Welcome to the 15th annual Year in Reading series at The Millions. When site founder C. Max Magee first put together his year-end reading reflections in the early 2000s, no one suspected that a blog post would eventually grow into a series that has featured hundreds of writers and readers: librarians, critics, bloggers, journalists, essayists, poets, and fiction writers ranging from just-starting-out to just-won-a-Pulitzer-Prize. What the participants have in common is that they are loving, devoted readers.
To celebrate its 15th year, this December’s series is, at 90-something contributors, the most crowded yet. As in every year, entries turn out not to be mere lists of books, but records of time passing–there were births and deaths, moves and separations and career changes. As in every year, some books pop up again and again in contributors’ collections of memorable reading experiences. And as in every year, we guarantee you will conclude the month with at least one book to add to your TBR pile.
The names of our 2019 contributors will be unveiled throughout the month as entries are published (starting with our traditional opener from Languagehat’s Stephen Dodson later this morning). Bookmark this post, load up the main page, subscribe to our RSS feed, or follow us on Facebook or Twitter to make sure you don’t miss an entry — we’ll run at least three per day for the next three weeks.
Stephen Dodson, proprietor of Languagehat.Ayşe Papatya Bucak, author of The Trojan War Museum and Other Stories.Shea Serrano, author of Movies (And Other Things)Dantiel W. Moniz, author of the forthcoming collection Milk Blood Heat.Andrea Long Chu, author of Females.De’Shawn Charles Winslow, author of In West Mills.Omar El Akkad, author of American War.Kali Fajardo-Anstine, author of Sabrina & Corina: StoriesAlexandra Kleeman, author of You Too Can Have a Body Like Mine.Isabella Hammad, author of The Parisian.Nayomi Munaweera, author of What Lies Between Us.Marcos Gonsalez, author of the forthcoming memoir Pedro’s Theory.Max Porter, author of Lanny.Yan Lianke, author of The Explosion Chronicles.Lauren Michele Jackson, author of White Negroes: When Cornrows Were in Vogue … and Other Thoughts on Cultural Appropriation.Catherine Lacey, author of the forthcoming novel Pew.Sonya Chung, staff writer for The Millions, author of The Loved Ones.Carolyn Quimby, associate editor for The Millions.Nick Ripatrazone, staff writer for The Millions, author of Longing for an Absent God.Garth Risk Hallberg, contributing editor for The Millions, author of City on Fire.Jianan Qian, staff writer for The Millions.Nick Moran, special projects editor for The Millions.Kate Gavino, social media editor for The Millions, author of Last Night’s Reading and Sanpaku.Adam O’Fallon Price, staff writer for The Millions, author of The Grand Tour and The Hotel Neversink.Merve Emre, author of The Personality Brokers.Rion Amilcar Scott, author of The World Doesn’t Require You.Devi S. Laskar, author of The Atlas of Reds and Blues.Jason R Jimenez, author of The Wolves.Iva Dixit, associate editor at The New York Times Magazine.Jennifer Croft, author of Homesick.Venita Blackburn, author of Black Jesus and Other Superheroes.C Pam Zhang, author of How Much of These Hills Is Gold.Jedediah Britton-Purdy, author of This Land Is Our Land: The Struggle for a New Commonwealth.Julia Phillips, author of Disappearing Earth.Osita Nwanevu, staff writer at The New Republic.Jennine Capó Crucet, author of My Time Among the Whites: Notes from an Unfinished Education.Kate Zambreno, author of Appendix Project (Semiotext(e)’s Native Agents) and Screen Tests.Chanelle Benz, author of The Gone Dead.John Lingan, author of Homeplace: A Southern Town, a Country Legend, and the Last Days of a Mountaintop Honky-TopBeatrice Kilat, a writer and editor living in Oakland, Calif.T Kira Madden, author of Long Live the Tribe of Fatherless Girls.Grace Loh Prasad, a contributor to the anthology Six Words Fresh Off the Boat: Stories of Immigration, Identity and Coming to America.Kaulie Lewis, staff writer for The Millions.Il’ja Rákoš, staff writer for The Millions.Zoë Ruiz, staff writer for The Millions.Ed Simon, staff writer for The Millions.Edan Lepucki, staff writer and contributing editor for The Millions, author of California.Hannah Gersen, staff writer for The Millions and the author of Home Field.Matt Seidel staff writer for The Millions.Bill Morris, staff writer for The Millions, author of Motor City Burning.Rene Denfeld, author of The Butterfly Girl.Bridgett M. Davis, author of The World According To Fannie Davis: My Mother’s Life in the Detroit Numbers.Anita Felicelli, author of Love Songs for a Lost Continent.Oscar Villalon, managing editor of ZYZZYVA.Terese Mailhot, author of Heart Berries: A Memoir.Jenny Offill, author of Last Things and Dept. of Speculation.Joseph Cassara, author of novel The House of Impossible Beauties.Daniel Levin Becker, senior editor at McSweeney’s.Nishant Batsha, a writer whose work has appeared in Narrative, TriQuarterly, and The Believer.Mike Isaac, author of Super Pumped: The Battle for Uber.Andrew Martin, author of Early Work.Kate Petersen, a writer whose work has appeared in Tin House, New England Review, Kenyon Review, and Paris Review Daily.Anne Serre, author of The Fool & Other Moral Tales.Tanaïs, author of Bright Lines and creator of independent beauty and fragrance house Hi Wildflower.Sophia Shalmiyev, author of Mother Winter.Grace Talusan, author of The Body Papers.Anne K. Yoder, staff writer for The Millions.Michael Bourne, staff writer for The Millions.Marie Myung-Ok Lee, staff writer for The Millions.Lydia Kiesling, contributing editor at The Millions and the author of The Golden State.Thomas Beckwith, staff writer for The Millions.Roberto Lovato, teacher, journalist and writer based at the Writers Grotto in San Francisco, California.Dustin Kurtz, Social Media Manager for Catapult, Counterpoint, and Soft Skull.Kevin Barry, author of novel Night Boat to Tangier.Susan Straight, author of In the Country of Women.
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Don’t miss: A Year in Reading 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005
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The National Book Foundation named its 5 Under 35 honorees for 2019. The program recognizes five debut fiction writers under the age of 35 whose work “promises to leave a lasting impression on the literary landscape.” Each 5 Under 35 author is selected by a previous National Book Award-winner or 5 Under 35 author.
Here’s a list of the honorees, with bonus links where available:
The Parisian by Isabella Hammad
Happy Like This by Ashley Wurzbacher
Here’s a quick look at some notable books—new titles from the likes of Robert Caro, Sarah Blake, Isabella Hammad, Maria Gainza, and more—that are publishing this week.
Working by Robert A. Caro
Here’s what Publisher’s Weekly had to say about Working: “In this superb collection of original and previously published pieces, Pulitzer winner Caro (The Passage of Power) offers a glimpse into the process behind his epic biographies of Robert Moses and Lyndon Johnson. Writing with customary humor, grace, and vigor, Caro wryly acknowledges the question of ‘Why does it take so long’ to produce each book. Caro provides both the short answer—intensive research—and a longer, illuminating explication of just what that entails. For example, he tracked down individual people displaced by Moses’s building projects; he followed the trail of money to uncover how Johnson attained influence in Congress while still a relative unknown; he moved to Johnson’s hometown in rural Texas and gained the trust of its residents, who shared untold stories with him. Caro began his career in journalism and credits his Newsday editor for two crucial pieces of investigative advice: ‘Turn every page’ and find a way to get the information one needs. The results may take longer, but, as readers of Caro’s work know, it is always worth the wait. For the impatient, however, this lively combination of memoir and non-fiction writing will help sate their appetite for new writing from Caro until the arrival of his final, still-in-progress Johnson biography.”
Optic Nerve by Maria Gainza (translated by Thomas Bunstead)
Here’s what Publisher’s Weekly had to say about Optic Nerve: “Gainza’s phenomenal first work to be translated into English is a nimble yet momentous novel about the connection between one woman’s personal life and the art she observes. The book is composed of episodes in the life of María, who lives in Buenos Aires, often beginning with an anecdote about someone she knows before brilliantly finding an associative link to a work of art, then delving into the backstory of the artwork and the artist before coming full circle to how it all makes sense in María’s life. In one chapter, María’s observation of the sea prompts her to consider Gustave Courbet’s seascapes (‘his water was fossil-like: a slab of malachite rent hard across the middle’), before connecting the thread to her enigmatic cousin. In another chapter, María’s fear of flying keeps her from attending a prestigious art convention and leads her to mull over Henri Rousseau’s ability to venture beyond his limitations to shape avant-garde art. Tsuguharu Foujita’s artistic decline is juxtaposed against María’s longtime friend Alexia’s unrealized artistic potential. There are many pleasures in Gainza’s novel: its clever and dynamic structure, its many aperçus (‘happiness interests only those who experience it; nobody can be moved by the happiness of others’), and some of the very best writing about art around. With playfulness and startling psychological acuity, Gainza explores the spaces between others, art, and the self, and how what one sees and knows form the ineffable hodgepodge of the human soul. The result is a transcendent work.”
Naamah by Sarah Blake
Here’s what Publisher’s Weekly had to say about Naamah: “Blake reimagines the story of Noah’s Ark from the perspective of Noah’s wife, Naamah, in her inventive but erratic debut. As Blake envisions her, Naamah is a practical woman. During the Ark’s construction, it is Naamah who remembers to stow buckets for washing and waste. Aboard ship, she serves as midwife to a ewe giving birth to two lambs, then later feeds the weaker, dying lamb to a restless tiger. After her son Shem is clawed by a polar bear, Naamah stitches up the cuts. Privately, Naamah is less matter-of-fact or down-to-earth. She mourns her lover, a widow lost in the Deluge, meets an Angel of the Lord and becomes the Angel’s lover, and chats with a vulture that is really the mythic Metatron. Guided by a time-traveling descendant, she visits the 21st century, where she watches children playing with a Noah’s Ark toy set. The author creates a for-adults-only multidimensional portrait of Noah’s wife by combining biblical narrative with modern prose, fantasy with realism, spirituality with erotica. Despite its mysticism and metaphorical aspects that may perplex some readers, this is a remarkable feat of imagination.”
Phantoms by Christian Kiefer
Here’s what Publisher’s Weekly had to say about Phantoms: “Kiefer’s sweeping novel (after One Day Soon Time Will Have No Place to Hide) examines the ways war shapes the lives of ordinary people. Upon returning to Placer County, Calif., after serving in Vietnam, John Frazier is at loose ends: 21 and gripped by recollections of violence and a drug habit he’s trying to kick, he’s unable to imagine his future. But when he runs into his long-lost aunt Evelyn Wilson, John is improbably sucked into the mystery of what happened to Ray Takahashi, Evelyn’s Japanese-American former neighbor, who disappeared soon after returning from WWII. With John in tow, Evelyn meets with Ray’s mother to reveal a secret she’s kept for 26 years—that, unbeknownst to Ray, Evelyn’s daughter, Helen, gave birth to his baby after he came back from the war. At Evelyn’s insistence, Helen gave up the infant to an orphanage partly due to the ‘disgrace’ of a mixed-race child. As John grapples with his own ghosts, he investigates Ray’s life: his idyllic childhood growing up with the Wilson children, his romance with Helen, the Takahashi family’s transfer to an internment camp and the prejudice they encountered. After Evelyn exposes her secret, the sinister forces underlying Ray’s disappearance begin rising closer to the surface. Kiefer’s story sheds light on the prejudice violence ignites and on the Japanese-American experience during a fraught period of American history, and makes for an engaging and memorable novel.”
The Parisian by Isabella Hammad
Here’s what Publisher’s Weekly had to say about The Parisian: “In her exceptional debut, Hammad taps into the satisfying slow-burn style of classic literature with a storyline that captures both the heart and the mind. In 1914, 19-year-old Midhat Kamal leaves his hometown of Nablus in Palestine and heads to Marseilles to study medicine, where he stays with university professor Dr. Frederic Molineu and his daughter, Jeannette. Jeannette has just completed her own schooling in philosophy, and though her interactions with Midhat are initially based on distant friendliness, romantic notions begin to stir inside them both. Midhat nevertheless relocates to Paris after one year, changes his academic major to history, and evolves into an image like “the figure of the Parisian Oriental as he appeared on certain cigarette packets in corner stores.” After he returns home to Nablus, Midhat’s life is directed by his wealthy father, who plans for his eldest son to marry a local woman and work in the family business. Midhat remains separated from Jeannette, his first love, as national and geopolitical machinations continue to grind, and by 1936, Midhat has witnessed a number of historical regional changes, including British rule and the Arab fight for independence. Richly textured prose drives the novel’s spellbinding themes of the ebb and flow of cultural connections and people who struggle with love, familial responsibilities, and personal identity. This is an immensely rewarding novel that readers will sink into and savor.”
Trust Exercise by Susan Choi
Here’s what Publisher’s Weekly had to say about Trust Exercise: “Choi’s superb, powerful fifth novel, after 2013’s My Education, marries exquisite craft with topical urgency. Set in the early 1980s, the book’s first section depicts the Citywide Academy for the Performing Arts, an elite high school in an unnamed Southern city. Galvanized by the charged atmosphere created by the school’s magnetic theater teacher, Mr. Kingsley, 15-year-old classmates Sarah and David have an intense sexual relationship the summer between their freshman and sophomore years. Sarah, who has taken its secrecy for granted, is horrified when David makes their romance public that fall. She repudiates him, the two spend the year estranged, and she grows increasingly isolated until an English theater troupe makes an extended visit to the school. When she is pursued by one of the troupe’s actors at the same time her classmate Karen falls in love with its director, the two young women form a fraught, ambivalent bond. The novel’s second segment reintroduces the characters a dozen years later, shifting from Sarah’s perspective into to a new viewpoint that casts most of what readers thought they knew into doubt. After the tensions of the past culminate in an act at once shocking and inevitable, a brief coda set in 2013 adds a final bold twist. Choi’s themes—among them the long reverberations of adolescent experience, the complexities of consent and coercion, and the inherent unreliability of narratives—are timeless and resonant. Fiercely intelligent, impeccably written, and observed with searing insight, this novel is destined to be a classic.”
The Ash Family by Molly Dektar
Here’s what Publisher’s Weekly had to say about The Ash Family: “In her excellent debut, Dektar probes life in a cult with a masterful hand, excavating the troubled mind of a young woman who joins what she thinks is a modern-day commune. Rather than boarding a plane for college, 19-year-old Berie leaves her home in Durham, N.C., and meets an alluring man named Bay at an Asheville, N.C., bus stop. He invites her into the Ash family fold, where he tells her she can stay “three days, or the rest of your life” on their co-op farm tucked away in the mountains. The Ash family follows a hypnotic and powerful leader called Dice, who engages in violent “actions” against developers who will harm the natural world. Dice dubs Berie “Harmony,” and she begins the hardworking life of living off the grid and rejecting everything outside the family as a “fake world.” Berie cuts off her mother and ex-boyfriend, believing that she has found a place where she belongs, but as much as she struggles for trust and acceptance—and craves intimacy with Bay—she makes mistakes and pays the price. She also learns that the family can be a threat to those who go astray. Dektar’s eloquent, often poetic prose draws readers into this disturbing, powerful novel.”
The Book of Dreams by Nina George
Here’s what Publisher’s Weekly had to say about The Book of Dreams: “George’s captivating novel (after The Little Paris Bookshop) centers on magical bonds between coma patients and their loved ones. Forty-five-year-old ex-war correspondent Henri Skinner is estranged from his 13-year-old son, and after a traffic accident leaves Henri in an induced coma, Sam starts to form something of a relationship with his father. Sam is gifted, intelligent, and synesthetic, blending the sounds of music and voices into shapes and colors, and although he can sometimes sense his father, he usually feels only darkness. He shares his sorrow with Eddie Tomlin, whom Henri had left over two years earlier but inexplicably named as his representative in his living will. Eddie, for her part, can’t help loving the complex man who’s ‘always both running away from himself and searching for his true identity.’ One other person in the hospital captures Sam’s heart: 12-year-old Madelyn, a girl who’s also in a coma after an accident that killed her family. Meanwhile, Henri and Madelyn are submerged in real and surreal memories of their earlier lives—and their looming deaths—within their comatose minds. This exploration of unfinished relationships has a haunting, evocative quality, and is a perfect, conversation-starting selection for book groups.”
The Bookshop of the Broken Hearted by Robert Hillman
Here’s what Publisher’s Weekly had to say about The Bookshop of the Broken Hearted: “Hillman (The Boy in the Green Suit) offers an uplifting exploration of how people rise above tragedy to find joy. It’s 1968 in an Australian backwater town, and Tom Hope’s wife, Trudy, has disappeared, only to return a year later, pregnant with another man’s child. Tom grows to love the boy, Peter, but then Trudy abandons both when Peter is almost three, returning two years later to take her son from Tom and, shortly thereafter, send him divorce papers. After Hannah Babel—who survived Auschwitz but lost her entire family, including her husband and young son, to the concentration camps—comes to town, she hires Tom to fix up the bookstore she’s set on running, and the two of them—he, a calm workman, she an older, feisty intellectual—each with their separate anguish, find common ground and marry. Then Peter, still a child, reappears in Tom’s life, forcing Hannah to question whether she could allow herself to love another child, and Tom to potentially have to choose between his marriage and his love for the boy he considers a son. Hillman’s novel is an impressive, riveting tale of how two disparate and well-drawn people recover from soul-wrenching grief and allow themselves to truly love again.”
Also on shelves: If I Had Two Lives by Abbigail N. Rosewood.
We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around). Here’s what we’re looking out for this month—for more April titles, check out our First-Half Preview. Let us know what you’re looking forward to in the comments!
Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.
Working by Robert A. Caro: Widely known—and celebrated—for his monumental biographies of LBJ and Robert Moses, Caro steps out from behind his subjects in Working, a collection of personal writings about, well, working. Here he describes his experiences searching Johnson’s presidential archives, what it was like to interview some of the major figures of the last half century, and how exactly he goes about structuring those massive, award-winning books. Think of it as a behind-the-scenes look at how “the greatest political biographer of our time” gets the job done. (Kaulie)
Women Talking by Miriam Toews: Canadians have come to accept that we can’t keep Toews to ourselves any longer. After her sixth novel, All My Puny Sorrows, became an international sensation, the timely and urgent Women Talking is set to do the same. It’s a fictionalized telling of real life rapes that took place in a remote Mennonite colony in Bolivia. After repeated attacks, a group of women are told they are lying about the violence or being punished by Satan. The narrative unfolds as they meet to decide what they will do: forgive, fight, or run. (Claire)
Let’s Tell This Story Properly by Jennifer Nansubuga Makumbi: This story collection by the author of the acclaimed epic novel, Kintu, is centered on the lives of Ugandans living in Britain, where they are both hyper-visible and unseen, excluded from British life as they work jobs in airport security, in hospitals, in caring for the elderly. In the title story, when the protagonist’s husband dies in England, her fellow Ugandans start a fund-raising drive to pay for transporting the body back home. Their motivation beautifully captures the dislocation of exile: “We are not burying one of us in snow.” It has been said that Makumbi has done for Ugandan writing what the great Chinua Achebe did for Nigerian literature. (Bill)
Walking on the Ceiling by Ayşegül Savaş: Of her family, global citizen (of Turkish descent) Savaş writes, “They share a ruthless knack of observation and an eye for the comedic . . . This is a family of runaway bandits and conspiring matriarchs, where uncles swagger around with pistols, illegitimate children emerge at every turn, family heirlooms . . . are nicked from brothel fires.” Evidently drawing on her own life, Savas’s debut novel is set in Paris (where she lives) and features a young Turkish woman who tells her family’s stories to a novelist friend. “Their intimacy deepens, so does Nunu’s fear of revealing too much . . . fears that she will have to face her own guilt about her mother and the narratives she’s told to protect herself from her memories.” Writes Helen Phillips, “This quietly intense debut is the product of a wise and probing mind.” (Sonya)
I Miss you When I Blink by Mary Laura Philpott: An debut essay collection from the Emmy-winning TV host and beloved bookseller at Parnsassus Books in Nashville. Philpott’s inspiration came from readers who would beeline to the memoir section to pick up Eat, Pray, Loveor Wild, then ask, “What do you have like this, but more like me?” With essays that Ann Patchett calls relentlessly funny, self-effacing, and charming,” the result is a kind of wisdom that comes from making so many wrong turns they strangely add up to something that is exactly right. (Claire)
Optic Nerve by Maria Gainza (translated by Thomas Bunstead): Critically acclaimed Argentinian writer Maria Gainza’s first book translated in English. The story interweaves the narrator’s fascination and obsession with art and art history and her intimate experiences involving her family, romantic relationships, and work life. Mariana Enríquez declares, “In between autofiction and the microstories of artists, between literary meet-ups and the intimate chronicle of a family, its past and its misfortunes, this book is completely original, gorgeous, on occasions delicate, and other times brutal.” (Zoë)
Naamah by Sarah Blake: In a stunning, feminist retelling of Noah’s Ark, Blake’s debut novel focuses on Naamah (Noah’s wife) and their family in the year after the Great Flood. Full of desire, fury, strength, and wavering faith, Naamah becomes the bedrock on which the Earth is rebuilt upon. Written in poetic prose, Lidia Yuknavitch praises the novel as “a new vision of storytelling and belief” and “a new myth-making triumph.” (Carolyn)
Phantoms by Christian Kiefer: Kiefer’s previous novel The Animals, was downright masterful, and I’ve been anticipating Phantoms ever since. In this new novel, veteran John Frazier returns shaken from the Vietnam War to witness a dispute between his family and their former neighbors, a Japanese-American family that was displaced during World War II and sent to an internment camp. The jacket copy calls it “a fierce saga of American culpability.” Luis Alberto Urrea says, “Christian Kiefer is a masterful writer, and this magisterial novel is aching with beauty and power. This is a great book.” I, for one, cannot wait! (Edan)
The Parisian by Isabella Hammad: In her debut novel, Plimpton Prize winner Hammad explores Palestinian history through the life, love, and journey of Midhat Kamal, a young man from a wealthy family. In a starred review, Publishers Weekly writes “In her exceptional debut, Hammad taps into the satisfying slow-burn style of classic literature with a storyline that captures both the heart and the mind.” (Carolyn)
Miracle Creek by Angie Kim: This debut has it all—a novel of the Korean immigrant experience, a courtroom thriller, an exploration of controversies over autism therapies (specifically here, hyperbaric oxygen therapy, BOT). Kirkus calls it “deeply satisfying” and says “it should be huge.” (Marie Myung-Ok)
Trust Exercise by Susan Choi: In this novel’s opening section, Dave and Sarah, two new students at a prestigious performing arts high school, fall madly in love under the watchful eye of a charismatic acting teacher. But in a second segment, set 12 years later, a change in narrative viewpoint calls into question everything the reader has understood to have happened before. Early reviews are highly polarized. Publishers Weekly says the novel is “destined to be a classic” while a reader on Goodreads, speaking for a number of other dissatisfied early readers, complained “the payoff wasn’t worth the ick.” (Michael)
Normal People by Sally Rooney: Rooney, the Irish author known for the acclaimed Conversations with Friends, has written a second novel about the lives of young people in modern Ireland. The protagonists of Normal People are teenagers named Connell and Marianne, who develop a strange friendship that both are determined to hide. Years pass, and as the two get older, their relationship grows steadily more complicated. (Thom)
A Wonderful Stroke of Luck by Ann Beattie: How do our charismatic teachers set the stage for the rest of our lives? That’s one of the questions that Ann Beattie tackles in this novel. When a former New England boarding school student named Ben looks back on his childhood, he starts to questions the motives of his superstar teacher. Later on, his teacher gets in contact, and Ben has to grapple with his legacy. (Thom)
The Limits of the World by Jennifer Acker: Meet the Chandarias. Premchand is a doctor. His wife Urmila imports artisanal African crafts. Their son Sunil is studying for a doctorate in philosophy at Harvard. But for all their outward success, theirs is a family riven with secrets, and when the family is forced to return to Nairobi, where Premchand and Urmila were born, Sunil reveals an explosive secret of his own: his Jewish girlfriend, who has accompanied the family on the trip, is already his wife. (Michael)
What My Mother and I Don’t Talk About edited by Michele Filgate: A collection of essays about subjects too painful or explosive to broach among families. Based on Filgate’s essay of the same name, about being abused by her stepfather, the essay features work from a stellar lineup of writers like Kiese Laymon, Carmen Maria Machado, Brandon Taylor, André Aciman, and Leslie Jamison, among others. (Lydia)
The Affairs of the Falcóns by Melissa Rivero: After fleeing Peru in the 1990s, the Falcón family—Ana, Lucho, and their two children—settles in New York City. Under the shadow of their undocumented status, Ana must go to incredible lengths to give her family a better, safer life. Rumaan Alam writes the novel is “at once a timeless work and a book we urgently need now.” (Carolyn)
Paul Takes the Form of a Mortal Girl by Andrea Lawlor: In a reissue from Vintage Books, Lawlor’s genre-bending debut follows Paul Polydoris—a shapeshifting bar tender who can change his gender and appearance whenever he wants. Through Paul’s abilities, Lawlor explores identity, sexuality, and intimacy. Garth Greenwell writes, “Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting—and one of the most fun—novels of the decade.” (Carolyn)
Prince of Monkeys by Nnamdi Ehirim: A debut novel about a young, middle-class Nigerian named Ihechi, and his search for identity as he enters adulthood. When a tragedy throws his whole life off-course, he finds himself aligned with the political elite—and at odds with the people he grew up with. Publishers Weekly writes, “A vivid, astute portrait of Nigeria—and its people—in the throes of upheaval.” (Carolyn)
Arid Dreams by Duanwad Pimwana: Pimwana’s debut collection features thirteen stories about ordinary Thai characters who dream of richer, more extraordinary lives. Set in a rapidly-changing Thailand, the stories explore class, gender, and desire. YZ Chin writes, “Arid Dreams is full of uncanny character studies that reveal entire social structures and relationship dynamics with a few deft sentences.” (Carolyn)
If I Had Two Lives by Abbigail N. Rosewood: A young women, who grew up in a military encampment in Vietnam, immigrates to New York to find a new home. She tries to forget her past and the country that bore her but she is drawn back after a tragedy. The debut novel explores love, identity, loss, and the ever-present past. (Carolyn)