While researching In Cold Blood, Truman Capote took pains to get the story right, so much so that the final product was, he claimed, “immacutely factual.” The tale of his labors is so well-known that Bennett Miller used it as the basis of his movie Capote. So when allegations surface that the author made deliberate errors, the story gets a little bit… awkward.
If you haven’t gotten enough of literary New York quite yet, here’s what the Guardian (UK) thinks you should be reading about “the American dream concretised in a shimmering mirage, the burgeoning metropolis of hope built on foundations of money, drugs and exploitation.” Less judgmentally, Grantland’s Kevin Nguyen focuses on two new books set in Queens, recommending High As the Horses’ Bridles by The Millions’ own Scott Cheshire, which is no Brooklyn hipster novel: his opening scene (“among the finest published this year”) has a 12-year-old offering a prophecy of Armageddon.
Whether you admire the work of e.e. cummings or think of him mainly as the inspiration for your high school’s worst poet, you’ll enjoy this excerpt of Susan Cheever’s new biography, which touches on the poet’s later years and his relationship with Cheever’s father. The two (contrasting) money quotes here are Malcolm Cowley’s claim that cummings was “the most brilliant monologuist I have known” and this exasperated question posed by Helen Vendler: “What is wrong with a man who writes this?
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.