Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.
Tuesday New Release Day: Mandel, Caro, Freudenberger, Fountain, Bechdel, Coll
Crunching the Reading Numbers
Some cool number-crunching from Millions staff writer Patrick at the Goodreads blog. As we’ve long suspected, reading isn’t all about “new,” and the data shows a long tail of older books that are still high on people’s reading lists.
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Notable Occupants
The Occupy Wall Street demonstrations attracted two notable literary figures this weekend. Author and activist Naomi Klein (The Shock Doctrine) addressed protestors. Here’s the longer, uncut version of her speech. On Sunday, Slovenian philosopher Slavoj Žižek (Living in the End Times) gave an address as well.
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Anything that helps you to see. Anything that makes you look
On Flannery O’ Connor’s practice of making visual art, and how the habits of an artist informed her sensibility as a writer.
Lights Out
Want to turn on your creativity? Turn off the lights. A new study shows that dim lighting “elicits a feeling of freedom, self-determination, and reduced inhibition,” which sounds like a great cure for writer’s block if there ever was one.
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The Harper Lee Industry Chugs On
Thirty-eight letters written from the To Kill a Mockingbird author to a friend from 2005-2010 are up for auction this week, including Harper Lee‘s reaction to Barack Obama‘s inauguration. See also: this close reading of the birds themselves.
Didion’s Perfect Synthesis
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
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How Many Spaces After A Period?
According to Slate: “Typing two spaces after a period is totally, completely, utterly, and inarguably wrong.”
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