The embattled film version of Michael Lewis’ baseball bestseller Moneyball, once set to be directed by Steven Soderbergh, is now back on track with Bennett Miller, director of Capote, set to helm. Brad Pitt is still lined up to play Oakland A’s G.M. Billy Beane.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
Millions readers in New York: Please join us tonight at McNally Jackson bookstore in Manhattan to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and some of the book’s other contributors, including Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. We’re looking forward to seeing you there!
How do you celebrate Pride and Prejudice‘s 200th birthday? By building a 12-foot tall statue of Colin Firth’s Mr. Darcy in his wet shirt. The fiberglass statue is temporarily installed in Hyde Park but will tour the U.K. before settling in Lyme Park, Cheshire, where the famous scene was filmed.
How do you write an accurate memoir without perpetuating stereotypes? Jesmyn Ward struggled with this when writing about absent black fathers and husbands in her book Men We Reaped. “I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism,” she told The Rumpus.