a fatal serving of blowfish—just as her grandmother did before her—in Jo's haunting novel. —SMS Nothing More of This Land by Joseph Lee (One Signal) Growing up on Martha’s Vineyard, Lee found that his Wampanoag identity didn’t match what he learned about U.S. history at school. Now a journalist, he thinks about the meaning of Indigenous identity today and how one might move beyond colonial legacies. —Nathalie op de Beeck Necessary Fiction by Eloghosa Osunde (Riverhead) Following their acclaimed debut Vagabonds!, Osunde’s sophomore novel conjures up more than two dozen multi-generational characters navigating queer life in Nigeria, who grapple with everything from the risks of authenticity to questions of death and God. —SLS Maggie; or, A Man and a Woman Walk Into a Bar by Katie Yee (Summit) Yee weaves tragedy into comedy in her debut novel, which follows an unnamed Chinese American woman as she navigates the one-two punch of discovering her husband's infidelity and being diagnosed with breast cancer. —SMS Pan by Michael Clune (Penguin) A precocious teenager tries to get to the roots of his anxiety after he starts suffering from panic attacks, reading and writing his way toward an explanation—including that the Greek god Pan, from which the word panic, comes, might be trapped inside his body. —SMS Sloppy by Rax King (Vintage) King follows up her cheeky debut Tacky with an essay collection about bad behavior—from shoplifting to drug use and abuse to mental illness—written with her characteristic wit, cheek, and sense of gallows humor. —SMS Black Genius by Tre Johnson (Dutton) Johnson’s subversive and entertaining essays weave family and U.S. history to illuminate Black ingenuity and the "brilliance of the everyday," from 90s airbrush graffiti tees to unassuming family traditions. —SLS The Trembling Hand by Mathelinda Nabugodi (Knopf) Nabugodi's new history of Romantic literature illuminates the ever-looming presence of the Atlantic slave trade in the lives and work of Shelley, Keats, and others, exemplifying the difficulty—and necessity—of facing the violent contradictions that undergird the stories we love to read and tell. —SLS An Oral History of Atlantis by Ed Park (Random House) Park’s story collection perfects the tongue-in-cheek accounting of modern life that characterized his two novels, delivering a memorable cast of characters whose fates coincide at the border between mundane and strange. —SLS Time of Silence by Luis Martín-Santos, tr. Peter Bush (NYRB) This new translation restores the most unsavory truths about Franco’s dictatorship to Martín-Santos's darkly funny 1962 novel, which follows a Nobel-aspiring scientist through the shadows of a society that has hit rock bottom. —SLS The Dance and the Fire by Daniel Saldaña París, tr. Christina MacSweeney (Catapult) Described as "spellbinding" by PW, Saldaña’s latest is a smoldering tale of three friends whose erotic and artistic dynamics rouse a Mexican city from its collective slumber. —SLS Simplicity by Mattie Lubchansky (Pantheon) From the editor of the satirical comics publication the Nib comes an imaginative and terrifying story of monsters both natural and supernatural, set in 2081 between a dystopian New York City and a cult in the Catskills. —SLS My Clavicle and Other Massive Misalignments by Marta Sanz, tr. Katie King (Unnamed) Sanz's autofictional English-language debut is a poetic meditation on illness, mortality, and writing sure to please memoir readers and mystery enthusiasts alike. —SLS Love Forms by Claire Adam (Hogarth) In a sprawling and emotional tale of an aging woman in search of the daughter she gave up for adoption at 16, Adam probes the many ways love can shape our lives in her latest novel since her prize-winning debut Golden Child. — SLS Lonely Crowds by Stephanie Wambugu (Little, Brown) The art world is infamously cutthroat—and an endless source of inspiration for novelists. Wambugu’s debut fits squarely into this tradition, conjuring New York’s art scene in the early 1990s through the intense, competitive, and richly imagined friendship of two ambitious women. —EMB August Solitaria by Eliana Alves Cruz, tr. Benjamin Brooks (Astra House) In Cruz’s propulsive liberation novel, a mother and a daughter work as live-in maids in the Golden Plate, the most expensive building in an unnamed Brazilian city. While there, the duo must reckon not only with their own invisibility and dissatisfaction, but with Brazil’s legacies of colonial violence, wealth, and injustice. —EMB He Rolled Me Up Like a Grilled Squid by Yoshiharu Tsuge, tr. Ryan Holmberg (D&Q) Manga creator Yoshiharu Tsuge, now in his 80s, had a relatively short comics career from 1965–1987, rising to cult status but plagued by difficulties with his mental health. This collection of his work, spanning 1975–1981, showcases Yoshiharu’s characteristic blend of the personal and the nightmarish. —NodB People Like Us by Jason Mott (Dutton) Mott follows up his 2021 National Book Award–winning novel Hell of a Book with a surreal and intimate story about two Black writers contending with loss, longing, and gun violence. —EMB Blessings and Disasters by Alexis Okeowo (Holt) Perhaps even more than the New Yorker writer's journalistic chops, Okeowo's ability to navigate, with nuance and empathy, seemingly hopeless racial divides is what makes this ground-level depiction of her home state of Alabama exceptional. —SLS The Invention of Charlotte Brontë by Graham Watson (Pegasus) Watson's debut biography deconstructs the Jayne Eyre author's swift ascent to literary fame and the dueling narratives that continue to shape her legacy. —SMS The Book of Homes by Andrea Bajani, tr. Elizabeth Harris (Deep Vellum) Bajani’s episodic, nonlinear narrative traces one man’s memories and rites of passage through a series of northern Italian homes, from infancy in 1976 to 21st-century adulthood. —NodB Moderation by Elaine Castillo (Viking) As our world becomes more virtual, so too does romance. That shift grounds Castillo’s intriguing latest, where one of the world’s best content moderators must contend with falling in love during a digital—and increasingly isolated—era. —EMB Putting Myself Together by Jamaica Kincaid (FSG) Intimate in scope and ambitious in subject matter, this collection gathers Kincaid's early pieces from such publications as the New Yorker, Village Voice, and Ms., exemplifying her stylistic confidence—and evolution—across time. —EMB Friends with Words by Martha Barnette (Abrams) A Way with Words is the only podcast I listen to, and the fact is that I would die for Martha Barnette, so I can't wait to read her chronicle of her lifelong love of language. —SMS God and Sex by Jon Raymond (S&S) Climate disaster, New Age writing, carnality, and meditations on God may seem an unlikely melange, but Raymond brilliantly merges each of these strands into this rigorous and probing novel about an author whose brush with a forest fire pushes him to seek a higher power. —EMB The Dilemmas of Working Women by Fumio Yamamoto, tr. Brian Bergstrom (HarperVia) Each of the five stories in Yamamoto's collection centers on a different woman navigating life in contemporary Japan, where the alienation of wage labor compounds with the pressure to be agreeable, maternal, and non-confrontational—patriarchal norms to which these "spiky" women cannot bend. —SLS Loved One by Aisha Muharrar (Viking) Muharrar—a TV writer with credits on Hacks, Parks and Rec, The Good Place, and more—makes her literary debut with this story of love and loss, about a young woman who goes on an intercontinental journey to recover the belongings of her old friend and first love, who dies unexpectedly at 29. —SMS Dwelling by Emily Hunt Kivel (FSG) Perhaps out of necessity, our ongoing housing crisis offers perfect fodder for fiction—or at least that’s the case for Kivel’s aptly-titled, surrealist debut. Part fairy tale, part social commentary, this innovative and wry story follows a young woman’s quest for a home when, in a world-ending twist, every renter is evicted en masse. —EMB Little World by Josephine Rowe (Transit) Rowe's story about various lives touched by a child saint's corpse over space and time is lyrical, varied, and only slightly less strange than it sounds. —SLS Positive Obsession by Susana M. Morris (Amistad) Octavia Butler was a literary trailblazer as the first Black woman to consistently write and publish science fiction. This sweeping biography probes Butler’s legacy with both sensitivity and rigor, considering the cultural, political, and social contexts that shaped her life and writing. —EMB Black Moses by Caleb Gayle (Riverhead) It's a rare and satisfying experience to find a nonfiction book that balances the scope of its content with narrative coherence, without sacrificing either. Gayle's latest carves a historical epic out of a forgotten episode in the Black separatist movement, enthralling as both a character study and a novel look at America's racial history. —SLS Stories of the True by Jeyamohan, tr. Priyamvada Ramkumar (FSG) With evocative, refreshing, and at times volatile prose, Jeyamohan reveals the intricacies of life in contemporary India through stories about bureaucrats, elephants, gurus, and doctors.  —EMB The Dancing Face by Mike Phillips (Melville House) In this highly original thriller, Gus, a Black university professor, plans a burglary to "liberate" a priceless Benin mask from a London museum. The result is a timely meditation on what art institutions owe us and the cultures they plunder. —EMB The Right of the People by Osita Nwanevu (Random House) Taking up some of the most monumental political questions of our day, including the viability of America's founding institutions, this treatise from Nwanevu, an editor at the New Republic, is essential reading for anyone who feels their hopes for democratic reform floundering. —SLS The New Lesbian Pulp ed. Sarah Fonseca and Octavia Saenz (Feminist Press) Who doesn't love pulp fiction, the more melodramatic the better? This collection is a heady mix of 1950s-era lesbian pulp and newer material that turns up a notch or two the classic tropes of romantic peril, unbridled passion, and revenge. —Claire Kirch Women, Seated by Zhang Yueren, tr. Jeremy Tiang (Riverhead) In this propulsive translation, a nanny witnesses a wealthy Chinese family’s fall from grace—all while knowing their darkest secrets and caring for their only son. —EMB The El by Theodore C. Van Alst Jr. (Vintage) Van Alst Jr.'s semi-autobiographical novel, inspired by Sol Yurick's The Warriors, follows a group of teenage gang members in Chicago who trek across the city to attend a high-profile gathering of gangs. —SMS Where Are You Really From by Elaine Hsieh Chou (Penguin Press) In Chou's clever collection, which includes short stories and a novella, features a cast of characters who invariably find themselves in extraordinary situations that shake up their sense of self and make them reconsider their place in the world. —CK The New Negro ed. Martha H. Patterson and Henry Louis Gates Jr. (Princeton UP) This anthology, coedited by the great Skip Gates, spanning 1887-1937 chronicles how generations of Black thinkers from W.E.B Du Bois to Oscar Micheaux to Zora Neale Hurston conceptualized and debated the idea of the "New Negro." —SMS The Quiet Ear by Raymond Antrobus (Hogarth) Antrobus's memoir untangles his knotty relationship to his own deafness, exploring the "missing sounds" that shaped his life and the sense of in-betweenness that long defined both his aural ability and racial identity. —SMS Dominion by Addie E. Citchens (FSG) The debut novel from the inaugural FSG Writer's Fellow is a Black Southern family drama that wrestles with sin, silence, and patriarchy in a small Mississippi town. —SMS Mounted by Bitter Kalli (HarperOne) As Beyoncé and others push us to reconsider the legacy of the cowboy, Kalli explores how intertwined Blackness, nationhood, and horses have been throughout history. —EMB Patchwork by Tom Comitta (Coffee House) For fans of Burroughs's cut-up tradition, Comitta's latest is a fresh experiment in the limits of literary collage. Using illustrations and passages from classic literature, the Nature Book author fashions a playful story about the search for a missing snuff box, full of sensory surprises and curiosities of craft. —SLS Archipelago by Natalie Bakopoulos (Tin House) This atmospherically rich book, which follows an unnamed translator at an artists' residency on a Croatian island, is also chock-full of thought-provoking commentary on authorship and creative identity. —SLS Baldwin by Nicholas Boggs (FSG) Boggs's door-stopper of a biography—the first of Baldwin in three decades—examines how the visionary author's intimate and artistic relationships with four men shaped his life and work. —SMS Hothouse Bloom by Austyn Wohlers (Hub City) Wohlers's debut novel follows a young woman who arrives at her late grandfather's apple orchard with the intention of giving up her painting career and social life in order to become one with the trees—until the appearance of an old friend upends her plans. —SMS A Truce That Is Not Peace by Miriam Toews (Bloomsbury) Marking the first time in two decades that Toews has written about her own life in nonfiction, this memoir is a poignant meditation upon her sister’s suicide, the urge to write, and the limits of memory. —EMB Two Serious Ladies by Jane Bowles (Picador) Bowles's 1943 novel—her only one, now with a new introduction from Sheila Heti—is a modernist tale about two upper-class women who eschew convention and embrace debauchery. —SMS Katabasis by R.F. Kuang (HarperCollins) Fans of Babel will not be disappointed by Kuang's latest dark-academia epic, which follows an honors graduate student in "Analytical Magick" and her rival as they embark on a Dantesque journey to rescue her advisor from the underworld. —SLS Such Great Heights by Chris DeVille (St. Martin's) This cultural history of the indie rock explosion—from Neutral Milk Hotel and Death Cab to Sufjan and the National—would have blown my teenage self's mind. It is total catnip to adult-me as well. —SMS September Mother Mary Comes to Me by Arundhati Roy (Scribner) In electrifying, intimate prose, Roy's first memoir traces the her complex relationship with her mother, Mary and how it shaped the person—and writer—she ultimately became. —EMB The Woman Dies by Aoko Matsuda, tr. Polly Barton (Europa) Following her last collection Where the Wild Ladies Are, Matsuda's latest stays focused on the absurdities and traumas of sexism in Japan, presenting 52 fresh, subversive stories that call to mind Shirley Jackson's short works. —SLS Trip by Amie Barrodale (FSG) Barrodale's debut novel follows Sandra, who dies suddenly at a death conference in Nepal and must set off on a quest in the afterlife to help her son, who is both literally and metaphorically lost at sea. —SMS Beyond All Reasonable Doubt, Jesus Is Alive! by Melissa Lozada-Oliva (Astra House) Magic, humor, and faith ground Lozada-Oliva’s story collection, which features beheaded bodies, bizarre video games, sentient tails, and haunted punk houses. —EMB Miss Ruki by Fumiko Takano, tr. Alexa Frank (NYRC) Frank's translation brings this lighthearted manga into English for the first time. Originally published in Japan in the 1980s, the eponymous protagonist is an offbeat young woman who rejects the rat race for a slower, more intentional life. —SLS The Improbable Victoria Woodhull by Eden Collinsworth (Doubleday) At once celebrated and maligned, the 19th-century businesswoman and activist at the center of Collinsworth's biography dipped her toe in everything from mysticism to free love to an unprecedented presidential campaign. —EMB The Wax Child by Olga Ravn, tr. Martin Aitken (ND) An unlikely narrator guides this visceral horror story: a wax doll created by an unmarried noblewoman accused of witchcraft. Through the eyes of this doll, we witness—with startling clarity—the brutality and fear that ruled 17th-century Denmark. —EMB Grace Period by Maria Judite de Carvalho, tr. Margaret Jull Costa (Two Lines) When de Carvalho's protagonist sets out to sell his childhood home to fund a trip for his dying girlfriend, he is forced to reckon with the 25 out-of-control years that separate him from his past, which is full of paralyzing love, pain, and apathy. —VMS Reflections on Exile by Edward W. Said (Vintage) This reissue of selected essays by the great scholar and critic Said, which features the particularly salient title essay on the fate of the Palestinian people, is just the book we need right now. —SMS Middle Spoon by Alejandro Varela (Viking) As polyamory and open relationships gain cultural relevance, Varela's subversive and generous novel considers the sting of rejection and heartbreak from the perspective of its married narrator who has just been dumped by his younger boyfriend. —EMB Tracker by Alexis Wright (ND) Decorated novelist Wright returns to nonfiction with a portrait of an influential Aboriginal Australian leader conveyed through collective storytelling, providing a window into Aboriginal culture as it narrates a moment in 20th-century Australian politics. —SLS The Sweet Dove Died by Barbara Pym (NYRB) Pym's shrewd and ahead-of-its-time 1978 novel about a women's attachment to a much younger man is back in a new edition from NYRB, featuring an intro from Loved and Missed author Susie Boyt. —SMS Helen of Nowhere by Makenna Goodman (Coffee House) The country home around which Goodman's story coalesces is no ordinary haunted house. Through the eyes of a male protagonist, readers feel the titular spirit Helen at once as an intimately tangible presence and a harbinger of the existential stakes of starting one's life over again. —VMS The Animal on the Rock by Daniela Tarazona, tr. Lizzie Davis and Kevin Gerry Dunn (Deep Vellum) After the death of her mother, a woman named Irma holes up on a faraway beach to grieve and, the process, undergoes a supernatural metamorphosis in the Mexican author's latest. —SMS A Silent Treatment by Jeannie Vanasco (Tin House) Vanasco's memoir looks at how silence is wielded and weaponized through the lens of her own complicated relationship with her mother. —SMS The Lack of Light by Nino Haratischwili, tr. Charlotte Collin and Ruth Martin (HarperVia) This sprawling, densely populated saga charts the lead-up to and fallout from Georgia's independence from the Soviet Union through the lives of four childhood friends. —SMS The Wilderness by Angela Flournoy (Mariner) The brilliant sophomore novel from the National Book Award finalist follows five Black women across two decades as they attempt to shape their lives on their own terms. —VMS Surviving Paris by Robin Allison Davis (Amistad) We've all dreamed of escaping to Paris and living "la vie en rose." Davis, a Black woman and journalist, has written a memoir of how she did just that, but things did not go exactly as she'd hoped: Davis was diagnosed with breast cancer and had to contend with it far away from her loved ones, all while trying to find her way amid a foreign culture. —CK Bird School by Adam Nicolson (FSG) It’s a slippery slope from looking up a little brown bird on Cornell’s Merlin app to becoming an all-season birder. For Nicolson, a recognition of nesting species led to setting up a shed to watch wildlife year round. The book's British setting covers only a narrow range of birds, but its sentiments are universal; the world might have greater peace and sounder environmental policies if everyone took up birding. —NodB Animal Stories by Kate Zambreno (Transit) Zambreno is one of our most inventive and formally daring writers, and her latest work of nonfiction—a meditation on mortality, alienation, boredom, surveillance, and the animal kingdom—sees her at the height of her powers. —SMS Do Admit: The Mitford Sisters and Me by Mimi Pond (D&Q) Pond crafts a graphic narrative biography of the six Mitford sisters, among them writers Jessica and Nancy. Raised in a deteriorating English country manse, the early 20th-century socialites were known for differences of opinion around Empire and fascism. Pond paints the upper crust scene in prim navy, cool periwinkle, and powder blue. —NodB Kaplan's Plot by Jason Diamond (Flatiron) Centered on a son who returns to Chicago to be with his dying mother, Diamond's debut novel is a stunning story of how families bend to accommodate the unspoken, and how, every once in a while, a tenacious individual might straighten things out. —VMS Articulate by Rachel Kolb (Ecco) The deaf writer's deft debut memoir probes the many meanings of language, voice, and communication through the lens of her own attempts to harness speech and be perceived as "articulate." —SMS For the Sun After Long Nights by Fatemeh Jamalpour and Nilo Tabrizy (Pantheon) Iranian journalists Jamalpour and Tabrizy chronicle the 2022 women-led protests in Iran over the murder of Kurdish woman Mahsa Jîna Amini at the hands of police, catalyzing one of the country's largest uprisings in decades: the Woman, Life, Freedom movement. —SMS The Waterbearers by Sasha Bonét (Knopf) Bonét's profound ode to Black womanhood narrates the history of America through generations of Black mothers and daughters—including her own. —SMS Discontent by Beatriz Serrano, tr. Mara Faye Lethem (Vintage) When Marisa goes on a company retreat with her unhinged coworkers, the lies she's built her whole successful, fine-art-appreciating persona around are threatened to be exposed. What ensues is like a car crash you can't look away from—if a car crash was as hilarious and well-crafted as Serrano's writing. —SLS It's Me They Follow by Jeannine Cook (Amistad) Cook, founder and owner of the beloved Harriett's Bookshop in Philly, debuts with a romance starring a bookseller who becomes a reluctant matchmaker. —SMS Will There Ever Be Another You by Patricia Lockwood (Riverhead) After a bout with Covid, a successful author reckons with a dissolving sense of self and struggles to maintain her public persona, in this fictive exploration of consciousness. The No One Is Talking About This author conveys her protagonist’s dissociation and memory loss, heightened when her husband becomes ill and requires her care. —NodB Goliath's Curse by Luke Kemp (Knopf) The state of the world seems uniquely grim today—but haven't people always thought so? Kemp's sweeping survey charts the surprising history of societal collapse, bringing some (not always comforting) perspective to our own troubling reality. —SMS We Love You Bunny by Mona Awad (Mary Sue Rucci) Awad returns with another darkly comedic novel set in the "Bunny-verse," after her 2019 cult classic Bunny, about a lonely MFA student who gets seduced by a creepy clique. —SMS Electric Spark by Frances Wilson (FSG) The enigmatic Scottish writer Muriel Spark gets her due in Wilson's illuminating biography, which aims to demystify its stubbornly elusive but endlessly fascinating subject. —SMS Beings by Ilana Masad (Bloomsbury) Masad's second novel, after All My Mother's Lovers, weaves together three narratives—two set in the 1960s and one in the present—of love, loneliness, and supernatural encounters. —SMS Cécé by Emmelie Prophète, tr. Aidan Rooney (Archipelago) Immersed in the atmosphere and people of a Haitian cité, Prophète's titular protagonist attempts to claw a life for herself out of the hands of gangs, junkies, grandmothers, and preachers. With her morbid internet following on one side and the pressures of sex work on the other, Cécé is an imperfect and deeply human testament to female resiliency. —SLS The Autobiography of H. Lan Thao Lam by Lana Lin (Dorothy) Taking inspiration from Gertrude Stein's The Autobiography of Alice B. Toklas, Lin chronicles her partner Lan Thao's life and work in this genre-defying portrait. —SMS To the Moon and Back by Eliana Ramage (Avid) Ramage's ambitious and big-hearted debut novel follows one young woman across three decades and multiple continents on her quest to become the first Cherokee astronaut. —SMS

It's been a painfully long winter here in New York City, but the glinting promise of spring—and spring books—has bolstered me through these cold, hard months. Here you’ll find just over 100 titles that we're looking forward to here at The Millions. Some we’ve already read in galley form; others we’re simply eager to dive into based on their authors or subjects. We hope you find your next great read among them.  We are, alas, still on hiatus, but are determined to continue bringing you our seasonal Most Anticipated previews in the interim.  —Sophia Stewart, editor * April Pathemata, or, The Story of My Mouth by Maggie Nelson (Wave) Nelson’s genre-busting Bluets is a perpetual handselling favorite at many an indie bookstore and practically lyricism incarnate. Anything billed as “something of a companion piece” to it is worth a look. If anyone can make a diary of jaw pain sing, it’s Nelson. —John H. Maher The Ephemera Collector by Stacy Nathaniel Jackson (Liveright) Jackson's Afrofuturistic debut novel, which pays homage to Octavia Butler, follows an archivist at the Huntington Library who fights to protect her life's work—an impossible collection of ephemera from an undersea city that has yet to be founded—following the kidnapping of the Huntington's CEO. —Sophia M. Stewart Surreal by Michèle Gerber Klein (Harper) Mining a trove of newly uncovered material, Klein brings the extraordinary and enigmatic life of Gala Dalí—wife and muse of Salvador, as an art world mover and shaker who championed Surrealism—out of the shadows and into the much-deserved limelight. —SMS Gloria by Andrés Felipe Solano, tr. Will Vanderhyden (Counterpoint) Solano’s English-language debut traces the life of centers on a young Colombian immigrant as she navigates New York City and attends a fateful concert—the 1970 performance of Argentine singer Sandro at Madison Square Garden—which echoes into the life of her son five decades later. —SMS Authority by Andrea Long Chu (FSG) If Long Chu’s work for New York magazine is any indication, her newest collection of essays is sure to be equally riveting. Throughout, the Pulitzer Prize–winning critic examines everything from The Phantom of the Opera to social media, weaving a compelling narrative about how criticism, now more than ever, presents a solution to our current crises. —EMB I Ate the Whole World to Find You by Rachel Ang (Drawn & Quarterly) Jenny, a "twenty-something-going-on-thirty hot mess," gropes her way toward adulthood while navigating work, romance, friendship, and the horrors of having a body in Ang’s debut collection. —SMS Dysphoria Mundi by Paul B. Preciado (Graywolf) The Testo Junkie author's so-called "mutant text" blends essay, philosophy, poetry, and autofiction to explore dysphoria as an era-defining condition that captures our current cultural, political, and social moment. —SMS Make Sure You Die Screaming by Zee Carlstrom (Flatiron) Carlstrom's debut novel centers on a mid-bender corporate burnout who sets off on a road trip to track down their conspiracy-theorist father—and in the process wrestles with everything from queerness to capitalism. —SMS Searches by Vauhini Vara (Pantheon) Building off of her brilliant 2021 essay for the Believer, Vara's essay collection—her nonfiction debut—elegantly grapples with questions around artificial intelligence, technological progress, and human connection. —SMS Audition by Katie Kitamura (Riverhead) The much anticipated follow-up to 2021's Intimacies centers on a mysterious relationship between a well-known, middle-aged theater actress and a young man—are they friends, lovers, mother and son? Kitamura's bifurcated novel keeps you guessing. —SMS My Documents by Kevin Nguyen (One World) Nguyen’s sophomore novel follows four cousins in a United States whose government is rounding up Vietnamese Americans into internment camps. Both America’s history and its present indicate how terrifyingly close to life that premise is. To quote Nguyen quoting The Legend of Zelda as the epigraph of New Waves, his debut novel: “It's dangerous to go alone! Take this.” —JHM Big Chief by Jon Hickey (S&S) Hickey's debut—hailed by David Heska Wanbli Weiden as the "great Native American political novel"—chronicles tribal politics, familial allegiances, and the quest for power on a Wisconsin reservation. —SMS Mending Bodies by Hon Lai Chu, tr. Jacqueline Leung (Two Lines) The Hong Kong writer's dystopian latest depicts a failing city where the government has incentivizes couples to surgically "conjoin"—and a struggling grad student who is forced to grapple with the new policy. —SMS Going Around by Murray Kempton, ed. Andrew Holter (Seven Stories) This collection, featuring a foreword by Darryl Pinckney, gathers the defining columns and essays from Kempton, the late Pulitzer Prize–winning reporter who "almost miraculously immersed himself in every region, profession, political movement, and social class," per Benjamin Moser. —SMS Is Peace Possible? by Kathleen Lonsdale (Marginalian Editions) First published at the height of the Cold War in 1957, this slender volume sees the pathbreaking Quaker scientist reckoning with nuclear warfare and the role of science in shaping the future of humanity. —SMS What's Left by Malcolm Harris (Little, Brown) Historian-activist Harris follows up his barn-burner history of Palo Alto with a clear-eyed guide to what collective political action, if any, can stem the climate crisis. —SMS The Fact Checker by Austin Kelley (Atlantic Monthly) Admit it: we've all wondered what it's like to be one of the New Yorker magazine's famous fact checkers. This novel promises us some insights into the experience, as the reader embarks on a wild ride through New York City with one such guardian of truth and accuracy. —Claire Kirch Vanishing World by Sayaka Murata, tr. Ginny Tapley Takemori (Grove) The latest novel from the author of the brilliantly weird Convenience Store Woman and Earthlings imagines an alternative Japan where married couples no longer have sex and all children are born by artificial insemination. —SMS Now, the People! by Jean-Luc Mélenchon, tr. David Broder (Verso) Mélenchon, a leader of the French radical left once described by the Washington Post as "France's Bernie Sanders," proposes a new kind of revolution against capitalism suited for our present moment—what he calls "a citizen's revolution." —SMS In the Rhododendrons by Heather Christle (Algonquin) I was an ardent fan of Christle's 2019 The Crying Book, and have a feeling her latest—a hybrid memoir that weaves personal narrative together with meditations on the life and work of Virginia Woolf—will bowl me over me yet again. —SMS Fugitive Tilts by Ishion Hutchinson (FSG) In his prose debut, poet Hutchinson offers an evocative meditation upon home, displacement, inheritance, and memory, chronicling everything from his trips to Senegal and his love of John Coltrane to the Jamaican music of his youth and paintings by Édouard Vuillard. —Eva M. Baron The Power of Adrienne Rich by Hilary Holladay (Princeton UP) Holladay's comprehensive biography of the trailblazing lesbian-feminist writer, thinker, and activist draws on unpublished materials and rigorous research to paint the most expansive portrait of Rich to date. —SMS Fish Tales by Nettie Jones (FSG) Jones's debut novel—a portrait of a 1970s party girl whose life is tinged by drugs, sex, and violence—was first acquired by Toni Morrison at Random House and originally published in 1984, yet feels as fresh as ever. —SMS Ordinary Time by Annie B. Jones (HarperOne) The indie bookseller's debut book extolls the virtues of small, quiet, ordinary lives and the joy that comes with learning to love where you are, whether or not it's where you dreamed you'd be. —SMS I Humbly Beg Your Speedy Answer by Mary Beth Norton (Princeton UP) Norton's annotated collection of questions and answers from the world's first-ever advice column, which debuted in the 1690s, shows how eternal our preoccupations with love, sex, and romance are—and both how much and how little has changed in the last few centuries. —SMS Gabriële by Anne Berest and Claire Berest, tr. Tina Kover (Europa) There's no doubt that he author’s second foray into the English language—which follows the passionate love affair between a young French woman and a Spanish artist during the height of the Belle Époque and, later, World War I—should be just as engrossing as her hit English-language debut The Postcard.  —EMB The Hollow Half by Sarah Aziza (Catapult) This timely memoir from Palestinian American journalist Aziza explores bodies, borders, and death in all its forms as she traces three generations from Gaza to the Midwest to New York City. —SMS Atavists by Lydia Millet (Norton) Millet's 21st book is a collection of loosely linked stories set in Los Angeles, where a cast of recognizable characters navigates the tech-saturated, climate crisis–addled present, with varying degrees of success. —SMS Notes to John by Joan Didion (Knopf) Ethically, I have some reservations about posthumously publishing the journal in which Didion chronicled her therapy sessions, but as a forever fan and student of her work, I can't say I'm not looking forward to reading this new material. —SMS When the Wolf Comes Home by Nat Cassidy (Nightfire) Cassidy’s title will be familiar to fans of the music of the Mountain Goats, whose songwriter, John Darnielle, has a talent for telling horror stories himself. In the case of the lyric evoked here, the terror is an abusive father coming home. Cassidy’s novel takes that fear to the extreme. —JHM Dianaworld by Edward White (Norton) Princess Diana was killed in a car accident in Paris more than a quarter of a century ago and still, people the world over remain fascinated by her. White's ruminations on the life and times of Princess Diana examine her impact upon popular culture then and now, and I am so here for this. —CK Capitalism and Its Critics by John Cassidy (FSG) One of the great chroniclers of how money works turns his mind to the system itself. If anyone can sum up the tumultuous and knotty history of the dominant economic system of our era in a brisk 600-and-change pages, it’s Cassidy. —JHM Strangers in the Land by Michael Luo (Doubleday) Luo's narrative history of Chinese immigrants in America documents a century-long struggle marked by exclusion, violence, and extraordinary resilience which proves essential to understanding the formation of American identity. —SMS Girl on Girl by Sophie Gilbert (Penguin Press) Gilbert is one of my favorite writers and thinkers, particularly on the subjects of gender and womanhood—and her debut book, which dissects three decades of pop culture through a feminist lens, is sure to be one of the standouts of the year. —SMS * May Make Me Famous by Maud Ventura, tr. Gretchen Schmid (HarperVia) As the stateside appetite for French literature grows, Ventura’s latest should provide ample satiation. The novel explores ambition and obsession via Cléo, the French-American daughter of two academics whose relentless pursuit of fame within the music industry leads to shocking twists and revelations. —EMB The Stolen Heart by Andrey Kurkov, tr. Boris Dralyuk (HarperVia) Kurkov returns with a follow-up to The Silver Bone (one of PW's best books of 2024!), in which Samson Kolechko must rescue his kidnapped fiancée while investigating the illegal sale of meat in 1920s Kyiv. —EMB Second Life by Amanda Hess (Doubleday) The New York Times culture critic's debut is a candid chronicle of pregnancy, parenting, and paranoia in the page of social media, deriving humor and insights from her own internet-aggravated anxieties over her unborn child. —SMS Melting Point by Rachel Rockerell (FSG) Rockerell's genre-busting family memoir uses only primary sources—letters, diaries, memoirs, newspaper articles, and interviews—to tell the story of a group of Russian Jews whose search for a new homeland in the early 1900s brought them to, of all places, Galveston, Texas. —SMS The Painted Room by Inger Christensen, tr. Denise Newman (New Directions) A three-part literary novel of murder mystery, political intrigue, and Italian Renaissance frescoes—all with a dash of high fantasy? Sounds like the triptych of a lifetime. —JHM Motherhood and Its Ghosts by Iman Mersal, tr. Robin Moger (Transit) What does it mean to be a mother, and is there any way to convey those facts with fidelity? The latest entry in Transit’s Undelivered Lectures series is a meditation on identity, motherhood, and love, complete with archival photographs, journal entries, and writings that have informed Mersal’s practice and perspective. —EMB Come Round Right by Alan Govenar (Deep Vellum) Set in 1971, this hitchhiking journey follows 18-year-old Aaron Berg as he reckons with a sexual assault he and his new girlfriend survived in Canada five months earlier. The novel winds through Appalachia, charts America’s midcentury cultural upheavals, and plumbs the perennial allure of acceptance. —EMB These Survivals by Lynne Huffer (Duke UP) Wildly experimental and interdisciplinary, Huffer’s latest examines ethical living in the environmental ruin of the Anthropocene (a term that, she says, “sags from overuse”). Through collage, poetry, multimedia work, and memoir, Huffer balances a philosopher’s gravity—she is best known for her three-book treatment of Foucault’s ethics of eros—with a poet’s sense of play. —Jonathan Frey The Dad Rock That Made Me a Woman by Niko Stratis (University of Texas) Stratis's memoir-in-essays, the latest entry in UT Press's American Music Series, is a coming-of-age story from a distinctly working-class trans perspective which pays homage to the music that saved its author's life. —SMS Everything Is Now by J. Hoberman (Verso) Back in the 1960s, New York City was a haven for the avant-garde, whether it was in the shape of subcultural movements like fluxus and guerrilla theater or venues like coffeehouses, bars, and lofts. Hoberman’s cultural history is a thorough account of the New York underground, complete with rich, minute details about what the city once was. —EMB A Toast to St Martirià by Albert Serra, tr. Matthew Tree (Coffee House) Billed as the memoir of the acclaimed and adventurous Catalan filmmaker Serra that was composed of a wholly improvised speech at a film festival that seemingly doesn’t exist named for a saint that also appears nonexistent, what exactly this book is remains a mystery. But odds are that whatever that may be will be interesting. —JHM Apocalypse by Lizzie Wade (Harper) Covid. Trump. Climate change. Natural disasters. The hits keep coming—and it's not the first time. Wade's book traces various catastrophes that have befallen human beings stretching back thousands of years, proving that those who came before us survived apocalypses and we will survive what's being thrown at us too. —CK The Living and the Rest by José Eduardo Agualusa, tr. Daniel Hahn (Archipelago) What do you get when you mix a literary festival, an island off the coast of East Africa, and cyclone season? A storm of stories. —JHM The Deserters by Mathias Énard, tr. Charlotte Mandell (New Directions) From the winner of the Prix Goncourt comes an ambitious novel that intertwines the stories of a soldier emerging from the Mediterranean wilderness during an unspecified war and a scientific conference taking place on September 11, 2001, aboard a small cruise ship. —EMB The Family Dynamic by Susan Dominus (Crown) Dominus, a staff writer at the New York Times magazine, profiles cadres of high-achieving siblings (among them Lauren Groff!) in a quest to understand the familial conditions that lay the groundwork for success. —SMS Happiness Forever by Adelaide Faith (FSG) Faith's debut novel follows a veterinary nurse named Sylvie whose ardent love for her therapist gives meaning to what she considers to be a small life—until that therapist starts to prepare Sylvie for the end of their time together. —SMS This Is Your Mother by Erika J. Simpson (Scribner) In her debut memoir, Simpson reflects on her complicated relationship with her equally complicated mother, the daughter of sharecroppers who did what it took to survive and is now dying. —SMS Little Bosses Everywhere by Bridget Read (Crown) Most of us are familiar with multilevel marketing schemes at this point, but Read’s debut offers an even more incisive and sprawling account of the MLM phenomenon. The New York journalist considers how brands like Amway, Mary Kay, and Herbalife have devastated some of America’s most vulnerable populations, while also illuminating how MLMs strengthen the forces of capitalism. —EMB Sleep by Honor Jones (Riverhead) This dazzling novel examines what it means for parents to exist inside two families simultaneously—the one they’re born into, and the one that they create. When Margaret, a newly divorced young mother, returns to the home in which she was raised with her two daughters, she must reckon with her own childhood as well as its lingering secrets. —EMB Proto by Laura Spinney (Bloomsbury) Ancient Greek and Latin can’t hold a candle to Proto-Indo-European as far as scope of influence is concerned. The latest from journalist Spinney aims to show just how great the impact of this little-remembered language still is. —JHM The Einstein of Sex by Daniel Brook (Norton) German-Jewish sexologist and queer rights activist Magnus Hirschfeld, best known for his rejection of gender binaries and theory of "sexual relativity," finally gets his due in Brook's biography. —SMS Spent by Alison Bechdel (Mariner) Bechdel skewers her own commercial success—and her trouble adapting to it—in her latest, an autofictional graphic novel that finds her lightly fictionalized alter ego raging against capitalism but too distracted to do anything about it. —SMS Portalmania by Debbie Urbanski (S&S) Urbanski's short story collection surveys sci-fi, fantasy, horror, and realism to explore the allure of portals and the infinite possibilities they represent. —SMS Metallic Realms by Lincoln Michel (Atria) Michel’s work has long taken a calculated approach to probing the porosity of genre, and his sophomore novel is no exception. You’ve simply gotta hand it to someone whose story concept alone makes you wonder what a sci-fi epic collectively written by Joshua Cohen, Robert Heinlein, and Jonathan Lethem over Slack might look like. —JHM So Many Stars ed. Caro de Robertis (Algonquin) It's tough to be BIPOC, queer, trans, or nonbinary in the current political climate, but this oral history affirms that queer people of color have a long and proud history in the United States and beyond. —CK State Champ by Hilary Plum (Bloomsbury) When a "heartbeat law" criminalizes most abortions statewide, an abortion clinic receptionist stages a hunger-strike at her boarded-up workplace in protest—and unexpectedly mobilizes the people around her. —SMS The Emperor of Gladness by Ocean Vuong (Penguin Press) Though originally a poet, Vuong’s 2019 prose debut, On Earth We’re Briefly Gorgeous, proved his immense command over fiction. His newest novel, which chronicles the budding friendship between a troubled young man and an 82-year-old Lithuanian woman, should be equally captivating, lyrical, and singular. —EMB Shamanism by Manvir Singh (Knopf) Singh traces the evolution of shamanism—which he sees as a natural human response to the uncertainty of the world, reflective of our desire for ritual and curiosity about the supernatural—from the Paleolithic era through the 20th century. —SMS Things in Nature Merely Grow by Yiyun Li (FSG) Following her short story collection Wednesday’s Child, which was a finalist for the Pulitzer Prize last year, Li returns with a devastating memoir about the loss of her two teenage sons, James and Vincent, to suicide and her journey toward acceptance in the face of grief. —EMB Aggregated Discontent by Harron Walker (Random House) Walker is one of the sharpest writers around, and her debut essay collection about 21st century womanhood—its perils, indignities, and occasional joys—is sure to be a candid and keen-eyed dissection of the way women live today. —SMS Marsha by Tourmaline (Tiny Reparations) Legendary Black trans activist Marsha P. Johnson is considered to be the first person to have thrown a brick during the Stonewall Uprising in 1969. Her story needs to be told, especially when LGBTQ+ people are once again being targeted and marginalized. —CK That’s All I Know by Elisa Levi, tr. Christina MacSweeney (Graywolf) Written as a sustained monologue, this ambitious and unusual novel follows 19-year-old Little Lea and her life in a rural town at the edge of the forest. Over a shared joint with a stranger, Little Lea spins a tale of loss, desire, and conspiracies, creating an idiosyncratic, voice-driven atmosphere that is sure to interest fans of Graywolf’s other translations. —EMB The Cloud Intern by David Greenwood (Under the BQE) One of two inaugural titles from the the new Brooklyn-based press Under the BQE, Greenwood's novel imagines a near-future where a tech company cofounder searches for connection in the alienating world he helped create. —SMS Burning Down the House  by Jonathan Gould (Mariner) Music biographer Gould tells the definitive story of the Talking Heads and the gritty New York City scene that birthed them in this overdue account, out just in time for the 50th anniversary of the band's founding. —SMS Freelance by Kevin Kearney (Rejection Letters) I love Kearney's writing, and I'm so excited to read his latest novel, which centers on a young rideshare driver and asks big questions about labor, technology, and what we owe to our employers. —SMS * June Sick and Dirty by Michael Koresky (Bloomsbury) Koresky's history surveys how queerness still made its way onscreen, behind the camera, and between the lines during the censorious Hays Code era, which lasted from the 1930s to the 1960s, examining the work of Lillian Hellman, Vincent Minnelli, Alfred Hitchcock, and more. —SMS Nadja by André Breton, tr. Mark Polizzotti (NYRB) This surrealist classic novel brings back memories. I read it in a college French literature course many years ago, and loved the romance between two rather absurd characters who could only have lived in Paris in the early 20th century. —CK Be Gay, Do Crime ed. Molly Llewellyn and Kristel Buckley (Dzanc) In these "sixteen stories of queer chaos," authors Myriam Gurba, Alissa Nutting, and many more imagine queer characters who turn to crime as a means of survival, protest, retribution—or simply by accident. —SMS The Invention of Design by Maggie Gram (Basic) Design permeates nearly everything we do and everywhere we go. This fact is at the core of Gram’s cultural history, which explores design’s enduring appeal as both an economic and utopian tool throughout the 20th century. —EMB What Is Wrong with Men by Jessa Crispin (Pantheon) Feminist cultural critic Crispin turns to Michael Douglas movies to get to the root of the so-called crisis of masculinity and the anxieties around women, money, and power that are helping fuel it. —SMS I’ll Tell You When I’m Home by Hala Alyan (Avid Reader) The acclaimed Palestinian American poet, novelist, and clinical psychologist adds a memoir to her body of work with this meditation on motherhood via surrogacy and the legacy of the displaced. —JHM Flashlight by Susan Choi (FSG) The National Book Award winner's latest novel follows a woman as she makes sense of a mysterious tragedy—the disappearance of her father—and the geopolitics of her family, whose ties to America, Korea, and Japan are impossible to untangle. —SMS The Slip by Lucas Schaefer (S&S) Boxing novels are having a moment right now, and this newest addition should also be a knockout. Schaefer’s debut follows two Texas teenagers, one of whom vanishes a decade later. In so doing, the author weaves an unflinching narrative about race, sex, and, of course, the fights that unfold inside the ring. —EMB Lili Is Crying by Hélène Bessette, tr. Kate Briggs (New Directions) Throughout her life, this midcentury French author published 13 novels, but none of them, until now, have been translated into English. Lili Is Crying, lauded upon its initial French publication in 1953, mines the fraught relationship between Lili and her mother Charlotte, complete with tight, experimental prose that unearths the startling nuance of both characters. —EMB Clam Down by Anelise Chen (One World) Chen's genre-defying memoir turns her mother's innocent typo—an exhortation to "clam down"—into an investigation of her own "clam genealogy"—that is, the family history and forces that led her to retreat into her shell following a divorce—as well as what we can learn from those most cloistered of sea creatures. —SMS How to Lose Your Mother by Molly Jong-Fast (Viking) Jong-Fast's intimate memoir reflects on her unconventional upbringing and intense yet elusive relationship with her mother, the acclaimed author Erica Jong, in the face of Jong's dementia diagnosis. —EMB The Catch by Yrsa Daley-Ward (Liveright) The inaugural novel in Liveright's Well-Read Black Girls series follows estranged twin sisters who are stunned one day when they meet a version of their mother, who vanished when they were infants, that appears to have lived a full, childless life—and soon burrows her way into their lives as well. —SMS The Dry Season by Melissa Febos (Knopf) The master memoirist returns with an account of what she learned about sex, pleasure, and solitude from a year of celibacy. With Febos, you're always in good hands. —SMS We Are Green and Trembling by Gabriela Cabezón Cámara, tr. Robin Myers (New Directions) I first encountered Cábezon Cámara by way of her International Booker Prize–shortlisted novel The Adventures of China Iron, and have been eager to read more of her ever since. Her latest, a "queer baroque satire" of the Basque nun and explorer Antonio de Erauso, sounds promising. —SMS Endling by Maria Reva (Doubleday) On the eve of Russian invasion and against the backdrop of Ukraine’s prosperous “Romance Tours,” in which Western bachelors visit in search of compliant wives, three women set off on a cross-country road trip in an effort to secure a last-ditch chance at procreation for Lefty: bachelor, snail, and last of his species. In this Saundersian tangle, it is unclear which is the metaphor and which is the ground, but there is a non-zero chance that this debut novel from the Ukrainian-born, Canadian-raised author of Good Citizens Need Not Fear might contain a key to navigating our incomprehensible present. —JF Culture Creep by Alice Bolin (Mariner) What do diet tracking apps, Animal Crossing, and Silicon Valley titans have in common? According to Alice Bolin, they’re all symptoms of the ongoing "pop apocalypse." Bolin’s newest collection mines the intersection of technology, culture, and feminism to make sense of the vicissitudes of modern existence. —EMB Alpha and Omega by Jane Ellen Harrison (Marginalian) The new imprint of McNally Editions led by cultural critic Maria Popova brings back an acclaimed early 20th century classicist and linguist’s 110-year-old collection of essays on consciousness, faith, love, reason, science—you know, the light stuff. —JHM Exophony by Yoko Tawada, tr. Lisa Hofmann-Kuroda (New Directions) Tawada's first book of essays to be translated into English fittingly centers on her lifelong fascination with the possibilities of "cross-hybridizing languages" as well as writing and existing outside one's mother tongue. —SMS That's How They Get You ed. Damon Young (Pantheon) A pioneering collection of Black humor, edited by the Thurber-winning Young and featuring an all-star roster of contributors including Hanif Abdurraqib, Wyatt Cenac, Kiese Laymon, Deesha Philyaw, and Roy Wood Jr.—need I say more? —SMS Audition by Pip Adam (Coffee House) Three giants stuck in a spaceship must keep speaking to keep the ship moving—and themselves from growing bigger than their confines. It sounds about as strange, and intriguing, a parabolic vessel for the exploration of imprisonment and power as they come. —JHM Art Above Everything by Stephanie Elizondo Griest (Beacon) Passion, especially when directed toward a creative pursuit, can be all-encompassing. In this book, Griest explores this timeless conundrum through queer, BIPOC, and women artists around the world, all of whom consider their own relationship to ambition, redemption, and creativity. —EMB Grand Finales by Susan Gubar (Norton) My most anticipated summer read looks at nine women artists—including George Eliot, Georgia O'Keeffe, Louise Bourgeois, and Gwendolyn Brooks—who flourished creatively in the final chapters of their lives. —SMS Great Black Hope by Rob Franklin (Summit) This debut novel was one of the books being buzzed about at a recent booksellers conference, and I'm intrigued by the concept: a Black man from an elite family who spirals downward into New York City's underworld, where he's defined more by his race than class. —CK Homework by Geoff Dyer (FSG) Dyer has written countless works of fiction and nonfiction, but this memoir may be one of his most intimate. Charting his youth through the lens of schooling, exams, and, of course, the titular homework, this is a generous and deeply personal portrait of England in the 1960s and 70s. —EMB Allegro Pastel by Leif Randt, tr. Peter Kuras (Granta) The latest novel in the Granta Magazine Editions series traces the long-distance relationship of two millennials—a cult author and web designer—as they navigate life, love, and work (not to mention the encroachment of technology and climate change) in contemporary Germany. —SMS Toni at Random by Dana A. Williams (Amistad) What fascinates me most about Toni Morrison wasn't just a literary genius but an editorial one: during her tenure at Random House she shepherded the work of such authors as Toni Cade Bambara and Lucille Clifton. Morrison herself asked that Dana A. Williams tell the story of this facet of her career—and even gave the book its unsurprisingly winning title. —SMS I Gave You Eyes and You Looked Toward Darkness by Irene Solà, tr. Mara Faye Lethem (Graywolf) Leave aside the title like the piercing gaze of truth itself. A multigenerational saga of Catalonia told by gossiping ghosts readying an otherworldly welcome party for a descendant on her deathbed? Now that’s a concept. —JHM The Stone Door by Leonora Carrington (NYRB) Carrington's long unavailable novel, written at the end of WWII and first published in 1977, has everything: love, adventure, the Zodiac, Mesopotamia, a mad Hungarian King, and, of course, the titular great stone door that leads to the unknown. —SMS Porthole by Joanna Howard (McSweeney's) Howard's latest novel traces the total meltdown of an art-house film director who may or may not be responsible for the on-set death of her leading man, muse, and lover. —SMS These Heathens by Mia McKenzie (Random House) The two-time Lambda Award winner's latest novel, set in 1960s Georgia, follows a pious small-town teenager as she travels to Atlanta to get an abortion only to discover the burgeoning civil rights movement and the secret lives of queer Black folks. —SMS Vegas: A Memoir of a Dark Season by John Gregory Dunne (McNally) Dunne's work often languishes in the shadow of his famous spouse, but this under-appreciated and long out of print memoir shows the writer—mordant, deadpan, and mid–nervous breakdown—at the height of his powers. —SMS The Möbius Book by Catherine Lacey (FSG) Lacey’s latest is as ambitious and genre-agnostic as anything she’s ever written, which is saying something. Part novel, part memoir, what might have become a mere separation narrative in another’s hands instead interrogates through its own form whether anything begins or ends in the first place. —JHM The Scrapbook by Heather Clark (Pantheon) The Sylvia Plath biographer makes her fiction debut with a story—inspired by Clark's own discovery of her grandfather's WWII scrapbook—about the illusions of first love and the burden of family history. —SMS The Sisters by Jonas Hassen Khemiri (FSG) Originally written in English, a first for the author, Khemiri later rewrote this sweeping family saga in his native Swedish, which was published in 2023 and has since become a bestseller in Sweden. Now, the novel officially reappears in English, offering an indelible portrait of three Tunisian-Swedish sisters and the possible curse that follows them. —EMB Among Friends by Hal Ebbott (Riverhead) Ebbott's debut novel follows two wealthy couples who get together for a fateful weekend in the country—and how they navigate the harm, secrets, and life-shattering revelations that come from it. —SMS Misbehaving at the Crossroads by Honorée Fanonne Jeffers (Harper) The Love Songs of W.E.B. Du Bois author makes her nonfiction debut with an essay collection that explores the emotional and historical tensions in Black women's public lives—and her own private life. —SMS [millions_email]

It's cold, it's grey, its bleak—but winter, at the very least, brings with it a glut of anticipation-inducing books. Here you’ll find nearly 100 titles that we’re excited to cozy up with this season. Some we’ve already read in galley form; others we’re simply eager to devour based on their authors, subjects, or blurbs. We'd love for you to find your next great read among them.  The Millions will be taking a hiatus for the next few months, but we hope to see you soon.  —Sophia Stewart, editor January The Legend of Kumai by Shirato Sanpei, tr. Richard Rubinger (Drawn & Quarterly) The epic 10-volume series, a touchstone of longform storytelling in manga now published in English for the first time, follows outsider Kamui in 17th-century Japan as he fights his way up from peasantry to the prized role of ninja. —Michael J. Seidlinger The Life of Herod the Great by Zora Neale Hurston (Amistad) In the years before her death in 1960, Hurston was at work on what she envisioned as a continuation of her 1939 novel, Moses, Man of the Mountain. Incomplete, nearly lost to fire, and now published for the first time alongside scholarship from editor Deborah G. Plant, Hurston’s final manuscript reimagines Herod, villain of the New Testament Gospel accounts, as a magnanimous and beloved leader of First Century Judea. —Jonathan Frey Mood Machine by Liz Pelly (Atria) When you eagerly posted your Spotify Wrapped last year, did you notice how much of what you listened to tended to sound... the same? Have you seen all those links to Bandcamp pages your musician friends keep desperately posting in the hopes that maybe, just maybe, you might give them money for their art? If so, this book is for you. —John H. Maher My Country, Africa by Andrée Blouin (Verso) African revolutionary Blouin recounts a radical life steeped in activism in this vital autobiography, from her beginnings in a colonial orphanage to her essential role in the continent's midcentury struggles for decolonization. —Sophia M. Stewart The First and Last King of Haiti by Marlene L. Daut (Knopf) Donald Trump repeatedly directs extraordinary animus towards Haiti and Haitians. This biography of Henry Christophe—the man who played a pivotal role in the Haitian Revolution—might help Americans understand why. —Claire Kirch The Bewitched Bourgeois by Dino Buzzati, tr. Lawrence Venuti (NYRB) This is the second story collection, and fifth book, by the absurdist-leaning midcentury Italian writer—whose primary preoccupation was war novels that blend the brutal with the fantastical—to get the NYRB treatment. May it not be the last. —JHM Y2K by Colette Shade (Dey Street) The recent Y2K revival mostly makes me feel old, but Shade's essay collection deftly illuminates how we got here, connecting the era's social and political upheavals to today. —SMS Darkmotherland by Samrat Upadhyay (Penguin) In a vast dystopian reimagining of Nepal, Upadhyay braids narratives of resistance (political, personal) and identity (individual, societal) against a backdrop of natural disaster and state violence. The first book in nearly a decade from the Whiting Award–winning author of Arresting God in Kathmandu, this is Upadhyay’s most ambitious yet. —JF Metamorphosis by Ross Jeffery (Truborn) From the author of I Died Too, But They Haven’t Buried Me Yet, a woman leads a double life as she loses her grip on reality by choice, wearing a mask that reflects her inner demons, as she descends into a hell designed to reveal the innermost depths of her grief-stricken psyche. —MJS The Containment by Michelle Adams (FSG) Legal scholar Adams charts the failure of desegregation in the American North through the story of the struggle to integrate suburban schools in Detroit, which remained almost completely segregated nearly two decades after Brown v. Board. —SMS Death of the Author by Nnedi Okorafor (Morrow) African Futurist Okorafor’s book-within-a-book offers interchangeable cover images, one for the story of a disabled, Black visionary in a near-present day and the other for the lead character’s speculative posthuman novel, Rusted Robots. Okorafor deftly keeps the alternating chapters and timelines in conversation with one another. —Nathalie op de Beeck Open Socrates by Agnes Callard (Norton) Practically everything Agnes Callard says or writes ushers in a capital-D Discourse. (Remember that profile?) If she can do the same with a study of the philosophical world’s original gadfly, culture will be better off for it. —JHM Aflame by Pico Iyer (Riverhead) Presumably he finds time to eat and sleep in there somewhere, but it certainly appears as if Iyer does nothing but travel and write. His latest, following 2023’s The Half Known Life, makes a case for the sublimity, and necessity, of silent reflection. —JHM The In-Between Bookstore by Edward Underhill (Avon) A local bookstore becomes a literal portal to the past for a trans man who returns to his hometown in search of a fresh start in Underhill's tender debut. —SMS Good Girl by Aria Aber (Hogarth) Aber, an accomplished poet, turns to prose with a debut novel set in the electric excess of Berlin’s bohemian nightlife scene, where a young German-born Afghan woman finds herself enthralled by an expat American novelist as her country—and, soon, her community—is enflamed by xenophobia. —JHM The Orange Eats Creeps by Grace Krilanovich (Two Dollar Radio) Krilanovich’s 2010 cult classic, about a runaway teen with drug-fueled ESP who searches for her missing sister across surreal highways while being chased by a killer named Dactyl, gets a much-deserved reissue. —MJS Mona Acts Out by Mischa Berlinski (Liveright) In the latest novel from the National Book Award finalist, a 50-something actress reevaluates her life and career when #MeToo allegations roil the off-off-Broadway Shakespearean company that has cast her in the role of Cleopatra. —SMS Something Rotten by Andrew Lipstein (FSG) A burnt-out couple leave New York City for what they hope will be a blissful summer in Denmark when their vacation derails after a close friend is diagnosed with a rare illness and their marriage is tested by toxic influences. —MJS The Sun Won't Come Out Tomorrow by Kristen Martin (Bold Type) Martin's debut is a cultural history of orphanhood in America, from the 1800s to today, interweaving personal narrative and archival research to upend the traditional "orphan narrative," from Oliver Twist to Annie. —SMS We Do Not Part by Han Kang, tr. E. Yaewon and Paige Aniyah Morris (Hogarth) Kang’s Nobel win last year surprised many, but the consistency of her talent certainly shouldn't now. The latest from the author of The Vegetarian—the haunting tale of a Korean woman who sets off to save her injured friend’s pet at her home in Jeju Island during a deadly snowstorm—will likely once again confront the horrors of history with clear eyes and clarion prose. —JHM We Are Dreams in the Eternal Machine by Deni Ellis Béchard (Milkweed) As the conversation around emerging technology skews increasingly to apocalyptic and utopian extremes, Béchard’s latest novel adopts the heterodox-to-everyone approach of embracing complexity. Here, a cadre of characters is isolated by a rogue but benevolent AI into controlled environments engineered to achieve their individual flourishing. The AI may have taken over, but it only wants to best for us. —JF The Harder I Fight the More I Love You by Neko Case (Grand Central) Singer-songwriter Case, a country- and folk-inflected indie rocker and sometime vocalist for the New Pornographers, takes her memoir’s title from her 2013 solo album. Followers of PNW music scene chronicles like Kathleen Hanna’s Rebel Girl and drummer Steve Moriarty’s Mia Zapata and the Gits will consider Case’s backstory a must-read. —NodB The Loves of My Life by Edmund White (Bloomsbury) The 85-year-old White recounts six decades of love and sex in this candid and erotic memoir, crafting a landmark work of queer history in the process. Seminal indeed. —SMS Blob by Maggie Su (Harper) In Su’s hilarious debut, Vi Liu is a college dropout working a job she hates, nothing really working out in her life, when she stumbles across a sentient blob that she begins to transform as her ideal, perfect man that just might resemble actor Ryan Gosling. —MJS Sinkhole and Other Inexplicable Voids by Leyna Krow (Penguin) Krow’s debut novel, Fire Season, traced the combustible destinies of three Northwest tricksters in the aftermath of an 1889 wildfire. In her second collection of short fiction, Krow amplifies surreal elements as she tells stories of ordinary lives. Her characters grapple with deadly viruses, climate change, and disasters of the Anthropocene’s wilderness. —NodB Black in Blues by Imani Perry (Ecco) The National Book Award winner—and one of today's most important thinkers—returns with a masterful meditation on the color blue and its role in Black history and culture. —SMS Too Soon by Betty Shamieh (Avid) The timely debut novel by Shamieh, a playwright, follows three generations of Palestinian American women as they navigate war, migration, motherhood, and creative ambition. —SMS How to Talk About Love by Plato, tr. Armand D'Angour (Princeton UP) With modern romance on its last legs, D'Angour revisits Plato's Symposium, mining the philosopher's masterwork for timeless, indispensable insights into love, sex, and attraction. —SMS At Dark, I Become Loathsome by Eric LaRocca (Blackstone) After Ashley Lutin’s wife dies, he takes the grieving process in a peculiar way, posting online, “If you're reading this, you've likely thought that the world would be a better place without you,” and proceeds to offer a strange ritual for those that respond to the line, equally grieving and lost, in need of transcendence. —MJS February No One Knows by Osamu Dazai, tr. Ralph McCarthy (New Directions) A selection of stories translated in English for the first time, from across Dazai’s career, demonstrates his penchant for exploring conformity and society’s often impossible expectations of its members. —MJS Mutual Interest by Olivia Wolfgang-Smith (Bloomsbury) This queer love story set in post–Gilded Age New York, from the author of Glassworks (and one of my favorite Millions essays to date), explores on sex, power, and capitalism through the lives of three queer misfits. —SMS Pure, Innocent Fun by Ira Madison III (Random House) This podcaster and pop culture critic spoke to indie booksellers at a fall trade show I attended, regaling us with key cultural moments in the 1990s that shaped his youth in Milwaukee and being Black and gay. If the book is as clever and witty as Madison is, it's going to be a winner. —CK Gliff by Ali Smith (Pantheon) The Scottish author has been on the scene since 1997 but is best known today for a seasonal quartet from the late twenty-teens that began in 2016 with Autumn and ended in 2020 with Summer. Here, she takes the genre turn, setting two children and a horse loose in an authoritarian near future. —JHM Land of Mirrors by Maria Medem, tr. Aleshia Jensen and Daniela Ortiz (D&Q) This hypnotic graphic novel from one of Spain's most celebrated illustrators follows Antonia, the sole inhabitant of a deserted town, on a color-drenched quest to preserve the dying flower that gives her purpose. —SMS Bibliophobia by Sarah Chihaya (Random House) As odes to the "lifesaving power of books" proliferate amid growing literary censorship, Chihaya—a brilliant critic and writer—complicates this platitude in her revelatory memoir about living through books and the power of reading to, in the words of blurber Namwali Serpell, "wreck and redeem our lives." —SMS Reading the Waves by Lidia Yuknavitch (Riverhead) Yuknavitch continues the personal story she began in her 2011 memoir, The Chronology of Water. More than a decade after that book, and nearly undone by a history of trauma and the death of her daughter, Yuknavitch revisits the solace she finds in swimming (she was once an Olympic hopeful) and in her literary community. —NodB The Dissenters by Youssef Rakha (Graywolf) A son reevaluates the life of his Egyptian mother after her death in Rakha's novel. Recounting her sprawling life story—from her youth in 1960s Cairo to her experience of the 2011 Tahrir Square protests—a vivid portrait of faith, feminism, and contemporary Egypt emerges. —SMS Tetra Nova by Sophia Terazawa (Deep Vellum) Deep Vellum has a particularly keen eye for fiction in translation that borders on the unclassifiable. This debut from a poet the press has published twice, billed as the story of “an obscure Roman goddess who re-imagines herself as an assassin coming to terms with an emerging performance artist identity in the late-20th century,” seems right up that alley. —JHM David Lynch's American Dreamscape by Mike Miley (Bloomsbury) Miley puts David Lynch's films in conversation with literature and music, forging thrilling and  unexpected connections—between Eraserhead and "The Yellow Wallpaper," Inland Empire and "mixtape aesthetics," Lynch and the work of Cormac McCarthy. Lynch devotees should run, not walk. —SMS There's No Turning Back by Alba de Céspedes, tr. Ann Goldstein (Washington Square) Goldstein is an indomitable translator. Without her, how would you read Ferrante? Here, she takes her pen to a work by the great Cuban-Italian writer de Céspedes, banned in the fascist Italy of the 1930s, that follows a group of female literature students living together in a Roman boarding house. —JHM Beta Vulgaris by Margie Sarsfield (Norton) Named for the humble beet plant and meaning, in a rough translation from the Latin, "vulgar second," Sarsfield’s surreal debut finds a seasonal harvest worker watching her boyfriend and other colleagues vanish amid “the menacing but enticing siren song of the beets.” —JHM People From Oetimu by Felix Nesi, tr. Lara Norgaard (Archipelago) The center of Nesi’s wide-ranging debut novel is a police station on the border between East and West Timor, where a group of men have gathered to watch the final of the 1998 World Cup while a political insurgency stirs without. Nesi, in English translation here for the first time, circles this moment broadly, reaching back to the various colonialist projects that have shaped Timor and the lives of his characters. —JF Brother Brontë by Fernando A. Flores (MCD) This surreal tale, set in a 2038 dystopian Texas is a celebration of resistance to authoritarianism, a mash-up of Olivia Butler, Ray Bradbury, and John Steinbeck. —CK Alligator Tears by Edgar Gomez (Crown) The High-Risk Homosexual author returns with a comic memoir-in-essays about fighting for survival in the Sunshine State, exploring his struggle with poverty through the lens of his queer, Latinx identity. —SMS Theory & Practice by Michelle De Kretser (Catapult) This lightly autofictional novel—De Krester's best yet, and one of my favorite books of this year—centers on a grad student's intellectual awakening, messy romantic entanglements, and fraught relationship with her mother as she minds the gap between studying feminist theory and living a feminist life. —SMS The Lamb by Lucy Rose (Harper) Rose’s cautionary and caustic folk tale is about a mother and daughter who live alone in the forest, quiet and tranquil except for the visitors the mother brings home, whom she calls “strays,” wining and dining them until they feast upon the bodies. —MJS Disposable by Sarah Jones (Avid) Jones, a senior writer for New York magazine, gives a voice to America's most vulnerable citizens, who were deeply and disproportionately harmed by the pandemic—a catastrophe that exposed the nation's disregard, if not outright contempt, for its underclass. —SMS No Fault by Haley Mlotek (Viking) Written in the aftermath of the author's divorce from the man she had been with for 12 years, this "Memoir of Romance and Divorce," per its subtitle, is a wise and distinctly modern accounting of the end of a marriage, and what it means on a personal, social, and literary level. —SMS Enemy Feminisms by Sophie Lewis (Haymarket) Lewis, one of the most interesting and provocative scholars working today, looks at certain malignant strains of feminism that have done more harm than good in her latest book. In the process, she probes the complexities of gender equality and offers an alternative vision of a feminist future. —SMS Lion by Sonya Walger (NYRB) Walger—an successful actor perhaps best known for her turn as Penny Widmore on Lost—debuts with a remarkably deft autobiographical novel (published by NYRB no less!) about her relationship with her complicated, charismatic Argentinian father. —SMS The Voices of Adriana by Elvira Navarro, tr. Christina MacSweeney (Two Lines) A Spanish writer and philosophy scholar grieves her mother and cares for her sick father in Navarro's innovative, metafictional novel. —SMS Autotheories ed. Alex Brostoff and Vilashini Cooppan (MIT) Theory wonks will love this rigorous and surprisingly playful survey of the genre of autotheory—which straddles autobiography and critical theory—with contributions from Judith Butler, Jamieson Webster, and more. Fagin the Thief by Allison Epstein (Doubleday) I enjoy retellings of classic novels by writers who turn the spotlight on interesting minor characters. This is an excursion into the world of Charles Dickens, told from the perspective iconic thief from Oliver Twist. —CK Crush by Ada Calhoun (Viking) Calhoun—the masterful memoirist behind the excellent Also A Poet—makes her first foray into fiction with a debut novel about marriage, sex, heartbreak, all-consuming desire. —SMS Show Don't Tell by Curtis Sittenfeld (Random House) Sittenfeld's observations in her writing are always clever, and this second collection of short fiction includes a tale about the main character in Prep, who visits her boarding school decades later for an alumni reunion. —CK Right-Wing Woman by Andrea Dworkin (Picador) One in a trio of Dworkin titles being reissued by Picador, this 1983 meditation on women and American conservatism strikes a troublingly resonant chord in the shadow of the recent election, which saw 45% of women vote for Trump. —SMS The Talent by Daniel D'Addario (Scout) If your favorite season is awards, the debut novel from D'Addario, chief correspondent at Variety, weaves an awards-season yarn centering on five stars competing for the Best Actress statue at the Oscars. If you know who Paloma Diamond is, you'll love this. —SMS Death Takes Me by Cristina Rivera Garza, tr. Sarah Booker and Robin Myers (Hogarth) The Pulitzer winner’s latest is about an eponymously named professor who discovers the body of a mutilated man with a bizarre poem left with the body, becoming entwined in the subsequent investigation as more bodies are found. —MJS The Strange Case of Jane O. by Karen Thompson Walker (Random House) Jane goes missing after a sudden a debilitating and dreadful wave of symptoms that include hallucinations, amnesia, and premonitions, calling into question the foundations of her life and reality, motherhood and buried trauma. —MJS Song So Wild and Blue by Paul Lisicky (HarperOne) If it weren’t Joni Mitchell’s world with all of us just living in it, one might be tempted to say the octagenarian master songstress is having a moment: this memoir of falling for the blue beauty of Mitchell’s work follows two other inventive books about her life and legacy: Ann Powers's Traveling and Henry Alford's I Dream of Joni. —JHM Mornings Without Mii by Mayumi Inaba, tr. Ginny Tapley (FSG) A woman writer meditates on solitude, art, and independence alongside her beloved cat in Inaba's modern classic—a book so squarely up my alley I'm somehow embarrassed. —SMS True Failure by Alex Higley (Coffee House) When Ben loses his job, he decides to pretend to go to work while instead auditioning for Big Shot, a popular reality TV show that he believes might be a launchpad for his future successes. —MJS March Woodworking by Emily St. James (Crooked Reads) Those of us who have been reading St. James since the A.V. Club days may be surprised to see this marvelous critic's first novel—in this case, about a trans high school teacher befriending one of her students, the only fellow trans woman she’s ever met—but all the more excited for it. —JHM Optional Practical Training by Shubha Sunder (Graywolf) Told as a series of conversations, Sunder’s debut novel follows its recently graduated Indian protagonist in 2006 Cambridge, Mass., as she sees out her student visa teaching in a private high school and contriving to find her way between worlds that cannot seem to comprehend her. Quietly subversive, this is an immigration narrative to undermine the various reductionist immigration narratives of our moment. —JF Love, Queenie by Mayukh Sen (Norton) Merle Oberon, one of Hollywood's first South Asian movie stars, gets her due in this engrossing biography, which masterfully explores Oberon's painful upbringing, complicated racial identity, and much more. —SMS The Age of Choice by Sophia Rosenfeld (Princeton UP) At a time when we are awash with options—indeed, drowning in them—Rosenfeld's analysis of how our modingn idea of "freedom" became bound up in the idea of personal choice feels especially timely, touching on everything from politics to romance. —SMS Sucker Punch by Scaachi Koul (St. Martin's) One of the internet's funniest writers follows up One Day We'll All Be Dead and None of This Will Matter with a sharp and candid collection of essays that sees her life go into a tailspin during the pandemic, forcing her to reevaluate her beliefs about love, marriage, and what's really worth fighting for. —SMS The Mysterious Disappearance of the Marquise of Loria by José Donoso, tr. Megan McDowell (New Directions) The ever-excellent McDowell translates yet another work by the influential Chilean author for New Directions, proving once again that Donoso had a knack for titles: this one follows up 2024’s behemoth The Obscene Bird of Night. —JHM Remember This by Anthony Giardina (FSG) On its face, it’s another book about a writer living in Brooklyn. A layer deeper, it’s a book about fathers and daughters, occupations and vocations, ethos and pathos, failure and success. —JHM Ultramarine by Mariette Navarro (Deep Vellum)  In this metaphysical and lyrical tale, a captain known for sticking to protocol begins losing control not only of her crew and ship but also her own mind. —MJS We Tell Ourselves Stories by Alissa Wilkinson (Liveright) Amid a spate of new books about Joan Didion published since her death in 2021, this entry by Wilkinson (one of my favorite critics working today) stands out for its approach, which centers Hollywood—and its meaning-making apparatus—as an essential key to understanding Didion's life and work. —SMS Seven Social Movements that Changed America by Linda Gordon (Norton) This book—by a truly renowned historian—about the power that ordinary citizens can wield when they organize to make their community a better place for all could not come at a better time. —CK Mothers and Other Fictional Characters by Nicole Graev Lipson (Chronicle Prism) Lipson reconsiders the narratives of womanhood that constrain our lives and imaginations, mining the canon for alternative visions of desire, motherhood, and more—from Kate Chopin and Gwendolyn Brooks to Philip Roth and Shakespeare—to forge a new story for her life. —SMS Goddess Complex by Sanjena Sathian (Penguin) Doppelgängers have been done to death, but Sathian's examination of Millennial womanhood—part biting satire, part twisty thriller—breathes new life into the trope while probing the modern realities of procreation, pregnancy, and parenting. —SMS Stag Dance by Torrey Peters (Random House) The author of Detransition, Baby offers four tales for the price of one: a novel and three stories that promise to put gender in the crosshairs with as sharp a style and swagger as Peters’ beloved latest. The novel even has crossdressing lumberjacks. —JHM On Breathing by Jamieson Webster (Catapult) Webster, a practicing psychoanalyst and a brilliant writer to boot, explores that most basic human function—breathing—to address questions of care and interdependence in an age of catastrophe. —SMS Unusual Fragments: Japanese Stories (Two Lines) The stories of Unusual Fragments, including work by Yoshida Tomoko, Nobuko Takai, and other seldom translated writers from the same ranks as Abe and Dazai, comb through themes like alienation and loneliness, from a storm chaser entering the eye of a storm to a medical student observing a body as it is contorted into increasingly violent positions. —MJS The Antidote by Karen Russell (Knopf) Russell has quipped that this Dust Bowl story of uncanny happenings in Nebraska is the “drylandia” to her 2011 Florida novel, Swamplandia! In this suspenseful account, a woman working as a so-called prairie witch serves as a storage vault for her townspeople’s most troubled memories of migration and Indigenous genocide. With a murderer on the loose, a corrupt sheriff handling the investigation, and a Black New Deal photographer passing through to document Americana, the witch loses her memory and supernatural events parallel the area’s lethal dust storms. —NodB On the Clock by Claire Baglin, tr. Jordan Stump (New Directions) Baglin's bildungsroman, translated from the French, probes the indignities of poverty and service work from the vantage point of its 20-year-old narrator, who works at a fast-food joint and recalls memories of her working-class upbringing. —SMS Motherdom by Alex Bollen (Verso) Parenting is difficult enough without dealing with myths of what it means to be a good mother. I who often felt like a failure as a mother appreciate Bollen's focus on a more realistic approach to parenting. —CK The Magic Books by Anne Lawrence-Mathers (Yale UP) For that friend who wants to concoct the alchemical elixir of life, or the person who cannot quit Susanna Clark’s Jonathan Strange and Mr. Norrell, Lawrence-Mathers collects 20 illuminated medieval manuscripts devoted to magical enterprise. Her compendium includes European volumes on astronomy, magical training, and the imagined intersection between science and the supernatural. —NodB Theft by Abdulrazak Gurnah (Riverhead) The first novel by the Tanzanian-British Nobel laureate since his surprise win in 2021 is a story of class, seismic cultural change, and three young people in a small Tanzania town, caught up in both as their lives dramatically intertwine. —JHM Twelve Stories by American Women, ed. Arielle Zibrak (Penguin Classics) Zibrak, author of a delicious volume on guilty pleasures (and a great essay here at The Millions), curates a dozen short stories by women writers who have long been left out of American literary canon—most of them women of color—from Frances Ellen Watkins Harper to Zitkala-Ša. —SMS I'll Love You Forever by Giaae Kwon (Holt) K-pop’s sky-high place in the fandom landscape made a serious critical assessment inevitable. This one blends cultural criticism with memoir, using major artists and their careers as a lens through which to view the contemporary Korean sociocultural landscape writ large. —JHM The Buffalo Hunter Hunter by Stephen Graham Jones (Saga) Jones, the acclaimed author of The Only Good Indians and the Indian Lake Trilogy, offers a unique tale of historical horror, a revenge tale about a vampire descending upon the Blackfeet reservation and the manifold of carnage in their midst. —MJS True Mistakes by Lena Moses-Schmitt (University of Arkansas Press) Full disclosure: Lena is my friend. But part of why I wanted to be her friend in the first place is because she is a brilliant poet. Selected by Patricia Smith as a finalist for the Miller Williams Poetry Prize, and blurbed by the great Heather Christle and Elisa Gabbert, this debut collection seeks to turn "mistakes" into sites of possibility. —SMS Perfection by Vicenzo Latronico, tr. Sophie Hughes (NYRB) Anna and Tom are expats living in Berlin enjoying their freedom as digital nomads, cultivating their passion for capturing perfect images, but after both friends and time itself moves on, their own pocket of creative freedom turns boredom, their life trajectories cast in doubt. —MJS Guatemalan Rhapsody by Jared Lemus (Ecco) Jemus's debut story collection paint a composite portrait of the people who call Guatemala home—and those who have left it behind—with a cast of characters that includes a medicine man, a custodian at an underfunded college, wannabe tattoo artists, four orphaned brothers, and many more. Pacific Circuit by Alexis Madrigal (MCD) The Oakland, Calif.–based contributing writer for the Atlantic digs deep into the recent history of a city long under-appreciated and under-served that has undergone head-turning changes throughout the rise of Silicon Valley. —JHM Barbara by Joni Murphy (Astra) Described as "Oppenheimer by way of Lucia Berlin," Murphy's character study follows the titular starlet as she navigates the twinned convulsions of Hollywood and history in the Atomic Age. Sister Sinner by Claire Hoffman (FSG) This biography of the fascinating Aimee Semple McPherson, America's most famous evangelist, takes religion, fame, and power as its subjects alongside McPherson, whose life was suffused with mystery and scandal. —SMS Trauma Plot by Jamie Hood (Pantheon) In this bold and layered memoir, Hood confronts three decades of sexual violence and searches for truth among the wreckage. Kate Zambreno calls Trauma Plot the work of "an American Annie Ernaux." —SMS Hey You Assholes by Kyle Seibel (Clash) Seibel’s debut story collection ranges widely from the down-and-out to the downright bizarre as he examines with heart and empathy the strife and struggle of his characters. —MJS James Baldwin by Magdalena J. Zaborowska (Yale UP) Zaborowska examines Baldwin's unpublished papers and his material legacy (e.g. his home in France) to probe about the great writer's life and work, as well as the emergence of the "Black queer humanism" that Baldwin espoused. —CK Stop Me If You've Heard This One by Kristen Arnett (Riverhead) Arnett is always brilliant and this novel about the relationship between Cherry, a professional clown, and her magician mentor, "Margot the Magnificent," provides a fascinating glimpse of the unconventional lives of performance artists. —CK Paradise Logic by Sophie Kemp (S&S) The deal announcement describes the ever-punchy writer’s debut novel with an infinitely appealing appellation: “debauched picaresque.” If that’s not enough to draw you in, the truly unhinged cover should be. —JHM [millions_email]