If I Had Two Lives

New Price: $6.42
Used Price: $1.92

Mentioned in:

The Great Fall 2024 Book Preview

-
With the arrival of autumn comes a deluge of great books. Here you'll find a sampling of new and forthcoming titles that caught our eye here at The Millions, and that we think might catch yours, too. Some we’ve already perused in galley form; others we’re eager to devour based on their authors, plots, or subject matters. We hope your next fall read is among them. —Sophia Stewart, editor October Season of the Swamp by Yuri Herrera, tr. Lisa Dillman [F] What it is: An epic, speculative account of the 18 months that Benito Juárez spent in New Orleans in 1853-54, years before he became the first and only Indigenous president of Mexico. Who it's for: Fans of speculative history; readers who appreciate the magic that swirls around any novel set in New Orleans. —Claire Kirch The Black Utopians by Aaron Robertson [NF] What it is: An exploration of Black Americans' pursuit and visions of utopia—both ideological and physical—that spans  the Reconstruction era to the present day and combines history, memoir, and reportage. Who it's for: Fans of Saidiya Hartman's Wayward Lives, Beautiful Experiments and Kristen R. Ghodsee's Everyday Utopia. —Sophia M. Stewart The Third Realm by Karl Ove Knausgaard, tr. Martin Aitken [F] What it is: The third installment in Knausgaard's Morning Star series, centered on the appearance of a mysterious new star in the skies above Norway. Who it's for: Real Knausgaard heads only—The Wolves of Eternity and Morning Star are required reading for this one. —SMS Brown Women Have Everything by Sayantani Dasgupta [NF] What it is: Essays on the contradictions and complexities of life as an Indian woman in America, probing everything from hair to family to the joys of travel. Who it's for: Readers of Durga Chew-Bose, Erika L. Sánchez, and Tajja Isen. —SMS The Plot Against Native America by Bill Vaughn [F] What it is: The first narrative history of Native American boarding schools— which aimed "civilize" Indigenous children by violently severing them from their culture— and their enduring, horrifying legacy. Who it's for: Readers of Ned Blackhawk and Kathleen DuVal. —SMS The Mighty Red by Louise Erdrich [F] What it is: Erdrich's latest novel set in North Dakota's Red River Valley is a tale of the intertwined lives of ordinary people striving to survive and even thrive in their rural community, despite environmental upheavals, the 2008 financial crisis, and other obstacles. Who it's for: Readers of cli-fi; fans of Linda LeGarde Grover and William Faulkner. —CK The Position of Spoons by Deborah Levy [NF] What it is: The second book from Levy in as many years, diverging from a recent streak of surrealist fiction with a collection of essays marked by exceptional observance and style. Who it's for: Close lookers and the perennially curious. —John H. Maher The Bog Wife by Kay Chronister [F] What it's about: The Haddesley family has lived on the same West Virginia bog for centuries, making a supernatural bargain with the land—a generational blood sacrifice—in order to do so—until an uncovered secret changes everything. Who it's for: Readers of Karen Russell and Jeff VanderMeer; anyone who has ever used the phrase "girl moss." —SMS The Great When by Alan Moore [F] What it's about: When an 18-year old book reseller comes across a copy of a book that shouldn’t exist, it threatens to upend not just an already post-war-torn London, but reality as we know it. Who it's for: Anyone looking for a Sherlock Holmes-style mystery dipped in thaumaturgical psychedelia. —Daniella Fishman The Message by Ta-Nehisi Coates [NF] What it's about: One of our sharpest critical thinkers on social justice returns to nonfiction, nearly a decade after Between the World and Me, visiting Dakar, to contemplate enslavement and the Middle Passage; Columbia, S.C., as a backdrop for his thoughts on Jim Crow and book bans; and the Israeli-occupied West Bank, where he sees contemporary segregation in the treatment of Palestinians. Who it’s for: Fans of James Baldwin, George Orwell, and Angela Y. Davis; readers of Nikole Hannah-Jones’s The 1619 Project and Isabel Wilkerson’s Caste, to name just a few engagements with national and racial identity. —Nathalie op de Beeck Abortion by Jessica Valenti [NF] What it is: Columnist and memoirist Valenti, who tracks pro-choice advocacy and attacks on the right to choose in her Substack, channels feminist rage into a guide for freedom of choice advocacy. Who it’s for: Readers of Robin Marty’s The New Handbook for a Post-Roe America, #ShoutYourAbortion proponents, and followers of Jennifer Baumgartner’s [I Had an Abortion] project. —NodB Gifted by Suzuki Suzumi, tr. Allison Markin Powell [F] What it's about: A young sex worker in Tokyo's red-light district muses on her life and recounts her abusive mother's final days, in what is Suzuki's first novel to be translated into English. Who it's for: Readers of Susan Boyt and Mieko Kanai; fans of moody, introspective fiction; anyone with a fraught relationship to their mother. —SMS Childish Literature by Alejandro Zambra, tr. Megan McDowell [F] What it is: A wide-ranging collection of stories, essays, and poems that explore childhood, fatherhood, and family. Who it's for: Fans of dad lit (see: Lucas Mann's Attachments, Keith Gessen's Raising Raffi, Karl Ove Knausgaard's seasons quartet, et al). —SMS Books Are Made Out of Books ed. Michael Lynn Crews [NF] What it is: A mining of the archives of the late Cormac McCarthy with a focus on the famously tight-lipped author's literary influences. Who it's for: Anyone whose commonplace book contains the words "arquebus," "cordillera," or "vinegaroon." —JHM Slaveroad by John Edgar Wideman [F] What it is: A blend of memoir, fiction, and history that charts the "slaveroad" that runs through American history, spanning the Atlantic slave trade to the criminal justice system, from the celebrated author of Brothers and Keepers. Who it's for: Fans of Clint Smith and Ta-Nehisi Coates. —SMS Linguaphile by Julie Sedivy [NF] What it's about: Linguist Sedivy reflects on a life spent loving language—its beauty, its mystery, and the essential role it plays in human existence. Who it's for: Amateur (or professional) linguists; fans of the podcast A Way with Words (me). —SMS An Image of My Name Enters America by Lucy Ives [NF] What it is: A collection of interrelated essays that connect moments from Ives's life to larger questions of history, identity, and national fantasy, Who it's for: Fans of Ives, one of our weirdest and most wondrous living writers—duh; anyone with a passing interest in My Little Pony, Cold War–era musicals, or The Three Body Problem, all of which are mined here for great effect. —SMS Women's Hotel by Daniel Lavery [F] What it is: A novel set in 1960s New York City, about the adventures of the residents of a hotel providing housing for young women that is very much evocative of the real-life legendary Barbizon Hotel. Who it's for: Readers of Mary McCarthy's The Group and Rona Jaffe's The Best of Everything. —CK The World in Books by Kenneth C. Davis [NF] What it is: A guide to 52 of the most influential works of nonfiction ever published, spanning works from Plato to Ida B. Wells, bell hooks to Barbara Ehrenreich, and Sun Tzu to Joan Didion. Who it's for: Lovers of nonfiction looking to cover their canonical bases. —SMS Blue Light Hours by Bruna Dantas Lobato [F] What it's about: Through the emanating blue-glow of their computer screens, a mother and daughter, four-thousand miles apart, find solace and loneliness in their nightly Skype chats in this heartstring-pulling debut. Who it's for: Someone who needs to be reminded to CALL YOUR MOTHER! —DF Riding Like the Wind by Iris Jamahl Dunkle [NF] What it is: The biography of Sanora Babb, a contemporary of John Steinbeck's whose field notes and interviews with Dust Bowl migrants Steinbeck relied upon to write The Grapes of Wrath. Who it's for: Steinbeck fans and haters alike; readers of Kristin Hannah's The Four Winds and the New York Times Overlooked column; anyone interested in learning more about the Dust Bowl migrants who fled to California hoping for a better life. —CK Innie Shadows by Olivia M. Coetzee [F] What it is: a work of crime fiction set on the outskirts of Cape Town, where a community marred by violence seeks justice and connection; also the first novel to be translated from Kaaps, a dialect of Afrikaans that was until recently only a spoken language. Who it's for: fans of sprawling, socioeconomically-attuned crime dramas a la The Wire. —SMS Dorothy Parker in Hollywood by Gail Crowther [NF] What it is: A history of the famous wit—and famous New Yorker—in her L.A. era, post–Algonquin Round Table and mid–Red Scare. Who it's for: Owners of a stack of hopelessly dog-eared Joan Didion paperbacks. —JHM The Myth of American Idealism by Noam Chomsky and Nathan J. Robinson [NF] What it is: A potent critique of the ideology behind America's foreign interventions and its status as a global power, and an treatise on how the nation's hubristic pursuit of "spreading democracy" threatens not only the delicate balance of global peace, but the already-declining health of our planet. Who it's for: Chomskyites; policy wonks and casual critics of American recklessness alike. —DF Mysticism by Simon Critchley [NF] What it is: A study of mysticism—defined as an experience, rather than religious practice—by the great British philosopher Critchley, who mines music, poetry, and literature along the way. Who it's for: Readers of John Gray, Jorge Luis Borges, and Simone Weil. —SMS Q&A by Adrian Tomine [NF] What it is: The Japanese American creator of the Optic Nerve comic book series for D&Q, and of many a New Yorker cover, shares his personal history and his creative process in this illustrated unburdening. Who it’s for: Readers of Tomine’s melancholic, sometimes cringey, and occasionally brutal collections of comics short stories including Summer Blonde, Shortcomings, and Killing and Dying. —NodB Sonny Boy by Al Pacino [NF] What it is: Al Pacino's memoir—end of description. Who it's for: Cinephiles; anyone curious how he's gonna spin fumbling Diane Keaton. —SMS Seeing Baya by Alice Kaplan [NF] What it is: The first biography of the enigmatic and largely-forgotten Algerian artist Baya Mahieddine, who first enchanted midcentury Paris as a teenager. Who it's for: Admirers of Leonora Carrington, Hilma af Klint, Frida Kahlo, and other belatedly-celebrated women painters. —SMS Absolution by Jeff VanderMeer [F] What it is: A surprise return to the Area X, the stretch of unforbidding and uncanny coastline in the hit Southern Reach trilogy. Who it's for: Anyone who's heard this song and got the reference without Googling it. —JHM The Four Horsemen by Nick Curtola [NF] What it is: The much-anticipated cookbook from the team behind Brooklyn's hottest restaurant (which also happens to be co-owned by James Murphy of LCD Soundsystem). Who it's for: Oenophiles; thirty-somethings who live in north Williamsburg (derogatory). —SMS Seeing Further by Esther Kinsky, tr. Caroline Schmidt [F] What it's about: An unnamed German woman embarks on the colossal task of reviving a cinema in a small Hungarian village. Who it's for: Fans of Jenny Erpenbeck; anyone charmed by Cinema Paradiso (not derogatory!). —SMS Ripcord by Nate Lippens [NF] What it's about: A novel of class, sex, friendship, and queer intimacy, written in delicious prose and narrated by a gay man adrift in Milwaukee. Who it's for: Fans of Brontez Purnell, Garth Greenwell, Alexander Chee, and Wayne Koestenbaum. —SMS The Use of Photography by Annie Ernaux and Marc Marie, tr. Alison L. Strayer [NF] What it's about: Ernaux's love affair with Marie, a journalist, while she was undergoing treatment for cancer, and their joint project to document their romance. Who it's for: The Ernaux hive, obviously; readers of Sontag's On Photography and Janet Malcolm's Still Pictures. —SMS Nora Ephron at the Movies by Ilana Kaplan [NF] What it is: Kaplan revisits Nora Ephron's cinematic watersheds—Silkwood, Heartburn, When Harry Met Sally, You've Got Mail, and Sleepless in Seattle—in this illustrated book. Have these iconic stories, and Ephron’s humor, weathered more than 40 years? Who it’s for: Film history buffs who don’t mind a heteronormative HEA; listeners of the Hot and Bothered podcast; your coastal grandma. —NodB [millions_email] The Philosophy of Translation by Damion Searls [NF] What it is: A meditation on the act and art of translation by one of today's most acclaimed practitioners, best known for his translations of Fosse, Proust, et al. Who it's for: Regular readers of Words Without Borders and Asymptote; professional and amateur literary translators alike. —SMS Salvage by Dionne Brand  What it is: A penetrating reevaluation of the British literary canon and the tropes once shaped Brand's reading life and sense of self—and Brand’s first major work of nonfiction since her landmark A Map to the Door of No Return. Who it's for: Readers of Christina Sharpe's Ordinary Notes and Elizabeth Hardwick's Seduction and Betrayal. —SMS Masquerade by Mike Fu [F] What it's about: Housesitting for an artist friend in present-day New York, Meadow Liu stumbles on a novel whose author shares his name—the first of many strange, haunting happenings that lead up to the mysterious disappearance of Meadow's friend. Who it's for: fans of Ed Park and Alexander Chee. —SMS November The Beggar Student by Osamu Dazai, tr. Sam Bett [F] What it is: A novella in the moody vein of Dazai’s acclaimed No Longer Human, following the 30-something “fictional” Dazai into another misadventure spawned from a hubristic spat with a high schooler. Who it's for: Longtime readers of Dazai, or new fans who discovered the midcentury Japanese novelist via TikTok and the Bungo Stray Dogs anime. —DF In Thrall by Jane DeLynn [F] What it is: A landmark lesbian bildungsroman about 16-year-old Lynn's love affair with her English teacher, originally published in 1982. Who it's for: Fans of Joanna Russ's On Strike Against God and Edmund White's A Boy's Own Story —SMS Washita Love Child by Douglas Kent Miller [NF] What it is: The story of Jesse Ed Davis, the Indigenous musician who became on of the most sought after guitarists of the late '60s and '70s, playing alongside B.B. King, Bob Dylan, John Lennon, and more. Who it's for: readers of music history and/or Indigenous history; fans of Joy Harjo, who wrote the foreword. —SMS Set My Heart on Fire by Izumi Suzuki, tr. Helen O'Horan [F] What it is: Gritty, sexy, and wholly rock ’n’ roll, Suzuki’s first novel translated into English (following her story collection, Hit Parade of Tears) follows 20-year-old Izumi navigating life, love, and music in the underground scene in '70s Japan. Who it's for: Fans of Meiko Kawakami, Ursula K. Le Guin, and Marlowe Granados's Happy Hour. —DF Didion & Babitz by Lili Anolik [NF] What it is: A dual portrait of Joan Didion and Eve Babitz, who are so often compared to—and pitted against—each other on the basis of their mutual Los Angeles milieu. Who it's for: Fans or haters of either writer (the book is fairly pro-Babitz, often at Didion's expense); anyone who has the Lit Hub Didion tote bag. —SMS The Endless Refrain by David Rowell [NF] What it's about: How the rise of music streaming, demonitizing of artist revenue, and industry tendency toward nostalgia have laid waste to the musical landscape, and the future of music culture. Who it's for: Fans of Kyle Chayka, Spence Kornhaber, and Lindsay Zoladz. —SMS Every Arc Bends Its Radian by Sergio De La Pava [F] What it is: A mind- and genre-bending detective story set in Cali, Colombia, that blends high-stakes suspense with rigorous philosophy. Who it's for: Readers of Raymond Chandler, Thomas Pynchon, and Jules Verne. —SMS Something Close to Nothing by Tom Pyun [F] What it’s about: At the airport with his white husband Jared, awaiting a flight to Cambodia to meet the surrogate mother carrying their adoptive child-to-be, Korean American Wynn decides parenthood isn't for him, and bad behavior ensues. Who it’s for: Pyun’s debut is calculated to cut through saccharine depictions of queer parenthood—could pair well with Torrey Peters’s Detransition, Baby. —NodB Rosenfeld by Maya Kessler [F] What it is: Kessler's debut—rated R for Rosenfeld—follows one Noa Simmons through the tumultuous and ultimately profound power play that is courting (and having a lot of sex with) the titular older man who soon becomes her boss. Who it's for: Fans of Sex and the City, Raven Leilani’s Luster, and Coco Mellor’s Cleopatra and Frankenstein. —DF Lazarus Man by Richard Price [F] What it is: The former The Wire writer offers yet another astute chronicle of urban life, this time of an ever-changing Harlem. Who it's for: Fans of Colson Whitehead's Crook Manifesto and Paul Murray's The Bee Sting—and, of course, The Wire. —SMS Stranger Than Fiction by Edwin Frank [NF] What it is: An astute curveball of a read on the development and many manifestations of the novel throughout the tumultuous 20th century. Who it's for: Readers who look at a book's colophon before its title. —JHM Letters to His Neighbor by Marcel Proust, tr. Lydia Davis What it is: A collection of Proust’s tormented—and frequently hilarious—letters to his noisy neighbor which, in a diligent translation from Davis, stand the test of time. Who it's for: Proust lovers; people who live below heavy-steppers. —DF Context Collapse by Ryan Ruby [NF] What it is: A self-proclaimed "poem containing a history of poetry," from ancient Greece to the Iowa Workshop, from your favorite literary critic's favorite literary critic. Who it's for: Anyone who read and admired Ruby's titanic 2022 essay on The Waste Land; lovers of poetry looking for a challenge. —SMS How Sondheim Can Change Your Life by Richard Schoch [NF] What it's about: Drama professor Schoch's tribute to Stephen Sondheim and the life lessons to be gleaned from his music. Who it's for: Sondheim heads, former theater kids, end of list. —SMS The Serviceberry by Robin Wall Kimmerer [NF] What it is: 2022 MacArthur fellow and botanist Kimmerer, an enrolled member of the Citizen Potawatomi Nation, (re)introduces audiences to a flowering, fruiting native plant beloved of foragers and gardeners. Who it’s for: The restoration ecologist in your life, along with anyone who loved Braiding Sweetgrass and needs a nature-themed holiday gift. —NodB My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor by Homeless [F] What it is: A pseudonymous, tenderly comic novel of blue whales and Golden Arches, mental illness and recovery. Who it's for: Anyone who finds Thomas Pynchon a bit too staid. —JHM Yoke and Feather by Jessie van Eerden [NF] What it's about: Van Eerden's braided essays explore the "everyday sacred" to tease out connections between ancient myth and contemporary life. Who it's for: Readers of Courtney Zoffness's Spilt Milk and Jeanna Kadlec's Heretic. —SMS Camp Jeff by Tova Reich [F] What it's about: A "reeducation" center for sex pests in the Catskills, founded by one Jeffery Epstein (no, not that one), where the dual phenomena of #MeToo and therapyspeak collide. Who it's for: Fans of Philip Roth and Nathan Englander; cancel culture skeptics. —SMS Selected Amazon Reviews by Kevin Killian [NF] What it is: A collection of 16 years of Killian’s funniest, wittiest, and most poetic Amazon reviews, the sheer number of which helped him earn the rarefied “Top 100” and “Hall of Fame” status on the site. Who it's for: Fans of Wayne Koestenbaum and Dodie Bellamy, who wrote introduction and afterword, respectively; people who actually leave Amazon reviews. —DF Cher by Cher [NF] What it is: The first in a two-volume memoir, telling the story of Cher's early life and ascendent career as only she can tell it. Who it's for: Anyone looking to fill the My Name Is Barbra–sized hole in their heart, or looking for something to tide them over until the Liza memoir drops. —SMS The City and Its Uncertain Walls by Haruki Murakami, tr. Philip Gabriel [F] What it is: Murakami’s first novel in over six years returns to the high-walled city from his 1985 story "Hard-Boiled Wonderland and the End of the World" with one man's search for his lost love—and, simultaneously, an ode to libraries and literature itself. Who it's for: Murakami fans who have long awaited his return to fiction.  —DF American Bulk by Emily Mester [NF] What it's about: Reflecting on what it means to "live life to the fullest," Mester explores the cultural and personal impacts of America’s culture of overconsumption, from Costco hauls to hoarding to diet culture—oh my! Who it's for: Lovers of sustainability; haters of excess; skeptics of the title essay of Becca Rothfeld's All Things Are Too Small. —DF The Icon and the Idealist by Stephanie Gorton [NF] What it is: A compelling look at the rivalry between Margaret Sanger, of Planned Parenthood fame, and Mary Ware Dennett, who each held radically different visions for the future of birth control. Who it's for: Readers of Amy Sohn's The Man Who Hated Women and Katherine Turk's The Women of NOW; anyone interested in the history of reproductive rights. —SMS December Rental House by Weike Wang [F] What it's about: Married college sweethearts invite their drastically different families on a Cape Code vacation, raising questions about marriage, intimacy, and kinship. Who it's for: Fans of Wang's trademark wit and sly humor (see: Joan Is Okay and Chemistry); anyone with an in-law problem. Woo Woo by Ella Baxter [F] What it's about: A neurotic conceptual artist loses her shit in the months leading up to an exhibition that she hopes will be her big breakout, poking fun at the tropes of the "art monster" and the "woman of the verge" in one fell, stylish swoop. Who it's for: Readers of Sheena Patel's I'm a Fan and Chris Kraus's I Love Dick; any woman who is grateful to but now also sort of begrudges Jenny Offil for introducing "art monster" into the lexicon (me). —SMS Berlin Atomized by Julia Kornberg, tr. Jack Rockwell and Julia Kornberg [F]  What it's about: Spanning 2001 to 2034, three Jewish and downwardly mobile siblings come of age in various corners of the world against the backdrop of global crisis. Who it's for: Fans of Catherine Lacey's Biography of X and Joshua Cohen's The Netanyahus. —SMS Sand-Catcher by Omar Khalifah, tr. Barbara Romaine [F] What it is: A suspenseful, dark satire of memory and nation, in which four young Palestinian journalists at a Jordanian newspaper are assigned to interview an elderly witness to the Nakba, the violent 1948 expulsion of native Palestinians from Israel—but to their surprise, the survivor doesn’t want to rehash his trauma for the media. Who it’s for: Anyone looking insight—tinged with grim humor—into the years leading up to the present political crisis in the Middle East and the decades-long goal of Palestinian autonomy. —NodB The Shutouts by Gabrielle Korn [F] What it's about: In the dystopian future, mysteriously connected women fight to survive on the margins of society amid worsening climate collapse. Who it's for: Fans of Korn's Yours for the Taking, which takes place in the same universe; readers of Becky Chambers and queer-inflected sci-fi. —SMS What in Me Is Dark by Orlando Reade [NF] What it's about: The enduring, evolving influence of Milton's Paradise Lost on political history—and particularly on the work of 12 revolutionary readers, including Malcom X and Hannah Arendt. Who it's for: English majors and fans of Ryan Ruby and Sarah Bakewell—but I repeat myself. —SMS The Afterlife Is Letting Go by Brandon Shimoda [NF] What it's about: Shimoda researches the mass incarceration of Japanese Americans during WWII, and speaks with descendants of those imprisoned, for this essay collection about the “afterlife” of cruelty and xenophobia in the U.S. Who it’s for: Anyone to ever visit a monument, museum, or designated site of hallowed ground where traumatic events have taken place. —NodB No Place to Bury the Dead by Karina Sainz Borgo, tr. Elizabeth Bryer [F] What it's about: When Angustias Romero loses both her children while fleeing a mysterious disease in her unnamed Latin American country, she finds herself in a surreal, purgatorial borderland where she's soon caught in a power struggle. Who it's for: Fans of Maríana Enriquez and Mohsin Hamid. —SMS The Rest Is Silence by Augusto Monterroso, tr. Aaron Kerner [F] What it is: The author of some of the shortest, and tightest, stories in Latin American literature goes long with a metafictional skewering of literary criticism in his only novel. Who it's for: Anyone who prefers the term "palm-of-the-hand stories" to "flash fiction." —JHM Tali Girls by Siamak Herawi, tr. Sara Khalili [F] What it is: An intimate, harrowing, and vital look at the lives of girls and women in an Afghan mountain village under Taliban rule, based on true stories. Who it's for: Readers of Nadia Hashimi, Akwaeke Emezi, and Maria Stepanova. —SMS Sun City by Tove Jansson, tr. Thomas Teal [F] What it's about: During her travels through the U.S. in the 1970s, Jansson became interested in the retirement home as a peculiarly American institution—here, she imagines the tightly knit community within one of them. Who it's for: Fans of Jansson's other fiction for adults, much of which explores the lives of elderly folks; anyone who watched that documentary about The Villages in Florida. —SMS Editor's note: We're always looking to make our seasonal book previews more useful to the readers, writers, and critics they're meant to serve. Got an idea for how we can improve our coverage? Tell me about it at sophia@themillions.com. [millions_email]

Tuesday New Release Day: Starring Caro, Blake, Hammad, Gainza, and More

- | 1
Here’s a quick look at some notable books—new titles from the likes of Robert Caro, Sarah Blake, Isabella Hammad, Maria Gainza, and more—that are publishing this week. Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. Working by Robert A. Caro Here's what Publisher's Weekly had to say about Working: "In this superb collection of original and previously published pieces, Pulitzer winner Caro (The Passage of Power) offers a glimpse into the process behind his epic biographies of Robert Moses and Lyndon Johnson. Writing with customary humor, grace, and vigor, Caro wryly acknowledges the question of 'Why does it take so long' to produce each book. Caro provides both the short answer—intensive research—and a longer, illuminating explication of just what that entails. For example, he tracked down individual people displaced by Moses’s building projects; he followed the trail of money to uncover how Johnson attained influence in Congress while still a relative unknown; he moved to Johnson’s hometown in rural Texas and gained the trust of its residents, who shared untold stories with him. Caro began his career in journalism and credits his Newsday editor for two crucial pieces of investigative advice: 'Turn every page' and find a way to get the information one needs. The results may take longer, but, as readers of Caro’s work know, it is always worth the wait. For the impatient, however, this lively combination of memoir and non-fiction writing will help sate their appetite for new writing from Caro until the arrival of his final, still-in-progress Johnson biography." Optic Nerve by Maria Gainza (translated by Thomas Bunstead) Here's what Publisher's Weekly had to say about Optic Nerve: "Gainza’s phenomenal first work to be translated into English is a nimble yet momentous novel about the connection between one woman’s personal life and the art she observes. The book is composed of episodes in the life of María, who lives in Buenos Aires, often beginning with an anecdote about someone she knows before brilliantly finding an associative link to a work of art, then delving into the backstory of the artwork and the artist before coming full circle to how it all makes sense in María’s life. In one chapter, María’s observation of the sea prompts her to consider Gustave Courbet’s seascapes ('his water was fossil-like: a slab of malachite rent hard across the middle'), before connecting the thread to her enigmatic cousin. In another chapter, María’s fear of flying keeps her from attending a prestigious art convention and leads her to mull over Henri Rousseau’s ability to venture beyond his limitations to shape avant-garde art. Tsuguharu Foujita’s artistic decline is juxtaposed against María’s longtime friend Alexia’s unrealized artistic potential. There are many pleasures in Gainza’s novel: its clever and dynamic structure, its many aperçus ('happiness interests only those who experience it; nobody can be moved by the happiness of others'), and some of the very best writing about art around. With playfulness and startling psychological acuity, Gainza explores the spaces between others, art, and the self, and how what one sees and knows form the ineffable hodgepodge of the human soul. The result is a transcendent work." Naamah by Sarah Blake Here's what Publisher's Weekly had to say about Naamah: "Blake reimagines the story of Noah’s Ark from the perspective of Noah’s wife, Naamah, in her inventive but erratic debut. As Blake envisions her, Naamah is a practical woman. During the Ark’s construction, it is Naamah who remembers to stow buckets for washing and waste. Aboard ship, she serves as midwife to a ewe giving birth to two lambs, then later feeds the weaker, dying lamb to a restless tiger. After her son Shem is clawed by a polar bear, Naamah stitches up the cuts. Privately, Naamah is less matter-of-fact or down-to-earth. She mourns her lover, a widow lost in the Deluge, meets an Angel of the Lord and becomes the Angel’s lover, and chats with a vulture that is really the mythic Metatron. Guided by a time-traveling descendant, she visits the 21st century, where she watches children playing with a Noah’s Ark toy set. The author creates a for-adults-only multidimensional portrait of Noah’s wife by combining biblical narrative with modern prose, fantasy with realism, spirituality with erotica. Despite its mysticism and metaphorical aspects that may perplex some readers, this is a remarkable feat of imagination." Phantoms by Christian Kiefer Here's what Publisher's Weekly had to say about Phantoms: "Kiefer’s sweeping novel (after One Day Soon Time Will Have No Place to Hide) examines the ways war shapes the lives of ordinary people. Upon returning to Placer County, Calif., after serving in Vietnam, John Frazier is at loose ends: 21 and gripped by recollections of violence and a drug habit he’s trying to kick, he’s unable to imagine his future. But when he runs into his long-lost aunt Evelyn Wilson, John is improbably sucked into the mystery of what happened to Ray Takahashi, Evelyn’s Japanese-American former neighbor, who disappeared soon after returning from WWII. With John in tow, Evelyn meets with Ray’s mother to reveal a secret she’s kept for 26 years—that, unbeknownst to Ray, Evelyn’s daughter, Helen, gave birth to his baby after he came back from the war. At Evelyn’s insistence, Helen gave up the infant to an orphanage partly due to the 'disgrace' of a mixed-race child. As John grapples with his own ghosts, he investigates Ray’s life: his idyllic childhood growing up with the Wilson children, his romance with Helen, the Takahashi family’s transfer to an internment camp and the prejudice they encountered. After Evelyn exposes her secret, the sinister forces underlying Ray’s disappearance begin rising closer to the surface. Kiefer’s story sheds light on the prejudice violence ignites and on the Japanese-American experience during a fraught period of American history, and makes for an engaging and memorable novel." [millions_ad] The Parisian by Isabella Hammad Here's what Publisher's Weekly had to say about The Parisian: "In her exceptional debut, Hammad taps into the satisfying slow-burn style of classic literature with a storyline that captures both the heart and the mind. In 1914, 19-year-old Midhat Kamal leaves his hometown of Nablus in Palestine and heads to Marseilles to study medicine, where he stays with university professor Dr. Frederic Molineu and his daughter, Jeannette. Jeannette has just completed her own schooling in philosophy, and though her interactions with Midhat are initially based on distant friendliness, romantic notions begin to stir inside them both. Midhat nevertheless relocates to Paris after one year, changes his academic major to history, and evolves into an image like “the figure of the Parisian Oriental as he appeared on certain cigarette packets in corner stores.” After he returns home to Nablus, Midhat’s life is directed by his wealthy father, who plans for his eldest son to marry a local woman and work in the family business. Midhat remains separated from Jeannette, his first love, as national and geopolitical machinations continue to grind, and by 1936, Midhat has witnessed a number of historical regional changes, including British rule and the Arab fight for independence. Richly textured prose drives the novel’s spellbinding themes of the ebb and flow of cultural connections and people who struggle with love, familial responsibilities, and personal identity. This is an immensely rewarding novel that readers will sink into and savor." Trust Exercise by Susan Choi Here's what Publisher's Weekly had to say about Trust Exercise: "Choi’s superb, powerful fifth novel, after 2013’s My Education, marries exquisite craft with topical urgency. Set in the early 1980s, the book’s first section depicts the Citywide Academy for the Performing Arts, an elite high school in an unnamed Southern city. Galvanized by the charged atmosphere created by the school’s magnetic theater teacher, Mr. Kingsley, 15-year-old classmates Sarah and David have an intense sexual relationship the summer between their freshman and sophomore years. Sarah, who has taken its secrecy for granted, is horrified when David makes their romance public that fall. She repudiates him, the two spend the year estranged, and she grows increasingly isolated until an English theater troupe makes an extended visit to the school. When she is pursued by one of the troupe’s actors at the same time her classmate Karen falls in love with its director, the two young women form a fraught, ambivalent bond. The novel’s second segment reintroduces the characters a dozen years later, shifting from Sarah’s perspective into to a new viewpoint that casts most of what readers thought they knew into doubt. After the tensions of the past culminate in an act at once shocking and inevitable, a brief coda set in 2013 adds a final bold twist. Choi’s themes—among them the long reverberations of adolescent experience, the complexities of consent and coercion, and the inherent unreliability of narratives—are timeless and resonant. Fiercely intelligent, impeccably written, and observed with searing insight, this novel is destined to be a classic." The Ash Family by Molly Dektar Here's what Publisher's Weekly had to say about The Ash Family: "In her excellent debut, Dektar probes life in a cult with a masterful hand, excavating the troubled mind of a young woman who joins what she thinks is a modern-day commune. Rather than boarding a plane for college, 19-year-old Berie leaves her home in Durham, N.C., and meets an alluring man named Bay at an Asheville, N.C., bus stop. He invites her into the Ash family fold, where he tells her she can stay “three days, or the rest of your life” on their co-op farm tucked away in the mountains. The Ash family follows a hypnotic and powerful leader called Dice, who engages in violent “actions” against developers who will harm the natural world. Dice dubs Berie “Harmony,” and she begins the hardworking life of living off the grid and rejecting everything outside the family as a “fake world.” Berie cuts off her mother and ex-boyfriend, believing that she has found a place where she belongs, but as much as she struggles for trust and acceptance—and craves intimacy with Bay—she makes mistakes and pays the price. She also learns that the family can be a threat to those who go astray. Dektar’s eloquent, often poetic prose draws readers into this disturbing, powerful novel." The Book of Dreams by Nina George Here's what Publisher's Weekly had to say about The Book of Dreams: "George’s captivating novel (after The Little Paris Bookshop) centers on magical bonds between coma patients and their loved ones. Forty-five-year-old ex-war correspondent Henri Skinner is estranged from his 13-year-old son, and after a traffic accident leaves Henri in an induced coma, Sam starts to form something of a relationship with his father. Sam is gifted, intelligent, and synesthetic, blending the sounds of music and voices into shapes and colors, and although he can sometimes sense his father, he usually feels only darkness. He shares his sorrow with Eddie Tomlin, whom Henri had left over two years earlier but inexplicably named as his representative in his living will. Eddie, for her part, can’t help loving the complex man who’s 'always both running away from himself and searching for his true identity.' One other person in the hospital captures Sam’s heart: 12-year-old Madelyn, a girl who’s also in a coma after an accident that killed her family. Meanwhile, Henri and Madelyn are submerged in real and surreal memories of their earlier lives—and their looming deaths—within their comatose minds. This exploration of unfinished relationships has a haunting, evocative quality, and is a perfect, conversation-starting selection for book groups." The Bookshop of the Broken Hearted by Robert Hillman Here's what Publisher's Weekly had to say about The Bookshop of the Broken Hearted: "Hillman (The Boy in the Green Suit) offers an uplifting exploration of how people rise above tragedy to find joy. It’s 1968 in an Australian backwater town, and Tom Hope’s wife, Trudy, has disappeared, only to return a year later, pregnant with another man’s child. Tom grows to love the boy, Peter, but then Trudy abandons both when Peter is almost three, returning two years later to take her son from Tom and, shortly thereafter, send him divorce papers. After Hannah Babel—who survived Auschwitz but lost her entire family, including her husband and young son, to the concentration camps—comes to town, she hires Tom to fix up the bookstore she’s set on running, and the two of them—he, a calm workman, she an older, feisty intellectual—each with their separate anguish, find common ground and marry. Then Peter, still a child, reappears in Tom’s life, forcing Hannah to question whether she could allow herself to love another child, and Tom to potentially have to choose between his marriage and his love for the boy he considers a son. Hillman’s novel is an impressive, riveting tale of how two disparate and well-drawn people recover from soul-wrenching grief and allow themselves to truly love again." Also on shelves: If I Had Two Lives by Abbigail N. Rosewood.

April Preview: The Millions Most Anticipated (This Month)

-
We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around).  Here’s what we’re looking out for this month—for more April titles, check out our First-Half Preview. Let us know what you’re looking forward to in the comments! Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. Working by Robert A. Caro: Widely known—and celebrated—for his monumental biographies of LBJ and Robert Moses, Caro steps out from behind his subjects in Working, a collection of personal writings about, well, working. Here he describes his experiences searching Johnson’s presidential archives, what it was like to interview some of the major figures of the last half century, and how exactly he goes about structuring those massive, award-winning books. Think of it as a behind-the-scenes look at how “the greatest political biographer of our time” gets the job done. (Kaulie) Women Talking by Miriam Toews: Canadians have come to accept that we can’t keep Toews to ourselves any longer. After her sixth novel, All My Puny Sorrows, became an international sensation, the timely and urgent Women Talking is set to do the same. It’s a fictionalized telling of real life rapes that took place in a remote Mennonite colony in Bolivia. After repeated attacks, a group of women are told they are lying about the violence or being punished by Satan. The narrative unfolds as they meet to decide what they will do: forgive, fight, or run. (Claire) Let’s Tell This Story Properly by Jennifer Nansubuga Makumbi: This story collection by the author of the acclaimed epic novel, Kintu, is centered on the lives of Ugandans living in Britain, where they are both hyper-visible and unseen, excluded from British life as they work jobs in airport security, in hospitals, in caring for the elderly. In the title story, when the protagonist’s husband dies in England, her fellow Ugandans start a fund-raising drive to pay for transporting the body back home. Their motivation beautifully captures the dislocation of exile: “We are not burying one of us in snow.” It has been said that Makumbi has done for Ugandan writing what the great Chinua Achebe did for Nigerian literature. (Bill) Walking on the Ceiling by Ayşegül Savaş: Of her family, global citizen (of Turkish descent) Savaş writes, “They share a ruthless knack of observation and an eye for the comedic . . . This is a family of runaway bandits and conspiring matriarchs, where uncles swagger around with pistols, illegitimate children emerge at every turn, family heirlooms . . . are nicked from brothel fires.” Evidently drawing on her own life, Savas’s debut novel is set in Paris (where she lives) and features a young Turkish woman who tells her family’s stories to a novelist friend. “Their intimacy deepens, so does Nunu’s fear of revealing too much . . . fears that she will have to face her own guilt about her mother and the narratives she’s told to protect herself from her memories.” Writes Helen Phillips, “This quietly intense debut is the product of a wise and probing mind.” (Sonya)   I Miss you When I Blink by Mary Laura Philpott: An debut essay collection from the Emmy-winning TV host and beloved bookseller at Parnsassus Books in Nashville. Philpott’s inspiration came from readers who would beeline to the memoir section to pick up Eat, Pray, Loveor Wild, then ask, “What do you have like this, but more like me?” With essays that Ann Patchett calls relentlessly funny, self-effacing, and charming,” the result is a kind of wisdom that comes from making so many wrong turns they strangely add up to something that is exactly right. (Claire) Optic Nerve by Maria Gainza (translated by Thomas Bunstead): Critically acclaimed Argentinian writer Maria Gainza’s first book translated in English. The story interweaves the narrator’s fascination and obsession with art and art history and her intimate experiences involving her family, romantic relationships, and work life. Mariana Enríquez declares, “In between autofiction and the microstories of artists, between literary meet-ups and the intimate chronicle of a family, its past and its misfortunes, this book is completely original, gorgeous, on occasions delicate, and other times brutal.” (Zoë) Naamah by Sarah Blake: In a stunning, feminist retelling of Noah’s Ark, Blake’s debut novel focuses on Naamah (Noah’s wife) and their family in the year after the Great Flood. Full of desire, fury, strength, and wavering faith, Naamah becomes the bedrock on which the Earth is rebuilt upon. Written in poetic prose, Lidia Yuknavitch praises the novel as “a new vision of storytelling and belief” and “a new myth-making triumph.” (Carolyn) Phantoms by Christian Kiefer: Kiefer’s previous novel The Animals, was downright masterful, and I’ve been anticipating Phantoms ever since. In this new novel, veteran John Frazier returns shaken from the Vietnam War to witness a dispute between his family and their former neighbors, a Japanese-American family that was displaced during World War II and sent to an internment camp. The jacket copy calls it “a fierce saga of American culpability.” Luis Alberto Urrea says, “Christian Kiefer is a masterful writer, and this magisterial novel is aching with beauty and power. This is a great book.” I, for one, cannot wait! (Edan) The Parisian by Isabella Hammad: In her debut novel, Plimpton Prize winner Hammad explores Palestinian history through the life, love, and journey of Midhat Kamal, a young man from a wealthy family. In a starred review, Publishers Weekly writes "In her exceptional debut, Hammad taps into the satisfying slow-burn style of classic literature with a storyline that captures both the heart and the mind." (Carolyn)   Miracle Creek by Angie Kim: This debut has it all—a novel of the Korean immigrant experience, a courtroom thriller, an exploration of controversies over autism therapies (specifically here, hyperbaric oxygen therapy, BOT). Kirkus calls it “deeply satisfying” and says “it should be huge.” (Marie Myung-Ok)     Trust Exercise by Susan Choi: In this novel’s opening section, Dave and Sarah, two new students at a prestigious performing arts high school, fall madly in love under the watchful eye of a charismatic acting teacher. But in a second segment, set 12 years later, a change in narrative viewpoint calls into question everything the reader has understood to have happened before. Early reviews are highly polarized. Publishers Weekly says the novel is “destined to be a classic” while a reader on Goodreads, speaking for a number of other dissatisfied early readers, complained “the payoff wasn’t worth the ick.” (Michael) [millions_ad] Normal People by Sally Rooney: Rooney, the Irish author known for the acclaimed Conversations with Friends, has written a second novel about the lives of young people in modern Ireland. The protagonists of Normal People are teenagers named Connell and Marianne, who develop a strange friendship that both are determined to hide. Years pass, and as the two get older, their relationship grows steadily more complicated. (Thom)   A Wonderful Stroke of Luck by Ann Beattie: How do our charismatic teachers set the stage for the rest of our lives? That’s one of the questions that Ann Beattie tackles in this novel. When a former New England boarding school student named Ben looks back on his childhood, he starts to questions the motives of his superstar teacher. Later on, his teacher gets in contact, and Ben has to grapple with his legacy. (Thom)   The Limits of the World by Jennifer Acker: Meet the Chandarias. Premchand is a doctor. His wife Urmila imports artisanal African crafts. Their son Sunil is studying for a doctorate in philosophy at Harvard. But for all their outward success, theirs is a family riven with secrets, and when the family is forced to return to Nairobi, where Premchand and Urmila were born, Sunil reveals an explosive secret of his own: his Jewish girlfriend, who has accompanied the family on the trip, is already his wife. (Michael) What My Mother and I Don’t Talk About edited by Michele Filgate: A collection of essays about subjects too painful or explosive to broach among families. Based on Filgate’s essay of the same name, about being abused by her stepfather, the essay features work from a stellar lineup of writers like Kiese Laymon, Carmen Maria Machado, Brandon Taylor, André Aciman, and Leslie Jamison, among others. (Lydia)   The Affairs of the Falcóns by Melissa Rivero: After fleeing Peru in the 1990s, the Falcón family—Ana, Lucho, and their two children—settles in New York City. Under the shadow of their undocumented status, Ana must go to incredible lengths to give her family a better, safer life.  Rumaan Alam writes the novel is "at once a timeless work and a book we urgently need now." (Carolyn)   Paul Takes the Form of a Mortal Girl by Andrea Lawlor: In a reissue from Vintage Books, Lawlor's genre-bending debut follows Paul Polydoris—a shapeshifting bar tender who can change his gender and appearance whenever he wants. Through Paul's abilities, Lawlor explores identity, sexuality, and intimacy. Garth Greenwell writes, "Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting—and one of the most fun—novels of the decade.” (Carolyn)   Prince of Monkeys by Nnamdi Ehirim: A debut novel about a young, middle-class Nigerian named Ihechi, and his search for identity as he enters adulthood. When a tragedy throws his whole life off-course, he finds himself aligned with the political elite—and at odds with the people he grew up with. Publishers Weekly writes, "A vivid, astute portrait of Nigeria—and its people—in the throes of upheaval." (Carolyn)   Arid Dreams by Duanwad Pimwana: Pimwana's debut collection features thirteen stories about ordinary Thai characters who dream of richer, more extraordinary lives. Set in a rapidly-changing Thailand, the stories explore class, gender, and desire. YZ Chin writes, "Arid Dreams is full of uncanny character studies that reveal entire social structures and relationship dynamics with a few deft sentences." (Carolyn)   If I Had Two Lives by Abbigail N. Rosewood: A young women, who grew up in a military encampment in Vietnam, immigrates to New York to find a new home. She tries to forget her past and the country that bore her but she is drawn back after a tragedy. The debut novel explores love, identity, loss, and the ever-present past. (Carolyn)