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A Year in Reading: 2024
Welcome to the 20th (!) installment of The Millions' annual Year in Reading series, which gathers together some of today's most exciting writers and thinkers to share the books that shaped their year. YIR is not a collection of yearend best-of lists; think of it, perhaps, as an assemblage of annotated bibliographies. We've invited contributors to reflect on the books they read this year—an intentionally vague prompt—and encouraged them to approach the assignment however they choose.
In writing about our reading lives, as YIR contributors are asked to do, we inevitably write about our personal lives, our inner lives. This year, a number of contributors read their way through profound grief and serious illness, through new parenthood and cross-country moves. Some found escape in frothy romances, mooring in works of theology, comfort in ancient epic poetry. More than one turned to the wisdom of Ursula K. Le Guin. Many describe a book finding them just when they needed it.
Interpretations of the assignment were wonderfully varied. One contributor, a music critic, considered the musical analogs to the books she read, while another mapped her reads from this year onto constellations. Most people's reading was guided purely by pleasure, or else a desire to better understand events unfolding in their lives or larger the world. Yet others centered their reading around a certain sense of duty: this year one contributor committed to finishing the six Philip Roth novels he had yet to read, an undertaking that he likens to “eating a six-pack of paper towels.” (Lucky for us, he included in his essay his final ranking of Roth's oeuvre.)
The books that populate these essays range widely, though the most commonly noted title this year was Tony Tulathimutte’s story collection Rejection. The work of newly minted National Book Award winner Percival Everett, particularly his acclaimed novel James, was also widely read and written about. And as the genocide of Palestinians in Gaza enters its second year, many contributors sought out Isabella Hammad’s searing, clear-eyed essay Recognizing the Stranger.
Like so many endeavors in our chronically under-resourced literary community, Year in Reading is a labor of love. The Millions is a one-person editorial operation (with an invaluable assist from SEO maven Dani Fishman), and producing YIR—and witnessing the joy it brings contributors and readers alike—has been the highlight of my tenure as editor. I’m profoundly grateful for the generosity of this year’s contributors, whose names and entries will be revealed below over the next three weeks, concluding on Wednesday, December 18. Be sure to subscribe to The Millions’ free newsletter to get the week’s entries sent straight to your inbox each Friday.
—Sophia Stewart, editor
Becca Rothfeld, author of All Things Are Too Small
Carvell Wallace, author of Another Word for Love
Charlotte Shane, author of An Honest Woman
Brianna Di Monda, writer and editor
Nell Irvin Painter, author of I Just Keep Talking
Carrie Courogen, author of Miss May Does Not Exist
Ayşegül Savaş, author of The Anthropologists
Zachary Issenberg, writer
Tony Tulathimutte, author of Rejection
Ann Powers, author of Traveling: On the Path of Joni Mitchell
Lidia Yuknavitch, author of Reading the Waves
Nicholas Russell, writer and critic
Daniel Saldaña París, author of Planes Flying Over a Monster
Lili Anolik, author of Didion and Babitz
Deborah Ghim, editor
Emily Witt, author of Health and Safety
Nathan Thrall, author of A Day in the Life of Abed Salama
Lena Moses-Schmitt, author of True Mistakes
Jeremy Gordon, author of See Friendship
John Lee Clark, author of Touch the Future
Ellen Wayland-Smith, author of The Science of Last Things
Edwin Frank, publisher and author of Stranger Than Fiction
Sophia Stewart, editor of The Millions
A Year in Reading Archives: 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2011, 2010, 2009, 2008, 2007, 2006, 2005
The Great Fall 2024 Book Preview
With the arrival of autumn comes a deluge of great books. Here you'll find a sampling of new and forthcoming titles that caught our eye here at The Millions, and that we think might catch yours, too. Some we’ve already perused in galley form; others we’re eager to devour based on their authors, plots, or subject matters. We hope your next fall read is among them.
—Sophia Stewart, editor
October
Season of the Swamp by Yuri Herrera, tr. Lisa Dillman [F]
What it is: An epic, speculative account of the 18 months that Benito Juárez spent in New Orleans in 1853-54, years before he became the first and only Indigenous president of Mexico.
Who it's for: Fans of speculative history; readers who appreciate the magic that swirls around any novel set in New Orleans. —Claire Kirch
The Black Utopians by Aaron Robertson [NF]
What it is: An exploration of Black Americans' pursuit and visions of utopia—both ideological and physical—that spans the Reconstruction era to the present day and combines history, memoir, and reportage.
Who it's for: Fans of Saidiya Hartman's Wayward Lives, Beautiful Experiments and Kristen R. Ghodsee's Everyday Utopia. —Sophia M. Stewart
The Third Realm by Karl Ove Knausgaard, tr. Martin Aitken [F]
What it is: The third installment in Knausgaard's Morning Star series, centered on the appearance of a mysterious new star in the skies above Norway.
Who it's for: Real Knausgaard heads only—The Wolves of Eternity and Morning Star are required reading for this one. —SMS
Brown Women Have Everything by Sayantani Dasgupta [NF]
What it is: Essays on the contradictions and complexities of life as an Indian woman in America, probing everything from hair to family to the joys of travel.
Who it's for: Readers of Durga Chew-Bose, Erika L. Sánchez, and Tajja Isen. —SMS
The Plot Against Native America by Bill Vaughn [F]
What it is: The first narrative history of Native American boarding schools— which aimed "civilize" Indigenous children by violently severing them from their culture— and their enduring, horrifying legacy.
Who it's for: Readers of Ned Blackhawk and Kathleen DuVal. —SMS
The Mighty Red by Louise Erdrich [F]
What it is: Erdrich's latest novel set in North Dakota's Red River Valley is a tale of the intertwined lives of ordinary people striving to survive and even thrive in their rural community, despite environmental upheavals, the 2008 financial crisis, and other obstacles.
Who it's for: Readers of cli-fi; fans of Linda LeGarde Grover and William Faulkner. —CK
The Position of Spoons by Deborah Levy [NF]
What it is: The second book from Levy in as many years, diverging from a recent streak of surrealist fiction with a collection of essays marked by exceptional observance and style.
Who it's for: Close lookers and the perennially curious. —John H. Maher
The Bog Wife by Kay Chronister [F]
What it's about: The Haddesley family has lived on the same West Virginia bog for centuries, making a supernatural bargain with the land—a generational blood sacrifice—in order to do so—until an uncovered secret changes everything.
Who it's for: Readers of Karen Russell and Jeff VanderMeer; anyone who has ever used the phrase "girl moss." —SMS
The Great When by Alan Moore [F]
What it's about: When an 18-year old book reseller comes across a copy of a book that shouldn’t exist, it threatens to upend not just an already post-war-torn London, but reality as we know it.
Who it's for: Anyone looking for a Sherlock Holmes-style mystery dipped in thaumaturgical psychedelia. —Daniella Fishman
The Message by Ta-Nehisi Coates [NF]
What it's about: One of our sharpest critical thinkers on social justice returns to nonfiction, nearly a decade after Between the World and Me, visiting Dakar, to contemplate enslavement and the Middle Passage; Columbia, S.C., as a backdrop for his thoughts on Jim Crow and book bans; and the Israeli-occupied West Bank, where he sees contemporary segregation in the treatment of Palestinians.
Who it’s for: Fans of James Baldwin, George Orwell, and Angela Y. Davis; readers of Nikole Hannah-Jones’s The 1619 Project and Isabel Wilkerson’s Caste, to name just a few engagements with national and racial identity. —Nathalie op de Beeck
Abortion by Jessica Valenti [NF]
What it is: Columnist and memoirist Valenti, who tracks pro-choice advocacy and attacks on the right to choose in her Substack, channels feminist rage into a guide for freedom of choice advocacy.
Who it’s for: Readers of Robin Marty’s The New Handbook for a Post-Roe America, #ShoutYourAbortion proponents, and followers of Jennifer Baumgartner’s [I Had an Abortion] project. —NodB
Gifted by Suzuki Suzumi, tr. Allison Markin Powell [F]
What it's about: A young sex worker in Tokyo's red-light district muses on her life and recounts her abusive mother's final days, in what is Suzuki's first novel to be translated into English.
Who it's for: Readers of Susan Boyt and Mieko Kanai; fans of moody, introspective fiction; anyone with a fraught relationship to their mother. —SMS
Childish Literature by Alejandro Zambra, tr. Megan McDowell [F]
What it is: A wide-ranging collection of stories, essays, and poems that explore childhood, fatherhood, and family.
Who it's for: Fans of dad lit (see: Lucas Mann's Attachments, Keith Gessen's Raising Raffi, Karl Ove Knausgaard's seasons quartet, et al). —SMS
Books Are Made Out of Books ed. Michael Lynn Crews [NF]
What it is: A mining of the archives of the late Cormac McCarthy with a focus on the famously tight-lipped author's literary influences.
Who it's for: Anyone whose commonplace book contains the words "arquebus," "cordillera," or "vinegaroon." —JHM
Slaveroad by John Edgar Wideman [F]
What it is: A blend of memoir, fiction, and history that charts the "slaveroad" that runs through American history, spanning the Atlantic slave trade to the criminal justice system, from the celebrated author of Brothers and Keepers.
Who it's for: Fans of Clint Smith and Ta-Nehisi Coates. —SMS
Linguaphile by Julie Sedivy [NF]
What it's about: Linguist Sedivy reflects on a life spent loving language—its beauty, its mystery, and the essential role it plays in human existence.
Who it's for: Amateur (or professional) linguists; fans of the podcast A Way with Words (me). —SMS
An Image of My Name Enters America by Lucy Ives [NF]
What it is: A collection of interrelated essays that connect moments from Ives's life to larger questions of history, identity, and national fantasy,
Who it's for: Fans of Ives, one of our weirdest and most wondrous living writers—duh; anyone with a passing interest in My Little Pony, Cold War–era musicals, or The Three Body Problem, all of which are mined here for great effect. —SMS
Women's Hotel by Daniel Lavery [F]
What it is: A novel set in 1960s New York City, about the adventures of the residents of a hotel providing housing for young women that is very much evocative of the real-life legendary Barbizon Hotel.
Who it's for: Readers of Mary McCarthy's The Group and Rona Jaffe's The Best of Everything. —CK
The World in Books by Kenneth C. Davis [NF]
What it is: A guide to 52 of the most influential works of nonfiction ever published, spanning works from Plato to Ida B. Wells, bell hooks to Barbara Ehrenreich, and Sun Tzu to Joan Didion.
Who it's for: Lovers of nonfiction looking to cover their canonical bases. —SMS
Blue Light Hours by Bruna Dantas Lobato [F]
What it's about: Through the emanating blue-glow of their computer screens, a mother and daughter, four-thousand miles apart, find solace and loneliness in their nightly Skype chats in this heartstring-pulling debut.
Who it's for: Someone who needs to be reminded to CALL YOUR MOTHER! —DF
Riding Like the Wind by Iris Jamahl Dunkle [NF]
What it is: The biography of Sanora Babb, a contemporary of John Steinbeck's whose field notes and interviews with Dust Bowl migrants Steinbeck relied upon to write The Grapes of Wrath.
Who it's for: Steinbeck fans and haters alike; readers of Kristin Hannah's The Four Winds and the New York Times Overlooked column; anyone interested in learning more about the Dust Bowl migrants who fled to California hoping for a better life. —CK
Innie Shadows by Olivia M. Coetzee [F]
What it is: a work of crime fiction set on the outskirts of Cape Town, where a community marred by violence seeks justice and connection; also the first novel to be translated from Kaaps, a dialect of Afrikaans that was until recently only a spoken language.
Who it's for: fans of sprawling, socioeconomically-attuned crime dramas a la The Wire. —SMS
Dorothy Parker in Hollywood by Gail Crowther [NF]
What it is: A history of the famous wit—and famous New Yorker—in her L.A. era, post–Algonquin Round Table and mid–Red Scare.
Who it's for: Owners of a stack of hopelessly dog-eared Joan Didion paperbacks. —JHM
The Myth of American Idealism by Noam Chomsky and Nathan J. Robinson [NF]
What it is: A potent critique of the ideology behind America's foreign interventions and its status as a global power, and an treatise on how the nation's hubristic pursuit of "spreading democracy" threatens not only the delicate balance of global peace, but the already-declining health of our planet.
Who it's for: Chomskyites; policy wonks and casual critics of American recklessness alike. —DF
Mysticism by Simon Critchley [NF]
What it is: A study of mysticism—defined as an experience, rather than religious practice—by the great British philosopher Critchley, who mines music, poetry, and literature along the way.
Who it's for: Readers of John Gray, Jorge Luis Borges, and Simone Weil. —SMS
Q&A by Adrian Tomine [NF]
What it is: The Japanese American creator of the Optic Nerve comic book series for D&Q, and of many a New Yorker cover, shares his personal history and his creative process in this illustrated unburdening.
Who it’s for: Readers of Tomine’s melancholic, sometimes cringey, and occasionally brutal collections of comics short stories including Summer Blonde, Shortcomings, and Killing and Dying. —NodB
Sonny Boy by Al Pacino [NF]
What it is: Al Pacino's memoir—end of description.
Who it's for: Cinephiles; anyone curious how he's gonna spin fumbling Diane Keaton. —SMS
Seeing Baya by Alice Kaplan [NF]
What it is: The first biography of the enigmatic and largely-forgotten Algerian artist Baya Mahieddine, who first enchanted midcentury Paris as a teenager.
Who it's for: Admirers of Leonora Carrington, Hilma af Klint, Frida Kahlo, and other belatedly-celebrated women painters. —SMS
Absolution by Jeff VanderMeer [F]
What it is: A surprise return to the Area X, the stretch of unforbidding and uncanny coastline in the hit Southern Reach trilogy.
Who it's for: Anyone who's heard this song and got the reference without Googling it. —JHM
The Four Horsemen by Nick Curtola [NF]
What it is: The much-anticipated cookbook from the team behind Brooklyn's hottest restaurant (which also happens to be co-owned by James Murphy of LCD Soundsystem).
Who it's for: Oenophiles; thirty-somethings who live in north Williamsburg (derogatory). —SMS
Seeing Further by Esther Kinsky, tr. Caroline Schmidt [F]
What it's about: An unnamed German woman embarks on the colossal task of reviving a cinema in a small Hungarian village.
Who it's for: Fans of Jenny Erpenbeck; anyone charmed by Cinema Paradiso (not derogatory!). —SMS
Ripcord by Nate Lippens [NF]
What it's about: A novel of class, sex, friendship, and queer intimacy, written in delicious prose and narrated by a gay man adrift in Milwaukee.
Who it's for: Fans of Brontez Purnell, Garth Greenwell, Alexander Chee, and Wayne Koestenbaum. —SMS
The Use of Photography by Annie Ernaux and Marc Marie, tr. Alison L. Strayer [NF]
What it's about: Ernaux's love affair with Marie, a journalist, while she was undergoing treatment for cancer, and their joint project to document their romance.
Who it's for: The Ernaux hive, obviously; readers of Sontag's On Photography and Janet Malcolm's Still Pictures. —SMS
Nora Ephron at the Movies by Ilana Kaplan [NF]
What it is: Kaplan revisits Nora Ephron's cinematic watersheds—Silkwood, Heartburn, When Harry Met Sally, You've Got Mail, and Sleepless in Seattle—in this illustrated book. Have these iconic stories, and Ephron’s humor, weathered more than 40 years?
Who it’s for: Film history buffs who don’t mind a heteronormative HEA; listeners of the Hot and Bothered podcast; your coastal grandma. —NodB
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The Philosophy of Translation by Damion Searls [NF]
What it is: A meditation on the act and art of translation by one of today's most acclaimed practitioners, best known for his translations of Fosse, Proust, et al.
Who it's for: Regular readers of Words Without Borders and Asymptote; professional and amateur literary translators alike. —SMS
Salvage by Dionne Brand
What it is: A penetrating reevaluation of the British literary canon and the tropes once shaped Brand's reading life and sense of self—and Brand’s first major work of nonfiction since her landmark A Map to the Door of No Return.
Who it's for: Readers of Christina Sharpe's Ordinary Notes and Elizabeth Hardwick's Seduction and Betrayal. —SMS
Masquerade by Mike Fu [F]
What it's about: Housesitting for an artist friend in present-day New York, Meadow Liu stumbles on a novel whose author shares his name—the first of many strange, haunting happenings that lead up to the mysterious disappearance of Meadow's friend.
Who it's for: fans of Ed Park and Alexander Chee. —SMS
November
The Beggar Student by Osamu Dazai, tr. Sam Bett [F]
What it is: A novella in the moody vein of Dazai’s acclaimed No Longer Human, following the 30-something “fictional” Dazai into another misadventure spawned from a hubristic spat with a high schooler.
Who it's for: Longtime readers of Dazai, or new fans who discovered the midcentury Japanese novelist via TikTok and the Bungo Stray Dogs anime. —DF
In Thrall by Jane DeLynn [F]
What it is: A landmark lesbian bildungsroman about 16-year-old Lynn's love affair with her English teacher, originally published in 1982.
Who it's for: Fans of Joanna Russ's On Strike Against God and Edmund White's A Boy's Own Story —SMS
Washita Love Child by Douglas Kent Miller [NF]
What it is: The story of Jesse Ed Davis, the Indigenous musician who became on of the most sought after guitarists of the late '60s and '70s, playing alongside B.B. King, Bob Dylan, John Lennon, and more.
Who it's for: readers of music history and/or Indigenous history; fans of Joy Harjo, who wrote the foreword. —SMS
Set My Heart on Fire by Izumi Suzuki, tr. Helen O'Horan [F]
What it is: Gritty, sexy, and wholly rock ’n’ roll, Suzuki’s first novel translated into English (following her story collection, Hit Parade of Tears) follows 20-year-old Izumi navigating life, love, and music in the underground scene in '70s Japan.
Who it's for: Fans of Meiko Kawakami, Ursula K. Le Guin, and Marlowe Granados's Happy Hour. —DF
Didion & Babitz by Lili Anolik [NF]
What it is: A dual portrait of Joan Didion and Eve Babitz, who are so often compared to—and pitted against—each other on the basis of their mutual Los Angeles milieu.
Who it's for: Fans or haters of either writer (the book is fairly pro-Babitz, often at Didion's expense); anyone who has the Lit Hub Didion tote bag. —SMS
The Endless Refrain by David Rowell [NF]
What it's about: How the rise of music streaming, demonitizing of artist revenue, and industry tendency toward nostalgia have laid waste to the musical landscape, and the future of music culture.
Who it's for: Fans of Kyle Chayka, Spence Kornhaber, and Lindsay Zoladz. —SMS
Every Arc Bends Its Radian by Sergio De La Pava [F]
What it is: A mind- and genre-bending detective story set in Cali, Colombia, that blends high-stakes suspense with rigorous philosophy.
Who it's for: Readers of Raymond Chandler, Thomas Pynchon, and Jules Verne. —SMS
Something Close to Nothing by Tom Pyun [F]
What it’s about: At the airport with his white husband Jared, awaiting a flight to Cambodia to meet the surrogate mother carrying their adoptive child-to-be, Korean American Wynn decides parenthood isn't for him, and bad behavior ensues.
Who it’s for: Pyun’s debut is calculated to cut through saccharine depictions of queer parenthood—could pair well with Torrey Peters’s Detransition, Baby. —NodB
Rosenfeld by Maya Kessler [F]
What it is: Kessler's debut—rated R for Rosenfeld—follows one Noa Simmons through the tumultuous and ultimately profound power play that is courting (and having a lot of sex with) the titular older man who soon becomes her boss.
Who it's for: Fans of Sex and the City, Raven Leilani’s Luster, and Coco Mellor’s Cleopatra and Frankenstein. —DF
Lazarus Man by Richard Price [F]
What it is: The former The Wire writer offers yet another astute chronicle of urban life, this time of an ever-changing Harlem.
Who it's for: Fans of Colson Whitehead's Crook Manifesto and Paul Murray's The Bee Sting—and, of course, The Wire. —SMS
Stranger Than Fiction by Edwin Frank [NF]
What it is: An astute curveball of a read on the development and many manifestations of the novel throughout the tumultuous 20th century.
Who it's for: Readers who look at a book's colophon before its title. —JHM
Letters to His Neighbor by Marcel Proust, tr. Lydia Davis
What it is: A collection of Proust’s tormented—and frequently hilarious—letters to his noisy neighbor which, in a diligent translation from Davis, stand the test of time.
Who it's for: Proust lovers; people who live below heavy-steppers. —DF
Context Collapse by Ryan Ruby [NF]
What it is: A self-proclaimed "poem containing a history of poetry," from ancient Greece to the Iowa Workshop, from your favorite literary critic's favorite literary critic.
Who it's for: Anyone who read and admired Ruby's titanic 2022 essay on The Waste Land; lovers of poetry looking for a challenge. —SMS
How Sondheim Can Change Your Life by Richard Schoch [NF]
What it's about: Drama professor Schoch's tribute to Stephen Sondheim and the life lessons to be gleaned from his music.
Who it's for: Sondheim heads, former theater kids, end of list. —SMS
The Serviceberry by Robin Wall Kimmerer [NF]
What it is: 2022 MacArthur fellow and botanist Kimmerer, an enrolled member of the Citizen Potawatomi Nation, (re)introduces audiences to a flowering, fruiting native plant beloved of foragers and gardeners.
Who it’s for: The restoration ecologist in your life, along with anyone who loved Braiding Sweetgrass and needs a nature-themed holiday gift. —NodB
My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor by Homeless [F]
What it is: A pseudonymous, tenderly comic novel of blue whales and Golden Arches, mental illness and recovery.
Who it's for: Anyone who finds Thomas Pynchon a bit too staid. —JHM
Yoke and Feather by Jessie van Eerden [NF]
What it's about: Van Eerden's braided essays explore the "everyday sacred" to tease out connections between ancient myth and contemporary life.
Who it's for: Readers of Courtney Zoffness's Spilt Milk and Jeanna Kadlec's Heretic. —SMS
Camp Jeff by Tova Reich [F]
What it's about: A "reeducation" center for sex pests in the Catskills, founded by one Jeffery Epstein (no, not that one), where the dual phenomena of #MeToo and therapyspeak collide.
Who it's for: Fans of Philip Roth and Nathan Englander; cancel culture skeptics. —SMS
Selected Amazon Reviews by Kevin Killian [NF]
What it is: A collection of 16 years of Killian’s funniest, wittiest, and most poetic Amazon reviews, the sheer number of which helped him earn the rarefied “Top 100” and “Hall of Fame” status on the site.
Who it's for: Fans of Wayne Koestenbaum and Dodie Bellamy, who wrote introduction and afterword, respectively; people who actually leave Amazon reviews. —DF
Cher by Cher [NF]
What it is: The first in a two-volume memoir, telling the story of Cher's early life and ascendent career as only she can tell it.
Who it's for: Anyone looking to fill the My Name Is Barbra–sized hole in their heart, or looking for something to tide them over until the Liza memoir drops. —SMS
The City and Its Uncertain Walls by Haruki Murakami, tr. Philip Gabriel [F]
What it is: Murakami’s first novel in over six years returns to the high-walled city from his 1985 story "Hard-Boiled Wonderland and the End of the World" with one man's search for his lost love—and, simultaneously, an ode to libraries and literature itself.
Who it's for: Murakami fans who have long awaited his return to fiction. —DF
American Bulk by Emily Mester [NF]
What it's about: Reflecting on what it means to "live life to the fullest," Mester explores the cultural and personal impacts of America’s culture of overconsumption, from Costco hauls to hoarding to diet culture—oh my!
Who it's for: Lovers of sustainability; haters of excess; skeptics of the title essay of Becca Rothfeld's All Things Are Too Small. —DF
The Icon and the Idealist by Stephanie Gorton [NF]
What it is: A compelling look at the rivalry between Margaret Sanger, of Planned Parenthood fame, and Mary Ware Dennett, who each held radically different visions for the future of birth control.
Who it's for: Readers of Amy Sohn's The Man Who Hated Women and Katherine Turk's The Women of NOW; anyone interested in the history of reproductive rights. —SMS
December
Rental House by Weike Wang [F]
What it's about: Married college sweethearts invite their drastically different families on a Cape Code vacation, raising questions about marriage, intimacy, and kinship.
Who it's for: Fans of Wang's trademark wit and sly humor (see: Joan Is Okay and Chemistry); anyone with an in-law problem.
Woo Woo by Ella Baxter [F]
What it's about: A neurotic conceptual artist loses her shit in the months leading up to an exhibition that she hopes will be her big breakout, poking fun at the tropes of the "art monster" and the "woman of the verge" in one fell, stylish swoop.
Who it's for: Readers of Sheena Patel's I'm a Fan and Chris Kraus's I Love Dick; any woman who is grateful to but now also sort of begrudges Jenny Offil for introducing "art monster" into the lexicon (me). —SMS
Berlin Atomized by Julia Kornberg, tr. Jack Rockwell and Julia Kornberg [F]
What it's about: Spanning 2001 to 2034, three Jewish and downwardly mobile siblings come of age in various corners of the world against the backdrop of global crisis.
Who it's for: Fans of Catherine Lacey's Biography of X and Joshua Cohen's The Netanyahus. —SMS
Sand-Catcher by Omar Khalifah, tr. Barbara Romaine [F]
What it is: A suspenseful, dark satire of memory and nation, in which four young Palestinian journalists at a Jordanian newspaper are assigned to interview an elderly witness to the Nakba, the violent 1948 expulsion of native Palestinians from Israel—but to their surprise, the survivor doesn’t want to rehash his trauma for the media.
Who it’s for: Anyone looking insight—tinged with grim humor—into the years leading up to the present political crisis in the Middle East and the decades-long goal of Palestinian autonomy. —NodB
The Shutouts by Gabrielle Korn [F]
What it's about: In the dystopian future, mysteriously connected women fight to survive on the margins of society amid worsening climate collapse.
Who it's for: Fans of Korn's Yours for the Taking, which takes place in the same universe; readers of Becky Chambers and queer-inflected sci-fi. —SMS
What in Me Is Dark by Orlando Reade [NF]
What it's about: The enduring, evolving influence of Milton's Paradise Lost on political history—and particularly on the work of 12 revolutionary readers, including Malcom X and Hannah Arendt.
Who it's for: English majors and fans of Ryan Ruby and Sarah Bakewell—but I repeat myself. —SMS
The Afterlife Is Letting Go by Brandon Shimoda [NF]
What it's about: Shimoda researches the mass incarceration of Japanese Americans during WWII, and speaks with descendants of those imprisoned, for this essay collection about the “afterlife” of cruelty and xenophobia in the U.S.
Who it’s for: Anyone to ever visit a monument, museum, or designated site of hallowed ground where traumatic events have taken place. —NodB
No Place to Bury the Dead by Karina Sainz Borgo, tr. Elizabeth Bryer [F]
What it's about: When Angustias Romero loses both her children while fleeing a mysterious disease in her unnamed Latin American country, she finds herself in a surreal, purgatorial borderland where she's soon caught in a power struggle.
Who it's for: Fans of Maríana Enriquez and Mohsin Hamid. —SMS
The Rest Is Silence by Augusto Monterroso, tr. Aaron Kerner [F]
What it is: The author of some of the shortest, and tightest, stories in Latin American literature goes long with a metafictional skewering of literary criticism in his only novel.
Who it's for: Anyone who prefers the term "palm-of-the-hand stories" to "flash fiction." —JHM
Tali Girls by Siamak Herawi, tr. Sara Khalili [F]
What it is: An intimate, harrowing, and vital look at the lives of girls and women in an Afghan mountain village under Taliban rule, based on true stories.
Who it's for: Readers of Nadia Hashimi, Akwaeke Emezi, and Maria Stepanova. —SMS
Sun City by Tove Jansson, tr. Thomas Teal [F]
What it's about: During her travels through the U.S. in the 1970s, Jansson became interested in the retirement home as a peculiarly American institution—here, she imagines the tightly knit community within one of them.
Who it's for: Fans of Jansson's other fiction for adults, much of which explores the lives of elderly folks; anyone who watched that documentary about The Villages in Florida. —SMS
Editor's note: We're always looking to make our seasonal book previews more useful to the readers, writers, and critics they're meant to serve. Got an idea for how we can improve our coverage? Tell me about it at sophia@themillions.com.
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Tuesday New Release Day: Starring Keefe, Beagin, Welsh, and More
Here’s a quick look at some notable books—new titles from the likes of Patrick Radden Keefe, Jen Beagin, Irvine Welsh and more—that are publishing this week.
Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.
Vacuum in the Dark by Jen Beagin
Here's what Publishers Weekly had to say about Vacuum in the Dark: "Beagin’s sharp and superb novel finds Mona, from previous novel Pretend I’m Dead, now 26, living in Taos, N.Mex., having followed the dying wishes of her ex-boyfriend, a man she met at a needle exchange and called Mr. Disgusting. Mona cleans houses for a living, shares a ranch house with an older married couple she calls Yoko and Yoko, and claims Fresh Air’s Terry Gross as an imaginary friend-slash-therapist. Prone to falling in love with her clients’ furniture and taking advantage of their absences to create a series of photographic portraits in their homes, Mona often breaches the professional distance between her and her clients. There’s the beautiful and blind therapist Rose, who has given Mona leave to conduct an affair with her husband, whom Mona has nicknamed Dark, and there’s Hungarian artists Lena and Paul, who ask Mona to model for them. Deadpan and savage, Mona has a dark and complicated history she is not afraid to weaponize. When Mona’s mother asks Mona to return to the apartment where she grew up in L.A., Mona must come to terms both with her difficult past and where she can go from here. Beagin pulls no punches—this novel is viciously smart and morbidly funny."
Dead Men's Trousers by Irvine Welsh
Here's what Publishers Weekly had to say about Dead Men's Trousers: "More than 25 years after they first appeared in Trainspotting, all four of Welsh’s hard-living Scottish friends reunite in Edinburgh, roped into an appropriately bizarre and macabre organ harvesting caper. Told from the perspectives of the four protagonists, the novel rolls slowly in the first half, updating their individual biographies separately—readers new to Welsh’s world need not be apprehensive—and setting up the brisker, and inevitably bollixed, execution of the theft plot. Two of these former reprobate mates have successfully escaped their pasts. Renton travels the globe as a music manager. Begbie, who runs into Renton on a plane in the opening chapter, is a successful artist living in California. Spud, whose narrative is most steeped in a slangy Scottish dialect, still lives on the edge and instigates the kidney-napping caper. Sick Boy, like Spud, is still in Edinburgh, and crashing with his sister, Carlotta, who screamingly blames him for the degeneration of her son, Ross, and husband, Euan, apparently on a debauched trip to Thailand. When the four finally get together, much comic mileage is wrung in rehashing old grievances. Not surprisingly, the crime unfolds like a Keystone Kops version of Ocean’s 11, but with an irrevocable final result. Welsh’s entire oeuvre crackles with idiomatic energy and brio, and this rollicking novel is no different."
That Time I Loved You by Carrianne Leung
Here's what Publishers Weekly had to say about That Time I Loved You: "Leung (The Wondrous Woo) presents 10 sweet, sad, sympathetic stories set in Scarborough, Ontario, for a group portrait of immigrants, misfits, adults, adolescents, and teenagers, all of whom discover suburban comfort does not ensure happiness. The first story, 'Grass,' takes place in 1979, as 11-year-olds June and Josie ponder two suicides: Mr. Finley, the local softball coach, and Mrs. Da Silva, a housewife with an abusive husband. The girls cannot ask their parents for explanations, because death is one of many subjects parents prefer not to discuss with children. 'Flowers' shows Mrs. Da Silva’s last day, as she listens to flowers taunt her in her native Portuguese. In 'Treasure,' a woman named Marilyn who is admired by her neighbors turns out to be a thief. In 'Sweets,' June’s buddy Naveen gets beaten up when he wears his sister’s heart-shaped sunglasses to school. In 'Things,' comic book enthusiast Darren confronts a racist schoolteacher. 'Wheels,' 'Kiss,' and the title story explore June and Josie’s changing perspectives upon their first experiences of womanhood. Linked by recurring characters such as Darren’s Jamaican mother and June’s grandmother from Hong Kong, together the stories track June’s deepening understanding of the place she calls home. Crystalline prose, sharp storytelling, and pitch-perfect narration enhance Leung’s accessible and affecting depiction of how cruelty undermines and kindness fortifies people’s sense of community."
We Must Be Brave by Frances Liardet
Here's what Publishers Weekly had to say about We Must Be Brave: "British author and translator Liardet’s moving American debut, set in WWII England, follows a childless woman discovering joy after she begins caring for a young girl. Ellen Parr is married to Selwyn, owner of the local mill in the village of Upton, near Southampton. In 1940, while helping evacuees of a nearby bombing who have arrived at Upton by bus, Ellen meets Pamela Pickering, a young child left alone on the bus. Ellen treats Pamela as the daughter she never had (Selwyn is impotent) for the next few years, until Pamela is eight and a relative of Pamela’s finds her and takes her to live with family members. Though distraught by Pamela’s departure, Ellen survives the devastation around her with the love and support of Selwyn, her childhood friend Lucy Horne, and other villagers who have been a constant presence in Ellen’s life. Over 30 years later, Ellen befriends Penny Lacey, a lonely young boarding school student in Upton. Ellen glimpses similarities between Pamela and Penny, and they form a life-changing friendship. Readers will be captivated by Ellen’s story, which is bolstered by a swift plot and characters who realistically and memorably grow."
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Say Nothing by Patrick Radden Keefe
Here's what Publishers Weekly had to say about Say Nothing: "New Yorker staff writer Keefe (Snakehead) incorporates a real-life whodunit into a moving, accessible account of the violence that has afflicted Northern Ireland. The mystery concerns Jean McConville, a widowed mother of 10, who was snatched from her Belfast home by an IRA gang in 1972. While Keefe touches on historical antecedents, his real starting point is the 1960s, when advocates of a unified Ireland attempted to emulate the nonviolent methods of the American civil rights movement. The path from peaceful protests to terrorist bombings is framed by the story of Dolours Price, who became involved as a teenager and went on to become a central figure in the IRA. While formal charges were never brought against republican leader Gerry Adams in McConville’s murder, Keefe makes a persuasive case that McConville was killed at his order for being an informer to the British—and the author’s dogged detective work enables him to plausibly name those who literally pulled the trigger. Tinged with immense sadness, this work never loses sight of the humanity of even those who committed horrible acts in support of what they believed in."
Mother Country by Irina Reyn
Here's what Publishers Weekly had to say about Mother Country: "In Reyn’s excellent exploration of the immigrant experience, a Ukrainian transplant to the United States grapples with the convoluted legacy of her home country. Once head bookkeeper at an important gas pipe factory in east Ukraine, Nadia Andreevna now nannies for a family in Brooklyn, navigating an unfamiliar land of artisanal mayonnaise and American parenting. Nadia had fled the politically destabilized country in 2008, aiming to send for her daughter, Larissa—detained due to a bureaucratic loophole—immediately. But six years have passed, and she spends her days writing pleading letters to senators and obsessively tracking news reports that document mounting violence in her home region. As Nadia resorts to increasingly extreme measures to reunite with her daughter—including scouting American suitors for Larissa at nightclubs—the narrative periodically flips back to Nadia’s raw, affecting life as a single mother in Ukraine, fighting to carve out an existence for herself and her daughter amid a rapidly changing country. When Larissa’s immigration suddenly looms closer, Nadia must reckon with how her memories of Larissa—whom she has not seen for seven years—abut against reality, and learn to forge her way in a culture that poses frequent affronts to her identity. In beautiful and emotionally perceptive prose, Reyn (The Imperial Wife) probes the intimate ways cultures clash within individuals, forcing them to knit together disparate truths to make sense of the world, and provides a tender depiction of how mother-daughter bonds morph over time and space."
Birthday by César Aira
Here's what Publishers Weekly had to say about Birthday: "In this profound memoir, Aira (The Linden Tree) turns 50 and sees this benchmark as an opportunity to make changes in his life. A casual conversation with his wife leads him to a darker contemplation of youth wasted, a diminishment of artistic authority in his work, and his potentially bleak future. By exploring these fears in a series of loosely organized reflections and anecdotes, Aira comes to terms with his standing as an artist, his achievements, and his future. Immersed in his identity as a writer, he admits to a fetishistic attachment to stationery and pens, and to his struggles with life outside writing. In his early 40s, he began a grand project, a conscious departure from his 'little novels,' which he sees as marginal. He calls it the Encyclopedia, envisioning it as a comprehensive book of knowledge. But at 50, all he has is a collection of sketches and plans, with not a single page of manuscript, and it’s unlikely that this ambitious project will be finished. There are thoughtful anecdotes about Ludwig Wittgenstein, a waitress (and budding writer) whom he meets in a café, and Evariste Galois, a brilliant young mathematician killed in a duel in 1832. The reader gradually realizes Aira’s seemingly feigned self-deprecation is actually clear-eyed honesty, and the ostensible simplicity of the volume carries powerful and incisive ideas about life and aging."
February Preview: The Millions Most Anticipated (This Month)
We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around). Here’s what we’re looking out for this month—for more February titles, check out our First-Half Preview. Let us know what you’re looking forward to in the comments!
Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.
Black Leopard, Red Wolf by Marlon James: Following up his Man Booker Prize for A Brief History of Seven Killings, James has written the first book in what is to be an epic trilogy that is part Lord of the Rings, part Game of Thrones, and part Black Panther. In this first volume, a band of mercenaries—made up of a witch, a giant, a buffalo, a shape-shifter, and a bounty hunter who can track anyone by smell (his name is Tracker)—are hired to find a boy, missing for three years, who holds special interest for the king. (Janet)
Where Reasons End by Yiyun Li: Where Reasons End is the latest novel by the critically acclaimed author of Dear Friend, from My Life I Write to You in Your Life. Li creates this fictional space where a mother can have an eternal, carefree conversation with her child Nikolai, who commits suicide at the age of 16. Suffused with intimacy and deepest sorrows, the book captures the affections and complexity of parenthood in a way that has never been portrayed before. (Jianan)
The Collected Schizophrenias by Esmé Weijun Wang: Wang writes brilliantly and beautifully about lives lived with mental illness. Her first novel, The Border of Paradise, traces a family through generations, revealing the ways each becomes inheritors of the previous generation’s isolation and depression. In The Collected Schizophrenias, her first essay collection (for which she was awarded the Whiting Award and Greywolf Nonfiction Prize), Wang draws from her experience as both patient and speaker/advocate navigating the vagaries of the mental healthcare system while also shedding light on the ways it robs patients of autonomy. What’s most astonishing is how Wang writes with such intelligence, insight, and care about her own struggle to remain functional while living with schizoaffective disorder. (Anne)
American Spy by Lauren Wilkinson: It’s the mid-1980s and American Cold War adventurism has set its sights on the emerging west African republic of Burkina Faso. There’s only one problem: the agent sent to help swing things America’s way is having second, and third, thoughts. The result is an engaging and intelligent stew of espionage and post-colonial political agency, but more important, a confessional account examining our baser selves and our unscratchable itch to fight wars that cannot be won. (Il’ja)
Lost Children Archive by Valeria Luiselli: The two-time finalist for the National Book Critic’s Circle Award has written a road novel for America in the 21st century. In the book, a family of four set out from their home in New York to visit a place in Arizona called Apacheria, a.k.a. the region once inhabited by the Apache tribe. On their way down south, the family reveals their own set of long-simmering conflicts, while the radio gives updates on an “immigration crisis” at the border. (Thom)
The White Book by Han Kang (translated by Deborah Smith): In 2016, Kang’s stunning novel The Vegetarian won the Man Booker Prize; in 2018, she drew Man Booker attention again with her autobiographical work The White Book. There are loose connections between the two—both concern sisters, for one, and loss, and both feature Han’s beautiful, spare prose—but The White Book is less a conventional story and more like a meditation in fragments. Written about and to the narrator’s older sister, who died as a newborn, and about the white objects of grief, Han’s work has been likened to “a secular prayer book,” one that “investigates the fragility, beauty and strangeness of life.” (Kaulie)
Bangkok Wakes to Rain by Pitchaya Sudbanthad: NYFA Fellow Sudbanthad’s debut novel, Bangkok Wakes to Rain, has already been hailed as “important, ambitious, and accomplished,” by Mohsin Hamid, and a book that “brilliantly sounds the resonant pulse of the city in a wise and far-reaching meditation on home,” by Claire Vaye Watkins. This polyphonic novel follows myriad characters—from a self-exiled jazz pianist to a former student revolutionary—through the thresholds of Bangkok’s past, present, and future. Sudbanthad, who splits his time between Bangkok and New York, says he wrote the novel by letting his mind wander the city of his birth: “I arrived at the site of a house that, to me, became a theatrical stage where characters…entered and left; I followed them, like a clandestine voyeur, across time and worlds, old and new.” (Anne)
The Source of Self-Regard by Toni Morrison: A new collection of nonfiction–speeches, essays, criticism, and reflections–from the Nobel-prize winning Morrison. Publishers Weekly says “Some superb pieces headline this rich collection…Prescient and highly relevant to the present political moment…” (Lydia)
Bowlaway by Elizabeth McCracken: It’s hard to believe it’s been 20 years since McCracken published her first novel, The Giant’s House, perhaps because, since then, she’s given us two brilliant short story collections and one of the most powerful memoirs in recent memory. Her fans will no doubt rejoice at the arrival of this second novel, which follows three generations of a family in a small New England town. Bowlaway refers to a candlestick bowling alley that Publishers Weekly, in its starred review, calls “almost a character, reflecting the vicissitudes of history that determine prosperity or its opposite.” In its own starred review, Kirkus praises McCracken’s “psychological acuity.” (Edan)
All My Goodbyes by Mariana Dimópulos (translated by Alice Whitmore): Argentinian writer Dimópulos’s first book in English is a novel that focuses on a narrator who has been traveling for a decade. The narrator reflects on her habit of leaving family, countries, and lovers. And when she decides to commit to a relationship, her lover is murdered, adding a haunting and sorrowful quality to her interiority. Julie Buntin writes, “The scattered pieces of her story—each of them wonderfully distinct, laced with insight, violence, and sensuality—cohere into a profound evocation of restlessness, of the sublime and imprisoning act of letting go.” (Zoë)
The Hundred Wells of Salaga by Ayesha Harruna Attah: An account of 19th-century Ghana, the novel follows twoyoung girls, Wurche and Aminah, who live in the titular city which is a notorious center preparing people for sale as slaves to Europeans and Americans. Attah’s novel gives a texture and specificity to the anonymous tales of the Middle Passage, with critic Nadifa Mohamad writing in The Guardian that “One of the strengths of the novel is that it complicates the idea of what ‘African history’ is.” (Ed)
The Age of Light by Whitney Scharer: This much sought-after debut, which was the object of a bidding war, is based on the life of Lee Miller, a Vogue model turned photographer who decided she would rather “take a picture than be one.” The novel focuses on Miller’s tumultuous romance with photographer Man Ray in early 1930s Paris, as Miller made the transition from muse to artist. Early reviews suggests that the novel more than lives up to its promise, with readers extolling its complicated heroine and page-turning pacing. (Hannah)
Adèle by Leila Slimani (translated by Sam Taylor): Slimani, who won the Prix Goncourt in 2016, became famous after publishing Dans le jardin de l’ogre, which is now being translated and published in English as Adèle. The French-Moroccon novelist’s debut tells the story of a titular heroine whose burgeoning sex addiction threatens to ruin her life. Upon winning an award in Morocco for the novel, Slimani said its primary focus is her character’s “loss of self.” (Thom)
Notes From a Black Woman’s Diary by Kathleen Collins: Not long after completing her first feature film, Losing Ground, in 1982, Collins died from breast cancer at age 46. In 2017, her short story collection about the lives and loves of black Americans in the 1960s, Whatever Happened to Interracial Love?, was published to ringing critical acclaim. Now comes Notes From a Black Woman’s Diary, which is much more than the title suggests. In addition to autobiographical material, the book includes fiction, plays, excerpts from an unfinished novel, and the screenplay of Losing Ground, with extensive directorial notes. This book is sure to burnish Collins’s flourishing posthumous reputation. (Bill)
Mother Winter by Sophia Shalmiyev: This debut is the memoir of a young woman’s life shaped by unrelenting existential terror. The story is told in fragmentary vignettes beginning with Shalmiyev’s fraught emigration as a young child from St. Petersburg, Russia to the United States, leaving behind the mother who had abandoned her. It closes with her resolve to find her estranged mother again. (Il’ja)
The Cassandra by Sharma Shields: Mildred Groves, The Cassandra’s titular prophetess, sometimes sees flashes of the future. She is also working at the top-secret Hanford Research Center in the 1940s, where the seeds of atomic weapons are sown and where her visions are growing more horrifying—and going ignored at best, punished at worst. Balancing thorough research and mythic lyricism, Shields’s novel is a timely warning of what happens when warnings go unheeded. (Kaulie)
A People’s Future of the United States edited by Victor LaValle and John Joseph Adams: An anthology of 25 speculative stories from a range of powerful storytellers, among them Maria Dahvana Headley, Daniel José Older, and Alice Sola Kim. LaValle and Adams sought stories that imagine a derailed future—tales that take our fractured present and make the ruptures even further. Editor LaValle, an accomplished speculative fiction writer himself (most recently The Changeling, and my personal favorite, the hilarious and booming Big Machine), is the perfect writer to corral these stories. LaValle has said “one of the great things about horror and speculative fiction is that you are throwing people into really outsized, dramatic situations a lot…[including] racism and sexism and classism, biases against the mentally ill”—the perfect description for this dynamic collection. (Nick R.)
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Nothing but the Night by John Williams: The John Williams ofStoner fame revival continues with the reissue of his first novel by NYRB, first published in 1948, a story dealing with mental illness and trauma with echoes of Greek tragedy. (Lydia)
Vacuum in the Dark by Jen Beagin: Whiting Award winner Beagin is back with a sequel to her debut novel, Pretend I'm Dead. Two-years older, Mona is living in New Mexico and working as a cleaning woman. In an attempt to start over, Mona must heal wounds both new and old—and figure out who she wants to be. Dark, sharp, and poignant, Publishers Weekly's starred review calls the novel "viciously smart and morbidly funny." (Carolyn)
Willa & Hesper by Amy Feltman: Feltman's debut coming-of-age novel follows two queer woman who meet at their MFA program, fall in love, and then break up. In an effort to heal, both leave New York and travel to their respective ancestral homelands: Germany (Willa) and Tbilisi, Georgia (Hesper) Author Crystal Hana Kim called the novel "a lyrical, timely story about love, heartbreak, and healing." (Carolyn)
The Good Immigrant edited by Nikesh Shukla and Chimene Suleyman: In a follow-up to their UK edition, editors Shukla (The One Who Wrote Destiny) and Suleyman (Outside Looking On) gather 26 writers and scholars to write on the immigrant experience—many of which are in response to post-2016 America—including Porochista Khakpour, Teju Cole, Alexander Chee, and Jenny Zhang. With "joy, empathy, and fierceness," Publishers Weekly's starred review called the collection "a gift for anyone who understands or wants to learn about the breadth of experience among immigrants to the U.S." (Carolyn)
A Year in Reading: Marta Bausells
Looking back at this hectic old year, I am reminded of that Nora Ephron quote: “Whenever I read a book I love, I start to remember all the other books that have sent me into rapture, and I can remember where I was living and the couch I was sitting on when I read them.”
Not many books sent me into rapture this year. About a year ago I became an official book recommender, and with the absolutely immense privilege of reading for work sometimes comes the frustration of not always being able to give books all the time you’d like to, as well as the danger of reading as obligation, which can occasionally lead to burnout. I had to find a way to keep up with the current releases while I was simultaneously working on my own writing and attempting to gravitate towards my own personal reading list (which isn’t all, you know, books that came out this year)—all the while dozens of books started arriving through the door every single day, threatening to take over the small apartment in which I live. Let’s say it took some adjustment.
I do remember some random moments of pure peace, like being immersed in Fire Sermon in Berlin, last winter, and reading it all on a leather armchair which sat under an old GDR poster of the life cycle of the malaria mosquito. The city was raging with life and plans, but it was winter and the weather was brutal—and the book was pulling me in harder than the possibility of all the raves in the world. Or like the weeks in spring that I spent on a Cheryl Strayed binge—I finally caught up with her books and, combined with her podcast, putting myself in her orbit for a while felt like healing.
The following felt like cheating, and I enjoyed these books so: reading The Folded Clocks on a solitary week on the beach; reading Cool for You this fall, as the days got abruptly shorter in London; rereading Too Much and Not the Mood on a writing residency in the summer as the rain just would not stop pouring, and underlying almost every sentence.
I read some splendid debut novels: Freshwater, Ponti, America Is Not the Heart, Pretend I’m Dead. And second novels: Normal People (even if its extreme hype can feel a bit exhausting) and Circe are stunning.
I read some breathtaking (literally—I remember gasping at several points during all of them) story collections: Things to Make and Break by May-Lan Tan, Friday Black by Nana Kwame Adjei-Brenyah, Mothers by Chris Power (which, like Normal People, isn’t out in the U.S. yet and American readers are in for a treat).
I found solace and channels for my rage in Heather Havrilesky’s What If This Were Enough? and Rebecca Traister’s Good and Mad. I found permission and awe in Alexander Chee’s How to Write an Autobiographical Novel. I laughed with and felt endless tenderness and admiration for Caca Dolce by Chelsea Martin, and recently finished How to Murder Your Life which left me broken and wishing I could hug Cat Marnell.
This year was also full of fantastic fiction and nonfiction by some faves (Ottessa Moshfegh, Rachel Cusk, Sheila Heti, Deborah Levy, Rachel Kushner, Melissa Broder) but that, as they say, is not news by this point.
I ended the year listening to the audiobook of Becoming, which meant more than 19 hours of Michelle Obama reading me her life story, which did GOOD things to me and I recommend.
More from A Year in Reading 2018
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Don’t miss: A Year in Reading 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005
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2018 Center for Fiction First Novel Prize Shortlist Announced
The Center for Fiction First Novel Prize announced their 7-title shortlist, narrowed down from their 26-title longlist. The prize awards $10,000 to the author of the best debut novel of the calendar year.
Here is the 2018 shortlist, with bonus links where available (and several titles mentioned in our Great Book Preview!):
Asymmetry by Lisa Halliday
Confessions of the Fox by Jordy Rosenberg (Our interview with Rosenberg)
Freshwater by Akwaeke Emezi
The Parking Lot Attendant by Nafkote Tamirat
Pretend I'm Dead by Jen Beagin
There There by Tommy Orange
Trenton Makes by Tadzio Koelb
The Center for Fiction will announce the winner of the First Novel Prize in December.
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2018 Center for Fiction First Novel Prize Longlist Announced
The Center for Fiction announced their 2018 First Novel Prize longlist this morning. The award is given to the "best debut novel published between January 1 and December 31 of the award year," and the prize-winning author receives $10,000.
The Millions has a special connection to this list: our editor Lydia Kiesling made the list with her debut novel, The Golden State (out in September)!
Here is the 2018 longlist (featuring many titles from our Great Book Preview) with bonus links when applicable:
America is Not the Heart by Elaine Castillo
Asymmetry by Lisa Halliday
Brass by Xhenet Aliu
Confessions of the Fox by Jordy Rosenberg
The Devoted by Blair Hurley
The Distance Home by Paula Saunders
Freshwater by Akwaeke Emezi
Girls Burn Brighter by Shobha Rao
The Golden State by Lydia Kiesling (Read more of Lydia's work here)
If You Leave Me by Crystal Hana Kim
Inappropriation by Lexi Freiman
Number One Chinese Restaurant by Lillian Li (Our interview with Li)
The Parking Lot Attendant by Nafkote Tamirat
The Pisces by Melissa Broder (Our interview with Broder)
A Place for Us by Fatima Farheen Mirza (Featured in Garth Greenwell's Year in Reading)
Pretend I’m Dead by Jen Beagin
Restless Souls by Dan Sheehan
Sabrina by Nick Drnaso
Sadness is a White Bird by Moriel Rothman-Zecher
Self-Portrait with Boy by Rachel Lyon
Song of a Captive Bird by Jasmin Darznik
There There by Tommy Orange
Trenton Makes by Tadzio Koelb
What We Were Promised by Lucy Tan
Whiskey & Ribbons by Leesa Cross-Smith
The Wonder That Was Ours by Alice Hatcher
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