While researching In Cold Blood, Truman Capote took pains to get the story right, so much so that the final product was, he claimed, “immacutely factual.” The tale of his labors is so well-known that Bennett Miller used it as the basis of his movie Capote. So when allegations surface that the author made deliberate errors, the story gets a little bit… awkward.
Writers often make cameo appearances in films based on their stories. Occasionally, they play themselves in movies. Some playwrights, by nature of their proximity to actors and the theater, are almost better known for acting than for their writing (Wallace Shawn and Sam Shepard, for example).
There are writers, however, who act in films that have nothing to do with their own writing. Who are some of these authors, and how do they fare on the big screen?
1. Calvin Trillin – Sleepless in Seattle (1993)
In his debut performance as Uncle Milton in Nora Ephron’s romantic comedy, Calvin Trillin can be called subtle. The author of Tepper Isn’t Going Out and About Alice is doing one of the things he does best: eating dinner. He is also relatively avuncular, if your uncles are, like mine, the sort who basically ignore you. (You can catch most of his performance here starting at 1:05.)
Trillin followed up his Sleepless in Seattle performance with a role in another Nora Ephron film, Michael (1996). As the sheriff who throws the eponymous archangel and his entourage in jail, Trillin has a few lines, but he appears acutely conscious of the camera — and determined to turn away from it. How like a writer.
2. George Plimpton – Lawrence of Arabia (1962)
The late editor of the Paris Review auditioned for the role of himself in Paper Lion (1968), based on his book of the same name, but the part went to Alan Alda. However, Plimpton brought his transatlantic honk to many movies. He made his film debut as a Bedouin running across the desert in David Lean’s epic and went on to make 18 more big-screen appearances. He donned a cowboy hat in Howard Hawks’ Rio Lobo (1970) and partied with club kids in Whit Stillman’s The Last Days of Disco (1998). He logged bit roles in The Detective (1968), L.A. Story (1991), and Good Will Hunting (1997), among others.
3. Jerzy Kosinski – Reds (1981)
George Plimpton appeared as an editor in Reds (1981), which also featured writer Jerzy Kosinski as Grigory Zinoviev, the Russian revolutionary-turned-bureaucrat. Kosinski’s portrayal of Zinoviev is cold, furious, and authentic. Before filming began, Kosinski also convinced director Warren Beatty that the latter was having a panic attack. Beatty says, “I found that for some reason my feet were sweating profusely…Kosinski was hiding under the table pouring hot tea into my shoes very gradually.”
Plimpton and Kosinski also had cameos in A Fool and His Money (1986). Plimpton played God. Kosinski was a beggar. Literary Brat-Packer Tama Janowitz made a brief appearance as a talk-show host. By all reports, the film is terrible. Pre-Speed Sandra Bullock had a small role. She is featured prominently in the re-cut trailer.
4. Maya Angelou – Poetic Justice (1993)
Poetic Justice was directed and written by John Singleton but Maya Angelou supplied the poetry recited by Justice, played by Janet Jackson. Angelou also had a small role as June, one of three sisters whom Justice encounters at a family reunion. Angelou also played a woman named May and read her poem “In and Out of Time” in Madea’s Family Reunion (2006). The writer is comfortable on camera, impressive and sonorous. Really, though, Maya Angelou plays Maya Angelou, even when she’s ostensibly a character named after a month.
5. Martin Amis – A High Wind in Jamaica (1965)
A very blond, 13-year-old Amis appeared in the film based on Richard Hughes’ 1929 novel. The story has been described as The Lord of the Flies meets Peter Pan. British children who are being sent to England for schooling find their ship commandeered by pirates. The pirates prove juvenile, while the children find their blood lust awakened by the plundering and pillaging. Amis describes the making of the movie in his memoir, Experience. Puberty hit the future writer during filming, forcing filmmakers to overdub Amis’ voice with that of a young girl’s.
6. Salman Rushdie – Then She Found Me (2007)
In the film based on Elinor Lipman’s book of the same name, the author of The Satanic Verses and Midnight’s Children plays physician to a pregnant Helen Hunt. The film is filled with off-puttingly familiar mugs: Matthew Broderick, Bette Midler, Colin Firth. Most distracting of all may be Rushdie’s. He tries his best, but let’s face it: SALMAN RUSHDIE, fatwa survivor, ex-husband of Padma Lakshmi, plays an obstetrician who is not using enough gel while operating an ultrasound machine. Disbelief has not been suspended if the audience* starts yelling, “Use more gel, Rushdie! Use more gel!”
*Okay, I was watching it alone in my living room. Still.
8. Norman Mailer – Cremaster 2 (1999)
Mailer acted, directed, and wrote many films (including Maidstone , in which Mailer’s character’s fight with his brother, played by Rip Torn, turns into a real-life brawl). But Mailer also received good notices for his role in Ragtime (1981), based on the book by E.L. Doctorow, in which he portrayed architect Stanford White, and as Harry Houdini in artist Matthew Barney’s Cremaster 2 (1999). Barney’s avant-garde film was loosely based on the story of Gary Gilmore, who claimed to be the illegitimate grandson of Houdini, and was convicted of killing two Utah gas station attendants. Gilmore was also the subject of Mailer’s 1980 Pulitzer Prize-winning book, The Executioner’s Song.
9. Gore Vidal – Gattaca (1997)
In 1971, Norman Mailer headbutted Gore Vidal in the greenroom of the Dick Cavett show (the on-camera portion of the spat can be found here). Clearly, the two writers shared a sense of theatricality which might explain their attraction to the cinema. Vidal enjoyed turns in Tim Robbins’ political satire Bob Roberts (1992) and the comedy Igby Goes Down (2002), among others. Vidal also had a supporting role as the sinister head of a space agency in the dystopian thriller, Gattaca, which also starred novelist Ethan Hawke.
10. Anita Loos – Camille (1926)
This 33-minute silent film loosely based on Alexandre Dumas’ La Dame aux Camélias, probably shouldn’t qualify for this list — it’s essentially a home movie of a drunken party — but the cast is completely insane. Paul Robeson! Clarence Darrow! Charlie Chaplin! Loos, writer of Gentlemen Prefer Blondes fame, played the title role. Essayist H.L. Mencken, and novelists Theodore Dreiser, Sinclair Lewis, and W. Somerset Maugham made appearances. Publisher Alfred Knopf also had a cameo.
N+1 editor Keith Gessen had a minor role in Andrew Bujalski’s mumblecore Mutual Appreciation (2005). Beat writer William S. Burroughs appeared in Drugstore Cowboy (1989). Essayist and This American Life contributor David Rakoff acted in Capote (2005) and Strangers With Candy (2005). And finally, novelist and professional egoist Ayn Rand, an uncredited extra in Cecil B. Demille’s The King of Kings (1927), probably spent her life wondering why she wasn’t the star.
Image Credit: Wikipedia
After Sakincali Piyade I embarked on my Chicago trip and returned to The Fortress of Solitude, which I finished during the journey. Next was In Cold Blood by Truman Capote, which I had been meaning to read for a long time. The release of Capote with Phillip Seymour Hoffman rekindled my desire to read In Cold Blood, as I did not want to see the movie prior to reading the book. So, I dove into the gruesome story of the Clutter family murder in Holcomb, Kansas, in 1959. Capote divided In Cold Blood to three sections and created two parallel storylines, both of which make his narrative very fluid, factual and captivating. Given that in our time we have been witnesses to more outbursts of seemingly aimless violence than previous generations (Red Lake High School, Columbine), In Cold Blood does not come across as shocking as it might have when the Clutter murders took place and when the book was published in 1965. The unfolding events also show that the Clutters were not murdered by a random psychopath, rather by two ex-cons, Perry Smith and Dick Hickock, who were motivated to rob the estate. The murders described in In Cold Blood may not surprise the modern reader but Capote’s masterful chronicling of the events and extensive research that leads to the psyche of the Clutters, Perry Smith, Dick Hickock, investigator Alvin Dewey and the characters surrounding the murder arouses a sense of real familiarity with the events and leaves the reader wondering why the world works the way it does. I found myself wondering why the outstanding citizens, as exemplified in Herb Clutter’s honesty and dedication to society and Nancy Clutter’s impeccable record as a student and as a role model to all the young girls of Holcomb, always seem to be victim to society’s ills. I also thought about delusional and broken men such as Hickock and Smith: two men who had troubled childhoods, had been in and out of jail, tried to – and succeeded at times – to make an honest living, but always relapsed and turned to wicked means, the most disturbing of which resulted in the Clutter murder. I enjoyed In Cold Blood immensely, not because the story is particularly interesting or fresh, but because of the insightful details that Capote presents and the issues it brings up with regards to society and life.After In Cold Blood I read nothing but The Economist and other news outlets for two months. I really enjoy reading The Economist and it is my favorite news publication, but two months of not reading any literature made me sad. When I last visited my friend John he asked me what I was reading and I told him nothing at the moment, implying that I was looking for a book that would drag me back to the wonderful world of literature. His suggestion was Motherless Brooklyn by Jonathan Lethem. Since I was so impressed by The Fortress of Solitude, another recommendation from John, I started the novel right away and, as had happened with Jonathan Franzen’s The Corrections, could not put the book down, even at the expense of sleep. Lionel Essrog is the main character of Motherless Brooklyn and suffers from Tourette’s syndrome (that’s when you cannot control what your saying and your mouth/brain spurts out profanities or meaningless words at random, mostly when you are under stress/strain). The title works magnificently to describe Lionel and his three friends from St. Vincent’s Orphanage in Brooklyn: Tony, Danny and Gilbert. The motley four work for Frank Minna, a shady small time mobster whose murder at the outset of the novel sets off the chain of events. The demise of Minna is dramatic for each individual as he was more than an employer to them: a father figure to Lionel and Gilbert, a role-model/rival for Tony and a comforting personage for Danny. Immediately after Minna’s murder Lionel and Tony get on the case to find the killers, but it soon appears that whereas Lionel is sincere in his desire to find the suspects, Tony has other motives. Lethem takes you through a fast two days through Lionel’s eyes, prompting Tourette’s in you, embedding tics in your mind and causing you to read compulsively to reach a resolution. The mystery is intricate yet Lethem drops hints all along for the careful reader to decipher the plot. But if you get carried away with Lionel’s Tourette’s (as I did) chances are that you will be as oblivious, yet simultaneously, surprisingly and equally alert, to everything that unfolds. The ending will, nevertheless, put a smile on your face.If Motherless Brooklyn put a smile on my face in the end, Anneannem (My Grandmother) by Fethiye Cetin did the exact opposite. A good balance I might add. Lethem had me in 5th gear by the time I finished Motherless Brooklyn and I picked up Anneannem, which my friend Ela had brought me from Turkey and urged me to read, for a light read. The memoirs that Cetin relates are a mere 116 pages and I figured it would be a good transitional book between Lethem to Dostoyevsky. I started reading Anneannem on Sunday morning and Cetin’s style, as well as the romantic light under which she presented her story, captivated me. I took a break a quarter of the way through and went outside to enjoy the day. I called one of my grandmas on my way to the movie theater, just to hear her voice and rejoice in her presence. When I went to bed at night I picked up Anneannem and it kept me up until 3, crying, thinking and feeling emotions that were left alone for a long time. Cetin’s grandmother was an Armenian separated from her family during the Turkish deportation of Armenians in World War I. She was brought up by a Turkish family in Maden, Elazig in Eastern Turkey. She and the seven other girls that were separated from their families at the same time managed to preserve their heritage despite being converted to Islam and marrying Turks. Cetin grew up in her grandmother’s house, when, after her father’s unexpected and early death, her family moved in with the grandparents. It was, however, not until very late that Cetin learned about her grandmother’s past and, in the process, became one of her sole confidantes regarding the hardships she lived through. As Cetin relates her grandmother’s story, she also tells the reader of her own frustrations, embarrassment and disillusionment with the official Turkish line regarding the Armenian deportation. Horanus Gadarian’s story is heart wrenching, it makes one wonder how people can cause such pain on their neighbors, their fellow countrymen or, simply, to each other. Horanus’s wisdom and love for not only her family but towards all who sought her company is awe-inspiring. Cetin manages to trace Horanus’s family in the United States and tells the story of a very touching reunion after her grandmother’s death. Anneannem is a captivating little book that in the space of a 116 pages tickled my own pleasant memories and admiration of my grandparents, had me thinking about the cruelties that humans suffer in each others’ hands and the beautiful Armenian culture that Turkish officials did their best to destroy. Finally, Anneannem impressed me for its candid and lovely storyline. Unfortunately, Anneannem too is only available in Turkish.I have just begun my first Russian novel, Crime and Punishment by Fyodor Dostoyevsky. Wish me luck, I probably won’t be writing again for a while, especially because I intend to read David Foster Wallace’s Infinite Jest after this one. Of course, all of this planning is subject to change on impulse. Good luck and good reads everyone, cheers!(So, that’s all from Emre for a little while. Thanks, Emre! — Max)Part 1, 2, 3, 4, 5Emre’s previous reading journal