Here’s a quick look at some notable books—new titles from Maggie Shipstead, Eimer Ryan, Sarai Walker, and more—that are publishing this week.
Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then become a member today.
You Have a Friend in 10A by Maggie Shipstead
Here’s what Publishers Weekly had to say about You Have a Friend in 10A: “The 10 stories in this daring, wide-ranging debut collection from Shipstead (after the novel Great Circle) resonate as they leap across time and space. ‘The Cowboy Tango,’ set at a Montana dude ranch, cruises through several decades as the complicated relationship between the ranch’s owner and a woman who works for him remains uncomfortably static, then changes radically upon the arrival of the owner’s nephew. ‘Lambs,’ on one level a casual piece about the interactions of those at an artist’s colony in Ireland, is haunted by an eerie foreshadowing as each character is introduced with parenthetical summaries of their birth and death dates, which makes its ending both surprising and believable. The masterwork is the deeply unsettling ‘La Moretta.’ Interspersed with segments from an enigmatic inquisition, it documents a honeymoon excursion gone horribly wrong. Here and throughout, Shipstead demonstrates a remarkable ability to interlace the events of ordinary life with a mythological sense of preordained destruction. Both formally inventive and emotionally complex, this pays off with dividends.”
Holding Her Breath by Eimear Ryan
Here’s what Publishers Weekly had to say about Holding Her Breath: “An Irish collegiate swimmer unearths the truth about her grandfather, a famous poet, in Ryan’s penetrating debut. Beth Crowe, 20, is just starting university away from home on a sports scholarship, and is slowly acclimating after an undisclosed crisis. She meets Justin Kelleher, an older postdoc lecturer who is curious about the archives of famed poet Benjamin Crowe, Beth’s grandfather who died by suicide at age 43 after completing his collection Roslyn, later declared his masterwork. As Beth settles into swimming and schoolwork, she begins a secret affair with Justin while trying to find out more about her grandparents. She’s close to her grandmother, Lydia, who previously barred Justin from viewing Benjamin’s archives. Eventually, she makes an allowance for Beth, and Beth discovers the unpublished biography of Benjamin by Julie Conlon-Hayes, a friend of her grandparents who was rumored to have had an affair with Benjamin. As tensions from her personal life come to a head, Beth begins to wonder if she’s inherited her grandfather’s self-destructive tendencies. Despite some underdeveloped plot points, Ryan’s strong character-building and intriguing narrative parallels keep this afloat. Readers will want to see what Ryan does next.”
Notes on Your Sudden Disappearance by Alison Espach
Here’s what Publishers Weekly had to say about Notes on Your Sudden Disappearance: “A young woman addresses her older sister, who died when they were teens, in Espach’s inventive and powerful latest (after The Adults). Sally Holt, now 28, continues to find her life shaped by sister Kathy’s absence, prompting her to recount her life story, here unfolded in second-person narration. As a child, Sally is the subject of family concern because of her shyness, while Kathy, three years older, is comfortable in the spotlight and praised for her beauty. Despite the sisters’ contrasting temperaments, they are each other’s closest confidantes as they grow up in 1990s small-town Connecticut. Of particular interest to them both is high school senior Billy Barnes—a dreamy basketball player and the son of the town florist—who is in the grade above Kathy. After Billy saves 13-year-old Sally from drowning at the public pool, he begins dating Kathy, to Sally’s fascination and envy. A car accident involving all three teenagers permanently shifts the Holt family dynamic (‘To sue for reckless driving or not to sue? That was the question,’ Sally narrates, describing the tension between her parents over what to do about Billy, who was behind the wheel). In the aftermath, Billy and Sally unite in their shared grief and guilt. Espach captures the minutiae of love and loss with unflinching clarity and profound compassion, and pulls off the second-person point of view unusually well. Readers will be deeply moved.”
Family Album by Gabriela Alemán (translated by Dick Cluster and Mary Ellen Fieweger)
Here’s what Publishers Weekly had to say about Family Album: “Ecuadorian writer Alemán’s sparkling collection (after the novel Poso Wells) brims with humor and adventure. In the poignant ‘Baptism,’ an unnamed bartender and expert on Alexander Selkirk, inspiration for the Robinson Crusoe character, befriends Max, an 81-year-old customer who convinces the narrator to take him on an underwater voyage in the Galápagos in search of Selkirk’s long-lost treasure. The shadowy narrator in ‘Family Outing’ finds work in Ecuador escorting young, overzealous missionaries attempting to convert the native Huao people, with whom the missionaries unexpectedly end up in a violent confrontation. A widow in ‘Marriage’ discovers her recently deceased husband isn’t the failure she always thought he was after stumbling across large bank accounts, cash, and references to children that aren’t hers, leading her on an investigation involving a nefarious notary. ‘Honeymoon’ finds an overweight, balding real-life John Wayne Bobbitt in Buenos Aires, where he goes home with a woman he meets at a film screening and weeps while listening to her Ecuadorian records, which remind him of his ex-wife, Lorena. Alemán’s sly wit and descriptive power—Max, underwater, looks to the bartender ‘like a moss-covered statue from an ancient civilization’—portray the beauty and ravages of South America. This dynamic collection has a lot to offer.”
We Measure the Earth with Our Bodies by Tsering Yangzom Lama
Here’s what Publishers Weekly had to say about We Measure the Earth with Our Bodies: “Lama debuts with the heartfelt and magical saga of a Tibetan family’s love, sacrifice, and heritage. Starting in 1960, Lama interweaves the lives of four characters: Lhamo and her younger sister Tenkyi, whose parents don’t survive the rigors of the Himalayas during their flight from Tibet to Nepal, where they resettle in a village for refugees; Lhamo’s daughter Dolma; and Samphel, Lhamo’s childhood love, whom she meets in Nepal. Lama also explores the influence of a ku—an ancient statue that Samphel’s uncle brings into Lhamo’s village—on each of their lives. Lhamo, despite heartache, encourages her younger sister to leave their village to study in India and improve her future prospects. Decades later, in another act of selflessness, Lhamo suggests her daughter join Tenkyi, now in Toronto, to complete her studies and have a better life. When Dolma discovers the ku of Lhamo’s childhood in the possession of a private collector in Canada, she sets in motion a series of events that illustrate the power of the ancient relic and its hold on Lhamo’s family. Lama imbues this mesmerizing tale—informed by her own family fleeing Tibet for Nepal in the early 1960s— with a rich sense of history, mysticism, and ritual. This brings great revelations and significance to a family’s courage and acts of cultural preservation.”
The Cherry Robbers by Sarai Walker
Here’s what Publishers Weekly had to say about The Cherry Robbers: “The delightfully eerie latest from Walker (Dietland) follows a woman who reinvents herself after a painful childhood. The story begins with Sylvia Wren, a famous artist in her 80s, living in present-day Abiquiu, N.Mex., while her partner, Lola, is away in Brazil. Sylvia receives a letter from a journalist with questions about her past that threaten to reveal her true identity as Iris Chapel. Walker then flashes back to 1950s Connecticut, where Iris grows up with her five older sisters and a mother who has a habit of staring off into the woods and dropping her china before declaring she feels ‘something terrible’ will happen. Their father, who isn’t around much, runs Chapel Firearms, and the women believe their house is haunted by those who were killed by the guns manufactured by the company. Walker does a great job weaving this thread of gothic mystery with revelations about the woman Iris becomes, a ‘haunted mother, haunted daughter.’ A mix of bildungsroman and ghost story, the narrative gains strength as it illuminates its characters’ power of intuition, especially when they’re not afraid to use it. This uncanny tale of dark origins shines brightly.”