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A Year in Reading: 2013

Another year of living, another year of reading. And, if you’re like us, when you look back, you’ll mark out the year in books — weeks, months, even whole seasons that will forever be wedded in the mind to a memorable reading experience. Each book put back on the shelf becomes a postcard reminder.

And now, as we kick off another Year in Reading, we become the postcard collectors, learning where the minds of some of our favorite writers and thinkers traveled in 2013.

For our esteemed guests, the charge was to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era.

We hope you find in them seeds that will help make your year in reading in 2014 a fruitful one.

As in prior years, the names of our 2013 “Year in Reading” contributors will be unveiled one at a time throughout the month as we publish their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed or follow us on Facebook or Twitter and read the series that way.

Stephen Dodson, co-author of Uglier Than a Monkey’s Armpit, proprietor of Languagehat.
Claire Messud, author of The Woman Upstairs.
Choire Sicha, co-proprietor of The Awl, author of Very Recent History: An Entirely Factual Account of a Year (c. AD 2009) in a Large City.
Alice McDermott, author of Someone.
Hamilton Leithauser, lead singer for The Walkmen.
Sergio De La Pava, author of A Naked Singularity
Dani Shapiro, author of Still Writing.
Norman Rush, author of Subtle Bodies.
Gary Shteyngart, author of Little Failure.
Benjamin Percy, author of Red Moon.
Garth Risk Hallberg, staff writer for The Millions, author of A Field Guide to the North American Family.
David Gilbert, author of And Sons.
Sarah Waters, author of The Little Stranger.
Jason Diamond, literary editor at Flavorwire, founder of Vol. 1 Brooklyn
Mark O’Connell, staff writer for The Millions, author of Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever.

Elliott Holt, author of You Are One of Them.
Saïd Sayrafiezadeh, author of Brief Encounters with the Enemy.
Chimamanda Ngozi Adichie, author of Half of a Yellow Sun.
Michael Nye, author of Strategies Against Extinction.
Lydia Kiesling, staff writer for The Millions.
Hannah Gersen, staff writer for The Millions.
Thomas Beckwith, social media writer for The Millions.
Edan Lepucki, staff writer for The Millions, author of If You’re Not Yet Like Me.
Nick Moran, social media editor for The Millions.
Anne K. Yoder, staff writer for The Millions.
Aleksandar Hemon, author of The Book of My Lives.
Khaled Hosseini, author of The Kite Runner.
Edwidge Danticat, author of  Claire of the Sea Light.
Charlie Jane Anders, managing editor of io9.
Elizabeth Strout, author of Olive Kitteridge.
Scott Turow, author of Identical.
Chang-rae Lee, author of  The Surrendered.
Janet Potter, staff writer for The Millions.
Rachel Kushner, author of The Flamethrowers.
Tom Drury, author of Pacific.
Gabriel Roth, author of The Unknowns.
Adelle Waldman, author of The Love Affairs of Nathaniel P.
Paul Harding, author of Enon.
Janice Clark, author of The Rathbones.
Reif Larsen, author of The Selected Works of T.S. Spivet.
Elizabeth Minkel, staff writer for The Millions.
Matt Bell, author of In the House upon the Dirt between the Lake and the Woods.
Caleb Crain, author of Necessary Errors.
Mohsin Hamid, author of How to Get Filthy Rich in Rising Asia.
Roxane Gay, author of Ayiti.
Emily St. John Mandel, staff writer for The Millions, author of The Lola Quartet.
Bill Morris, staff writer for The Millions, author of Motor City.
Tess Malone, intern for The Millions.
Adam Wilson, author of Flatscreen.
Michael Bourne, staff writer for The Millions.
Sonya Chung, staff writer for The Millions, author of Long for This World.
Kathryn Davis, author of Labrador.
Sam Lipsyte, author of The Ask.
Marisa Silver, author of Mary Coin.
Teddy Wayne, author of Kapitoil.
Kelly Link, author of Monstrous Affections.
Olivia Laing, author of The Trip to Echo Spring: On Writers and Drinking.
Dara Horn, author of A Guide for the Perplexed.
Kate Milliken, author of If I’d Known You Were Coming.
Michael Robbins, author of Alien vs. Predator.
Parul Sehgal, editor at the New York Times Book Review.
Helen Oyeyemi, author of Boy, Snow, Bird.
Kristopher Jansma, author of The Unchangeable Spots of Leopards.
Kevin Barry, author of Dark Lies the Island.
Kevin Hartnett, staff writer for The Millions.
Bennett Sims, author of A Questionable Shape.
Ann Hood, author of The Obituary Writer.
Charles Blackstone, author of Vintage Attraction.

Ask the Writing Teacher: Novelists on First Drafts

Dear Writing Teacher,

I am a published fiction writer who is about to start writing a new novel. You would think, since I’ve already done this before, that I knew what I was doing. But I don’t. I am lost. Where do I start? What do I need to know about my story and my characters before I begin? What should I just figure out as I go? Suddenly, the idea of writing that first draft seems impossible, and I am terrified.

I’d greatly appreciate any guidance you could offer me!

Sincerely,
Facing the Blank Page
Man oh man, I could’ve written this question to myself! I, too, am about to start a new novel, and I’m wondering how in the hell I did it before (two times, in fact), and how in the hell I’ll ever do it again. Take comfort in the fact that you aren’t alone in your despair; thousands of writers face their white screens every day, uncertain of how to proceed. I’ve heard from many authors that each novel offers its own unique demands, its own unique joys, and that you must re-learn the process with each go. Let that inspire rather than scare you — would you really want a redundant experience?

In this essay, excerpted from the book Why We Write: 20 Acclaimed Authors on How and Why They Do What They Do, Jennifer Egan talks about the process of writing Look At Me:
It was a huge struggle. I’m not quite sure why I suffered to the degree I did while working on that book, but I do know that my work up to that point had been fairly conventional, and I didn’t know if anyone would accept this kind of book from me. It was almost as if I thought I’d be punished for it. I felt afraid as I worked on it. I thought it was terrible, that I was reaching too far.

At the same time, some of the most exciting moments I’ve had as a writer were during the writing of that book, even with all those worries and that feeling of doom. One day I read the first six chapters of the book in one sitting, and I tore out of the house and went running, and I had this sense that I’d never read anything quite like that before, that I’d done something really different. That was such a thrilling feeling — a rarity as I was working on it.
I keep returning to this passage as I begin to think about my own new book. Why should I be afraid to be challenged? If the writing will be painful, then it will be painful. Just as often, it won’t be. I simply must sit down and see.

As for how one goes about writing a first draft, I like to practice the art of acceptance.  In The Getaway Car: A Practical Memoir About Writing and Life, Ann Patchett describes how she plans much of her novel in her head before she sets a word of it on paper. Her dear friend and reader, Elizabeth McCracken, is a very different kind of novelist. Patchett writes, “I get everything set in my head and then I go, whereas Elizabeth will write her way into her characters’ world, trying out scenes, writing backstories she’ll never use.  We marvel at each other’s process, and for me it’s a constant reminder that there isn’t one way to do this work.” Amen to that! Novel writing can be fun, but it can also be daunting and challenging, more frustrating than untangling the necklaces at the bottom of your jewelry box. The last thing you need is to question your own process.

Still, when I’m writing a first draft, I, like you, long for some direction. Does it make sense to figure out the retrospective voice now, or can I deal with that later? Should I do the research now, or is it a second draft problem? How about chapter length — does that matter now? (Does it matter ever?) There are so many questions zipping across a lonely writer’s head as she sits at her desk working.

I decided to ask some writers I admire what they try to figure out with their first drafts. What, I asked them, do you need to know before you begin? And what do you try to solve as you’re working on that first draft?

Their answers were as brilliant and as varied as I expected:
My opinion is that you want to figure out character and plot in the first draft. I think it’s also a good idea to have the setting nailed down in the first draft, if possible; moving the narrative to another location can entail some pretty tedious rewrites. It’s also a good idea to figure out whether the book’s going to be in the first person or the third person as early on as possible, because changing pages and pages of text from one to the other is an insanely labor-intensive process.

My feeling is that you don’t need to waste your time obsessing over pacing in the first draft, because that’s the kind of thing that can change completely in revisions. In your first round of revisions you’ll inevitably end up cutting a lot of material, and that will change the pace of the book, so I think pacing is something best refined toward the end of the process.
-Emily St. John Mandel, author of The Lola Quartet

I think my answer might be a little bit controversial — I think almost nothing is worth sweating in the first draft. Does a character need to change genders? Do you want to shift the structure? Just do it, and keep moving forward. Finishing a draft of a novel is so hard, and so enormous, that one needs all the momentum possible. If you stop and go back to the beginning every time you want to change something, you will never finish. Just go go go! You will have the time to go back and fix all your mistakes, right your wrongs, etc. Just get to the end of the first draft. The feeling of accomplishment is sweet enough to spur you on to make even the most major changes in revision.
-Emma Straub, author of Laura Lamont’s Life in Pictures

In the first draft I’m just trying to figure out what the story is or might be. I’m trying to learn the story, and trying to stay open to the possibilities that the original idea might be capable of generating. The only way to learn the story is by writing it, but how do you write it when you have only the vaguest notion of what the story is, and who the characters might be? That’s a problem. The problem, eh? The only way I learn it is by writing it line by line, page by page.
My expectations for first drafts are pretty low. I don’t worry about polishing the language at all, or fine-tuning character or plot. I’m basically just trying to figure out what the story might be.
-Ben Fountain, author of Billy Lynn’s Long Halftime Walk

There’s a huge gap between what I need to know and what I do know when I begin a novel. If I waited until I knew at least thirty percent of what I should know before diving in, I think I’d be permanently stuck on the springboard. Normally (and I’m talking from the experience of a meager two books here) I know two things: a place and a person. The place is usually vivid. I could go on about it for pages. But the person is a cardboard cut out—two dimensional. Magician. Musician. Drunk. Shopkeeper. What I have to force myself to figure out is a single incident that sets the story in motion. It might be removed later on, but I need to pick one action which might cause this person to move about this place. Since I know so little about my character(s) when I first commit them to paper, I tend to overwrite them, cramming all sorts of overblown background detail into my first draft, which in turn drags down what little plot I initially have. My second draft is all about fixing that balance, pruning the obsessive background information and replacing it with more action in the novel’s present.
-Ivy Pochoda, author of the forthcoming Visitation Street

For me, the first draft is really just a big mud-rolling, dust-kicking, mess-making time in which my only job is to find the story’s heartbeat.  I allow myself to invent characters without warning, drop them if they prove to be uninteresting, change the setting in the middle, experiment with point of view, etc.  I figure that the body will grow up around the heart, that it’s always possible to bring all the various elements up and down, sculpt and polish, as long as I’ve got something that matters to me.  The second draft (and the 3rd through 20th, Lord help me) involves getting out the tool belt and thinking like a carpenter.  But the first draft is all dirt and water and seeds and, hopefully, a little magic.  Of course, this method means that my first draft is almost unreadable.  Maybe someday I’ll invent a way of making a slightly cleaner mess, but until then, I try to enjoy the muck.
–Ramona Ausubel, author of No One is Here is Except All of Us

The thing I try to resist in writing my first drafts is getting too caught up in the sentences. I am capable of revising “The cat sat on the mat,” a dozen times and then coming back to the original. At the same time I think that two of the most crucial decisions we make when writing a novel are about the music and the tone so I am always hoping to discover those as I work on my first draft.
I try in my first drafts to make as many decisions about character as I can stand. It’s tempting to leave things vague but I do think it’s very helpful to know a character’s name, age, class, occupation, manner of speech, and have some sense of physical appearance as early as possible. That said it will often take me much of a first draft to decide that Rosemary is thirty-two, a physiotherapist …. It is hard in revision to, for example, change a character’s name — it becomes part of the music of the prose — but I’ve often had to.

I try in my first draft to decide what kind of species my chapter or section will be, and how time will pass.

And I try in my first draft to make as many decisions about plot as I can. What journey are these characters on? What is their destination? Often I notice in revision that I have several scenes which all do the same thing in terms of characterization and plot and I will end up picking the best, or combining them.

I try to remind myself that the first person for whom I’m writing is myself; some of what I write in the first draft is scaffolding. It helps me to get the story under way but the reader doesn’t need to see it. And I can dismantle it later.
-Margot Livesey, author, most recently, of The Flight of Gemma Hardy

For the first draft I need to know only enough to keep going. No more, no less.
-Antoine Wilson, author of Panorama City
I hope that’s a little helpful, my dear writer.  Now, on with it: get to work.

Sincerely,
The Writing Teacher

Got a question? Send all queries about craft, technique, or the writing life to [email protected].

A Year in Reading 2012

The end of another year is here (so soon? Ah, I’m getting old), and with it a flood of valedictory lists and wrap ups, accountings and scorecards. Each year, as these lists spill out across the landscape, the onslaught becomes difficult to parse and begins to feel suspiciously (to us, anyway) like a marketing boondoggle to support the promotional-book-cover-sticker-and-blurb industry. There are so many “best of the year” lists that everything is the best (and sometimes also the worst).

So, how can we have some year-end fun while still extracting something meaningful from the effort?

We readers tend to be a thoughtful bunch, noting down the titles we have read or lining them up one by one on a shelf. We are intellectually omnivorous as well and not too overly prejudiced toward the new or the old, picking up a 130-year-old classic of Russian literature and then following it up with the bestselling, beach read of the moment. Taken together, a long list of books read is a map of our year, and the best of these books are the year’s pinnacles, and the challenging books, its rewarding treks. The “10 best books of 2012” list is so small next to this.

And so in preparing our annual Year in Reading series, we’ve asked our esteemed guests to take us on a tour of these pinnacles and to give an accounting of these treks.

With this in mind, for a ninth year, some of our favorite writers, thinkers, and readers will look back, reflect, and share. Their charge was to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era.

We hope you find in them seeds that will help make your year in reading in 2013 a fruitful one.

As in prior years, the names of our 2012 “Year in Reading” contributors will be unveiled one at a time throughout the month as we publish their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed and follow along that way.

Stephen Dodson, co-author of Uglier Than a Monkey’s Armpit, proprietor of Languagehat.
Ben Fountain, author of Billy Lynn’s Long Halftime Walk.
Emma Straub, author of Laura Lamont’s Life in Pictures.
Choire Sicha, co-proprietor of The Awl.
Jeffrey Eugenides, author of Middlesex.
Madeline Miller, author of The Song of Achilles.
Gideon Lewis-Kraus, author of A Sense of Direction.
Rob Delaney, comedian and writer.
Nick Harkaway, author of The Gone-Away World.
Tania James, author of Atlas of Unknowns.
Alexander Chee, author of Edinburgh.
Maria Popova, founder and editor of Brain Pickings.
Lauren Groff, author of Arcadia.
David Vann, author of Dirt.
Helen Schulman, author of This Beautiful Life.
Roxane Gay, author of Ayiti.
Hari Kunzru, author of Gods Without Men.
Rachel Fershleiser, co-editor of Not Quite What I Was Planning.
Bill Morris, author of All Souls’ Day, staff writer for The Millions.
Scott Esposito, co-author of The End of Oulipo?, proprietor of Conversational Reading.
Nick Moran, social media editor for The Millions.
Emily St. John Mandel, author of The Lola Quartet, staff writer for The Millions.
Edan Lepucki, author of If You’re Not Yet Like Me, staff writer for The Millions.
Janet Potter, staff writer for The Millions, blogger at At Times Dull.
David Haglund, writer and editor at Slate.
Zadie Smith, author of White Teeth.
Chris Ware, author of Building Stories.
Kevin Smokler, author of Practical Classics: 50 Reasons to Reread 50 Books You Haven’t Touched Since High School, on twitter as @weegee.
Thomas Mallon, author of Watergate.
Geoff Dyer, author of Zona: A Book About a Film About a Journey to a Room.
Susan Orlean, staff writer for The New Yorker, author of Rin Tin Tin: The Life and the Legend.
Michael Schaub, book critic for NPR.org.
Matt Dojny, author of The Festival of Earthly Delights.
Nell Freudenberger, author of The Newlyweds.
Ed Park, author of Personal Days.
Hamilton Leithauser, lead singer for the rock band The Walkmen.
Meg Wolitzer, author of The Interestings.
Sheila Heti, author of How Should a Person Be?.
Paul Murray, author of Skippy Dies.
Elliott Holt, author of You Are One of Them.
Jami Attenberg, author of The Middlesteins.
Antoine Wilson, author of Panorama City.
Paul Ford, author of Gary Benchley, Rock Star, writer at Ftrain.com.
Garth Risk Hallberg, author of A Field Guide to the North American Family.
Lydia Kiesling, staff writer for The Millions.
Mark O’Connell, staff writer for The Millions.
Christian Lorentzen, editor at the London Review of Books.
Michael Bourne, staff writer for The Millions.
Emily M. Keeler, editor of Little Brother Magazine.
Elizabeth Minkel, staff writer for The Millions.
Nichole Bernier, author of The Unfinished Work of Elizabeth D.
Alix Ohlin, author of Inside.
Lars Iyer, author of Exodus.
Robin Sloan, author of Mr. Penumbra’s 24-Hour Bookstore.
Malcolm Jones, senior writer at Newsweek/The Daily Beast, author of Little Boy Blues.
Susan Straight, author of Between Heaven and Here.
Christine Schutt, author of Prosperous Friends.
Patrick Somerville, author of This Bright River.
Lydia Millet, author of Magnificence.
Jennifer duBois, author of A Partial History of Lost Causes.
Nick Dybek, author of When Captain Flint Was Still a Good Man.
Reif Larsen, author of The Selected Works of T.S. Spivet.
Megan Mayhew Bergman, author of Birds of a Lesser Paradise.
Ellen Ullman, author of By Blood.
Jane Hirshfield, author of Come, Thief.
Michael Robbins, author of Alien vs. Predator.
Jeet Thayil, author of Narcopolis.
Thomas Beckwith, intern for The Millions.
Benjamin Anastas, author of Too Good to Be True.
Kate Zambreno, author of Heroines.
Carolyn Kellogg, staff writer for the LA Times, a vice president of the National Book Critics Circle.
Buzz Poole, author of Madonna of the Toast.
Robert Birnbaum, editor-at-large at Identity Theory.
Brian Joseph Davis, creator of The Composites, co-publisher of Joyland Magazine.

Don’t miss: A Year in Reading 2011, 2010, 2009, 2008, 2007, 2006, 2005

The good stuff: The Millions’ Notable articles

The motherlode: The Millions’ Books and Reviews

Like what you see? Learn about 5 insanely easy ways to Support The Millions, and follow The Millions on Twitter, Facebook, Tumblr.

Year in Reading Graphics by LK Magee

The Great Taxonomy of Literary Tumblrs: Round Two

[Ed Note: Don’t miss Part One and Part Three!]

Six months ago, I rounded up a list of my favorite literary Tumblr accounts. Half a year later, I’m pleased to see those blogs still going strong. I’m also pleased to see that a pile of the names on my Wish List came around to the land of likes and reblogs. In that regard, some shout outs are in order: Picador Book Room (and its “Sunday Sontags”) has become a favorite of The Millions’ social media team; The Strand made its way onto the blogging platform and we’re all better because of it; Poetry Magazine continues to draw from its enviable archives to bring some really exciting content to our Dashboard; and — whether it’s due to my friendly dig or their own volition — The Paris Review’s presence has been especially awesome of late. Indeed, the literary community on Tumblr is growing stronger by the day, and it has to be noted that a lot of that growth is due to Rachel Fershleiser’s evangelism and infectious enthusiasm. (An example of Rachel’s work was recapped recently by Millions staffer Lydia Kiesling as part of our own Emily M. Keeler’s Tumblr-centric #LitBeat column.)

Alas, six months in the real world is different from six months online, and Tumblr now has not only its own Storyboard curatorial system (run by the vaguely Soviet-sounding Department of Editorial), but it’s also grown by a few million blogs. The site boasts a growing number of blogs that have inked book deals. Rachel maintains a running tally of poets and writers who use the platform in exciting ways. This past week, Molly Templeton organized a blog, The How-To Issue, specifically aimed at countering the gender imbalance in the recent “How-To” installment of The New York Times Book Review. As a testament to the number of smart, engaged literary folks on the site, that blog has since received posts from a Salon writer, a former New Yorker staffer, and quite a few artists and freelancers.

So with all of that in mind, I’ve decided it’s time for another list — a better list, a bigger list. This list aims not only to cover blogs I missed last time, but also new blogs that have been born only recently. To that end, my rubric has been simple: 1) I’ve chosen blogs I not only believe to be the best and most compelling accounts out there, but also blogs that were overlooked on the last list — in some cases, readers helped me out in the last post’s comment thread. 2) I’ve done my best to ensure that these blogs are active members of the Tumblr community. 3) I’ve tried to make sure that the content on these blogs is “safe for work,” however I am but mortal, and perhaps some NSFW material will slip in between now and when you read this list. For that reason I can only caution you to use your judgment as you proceed.

For your convenience, I’ve organized the list in a similar manner as last time. “Single-Servings” are blogs organized around one or two particular, ultra-specific themes. The rest of the categories should be self-explanatory.

Please feel free to comment and shout out the ones I omitted or did not cover in Part One.

0. Shameless Self-Promotion

The Millions: duh!

1. Single-Servings

Book and Beer: The combination of everybody’s favorite duo will tease you from your office chair.
Match Book: Or is it, instead, that books and bikinis are an even better pair?
Movie Simpsons: An encyclopedic recap of every film reference in The Simpsons. Now open to submissions.
Underground NYPL: Pairs well with CoverSpy. I’ve yet to find a match, however.
The Unquotables: Brought to you by Dan Wilbur (Better Book Titles, which is going to be a book!) and Robert Dean. The premise is simple: Gandhi didn’t say that.
Infinite Boston: A catalog of the locations mentioned in The Great Bandana’s Infinite Jest.
Write Place Write Time: Remember our WriteSpace project? (Which we Storify’d?) This is ongoing.
The Composites: Composite sketches of characters in famous literature. Creepy ones, at that.
Poets Touching Trees: Happy Arbor Day, poets!
You Chose Wrong: The tragic fates of mistaken “Choose Your Own Adventure” readers. It’s like reading The Gashlycrumb Tinies.
Doodling on Famous Writers: Those warped lines beneath Proust’s eyes really suit him.
Old Book Illustrations: A visual treat for nostalgic book nerds.
Visual Poetry: Exactly what it says it is, yet also much more.
PBS’ This Day in History: So much better to get this stuff on your Dashboard than in your inbox.
Historical Nonfiction: This blog pairs well with the one above. Follow both and you’ll rival Howard Zinn in no time.
Writers and Kitties: I have often wondered about that particular feline-author bond.
Page Twenty Seven: The text from one reader’s collection of twenty seventh pages.
Book Storey: Eye candy for lovers of book design.

2. Requisite “F*** Yeah!” Blogs

Books!
Book Arts!
Manuscripts!

3. Foundations, Organizations and Writing Centers

826 Valencia: Dispatches and success stories from the California writing center focused on kids aged six to eighteen. It was co-founded by Dave Eggers.
The National Book Foundation: They’ll announce finalists for their big awards in October, so you’ve got some time to get acquainted with the foundation.
The Moth: Fabulous stuff from the story gurus. I’ll let Kevin Hartnett take it from here.
The Poetry Society of America: Nice to see the nation’s oldest poetry non-profit embrace one of the newest mediums for storytelling.
Harry Ransom Center: They have more than David Foster Wallace’s papers, you know.
The Academy of American Poets: The organizers of National Poetry Month deliver some excellent Tumblr material, but I’d be lying if I said I wasn’t super relieved when they finally found Rob.
PEN Live: A great example of a fresh, exciting way to use the blogging platform. PEN Live covers events put on by the PEN American Center.
Poets & Writers: A great source of guidance for creative writers.
Button Poetry: Performance poetry delivered straight to your Dashboard from the Twin Cities.
VIDA Community: The creators of publishing’s annual gender-imbalance list curate a really interesting list of updates on women, culture, and writing.

4. Humorous

Sh*t My Students Write: Proof positive that more MFA graduates should be teaching in secondary schools.
The Monkeys You Ordered: These literal New Yorker cartoon captions are topped only by this one comment applicable to all of them.
What Should We Call Poets: Based on the grandmother that started them all. This is the GIF blog poets deserve, but not the one they need right now.
Title 2 Come: You can never follow too many GIF blogs. This one is for for writers of every stripe.
News Cat GIFs: Same as above. Last but not least, this one is for journalists. (Who like cats.)
Least Helpful: The worst of the worst reviews from the annals of the internet.
Hey, Author: It’s like a Regina George’s Burn Book for the literati.
Alt Lit Gossip (Can be NSFW): HTMLGiant is leaking.

5. Literary, Cultural and Art Magazines or Blogs

Recommended Reading: Home of the marvelous ongoing fiction series run by Electric Literature.
Words Without Borders: Spreading the gospel of international and translated literature one Tumblr post at a time.
Tin House: You (should) know the magazine. Now you should know their blog.
VQR: The brand new companion to the invaluable source for great long-form and narrative journalism.
n+1: They recently decided to kill off their Personals blog, so perhaps this one will become more active.
New York Review of Books: Need I introduce them? Also, not to be missed, check out the NYRB Classics blog, A Different Stripe.
Granta: Follow these guys for updates on the magazine’s new releases and competitions.
Guernica: Hey, you’re spilling your art into my politics!
Full Stop: Who else would recommend Errol Flynn’s memoir, posit an alternate Olympics Opening Ceremony, and then review the work of Victor Serge?
Vol. 1 Brooklyn: As their banner says, “If you’re smart, you’ll like us.”
Rusty Toque: An online literary and arts journal backed by Ontario’s Western University.
Book Riot: How can you help loving the kind of people who reblog photos of Faulkner’s oeuvre alongside galleries of literary tattoos?
Berfrois: Some highbrow curiosities for that eager, eager brain of yours.
Literalab: Dispatches from Central and Eastern Europe, which as anybody who knows me knows to be my favorite parts of Europe.
Triple Canopy: The online magazine embraces yet another means of communicating.
fwriction review: Finally an honest banner: “specializing in work that melts faces and rocks waffles.” (See also: fwriction)
Little Brother: The latest project from our own Emily M. Keeler.
Asymptote: Dedicated to works in translation and world literature.
Glitterwolf Magazine: Devoted to highlighting UK writers and writers from LGBT communities.
The Essayist: Aggregated long-form writing from all over the place.

6. Major, General and More Well-Known Magazines

Smithsonian Magazine: “Retina” consists of the best visual content from Smithsonian Magazine.
The American Scholar: Follow them. You’ll be more fun to talk to at cocktail parties.
Boston Globe: News and photos, and we all know they’ve got plenty of both.
Salon: Finally! We get to read Salon without actually having to go to Salon.com!
The Morning News: Our friends who host the annual Tournament of Books have a Tumblr presence, too.
Mother Jones: Politics and current events, ahoy!
Tomorrow Mag: Ann Friedman & Co.’s new venture.
Lively Morgue: Typically awesome photos from The New York Times archives.
Bonus: This article covers the ways in which twelve news outlets are using Tumblr in innovative, fresh ways.

7. Publishers (Big Six) — Note: Many of these blogs are used by the imprint or publisher’s marketing team, but you’ll find that some of the most successful publisher Tumblrs are getting more focused and specific. This is an interesting development, and I encourage more of the same. Also: This list is only a small sampling of the publisher Tumblrs on the site — just naming all the ones from Penguin would amount to its own post!

Random House Digital: Dispatches from the Random House digital team.
Vintage Books Design: As they say, “vintage design from Vintage designers.”
Harper Books: The publisher’s flagship imprint sets up shop on Tumblr.
The Penguin Press: They publish Zadie Smith, in case you need validation of their taste.
Simon Books: Straight from Rockefeller Center to your Dashboard!
Pantheon: News and miscellany from Random House’s literary fiction and serious nonfiction imprint.
Penguin English Library: Celebrating the Classic Penguins we all love so much. Plus, get a load of that animated masthead!
Back Bay Books: Little, Brown’s paperback pals. Their list of authors is incredible.
Mulholland Books: This group fully embraces Tumblr’s multimedia capabilities. A solid A+ in my book.
Penguin Teen: Excellent content for younger readers.
Free Press Books: Let’s just say these folks enjoyed the week Michael Phelps had at the Olympics.
HMH Books: Be sure to check out their Translation and Poetry blogs, too.
Riverhead: Of all the publisher Tumblrs, they boast the cutest mascot.
Little, Brown: Their Daily First Line posts are tantalizing.

8. Publishers (University Presses)

Duke: Hate the basketball team, love the press. (And their blog.)
Chicago: Their posts are excellent. Continually substantial and interesting.
McGill-Queens: Fun Fact: some folks up North would have it that Harvard is “America’s McGill.”
Cambridge Exhibitions: Alerts and updates on the myriad academic conferences and events attended by the CUP staff.

9. Publishers (Indies and Little Ones)

Chronicle: These folks have been known to turn Tumblr blogs into books, so of course they know their way around the platform.
Grove Atlantic: I’m not a tough sell, but giving away books related to The Wire is my kryptonite.
Open Road Media: Worth a follow for their YouTube discoveries alone.
Two Dollar Radio: They published Grace Krilanovich’s book (the one I recommended), so you know they’re good.
Timaş Publishing Group: These Turkish publishers are so generous, they give away eBook credits on a bi-weekly basis.
Quirk Books: These Philadelphia-based publishers sure find a lot of pretty bookshelves to reblog.
The Feminist Press: The important indie operating out of NYC delivers some really interesting, innovative stuff in addition to the classics they “rescue.”
The Lit Pub: Recommendations from The Lit Pub‘s staff.
Muumuu House: No doubt this account is run by Tao Lin’s legion of interns.
Overlook Press: Their About page even features a TL;DR version. They get Tumblr.
Arte Público Press: Your dashboard destination for U.S. Hispanic literature.
Coffee House Press Interns: Bonus “little” points because it’s run by their interns.
Unmanned Press: They just joined Tumblr, but their “Sunday Rejections” posts seem promising.

10. Authors (Direct Involvement) — The Tumblr “Spotlight” list can be found here; it’s not comprehensive, but it lists accounts you’re sure to enjoy. I’ve listed one of each author’s books alongside their names. Additionally: YA Highway, an excellent resource for fans of Young Adult books, maintains a great directory of YA Authors.

Emily St. John Mandel: Millions staffer whose most recent book is The Lola Quartet.
Edan Lepucki: Millions staffer whose most recent book is If You’re Not Yet Like Me.
Patrick Somerville: This Bright River.
Neil Gaiman: American Gods.
Roxane Gay: Ayiti.
Sheila Heti: How Should a Person Be?
Emma Straub: Other People We Married.
Jami Attenberg: The Middlesteins. Bonus: check out her advice, too.
Nathan Englander: What We Talk About When We Talk About Anne Frank.
Matthew Gallaway: The Metropolis Case.
Miles Klee: Ivyland.
John Green: Looking for Alaska.
Alexander Chee: Edinburgh.
Tayari Jones: Silver Sparrow.
Rosencrans Baldwin: Paris, I Love You but You’re Bringing Me Down.
Tao Lin: Richard Yates.
Dan Chaon: Stay Awake.
Christopher Dickey: Securing the City.

11. Authors (Indirect Involvement)

Reading Ardor: Two readers go through Vladimir Nabokov’s Ada, or Ardor: A Family Chronicle.
Chuck Palahniuk: Don’t forward this blog to any Turkish publishing houses.
John Banville Spectates Tennis: Serving up some observations on tennis. (I’ll excuse myself now.)
Martin Amis Drinking: This should really just be a livestream video feed of Amis at all times.
A. O. Scott Zingers: The film critic’s best one-liners.
Fitzgerald Quotes: F. Scott’s got lines for days.
Reading Markson Reading: Brainchild of Millions contributor, Tyler Malone.

12. Poets — As with the authors list, Tumblr’s poetry “Spotlight” can be found here.

Leigh Stein: Dispatch From the Future.
Michael Robbins: Alien vs. Predator.
Paolo Javier: The Feeling Is Actual. Full disclosure: Paolo was one of my college professors.
Zachary Schomburg: Fjords Vol. 1. He’s also one of the founders of Octopus Magazine.
Saeed Jones: When the Only Light is Fire. This blog is really cool. It’s like the poet’s global travelogue.

13. Bookstores — I’ll list the location of each one.

Unabridged: Chicago’s Lake View neighborhood.
Community Bookstore: Park Slope, Brooklyn.
McNally Kids: Manhattan.
Skylight Books: Los Angeles.
Open Books: Chicago.
Emily Books: The Internet.
Mercer Island Books: Seattle.
Luminous Books: East London.
Politics & Prose: Washington D.C.
Micawber’s: St. Paul.
City Lights: San Francisco.
57th Street Books: Chicago’s Hyde Park.
The Little Book Room: Melbourne, Australia.
Tattered Cover: Denver.
Uncharted Books: Chicago.
Green Apple Books: San Francisco.
Taylor Books: Charleston, WV.

14. Libraries

Darien Library: Excellent posts from one of the best libraries in the nation.
Looks Like Library Science: “Challenging the librarian stereotype.”
Live From the NYPL: Events and goings-on at the NYPL.
Library Journal: The editors of LJ share what they’re reading.
School Library Journal: Ditto for their scholastic counterparts.
Espresso Brooklyn: The Brooklyn Public Library has an espresso on-demand book printing machine. How cool is it that it has its own blog, too?

15. BONUS SECTION DEVOTED TO @Horse_ebooks — Everybody’s favorite Dadaist Twitter handle has a devoted following on the blogging platform.

Horse_ Fan Fiction: Look no further than your Twitter timeline for the best writing prompts on earth.
Annotated Horse_: A valuable resource for the inevitable scholarly study of Horse_’s oeuvre.
33, Pyramid, and Dalton: Max Read’s impressive catalog of recurring Horse_ themes.

16. Wish List

Oxford American: Maybe not the best time for the magazine at the moment, but my wish from last time still stands.
Garden & Gun
Oxford University Press
More authors and poets!

 

[Ed Note: Don’t miss Part One and Part Three!]

Tuesday New Release Day: Mandel, Caro, Freudenberger, Fountain, Bechdel, Coll

Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.

Surprise Me!

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