Brick Lane: A Novel

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Most Anticipated: The Great Spring 2024 Preview

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April April 2 Women! In! Peril! by Jessie Ren Marshall [F] For starters, excellent title. This debut short story collection from playwright Marshall spans sex bots and space colonists, wives and divorcées, prodding at the many meanings of womanhood. Short story master Deesha Philyaw, also taken by the book's title, calls this one "incisive! Provocative! And utterly satisfying!" —Sophia M. Stewart The Audacity by Ryan Chapman [F] This sophomore effort, after the darkly sublime absurdity of Riots I have Known, trades in the prison industrial complex for the Silicon Valley scam. Chapman has a sharp eye and a sharper wit, and a book billed as a "bracing satire about the implosion of a Theranos-like company, a collapsing marriage, and a billionaires’ 'philanthropy summit'" promises some good, hard laughs—however bitter they may be—at the expense of the über-rich. —John H. Maher The Obscene Bird of Night by José Donoso, tr. Leonard Mades [F] I first learned about this book from an essay in this publication by Zachary Issenberg, who alternatively calls it Donoso's "masterpiece," "a perfect novel," and "the crowning achievement of the gothic horror genre." He recommends going into the book without knowing too much, but describes it as "a story assembled from the gossip of society’s highs and lows, which revolves and blurs into a series of interlinked nightmares in which people lose their memory, their sex, or even their literal organs." —SMS Globetrotting ed. Duncan Minshull [NF] I'm a big walker, so I won't be able to resist this assemblage of 50 writers—including Edith Wharton, Katharine Mansfield, Helen Garner, and D.H. Lawrence—recounting their various journeys by foot, edited by Minshull, the noted walker-writer-anthologist behind The Vintage Book of Walking (2000) and Where My Feet Fall (2022). —SMS All Things Are Too Small by Becca Rothfeld [NF] Hieronymus Bosch, eat your heart out! The debut book from Rothfeld, nonfiction book critic at the Washington Post, celebrates our appetite for excess in all its material, erotic, and gluttonous glory. Covering such disparate subjects from decluttering to David Cronenberg, Rothfeld looks at the dire cultural—and personal—consequences that come with adopting a minimalist sensibility and denying ourselves pleasure. —Daniella Fishman A Good Happy Girl by Marissa Higgins [F] Higgins, a regular contributor here at The Millions, debuts with a novel of a young woman who is drawn into an intense and all-consuming emotional and sexual relationship with a married lesbian couple. Halle Butler heaps on the praise for this one: “Sometimes I could not believe how easily this book moved from gross-out sadism into genuine sympathy. Totally surprising, totally compelling. I loved it.” —SMS City Limits by Megan Kimble [NF] As a Los Angeleno who is steadily working my way through The Power Broker, this in-depth investigation into the nation's freeways really calls to me. (Did you know Robert Moses couldn't drive?) Kimble channels Caro by locating the human drama behind freeways and failures of urban planning. —SMS We Loved It All by Lydia Millet [NF] Planet Earth is a pretty awesome place to be a human, with its beaches and mountains, sunsets and birdsong, creatures great and small. Millet, a creative director at the Center for Biological Diversity in Tucson, infuses her novels with climate grief and cautions against extinction, and in this nonfiction meditation, she makes a case for a more harmonious coexistence between our species and everybody else in the natural world. If a nostalgic note of “Auld Lang Syne” trembles in Millet’s title, her personal anecdotes and public examples call for meaningful environmental action from local to global levels. —Nathalie op de Beeck Like Love by Maggie Nelson [NF] The new book from Nelson, one of the most towering public intellectuals alive today, collects 20 years of her work—including essays, profiles, and reviews—that cover disparate subjects, from Prince and Kara Walker to motherhood and queerness. For my fellow Bluets heads, this will be essential reading. —SMS Traces of Enayat by Iman Mersal, tr. Robin Moger [NF] Mersal, one of the preeminent poets of the Arabic-speaking world, recovers the life, work, and legacy of the late Egyptian writer Enayat al-Zayyat in this biographical detective story. Mapping the psyche of al-Zayyat, who died by suicide in 1963, alongside her own, Mersal blends literary mystery and memoir to produce a wholly original portrait of two women writers. —SMS The Letters of Emily Dickinson ed. Cristanne Miller and Domhnall Mitchell [NF] The letters of Emily Dickinson, one of the greatest and most beguiling of American poets, are collected here for the first time in nearly 60 years. Her correspondence not only gives access to her inner life and social world, but reveal her to be quite the prose stylist. "In these letters," says Jericho Brown, "we see the life of a genius unfold." Essential reading for any Dickinson fan. —SMS April 9 Short War by Lily Meyer [F] The debut novel from Meyer, a critic and translator, reckons with the United States' political intervention in South America through the stories of two generations: a young couple who meet in 1970s Santiago, and their American-born child spending a semester Buenos Aires. Meyer is a sharp writer and thinker, and a great translator from the Spanish; I'm looking forward to her fiction debut. —SMS There's Going to Be Trouble by Jen Silverman [F] Silverman's third novel spins a tale of an American woman named Minnow who is drawn into a love affair with a radical French activist—a romance that, unbeknown to her, mirrors a relationship her own draft-dodging father had against the backdrop of the student movements of the 1960s. Teasing out the intersections of passion and politics, There's Going to Be Trouble is "juicy and spirited" and "crackling with excitement," per Jami Attenberg. —SMS Table for One by Yun Ko-eun, tr. Lizzie Buehler [F] I thoroughly enjoyed Yun Ko-eun's 2020 eco-thriller The Disaster Tourist, also translated by Buehler, so I'm excited for her new story collection, which promises her characteristic blend of mundanity and surrealism, all in the name of probing—and poking fun—at the isolation and inanity of modern urban life. —SMS Playboy by Constance Debré, tr. Holly James [NF] The prequel to the much-lauded Love Me Tender, and the first volume in Debré's autobiographical trilogy, Playboy's incisive vignettes explore the author's decision to abandon her marriage and career and pursue the precarious life of a writer, which she once told Chris Kraus was "a bit like Saint Augustine and his conversion." Virginie Despentes is a fan, so I'll be checking this out. —SMS Native Nations by Kathleen DuVal [NF] DuVal's sweeping history of Indigenous North America spans a millennium, beginning with the ancient cities that once covered the continent and ending with Native Americans' continued fight for sovereignty. A study of power, violence, and self-governance, Native Nations is an exciting contribution to a new canon of North American history from an Indigenous perspective, perfect for fans of Ned Blackhawk's The Rediscovery of America. —SMS Personal Score by Ellen van Neerven [NF] I’ve always been interested in books that drill down on a specific topic in such a way that we also learn something unexpected about the world around us. Australian writer Van Neerven's sports memoir is so much more than that, as they explore the relationship between sports and race, gender, and sexuality—as well as the paradox of playing a colonialist sport on Indigenous lands. Two Dollar Radio, which is renowned for its edgy list, is publishing this book, so I know it’s going to blow my mind. —Claire Kirch April 16 The Notebooks of Sonny Rollins by Sonny Rollins [NF] The musings, recollections, and drawings of jazz legend Sonny Rollins are collected in this compilation of his precious notebooks, which he began keeping in 1959, the start of what would become known as his “Bridge Years,” during which he would practice at all hours on the Williamsburg Bridge. Rollins chronicles everything from his daily routine to reflections on music theory and the philosophical underpinnings of his artistry. An indispensable look into the mind and interior life of one of the most celebrated jazz musicians of all time. —DF Henry Henry by Allen Bratton [F] Bratton’s ambitious debut reboots Shakespeare’s Henriad, landing Hal Lancaster, who’s in line to be the 17th Duke of Lancaster, in the alcohol-fueled queer party scene of 2014 London. Hal’s identity as a gay man complicates his aristocratic lineage, and his dalliances with over-the-hill actor Jack Falstaff and promising romance with one Harry Percy, who shares a name with history’s Hotspur, will have English majors keeping score. Don’t expect a rom-com, though. Hal’s fraught relationship with his sexually abusive father, and the fates of two previous gay men from the House of Lancaster, lend gravity to this Bard-inspired take. —NodB Bitter Water Opera by Nicolette Polek [F] Graywolf always publishes books that make me gasp in awe and this debut novel, by the author of the entrancing 2020 story collection Imaginary Museums, sounds like it’s going to keep me awake at night as well. It’s a tale about a young woman who’s lost her way and writes a letter to a long-dead ballet dancer—who then visits her, and sets off a string of strange occurrences. —CK Norma by Sarah Mintz [F] Mintz's debut novel follows the titular widow as she enjoys her newfound freedom by diving headfirst into her surrounds, both IRL and online. Justin Taylor says, "Three days ago I didn’t know Sarah Mintz existed; now I want to know where the hell she’s been all my reading life. (Canada, apparently.)" —SMS What Kingdom by Fine Gråbøl, tr. Martin Aitken [F] A woman in a psychiatric ward dreams of "furniture flickering to life," a "chair that greets you," a "bookshelf that can be thrown on like an apron." This sounds like the moving answer to the otherwise puzzling question, "What if the Kantian concept of ding an sich were a novel?" —JHM Weird Black Girls by Elwin Cotman [F] Cotman, the author of three prior collections of speculative short stories, mines the anxieties of Black life across these seven tales, each of them packed with pop culture references and supernatural conceits. Kelly Link calls Cotman's writing "a tonic to ward off drabness and despair." —SMS Presence by Tracy Cochran [NF] Last year marked my first earnest attempt at learning to live more mindfully in my day-to-day, so I was thrilled when this book serendipitously found its way into my hands. Cochran, a New York-based meditation teacher and Tibetan Buddhist practitioner of 50 years, delivers 20 psycho-biographical chapters on recognizing the importance of the present, no matter how mundane, frustrating, or fortuitous—because ultimately, she says, the present is all we have. —DF Committed by Suzanne Scanlon [NF] Scanlon's memoir uses her own experience of mental illness to explore the enduring trope of the "madwoman," mining the work of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Audre Lorde, and others for insights into the long literary tradition of women in psychological distress. The blurbers for this one immediately caught my eye, among them Natasha Trethewey, Amina Cain, and Clancy Martin, who compares Scanlon's work here to that of Marguerite Duras. —SMS Unrooted by Erin Zimmerman [NF] This science memoir explores Zimmerman's journey to botany, a now endangered field. Interwoven with Zimmerman's experiences as a student and a mother is an impassioned argument for botany's continued relevance and importance against the backdrop of climate change—a perfect read for gardeners, plant lovers, or anyone with an affinity for the natural world. —SMS April 23 Reboot by Justin Taylor [F] Extremely online novels, as a rule, have become tiresome. But Taylor has long had a keen eye for subcultural quirks, so it's no surprise that PW's Alan Scherstuhl says that "reading it actually feels like tapping into the internet’s best celeb gossip, fiercest fandom outrages, and wildest conspiratorial rabbit holes." If that's not a recommendation for the Book Twitter–brained reader in you, what is? —JHM Divided Island by Daniela Tarazona, tr. Lizzie Davis and Kevin Gerry Dunn [F] A story of multiple personalities and grief in fragments would be an easy sell even without this nod from Álvaro Enrigue: "I don't think that there is now, in Mexico, a literary mind more original than Daniela Tarazona's." More original than Mario Bellatin, or Cristina Rivera Garza? This we've gotta see. —JHM Prairie, Dresses, Art, Other by Danielle Dutton [NF] Coffee House Press has for years relished its reputation for publishing “experimental” literature, and this collection of short stories and essays about literature and art and the strangeness of our world is right up there with the rest of Coffee House’s edgiest releases. Don’t be fooled by the simple cover art—Dutton’s work is always formally inventive, refreshingly ambitious, and totally brilliant. —CK I Just Keep Talking by Nell Irvin Painter [NF] I first encountered Nell Irvin Painter in graduate school, as I hung out with some Americanists who were her students. Painter was always a dazzling, larger-than-life figure, who just exuded power and brilliance. I am so excited to read this collection of her essays on history, literature, and politics, and how they all intersect. The fact that this collection contains Painter’s artwork is a big bonus. —CK April 30 Real Americans by Rachel Khong [F] The latest novel from Khong, the author of Goodbye, Vitamin, explores class dynamics and the illusory American Dream across generations. It starts out with a love affair between an impoverished Chinese American woman from an immigrant family and an East Coast elite from a wealthy family, before moving us along 21 years: 15-year-old Nick knows that his single mother is hiding something that has to do with his biological father and thus, his identity. C Pam Zhang deems this "a book of rare charm," and Andrew Sean Greer calls it "gorgeous, heartfelt, soaring, philosophical and deft." —CK The Swans of Harlem by Karen Valby [NF] Huge thanks to Bebe Neuwirth for putting this book on my radar (she calls it "fantastic") with additional gratitude to Margo Jefferson for sealing the deal (she calls it "riveting"). Valby's group biography of five Black ballerinas who forever transformed the art form at the height of the Civil Rights movement uncovers the rich and hidden history of Black ballet, spotlighting the trailblazers who paved the way for the Misty Copelands of the world. —SMS Appreciation Post by Tara Ward [NF] Art historian Ward writes toward an art history of Instagram in Appreciation Post, which posits that the app has profoundly shifted our long-established ways of interacting with images. Packed with cultural critique and close reading, the book synthesizes art history, gender studies, and media studies to illuminate the outsize role that images play in all of our lives. —SMS May May 7 Bad Seed by Gabriel Carle, tr. Heather Houde [F] Carle’s English-language debut contains echoes of Denis Johnson’s Jesus’s Son and Mariana Enriquez’s gritty short fiction. This story collection haunting but cheeky, grim but hopeful: a student with HIV tries to avoid temptation while working at a bathhouse; an inebriated friend group witnesses San Juan go up in literal flames; a sexually unfulfilled teen drowns out their impulses by binging TV shows. Puerto Rican writer Luis Negrón calls this “an extraordinary literary debut.” —Liv Albright The Lady Waiting by Magdalena Zyzak [F] Zyzak’s sophomore novel is a nail-biting delight. When Viva, a young Polish émigré, has a chance encounter with an enigmatic gallerist named Bobby, Viva’s life takes a cinematic turn. Turns out, Bobby and her husband have a hidden agenda—they plan to steal a Vermeer, with Viva as their accomplice. Further complicating things is the inevitable love triangle that develops among them. Victor LaValle calls this “a superb accomplishment," and Percival Everett says, "This novel pops—cosmopolitan, sexy, and funny." —LA América del Norte by Nicolás Medina Mora [F] Pitched as a novel that "blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of U.S. writers like Ben Lerner and Teju Cole," Mora's debut follows a young member of the Mexican elite as he wrestles with questions of race, politics, geography, and immigration. n+1 co-editor Marco Roth calls Mora "the voice of the NAFTA generation, and much more." —SMS How It Works Out by Myriam Lacroix [F] LaCroix's debut novel is the latest in a strong early slate of novels for the Overlook Press in 2024, and follows a lesbian couple as their relationship falls to pieces across a number of possible realities. The increasingly fascinating and troubling potentialities—B-list feminist celebrity, toxic employer-employee tryst, adopting a street urchin, cannibalism as relationship cure—form a compelling image of a complex relationship in multiversal hypotheticals. —JHM Cinema Love by Jiaming Tang [F] Ting's debut novel, which spans two continents and three timelines, follows two gay men in rural China—and, later, New York City's Chinatown—who frequent the Workers' Cinema, a movie theater where queer men cruise for love. Robert Jones, Jr. praises this one as "the unforgettable work of a patient master," and Jessamine Chan calls it "not just an extraordinary debut, but a future classic." —SMS First Love by Lilly Dancyger [NF] Dancyger's essay collection explores the platonic romances that bloom between female friends, giving those bonds the love-story treatment they deserve. Centering each essay around a formative female friendship, and drawing on everything from Anaïs Nin and Sylvia Plath to the "sad girls" of Tumblr, Dancyger probes the myriad meanings and iterations of friendship, love, and womanhood. —SMS See Loss See Also Love by Yukiko Tominaga [F] In this impassioned debut, we follow Kyoko, freshly widowed and left to raise her son alone. Through four vignettes, Kyoko must decide how to raise her multiracial son, whether to remarry or stay husbandless, and how to deal with life in the face of loss. Weike Wang describes this one as “imbued with a wealth of wisdom, exploring the languages of love and family.” —DF The Novices of Lerna by Ángel Bonomini, tr. Jordan Landsman [F] The Novices of Lerna is Landsman's translation debut, and what a way to start out: with a work by an Argentine writer in the tradition of Jorge Luis Borges and Adolfo Bioy Casares whose work has never been translated into English. Judging by the opening of this short story, also translated by Landsman, Bonomini's novel of a mysterious fellowship at a Swiss university populated by doppelgängers of the protagonist is unlikely to disappoint. —JHM Black Meme by Legacy Russell [NF] Russell, best known for her hit manifesto Glitch Feminism, maps Black visual culture in her latest. Black Meme traces the history of Black imagery from 1900 to the present, from the photograph of Emmett Till published in JET magazine to the footage of Rodney King's beating at the hands of the LAPD, which Russell calls the first viral video. Per Margo Jefferson, "You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence." —SMS The Eighth Moon by Jennifer Kabat [NF] Kabat's debut memoir unearths the history of the small Catskills town to which she relocated in 2005. The site of a 19th-century rural populist uprising, and now home to a colorful cast of characters, the Appalachian community becomes a lens through which Kabat explores political, economic, and ecological issues, mining the archives and the work of such writers as Adrienne Rich and Elizabeth Hardwick along the way. —SMS Stories from the Center of the World ed. Jordan Elgrably [F] Many in America hold onto broad, centuries-old misunderstandings of Arab and Muslim life and politics that continue to harm, through both policy and rhetoric, a perpetually embattled and endangered region. With luck, these 25 tales by writers of Middle Eastern and North African origin might open hearts and minds alike. —JHM An Encyclopedia of Gardening for Colored Children by Jamaica Kincaid and Kara Walker [NF] Two of the most brilliant minds on the planet—writer Jamaica Kincaid and visual artist Kara Walker—have teamed up! On a book! About plants! A dream come true. Details on this slim volume are scant—see for yourself—but I'm counting down the minutes till I can read it all the same. —SMS Physics of Sorrow by Georgi Gospodinov, tr. Angela Rodel [F] I'll be honest: I would pick up this book—by the International Booker Prize–winning author of Time Shelter—for the title alone. But also, the book is billed as a deeply personal meditation on both Communist Bulgaria and Greek myth, so—yep, still picking this one up. —JHM May 14 This Strange Eventful History by Claire Messud [F] I read an ARC of this enthralling fictionalization of Messud’s family history—people wandering the world during much of the 20th century, moving from Algeria to France to North America— and it is quite the story, with a postscript that will smack you on the side of the head and make you re-think everything you just read. I can't recommend this enough. —CK Woodworm by Layla Martinez, tr. Sophie Hughes and Annie McDermott [F] Martinez’s debut novel takes cabin fever to the max in this story of a grandmother,  granddaughter, and their haunted house, set against the backdrop of the Spanish Civil War. As the story unfolds, so do the house’s secrets, the two women must learn to collaborate with the malevolent spirits living among them. Mariana Enriquez says that this "tense, chilling novel tells a story of specters, class war, violence, and loneliness, as naturally as if the witches had dictated this lucid, terrible nightmare to Martínez themselves.” —LA Self Esteem and the End of the World by Luke Healy [NF] Ah, writers writing about writing. A tale as old as time, and often timeworn to boot. But graphic novelists graphically noveling about graphic novels? (Verbing weirds language.) It still feels fresh to me! Enter Healy's tale of "two decades of tragicomic self-discovery" following a protagonist "two years post publication of his latest book" and "grappling with his identity as the world crumbles." —JHM All Fours by Miranda July [F] In excruciating, hilarious detail, All Fours voices the ethically dubious thoughts and deeds of an unnamed 45-year-old artist who’s worried about aging and her capacity for desire. After setting off on a two-week round-trip drive from Los Angeles to New York City, the narrator impulsively checks into a motel 30 miles from her home and only pretends to be traveling. Her flagrant lies, unapologetic indolence, and semi-consummated seduction of a rent-a-car employee set the stage for a liberatory inquisition of heteronorms and queerness. July taps into the perimenopause zeitgeist that animates Jen Beagin’s Big Swiss and Melissa Broder’s Death Valley. —NodB Love Junkie by Robert Plunket [F] When a picture-perfect suburban housewife's life is turned upside down, a chance brush with New York City's gay scene launches her into gainful, albeit unconventional, employment. Set at the dawn of the AIDs epidemic, Mimi Smithers, described as a "modern-day Madame Bovary," goes from planning parties in Westchester to selling used underwear with a Manhattan porn star. As beloved as it is controversial, Plunket's 1992 cult novel will get a much-deserved second life thanks to this reissue by New Directions. (Maybe this will finally galvanize Madonna, who once optioned the film rights, to finally make that movie.) —DF Tomorrowing by Terry Bisson [F] The newest volume in Duke University’s Practices series collects for the first time the late Terry Bisson’s Locus column "This Month in History," which ran for two decades. In it, the iconic "They’re Made Out of Meat" author weaves an alt-history of a world almost parallel to ours, featuring AI presidents, moon mountain hikes, a 196-year-old Walt Disney’s resurrection, and a space pooch on Mars. This one promises to be a pure spectacle of speculative fiction. —DF Chop Fry Watch Learn by Michelle T. King [NF] A large portion of the American populace still confuses Chinese American food with Chinese food. What a delight, then, to discover this culinary history of the worldwide dissemination of that great cuisine—which moonlights as a biography of Chinese cookbook and TV cooking program pioneer Fu Pei-mei. —JHM On the Couch ed. Andrew Blauner [NF] André Aciman, Susie Boyt, Siri Hustvedt, Rivka Galchen, and Colm Tóibín are among the 25 literary luminaries to contribute essays on Freud and his complicated legacy to this lively volume, edited by writer, editor, and literary agent Blauner. Taking tacts both personal and psychoanalytical, these essays paint a fresh, full picture of Freud's life, work, and indelible cultural impact. —SMS Another Word for Love by Carvell Wallace [NF] Wallace is one of the best journalists (and tweeters) working today, so I'm really looking forward to his debut memoir, which chronicles growing up Black and queer in America, and navigating the world through adulthood. One of the best writers working today, Kiese Laymon, calls Another Word for Love as “One of the most soulfully crafted memoirs I’ve ever read. I couldn’t figure out how Carvell Wallace blurred time, region, care, and sexuality into something so different from anything I’ve read before." —SMS The Devil's Best Trick by Randall Sullivan [NF] A cultural history interspersed with memoir and reportage, Sullivan's latest explores our ever-changing understandings of evil and the devil, from Egyptian gods and the Book of Job to the Salem witch trials and Black Mass ceremonies. Mining the work of everyone from Zoraster, Plato, and John Milton to Edgar Allen Poe, Aleister Crowley, and Charles Baudelaire, this sweeping book chronicles evil and the devil in their many forms. --SMS The Book Against Death by Elias Canetti, tr. Peter Filkins [NF] In this newly-translated collection, Nobel laureate Canetti, who once called himself death's "mortal enemy," muses on all that death inevitably touches—from the smallest ant to the Greek gods—and condemns death as a byproduct of war and despots' willingness to use death as a pathway to power. By means of this book's very publication, Canetti somewhat succeeds in staving off death himself, ensuring that his words live on forever. —DF Rise of a Killah by Ghostface Killah [NF] "Why is the sky blue? Why is water wet? Why did Judas rat to the Romans while Jesus slept?" Ghostface Killah has always asked the big questions. Here's another one: Who needs to read a blurb on a literary site to convince them to read Ghost's memoir? —JHM May 21 Exhibit by R.O. Kwon [F] It's been six years since Kwon's debut, The Incendiaries, hit shelves, and based on that book's flinty prose alone, her latest would be worth a read. But it's also a tale of awakening—of its protagonist's latent queerness, and of the "unquiet spirit of an ancestor," that the author herself calls so "shot through with physical longing, queer lust, and kink" that she hopes her parents will never read it. Tantalizing enough for you? —JHM Cecilia by K-Ming Chang [F] Chang, the author of Bestiary, Gods of Want, and Organ Meats, returns with this provocative and oft-surreal novella. While the story is about two childhood friends who became estranged after a bizarre sexual encounter but re-connect a decade later, it’s also an exploration of how the human body and its excretions can be both pleasurable and disgusting. —CK The Great State of West Florida by Kent Wascom [F] The Great State of West Florida is Wascom's latest gothicomic novel set on Florida's apocalyptic coast. A gritty, ominous book filled with doomed Floridians, the passages fly by with sentences that delight in propulsive excess. In the vein of Thomas McGuane's early novels or Brian De Palma's heyday, this stylized, savory, and witty novel wields pulp with care until it blooms into a new strain of American gothic. —Zachary Issenberg Cartoons by Kit Schluter [F] Bursting with Kafkaesque absurdism and a hearty dab of abstraction, Schluter’s Cartoons is an animated vignette of life's minutae. From the ravings of an existential microwave to a pencil that is afraid of paper, Schluter’s episodic outré oozes with animism and uncanniness. A grand addition to City Light’s repertoire, it will serve as a zany reminder of the lengths to which great fiction can stretch. —DF May 28 Lost Writings by Mina Loy, ed. Karla Kelsey [F] In the early 20th century, avant-garde author, visual artist, and gallerist Mina Loy (1882–1966) led an astonishing creative life amid European and American modernist circles; she satirized Futurists, participated in Surrealist performance art, and created paintings and assemblages in addition to writing about her experiences in male-dominated fields of artistic practice. Diligent feminist scholars and art historians have long insisted on her cultural significance, yet the first Loy retrospective wasn’t until 2023. Now Karla Kelsey, a poet and essayist, unveils two never-before-published, autobiographical midcentury manuscripts by Loy, The Child and the Parent and Islands in the Air, written from the 1930s to the 1950s. It's never a bad time to be re-rediscovered. —NodB I'm a Fool to Want You by Camila Sosa Villada, tr. Kit Maude [F] Villada, whose debut novel Bad Girls, also translated by Maude, captured the travesti experience in Argentina, returns with a short story collection that runs the genre gamut from gritty realism and social satire to science fiction and fantasy. The throughline is Villada's boundless imagination, whether she's conjuring the chaos of the Mexican Inquisition or a trans sex worker befriending a down-and-out Billie Holiday. Angie Cruz calls this "one of my favorite short-story collections of all time." —SMS The Editor by Sara B. Franklin [NF] Franklin's tenderly written and meticulously researched biography of Judith Jones—the legendary Knopf editor who worked with such authors as John Updike, Sylvia Plath, Elizabeth Bowen, Anne Tyler, and, perhaps most consequentially, Julia Child—was largely inspired by Franklin's own friendship with Jones in the final years of her life, and draws on a rich trove of interviews and archives. The Editor retrieves Jones from the margins of publishing history and affirms her essential role in shaping the postwar cultural landscape, from fiction to cooking and beyond. —SMS The Book-Makers by Adam Smyth [NF] A history of the book told through 18 microbiographies of particularly noteworthy historical personages who made them? If that's not enough to convince you, consider this: the small press is represented here by Nancy Cunard, the punchy and enormously influential founder of Hours Press who romanced both Aldous Huxley and Ezra Pound, knew Hemingway and Joyce and Langston Hughes and William Carlos Williams, and has her own MI5 file. Also, the subject of the binding chapter is named "William Wildgoose." —JHM June June 4 The Future Was Color by Patrick Nathan [F] A gay Hungarian immigrant writing crappy monster movies in the McCarthy-era Hollywood studio system gets swept up by a famous actress and brought to her estate in Malibu to write what he really cares about—and realizes he can never escape his traumatic past. Sunset Boulevard is shaking. —JHM A Cage Went in Search of a Bird [F] This collection brings together a who's who of literary writers—10 of them, to be precise— to write Kafka fanfiction, from Joshua Cohen to Yiyun Li. Then it throws in weirdo screenwriting dynamo Charlie Kaufman, for good measure. A boon for Kafkaheads everywhere. —JHM We Refuse by Kellie Carter Jackson [NF] Jackson, a historian and professor at Wellesley College, explores the past and present of Black resistance to white supremacy, from work stoppages to armed revolt. Paying special attention to acts of resistance by Black women, Jackson attempts to correct the historical record while plotting a path forward. Jelani Cobb describes this "insurgent history" as "unsparing, erudite, and incisive." —SMS Holding It Together by Jessica Calarco [NF] Sociologist Calarco's latest considers how, in lieu of social safety nets, the U.S. has long relied on women's labor, particularly as caregivers, to hold society together. Calarco argues that while other affluent nations cover the costs of care work and direct significant resources toward welfare programs, American women continue to bear the brunt of the unpaid domestic labor that keeps the nation afloat. Anne Helen Petersen calls this "a punch in the gut and a call to action." —SMS Miss May Does Not Exist by Carrie Courogen [NF] A biography of Elaine May—what more is there to say? I cannot wait to read this chronicle of May's life, work, and genius by one of my favorite writers and tweeters. Claire Dederer calls this "the biography Elaine May deserves"—which is to say, as brilliant as she was. —SMS Fire Exit by Morgan Talty [F] Talty, whose gritty story collection Night of the Living Rez was garlanded with awards, weighs the concept of blood quantum—a measure that federally recognized tribes often use to determine Indigenous membership—in his debut novel. Although Talty is a citizen of the Penobscot Indian Nation, his narrator is on the outside looking in, a working-class white man named Charles who grew up on Maine’s Penobscot Reservation with a Native stepfather and friends. Now Charles, across the river from the reservation and separated from his biological daughter, who lives there, ponders his exclusion in a novel that stokes controversy around the terms of belonging. —NodB June 11 The Material by Camille Bordas [F] My high school English teacher, a somewhat dowdy but slyly comical religious brother, had a saying about teaching high school students: "They don't remember the material, but they remember the shtick." Leave it to a well-named novel about stand-up comedy (by the French author of How to Behave in a Crowd) to make you remember both. --SMS Ask Me Again by Clare Sestanovich [F] Sestanovich follows up her debut story collection, Objects of Desire, with a novel exploring a complicated friendship over the years. While Eva and Jamie are seemingly opposites—she's a reserved South Brooklynite, while he's a brash Upper Manhattanite—they bond over their innate curiosity. Their paths ultimately diverge when Eva settles into a conventional career as Jamie channels his rebelliousness into politics. Ask Me Again speaks to anyone who has ever wondered whether going against the grain is in itself a matter of privilege. Jenny Offill calls this "a beautifully observed and deeply philosophical novel, which surprises and delights at every turn." —LA Disordered Attention by Claire Bishop [NF] Across four essays, art historian and critic Bishop diagnoses how digital technology and the attention economy have changed the way we look at art and performance today, identifying trends across the last three decades. A perfect read for fans of Anna Kornbluh's Immediacy, or the Style of Too Late Capitalism (also from Verso). War by Louis-Ferdinand Céline, tr. Charlotte Mandell [F] For years, literary scholars mourned the lost manuscripts of Céline, the acclaimed and reviled French author whose work was stolen from his Paris apartment after he fled to Germany in 1944, fearing punishment for his collaboration with the Nazis. But, with the recent discovery of those fabled manuscripts, War is now seeing the light of day thanks to New Directions (for anglophone readers, at least—the French have enjoyed this one since 2022 courtesy of Gallimard). Adam Gopnik writes of War, "A more intense realization of the horrors of the Great War has never been written." —DF The Uptown Local by Cory Leadbeater [NF] In his debut memoir, Leadbeater revisits the decade he spent working as Joan Didion's personal assistant. While he enjoyed the benefits of working with Didion—her friendship and mentorship, the more glamorous appointments on her social calendar—he was also struggling with depression, addiction, and profound loss. Leadbeater chronicles it all in what Chloé Cooper Jones calls "a beautiful catalog of twin yearnings: to be seen and to disappear; to belong everywhere and nowhere; to go forth and to return home, and—above all else—to love and to be loved." —SMS Out of the Sierra by Victoria Blanco [NF] Blanco weaves storytelling with old-fashioned investigative journalism to spotlight the endurance of Mexico's Rarámuri people, one of the largest Indigenous tribes in North America, in the face of environmental disasters, poverty, and the attempts to erase their language and culture. This is an important book for our times, dealing with pressing issues such as colonialism, migration, climate change, and the broken justice system. —CK Any Person Is the Only Self by Elisa Gabbert [NF] Gabbert is one of my favorite living writers, whether she's deconstructing a poem or tweeting about Seinfeld. Her essays are what I love most, and her newest collection—following 2020's The Unreality of Memory—sees Gabbert in rare form: witty and insightful, clear-eyed and candid. I adored these essays, and I hope (the inevitable success of) this book might augur something an essay-collection renaissance. (Seriously! Publishers! Where are the essay collections!) —SMS Tehrangeles by Porochista Khakpour [F] Khakpour's wit has always been keen, and it's hard to imagine a writer better positioned to take the concept of Shahs of Sunset and make it literary. "Like Little Women on an ayahuasca trip," says Kevin Kwan, "Tehrangeles is delightfully twisted and heartfelt."  —JHM Traveling: On the Path of Joni Mitchell by Ann Powers [NF] The moment I saw this book's title—which comes from the opening (and, as it happens, my favorite) track on Mitchell's 1971 masterpiece Blue—I knew it would be one of my favorite reads of the year. Powers, one of the very best music critics we've got, masterfully guides readers through Mitchell's life and work at a fascinating slant, her approach both sweeping and intimate as she occupies the dual roles of biographer and fan. —SMS All Desire Is a Desire for Being by René Girard, ed. Cynthia L. Haven [NF] I'll be honest—the title alone stirs something primal in me. In honor of Girard's centennial, Penguin Classics is releasing a smartly curated collection of his most poignant—and timely—essays, touching on everything from violence to religion to the nature of desire. Comprising essays selected by the scholar and literary critic Cynthia L. Haven, who is also the author of the first-ever biographical study of Girard, Evolution of Desire, this book is "essential reading for Girard devotees and a perfect entrée for newcomers," per Maria Stepanova. —DF June 18 Craft by Ananda Lima [F] Can you imagine a situation in which interconnected stories about a writer who sleeps with the devil at a Halloween party and can't shake him over the following decades wouldn't compel? Also, in one of the stories, New York City’s Penn Station is an analogue for hell, which is both funny and accurate. —JHM Parade by Rachel Cusk [F] Rachel Cusk has a new novel, her first in three years—the anticipation is self-explanatory. —SMS Little Rot by Akwaeke Emezi [F] Multimedia polymath and gender-norm disrupter Emezi, who just dropped an Afropop EP under the name Akwaeke, examines taboo and trauma in their creative work. This literary thriller opens with an upscale sex party and escalating violence, and although pre-pub descriptions leave much to the imagination (promising “the elite underbelly of a Nigerian city” and “a tangled web of sex and lies and corruption”), Emezi can be counted upon for an ambience of dread and a feverish momentum. —NodB When the Clock Broke by John Ganz [NF] I was having a conversation with multiple brilliant, thoughtful friends the other day, and none of them remembered the year during which the Battle of Waterloo took place. Which is to say that, as a rule, we should all learn our history better. So it behooves us now to listen to John Ganz when he tells us that all the wackadoodle fascist right-wing nonsense we can't seem to shake from our political system has been kicking around since at least the early 1990s. —JHM Night Flyer by Tiya Miles [NF] Miles is one of our greatest living historians and a beautiful writer to boot, as evidenced by her National Book Award–winning book All That She Carried. Her latest is a reckoning with the life and legend of Harriet Tubman, which Miles herself describes as an "impressionistic biography." As in all her work, Miles fleshes out the complexity, humanity, and social and emotional world of her subject. Tubman biographer Catherine Clinton says Miles "continues to captivate readers with her luminous prose, her riveting attention to detail, and her continuing genius to bring the past to life." —SMS God Bless You, Otis Spunkmeyer by Joseph Earl Thomas [F] Thomas's debut novel comes just two years after a powerful memoir of growing up Black, gay, nerdy, and in poverty in 1990s Philadelphia. Here, he returns to themes and settings that in that book, Sink, proved devastating, and throws post-service military trauma into the mix. —JHM June 25 The Garden Against Time by Olivia Laing [NF] I've been a fan of Laing's since The Lonely City, a formative read for a much-younger me (and I'd suspect for many Millions readers), so I'm looking forward to her latest, an inquiry into paradise refracted through the experience of restoring an 18th-century garden at her home the English countryside. As always, her life becomes a springboard for exploring big, thorny ideas (no pun intended)—in this case, the possibilities of gardens and what it means to make paradise on earth. —SMS Cue the Sun! by Emily Nussbaum [NF] Emily Nussbaum is pretty much the reason I started writing. Her 2019 collection of television criticism, I Like to Watch, was something of a Bible for college-aged me (and, in fact, was the first book I ever reviewed), and I've been anxiously awaiting her next book ever since. It's finally arrived, in the form of an utterly devourable cultural history of reality TV. Samantha Irby says, "Only Emily Nussbaum could get me to read, and love, a book about reality TV rather than just watching it," and David Grann remarks, "It’s rare for a book to feel alive, but this one does." —SMS Woman of Interest by Tracy O'Neill [NF] O’Neill's first work of nonfiction—an intimate memoir written with the narrative propulsion of a detective novel—finds her on the hunt for her biological mother, who she worries might be dying somewhere in South Korea. As she uncovers the truth about her enigmatic mother with the help of a private investigator, her journey increasingly becomes one of self-discovery. Chloé Cooper Jones writes that Woman of Interest “solidifies her status as one of our greatest living prose stylists.” —LA Dancing on My Own by Simon Wu [NF] New Yorkers reading this list may have witnessed Wu's artful curation at the Brooklyn Museum, or the Whitney, or the Museum of Modern Art. It makes one wonder how much he curated the order of these excellent, wide-ranging essays, which meld art criticism, personal narrative, and travel writing—and count Cathy Park Hong and Claudia Rankine as fans. —JHM [millions_email]

Love and Work: Anthony Powell’s ‘O, How the Wheel Becomes It!’ and ‘Venusberg’

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Love and work are the subjects the British novelist Anthony Powell covers in O, How the Wheel Becomes It! and Venusberg two slim novels, recently reissued by University of Chicago Press, which bracket his monumental 12-volume Dance to the Music of Time, written over the course of almost 15 years, from 1957 to 1971. Still relatively lesser known in the United States, the Dance series is one of the great achievements of 20th-century literature, and perhaps the greatest portrayal of (mostly upper-class) British life from approximately the 1920s through the 1960s. In his introduction to Venusberg, which Powell published in 1932 when he was only 27, Levi Stahl astutely notes the differences between Powell and the author whom he is often thought to resemble, Evelyn Waugh. Both wrote about the educated upper classes and had enormous skill at skewering their pretensions and obsessions.  But where Waugh was highly self-conscious of his status as an outsider and desperately wanted to be included among his subjects even as he savaged them, Powell developed a different style.  He writes more as an insider but one removed from the social whirl by almost incomprehensibly sensitive social antennae.  “Waugh’s books are arguably funnier (though some sections of Dance hold their own), but they also have an angry, cruel, even nihilistic strain. Waugh’s satire is scorching, leaving little behind but blasted ground. Powell, on the other hand, while refusing novelistic happy endings, presents a more hopeful outlook: his early novels tend to include at least one character who yearns, if fitfully, to live a life with meaning.” The Brit abroad novel in this era of Brick Lane and a multiethnic Britain may seem the most tiresome of tropes.  Moreover in this era of YouTube, cell phones, and Snapchat, the possibility of real strangeness or feelings of isolation in foreign travel are almost impossible to recover, in addition to the sometimes unpleasant colonial overtones some such novels evoke. In Venusberg, however, the charm and humor of such a setting comes through, even as Powell searches after deeper themes. Venusberg is the name of a hapless Baltic town to which the main character, a writer named Lushington, goes purportedly on assignment.  In fact, he is running from a woman, Lucy, whom he loves but who loves another.  Lushington’s fellow travelers are refugees from their own sort of romance, homes, and countries they left or were forced to leave (or as is the case with a mother and daughter traveling together, a Habsburg Empire that is no more.) The long boat trip gives Powell the opportunity to indulge his finely tuned sensibilities to differences in class, wealth, and station, and to develop what Stahl describes as “his remarkable talent for grotesquerie,” though one leavened by a humane sympathy. Thus his protagonist finds among the passengers a disaffected (and possibly fraudulent) count and others thrown about by the disaster of post-World War I Europe.  Included among these is Ortrud Mavrin, a married Austrian woman with whom he begins an affair. Inevitably, Lushington befriends her husband, an older professor, with some comic results. Once in Venusberg, he becomes entangled with a member of the British diplomatic delegation, da Costa, who is his rival for his Lucy’s affections. Other figures include the valet Pope, possibly fake Russian aristocrats, and various nobles, soldiers, businessmen, and bureaucrats who operate in a semi-totalitarian political environment. The love story that is the moving plot of the novel focuses on whether Lushington will continue to pursue his indifferent object of affection at home, or follow Mavrin, the European lady of mysterious background. This is perhaps a metaphor for British writers seduced by European modernism (which Powell by and large was not), or more generally the exoticism the Continent held for many British.  Venusberg is, in legend, a place of seduction that captivates its admirers who must tear themselves away to return home, and the tension in the novel is how, or whether, Powell will have Lushington make the break. Wheel, the first novel Powell published after completing Dance, has a decidedly smaller geographical ambit, but a much longer temporal one. Powell excels at the long arc; what makes Dance most compelling is the realistic way Powell describes aging and the passing of years, with all the sexual, professional, and social triumphs and disappointments those years offer. Powell makes us feel both weighted with the passage of time and also satisfaction at the unfolding of full adult lives, which I think is perhaps Powell’s real lasting literary gift. Wheel follows a writer and critic named G.F.H. Shadbold and the petty and at times absurd world of literary culture. Powell knew this world well, and his send-up of literary pretension is classic.  Shadbold is haunted and embarrassed by the memory of a half-forgotten novel of a dead man whom we would now term a “frenemy,” a schoolmate turned stockbroker named Cedric Winterwade. Shadbold has himself becomes something of a middling literary figure, with early promise but who chose instead a more certain if unimaginative career; after “the slimmest of slim volumes of verse,” and some indifferently-received novels, Shadbold settled into something like literary respectability. Notwithstanding the comparative leanness of his output Shadbold was not to be dismissed as a lightweight, a mere hack. He has worked hard reviewing other people’s books up hill and down dale, tirelessly displayed himself on the media and elsewhere…[and] also always prepared to offer views on marginally political subjects for which he was less accredited by instinct. Shadbold married a writer of potboiler detective novels, who is much more successful than he. However, Winterwade comes to dominate his thoughts.  Shadbold learns Winterwade kept a diary in which it is revealed he was the more prodigious lover when they were younger men together, including having an affair with a woman Shadbold himself desired. This revelation raises old feelings of sexual jealousy, even after a remove of years, especially when the woman, Isolde, comes back late in Shadbold’s life; in the process, he learns Winterwade was in some respects a better man than he. Moreover, Winterwade’s literary fortunes are rising on the basis of that one novel, decades after his death. Winterwade retains the promise of young man cut down before his prime, while Shadbold must struggle with the realities of a writing life that has its share of grubbiness and self-promotion. Isolde pleads with Shadbold to help resuscitate Winterwade’s reputation. Stahl is right that neither of these books is likely to eclipse the magnificent work that is Dance. However Venusberg is valuable because we see Powell working out perspectives that would later form the basis of Dance in the form of the novels’ narrator, Nick Jenkins.  But it is the work of a young man and some of the dialogue and scenes, while surely sharp at the time, do not carry the same resonance today. But for those not yet ready to tackle Dance, Wheel is a work of the mature Powell, very sensitive to those unforeseen changes in fortune or circumstance that occur throughout life and which give the book its title.

Dispatch from Turkey: Plagiarism Charges Levied at Award-Winning Author

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Award-winning polyglot Turkish author Elif Şafak has been accused of plagiarism by a translator in Turkey, where her newest novel Iskender was released on August 1. Shortly after publication Iskender, which had already sold upwards of 200,000 copies, was called out by a blogger for its resemblance to the Turkish translation of Zadie Smith's White Teeth. The comparisons move from the general to the specific, with one vignette in particular offered as the most damning evidence of perfidy. Shortly thereafter, Smith's Turkish translator, Mefkure Bayatlı, doubled down with a full accusation of plagiarism. The kerfuffle, which is front-page news in Turkey, does not of yet seem to have surfaced in the American literary blogosphere, despite the relative renown of Şafak in this country. Şafak, who writes in both Turkish and English, has enjoyed huge popular success globally for, among other novels, The Bastard of Istanbul, The Saint of Incipient Insanities, The Flea Palace, and The Forty Rules of Love. She was the winner of the Union of Turkish Writers prize for The Gaze and she is a frequent presence on the Turkish best-seller list. She has done the professorial/lecture circuit in the U.S., appeared on NPR, and written for the New York Times, The Guardian, and The Wall Street Journal, among other publications. In May, Şafak shared a stage with Jonathan Franzen and Salman Rushdie as a PEN presenter. In short, she's a big deal (and in Turkey, a huge deal). For those out of the loop, here's a brief timeline of the scandal (NB: highly unprofessional translations ahead): August 1: Iskender hits shelves. A novel about a bi-cultural immigrant youth living in London. August 3: Culture blog Fikir Mahsulleri Ofisi (very loosely, "Department of Ideas") reviews an advance copy of Iskender in a post titled "Elif Şafak's new novel is a little too 'Familiar.'"  The review details the many ways in which the characters and themes of Iskender resemble those of White Teeth:  Muslim immigrants living in London, inter-generational conflict, and so on. The blog makes an extended comparison of thematic and character similarities, before delivering the parting shot -- two versions of one moment spent daydreaming in front of a basement apartment window. The money quotes are here (note that passage was taken from the Turkish translation of White Teeth, so what follows is the Turkish translation back into English, with many apologies to Zadie Smith and translator Bayatlı for liberties taken). Bowden's living room was situated below the road and there were bars in the windows so that the view was partially obscured. Generally Clara would see feet, tires, exhaust pipes and umbrellas being shaken. These instantaneous images revealed a lot; a lively imagination could conjure many poignant stories from a bit of worn lace, a patched sock, a bag that had seen better days swinging low to the ground. (White Teeth, p. 30, Everest Publishing) He would sit cross-legged on the living room rug and gape at the windows near the ceiling. Outside there was frenzied leg traffic flowing right and left. Pedestrians going to work, returning from shopping, going on walks... It was one of their favorite games to watch the feet going to and fro and try to guess at their lives -- it was a three-person game: Esma, Iskender and Pembe. Let's say they saw a shining pair of stilettos walking with nimble, rapid steps, their heels clicking. "She's probably going to meet her fiance," Pembe would say, conjuring up a story. Iskender was good at this game. He would see a worn, dirty pair of moccasins and start explaining how the shoes' owner had been out of work for months and was going to rob the bank on the corner." (Iskender, p. 135, Doğan) August 4: Burak Kara, writing for Vatan newspaper, prints a statement from Bayatlı, the Turkish translator of White Teeth: A coincidence of this magnitude isn't possible. Şafak, using Zadie's book as a template, made the family Turkish and wrote a book. She simplified the topic. I especially note the similarity of the window story. Ten parallel stories like this can be written, but the window story isn't even a parallel. This is called plagiarism. It's like an adaptation. It surpasses inspiration... August 7: Şafak, one of her editors, and the General Director of Doğan Kitap Publishing respond in the Sunday print edition of Milliyet newspaper (web version here). The editor defends the book, noting that White Teeth bears resemblance to Hanif Kureishi's The Buddha of Suburbia (published before) and Monica Ali's Brick Lane (published after). "There are a number of similarities between Smith and Ali's books," stated Şafak's editor. "Doctoral theses have even been written on this topic comparing the two novels. And yet no one says that Monica Ali plagiarized." The General Director, too, addresses the natural and inevitable similarities between works of immigrant literature dealing with similar themes: "These are probably not the only two novels for whom the basement apartment represents a state of destitution." And Şafak hits back: Enough already! Iskender, which I wrote in England, which my English publishers read line by line with great pleasure, which my English agency represents with great pleasure, will be published back-to-back in England and the U.S. in 2012 by Penguin and Viking, two of the best publishing houses in the world. Given all this, I don't take seriously the accusations levied by a handful of people whose intention is to wear me down. As with all of my books, my hard work and imagination is evident in this novel. I'm fed up, we're fed up with the reckless attacks against people who do different work. My reader knows me. Iskender is my eleventh book, my eighth novel. This is what I say to those dealing in slander, gossip, and delusional behavior. August 8: Fikir Mahsulleri Ofisi, the blog that published the original review, addresses its old and new readers, reminding them that their original statement was simply that the book "might show influence to the extent that opens the way for an argument of plagiarism," and that the real accusations were made by Smith's translator. Like any hapless blogger who starts a shitstorm, they are gratified and bewildered by the new readership, alarmed by the repercussions, and disgusted by some of the comments. It's as if internet shitstorms are the same in every language! August 10: Fikir Mahsulleri Ofisi publishes a timeline for new readers, a response to Safak's response, and an epic polemic about the state of criticism in Turkey. There was value in bringing this to light: plagiarism is serious to the last degree, and not a claim that can be made lightly. But it is not an insult or an attack. As far comments like [columnist]  Deniz Ülke Arıboğan's tweet, "to accuse an author of plagiarism is no different than to curse them" -- well, to curse someone is ill-mannered, it's hitting below the belt. One refrains from responding to curses. As for plagiarism, when it is held up with concrete information, it is a serious claim that must be responded to with a cool head. It's a criticism. Since this isn't something that is well-known in Turkey let me spell it out again so that it's well understood: CRITICISM. Moving to the political, the post goes onto criticize people who use Şafak’s 2006 appearance in court for denigrating the Turkish state (Article 301) as a reason to excuse or discount the plagiarism controversy: Just as Elif Shafak's liberty to write novels in the face of conservative laws, the liberty of others to criticize her novels must be held sacred, too. What to do about one warning left by a commenter who calls him/herself Elif Şafak: "If you don't erase this, criminal prosecution can be started against you?" What indeed? Without having read both Iskender and the Turkish translation of White Teeth, it's impossible to weigh in on the validity of the claims, but it'll be interesting to see what comes of this. We would love to hear from readers who have some perspective.

The Prizewinners 2008/2009

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With the awarding of the International IMPAC Dublin Literary Award last week, the 2008/2009 literary award season is now over, which gives us the opportunity to update our list of prizewinners. Though literary prizes are arbitrary in many ways, our prizewinners post is compiled in the same spirit that one might tally up batting titles and MVPs to determine if a baseball player should be considered for the Hall of Fame. These awards nudge an author towards the "canon" and secure them places on literature class reading lists for decades to come. Most notably, after being named to the IMPAC shortlist, The Brief Wondrous Life of Oscar Wao by Junot Díaz has joined the ranks of the most celebrated novels of the last 15 years, making it, along with the other books near the top of the list, something of a modern classic. Here is our methodology: I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Costa from the British side. Because I wanted the British books to "compete" with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out. I looked at these six awards from 1995 to the present, awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here's the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Costa Book Award [formerly the Whitbread] bold=winner, red=New to the list or moved up* the list since last year's "Prizewinners" post *Note that the IMPAC considers books a year after the other awards do, and so this year's IMPAC shortlist nods added to point totals from last year in the case of three books. 11, 2003, The Known World by Edward P. Jones - C, I, N, P 9, 2001, The Corrections by Jonathan Franzen - C, I, N, P 8, 1997, Underworld by Don DeLillo - C, I, N, P 8, 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz - C, P, I 7, 2005, The March by E.L. Doctorow - C, N, P 7, 2004, Line of Beauty by Alan Hollinghurst - B, C, W 7, 2002, Middlesex by Jeffrey Eugenides - I, N, P 7, 2001, Atonement by Ian McEwan - B, C, W 7, 1998, The Hours by Michael Cunningham - C, I, P 7, 1997, Last Orders by Graham Swift - B, I, W 7, 1997, Quarantine by Jim Crace - B, I, W 6, 2005, The Inheritance of Loss by Kiran Desai - B, C 6, 2004, Gilead by Marilynn Robinson - C, P 5, 2008, The Secret Scripture by Sebastian Barry - B, W 5, 2008, Olive Kitteridge by Elizabeth Strout - C, P 5, 2007, Tree of Smoke by Denis Johnson - N, P 5, 2006, The Road by Cormac McCarthy - C, P 5, 2006, The Echo Maker by Richard Powers - N, P 5, 2005, Europe Central by William T. Vollmann - C, N 5, 2005, The Accidental by Ali Smith - B, W 5, 2004, The Master by Colm Toibin - B, I 5, 2003, The Great Fire by Shirley Hazzard - I, N 5, 2001, True History of the Kelly Gang by Peter Carey - B, I 5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon - C, P 5, 2000, The Blind Assassin by Margaret Atwood - B, I 5, 1999, Waiting by Ha Jin - N, P 5, 1999, Disgrace by J.M. Coetzee - B, C 5, 1999, Being Dead by Jim Crace - C, W 5, 1998, Charming Billy by Alice McDermott - I, N 5, 1997, American Pastoral by Philip Roth - C, P 5, 1996, Every Man for Himself by Beryl Bainbridge - B, W 5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser - N, P 5, 1995, The Moor's Last Sigh by Salman Rushdie - B, W 5, 1995, The Ghost Road by Pat Barker - B, W 5, 1995, Independence Day by Richard Ford - C, P 5, 1995, Sabbath's Theater by Philip Roth - N, P 4, 2008, Home by Marilynn Robinson - C, N 4, 2008, The Lazarus Project by Aleksandar Hemon - C, N 4, 2007, The Reluctant Fundamentalist by Mohsin Hamid - B, I 4, 2007, Animal's People by Indra Sinha - B, I 4, 2005, Veronica by Mary Gaitskill - C, N 4, 2005, Arthur and George by Julian Barnes - B, I 4, 2005, A Long, Long Way by Sebastian Barry - B, I 4, 2005, Never Let Me Go by Kazuo Ishiguro - B, C 4, 2005, Shalimar the Clown by Salman Rushdie - I, W 4, 2004, Cloud Atlas by David Mitchell - B, C 4, 2003, Brick Lane by Monica Ali - B, C 4, 2003, Bitter Fruit by Achmat Dangor - B, I 4, 2003, The Good Doctor by Damon Galgut - B, I 4, 2003, Evidence of Things Unseen by Marianne Wiggins - N, P 4, 2002, Family Matters by Rohinton Mistry - B, I 4, 2002, The Story of Lucy Gault by William Trevor - B, W 4, 2001, A Fine Balance by Rohinton Mistry - B, I 4, 2001, Bel Canto by Ann Patchett - I, N 4, 2001, John Henry Days by Colson Whitehead - N, P 4, 2001, Oxygen by Andrew Miller - B, W 4, 2000, The Keepers of Truth by Michael Collins - B, I 4, 2000, When We Were Orphans by Kazuo Ishiguro - B, W 4, 2000, Blonde by Joyce Carol Oates - N, P 4, 1999, Our Fathers by Andrew O'Hagan - B, I 4, 1999, Headlong by Michael Frayn - B, W 4, 1999, The Blackwater Lightship by Colm Toibin - B, I 4, 1997, Autobiography of My Mother by Jamaica Kincaid - C, I 4, 1997, Grace Notes by Bernard MacLaverty - B, W 4, 1997, Enduring Love by Ian McEwan - I, W 4, 1997, The Puttermesser Papers by Cynthia Ozick - I, N 4, 1996, Alias Grace by Margaret Atwood - B, I 4, 1995, In Every Face I Meet by Justin Cartwright - B, W

The Prizewinners Revisited

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A while back, I put together a post called "The Prizewinners," which asked what books had been decreed by the major book awards to be the "best" books over that period. These awards are arbitrary but just as a certain number of batting titles and MVPs might qualify a baseball player for consideration by the Hall of Fame, so too do awards nudge an author towards the "canon" and secure places on literature class reading lists in perpetuity.With two and a half years passed since I last performed this exercise, I thought it time to revisit it to see who is now climbing the list of prizewinners.Here is the methodology I laid out back in 2005:I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Whitbread from the British side. Because I wanted the British books to "compete" with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out.I looked at these six awards from 1995 to the present awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here's the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Costa Book Award [formerly the Whitbread]bold=winner, **=New to the list since the original "Prizewinners" post11, 2003, The Known World by Edward P. Jones - C, I, N, P9, 2001, The Corrections by Jonathan Franzen - C, I, N, P8, 1997, Underworld by Don DeLillio - C, I, N, P7, 2005, The March by E.L. Doctorow - C, N, P **7, 2004, Line of Beauty by Alan Hollinghurst - B, C, W7, 2002, Middlesex by Jeffrey Eugenides - I, N, P7, 2001, Atonement by Ian McEwan - B, N, W7, 1998, The Hours by Michael Cunningham - C, I, P7, 1997, Last Orders by Graham Swift - B, I, W7, 1997, Quarantine by Jim Crace - B, I, W6, 2007, The Brief Wondrous Life of Oscar Wao by Junot Díaz - C, P **6, 2005, The Inheritance of Loss by Kiran Desai - B, C **6, 2004, Gilead by Marilynn Robinson - B, P5, 2007, Tree of Smoke by Denis Johnson - N, P **5, 2006, The Road by Cormac McCarthy - C, P **5, 2006, The Echo Maker by Richard Powers - N, P **5, 2005, Europe Central by William T. Vollmann - C, N **5, 2005, The Accidental by Ali Smith - B, W **5, 2004, The Master by Colm Toibin - B, I **5, 2003, The Great Fire by Shirley Hazzard - I, N5, 2001, True History of the Kelly Gang by Peter Carey - B, I5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon - C, P5, 2000, The Blind Assassin by Margaret Atwood - B, I5, 1999, Waiting by Ha Jin - N, P5, 1999, Disgrace by J.M. Coetzee - B, C5, 1999, Being Dead by Jim Crace - C, W5, 1998, Charming Billy by Alice McDermott - I, N5, 1997, American Pastoral by Philip Roth - C, P5, 1996, Every Man for Himself by Beryl Bainbridge - B, W5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser - N, P5, 1995, The Moor's Last Sigh by Salman Rushdie - B, W5, 1995, The Ghost Road by Pat Barker - B, W5, 1995, Independence Day by Richard Ford - C, P5, 1995, Sabbath's Theater by Philip Roth - N, P4, 2005, Veronica by Mary Gaitskill - C, N **4, 2005, Arthur and George by Julian Barnes - B, I **4, 2005, A Long, Long Way by Sebastian Barry - B, I **4, 2005, Never Let Me Go by Kazuo Ishiguro - B, C **4, 2005, Shalimar the Clown by Salman Rushdie - I, W **4, 2004, Cloud Atlas by David Mitchell - B, C4, 2003, Brick Lane by Monica Ali - B, C4, 2003, Bitter Fruit by Achmat Dangor - B, I4, 2003, The Good Doctor by Damon Galgut - B, I4, 2003, Evidence of Things Unseen by Marianne Wiggins - N, P4, 2002, Family Matters by Rohinton Mistry - B, I4, 2002, The Story of Lucy Gault by William Trevor - B, W4, 2001, A Fine Balance by Rohinton Mistry - B, I4, 2001, Bel Canto by Ann Patchett - I, N4, 2001, John Henry Days by Colson Whitehead - N, P4, 2001, Oxygen by Andrew Miller - B, W4, 2000, The Keepers of Truth by Michael Collins - B, I4, 2000, When We Were Orphans by Kazuo Ishiguro - B, W4, 2000, Blonde by Joyce Carol Oates - N, P4, 1999, Our Fathers by Andrew O'Hagan - B, I4, 1999, Headlong by Michael Frayn - B, W4, 1999, The Blackwater Lightship by Colm Toibin - B, I4, 1997, Autobiography of My Mother by Jamaica Kincaid - C, I4, 1997, Grace Notes by Bernard MacLaverty - B, W4, 1997, Enduring Love by Ian McEwan - I, W4, 1997, The Puttermesser Papers by Cynthia Ozick - I, N4, 1996, Alias Grace by Margaret Atwood - B, I4, 1995, In Every Face I Meet by Justin Cartwright - B, W

Brick Lane sparks a dispute

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A row (as they say over there) has erupted over the filming of a movie based on Monica Ali's novel Brick Lane, spurring protests and threats of a book burning. The anger has arisen from the portrayal of Bangladeshis in the book. So far a number of notable authors have come out in support of Ali, including Salman Rushdie, Hari Kunzru and Lisa Appignanesi, as discussed in the Guardian. Now a few weeks old, the dispute is sparking secondary disputes amongst the British literati, who are taking sides. The Independent goes into detail about how "Rushdie has launched an outspoken attack on fellow literary heavyweight Germaine Greer."

The Prizewinners

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The list at the end of this post is arbitrary. Necessarily so, because awards, by their nature, are arbitrary. Nonetheless, after a couple of weeks full of awards news, including the inaugural appearance of the Quills, I was curious to see if all these awards are really pointing us towards good books.If we are dissatisfied with the Booker Prize or the National Book Award or the Pulitzer, the Quills, which casts the net very wide and relies on voting from the reading public, have been presented as a populist alternative. The results are less than satisfying. It is not news to anyone that the reading public likes Harry Potter and books by Sue Monk Kidd and Janet Evanovich. I hold nothing against those bestsellers, but naming them the best books of the year does little to satisfy one's yearning to be introduced to the best, to have an encounter with a classic in our own time. We like those bestsellers because they entertain us, but while monetary success is the reward for those entertaining authors, awards have typically honored books with qualities that are more difficult to quantify. These award-winners are supposed to edify and challenge while still managing to entertain. But, as we saw with last year's National Book Awards, readers are unsatisfied when recognition is reserved only for the obscure. We want to know our best authors even while they remain mysterious to us. So, pondering this, I wondered which books have been most recognized by book awards in recent years, and could those books also be fairly called the best books.It turned out to be a challenge. I wanted to include both American books and British books, as well as the English-language books from other countries that are eligible to win some of these awards. I started with the National Book Award and the Pulitzer from the American side and the Booker and Whitbread from the British side. Because I wanted the British books to "compete" with the American books, I also looked at a couple of awards that recognize books from both sides of the ocean, the National Book Critics Circle Awards and the International IMPAC Dublin Literary Award. The IMPAC is probably the weakest of all these, but since it is both more international and more populist than the other awards, I thought it added something. The glaring omission is the PEN/Faulkner, but it would have skewed everything too much in favor of the American books, so I left it out.I looked at these six awards from 1995 to the present awarding three points for winning an award and two points for an appearance on a shortlist or as a finalist. Here's the key that goes with the list: B=Booker Prize, C=National Book Critics Circle Award, I=International IMPAC Dublin Literary Award, N=National Book Award, P=Pulitzer Prize, W=Whitbread Book Award, bold=winner11, 2003, The Known World by Edward P. Jones - C, I, N, P9, 2001, The Corrections by Jonathan Franzen - C, I, N, P8, 1997, Underworld by Don DeLillio - C, I, N, P7, 2004, Line of Beauty by Alan Hollinghurst - B, C, W7, 2002, Middlesex by Jeffrey Eugenides - I, N, P7, 2001, Atonement by Ian McEwan - B, N, W7, 1998, The Hours by Michael Cunningham - C, I, P7, 1997, Last Orders by Graham Swift - B, I, W7, 1997, Quarantine by Jim Crace - B, I, W6, 2004, Gilead by Marilynn Robinson - N, P5, 2003, The Great Fire by Shirley Hazzard - I, N5, 2001, True History of the Kelly Gang by Peter Carey - B, I5, 2000, The Amazing Adventures of Kavalier and Clay by Michael Chabon - C, P5, 2000, The Blind Assassin by Margaret Atwood - B, I5, 1999, Waiting by Ha Jin - N, P5, 1999, Disgrace by J.M. Coetzee - B, C5, 1999, Being Dead by Jim Crace - C, W5, 1998, Charming Billy by Alice McDermott - I, N5, 1997, American Pastoral by Philip Roth - C, P5, 1996, Every Man for Himself by Beryl Bainbridge - B, W5, 1996, Martin Dressler: The Tale of an American Dreamer by Steven Millhauser - N, P5, 1995, The Moor's Last Sigh by Salman Rushdie - B, W5, 1995, The Ghost Road by Pat Barker - B, W5, 1995, Independence Day by Richard Ford - C, P5, 1995, Sabbath's Theater by Philip Roth - N, P4, 2004, Cloud Atlas by David Mitchell - B, C4, 2003, Brick Lane by Monica Ali - B, C4, 2003, Bitter Fruit by Achmat Dangor - B, I4, 2003, The Good Doctor by Damon Galgut - B, I4, 2003, Evidence of Things Unseen by Marianne Wiggins - N, P4, 2002, Family Matters by Rohinton Mistry - B, I4, 2002, The Story of Lucy Gault by William Trevor - B, W4, 2001, A Fine Balance by Rohinton Mistry - B, I4, 2001, Bel Canto by Ann Patchett - I, N4, 2001, John Henry Days by Colson Whitehead - N, P4, 2001, Oxygen by Andrew Miller - B, W4, 2000, The Keepers of Truth by Michael Collins - B, I4, 2000, When We Were Orphans by Kazuo Ishiguro - B, W4, 2000, Blonde by Joyce Carol Oates - N, P4, 1999, Our Fathers by Andrew O'Hagan - B, I4, 1999, Headlong by Michael Frayn - B, W4, 1999, The Blackwater Lightship by Colm Toibin - B, I4, 1997, Autobiography of My Mother by Jamaica Kincaid - C, I4, 1997, Grace Notes by Bernard MacLaverty - B, W4, 1997, Enduring Love by Ian McEwan - I, W4, 1997, The Puttermesser Papers by Cynthia Ozick - I, N4, 1996, Alias Grace by Margaret Atwood - B, I4, 1995, In Every Face I Meet by Justin Cartwright - B, WI find the list to be fairly satisfying, especially at the top, though it does skew in favor of men. There are also a preponderance of "big name" literary authors on this list, but it begs the question: Does the fame come first or do the awards? I'd love to hear other opinions on this list, so please, share your comments.See Also: Award Annals compiles similar lists (though much more comprehensive than this one.)

Ask a Book Question: The Twenty-second in a Series (The Best in 2k3)

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Patric (who's got a pretty cool website) wrote in with this question, which tested my research skills.What was Entertainment Weekly's #1 Fiction Title for 2003?Before I set to figuring this one out, I guessed what it might be just to see if I would be right. Knowing Entertainment Weekly's tastes, I figured that Mark Haddon's The Curious Incident of the Dog in the Night-Time was a pretty good candidate, but, no it turns out to be EW's number two book. The Time Traveler's Wife by Audrey Niffenegger seemed like a good pick because, while a book club favorite, it broke new ground, Jonathan Lethem's The Fortress of Solitude for its genre-bending hipness, and maybe Monica Ali's Brick Lane for its multicultural bent. But: no, no, and no. It turns out that the EW editors decided that 2003's best novel was Samaritan by Richard Price. It's actually a pretty good choice; Samaritan was well-reviewed, and sold well, but was not considered one of the "hot" books of the year. In the book, Price (who also wrote Clockers) weaves a mystery of sorts about a man who returns to his roots in a hard-edged New Jersey town and is brutally assaulted, but refuses to implicate his attacker. It's a bold and interesting pick by EW for best book of the year. (My pick, by the way, is The Known World by Edward P. Jones, hands down.)

The People’s Choice

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Back in January I briefly made mention of something called the WHSmith Award. It's a British award that is determined by public opinion. People vote from a list of nominated finalists to determine the best book of the year. After 148,000 votes cast, they have announced the winners in eight categories, including the latest Harry Potter in the fiction category, Brick Lane by Monica Ali for best debut novel, Yoga for People Who Can't Be Bothered to Do It by Geoff Dyer for travel books, and Michael Moore's Dude, Where's My Country?, in something called the "factual" category. So as not turn over complete control to the masses, the also give out an award called the "Judges' Choice," which was awarded to the American writer, Richard Powers for his dense critical favorite, The Time of Our Singing. As I said when I first found out about this award, I would be very interested to see the results of an American award determined by popular vote. A lot more Americans read than people think, so an astute businessperson could, in my opinion, do quite well creating an award like this to fill the void. Here are the complete results of the 2004 WHSmith Awards.