Tuesday New Release Day: Starring Cusk, Barry, Eltahawy, Foer, Klein, Kois, and More

Here’s a quick look at some notable books—new titles from the likes of Rachel Cusk, Kevin Barry, Mona Eltahawy, Jonathan Safran Foer, Naomi Klein, Dan Kois, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Coventry by Rachel Cusk

Here’s what Publishers Weekly had to say about Coventry: “Memoirist and novelist Cusk (Kudos) turns her perceptive gaze and distinctive voice to a variety of topics in her arresting first essay collection. Broken into three sections, the volume takes its title from an English term for ‘the silent treatment,’ which typified how Cusk’s parents disciplined her as a child. The opening chapters focus on memoir, but within the context of broader questions about society, families, women and work, and what makes a home. Cusk tackles, in addition to her fraught relationship with her parents, life after separating from her husband and with her daughters as they become teenagers (in the deliciously titled ‘Lions on Leashes’). In the second section, she examines art and its creation, in one piece grappling with ‘women’s writing’ in terms of Virginia Woolf and Simone de Beauvoir (‘Shakespeare’s Sisters’). The final section ventures into literary criticism with analyses of writers such as Kazuo Ishiguro, D.H. Lawrence, Olivia Manning, and Edith Wharton. There is an element of stream of consciousness to Cusk’s prose, with its effortless transitions from one idea to another. However, the overriding thread binding her essays is the uses of narrative, particularly for allowing people to make sense of their lives. It’s something Cusk interrogates exceptionally well throughout this well-crafted compilation.”

Night Boat to Tangier by Kevin Barry

Here’s what Publishers Weekly had to say about Night Boat to Tangier: “A pair of Irish drug runners who’ve seen better days haunt a ferry terminal in southern Spain in search of a missing woman, in Barry’s grim and crackling latest (after Beatlebone). Maurice Hearne and Charlie Redmond had a long and profitable run in drug smuggling, but now, with both just past 50, they are out of the business after a decline in their fortunes. The two stalk the ferry terminal in search of Maurice’s daughter, Dilly, whom they haven’t seen for three years but believe will be showing up on a ferry there, either coming from or going to Tangier. As the men wait and scan the crowds, they reminisce on better days and an unfortunately textbook betrayal, and flashbacks to pivotal moments in Maurice’s adult life reveal a torturous history. Whether Dilly is actually Maurice’s daughter is an animating question of the narrative, along with what the men’s true intentions are. Barry is a writer of the first rate, and his prose is at turns lean and lyrical, but always precise. Though some scenes land as stiff and schematic, the characters’ banter is wildly and inventively coarse, and something to behold. As far as bleak Irish fiction goes, this is black tar heroin.”

The Seven Necessary Sins for Women and Girls by Mona Eltahawy

Here’s what Publishers Weekly had to say about The Seven Necessary Sins for Women and Girls: “In this fed-up, rage-fueled ‘big fuck-you to the patriarchy,’ activist and journalist Eltahawy (Headscarves and Hymens) thrusts ‘tools to fight back’ into the hands of women and girls: in themed chapters, Eltahawy exhorts her peers to embrace their power through the energy of anger, attention seeking, profanity, ambition, power, violence, and lust. She lets no one off the hook, calling out the Muslims who defended the man who sexually assaulted her while she was on hajj and the racist Americans who vilified Muslim men during her #mosquemetoo response, feminists who accept the crumbs offered to them by the patriarchy and promote milquetoast ideas of ‘girl power,”’U.S. Republican white women complicit in misogyny and racism, and women who call for civility in discourse or who disavow violent responses to violence. But Eltahawy’s arguments come through with as much intelligence and clarity as passion and evocative imagery; they are built on facts about racism, capitalism, and homophobia, as well as her own and others’ experiences. Eltahawy not only gives frustrated women permission, but demands that they ‘defy, disobey, and disrupt.’ This bold, rampaging manifesto is far past the edge of mainstream feminism, but it’s so viscerally motivational that even those more moderately inclined may find themselves intrigued.”

We Are the Weather by Jonathan Safran Foer

Here’s what Publishers Weekly had to say about We Are the Weather: “In an unconventional but persuasive manner, novelist Foer (Here I Am) explains why taking meaningful action to mitigate climate change is both incredibly simple and terribly difficult. Writing from an intensely personal perspective, he describes the difference between understanding and believing, making clear that only the latter can motivate meaningful action. He argues that the dichotomy between those who accept the science of climate change and those who don’t is ‘trivial,’ because ‘the only dichotomy that matters is between those who act and those who don’t.’ Foer makes the case that animal agriculture is the dominant cause of climate change, concluding that ‘we must either let some eating habits go or let the planet go. It is as straightforward and as fraught as that.’ While he calls for everyone not to eat animal products before dinner (at the very least), he is not shy about discussing his own hypocrisy, disclosing his lapses back into meat-eating after writing a book-length treatise against it (2009’s Eating Animals). Foer’s message is both moving and painful, depressing and optimistic, and it will force readers to rethink their commitment to combating ‘the greatest crisis humankind has ever faced.'”

The Second Founding by Eric Foner

Here’s what Publishers Weekly had to say about The Second Founding: “In this lucid legal history and political manifesto, Pulitzer Prize–winning historian Foner (The Fiery Trial) explores how the ‘Reconstruction amendments’—the 13th, 14th, and 15th, which abolished slavery, granted birthright citizenship, and acknowledged black men’s political rights—have been interpreted over the past century and a half. Foner begins with Congressional debates immediately after the Civil War about what ‘freedom’ could and should mean in the context of the liberation of hundreds of thousands of slaves. Most relevantly for today, Foner depicts the disagreement among both Democrats and Republicans about who should have, and be allowed to use, the right to vote. He points out that, as recently as 2013, the Supreme Court has failed to use the 15th Amendment to oppose state laws that, while not specifically mentioning ethnicity or race, make it difficult for nonwhite citizens to vote, and has refused to bar discriminatory practices of private citizens, in seeming contradiction to the 14th Amendment. In Foner’s view, the current moment represents a ‘retreat from racial equality,’ but the rights promised in these amendments also remain ‘viable alternatives.’ Readers invested in social equality will find Foner’s guarded optimism about the possibility of judicial activism in this area inspiring, and both casual readers and those well-versed in American legal history will benefit from his clear prose and insightful exploration of constitutional history.”

On Fire by Naomi Klein

Here’s what Publishers Weekly had to say about On Fire: “Klein (This Changes Everything) makes a case for a Green New Deal in a treatise high on passion, but low on specifics. It consists largely of reprinted writings—reporting, think pieces, public talks—with brief notes providing updates. After an account of speaking at a 2015 Vatican press conference on Pope Francis’s climate change encyclical, Klein comments that the Church’s encouraging gesture now seems overshadowed by a lack of accountability over its sexual abuse crisis. These retrospective pieces lack the urgency of the book’s lengthy introduction about fostering ‘economies built both to protect and to regenerate the planet’s life support system and to respect and sustain the people who depend on them.’ In the brief epilogue, Klein returns to the book’s main thrust and argues the Green New Deal still has a ‘fighting chance.’ But even that formulation acknowledges the difficulties involved, and her more extravagant proposals—for instance, transforming every post office in her native Canada into a ‘hub for green transition’—don’t encourage confidence in her ambitious program. Klein’s cri de coeur (‘when the future of life is at stake, there is nothing we cannot achieve’) will galvanize some and depress others.”

A Single Thread by Tracy Chevalier

Here’s what Publishers Weekly had to say about A Single Thread: “Chevalier (Girl with a Pearl Earring) celebrates the embroiderers of Winchester Cathedral in this appealing story of a 38-year-old spinster who learns needlecraft from real-life embroidery pioneer Louisa Pesel. In 1932, Violet Speedwell is what newspapers of the day call a surplus woman: unmarried and likely to remain so. Working as a typist in Winchester, Violet visits the cathedral, where she admires the intricate canvas embroidery on the kneelers, cushions, and other accessories. She joins the Winchester Cathedral Broderers Group and, after an unpromising start, becomes proficient under the mentorship of group founder Louisa Pesel. A fellow embroiderer introduces Violet to Arthur Knight, a 60-year-old married bell-ringer who, like Violet, has suffered the death of a loved one. Arthur protects Violet from a stalker and takes her to the bell tower to show her the ropes. Violet’s confidence grows as she learns to handle a needle, her mother, and her own desires. Chevalier excels at detailing the creative process, humanizing historical figures and capturing everyday life. With its bittersweet romance and gentle pace, Chevalier’s latest may be less powerful than her best novels, but it vividly and meticulously shows how vision, teamwork, and persistence raise needlecraft from routine stitching to an inspirational and liberating art.”

The Heart and Other Viscera by Félix J. Palma

Here’s what Publishers Weekly had to say about The Heart and Other Viscera: “In Palma’s solid collection, following his The Map of Time trilogy, the surreal collides with the deeply mundane in transformative ways. In these stories, the protagonist—almost always a man down on his luck or depressed in some way—encounters something extraordinary. This might be a magical train set, where an avatar painted in one’s likeness placed inside it can traverse the world (‘Roses against the Wind’); a new apartment that’s perfect in every way, except for the man behind the curtain in the den (‘The Man behind the Curtain’); or, in the title story, a man who gives pieces of his body to his lover on birthdays and anniversaries. In the most ambitious story, ‘The Seven (or So) Lives of Sebastian Mingorance,’ Palma pulls off the impressive juggling act of considering one man and all the different directions a day in his life could have gone, with all seven alternative Sebastian Mingorances occupying the same room at one point. The scope of Palma’s imagination is undeniable, even if his female characters suffer for it—all of them are objectified or otherwise treated as accessories to the plot, and most meet rather gruesome fates. Palma proves he is an assured, creative writer with a knack for the unsettling.”

Red at the Bone by Jacqueline Woodson

Here’s what Publishers Weekly had to say about Red at the Bone: “Woodson’s beautifully imagined novel (her first novel for adults since 2016’s Another Brooklyn) explores the ways an unplanned pregnancy changes two families. The narrative opens in the spring of 2001, at the coming-of-age party that 16-year-old Melody’s grandparents host for her at their Brooklyn brownstone. A family ritual adapted from cotillion tradition, the event ushers Melody into adulthood as an orchestra plays Prince and her ‘court’ dances around her. Amid the festivity, Melody and her family—her unmarried parents, Iris and Aubrey, and her maternal grandparents, Sabe and Sammy ‘Po’Boy’ Simmons, think of both past and future, delving into extended flashbacks that comprise most of the text. Sabe is proud of the education and affluence she has achieved, but she remains haunted by stories of her family’s losses in the fires of the 1921 Tulsa race massacre. The discovery that her daughter, Iris, was pregnant at 15 filled her with shame, rage, and panic. After the birth of Melody, Iris, uninterested in marrying mail-room clerk Aubrey, pined for the freedom that her pregnancy curtailed. Leaving Melody to be raised by Aubrey, Sabe, and Po’Boy, she departed for Oberlin College in the early ’90s and, later, to a Manhattan apartment that her daughter is invited to visit but not to see as home. Their relationship is strained as Melody dons the coming-out dress her mother would have worn if she hadn’t been pregnant with Melody. Woodson’s nuanced voice evokes the complexities of race, class, religion, and sexuality in fluid prose and a series of telling details. This is a wise, powerful, and compassionate novel.”

How to Be a Family by Dan Kois

Here’s what Publishers Weekly had to say about How to Be a Family: “Kois, a parenting podcaster and editor at Slate, believed that he, his wife, and two daughters ‘were doing being a family wrong’ and tells of his radical step to rectify their situation. He decided they should spend 2017 living in new locations far from their Arlington, Va., home, spending three months in each location. The experiment’s results are varied and delightful to read about: their happy idyll in beautiful Wellington, New Zealand, is packed with friendly neighborhood barbecues and a rejection of American helicopter parenting. The Dutch in Delft, in the Netherlands, seem a cooler lot and obsessed with ‘normalcy,’ though Kois—a serial enthusiast—is entranced by their social cohesion and bicycles. Bug-infested Samara, Costa Rica, is appealingly laid-back, though its roughness starts straining family ties. Back in the vaunted ‘Real America’ of Trump-voting Hays in western Kansas, Kois is as intrigued by the close-knit religious town as he is with the locales abroad. He fills his narrative with both ironic, self-deprecating humor and earnest soul-searching (‘A place never solves anything’) as he comes to the realization that ‘you can’t actually change your kids but your kids change nonetheless.’ This ‘foolhardy jaunt’ into experimental family life–hacking consistently pleases and surprises.”

Tuesday New Release Day: Starring Emezi, Ellmann, Barkan, Donoghue, Atwood, and More

Here’s a quick look at some notable books—new titles from the likes of  Akwaeke Emezi, Lucy Ellmann, Ady Barkan, Emma Donoghue, Margaret Atwood, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Pet by Akwaeke Emezi

Here’s what Publishers Weekly had to say about Pet: “Carnegie Medal–nominee Emezi (Freshwater for adults) makes their young adult debut in this story of a transgender, selectively nonverbal girl named Jam, and the monster that finds its way into their universe. Jam’s hometown, Lucille, is portrayed as a utopia—a world that is post-bigotry and -violence, where ‘angels’ named after those in religious texts have eradicated ‘monsters.’ But after Jam accidentaly bleeds onto her artist mother’s painting, the image—a figure with ram’s horns, metallic feathers, and metal claws—pulls itself out of the canvas. Pet, as it tells Jam to call it, has come to her realm to hunt a human monster––one that threatens peace in the home of Jam’s best friend, Redemption. Together, Jam, Pet, and Redemption embark on a quest to discover the crime and vanquish the monster. Jam’s language is alternatingly voiced and signed, the latter conveyed in italic text, and Igbo phrases pepper the family’s loving interactions. Emezi’s direct but tacit story of injustice, unconditional acceptance, and the evil perpetuated by humankind forms a compelling, nuanced tale that fans of speculative horror will quickly devour.”

Indelible In The Hippocampus edited by Shelly Oria

Here’s what Publishers Weekly had to say about Indelible In The Hippocampus: “Editor Oria (New York 1, Tel Aviv 0) compiles fiction, personal essays, and poetry from 21 female writers on the subjects of sexual assault, harassment, and other dehumanizing consequences of patriarchy, in order to bring #MeToo from screen to page and showcase voices less likely to be heard in mainstream media, including those of women of color, queer women, and trans women. The results are bracing and urgent. Kaitlyn Greenidge considers the question of who has the right to hear the story of her assault. Courtney Zoffness explores the implications of a student’s overtly sexualizing behavior, noting, ‘It didn’t matter that I had ten years on Charlie, or more degrees, or the power to fail him. He still felt compelled to exert sexual power.’ In a darkly comical standout piece of fiction, Elissa Schappell imagines an email exchange between a writer submitting the story of her rape for publication and a magazine editor, whose increasingly absurd and offensive notes culminate in a disclosure that, if the writer doesn’t meet the deadline, ‘We’re going to be forced to swap in a photo spread of Woody Allen’s greatest hits.’ The collection is far from an endless parade of suffering; the writers offer a sense of communal feeling, bravery, and triumph. It’s well worth readers’ time.”

Gun Island by Amitav Ghosh

Here’s what Publishers Weekly had to say about Gun Island: “Ghosh’s latest (after Flood of Fire) is an intellectual romp that traces Bengali folklore, modern human trafficking, and the devastating effects of climate change across generations and countries. Dinanath Datta, who goes by the more Americanized Deen, is an antiques and rare-books dealer in Brooklyn. While in Calcutta, Deen encounters the tale of the Bonduki Sadagar, or the gun merchant, a localized riff on the familiar Bengali tale of a merchant and Manasa Devi, the goddess of snakes and poisonous creatures. Intrigued, Deen pays a visit to the Sundarbans, the borderlands from which the myth originated. At the shrine said to be protected by Manasa Devi, Deen encounters a snake that bites one of the young men with him, with nonfatal but mystical consequences. Shaken, but convinced that it was just a freak coincidence, the rationalist Deen returns to America, where his trip still haunts him. A tumultuous year and a half later, under the patronage of his dear friend Cinta, a glamorous Italian academic, Deen arrives in Venice for the book’s second half, where he befriends the local Bengali community and further uncovers the tale of the Bonduki Sadagar as he is drawn into relief efforts for the refugee crisis. Ghosh writes with deep intelligence and illuminating clarity about complex issues. This ambitious novel memorably draws connections among history, politics, and mythology.”

Ducks, Newburyport by Lucy Ellmann

Here’s what Publishers Weekly had to say about Ducks, Newburyport: “This shaggy stream-of-consciousness monologue from Ellmann (Sweet Desserts) confronts the currents of contemporary America. On the surface it’s a story of domestic life, as the unnamed female narrator puts it: ‘my life’s all shopping, chopping, slicing, splicing, spilling.’ Her husband, Leo, is a civil engineer; they have ‘four greedy, grouchy, unmanageable kids’; she bakes and sells pies; and nothing more eventful happens than when she gets a flat tire while making a pie delivery. Yet plot is secondary to this book’s true subject: the narrator’s consciousness. Written in rambling hundred-page sentences, whose clauses each begin with ‘the fact that…,’ readers are privy to intimate facts (‘the fact that I don’t think I really started to live until Leo loved me’), mundane facts (‘the fact that ‘fridge’ has a D in it, but ‘refrigerator’ doesn’t’), facts thought of in the shower (‘the fact that every murderer must have a barber’), and flights of associative thinking (‘Jake’s baby potty, Howard Hughes’s milk bottles of pee, opioid crisis, red tide’). Interspersed throughout is the story of a lion mother, separated from her cubs and ceaselessly searching for them. This jumble of cascading thoughts provides a remarkable portrait of a woman in contemporary America contemplating her own life and society’s storm clouds, such as the Flint water crisis, gun violence, and the Trump presidency. The narrator is a fiercely protective mother trying to raise her children the only way she knows how, in a rapidly changing and hostile environment. Ellmann’s work is challenging but undoubtedly brilliant.”

Unseen Poems by Rumi (translated by Brad Gooch and Maryam Mortaz)

Here’s what Publishers Weekly had to say about Unseen Poems: “With millions of copies of the 13th-century Sufi mystic poet’s work sold worldwide, this new book containing many first-time translations will find a ready audience. While the love poems resemble the erotic verse popularized by previous editors (‘Again my eyes saw what no eyes have seen./ Again my master returned ecstatic and drunk’), several new poems stand out in their foregrounding of Rumi’s religious descent. ‘Why make a quibla of these questions and answers?/ Ask instead, the lesson of the silent ones, where is it?’ one of the book’s many ghazals proposes, referring to the direction Muslims face in prayer. The Koran figures throughout: ‘Let me swear an oath on Osman’s holy book,/ The pearl of that beloved, gleaming in Damascus,’ reminding contemporary readers of the centrality of Islam to Rumi’s worldview, even if, finally, what Gooch calls a ‘religion of love’ carries the day: ‘Someone is snipped away, and I am sewn to another,/ Stitched together, forever, seamlessly.’ Offering new insight into the poet’s spiritual life, these poems prove a valuable addition to Rumi’s oeuvre.”

Eyes to the Wind by Ady Barkan

Here’s what Publishers Weekly had to say about Eyes to the Wind: “Activist Barkan relates in this candid memoir how, after receiving a terminal illness diagnosis at age 32, he had to negotiate his failing body as his political star rose. In 2016, Barkan was diagnosed with ALS and given three to four years to live. Fueled by anger over his ‘outrageous’ situation, he sought to leave a legacy for his baby son and wife. A lawyer at the Center for Popular Democracy, Barkan initially resumed work on Fed Up, a campaign to encourage the Federal Reserve to enact policies beneficial to working-class Americans, but soon pivoted to health care, ‘bird-dogging’ members of Congress in visits to the Capitol. Barkan was wheelchair-bound by spring 2018 yet he embarked on a six-week cross-country tour in support of Democrats in the midterm elections (a sincere conversation with Arizona senator Jeff Flake about how a GOP tax plan would affect Medicare was captured in a video that went viral), ultimately sharing the stage with Alexandra Ocasio-Cortez and Bernie Sanders. Throughout, Barkan weaves tales of law school and clerkships with insights into community organizing (a national movement led by a single person could ‘never approach the transformative political power that would be unleased by genuine mass movement of organized working-class people’). Barkan’s powerful narrative gives great insight into the nuts and bolts of political activism at work.”

Akin by Emma Donoghue

Here’s what Publishers Weekly had to say about Akin: “Donoghue’s underwhelming latest features a troubled doppelgänger of the sweet naïf from her best-known novel, Room, a foul-mouthed 11-year-old named Michael, whose great-uncle Noah takes him to the French Riviera to save him from the foster care system after Michael’s father dies of an apparent overdose and his mother, who is in prison, is unable to care for him. In the present day, Noah, having discovered some photographs taken by his mother during the two years she spent in Vichy France, and wishing to discover their significance, travels to Nice with Michael in tow. Dialogue between the two predominates as they wander about the city, constantly squabbling along predictably generational lines, searching for clues about whether Noah’s mother was a Nazi collaborator or part of the Resistance. The reader is soon exasperated with Noah’s own collaboration with the author, who won’t let him solve the mystery without Michael’s age-appropriate technological savvy. This work seems like a pale redux of Room, with its depiction of the wonder of a sheltered boy supplanted by the cynicism of a damaged one, whose voice doesn’t always ring true. The gap between Michael’s view of the world and the reader’s feels less charged than it should be, though the book makes up for it to some degree with a very satisfying denouement. This is a minor work in Donoghue’s astounding oeuvre.”

Also on shelves this week: The Testaments by Margaret Atwood.

Tuesday New Release Day: Starring Keret, Solnit, Truong, Cruz, Rushdie, and More

Here’s a quick look at some notable books—new titles from the likes of Etgar Keret, Rebecca Solnit, Monique Truong, Angie Cruz, Salman Rushdie, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Fly Already by Etgar Keret

Here’s what Publishers Weekly had to say about Fly Already: “Keret (The Seven Good Years) balances gravitas and drollery in this collection of 23 pieces. Stories often begin with declarative sentences—’I celebrate the kid’s birthday the day after.’—that presume an intimacy with the reader and immediately engage. Many are very short; ‘Evolution of a Breakup,’ ‘At Night,’ ‘The Next-to-Last Time I Was Shot Out of a Cannon,’ each capture a moment of emotional complexity. Longer stories start with that same directness and add complications. ‘Tabula Rasa’ begins with the explanation of a frightening recurrent dream rooted in academia and ends with echoes of the Holocaust. In ‘Crumb Cake,’ Mom is grumbling because her 50-year-old son is unsatisfied with the birthday cake she has made him. As a lunch celebration plays out, deeper fissures in their relationship are revealed. The longest story, ‘Pineapple Crush,’ begins with ‘the first hit of the day’ and follows the tumultuous life of a functioning drug addict who has a job working with an after-school program. Peppered throughout the book is an email thread about terrorism, Nazism, and UFOs; it’s the most unconventional story of all, bringing home the idea that the personal is political. The endlessly inventive Keret finds the truth underlying even the simplest human interactions.”

Dominicana by Angie Cruz

Here’s what Publishers Weekly had to say about Dominicana: “The demands and expectations of family are an overpowering force in this enthralling story about Dominican immigrants in the mid-1960s from Cruz (Let It Rain Coffee). Fifteen-year-old Ana Cancion, living in the Dominican countryside, becomes Ana Ruiz when she bends to her mother’s pressure and marries the brutish 32-year-old Juan, who has recently emigrated to America and is scratching out a living in New York. Juan and his brothers intend to build a restaurant on the Cancion family land back in the Dominican Republic, and part of the plan is for the brothers to first raise money by working in New York. When Juan brings Ana to the city, she’s overwhelmed, learning hard lessons about the locals and her husband—who’s abusive until Ana becomes pregnant—and she grows closer to Juan’s younger brother, Cesar. Ana comes of age while the Vietnam War protests surge around her in New York, and when the brewing conflict in the Dominican Republic erupts, Ana becomes determined to earn her own money and bring her mother and siblings to the relative safety of the States. The intimate workings of Ana’s mind are sometimes childlike and sometimes tortured, and her growth and gradually blooming wisdom is described with a raw, expressive voice. Cruz’s winning novel will linger in the reader’s mind long after the close of the story.”

The Sweetest Fruits by Monique Truong

Here’s what Publishers Weekly had to say about The Sweetest Fruits: “Truong (The Book of Salt) gives voice to three women in the life of Lafcadio Hearn—the real-life 19th-century Greek-Irish writer who wrote about America, the West Indies, and most notably Japan—in her remarkable novel about love, the power of memory, and betrayal. On the island of Cythera in the late 1840s, Lafcadio’s mother, Rosa, meets Charles Hearn, an Irish military surgeon, and sees in him not only romance but a way to escape her oppressive father and loveless home. But when Rosa arrives in Ireland, family politics and homesickness drive her away, leaving a young Lafcadio with nothing but the memory of her scent of lavender. In 1872, Alethea Foley, a young woman born enslaved in the U.S. but now free, meets Lafcadio, also called Patrick, in Cincinnati, where he’s pursuing a career in journalism. Though they fall in love and marry, there are rifts in the marriage rooted in their racial and cultural differences that they cannot repair, and he leaves. In the last decade of the 19th century, Lafcadio arrives in Japan after reporting stints in New Orleans and the West Indies. Soon he meets Koizumi Setsu, who becomes his literary and cultural translator, wife, and mother of his children. Interwoven through these richly imagined narratives are excerpts from the first, actual biography of Lafcadio Hearn, published in 1906. Truong is dazzling on the sentence level, and she inhabits each of these three women brilliantly. Truong’s command of voice and historical knowledge brings the stories of these remarkable women to life.”

Cantoras by Carolina De Robertis

Here’s what Publishers Weekly had to say about Cantoras: “This sensuous tale from De Robertis (The Gods of Tango) takes readers to the author’s native Uruguay during the 1970s to follow the harrowing lives of five women living under dictatorship. Bonded as cantoras, or ‘women who sing’ (a coded term for lesbians at the time), Flaca, Romina, Anita, Malena, and Paz escape the oppression of their country’s new regime and enjoy freedom at Cabos Polonio, a little known beach. Flaca is a risk taker who bucks tradition; Paz, a 16-year-old romantic just discovering who she is; Romina, a revolutionary who continues to fight despite punishment; Malena, a mysterious one hiding a dark past; and Anita, a beautiful housewife with dreams beyond her marriage. Back home in Montevideo, people disappear and women are raped, but in Polonio, relationships and romance flourish. Over the course of 35 years, these friends and lovers form a makeshift family as they struggle to find their place and awake to their true desires. After the dissolution of the civic-military dictatorship in 1985, formerly forbidden romances are allowed to take root and the characters learn how to live under democracy. De Robertis does a fine job of probing the harsh realities of what it takes to carve out a life of freedom under an oppressive government.”

Axiomatic by Maria Tumarkin

Here’s what Publishers Weekly had to say about Axiomatic: “Examining the theme of trauma and grief over the course of five extended essays, cultural historian Tumarkin (Otherland) presents a remarkable tour de force. Each essay derives its title from a different axiom—to pick two: ‘You Can’t Enter the Same River Twice’ and ‘Time Heals All Wounds,’—and explores an easily sensationalized subject, such as, in the latter, teen suicide. That the essays come across as original is a testament to their artful construction, as they organically navigates the networks of a community and evoke a larger system through its smaller components. ‘Time Heals All Wounds’ delves into the repercussions of teen suicide for families, schools, and communities, and moves through different stories as if they were all part of the same larger case. In addition to trauma, the essays also touch on the effects of time, as in ‘History Repeats Itself,’ about a lawyer whose commitment to ‘being embedded in the community, walking the streets, using the same public transport as my clients’ causes Tumarkin to reflect on how time ‘lets trust stick, and relationships take anchor.’ Perhaps most impressive is how Tumarkin openly courts, yet escapes, cliché. These essays will linger in readers’ minds for years after.”

Whose Story Is This? by Rebecca Solnit

Here’s what Publishers Weekly had to say about Whose Story Is This?: “Solnit (Hope in the Dark) highlights gains in the reframing of the American narrative in her incisive latest essay collection. The new narrative, she argues, is progressive and wider in scope, and makes room for the voices of women and people of color. In a moving open letter to Christine Blasey Ford, who testified to the Senate during Brett Kavanaugh’s Supreme Court confirmation hearings that Kavanaugh had sexually assaulted her while the two were in high school, Solnit notes the cultural and legislative changes that came about after Anita Hill’s testimony to demonstrate how the results of such an act of bravery ‘rippled outward in all directions.’ In ‘The Problem with Sex Is Capitalism,’ Solnit explores the entitlement that causes some misogynist men to become violent when denied access to women’s bodies; in ‘If I Were a Man’ she enumerates the challenges of being a woman devoted to her career in a society that still expects women to sacrifice their own ambitions in order to be a caregiver and supporter of others. The collection’s standout, ‘A Hero Is a Disaster,’ suggests a reevaluation of the American ideal of ‘rugged individualism’ to reflect the fact that America’s (and the world’s) problems cannot be solved by single actors, but by ‘movements, coalitions, [and] civil society’ working in tandem. Solnit reasserts herself here as one of the most astute cultural critics in progressive discourse. This brief but trenchant collection will please her fans.”

Quichotte by Salman Rushdie

Here’s what Publishers Weekly had to say about Quichotte: “Rushdie’s rambunctious latest (following The Golden House) hurtles through surreal time and space with the author’s retooled Don Quixote on a quest for love and redemption in an unloving and irredeemable U.S.A. In this story within a story, Sam DuChamp, author of spy thrillers and father of a missing son, creates Quichotte, an elegant but deluded, TV-obsessed pharma salesman who strikes out cross-country with the son he’s dreamed into existence, to kneel at the feet of an actress by the name of Miss Salma R. Quichotte and son Sancho brave Rushdie’s tragicomic, terrifying version of America, a Trumpland full of bigots, opioids, and violence. They experience weird, end-of-time events—people turn into mastodons, rips appear in the atmosphere—but also talking crickets and blue fairies offering something like hope. Allowing the wild adventure to overwhelm oneself is half the fun. Rushdie’s extravagant fiction is the lie that tells the truth, and, hilariously, it’s not lost on the reader that he shares this Falstaffian and duplicitous notion with none other than Trump (who is never named). Rushdie’s uproarious comedy, which talks to itself while packing a good deal of historical and political freight, is a brilliant rendition of the cheesy, sleazy, scary pandemonium of life in modern times.”

Also on shelves: Chimerica by Anita Felicelli.

Tuesday New Release Day: Starring Danticat, Bolick, Zhang, Machado, Smiley, Crain, Rowell, and More

Here’s a quick look at some notable books—new titles from the likes of Edwidge Danticat, Kate Bolick, Jenny Zhang, Carmen Maria Machado, Jane Smiley, Caleb Crain, and Rainbow Rowell—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Everything Inside by Edwidge Danticat

Here’s what Publishers Weekly had to say about Everything Inside: “Families fracture and reform in Danticat’s outstanding and deeply memorable story collection. Set among the Haitian ‘dyaspora’ including Miami, New York, and Haiti itself, the tales describe the complicated lives of people who live in one place but are drawn elsewhere. The American children of immigrants discover that their lives have been shaped by their parents’ Haitian pasts, as in the touching, funny ‘In the Old Days,’ when a New York high school teacher learns that her absent father, who divorced her mother and returned to Haiti, is dying, and rushes to meet him. In the book’s standout story, ‘Sunrise, Sunset,’ a woman with dementia struggles to impart the lessons of motherhood to her own daughter: ‘You are always saying hello to them while preparing them to say goodbye to you.’ And the charming ‘Hot Air Balloons’ follows two college freshmen—Neah, the child of academics, and Lucy, the daughter of migrant farm workers—as each comes to her own understanding of Haiti, a place of ‘idyllic beaches’ and ‘dewy mountaintops,’ as well as corruption and poverty, where girls are ‘recruited for orgies with international aid workers.’ In plain, propulsive prose, and with great compassion, Danticat writes both of her characters’ losses and of their determination to continue: ‘There are loves that outlive lovers.'”

March Sisters by Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley

Here’s what Publishers Weekly had to say about March Sisters: “In this thoughtful essay collection, four contemporary authors explore their relationships to the title characters of Louisa May Alcott’s Little Women. Each focuses on the sister who holds particular significance for them, considering how their attitude toward the character has changed as they’ve grown from ‘little women’ themselves into adults. Bolick (Spinster) recalls initially finding Meg March ‘yawningly familiar, the quintessential good girl of morality tales’ until she found herself, like Meg, feeling utterly out of her element at a party. Similarly, Zhang (Sour Hearts) felt irritated by Jo March’s ‘boyishness’ and ‘impetuousness,’ but then, as she matured, unearthed deeper layers in the character. Machado (Her Body and Other Parties) finds common ground with the doomed Beth March through her own history of childhood illness, while Smiley (Golden Age) stirringly defends the oft-maligned Amy as the epitome of a ‘modern woman’ and ‘thoughtful feminist.’ In addition to sharing literary insights and personal histories, the authors also discuss the extent to which the Marches resembled and diverged from their real-life models: Alcott’s own sisters. Any readers who have ever compared themselves to Meg, Jo, Beth, or Amy—or to all four—will enjoy seeing Alcott’s much-loved classic through these alternate perspectives.”

Bottle Grove by Daniel Handler

Here’s what Publishers Weekly had to say about Bottle Grove: “Handler’s latest novel for adults (following All the Dirty Parts) is a hilarious tale about unlikely couples set during the San Francisco dot-com explosion. Martin is a 30-year-old co-owner of Bottle Grove bar when he meets Padgett, a woman with a trust fund, sharp wit, and a drinking problem, while they’re both working a wedding for Rachel and Ben, and soon become a couple. The wedding ends with a bang when the significant other of Reynard, who is pretending to be a vicar, confronts Reynard about his infidelity and Reynard crashes his car trying to escape her. After the wedding, Martin and his business partner need cash to keep their bar open, and Martin hatches a plan that involves Padgett meeting tech tycoon Vic and enchanting him to get money out of him. Padgett, not in on the scheme, realizes what Martin’s doing after becoming involved with Vic, a complicated and famous man with plenty of secrets. Meanwhile, Rachel and Ben are still married, but she’s feeling restless and unsettled while Reynard lurks around her, biding his time to seduce her. Handler cleverly exposes the sinister sides of his protagonists as they clamor for what they think they deserve. Readers expecting Handler’s trademark humor and bite won’t be disappointed.”

What Red Was by Rosie Price

Here’s what Publishers Weekly had to say about What Red Was: “Two young adult friends uneasily navigate the aftermath of sexual assault in Price’s searing debut. Kate Quaile meets Max Rippon during their first year of university in Gloucestershire, and the two bond over a shared love of film and quiet nights in. Kate’s upbringing in council housing with her divorced mother, Alison, a recovering alcoholic, clashes with the wealth of Max’s family, especially the old money of his grandmother’s lavish country estate. Despite differences, Kate is welcomed by his family, including his mother, Zara, an acclaimed feminist film director, even if they do not fully understand Kate and Max’s platonic friendship. During a summer party at the Rippons’ London home, Max’s churlish cousin Lewis rapes Kate. She hesitantly discloses her assault, first to Zara and then to Max, without naming her attacker. Zara insists on paying for therapy and providing her with contacts in the film industry for work while Max provides emotional support. As Kate begins her lurching recovery, Max deals with his grandmother’s death and the family complications fed by their strong repression of uncomfortable emotions. Price has a sure hand in her depiction of the disruption that the trauma causes to Kate’s life. This powerful novel handles its explosive plot with an admirable delicacy and offers an emotional portrait of friendship.”

Overthrow by Caleb Crain

Here’s what Publishers Weekly had to say about Overthrow: “Crain’s ambitious if flawed novel (after Necessary Errors) portrays young utopians caught on the wrong side of a government security project. Amid the idealism and hubbub of New York City during the Occupy movement, Matthew, a lonely graduate student in his early 30s, meets the younger, beautiful Leif, a skater and poet who might just be telepathic. As Matthew and Leif’s relationship blossoms into romance, Matthew falls in with Leif’s group of friends and Occupy protesters: Elspeth, a fact-checker with her own empathic streak; Raleigh, a self-centered computer whiz; and Julia, a rich young woman delighted by the excitement of their movement. The group’s murky aims involve using their empathic and telepathic gifts to restructure society by trusting in feelings. As the group begins to realize what they want, they hack into a government contractor’s files and are arrested which tests the strength of their loyalties to one another. Crain crafts elegant, effortless sentences, but the shifting perspectives and alliances of the novel feel less compelling than Matthew’s initial, skeptical point of view. Just as these characters’ optimism cannot be sustained amid the realities of capitalism and control, neither can the novel’s momentum be sustained after their arrests, culminating in a legal battle. This novel’s promising premise is ultimately overshadowed by its shortcomings.”

Pumpkin Heads by Rainbow Rowell

Here’s what Publishers Weekly had to say about Pumpkin Heads: “For the last several years, high schoolers Deja and Josiah (Josie) have been best friends during autumn, working together at the Pumpkin Patch’s Succotash Hut. On Halloween, the last day of their final year working at the Patch, outgoing Deja, a plus-size black girl who has dated many of the Patch’s staffers—girls and boys alike—intends to make sure that responsible, quiet Josie, who is white, finally talks to his long-standing crush, a young woman who works at the Fudge Shoppe. A packed night at the Patch leads to the duo pursuing ‘Fudge Girl’ through the grounds, reliving memories, averting catastrophes, eating all their favorite snacks, and savoring one last autumnal night together. Art by Hicks (Comics Will Break Your Heart) turns the sweetly witty dialogue by Rowell (Carry On) into a miniature autumn universe; precise, affectionate details (signage, costumes, endpaper maps) will coax readers to revel in the cozy atmosphere. The pacing is assured, driving along in short bursts that leave room for key scenes to stretch, but it’s the primary characters’ authentic friendship—built over several seasons working alongside one another—and the variously inclusive cast that really bring this funny last-day story home.”

Tuesday New Release Day: Starring Scott, Bucak, Zeh, Steinberg, and More

Here’s a quick look at some notable books—new titles from the likes of Rion Amilcar Scott, Ayşe Papatya Bucak, Juli Zeh, Susan Steinberg, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

The World Doesn’t Require You by Rion Amilcar Scott

Here’s what Publishers Weekly had to say about The World Doesn’t Require You: “In 11 stories and a novella, Scott returns to the setting of his debut collection, Insurrections: fictional Cross River, Md., which, in an alternate history, is the location of the only successful slave revolt in America. Most stories are set in the present day; the prose is energetic and at times humorous—often uncomfortably so—as stories interrogate racist tropes. ‘The Electric Joy of Service’ and ‘Mercury in Retrograde’ recast the history of master, slave, and revolt in stories about intelligent robots designed with the facial features of lawn jockeys that fail to behave as programmed. In ‘David Sherman, the Last Son of God,’ David, the last (and least exalted) son of God, tries to redeem himself by leading a gospel band at his elder brother’s church. And in the concluding novella, ‘Special Topics in Loneliness Studies,’ set at Cross River’s historically black Freedman’s University, the narrator plots the downfall of his departmental colleague, whose course syllabus and writing assignments grow increasingly entangled with his personal life. Throughout, the characters’ experiences contrast the relative safety of Cross River with the more hostile ground of the once-segregated towns that surround it. It’s clear, however, that threats—whether they’re siren-like water-women, academic saboteurs, or brutal family traditions—can arise anywhere. Scott’s bold and often outlandish imagination makes for stories that may be difficult to define, but whose emotional authenticity is never once in doubt.”

The Trojan War Museum by Ayşe Papatya Bucak

Here’s what Publishers Weekly had to say about The Trojan War Museum: “The 10 stories in Bucak’s beguiling debut play with traditional narrative forms and explore the author’s Turkish roots. In ‘The History of Girls,’ told in the plural ‘we,’ a group of girls trapped in the rubble of a school explosion from a blown gas line are visited by the ghosts of their dead classmates. ‘An Ottoman Arabesque’ tells the story of 19th-century Ottoman ambassador Khalil Bey via observations on his assortment of erotic artwork, while the collection’s title story spans centuries as Apollo wanders the Earth, visiting different Trojan War museums and ruminating on the traumas of battle. In ‘Mysteries of the Mountain South,’ the story of a recent college grad caring for her dying grandmother is enhanced with the epistolary elements of blog posts. ‘A Cautionary Tale’ breaks the fourth wall, telling the story of a Turkish wrestler and then using the story to interrogate an unnamed character on the story’s validity. ‘The Dead,’ about a sponge magnate’s encounter with a survivor of the Armenian genocide, includes birth and death dates for each major character. The author astutely deploys a range of styles and techniques that create a cerebral, multifarious collection. Bucak’s remarkable, inventive, and humane debut marks her as a writer to watch.”

Empty Hearts by Juli Zeh (translated by John Cullen)

Here’s what Publishers Weekly had to say about Empty Hearts: “In this intriguing near-future dystopian thriller from Zeh (Decompression), Germany, now ruled by populists, has implemented massive budget cuts; France has left the EU; and there’s a global financial crisis. Britta Söldner has come up with an innovative algorithm to capitalize on the increased depression these events have caused: Lassie, which uses data mining to search the internet for people considering suicide. She invites those identified as candidates to her business, the Bridge, which ostensibly provides ‘healing therapy for suicide prevention.’ Most are dissuaded from self-harm, and Britta links the others with organizations looking to deploy them in suicide missions for a fee paid to the Bridge and the participants’ survivors. After a failed terror attack on an airport, carried out by would-be suicide bombers who weren’t identified by the never-wrong Lassie, Britta fears a rival entity might be responsible. Britta’s search for an explanation will keep readers turning the pages. Not every detail rings true, but Zeh makes it easy to suspend disbelief in this cold-blooded and macabre future.”

The Warlow Experiment by Alix Nathan

Here’s what Publishers Weekly had to say about The Warlow Experiment: “Nathan’s intriguing yet overlong U.S. debut tracks what happens after an experiment in late-18th-cenutry Wales goes awry. In 1793, the wealthy Herbert Powyss, seeking to ‘contribute something important to the sphere he so admired: natural philosophy, science,’ devises an experiment—to have a man live in total isolation for seven years in chambers deep under Powyss’s Welsh estate. The incentive is £50 per year for life, and only one man applies: the semiliterate, working-class John Warlow. Warlow is given ample comforts—the same food that Powyss eats (delivered via dumbwaiter) and any book he desires. But Warlow has little interest in reading and can barely write in the journal he’s supposed to keep; he’s more interested in the frogs he finds in his chambers. Complications further ensue when Powyss develops an affection for Hannah, Warlow’s wife. Naturally, the experiment doesn’t go as planned, but the novel never picks up a full head of steam, instead remaining largely static narratively and devoting ample page space to the servants on the estate. There are provocative wrinkles—such as whether it’s an inevitability that Powyss was going to hate the man he is experimenting on—but the story takes too long to get where it’s going and doesn’t fully land once it does. Nathan’s novel never fully lives up to its promising premise.”

Machine by Susan Steinberg

Here’s what Publishers Weekly had to say about Machine: “This singular first novel from Steinberg (Spectacle) has the elements of crime fiction: a seaside setting with a dark underbelly, a family torn apart by infidelity, the tragic death of a beautiful young girl. But Steinberg makes the familiar story new, in part, by deconstructing her elements: “I’ll say the setting is the boathouse; the setting is a washroom; the setting: night and summer.” The book begins with an unnamed narrator, the rebellious young daughter of a successful businessman, standing near the water at the shore: “we all knew of the girl who drowned,” she relates, “she sank like a stone, they said; she was showing off that night, they said; the guys all said.” Though the girl’s death has little direct bearing on the narrator’s main story, it’s emblematic of the uneasy tone Steinberg establishes and becomes a dark motif for the events that follow. With the summer drawing to a close, the narrator recounts her wild vacation: the tenuous connection she had to the dead girl, desires she doesn’t understand, her disturbed brother’s increasingly reckless behavior, her father’s flagrant affair and insistence that she keep it a secret, her rage at the other woman, building finally to her family coming apart. What makes this tale so thrilling is Steinberg’s artistry with form; she fractures narrative into its fundamental parts. Steinberg writes prose with a poet’s sense of meter and line, and a velocity recalling the novels of Joan Didion. The result is a dizzying work that perfectly evokes the feeling of spinning out of control.”

Middle England by Jonathan Coe

Here’s what Publishers Weekly had to say about Middle England: “Coe’s excellent novel, the third in a trilogy, picks up his characters’ lives roughly a decade after the events of The Closed Circle and finds them settled into ‘the quiet satisfactions of under-achievement’ in later middle age in England. Benjamin Trotter, the sentimental would-be novelist, has retired to a bucolic converted mill house; his old classmate Doug Anderton, a leftist journalist, lives comfortably off his wife’s fortune; and his sister, Lois, has reached a pleasant, if unexciting, plateau in her career and marriage. Their sense of complacency is lost soon enough; Brexit, and the larger referendum on British identity, looms over the novel, throwing established characters into bewildered frustration and new, younger characters—notably Benjamin’s niece Sophie, an art historian, and Doug’s teenage daughter, Coriander—onto the front lines of the culture war. Doug spars with a flippant young communications staffer for then–prime minister David Cameron, who seems to speak a different language; Sophie’s marriage is upended by conflicting views on Brexit, and she finds herself the target of Coriander’s campus activism; Benjamin’s ailing father clings to life just long enough to vote ‘Leave.’ It’s a neat pastiche of the cultural flash points of the past decade, done with humor and empathy. While Coe’s own politics will be clear to the reader, the novel is a remarkable portrait of a country at an inflection point.”

Tuesday New Release Day: Starring Obreht, Tokarczuk, Nganang, Parsons, Kendi, and More

Here’s a quick look at some notable books—new titles from the likes of Téa Obreht, Olga Tokarczuk, Patrice Nganang, Kimberly King Parsons (whom we interviewed recently), Ibram X. Kendi, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Inland by Téa Obreht

Here’s what Publishers Weekly had to say about Inland: “The unrelenting harshness of existence in the unsettled American West sharply focuses what Obreht (The Tiger’s Wife) refers to as ‘the uncertain and frightening textures of the world’ in this mesmerizing historical novel spun from two primary narrative threads. In one, homesteader Nora Lark waits with her son and niece for the return of her newspaperman husband with a supply of badly needed water for their house in Amargo, in the Arizona Territory in 1893. In the other, outlaw Lurie Mattie flees a warrant for murder by taking refuge in the Camel Corps, an all-but-forgotten experiment in history to import camels as beasts of burden in the 19th-century American Southwest. As Nora’s and Lurie’s paths gradually converge, Obreht paints a colorful portrait of the Western landscape, populated by a rogue’s gallery of memorable characters and saturated with spirits of the countless dead who attain a tangible presence, if only through the conversations they conduct in the minds of the characters whom they haunt. The novel’s unforgettable finale, evocative and grimly symbolic, crystallizes its underlying themes of how inconsolable grief and unforgivable betrayal shape the circumstances that bind its characters to their fates. Obreht knocks it out of the park in her second novel.”

Drive Your Plow over the Bones of the Dead by Olga Tokarczuk (translated by Antonia Lloyd-Jones)

Here’s what Publishers Weekly had to say about Drive Your Plow into the Bones of the Dead: “Tokarczuk follows her Man Booker International winner Flights with an astounding mystical detective novel. Narrator Janina Duszejko, an English teacher and winter caretaker for a few summer houses in an isolated Polish hamlet near the Czech border, is awakened one night by her neighbor, whom she calls Oddball, who informs her that their neighbor, nicknamed Big Foot, is dead in his house. Before the police arrive, Janina and Oddball find a deer bone in Big Foot’s mouth. Soon another body turns up, and Janina, an avid creator of horoscopes and, more generally, prone to theorizing and ascribing incidents to larger systems, develops a theory that animals are killing the locals. As the body count rises, readers are treated to Janina’s beliefs (‘Finally, transformed into tiny quivering photons, each of our deeds will set off into Outer Space, where the planets will keep watching it like a film until the end of the world’), descriptions (a body is ‘a troublesome piece of luggage’), and observations (flowers in a garden ‘are neat and tidy, standing straight and slender, as if they’d been to the gym’). Tokarczuk’s novel succeeds as both a suspenseful murder mystery and a powerful and profound meditation on human existence and how a life fits into the world around it. Novels this thrilling don’t come along very often.”

The Yellow House by Sarah M. Broom

Here’s what Publishers Weekly had to say about The Yellow House: “Broom presents a great, multigenerational family story in her debut memoir. At its center is Broom’s dilapidated childhood home—a source of both division and unity in the family. Broom’s mother, Ivory Mae, bought the house, located in New Orleans East, in 1961; the budding area then succumbed to poverty and crime in the late 1980s. Broom connects the house’s physical decline to the death in 1980 of her father, Simon, who left many unfinished repair projects. The house had a precarious staircase, electrical problems, and holes that attracted rodents and cockroaches. Broom recalls living in an increasingly unwelcoming environment: ‘When would the rats come out from underneath the sink?’ she wonders. Broom eventually left New Orleans—she attended college in Texas and got a job in New York—but returned after Hurricane Katrina. Through interviews with her brother, Carl, she vividly relays Katrina’s impact on families. Broom is an engaging guide; she has some of David Simon’s effortless reporting style, and her meditations on eroding places recall Jeannette Walls. The house didn’t survive Katrina, but its destruction strengthened Broom’s appreciation of home. Broom’s memoir serves as a touching tribute to family and a unique exploration of the American experience.”

The Memory Police by Yoko Ogawa (translated by Stephen Snyder)

Here’s what Publishers Weekly had to say about The Memory Police: “Ogawa (Revenge) returns with a dark and ambitious novel exploring memory and power—both individual and institutional—through a dystopian tale about state surveillance. The unnamed female narrator is an orphaned novelist living on an unnamed island that is in the process of disappearing, item by item. The disappearances, of objects such as ribbons, perfume, birds, and calendars, are manifested in a physical purge of the object as well as a psychological absence in the island’s residents’ memories. The mysterious and brutal Memory Police are in charge of enforcing these disappearances, randomly searching homes and arresting anyone with the ability to retain memory of the disappeared, including the narrator’s mother. When the narrator discovers her editor, R, is someone who does not have the ability to forget, she builds a secret room in her house to hide him, with the help of her former nurse’s husband, an old man who once lived on the ferry, which has also disappeared. Though R may not leave the room for fear of discovery, he, the narrator, and the old man are able to create a sense of home and family. However, the disappearances and the Memory Police both grow more aggressive, with more crucial things disappearing at a faster rate, and it becomes clear that it will be impossible for them—their family unit, and the island as a whole—to continue. The classic Ogawa hallmarks are here, a dark eroticism and idiosyncratic characters, but it’s also clear she’s expanded her range into something even deeper. This is a searing, vividly imagined novel by a wildly talented writer.”

When the Plums Are Ripe by Patrice Nganang

Here’s what Publishers Weekly had to say about When the Plums Are Ripe: “Nganang continues his rich, complex saga of WWII-era Cameroon with this second volume in a trilogy, after Mount Pleasant. Pouka the poet has returned to his village of Édéa after being educated by the French in the capital city of Yaounde. Fancying himself a man of letters, he starts a poetry group in the local bar. However, upon the fall of France to the Nazis, the poets are quickly thrown into the fighting that has spread throughout North Africa. Readers move from Pouka’s story to that of the poets under the questionable and racist leadership of French general Leclerc. Through the bloody battles of Kufra and Murzur in Libya, Nganang confronts the horrible history of French colonialism: the French’s use of ‘black soldiers for cannon fodder’ in fighting the Axis powers; villagers armed with nothing but machetes, killed by the thousands. With a narrative structure reminiscent of African oral traditions, an unknown narrator heralds these men for their deeds and weeps for the sons and daughters of Cameroon: the young men who shed their blood for a Western country and the young women left behind, whose bodies were exploited and raped. With lyrical, soaring prose, Nganang sings their song, challenging the Euro-written history of colonialism and replacing it with a much-needed African one. The result is a challenging but indispensable novel.”

Black Light by Kimberly King Parsons

Here’s what Publishers Weekly had to say about Black Light: “Parsons’s debut crackles with the frenetic energy of the women who stalk its pages. In opening story ‘Guts,’ Sheila has just started dating ‘almost-doctor’ Tim, whose particular brand of condescending masculine practicality destabilizes her already-erratic lifestyle. In ‘Foxes,’ a recently divorced mother recounts her courtship and marriage to her ex-husband, whom she calls ‘the fool,’ as she listens to her young daughter spin a story featuring knights and inky enemies, and the two stories begin to intertwine and mimic the cadences of each other. ‘Foxes’ kicks off a dazzling run of stories, including ‘The Soft No,’ in which a pair of siblings must navigate neighborhood politics as well as their unpredictable mother, to ‘We Don’t Come Natural to It,’ in which two women’s pursuit of beauty becomes a vortex of self-inflicted violence, control, and mistrust. In the title story, a young woman watches as her former lover evolves into someone she realizes she never knew, while she must navigate the breakup in a way that doesn’t out her sexuality. Parsons’s characters are sharp and uncannily observed, bound up in elastic and electrifying prose. This is a first-rate debut.”

How to Be an Antiracist by Ibram X. Kendi

Here’s what Publishers Weekly had to say about How to Be an Antiracist: “Kendi follows his National Book Award–winning Stamped from the Beginning with a boldly articulated, historically informed explanation of what exactly racist ideas and thinking are, and what their antiracist antithesis looks like both systemically and at the level of individual action. He weaves together cultural criticism, theory (starting each chapter with epigraph-like definitions of terms), stories from his own life and philosophical development (he describes his younger self as a ‘racist, sexist homophobe’), and episodes from history (including the 17th-century European debate about ‘polygenesis,’ the idea that different races of people were actually separate species with distinct origins). He delves into typical racist ideas (e.g. that biology and behavior differ between racial groups) and problems (such as colorism), as well as the intersections between race and gender, race and class, and race and sexuality. Kendi puts forth some distinctive arguments: he posits that ‘internalized racism is the true Black-on-Black crime,’ critiquing powerful black people who disparage other black people and racializing behaviors they disapprove of, and argues that black people can be racist in their views of white people (when they make negative generalizations about white people as a group, thereby espousing the racist idea that ethnicity determines behavior). His prose is thoughtful, sincere, and polished. This powerful book will spark many conversations.”

Hard Mouth by Amanda Goldblatt

Here’s what Publishers Weekly had to say about Hard Mouth: “Goldblatt’s propulsive and beguiling debut tracks the story of a young woman searching for escape. Twenty-something Denny, short for Denise, has watched her father suffer on and off from cancer for 10 years and moves through her days in a fog of half-hope and half-grief, ‘working on the idea of being alive.’ She works a quiet job in a genetics lab and spends most nights alone in her studio apartment in the Washington, D.C., suburbs, socializing only with her high school best friend Ken and her imaginary friend, Gene, an amalgam of classic movie–character clichés. But when her father’s cancer returns, and Denny learns he won’t be seeking treatment, Denny decides to take time off and rent a cabin deep in the woods, leaving no word with the people she leaves behind. Cut off from civilization, the unexpected becomes the everyday, and Denny’s inner turmoil is matched by the brutality she must endure to survive, particularly after a storm downs a tree that tears open the roof and exposes her to the elements—and even more so when she discovers that she might not be alone out there. Denny’s story gains momentum early on, though the secondary characters too often come across as one-note, muddled shapes in the background. Still, this debut is a striking psychological portrait of despair.”

Also on shelves: I Heart Oklahoma! by Roy Scranton.

Tuesday New Release Day: Starring Tolentino, Valentine, Folarin, Marías, Price, and More

Here’s a quick look at some notable books—new titles from the likes of Jia Tolentino, Sarah Valentine, Tope Folarin, Javier Marías, our own Adam O’Fallon Price, and more—that are publishing this week.
Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.
Trick Mirror by Jia Tolentino

Here’s what Publishers Weekly had to say about Trick Mirror: “New Yorker contributor Tolentino debuts with a sharp, well-founded crackdown on the lies of self and culture in these nine original, incisive reflections on a hypercapitalist, internet-driven age that ‘positions personal identity as the center of the universe.’ While some essays peel back personal self-delusions—such as by recalling, in ‘Always Be Optimizing,’ how taking barre classes for fitness gave her the ‘satisfying but gross sense of having successfully conformed to a prototype’ —others comment on broader cultural movements with frightening accuracy, for instance noting in ‘Pure Heroines’ that ‘bravery and bitterness get so concentrated in literature, for women, because there’s not enough space for [women] in the real world,’ or that the election of Donald Trump represents the ‘incontrovertible, humiliating vindication of scamming as the quintessential American ethos.’ The collection’s chief strength is Tolentino’s voice: sly, dry, and admittedly complicit in an era where ‘the choice…is to be destroyed or to morally compromise ourselves in order to be functional.’ While the insights aren’t revelatory, the book’s candid self-awareness and well-formulated prose, and Tolentino’s ability to voice the bitterest truths—’Everything, not least the physical world itself, is overheating’—will gain Tolentino new fans and cement her reputation as an observer well worth listening to.”
The Hotel Neversink by Adam O’Fallon Price

Here’s what Publishers Weekly had to say about The Hotel Neversink: “Centered on a rambling hotel in the Catskills, the striking latest from Price (The Grand Tour) is part multigenerational saga, part murder mystery. In 1950, a young boy, Jonah, goes missing from the Hotel Neversink, and his disappearance kicks off a string of similar crimes that stretch across decades. The owners of the hotel, the Sikorsky family, avert scandal, until Jonah’s remains are discovered in the hotel’s basement in 1973. With no obvious suspects, the Sikorskys suffer the ups and downs of running a business associated with an unsolved murder, entertaining crime buffs and conspiracy theorists while the hotel—passed down from patriarch, Asher, to his daughter, Jeanie, and eventually to his grandson, Len—slowly loses its luster with vacationers, despite Len’s dedication to keeping the family business alive. Price focuses each chapter on a single character, which gives the work a novel-in-stories feel that periodically drifts from the hotel. As a result, the central mystery moves into the background, yet it never fully vanishes, wearing on characters without their acknowledgement as they face marital strain, addiction, and depression. Price is a sharp writer, and his novel wonderfully critiques family obligation while simultaneously delivering a crafty, sinister whodunit.”
When I Was White by Sarah Valentine

Here’s what Publishers Weekly had to say about When I Was White: “In this fervent and heartfelt memoir, Valentine, an artist-in-residence at Northwestern University, tells of coming-of-age in Pittsburgh, Pa., as the daughter of two white parents who refused to acknowledge an ethnicity hinted at by her appearance, and a family secret. Her mother and business consultant father were married in the 1970s when Valentine was born, and she describes an ordinary childhood in a loving family of Italian and Irish descent. Early on, she clues in that she is ‘different’ and even though her parents avoid the topic of race, others make note of her darker skin color (for instance, a school guidance counselor suggests she apply for a minority scholarship). Valentine attends Carnegie Mellon University, and at age 27 she presses her mother on the details of her past; her mother claims she was raped at a college party by an unknown black man (though her recollection is vague). The narrative moves fluidly between past and present as Valentine tries to make sense of the lies and misconceptions that have plagued her throughout her life. Beset with conflicting emotions and a sense of betrayal, Valentine begins a futile search to locate her biological father, and the revelation of Valentine’s conception (later confirmed by a DNA test that revealed 45% sub-Saharan African) will be simultaneously startling and yet expected to the reader. This is a disturbing and engrossing tale of deep family secrets.”


First Cosmic Velocity by Zach Powers

Here’s what Publishers Weekly had to say about First Cosmic Velocity: “Powers’s entertaining and winning debut novel about the 1960s space race launches from an intriguing premise: that the Soviet Union covered up fatal rocket misfires by recruiting groups of twins as cosmonauts—one to pilot the ill-fated space capsule, the other to bask in the glory of a faked hero’s return. Set primarily in Star City, Russia, in 1964, Powers’s story centers around the earthbound experiences of Nadya (whose twin burned up on re-entry years before) and Leonid (whose brother, the last twin, is currently orbiting the earth), through which Powers refracts glimpses of the competitive Soviet space program and its personnel, the sometimes absurd politics of the Khrushchev era, and the process by which a cold-hearted recruiter pried the twin Leonids away from their family in 1950s Ukraine. Powers (Gravity Changes) endows his stoical, driven characters with distinctive personalities and the capacity to reflect philosophically on their charade, as when Leonid says, ‘Maybe our individual personalities are just the areas in which we failed to copy someone else.’ Powers’s deadpan depiction of the ruse that drives his tale and the historical figures duped by it will give readers pause to wonder if it really is that improbable.”
A Particular Kind of Black Man by Tope Folarin

Here’s what Publishers Weekly had to say about A Particular Kind of Black Man: “Folarin’s tender, cunning debut begins as a realistic story of a boy coming of age in Utah in the 1980s, then slides into a subtle meditation on the unreliability of memory. Tunde, the older son of parents who emigrated from Nigeria, who is five years old when the novel opens, lives in a small town in Northern Utah where he is made to feel like an outsider. His hard-working father is frustrated because he can’t hold a job equal to his abilities, and his mentally ill mother frequently breaks down and physically abuses Tunde. When she leaves the family and returns home, Tunde’s father goes to Nigeria and brings back a ‘new mom,’ who has two children of her own whom she prefers to her stepchildren. After a move to Texas, the narrator is accepted by Morehouse College, where he realizes to his alarm that he is experiencing ‘double memories’ and is seeing ‘things I could have done as if I had done them,’ which causes him to re-write the version of the past by which the reader has come to know him. Only when he visits Nigeria does ‘reality click into place.’ Folarin pulls off the crafty trick of simultaneously bringing scenes to sharp life and undercutting their reliability, and evokes the complexities of life as a second-generation African-American in simple, vivid prose. Foralin’s debut is canny and electrifying.”
All the Water in the World by Karen Raney

Here’s what Publishers Weekly had to say about All the Water in the World: “Raney’s ardent debut examines love and loss through the eyes of Maddy, a vibrant 16-year-old girl diagnosed with cancer, and Eve, her loving mother. Maddy is spending the summer recovering from chemotherapy at her family’s lake house in Pennsylvania. While her thoughts often turn to normal adolescent concerns—such as her summer reading assignments and her crush—they are also studded with existential worries as she contemplates death, the existence of God, and the ephemerality of nature. Maddy begins to think about her father, who separated amicably from her mother before she was born, and decides she must get to know him before she dies. Over her final summer, Maddy and her father begin an epistolary friendship and bond over their mutual love of nature and advocacy for environmental protections. Reading the correspondence is painful for Eve when she later finds the letters. Eve, struggling to process everything, begins to spend long hours at the lake talking with her neighbor Norma. The book is broken into three sections, and is at its strongest when Maddy’s naive, searching voice narrates the story, which is effused with a passion for life and nature. However, the novel’s final section loses momentum, tapering off into Eve’s self-examination and excavation of the past. Raney’s pleasing tale is a deep, genuine investigation of memory, the pain of loss, and the strength of a mother’s love.”
Berta Isla by Javier Marías

Here’s what Publishers Weekly had to say about Berta Isla: “Marías (Thus Bad Begins) transforms a spy thriller into an eloquent depiction of those left behind at home in this rich novel. Popular, beautiful Berta Isla decides she will marry Tomás Nevinson, a half-Spanish, half-British classmate with a preternatural ability to learn languages, while they are students together in mid-1960s Madrid. During his studies at Oxford, Tomás is recruited by a professor to use his abilities with languages and accents to serve as an infiltrator for the British Secret Intelligence Service. He demurs, until he is accused of murdering his British lover and needs help evading the charge. Marías toggles to Berta as a narrator for Tomás’s return to Spain, their marriage in 1974, and his cover job for the British Embassy. Berta struggles to cope with her husband’s long, mysterious absences and forces a confession about his real job after a terrifying threat on their young son’s life. Tomás offers scant details of his work, which only partially satisfies Berta, who spars with him. When he leaves on assignment just before the start of the Falklands War in 1982, Berta’s worries compound as his time away stretches into months and then years. Marías switches back to a third-person narrator for the gut-punching conclusion that explains what happened to Tomás. The espionage premise is initially enticing, but the real draw is the depth of Marías’s characterization. This weighty novel rewards readers with the patience for its deliberate dissection of a marriage.”
Also on shelves: The Pretty One by Keah Brown and White Flights by Jess Row.
Image credit: Unsplash/Amador Loureiro.

Tuesday New Release Day: Starring Horrocks, Russo, Lenz, Zink, and More

Here’s a quick look at some notable books—new titles from the likes of Caitlin Horrocks, Richard Russo, Lyz Lenz, Nell Zink, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

The Vexations by Caitlin Horrocks

Here’s what Publishers Weekly had to say about The Vexations: “Horrocks’s vivid, hard-edged debut about French composer Erik Satie focuses on his erratic career, difficult personality, and dysfunctional family. In 1872, widower Alfred Satie leaves his children—six-year-old Eric, youngest brother Conrad, middle sister Louise—to be raised by their grandmother in Normandy. A great-uncle takes Louise to live with him. When the grandmother dies, Alfred brings the boys home to Paris. By his early 20s, Eric, now calling himself Erik ‘with a k,’ plays piano at Chat Noir and other Montmartre cafes. Louise, widowed within a year of getting married, resides with her son on her husband’s debt-ridden estate, until relatives confiscate both the estate and the son. Often neglectful and hurtful of friends and family, Erik collaborates with modernists like Cocteau and Diaghilev to varying success. Horrocks includes the perspectives of Erik’s onetime librettist (fictional Philippe) and sometime lover (real-life Suzanne Valadon) for a portrait of avant-garde turn-of-the-century Paris that proves art isn’t easy and neither are artists. Horrocks shines while envisioning Erik scoring a silent film, debuting a masterpiece, or being released from jail (where he was held for defaming a reviewer) so he can complete a commission. Horrocks’s description of Satie’s music is also apt for her noteworthy novel: slow, spare, and at its best finely filigreed.”

Chances Are… by Richard Russo

Here’s what Publishers Weekly had to say about Chances Are…: “Russo’s first standalone novel in a decade (after Everybody’s Fool) mixes his signature themes—father-and-son relationships, unrequited love, New England small-town living, and the hiccups of aging—with stealthy clue-dropping in a slow-to-build mystery about a young woman’s 1971 disappearance. Set mostly in Martha’s Vineyard circa 2015 with flashbacks to the characters’ coming-of-age in the 1960s and ’70s, the story follows three college buddies who, now in their mid-60s, decide to reunite on the island. There’s Lincoln, a happily married and successful real estate broker with six kids; Teddy, an editor and publisher of a small university press who’s prone to panic attacks and disorienting spells that leave him depressed; and Mickey, a musician renowned for his ability to rock hard, play hard, and sometimes beat up anyone in his way. Then there’s the missing link—gorgeous Jacy, the ‘three musketeers’ ’ closest gal pal from college and secret crush—who was engaged to ‘privileged, pre-school, Greenwich, Connecticut’ Vance, and had joined her boys at Lincoln’s Vineyard cabin for one last hurrah before she vanished. Relayed in alternating chapters from mostly Lincoln and Teddy’s perspectives, the narrative touches on the Vietnam draft, Lincoln’s complicated relationship with his dogmatic father and meek mother, and an accident that befalls Teddy. In the final stretch, surprising, long-kept secrets are revealed. This is vintage Russo.”

The Chelsea Girls by Fiona Davis

Here’s what Publishers Weekly had to say about The Chelsea Girls: “The strong friendship between two women who meet performing in USO shows during WWII is tested as the country descends into McCarthy-era madness in the solid latest from Davis (The Masterpiece). Hazel Ripley is a perennial understudy, pushed into performance by a mother who is grieving Hazel’s brother, a talented actor who died during the war. When Hazel joins the USO tour as the maid in Blythe Spirit, she initially dislikes star Maxine Mead, but as the women endure a sideline view to the horrors of war, they find that they are a good team, with Maxine acting and Hazel writing. After the war, they meet again in New York City when both are living at the Chelsea Hotel. Maxine has become a rising Hollywood starlet, and Hazel is staging her first play on Broadway. Soon the Red Scare consumes the nation, and Hazel is flagged as a possible communist and threatened with being blacklisted due to her association with Chelsea Hotel proprietor Lavinia Smarts. Maxine and Hazel are fearful their newly found community might be broken apart when they find mysterious men investigating the building. As a government agent appears to monitor rehearsals, Hazel is irritated but remains confident there’s nothing to be found. However, as the production nears opening night, Hazel worries her confidence could be misplaced. Featuring vibrant, witty characters who not only weather but thrive in a dark period of American history, Davis’s tale of one friendship’s strength will stun and satisfy readers.”

Marilou Is Everywhere by Sarah Elaine Smith

Here’s what Publishers Weekly had to say about Marilou Is Everywhere: “Smith’s solid debut follows the isolated and overlooked life of a teen in rural Pennsylvania. After 14-year-old Cindy Stoat and her older brothers, Clinton and Virgil, are abandoned by their mother, they make do with canned goods, candy, and income from the brothers’ lawn-mowing business amid the constant meddling of education officials who hope to bring Cindy back to school. Their stagnant and isolated existence is broken open when a teenage neighbor, Jude Vanderjohn, goes missing. A popular but complicated girl, Jude is so much of what Cindy herself feels she could never be, and her disappearance rocks not only the community, but Cindy’s day-to-day existence, especially after Virgil begins bringing her to spend time with Jude’s mother, Bernadette. Bernadette is a former hippie, a half-mystic, and an alcoholic who mistakes Cindy for her disappeared daughter, an identity crisis that Cindy cherishes, hoping desperately for her life to change, and leading to a terrible decision as she tries to maintain the illusion. Smith’s rural world is brought to life with precise and devastating descriptions of poverty and neglect, though sometimes the lyricism of the prose doesn’t gel. Still, fans of Gabriel Tallent’s My Absolute Darling will appreciate Cindy’s toughened point of view and Smith’s close attention to the details of rural Appalachian life. This is a promising debut.”

This Is Not America by Jordi Puntí

Here’s what Publishers Weekly had to say about This Is Not America: “This thoughtful collection of short stories from Catalonian writer and translator Puntí (Lost Luggage) is set primarily in Barcelona and largely features a cast of jaded male protagonists. Though the stories often blend together, one not particularly standing out from the other, memorable instances occur throughout, such as the somber twist at the end of ‘Kidney,’ about a loner ignoring letters from his sick, estranged brother. In ‘My Best Friend’s Mother,’ and ‘Consolation Prize,’ men pursue fantasies of women they barely know, then realize their dream doesn’t match their reality. In ‘Seven Days on the Love Boat,’ a disgruntled husband exchanges anniversary tickets to France for a solo trip on a Mediterranean cruise liner, where he meets a sage American pianist. In ‘The Miracle of the Loaves and the Fishes,’ a Catalonian with a gambling problem moves to Las Vegas, where he manages to turn his addiction into an unexpected career. Although the collection lacks variety, the stories make for a consistently pleasant reading experience, especially when consumed in small doses.”

The Accidentals by Minrose Gwin

Here’s what Publishers Weekly had to say about The Accidentals: “Evocatively depicting the small town of Opelika, Miss., in 1957, Gwin (Promise) tells the heart-rending story of a mother feeling trapped in her life, whose death throws her family into turmoil. Olivia goes to a ‘chiropractor’ for an illegal abortion, dying a few days later from complications. Her husband, Holly, copes by trying to protect his daughters from the unlikely threats of bombs and natural disasters while ignoring their emotional needs. The older daughter, Grace, blames herself for not finding Olivia sooner, and her own poor choices lead to her becoming pregnant at 16 and getting sent away to have the baby in secret. The younger daughter, June, grows up to marry unhappily. Meanwhile, Ed Mae, the orphanage worker who cares for Grace’s child, has a moment of distraction that leads to complex consequences. Though the story is wrought with sadness, there’s a sense of hope that those thrown off course may find happiness in the end. Fans of tear-jerkers will forgive the occasional too-pat coincidence as Gwin brings all the threads together for an uplifting finale. This is a satisfying fable of errors and consequences in a tumultuous era.”

In the Country of Women by Susan Straight

Here’s what Publishers Weekly had to say about In the Country of Women: “Novelist Straight (Between Heaven and Here) focuses on the lives of the women in her family in this moving memoir. The narrative is framed as a letter to Straight’s three daughters—Gaila, Delphine, and Rosette—whom Straight shares with her ex-husband Dwayne Sims, and honors the daughters’ rich ancestral past through stories of female relatives struggling to overcome violence, oppression, and hardship. Straight celebrates Jennie Stevenson, an aunt on the Sims side who, in the early 1900s, shot a man who cornered her, and Straight’s mother, a Swiss immigrant who left home after her stepmother tried to marry her off at 15 to a pig farmer. The author excels in chapters about raising her kids, and about finding her place in the Sims clan (Straight is white, Sims is African-American). She feels indebted to her mother-in-law, Alberta Sims, who showed her how to keep family and friends close (‘she took my hand and led me to the kitchen…. Alberta cooked for the whole community’). In the touching final chapter, Straight reflects on the enduring power of memory: ‘All we women have to give you is memory…. What we felt we might keep to ourselves, unless someone wrote it down.’ Straight passionately illuminates the hard journeys of women.”

The Other’s Gold by Elizabeth Ames

Here’s what Publishers Weekly had to say about The Other’s Gold: “Four women form an intense bond as college freshmen and support one another through life-altering mistakes across a decade and a half in Ames’s unfocused debut. In 2002, sporty Alice, uber-rich Ji Sun, stunningly beautiful but academically struggling Margaret, and feisty, adopted Lainey arrive at Quincy-Hawthorne College. After immediate friendship, Alice divulges that years before she caused her brother’s intellectual disability by intentionally pushing him off a tractor. In their sophomore year, all four become entranced by a popular professor until Ji Sun fabricates a claim of sexual harassment against him. After college they all gravitate to New York City, where Lainey becomes a well-known voice of the Occupy Movement and Alice struggles with fertility problems. The foursome’s friendship cools when Margaret, now a popular blogger and wife to a wealthy scion, crosses a serious line, and drifts further apart when Lainey makes an even more shocking mistake. Ames rarely provides sufficient retribution for characters’ bad decisions, and the tangents about their lives become distracting. Though there are moments of powerful emotion, and the details and emotional crises are well drawn, most readers will feel frustrated by the meandering plot and the characters’ choices.”

Black Card by Chris L. Terry

Here’s what Publishers Weekly had to say about Black Card: “Terry’s darkly humorous coming-of-age novel (after Zero Fade) explores the nuances and challenges of being a young black man in America. A punk rock bassist with a white mother and black father living in Richmond, Va., the unnamed narrator struggles with feeling ‘black enough.’ ‘Being mistaken for white erases half of me,’ he muses, ‘and happens so often that I think I’ve failed at blackness.’ In a desperate attempt to finally earn his Black Card—an actual card—he indulges in misconceived stereotypes of blackness. He tries to ‘speak more black’ and changes up his style of dress. He earns his card but has it revoked by his guide/mentor Lucius when he fails to speak up during a racist incident. Determined to earn back his card, he performs rap songs at a white karaoke bar and musters up the courage to ask out his black coworker, Mona. When Mona is assaulted in her apartment, he becomes a suspect and is finally forced to face his racial identity. ‘The minute Mona told the cops about me, she’d given me something. She’d made it so I’d never, ever doubt that I was black.’ This memorable, deeply insightful work has echoes of Ralph Ellison’s Invisible Man. Terry’s provocative and timely novel challenges readers to confront the racial stereotypes and injustices in America.”

God Land by Lyz Lenz

Here’s what Publishers Weekly had to say about God Land: “Journalist Lenz blends memoir and reporting in this slim but powerful debut on the faith and politics of Middle America. After a lifetime of straining against her prescribed place within a white, Protestant world, Lenz left both her marriage and church in the wake of the 2016 election. Unable to compromise any longer with a husband who voted for Donald Trump, and unable to worship at a church that ignored violent white supremacy, divorce and departure become her only path forward. ‘The story of who leaves the church,’ Lenz writes, ‘is just as important as the story of who stays.’ In a series of episodic chapters, the author travels across the Midwest exploring stories of both the belonging and exclusion she finds there. Highlights include her tale of a home church that imploded around questions of authority and submission, and her tracking of a resurgent ‘muscular’ and patriarchal Christianity. She also reveals online and physical communities built by women, queer Christians, and people of color pushed out of conservative evangelical spaces. This work will resonate with any readers interested in understanding American landscapes where white, evangelical Christianity dominates both politics and culture.”

Doxology by Nell Zink

Here’s what Publishers Weekly had to say about Doxology: “Beginning in the early days of the 1990s and moving through the years to the 2016 election, Zink’s solid fourth novel (after Nicotine) follows the exploits of the members of a short-lived New York City punk band. Pam and Daniel have a daughter, Flora, before their careers can even begin to take off; meanwhile, Joe, the singer, has a breakthrough when he writes an unexpected hit single. As his fame grows, Pam and Daniel focus on raising Flora. On 9/11, everything changes, not just because of the attacks, but also because of an unexpected death that occurs on the same day. The second half of the book focuses more on Flora’s coming-of-age as she, among other things, becomes a campaign staffer for Jill Stein. As time passes, Zink infuses the novel with as many period details as possible (for instance, ‘bricklike cell phones’), but the repeated intrusion of the narrator explaining the political and cultural developments during the last 30 years becomes a bit overbearing and, worse, mostly unnecessary. Still, Zink’s gifts for characterization and richly evoked periods and places are on display throughout. Zink’s longest novel is her most ambitious and perhaps her most effective.”

Tuesday New Release Day: Starring Lippman, Maizes, Stradal, McCulloch, Zambreno, and More

Here’s a quick look at some notable books—new titles from the likes of Laura Lippman, R.L. Maizes, J. Ryan Stradal, Gretchen McCulloch, Kate Zambreno, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

The Lady in the Lake by Laura Lippman

Here’s what Publishers Weekly had to say about The Lady in the Lake: “Set in 1960s Baltimore, this smoldering standalone from Edgar winner Lippman (Sunburn) trails Madeline Schwartz, an affluent 37-year-old Jewish housewife who separates from her husband after dinner with an old classmate reminds her that she once had goals beyond marriage and motherhood. Maddie relishes her newfound freedom, renting an apartment downtown and starting an affair with a black patrolman, but she yearns for more. After discovering the corpse of 11-year-old Tessie Fine and later corresponding with Tessie’s incarcerated killer to determine his motive, Maddie leverages her story for an assistant’s position at the Star. She dreams of becoming a reporter, though, and starts investigating a crime otherwise ignored by the newspaper: the murder of Cleo Sherwood, a young black woman whose body turned up in the Druid Hill Park fountain. Lippman relates the bulk of the tale from Maddie’s perspective, but enriches the narrative with derisive commentary from Cleo and stunning vignettes of ancillary characters. Lippman’s fans will devour this sophisticated crime novel, which captures the era’s zeitgeist while painting a striking portrait of unapologetic female ambition.”

Gravity Is the Thing by Jaclyn Moriarty

Here’s what Publishers Weekly had to say about Gravity Is the Thing: “This tender and frank adult debut by YA novelist Moriarty (The Year of Secret Assignments) follows one woman’s search for happiness in a world as brimming with promises of healing as it is overflowing with letdowns. On her 16th birthday, Abi Sorenson’s beloved brother went missing. On the very same day, she received the first chapter of a mysterious self-help book titled The Guidebook in the mail, and received chapters intermittently through the years—the chapters cover everything from the death of metaphysics (in a single paragraph) to winking criticism of Keats to more traditional self-help metaphors. Now 36 with a young son, and 20 years into the lessons of The Guidebook—and still reeling from the unresolved circumstances of her brother’s disappearance, as well as grieving her ruined marriage—Abi is invited to a remote island to learn the truth about why these messages came to her. The course ultimately leads her back to her hometown and an opportunity to further explore the mysteries surrounding The Guidebook with others whose life it has haunted—which, she hopes, might somehow help her find her brother. With an eye as keen for human idiosyncrasies as Miranda July’s, and a sense of humor as bright and surprising as Maria Semple’s, this is a novel of pure velocity; it sucks the reader into Abi’s problems and her joys in equal, brilliant measure. A complex dissection of the self-help industry, as well as a complete and moving portrait of a difficult, delightful woman, Moriarty proves her adult novels can live up to her YA work’s reputation.”

We Love Anderson Cooper by R.L. Maizes

Here’s what Publishers Weekly had to say about We Love Anderson Cooper: “Maizes depicts characters who feel ostracized from their peers under an array of circumstances in her delightfully eclectic debut collection. In the title story, a boy comes out as gay during his bar mitzvah speech. ‘Yiddish Lessons’ tells the tale of a young Orthodox Jewish girl whose desperate need for attention leads her to commit a horrible act involving a young child. In ‘The Infidelity of Judah Maccabee,’ the protagonist is jealous of his cat’s affection toward his wife. Maizes excels in humanizing the characters through their occasionally self-destructive flaws. Tattoo artist Trey lets his obsession with outward appearance destroy lives in the magical realism–inflected ‘Tattoo.’ In ‘No Shortage of Birds,’ middle-schooler Charlotte allows her jealousy of her mother’s new pet to fill her with violent resentment. United under the loose common theme of isolation, the stories meld together nicely, giving the collection a satisfying cumulative feel. Maizes’s direct manner of storytelling and her imperfect yet unmistakably human characters are sure to win over readers.”

The Lager Queen of Minnesota by J. Ryan Stradal

Here’s what Publishers Weekly had to say about The Lager Queen of Minnesota: “Stradal follows up Kitchens of the Great Midwest with a refreshing story about women who know how to take charge in a family that becomes involved in the brewing industry. Edith and her sister, Helen, are young Minnesotans in the 1950s, and though the unassuming Edith gains temporary fame for her scrumptious pies, Helen becomes obsessed with making beer after her very first sip. Both women marry, and while Edith and Stanley Magnusson struggle to make ends meet, Helen manipulates her ailing, beer-loving father by selling him on her capacity to make a beer of her own. After he dies, she takes Edith’s inheritance along with her own. Helen’s husband, Orval Blotz, is heir to his family’s failing brewing empire, and while Helen uses her inheritance and persistence to bring Blotz Beer back to popularity, Edith has difficulty forgiving Helen for her betrayal. The sisters lose track of one another for decades, but Edith’s teenage granddaughter, Diana, is drawn, seemingly by fate, into the brewing business. This is not a story of drinkers and drinking, but is rather a testament to the setbacks and achievements that come with following one’s passion. This story about how a family business succeeds with generations of strong and determined women at the helm makes for a sometimes sad, sometimes funny, but always winning novel.”

Because Internet by Gretchen McCulloch

Here’s what Publishers Weekly had to say about Because Internet: “McCulloch, writer of the ‘Resident Linguist’ column for Wired and podcast cohost of Lingthusiasm, debuts with a funny and fascinating examination of the evolution of language in the digital age. Exploring everything from capitalization and punctuation to emojis and gifs, her book breaks down the structure of ‘internet language’ in a precise and engaging way. She offers novices a well-structured introduction to modern linguistics, including a history of informal writing and the social implications of language. McCulloch discusses the ongoing shift toward less formal, more concise greetings in message writing, observing that receiving emails from strangers provides a ‘never-ending multiplayer guessing game of what generation someone’s in,’ based on how her correspondent addresses her. She also discusses the stylized language of memes, sharing an excerpt of Genesis translated into the terminology of lolcat memes (‘Oh hai. In teh beginning Ceiling Cat maded the skiez An da Urfs…’) and the function of punctuation in text messages, such as how a period may or may not signal passive aggression. An extensive notes section invites readers to further explore the impact the internet has had on language. Thanks to McCulloch’s skill in explaining both academic and popular subjects, this survey will make an excellent starting point for anyone’s exploration of the topic.”

Reasons to Be Cheerful by Nina Stibbe

Here’s what Publishers Weekly had to say about Reasons to Be Cheerful: “Stibbe’s charming latest (after An Almost Perfect Christmas) chronicles how 18-year-old Lizzie Vogel navigates young adulthood while working at a dental practice in 1980s Leicester, England. With some nursing experience under her belt and a way with words, Lizzie finds a job as a dental assistant for the intolerant and often thoughtless JP Wintergreen. Lizzie helps out JP’s part-time employee turned girlfriend, Tammy, who remains a friendly, if overbearing, presence. Their personal foibles—such as JP’s desire to join the Freemasons and Tammy’s fertility issues—often spill into the workplace. Through the practice, Lizzie becomes involved with childhood acquaintance Andy, now a lab tech, though their love life suffers after her mom, Elizabeth, takes him in as a boarder and takes a shine to him that Lizzie worries might be romantic. Stibbe nicely captures the tug of love and exasperation at the heart of this mother-daughter relationship, and also successfully writes quirky characters that don’t come off as cutesy or forced. She’s particularly adept at inhabiting a daughter’s forgiving eye of her mother’s past alcoholism and other dark times. Stibbe’s memorable characterizations and storytelling talent hold steady as a tragedy in Lizzie’s life suddenly unfurls. This novel treats readers to a rare voice that captivates with pathos and humor.”

Also on shelves this week: Screen Tests by Kate Zambreno.

Tuesday New Release Day: Starring Whitehead, Marais, Szalay, Klosterman, and More

Here’s a quick look at some notable books—new titles from the likes of Colson Whitehead, Bianca Marais, David Szalay, Chuck Klosterman and more—that are publishing this week.

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The Nickel Boys by Colson Whitehead

Here’s what Publishers Weekly had to say about The Nickel Boys: “‘As it had ever been with Nickel, no one believed them until someone else said it,’ Whitehead (The Underground Railroad) writes in the present-day prologue to this story, in which construction workers have dug up what appears to be a secret graveyard on the grounds of the juvenile reform school the Nickel Academy in Jackson County, Fla. Five decades prior, Elwood Curtis, a deeply principled, straight-A high school student from Tallahassee, Fla., who partakes in civil rights demonstrations against Jim Crow laws and was about to start taking classes at the local black college before being erroneously detained by police, has just arrived at Nickel. Elwood finds that, at odds with Nickel’s upstanding reputation in the community, the staff is callous and corrupt, and the boys—especially the black boys—suffer from near-constant physical, verbal, and sexual abuse. Elwood befriends the cynical Turner, whose adolescent experiences of violence have made him deeply skeptical of the objectivity of justice. Elwood and Turner’s struggles to survive and maintain their personhood are interspersed with chapters from Elwood’s adult life, showing how the physical and emotional toll of his time at Nickel still affects him. Inspired by horrific events that transpired at the real-life Dozier School for Boys, Whitehead’s brilliant examination of America’s history of violence is a stunning novel of impeccable language and startling insight.”

If You Want to Make God Laugh by Bianca Marais

Here’s what Publishers Weekly had to say about If You Want to Make God Laugh: “Marais’s lovely sophomore novel (after Hum If You Don’t Know the Words) follows three women who connect in surprising ways in a newly postapartheid South Africa. Seventeen-year-old Zodwa, once a promising high school student, returns home pregnant and in disgrace to a squatter town outside Magaliesburg. After nearly 40 years of estrangement, sisters Ruth and Delilah reluctantly return to their family farm near Magaliesburg, each looking to find closure from past mistakes. Each woman has her personal struggles: Zodwa hides the details surrounding her pregnancy and cares for her tuberculosis-stricken mother; former stripper Ruth drinks herself through her third divorce; and Delilah refuses to disclose the mysterious circumstances surrounding her sudden return from a humanitarian mission in central Africa. All their lives become intertwined when Ruth and Delilah find an abandoned newborn on their doorstep. Set against the backdrop of the Mandela presidency, the Afrikaner Resistance Movement, and the burgeoning AIDS epidemic, the story offers a look into the staggering emotional cost of secrecy, broken family bonds, racism, and sexual violence. Marais once again showcases her talent for pulling beauty from the pain of South African history with a strong story and wonderfully imperfect characters.”

Family of Origin by CJ Hauser

Here’s what Publishers Weekly had to say about Family of Origin: “Hauser (The From-Aways) impresses with her wistful contemporary tale of family bonds and misplaced pessimism. Estranged half-siblings 35-year-old Elsa—a discouraged second-grade teacher in Minnesota—and 29-year-old Nolan—a social media manager for the San Francisco Giants—travel to Leap’s Island, a private island off the Gulf Coast, to investigate the drowning death of their father, Ian Grey. Ian, once a respected biologist, had come to Leap’s Island to join the Reversalists, a small group of researchers who believe evolution is regressing to make each generation worse. The eccentric inhabitants jealously guard their research on the island’s unique duck species, hoping to be the first to prove the theory. Elsa is convinced Ian committed suicide, but Nolan hopes conversations with the researchers will prove her wrong. The pair fall into old patterns of sibling rivalry, and Elsa wrestles with her drastic reaction to learning what caused the family’s rupture 15 years before. Hauser intercuts the siblings’ investigation with flashbacks to their fractured earlier family life and the melancholic backstories explaining each of the Reversalists’ reason for coming to the island. This shimmering take on grief and family will enthrall fans of character-driven stories with its bevy of dashed dreams and cluttered emotions.”

On the Clock: What Low-Wage Work Did to Me and How It Drives America Insane by Emily Guendelsberger

Here’s what Publishers Weekly had to say about On the Clock: “In this spiritual sequel to Barbara Ehrenreich’s 2011 Nickel and Dimed, journalist Guendelsberger takes jobs at an Amazon fulfillment warehouse, an AT&T call center, and a McDonald’s franchise to investigate the sheer implausibility of living on minimum wage and the Kafkaesque features of service industry work. These include the Tylenol- and Advil-dispensing vending machines at the Amazon warehouse, a symbol of the excruciating pain that is an expected part of the job; bosses changing time sheets to deduct minutes employees spent in the bathroom; and screaming customers flinging condiment packets. Guendelsberger’s coworkers are charismatic and charming, and completely unaware that they deserve a lot better from their employers: one of her fellow employees suffers a panic attack that requires emergency services and another attempts dental surgery on herself. Interspersed throughout are references to early 20th-century moguls like Frederick Winslow Taylor and Henry Ford (who pioneered the use of assembly lines to control workers’ pace, a predecessor to Amazon’s pace-tracking practices), giving historical background on how the plight of today’s overburdened working class came to be. Guendelsberger’s narration is vivid, humorous, and honest; she admits to the feelings of despair, panic, and shame that these jobs frequently inspire, allowing for a more complex and complete picture of the experience. This is a riveting window into minimum-wage work and the subsistence living it engenders.”

Turbulence by David Szalay 

Here’s what Publishers Weekly had to say about Turbulence: “In Szalay’s latest, after the Man Booker Prize-shortlisted All That Man Is, two air travelers’ lives briefly intersect in the opening chapter on a flight from London to Madrid. A diabetic English woman returning to her home in Madrid from London, where she was visiting her son, who was recently diagnosed with prostate cancer, faints in her seat during a bout of turbulence, and the Ghanaian businessman next to her finds help. This encounter stays with Cheikh, the businessman, as he arrives home in Dakar to news of a tragic car accident in his family. The book continues with a collection of 12 such fleeting encounters, each, relay-like, linked to the previous by a tangential point of intersection, and each driven and inspired by the liminality of air travel. A witness to the accident in Dakar lands in São Paulo, where he sleeps with a journalist who must catch a flight to Toronto the next morning to interview a writer. The writer flies to Seattle for her grandchild’s birth, where by chance she meets a woman from Hong Kong who is caught at a marital crossroads. Szalay is a pithy writer, capable of startling insights into the nature of loneliness and the human desire for companionship, though there is something thin and underdeveloped to the conceit of this novel. This is a somewhat disappointing effort from a talented writer.”

Raised in Captivity by Chuck Klosterman

Here’s what Publishers Weekly had to say about Raised in Captivity: “Klosterman (Chuck Klosterman X), in this irreverent collection of what he calls ‘fictional non-fiction’ stories, creates a multitude of clever scenarios, blasting off with the title story about a wild animal found in the bathroom of the first-class section of an airplane, and careering to the final tale about a hapless man spurred on by a nosy neighbor to continue working on a mysterious contraption in his backyard shed. In these 34 stories, most featuring a hilarious denouement, the author takes on racism, diets, cults, white privilege, and life with Trump as president. Standouts include ‘Execute Again,’ which features a philosophical football coach who teaches his team one play—characterized by the narrator as ‘learning how to foxtrot and moonwalk at the same time,’ the results of which are eye-opening; ‘Of Course It Is,’ which explores the banality of the afterlife; and ‘Pain is a Concept by Which We Measure Our God,’ in which husbands can have a procedure to take on the pain of their wives’ giving birth. No matter the topic, Klosterman’s gimlet eye and trenchant prose bedazzle.”

The Expectations by Alexander Tilney

Here’s what Publishers Weekly had to say about The Expectations: “Tilney’s rewarding debut concerns a freshman at a New Hampshire boarding school in the ’90s who finds that high school isn’t turning out the way he imagined it would. Fourteen-year-old Ben Weeks arrives at St. James thinking that everything will finally start to go right for him. The school has always been part of his family’s life: Ben’s father, Harry, helped renovate the squash courts, and Ben’s uncle Russell is on the board. Ben’s the best boys’ squash player in the country, but he quickly becomes disillusioned with it. His dreams of having a best-friend roommate are dashed when he’s paired with the sweet and awkward Ahmed Al-Khaled, a target of bullies. Ben also discovers that—due to a series of bad investments—Harry can’t afford to pay his tuition. Since pride and competition with Russell prevent Harry from agreeing to financial aid, Ben agrees to let Ahmed’s rich father pick up the tab. Ahmed starts hanging with a stoner crowd that accepts him, though Ben fears that Ahmed will be caught and kicked out. The author effectively touches on matters of class, societal pressures, and what it really means to be cool. Tilney’s memorable boarding school novel hits the mark.”