A row (as they say over there) has erupted over the filming of a movie based on Monica Ali’s novel Brick Lane, spurring protests and threats of a book burning. The anger has arisen from the portrayal of Bangladeshis in the book. So far a number of notable authors have come out in support of Ali, including Salman Rushdie, Hari Kunzru and Lisa Appignanesi, as discussed in the Guardian. Now a few weeks old, the dispute is sparking secondary disputes amongst the British literati, who are taking sides. The Independent goes into detail about how “Rushdie has launched an outspoken attack on fellow literary heavyweight Germaine Greer.”
Last year, we took a look at the affinity for Twitter in certain quarters of the literary world. A handful of well-known authors have acquired big followings on the platform, a result not just of their name recognition but of their mastery of the tweet, as well. Readers now also turn to twitter for book news and comment from a number of sources who are active on Twitter. Our previous piece looked at the very first tweets of these now-popular practitioners. Nearly all were halting “Hello World” efforts, and none seemed likely to win over those unconverted to the various (and admittedly sometimes maddening) wonders of Twitter.
So, to present literary Twitter in its best possible light, we are returning again to those most widely followed on literary Twitter, but this time, looking at which Tweets got the most favorites, we are highlighting each literary Twitterer’s best tweet. Here you’ll find much wry humor, gossip, lots of politics, Margaret Atwood flirting with a Twitter-famous comedian, and even a surprising amount of insight crammed into 140 characters. They may be enough to win over some fresh converts.
(For the Twitter regulars out there, we found that tweets with more RTs tended to be more about disseminating news to fans, while tweets with more favs captured some essence of the Twitterer, so we went with the latter when compiling this list. Also, if you find tweets by these folks with more favorites than the ones we’ve listed, let us know and we’ll swap them in.)
Every 60 seconds in Africa, a minute passes. We can put a stop to this. Please retweet.— Teju Cole (@tejucole) May 9, 2012
Fox is now like, "What if we took states that Obama has already won and gave them to Romney – how would that change the map?"— colson whitehead (@colsonwhitehead) November 7, 2012
Ironic that I am a judge for the Truman Capote award when Capote in a druggy interview said he hated me & that I should be executed. LOL.— Joyce Carol Oates (@JoyceCarolOates) October 14, 2013
For those curious about the mystery event that happened in my parlor last night, here's a clue. http://yfrog.com/gy3ugpj— Ayelet Waldman (@ayeletw) January 3, 2011
On a positive note, both can pronounce the word "nuclear".— Dani Shapiro (@danijshapiro) October 23, 2012
Kid at our door in a suit and tie. "What are you?" we asked. Him: "The 1 percent."— Dwight Garner (@DwightGarner) November 1, 2011
Next Schoolhouse Rock song is called "How a Bill Becomes a Law and Then Gets Held Hostage by Sore Losers Willing to Destroy Our Economy."— Ron Charles (@RonCharles) October 1, 2013
Thomas Pynchon's new novel BLEEDING EDGE will be published on September 17, deals with Silicon Alley between dotcom boom collapse and 9/11.— Sarah Weinman (@sarahw) February 25, 2013
Wouldn't it be fun to just totally ignore Ann Coulter? It would drive her crazy.— Susan Orlean (@susanorlean) October 23, 2012
Goodbye, my beloved friend. A great voice falls silent. A great heart stops. Christopher Hitchens, April 13, 1949-December 15, 2011.— Salman Rushdie (@SalmanRushdie) December 16, 2011
Sad day, man. I never really understood how sad the book is until now. Why did I make it so sad? Why have so many people read it?— John Green (@realjohngreen) September 25, 2013
Found this genius quote on Reddit today: Getting offended is a great way to avoid answering questions that make you sound dumb.— Doug Coupland (@DougCoupland) September 2, 2012
Affordable Care Act means health care for artists, writers, poets, dancers, filmmakers, and others in the arts without insurance now.— Amy Tan (@AmyTan) October 1, 2013
The gorgeous and talented Charlie Hunnam will be Christian Grey in the film adaptation of Fifty Shades of Grey.— E L James (@E_L_James) September 2, 2013
Whitney Houston: Yes, somewhere tonight Patrick Bateman is weeping, shocked but not surprised, and ordering three hookers instead of two…— Bret Easton Ellis (@BretEastonEllis) February 12, 2012
People who feel safer with a gun than with guaranteed medical insurance don't yet have a fully adult concept of scary.— William Gibson (@GreatDismal) October 2, 2013
Want to become a better writer? Then read this free essay: 'Developing a Theme' by Chuck Palahniuk – http://bit.ly/aNRUqk— Chuck Palahniuk (@chuckpalahniuk) October 12, 2010
I'm going to wash Joe Biden's car tomorrow. With my tears of gratitude.— Gary Shteyngart (@Shteyngart) October 12, 2012
o no i mistook mascara for concealer again! My eye sockets are black and greasy also idk what's going on in Eritrea. Can a website help plz— Emily Gould (@EmilyGould) August 14, 2013
Little, Brown to publish JK Rowling adult novel— Publishers Weekly (@PublishersWkly) February 23, 2012
The New Yorker brings back Haruki Murakami story for Japan issue http://lat.ms/h0rix6— L.A. Times Books (@latimesbooks) March 21, 2011
Library acquires ENTIRE Twitter archive. ALL tweets. More info here http://go.usa.gov/ik4— Library of Congress (@librarycongress) April 14, 2010
An unpublished shorty story by David Foster Wallace has been posted on tumblr: http://bit.ly/aa7B38— The Rumpus (@The_Rumpus) October 29, 2010
(•_•) <) )╯I've actually / \ \(•_•) ( (> Read / \ (•_•) <) )> Infinite Jest / \— The Millions (@The_Millions) January 9, 2014
Jack Kerouac’s On the Road is known as much for its content as for the story surrounding its creation: Kerouac wrote in a frenzied three weeks, typing furiously on a continuous scroll of paper, or so the story goes. The truth is though, while there is indeed a scroll – it has toured the country for years, stopping at various museums and libraries – On the Road’s creation is more complicated than that, as a recent NPR segment discussed.In fact, On the Road wasn’t written in a three week rush, it was half formed in Kerouac’s notebooks before ending up on the scroll and went through many drafts afterward. Furthermore, the version on the scroll isn’t what we’ve read, as the novel evolved in future drafts and was fairly heavily edited before Viking finally published the book in 1957. Not only that, the end of the scroll is missing – eaten by a dog supposedly – so it’s not entirely clear what Kerouac’s original intention was for the end of the novel.Still, the On the Road scroll is a powerful thing symbolically, and it may be closer to what Kerouac intended the novel to be than what was published originally. In recognition of that, for the 50th anniversary of the book’s publication, Viking (now a part of Penguin) is publishing the scroll (in book form, of course) with an ending taken from other early drafts of On the Road.For those who prefer the On the Road that we grew up reading (watered down though it may be), a standard 50th Anniversary edition is on its way as well. You can shelve it alongside the 40th Anniversary edition you bought ten years ago.
Hunky Viggo Mortenson (of Lord of the Rings fame) was a big draw when he made appearances at the bookstore where I used to work. He’s got some dedicated fans who love the fact that he’s an actor and a poet and an artist. If you look at an Amazon search for his name, his many books of poetry and art come up. But, as the New York Times recently noted, there’s another Viggo Mortenson, a Danish professor who has written a book about theology, much to the chagrin of wayward Viggo fans who end up picking up his book, Theology and the Religions: A Dialogue (note the angry customer reviews.)BookFinder.com Journal notes the article and discusses the frustration of running an online book database and dealing with multiple authors who share the same name.
Gogol’s The Overcoat and Flaubert’s A Simple Heart have in common narrators who are, at least initially, satisfied with what I think many would consider very meager lives. They are both poor, single, friendless, both workers whose work (a clerk who copies documents in a Russian government office, and a maid of all work in a French bourgeois household) does not seem particularly meaningful or interesting. And yet they are both content. Deeply content: “After working to his heart’s content, he would go to bed, smiling at the thought of the next day and wondering what God would send him to copy. So flowed on the peaceful life of a man who knew how to be content with his fate.” This is Gogol describing his hero, but the description easily applies to Flaubert’s Felicité.Teaching these stories this week, I was not surprised exactly, but bemused, by the various shades of contempt my students showed toward these characters’ lives – By and large, they found Akaky and Felicité sad, pathetic, depressing. These brightest of the bright seemed to view with horror the notion of being satisfied with so little, with such colorless, pleasureless lives. And who can blame them, when their own lives have already delivered so much more?Hobbes wrote, “For as to have no desire, is to be Dead.” And I can see that the sort of lean, desire-less lives that Flaubert and Gogol’s heroes live are a sort of death-in-life. But I also envy their contentment. Contentment – the state of having all you want – is so rare. The peacefulness of such a state seems incomprehensible to me and somewhat otherworldly. It also seems that the possession of such a state erases, for the possessor at least, what appears from the outside to be small and sad life. (“There is nothing either good or bad but thinking makes it so,” as Hamlet tells Rosencrantz and Guildenstern.)A final note on these questions, in the form of an anecdote: Diogenes of Sinope, a Greek philosopher who lived by choice as a beggar and rejected all concepts of property, manners, and social and political organization, was visited one day by Alexander the Great. Diogenes was sunning himself on a hillside as Alexander approached and when Alexander asked if there was anything he could offer the philosopher, Diogenes replied: “Stand out of my sunlight.” According to Plutarch, Alexander then declared: “If I was not Alexander, then I should wish to be Diogenes.”
Jennifer 8. Lee in the New York Times describes the “Washington read.” A practice in which Washington insiders peruse the index of a current political best seller, Plan of Attack or Against All Enemies, for example, to see if they have been mentioned. It is sort of a test one’s own importance inside the beltway, and many, prematurely certain of their own historical significance, are crushed to find that they have been omitted from history’s first draft. Washington, however, does not have a monopoly on such practices. I lived in Washington D.C. for most of my life before moving to Los Angeles, and I have observed many times the similarities between the two cities’ chief industries. I don’t know if I coined this analogy, but I’ve always thought that politics is just Hollywood for ugly people. And so it makes sense that I discovered, over the last couple of years, that there is such thing as a “Hollywood read.” It usually goes something like this: an older guy stands at the front of the store flipping through the latest Hollywood tell-all. He is deeply tanned and his shirt is unbuttoned to reveal tufts of silver chest hair. He is wearing ridiculously oversized sunglasses and smells of cigar smoke. He leans over to me and points to the book and says, “I used to work with this guy,” and then he goes back to scanning the index to make sure his old buddy mentioned him. Samuel Fuller’s posthumously published A Third Face generated this reaction. And those in the music biz went straight to the index of Walter Yetnikoff’s Howling at the Moon. Last fall, a mention in Down and Dirty Pictures by Peter Biskind meant that you officially matter in today’s Hollywood. But to have been mentioned in Robert Evans’ The Kid Stays in the Picture indicates a special sort of notoriety.