Our own Emily St. John Mandel’s new novel The Lola Quartet is out today. New Yorkers can see her (and some other Millions staffers) read on Sunday. Also out are Robert Caro’s latest installment of his LBJ biography, Nell Freudenberger’s The Newlyweds, Billy Lynn’s Halftime Walk by Ben Fountain, Are You My Mother? by Alison Bechdel, and Steve Coll’s oil industry exposé Private Empire: ExxonMobil and American Power.
It’s a catchy idea: two rich Philadelphians, shut out of their family fortune, decide to gain new wealth by proving the existence of the Loch Ness monster. It’s the plot of At the Water’s Edge, the new book by Water for Elephants author Sara Gruen. Robert J. Wiersema reviewed the book in The Globe and Mail. Sample quote: “In most families, fleeing to Scotland to prove the existence of the Loch Ness monster would seem an odd thing to do in order to expiate a social faux pas and redeem the family honour, but the Hydes aren’t most families.”
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow's Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky's opera The Voyevoda, which opened in the Bolshoi in 1869.
Forget "Gangnam Style." The next Korean musical craze should involve the sijo (pronounced “shee-jo”), a type of poem dating back to the 1300s, and, “up until the 20th century … was mostly composed and sung, not written and published.” You can listen to a performance of Yi Cho'nyön's "Moonlight Pear Blossoms" over here.