The Closed Circle

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IMPAC shortlist

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The IMPAC shortlist is in. If you don’t know about the IMPAC, it’s very unique prize with a very long longlist. The longlist is composed of nominees from over 150 libraries around the world. Those picks are then whittled down to a shortlist via a panel of judges. As you’ll see from the shortlist, since the process leading up to this award takes so long, some of the books aren’t exactly new. I think involving libraries makes the IMPAC unique compared to a lot of other awards out there. It seems a lot more egalitarian than, say, the Booker or the National Book Award, and I appreciate the international flavor as well. That’s why I included it in my prizewinners post last year. There’s more info about the award at the IMPAC site. Now, here’s the shortlist with some comments:Graceland by Chris Abani – This book about Nigeria was nominated by a library in Sweeden. – excerptMaps For Lost Lovers by Nadeem Aslam was an LBC nominee – we wrote about it for five posts sarting with this one. Another example of the multiculturalism of the IMPAC: this book about Pakistanis living in England was nominated by libraries in Belgium and South Africa. – excerptHavoc in Its Third Year by Ronan Bennett – I’ve been wanting to read this book ever since I first heard about it. Was read and loved at Book World. – excerptsThe Closed Circle by Jonathan Coe – excerptAn Altered Light by Jens Christian Grondahl – excerptBreaking the Tongue by Vyvyane LohDon’t Move by Margaret Mazzantini – excerptThe Swallows of Kabul by Yasmina Khadra – excerptThe Master by Colm Toibin – excerptThe Logogryph by Thomas Wharton

New Book Previews: Philip Caputo, Charles Chadwick, Jonathan Coe


Philip Caputo’s new book Acts of Faith is being favorably compared to The Quiet American. Caputo, a Pulitzer Prize-winning journalist, has traveled extensively in Africa, and this new novel is set in Sudan. According to PW, Caputo “presents a sharply observed, sweeping portrait, capturing the incestuous world of the aid groups, Sudan’s multiethnic mix and the decayed milieu of Kenyan society.” Though the novel has a timely, flashy, “ripped from the headlines” sound to it, Kakutani called it “devastating” before comparing it to the work of Robert Stone, V.S. Naipaul and Joan Didion. Scott noted Kakutani’s “heady praise” a couple of weeks ago. And here’s an excerpt from the book (which weighs in at 688 pages, by the way. Whoa!)Charles Chadwick wrote recently about being a first time novelist at the age of 72 (scroll down): “A first novel of 300,000 words by a 72-year-old sounds like someone trying to be funny. Acceptance by Faber and then by Harper Collins in the US – the recognition that all along one had been some good at it – took a lot of getting used to. Still does.” The book, It’s All Right Now, which also weighs in at 688 pages, oddly enough (not exactly light Summer reading, these books), was panned by Nick Greenslade in The Guardian. Greenslade suggests that its publishers were more enamored by the idea of a 72-year-old debut novelist than by the book itself. I’m curious to see what US reviewers say because the book doesn’t sound all that bad to me.As I recall, Jonathan Coe’s 2002 novel, The Rotters’ Club, was well-received by my coworkers and customers at the bookstore. A sequel, The Closed Circle, comes out soon. Here’s a positive review from The Independent and an excerpt. These are good times for Coe. His recently released biography of British writer B.S. Johnson, Like a Fiery Elephant has been shortlisted for the $56,000 Samuel Johnson Prize.

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