My Lost Poets: A Life in Poetry

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A Year in Reading: 2024

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Welcome to the 20th (!) installment of The Millions' annual Year in Reading series, which gathers together some of today's most exciting writers and thinkers to share the books that shaped their year. YIR is not a collection of yearend best-of lists; think of it, perhaps, as an assemblage of annotated bibliographies. We've invited contributors to reflect on the books they read this year—an intentionally vague prompt—and encouraged them to approach the assignment however they choose. In writing about our reading lives, as YIR contributors are asked to do, we inevitably write about our personal lives, our inner lives. This year, a number of contributors read their way through profound grief and serious illness, through new parenthood and cross-country moves. Some found escape in frothy romances, mooring in works of theology, comfort in ancient epic poetry. More than one turned to the wisdom of Ursula K. Le Guin. Many describe a book finding them just when they needed it. Interpretations of the assignment were wonderfully varied. One contributor, a music critic, considered the musical analogs to the books she read, while another mapped her reads from this year onto constellations. Most people's reading was guided purely by pleasure, or else a desire to better understand events unfolding in their lives or larger the world. Yet others centered their reading around a certain sense of duty: this year one contributor committed to finishing the six Philip Roth novels he had yet to read, an undertaking that he likens to “eating a six-pack of paper towels.” (Lucky for us, he included in his essay his final ranking of Roth's oeuvre.) The books that populate these essays range widely, though the most commonly noted title this year was Tony Tulathimutte’s story collection Rejection. The work of newly minted National Book Award winner Percival Everett, particularly his acclaimed novel James, was also widely read and written about. And as the genocide of Palestinians in Gaza enters its second year, many contributors sought out Isabella Hammad’s searing, clear-eyed essay Recognizing the Stranger. Like so many endeavors in our chronically under-resourced literary community, Year in Reading is a labor of love. The Millions is a one-person editorial operation (with an invaluable assist from SEO maven Dani Fishman), and producing YIR—and witnessing the joy it brings contributors and readers alike—has been the highlight of my tenure as editor. I’m profoundly grateful for the generosity of this year’s contributors, whose names and entries will be revealed below over the next three weeks, concluding on Wednesday, December 18. Be sure to subscribe to The Millions’ free newsletter to get the week’s entries sent straight to your inbox each Friday. —Sophia Stewart, editor Becca Rothfeld, author of All Things Are Too Small Carvell Wallace, author of Another Word for Love Charlotte Shane, author of An Honest Woman Brianna Di Monda, writer and editor Nell Irvin Painter, author of I Just Keep Talking Carrie Courogen, author of Miss May Does Not Exist Ayşegül Savaş, author of The Anthropologists Zachary Issenberg, writer Tony Tulathimutte, author of Rejection Ann Powers, author of Traveling: On the Path of Joni Mitchell Lidia Yuknavitch, author of Reading the Waves Nicholas Russell, writer and critic Daniel Saldaña París, author of Planes Flying Over a Monster Lili Anolik, author of Didion and Babitz Deborah Ghim, editor Emily Witt, author of Health and Safety Nathan Thrall, author of A Day in the Life of Abed Salama Lena Moses-Schmitt, author of True Mistakes Jeremy Gordon, author of See Friendship John Lee Clark, author of Touch the Future Ellen Wayland-Smith, author of The Science of Last Things Edwin Frank, publisher and author of Stranger Than Fiction Sophia Stewart, editor of The Millions A Year in Reading Archives: 2023, 2022, 202120202019201820172016201520142013,  2011201020092008200720062005

The Great Fall 2024 Book Preview

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With the arrival of autumn comes a deluge of great books. Here you'll find a sampling of new and forthcoming titles that caught our eye here at The Millions, and that we think might catch yours, too. Some we’ve already perused in galley form; others we’re eager to devour based on their authors, plots, or subject matters. We hope your next fall read is among them. —Sophia Stewart, editor October Season of the Swamp by Yuri Herrera, tr. Lisa Dillman [F] What it is: An epic, speculative account of the 18 months that Benito Juárez spent in New Orleans in 1853-54, years before he became the first and only Indigenous president of Mexico. Who it's for: Fans of speculative history; readers who appreciate the magic that swirls around any novel set in New Orleans. —Claire Kirch The Black Utopians by Aaron Robertson [NF] What it is: An exploration of Black Americans' pursuit and visions of utopia—both ideological and physical—that spans  the Reconstruction era to the present day and combines history, memoir, and reportage. Who it's for: Fans of Saidiya Hartman's Wayward Lives, Beautiful Experiments and Kristen R. Ghodsee's Everyday Utopia. —Sophia M. Stewart The Third Realm by Karl Ove Knausgaard, tr. Martin Aitken [F] What it is: The third installment in Knausgaard's Morning Star series, centered on the appearance of a mysterious new star in the skies above Norway. Who it's for: Real Knausgaard heads only—The Wolves of Eternity and Morning Star are required reading for this one. —SMS Brown Women Have Everything by Sayantani Dasgupta [NF] What it is: Essays on the contradictions and complexities of life as an Indian woman in America, probing everything from hair to family to the joys of travel. Who it's for: Readers of Durga Chew-Bose, Erika L. Sánchez, and Tajja Isen. —SMS The Plot Against Native America by Bill Vaughn [F] What it is: The first narrative history of Native American boarding schools— which aimed "civilize" Indigenous children by violently severing them from their culture— and their enduring, horrifying legacy. Who it's for: Readers of Ned Blackhawk and Kathleen DuVal. —SMS The Mighty Red by Louise Erdrich [F] What it is: Erdrich's latest novel set in North Dakota's Red River Valley is a tale of the intertwined lives of ordinary people striving to survive and even thrive in their rural community, despite environmental upheavals, the 2008 financial crisis, and other obstacles. Who it's for: Readers of cli-fi; fans of Linda LeGarde Grover and William Faulkner. —CK The Position of Spoons by Deborah Levy [NF] What it is: The second book from Levy in as many years, diverging from a recent streak of surrealist fiction with a collection of essays marked by exceptional observance and style. Who it's for: Close lookers and the perennially curious. —John H. Maher The Bog Wife by Kay Chronister [F] What it's about: The Haddesley family has lived on the same West Virginia bog for centuries, making a supernatural bargain with the land—a generational blood sacrifice—in order to do so—until an uncovered secret changes everything. Who it's for: Readers of Karen Russell and Jeff VanderMeer; anyone who has ever used the phrase "girl moss." —SMS The Great When by Alan Moore [F] What it's about: When an 18-year old book reseller comes across a copy of a book that shouldn’t exist, it threatens to upend not just an already post-war-torn London, but reality as we know it. Who it's for: Anyone looking for a Sherlock Holmes-style mystery dipped in thaumaturgical psychedelia. —Daniella Fishman The Message by Ta-Nehisi Coates [NF] What it's about: One of our sharpest critical thinkers on social justice returns to nonfiction, nearly a decade after Between the World and Me, visiting Dakar, to contemplate enslavement and the Middle Passage; Columbia, S.C., as a backdrop for his thoughts on Jim Crow and book bans; and the Israeli-occupied West Bank, where he sees contemporary segregation in the treatment of Palestinians. Who it’s for: Fans of James Baldwin, George Orwell, and Angela Y. Davis; readers of Nikole Hannah-Jones’s The 1619 Project and Isabel Wilkerson’s Caste, to name just a few engagements with national and racial identity. —Nathalie op de Beeck Abortion by Jessica Valenti [NF] What it is: Columnist and memoirist Valenti, who tracks pro-choice advocacy and attacks on the right to choose in her Substack, channels feminist rage into a guide for freedom of choice advocacy. Who it’s for: Readers of Robin Marty’s The New Handbook for a Post-Roe America, #ShoutYourAbortion proponents, and followers of Jennifer Baumgartner’s [I Had an Abortion] project. —NodB Gifted by Suzuki Suzumi, tr. Allison Markin Powell [F] What it's about: A young sex worker in Tokyo's red-light district muses on her life and recounts her abusive mother's final days, in what is Suzuki's first novel to be translated into English. Who it's for: Readers of Susan Boyt and Mieko Kanai; fans of moody, introspective fiction; anyone with a fraught relationship to their mother. —SMS Childish Literature by Alejandro Zambra, tr. Megan McDowell [F] What it is: A wide-ranging collection of stories, essays, and poems that explore childhood, fatherhood, and family. Who it's for: Fans of dad lit (see: Lucas Mann's Attachments, Keith Gessen's Raising Raffi, Karl Ove Knausgaard's seasons quartet, et al). —SMS Books Are Made Out of Books ed. Michael Lynn Crews [NF] What it is: A mining of the archives of the late Cormac McCarthy with a focus on the famously tight-lipped author's literary influences. Who it's for: Anyone whose commonplace book contains the words "arquebus," "cordillera," or "vinegaroon." —JHM Slaveroad by John Edgar Wideman [F] What it is: A blend of memoir, fiction, and history that charts the "slaveroad" that runs through American history, spanning the Atlantic slave trade to the criminal justice system, from the celebrated author of Brothers and Keepers. Who it's for: Fans of Clint Smith and Ta-Nehisi Coates. —SMS Linguaphile by Julie Sedivy [NF] What it's about: Linguist Sedivy reflects on a life spent loving language—its beauty, its mystery, and the essential role it plays in human existence. Who it's for: Amateur (or professional) linguists; fans of the podcast A Way with Words (me). —SMS An Image of My Name Enters America by Lucy Ives [NF] What it is: A collection of interrelated essays that connect moments from Ives's life to larger questions of history, identity, and national fantasy, Who it's for: Fans of Ives, one of our weirdest and most wondrous living writers—duh; anyone with a passing interest in My Little Pony, Cold War–era musicals, or The Three Body Problem, all of which are mined here for great effect. —SMS Women's Hotel by Daniel Lavery [F] What it is: A novel set in 1960s New York City, about the adventures of the residents of a hotel providing housing for young women that is very much evocative of the real-life legendary Barbizon Hotel. Who it's for: Readers of Mary McCarthy's The Group and Rona Jaffe's The Best of Everything. —CK The World in Books by Kenneth C. Davis [NF] What it is: A guide to 52 of the most influential works of nonfiction ever published, spanning works from Plato to Ida B. Wells, bell hooks to Barbara Ehrenreich, and Sun Tzu to Joan Didion. Who it's for: Lovers of nonfiction looking to cover their canonical bases. —SMS Blue Light Hours by Bruna Dantas Lobato [F] What it's about: Through the emanating blue-glow of their computer screens, a mother and daughter, four-thousand miles apart, find solace and loneliness in their nightly Skype chats in this heartstring-pulling debut. Who it's for: Someone who needs to be reminded to CALL YOUR MOTHER! —DF Riding Like the Wind by Iris Jamahl Dunkle [NF] What it is: The biography of Sanora Babb, a contemporary of John Steinbeck's whose field notes and interviews with Dust Bowl migrants Steinbeck relied upon to write The Grapes of Wrath. Who it's for: Steinbeck fans and haters alike; readers of Kristin Hannah's The Four Winds and the New York Times Overlooked column; anyone interested in learning more about the Dust Bowl migrants who fled to California hoping for a better life. —CK Innie Shadows by Olivia M. Coetzee [F] What it is: a work of crime fiction set on the outskirts of Cape Town, where a community marred by violence seeks justice and connection; also the first novel to be translated from Kaaps, a dialect of Afrikaans that was until recently only a spoken language. Who it's for: fans of sprawling, socioeconomically-attuned crime dramas a la The Wire. —SMS Dorothy Parker in Hollywood by Gail Crowther [NF] What it is: A history of the famous wit—and famous New Yorker—in her L.A. era, post–Algonquin Round Table and mid–Red Scare. Who it's for: Owners of a stack of hopelessly dog-eared Joan Didion paperbacks. —JHM The Myth of American Idealism by Noam Chomsky and Nathan J. Robinson [NF] What it is: A potent critique of the ideology behind America's foreign interventions and its status as a global power, and an treatise on how the nation's hubristic pursuit of "spreading democracy" threatens not only the delicate balance of global peace, but the already-declining health of our planet. Who it's for: Chomskyites; policy wonks and casual critics of American recklessness alike. —DF Mysticism by Simon Critchley [NF] What it is: A study of mysticism—defined as an experience, rather than religious practice—by the great British philosopher Critchley, who mines music, poetry, and literature along the way. Who it's for: Readers of John Gray, Jorge Luis Borges, and Simone Weil. —SMS Q&A by Adrian Tomine [NF] What it is: The Japanese American creator of the Optic Nerve comic book series for D&Q, and of many a New Yorker cover, shares his personal history and his creative process in this illustrated unburdening. Who it’s for: Readers of Tomine’s melancholic, sometimes cringey, and occasionally brutal collections of comics short stories including Summer Blonde, Shortcomings, and Killing and Dying. —NodB Sonny Boy by Al Pacino [NF] What it is: Al Pacino's memoir—end of description. Who it's for: Cinephiles; anyone curious how he's gonna spin fumbling Diane Keaton. —SMS Seeing Baya by Alice Kaplan [NF] What it is: The first biography of the enigmatic and largely-forgotten Algerian artist Baya Mahieddine, who first enchanted midcentury Paris as a teenager. Who it's for: Admirers of Leonora Carrington, Hilma af Klint, Frida Kahlo, and other belatedly-celebrated women painters. —SMS Absolution by Jeff VanderMeer [F] What it is: A surprise return to the Area X, the stretch of unforbidding and uncanny coastline in the hit Southern Reach trilogy. Who it's for: Anyone who's heard this song and got the reference without Googling it. —JHM The Four Horsemen by Nick Curtola [NF] What it is: The much-anticipated cookbook from the team behind Brooklyn's hottest restaurant (which also happens to be co-owned by James Murphy of LCD Soundsystem). Who it's for: Oenophiles; thirty-somethings who live in north Williamsburg (derogatory). —SMS Seeing Further by Esther Kinsky, tr. Caroline Schmidt [F] What it's about: An unnamed German woman embarks on the colossal task of reviving a cinema in a small Hungarian village. Who it's for: Fans of Jenny Erpenbeck; anyone charmed by Cinema Paradiso (not derogatory!). —SMS Ripcord by Nate Lippens [NF] What it's about: A novel of class, sex, friendship, and queer intimacy, written in delicious prose and narrated by a gay man adrift in Milwaukee. Who it's for: Fans of Brontez Purnell, Garth Greenwell, Alexander Chee, and Wayne Koestenbaum. —SMS The Use of Photography by Annie Ernaux and Marc Marie, tr. Alison L. Strayer [NF] What it's about: Ernaux's love affair with Marie, a journalist, while she was undergoing treatment for cancer, and their joint project to document their romance. Who it's for: The Ernaux hive, obviously; readers of Sontag's On Photography and Janet Malcolm's Still Pictures. —SMS Nora Ephron at the Movies by Ilana Kaplan [NF] What it is: Kaplan revisits Nora Ephron's cinematic watersheds—Silkwood, Heartburn, When Harry Met Sally, You've Got Mail, and Sleepless in Seattle—in this illustrated book. Have these iconic stories, and Ephron’s humor, weathered more than 40 years? Who it’s for: Film history buffs who don’t mind a heteronormative HEA; listeners of the Hot and Bothered podcast; your coastal grandma. —NodB [millions_email] The Philosophy of Translation by Damion Searls [NF] What it is: A meditation on the act and art of translation by one of today's most acclaimed practitioners, best known for his translations of Fosse, Proust, et al. Who it's for: Regular readers of Words Without Borders and Asymptote; professional and amateur literary translators alike. —SMS Salvage by Dionne Brand  What it is: A penetrating reevaluation of the British literary canon and the tropes once shaped Brand's reading life and sense of self—and Brand’s first major work of nonfiction since her landmark A Map to the Door of No Return. Who it's for: Readers of Christina Sharpe's Ordinary Notes and Elizabeth Hardwick's Seduction and Betrayal. —SMS Masquerade by Mike Fu [F] What it's about: Housesitting for an artist friend in present-day New York, Meadow Liu stumbles on a novel whose author shares his name—the first of many strange, haunting happenings that lead up to the mysterious disappearance of Meadow's friend. Who it's for: fans of Ed Park and Alexander Chee. —SMS November The Beggar Student by Osamu Dazai, tr. Sam Bett [F] What it is: A novella in the moody vein of Dazai’s acclaimed No Longer Human, following the 30-something “fictional” Dazai into another misadventure spawned from a hubristic spat with a high schooler. Who it's for: Longtime readers of Dazai, or new fans who discovered the midcentury Japanese novelist via TikTok and the Bungo Stray Dogs anime. —DF In Thrall by Jane DeLynn [F] What it is: A landmark lesbian bildungsroman about 16-year-old Lynn's love affair with her English teacher, originally published in 1982. Who it's for: Fans of Joanna Russ's On Strike Against God and Edmund White's A Boy's Own Story —SMS Washita Love Child by Douglas Kent Miller [NF] What it is: The story of Jesse Ed Davis, the Indigenous musician who became on of the most sought after guitarists of the late '60s and '70s, playing alongside B.B. King, Bob Dylan, John Lennon, and more. Who it's for: readers of music history and/or Indigenous history; fans of Joy Harjo, who wrote the foreword. —SMS Set My Heart on Fire by Izumi Suzuki, tr. Helen O'Horan [F] What it is: Gritty, sexy, and wholly rock ’n’ roll, Suzuki’s first novel translated into English (following her story collection, Hit Parade of Tears) follows 20-year-old Izumi navigating life, love, and music in the underground scene in '70s Japan. Who it's for: Fans of Meiko Kawakami, Ursula K. Le Guin, and Marlowe Granados's Happy Hour. —DF Didion & Babitz by Lili Anolik [NF] What it is: A dual portrait of Joan Didion and Eve Babitz, who are so often compared to—and pitted against—each other on the basis of their mutual Los Angeles milieu. Who it's for: Fans or haters of either writer (the book is fairly pro-Babitz, often at Didion's expense); anyone who has the Lit Hub Didion tote bag. —SMS The Endless Refrain by David Rowell [NF] What it's about: How the rise of music streaming, demonitizing of artist revenue, and industry tendency toward nostalgia have laid waste to the musical landscape, and the future of music culture. Who it's for: Fans of Kyle Chayka, Spence Kornhaber, and Lindsay Zoladz. —SMS Every Arc Bends Its Radian by Sergio De La Pava [F] What it is: A mind- and genre-bending detective story set in Cali, Colombia, that blends high-stakes suspense with rigorous philosophy. Who it's for: Readers of Raymond Chandler, Thomas Pynchon, and Jules Verne. —SMS Something Close to Nothing by Tom Pyun [F] What it’s about: At the airport with his white husband Jared, awaiting a flight to Cambodia to meet the surrogate mother carrying their adoptive child-to-be, Korean American Wynn decides parenthood isn't for him, and bad behavior ensues. Who it’s for: Pyun’s debut is calculated to cut through saccharine depictions of queer parenthood—could pair well with Torrey Peters’s Detransition, Baby. —NodB Rosenfeld by Maya Kessler [F] What it is: Kessler's debut—rated R for Rosenfeld—follows one Noa Simmons through the tumultuous and ultimately profound power play that is courting (and having a lot of sex with) the titular older man who soon becomes her boss. Who it's for: Fans of Sex and the City, Raven Leilani’s Luster, and Coco Mellor’s Cleopatra and Frankenstein. —DF Lazarus Man by Richard Price [F] What it is: The former The Wire writer offers yet another astute chronicle of urban life, this time of an ever-changing Harlem. Who it's for: Fans of Colson Whitehead's Crook Manifesto and Paul Murray's The Bee Sting—and, of course, The Wire. —SMS Stranger Than Fiction by Edwin Frank [NF] What it is: An astute curveball of a read on the development and many manifestations of the novel throughout the tumultuous 20th century. Who it's for: Readers who look at a book's colophon before its title. —JHM Letters to His Neighbor by Marcel Proust, tr. Lydia Davis What it is: A collection of Proust’s tormented—and frequently hilarious—letters to his noisy neighbor which, in a diligent translation from Davis, stand the test of time. Who it's for: Proust lovers; people who live below heavy-steppers. —DF Context Collapse by Ryan Ruby [NF] What it is: A self-proclaimed "poem containing a history of poetry," from ancient Greece to the Iowa Workshop, from your favorite literary critic's favorite literary critic. Who it's for: Anyone who read and admired Ruby's titanic 2022 essay on The Waste Land; lovers of poetry looking for a challenge. —SMS How Sondheim Can Change Your Life by Richard Schoch [NF] What it's about: Drama professor Schoch's tribute to Stephen Sondheim and the life lessons to be gleaned from his music. Who it's for: Sondheim heads, former theater kids, end of list. —SMS The Serviceberry by Robin Wall Kimmerer [NF] What it is: 2022 MacArthur fellow and botanist Kimmerer, an enrolled member of the Citizen Potawatomi Nation, (re)introduces audiences to a flowering, fruiting native plant beloved of foragers and gardeners. Who it’s for: The restoration ecologist in your life, along with anyone who loved Braiding Sweetgrass and needs a nature-themed holiday gift. —NodB My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor by Homeless [F] What it is: A pseudonymous, tenderly comic novel of blue whales and Golden Arches, mental illness and recovery. Who it's for: Anyone who finds Thomas Pynchon a bit too staid. —JHM Yoke and Feather by Jessie van Eerden [NF] What it's about: Van Eerden's braided essays explore the "everyday sacred" to tease out connections between ancient myth and contemporary life. Who it's for: Readers of Courtney Zoffness's Spilt Milk and Jeanna Kadlec's Heretic. —SMS Camp Jeff by Tova Reich [F] What it's about: A "reeducation" center for sex pests in the Catskills, founded by one Jeffery Epstein (no, not that one), where the dual phenomena of #MeToo and therapyspeak collide. Who it's for: Fans of Philip Roth and Nathan Englander; cancel culture skeptics. —SMS Selected Amazon Reviews by Kevin Killian [NF] What it is: A collection of 16 years of Killian’s funniest, wittiest, and most poetic Amazon reviews, the sheer number of which helped him earn the rarefied “Top 100” and “Hall of Fame” status on the site. Who it's for: Fans of Wayne Koestenbaum and Dodie Bellamy, who wrote introduction and afterword, respectively; people who actually leave Amazon reviews. —DF Cher by Cher [NF] What it is: The first in a two-volume memoir, telling the story of Cher's early life and ascendent career as only she can tell it. Who it's for: Anyone looking to fill the My Name Is Barbra–sized hole in their heart, or looking for something to tide them over until the Liza memoir drops. —SMS The City and Its Uncertain Walls by Haruki Murakami, tr. Philip Gabriel [F] What it is: Murakami’s first novel in over six years returns to the high-walled city from his 1985 story "Hard-Boiled Wonderland and the End of the World" with one man's search for his lost love—and, simultaneously, an ode to libraries and literature itself. Who it's for: Murakami fans who have long awaited his return to fiction.  —DF American Bulk by Emily Mester [NF] What it's about: Reflecting on what it means to "live life to the fullest," Mester explores the cultural and personal impacts of America’s culture of overconsumption, from Costco hauls to hoarding to diet culture—oh my! Who it's for: Lovers of sustainability; haters of excess; skeptics of the title essay of Becca Rothfeld's All Things Are Too Small. —DF The Icon and the Idealist by Stephanie Gorton [NF] What it is: A compelling look at the rivalry between Margaret Sanger, of Planned Parenthood fame, and Mary Ware Dennett, who each held radically different visions for the future of birth control. Who it's for: Readers of Amy Sohn's The Man Who Hated Women and Katherine Turk's The Women of NOW; anyone interested in the history of reproductive rights. —SMS December Rental House by Weike Wang [F] What it's about: Married college sweethearts invite their drastically different families on a Cape Code vacation, raising questions about marriage, intimacy, and kinship. Who it's for: Fans of Wang's trademark wit and sly humor (see: Joan Is Okay and Chemistry); anyone with an in-law problem. Woo Woo by Ella Baxter [F] What it's about: A neurotic conceptual artist loses her shit in the months leading up to an exhibition that she hopes will be her big breakout, poking fun at the tropes of the "art monster" and the "woman of the verge" in one fell, stylish swoop. Who it's for: Readers of Sheena Patel's I'm a Fan and Chris Kraus's I Love Dick; any woman who is grateful to but now also sort of begrudges Jenny Offil for introducing "art monster" into the lexicon (me). —SMS Berlin Atomized by Julia Kornberg, tr. Jack Rockwell and Julia Kornberg [F]  What it's about: Spanning 2001 to 2034, three Jewish and downwardly mobile siblings come of age in various corners of the world against the backdrop of global crisis. Who it's for: Fans of Catherine Lacey's Biography of X and Joshua Cohen's The Netanyahus. —SMS Sand-Catcher by Omar Khalifah, tr. Barbara Romaine [F] What it is: A suspenseful, dark satire of memory and nation, in which four young Palestinian journalists at a Jordanian newspaper are assigned to interview an elderly witness to the Nakba, the violent 1948 expulsion of native Palestinians from Israel—but to their surprise, the survivor doesn’t want to rehash his trauma for the media. Who it’s for: Anyone looking insight—tinged with grim humor—into the years leading up to the present political crisis in the Middle East and the decades-long goal of Palestinian autonomy. —NodB The Shutouts by Gabrielle Korn [F] What it's about: In the dystopian future, mysteriously connected women fight to survive on the margins of society amid worsening climate collapse. Who it's for: Fans of Korn's Yours for the Taking, which takes place in the same universe; readers of Becky Chambers and queer-inflected sci-fi. —SMS What in Me Is Dark by Orlando Reade [NF] What it's about: The enduring, evolving influence of Milton's Paradise Lost on political history—and particularly on the work of 12 revolutionary readers, including Malcom X and Hannah Arendt. Who it's for: English majors and fans of Ryan Ruby and Sarah Bakewell—but I repeat myself. —SMS The Afterlife Is Letting Go by Brandon Shimoda [NF] What it's about: Shimoda researches the mass incarceration of Japanese Americans during WWII, and speaks with descendants of those imprisoned, for this essay collection about the “afterlife” of cruelty and xenophobia in the U.S. Who it’s for: Anyone to ever visit a monument, museum, or designated site of hallowed ground where traumatic events have taken place. —NodB No Place to Bury the Dead by Karina Sainz Borgo, tr. Elizabeth Bryer [F] What it's about: When Angustias Romero loses both her children while fleeing a mysterious disease in her unnamed Latin American country, she finds herself in a surreal, purgatorial borderland where she's soon caught in a power struggle. Who it's for: Fans of Maríana Enriquez and Mohsin Hamid. —SMS The Rest Is Silence by Augusto Monterroso, tr. Aaron Kerner [F] What it is: The author of some of the shortest, and tightest, stories in Latin American literature goes long with a metafictional skewering of literary criticism in his only novel. Who it's for: Anyone who prefers the term "palm-of-the-hand stories" to "flash fiction." —JHM Tali Girls by Siamak Herawi, tr. Sara Khalili [F] What it is: An intimate, harrowing, and vital look at the lives of girls and women in an Afghan mountain village under Taliban rule, based on true stories. Who it's for: Readers of Nadia Hashimi, Akwaeke Emezi, and Maria Stepanova. —SMS Sun City by Tove Jansson, tr. Thomas Teal [F] What it's about: During her travels through the U.S. in the 1970s, Jansson became interested in the retirement home as a peculiarly American institution—here, she imagines the tightly knit community within one of them. Who it's for: Fans of Jansson's other fiction for adults, much of which explores the lives of elderly folks; anyone who watched that documentary about The Villages in Florida. —SMS Editor's note: We're always looking to make our seasonal book previews more useful to the readers, writers, and critics they're meant to serve. Got an idea for how we can improve our coverage? Tell me about it at sophia@themillions.com. [millions_email]

November Preview: The Millions Most Anticipated (This Month)

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We wouldn't dream of abandoning our vast semi-annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around).  Here's what we're looking out for this month -- for more November titles, check out the Great Second-Half 2016 Fiction and Non-Fiction Previews. November Swing Time by Zadie Smith: The Orange Prize-winning author of White Teeth and On Beauty returns with a masterful new novel. Set in North West London and West Africa, the book is about two girls who dream of being dancers, the meaning of talent, and blackness. (Bruna)     Moonglow by Michael Chabon: We’ve all had that relative who spills their secrets on their deathbed, yet most of us don’t think to write them down. Chabon was 26 years old, already author of The Mysteries of Pittsburgh, when he went to see his grandfather for the last time only to hear the dying man reveal buried family stories. Twenty-six years later and the Pulitzer Prize winner’s eighth novel is inspired by his grandfather’s revelations. A nearly 500-page epic, Moonglow explores the war, sex, and technology of mid-century America in all its glory and folly. It’s simultaneously Chabon’s most imaginative and personal work to date. (Tess) Fish in Exile by Vi Khi Nao: A staggering tale of the death of a child, this novel is a poetic meditation on loss, the fluidity of boundaries, and feeling like a fish out of water. Viet Thanh Nguyen has described it as a “jagged and unforgettable work [that] takes on a domestic story of losing one’s children and elevates it to Greek tragedy.” (Bruna)     Virgin and Other Stories by April Ayers Lawson: Lawson’s magazine debut was in the Paris Review with the title story of the collection. Other stories like “Three Friends in a Hammock” have appeared in the Oxford American. Fans of Jamie Quatro’s I Want to Show You More will be drawn to Lawson’s lyric, expansive dramatizations of Southern evangelical Christians, as she straddles the intersection of sexuality and faith. Her sentences, so sharp, are meant to linger: “The problem with marrying a virgin, he realized now, was that you were marrying a girl who would become a woman only after the marriage.” (Nick R.) Valiant Gentleman by Sabina Murray: PEN/Faulkner Award-winner (The Caprices) Murray returns with her latest novel Valiant Gentlemen. Murray’s first novel, Slow Burn, was published when she was just 20 years old. Currently the chair of the creative writing department at UMass Amherst, Murray has also received fellowships from the Radcliffe Institute, the National Endowment for the Arts, and the Guggenheim Foundation. Her sixth book (seventh, including her screenplay), Valiant Gentlemen follows a friendship across four decades and four continents. Alexander Chee writes, “This novel is made out of history but is every bit a modern marvel.” (Cara) Collected Stories by E.L. Doctorow: Written between the 1960s to the early years of this century, the 15 stories in this collection were selected, revised, and placed in order by the masterly Doctorow shortly before he died in 2015 at age 84. The stories feature a mother whose plan for financial independence might include murder; a teenager who escapes home for Hollywood; a man who starts a cult using subterfuge and seduction; and the denizens of the underbelly of 1870s New York City, which grew into the novel The Waterworks. They are the geniuses, mystics, and charlatans who offer both false hope and glimpses of Doctorow’s abiding subject, that untouchable myth known as the American dream. (Bill) Thus Bad Begins by Javier Marías: Marías, one of Spain’s contemporary greats, is nothing if not prolific. In this, his 14th novel, personal assistant Juan de Vere watches helplessly as his life becomes tangled in the affairs of his boss, a producer of B-movies and general sleaze. Set in a 1980’s Madrid in the throes of the post-Francisco Franco hedonism of La Movida, a period in which social conservatism began to crumble in the face of a wave of creativity and experiment, the novel calls to mind Christopher Isherwood’s The Berlin Stories and the paranoid decadence of Weimar Germany. Spying and the intersection of the domestic with the historical/political isn’t new territory for Marías, and fans of of his earlier work will be as pleased as Hari Kunzru at The Guardian, who called Thus Bad Begins a “demonstration of what fiction at its best can achieve.” (Brian) These are the Names by Tommy Wieringa: Winner of the Libris Prize (the "Dutch Booker") and now published in translation by Sam Garrett (Herman Koch's translator), this is "a moody, brilliantly ironic saga following a group of starving refugees on a harrowing quest for survival in the Eurasian steppes." (Lydia)     My Lost Poets by Philip Levine: In this posthumous essay collection from one of our pre-eminent poets, Levine writes about composing poems as a child, studying with John Berryman, the influence of Spanish poets on his work, his idols and mentors, and his many inspirations: jazz, Spain, Detroit, and masters of the form like William Wordsworth and John Keats. (Hannah)     Writing to Save a Life by John Edgar Wideman: Ten years before Emmett Till was brutally lynched for supposedly whistling at a white woman in Mississippi, his father Louis was executed by the U.S. army for rape and murder. Wideman, who was the same age as Emmett Till, just 14, the year he was murdered, mixes memoir and historical research in his exploration of the eerily twinned executions of the two Till men. A Rhodes Scholar and MacArthur “genius grant” recipient, Wideman knows all too well what it means to have a close relative accused of a violent crime: his son, Jacob, and his brother, Robert, were both convicted of murder. (Michael) Searching for John Hughes by Jason Diamond: Diamond has established himself as an authority on/gently obsessive superfan of John Hughes with pieces on the filmmaker for Buzzfeed and The Atlantic (from where I learned the shameful fact that John Hughes was responsible for the movie Flubber in addition to his suite of beloved suburban-white-kid films). Diamond’s Hughes interest stretches back to his time as an aspiring, and doomed, Hughes biographer. Diamond commemorates this journey through a memoir and cultural history of a brief, vanished moment in the Chicagoland suburbs. (Lydia)   Am I Alone Here by Peter Orner: A book about books, or “a book of unlearned criticism that stumbles into memoir" by novelist Orner. Read Orner's thoughts on writing, social media, and self-promotion for The Millions here.      

Octogenarian Hotties

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1. American book publishers have forever been on the lookout for the next hot young thing. In a country built by people who shucked the old world in favor of a new one they got to make up on the fly, this hunger for newness -- in books and just about everything else -- was probably an inevitable strain of the national character. And it hasn’t been an entirely bad thing. A very cursory list of American writers who got published before they turned 25 includes Truman Capote, Michael Chabon, Bret Easton Ellis, Jonathan Safran Foer, Langston Hughes, Norman Mailer, Carson McCullers, Karen Russell, Gore Vidal, and David Foster Wallace. Not a single dog in that pack. But for every hot young thing who went on to a long and venerable career, there are dozens, hundreds, who blazed briefly and then vanished. Moreover, publishing’s abiding obsession with fresh voices ignores a curious fact about our current literary scene: a startling number of the finest writers at work today are not twentysomethings; they’re eightysomethings. Yes, we’re witnessing the unlikely rise of the octogenarian hottie. (Fellow staff writer Sonya Chung explores and celebrates the work of later-in-life writers at our sister site, Bloom.) Here are sketches of a half-dozen members of this implausibly durable and prolific tribe. 2. Gay Talese At the age of 84, Gay Talese has just published his 14th work of non-fiction. As we have come to expect from one of our greatest living journalists, The Voyeur’s Motel is richly reported, elegantly written -- and deeply disturbing. Above all, it’s a testament to the payoffs when a skilled reporter stays in for the long haul. Talese, who once wrote for and then wrote a book about our newspaper of record, calls himself “a man of record.” In bulging file cabinets in his subterranean bunker in New York City, he tucks away every scrap of research for possible use at a later date. He discards nothing because he understands that everything has the potential to become a story. This obsessive collecting accounts for the existence of The Voyeur’s Motel. The titular character is Gerald Foos, who bought a motel near Denver in the 1960s for the express purpose of spying on his guests. He cut holes in the ceilings of several rooms, then installed fake vents that allowed him to climb into the attic and observe everything that happened in the rooms below. In 1980, Foos wrote an anonymous letter about his project to Talese, who was about to publish his best-seller about sex in America, Thy Neighbor’s Wife. “I did this purely out of my unlimited curiosity about people and not just as some deranged voyeur,” Foos wrote, adding, “I have logged an accurate record of the majority of the individuals that I have watched, and compiled interesting statistics on each…” Intrigued, Talese eventually visited the Manor House Motel and accompanied Foos into his attic observatory for several voyeuristic sessions. But since Foos was not willing to reveal his identity -- and since Talese insists on using real names -- the notes went into Talese’s file cabinets, along with the copious journal entries Foos began to send. Foos insisted that his retrofitted motel was not the lair of “some pervert or Peeping Tom,” but rather “the finest laboratory in the world for observing people in their natural state.” He saw himself as a “pioneering sex researcher” in a league with Masters and Johnson. Foos’s journals chronicled every imaginable kind of participant in every imaginable scenario: sex between happily and unhappily married couples, group sex, swingers, cross-dressers, a nun, drug dealers, prostitutes, con artists, wounded Vietnam veterans, and one guy who had sex with a teddy bear. Foos even witnessed a murder. But since the voyeur remained unwilling to go on the record, Talese filed away the journal entries and eventually forgot about Gerald Foos. Then in 2013 -- 33 years after he first wrote to Talese, and several years after he sold his two motels -- Foos called Talese to announce that he was finally willing to go public with his story. Talese was ready. He had everything he needed in chronological order in his file cabinets, including the fact that the voyeur’s experiment became a long slide into misanthropy. After decades of peeping, Foos concluded: “People are basically dishonest and unclean; they cheat and lie and are motivated by self-interest. They are part of a fantasy world of exaggerators, game players, tricksters, intriguers, thieves, and people in private who are never what they portray themselves as being in public.” When Talese made one last research trip to Colorado in the summer of 2015, Foos took him to the site of the recently demolished Manor House Motel. Foos was hoping to find a souvenir in the fenced-in platter of dirt, but after a while he gave up. When his wife suggested they go home, he said, “Yes, I’ve seen enough.” There was to be one major hiccup. As the book was going to press, a Washington Post reporter dug up the fact that Gerald Foos had failed to tell Talese that he had sold his the Manor House Motel and then repurchased it in the 1980s -- after the events recorded in The Voyeur’s Motel. Talese warned in the book that Foos could be “an inaccurate and unreliable narrator,” adding, “I cannot vouch for every detail that he recounts in his manuscript.” Despite these clear caveats, Talese blurted to a Post reporter that his book’s credibility was “down the toilet” and he would not be promoting it. Happily, Talese quickly came to his senses and disavowed his disavowal, then vigorously set about promoting a book that only a “man of record” and a gifted journalist could have written. Cynthia Ozick At the age of 88 -- “piano keys,” as she merrily puts it -- Cynthia Ozick has just published her seventh volume of criticism, Critics, Monsters, Fanatics, and Other Literary Essays, the yin to the yang of her high-minded novels (read our interview with Ozick here). A self-proclaimed “fanatic” in the cause of literature, Ozick is not ashamed to be wistful about the passing of a time when “the publication of a serious literary novel was an exuberant communal event.” In a sense, Ozick is a keeper of a guttering flame, but she presses on, living in the bedroom community of New Rochelle where she has lived since the 1960s, not far from her girlhood home in the Bronx. She rarely ventures beyond the neighborhood supermarket these days, and she still writes late into the night at the Sears, Roebuck desk she has owned since childhood. One sign of greatness in a writer of fiction is the ability to make readers care about characters and worlds that would ordinarily be of no interest to them. I approached Ozick’s 2004 novel, Heir to the Glimmering World, with more than a little trepidation. It’s the story of a young woman named Rose Meadows who accepts a job as assistant to Rudolf Mitwisser, an imposing scholar of a medieval Jewish heresy known as Karaism. The novel unfolds in the Bronx in the mid-1930s, amid an enclave of refugees from Europe’s gathering storm. Not exactly my kind of set-up, but my trepidation vanished before I reached the bottom of the first page. I was beguiled, swept away. The publication of that novel also served as a reminder that Ozick can be funny in a brazen, Buster-Keaton kind of way. Thirty-eight years after publishing her first novel, Ozick got sent out on her first book tour to promote Heir, a form of exquisite torture and humiliation that she chronicled for the New York Times in a story that should be required reading for every aspiring novelist and every comedy writer. Yes, high literature may be all but dead in America, but it helps that a keeper of the flame is still able to make us laugh out loud. Toni Morrison Last year, at the age of 84, Toni Morrison, our only living Nobel laureate, published a slender novel called God Help the Child. Unlike her previous 10 novels, this one avoids large historical themes -- particularly slavery and its unending repercussions -- and instead tells a fable-like story of a well-off cosmetics executive named Bride living in modern-day California. The damage done to children has been an abiding preoccupation of Morrison’s, going all the way back to her first novel, The Bluest Eye, in which an 11-year-old girl is pregnant after being raped by her father. In God Help the Child the damage is less brutal but no less insidious. Bride’s mother, Sweetness, was instantly and forever appalled by her daughter’s dark skin: “It didn’t take more than an hour after they pulled her out from between my legs to realize something was wrong. Really wrong. She was so black she scared me. Midnight black, Sudanese black.” While God Help the Child is not Morrison’s finest work -- how many novels rise to the level of Beloved? -- it offers an insight into the sources of one writer’s late-career flowering. Arthritis has put Morrison in a wheelchair, and writing is not only a way out of physical pain, but a way to control her world. As she told The New York Times Magazine last year: I know how to write forever. I don’t think I could have happily stayed here in the world if I did not have a way of thinking about it, which is what writing is for me. It’s control… Nothing matters more in the world or in my body or anywhere when I’m writing. It is dangerous because I’m thinking up dangerous, difficult things, but it is also extremely safe for me to be in that place. Philip Levine This fall, nearly two years after he died at the age of 87, the poet Philip Levine will posthumously publish a slim but sumptuous miscellany called My Lost Poets: A Life in Poetry. A former U.S. poet laureate who came up through the infernos of his native Detroit’s auto factories, Levine was productive right up to the end of his long life, producing the essays, speeches, journal entries and verse fragments that make up this welcome new collection. It is, in essence, the story of how one poet got made, and it’s best read in tandem with Levine’s only other book of prose, The Bread of Time: Toward an Autobiography, from 1994. The new book offers a lovely description of Levine’s very first poems, composed when he was a teenager, at night, in woods near his home in Detroit. He called them “secret little speeches addressed to the moon.” Years later, on a return visit to his hometown, Levine encounters an elderly black man who is scratching out a garden and an existence amid the city’s ruins. As the two men talk, life and poetry merge. As Levine put it: “There are those rare times in my life when I know that what I’m living is in a poem I’ve still to write.” Joan Didion Now 81, Joan Didion has produced three fairly recent memoirs that prove beyond all doubt that she is a master stylist and one of our keenest social observers. The first of the three books, Where I Was From, is my favorite, a cold-eyed reassessment of the myths and assumptions Didion once held about her family and her native California, what she now scorns as “the local dreamtime.” The other two books, The Year of Magical Thinking and Blue Nights, are unflinching dissections of the grief Didion lived through after the deaths of her husband and daughter. Bravery, it turns out, is not the exclusive province of the young. Lawrence Ferlinghetti At the age of 97 -- which makes him the only nonagenarian in this tribe -- the poet, publisher and painter Lawrence Ferlinghetti is shopping a new book called To the Lighthouse, a surrealistic blend of fiction and autobiography. Ferlinghetti, who has published some 50 volumes of poetry, including the million-copy-seller A Coney Island of the Mind, is still represented by his long-time literary agent Sterling Lord, who is a spry 95. 3. So why is it that some writers dry up while others keep producing good work deep into the twilight of their lives? There is no single reason for this late-career productivity, just as there is no single approach that unifies these writers. Talese and Ozick continue to plow the same furrows they’ve been plowing for decades, to great effect. For Morrison, writing is a way to escape physical pain and assert control. For Levine and Didion, the late years became a time of looking back, of revisiting origins and reassessing beliefs. For Ferlinghetti, it’s a chance to explore a new form. If their motivations and methods vary, it’s safe to say that all of these writers share Morrison’s need to write forever, that they’re in the grip of what the writer Roger Rosenblatt has called “the perpetually evolving yearning.” There will always be something new to say, maybe even some new way to say it. In his posthumous collection of essays, On Late Style: Music and Literature Against the Grain, Edward Said contended that late-life work isn’t always a summing up, or a display of accumulated wisdom, or a reassessment; it can also be “a form of exile” marked by “intransigence, difficulty and unresolved contradiction.” Said cited Jean Genet and Ludwig von Beethoven, among others, as exemplars of this intransigence. Late style can also be a response to the breakdown of the body, as when Henri Matisse underwent colon surgery at age 71 and, no longer able to stand and work at an easel, gleefully embarked on what he called his “second life,” a 13-year flurry when he sat in a wheelchair and used simple scissors and sheets of colored paper to create the ebullient, child-like cutouts that would become the exclamation point of his long career. He kept at it until he suffered a fatal heart attack at the age of 84. The painter Chuck Close, who underwent a major stylistic shift of his own in his mid-70s, recently said, “The late stage can be very interesting. Had Matisse not done the cutouts, we would not know who he was.” The above list doesn’t pretend to be exhaustive. It omits countless octogenarians who are still doing fine work, as well as writers who were productive until they died in their 80s (and beyond), including: Maya Angelou, who died at 86 in 2014; the poet John Ashbery, still prolific at 89; Saul Bellow, who died at 89 in 2005; E.L. Doctorow, who died last year at 84 and will posthumously publish his Collected Stories next year; Elizabeth Hardwick, who died at 91 in 2007; Gabriel García Márquez, who died at 87 in 2014; the Canadian short story master and Nobel laureate, Alice Munro, still working at 85; Philip Roth, (who is currently in retirement but was productive into his 80s); James Salter, who died last year at 90; and Tom Wolfe (85). As different as these writers are, they do have one thing in common: they were all in for the long haul, and they all found a way to keep up the good work. Image: Wikipedia, Girolamo Nerli

Most Anticipated, Too: The Great Second-Half 2016 Nonfiction Book Preview

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Last week, we previewed 93 works of fiction due out in the second half of 2016. Today, we follow up with 44 nonfiction titles coming out in the next six months, ranging from a new rock memoir by Bruce Springsteen to a biography of one our country’s most underrated writers, Shirley Jackson, by critic Ruth Franklin. Along the way, we profile hotly anticipated titles by Jesmyn Ward, Tom Wolfe, Teju Cole, Jennifer Weiner, Michael Lewis, our own Mark O’Connell, and many more. Break out the beach umbrellas and the sun block. It’s shaping up to be a very hot summer (and fall!) for new nonfiction. July: How to Be a Person in the World by Heather Havrilesky: Advice from “Polly,” New York magazine’s online column for the lovelorn, career-confused, adulthood-challenged, and generally angsty. Havrilesky pours her heart into her answers, offering guidance that is equal parts tough love, “I’ve been there,” and curveball. This collection includes new material as well as previously published fan favorites. (Hannah)   Trump: A Graphic Biography by Ted Rall: Just in time for the Republican convention, cartoonist Rall follows his recent graphic bios of Sen. Bernie Sanders and CIA whistleblower Edward Snowden with a comic book peek into the life and times of America’s favorite short-fingered vulgarian. Given that Rall once called on Barack Obama to resign, saying the 44th president made “Bill Clinton look like a paragon of integrity and follow-through,” it’s a safe bet that Trump won’t be flogging this one on his campaign website. (Michael) Not Pretty Enough by Gerri Hirshey: A biography of Helen Gurley Brown, the founder and creator of Cosmopolitan magazine, following Brown from her upbringing in the Ozarks to her freewheeling single years in L.A. to her rise in the New York advertising and magazine world. The “fun, fearless” editor lived large and worked hard, embracing new sexual and economic freedoms and teaching other women to do the same by offering candid advice on sex, love, money, career, and friendship. (Hannah)   Bush by Jean Edward Smith: He did it his way. According to Smith, author of previous bios of Dwight D. Eisenhower and F.D.R., President George W. Bush relied on his religious faith and gut instinct to make key decisions of his presidency, including the fateful order to invade Iraq a year and a half after the 9/11 attacks. Only in the final months of his second term, with the banking system nearing collapse, did the “Decider-in-Chief” pay closer attention to expert advice and take actions that pulled the world economy back from the brink. (Michael) Welcome to the Goddamn Ice Cube by Blair Braverman: Fans of This American Life might recognize Braverman from Episode 558, “Game Face”, in which Braverman, working as a dog musher, got stuck in a storm on an Alaskan glacier with a group of tourists who had no idea of the danger they were in. Her memoir describes her tendency to court danger as she ventures into the arctic, a landscape that is not only physically exhausting but also a man’s world that doesn’t have much room for a young woman. (Hannah)   The Voyeur’s Motel by Gay Talese: Some questioned Talese’s journalistic ethics when an excerpt from this book was published in The New Yorker in April. Others admired it as an endurance feat of reporting. Talese spent decades corresponding and visiting a voyeuristic motel owner, Gerald Foos, who constructed a motel that allowed him to secretly spy on his guests. After 35 years, Foos agreed to let Talese reveal his identity and lifelong obsession with voyeurism. In the weeks leading up to publication, Talese has admitted that some of the facts in the book are wrong and told The Washington Post that he won’t be promoting it. Then he told the The New York Times he would be promoting it. We don't know what to make of it all, either. You'll just have to read the book and decide for yourself. (Hannah) Bobby Kennedy by Larry Tye: Drawing on interviews, unpublished memoirs, newly released government files, “and fifty-eight boxes of papers that had been under lock and key for the past forty years,” Tye traces Bobby Kennedy’s journey from 1950s cold warrior to 1960s liberal icon following the assassination of his older brother, John, in 1963. In an era when presidential candidates are routinely excoriated for decades-old policy positions, it can be instructive to recall that the would-be savior of the urban poor began his public life just 15 years earlier as counsel to red-baiting Sen. Joseph McCarthy. (Michael) August The Fire This Time edited by Jesmyn Ward: Fifty-three years after James Baldwin’s classic The Fire Next Time, and one year after Ta-Nehisi Coates’s scalding book-length meditation on race, Between the World and Me, Ward has collected 18 essays by some of the country’s foremost thinkers on race in America, including Claudia Rankine, Isabel Wilkerson, and former U.S. Poet Laureate Natasha Trethewey. “To Baldwin's call we now have a choral response -- one that should be read by every one of us committed to the cause of equality and freedom,” says historian Jelani Cobb. The Gardener and the Carpenter by Alison Gopnik: This parenting book takes issue with the culture of “parenting,” a hyper-vigilant, goal-oriented style of childcare that leaves children and caregivers exhausted. Gopnik, a developmental psychologist, and the author of The Philosophical Baby, argues that parents should adopt a looser style, one that is more akin to gardening than building a particular structure. Her metaphor is backed up by years of research and observation. (Hannah)   Scream by Tama Janowitz: A memoir from the author of Slaves of New York, the acclaimed short story collection about young people trying to make it in downtown Manhattan in the 1980s. Following the publication of Slaves, Janowitz was grouped with the “Brat Pack” writers Bret Easton Ellis and Jay McInerney famed for their deadpan minimalist style. Scream reflects on that time, as well as the more universal life experiences that followed as Janowitz became a wife, mother, and caregiver to her aging mother. (Hannah)   American Heiress by Jeffrey Toobin: As the author of The Run of His Life, about the O.J. Simpson murder trial, and A Vast Conspiracy, about the Bill Clinton-Monica Lewinsky sex scandal, Toobin is no stranger to tabloid-drenched legal sagas, which makes him an ideal guide to the media circus surrounding Patty Hearst’s 1974 kidnapping and later trial for bank robbery. Drawing on interviews and a trove of previously unreleased records, Toobin, a New Yorker staff writer, tries to make sense of one of the weirdest and most violent episodes in recent American history. (Michael) The Kingdom of Speech by Tom Wolfe: The maximalist novelist returns to his nonfiction roots with a book that argues speech is what divides humans from animals, above all else. (Tell that to Dr. Dolittle!) Wolfe delves into controversial debates about what role speech has played in our evolution as a technological species. For a sneak preview of his arguments, check out his 2006 NEA lecture, “The Human Beast”. (Hannah)   Blood in the Water by Heather Ann Thompson: Anyone needing to be reminded that the problems in America’s prison system date back to long before the War on Drugs may want to pick up Thompson’s history of the infamous 1971 Attica prison uprising. After 1,300 prisoners seized control of the upstate New York prison, holding guards and other employees hostage for four days, the state sent in troopers to take the prison back by force, leaving 39 people dead and 100 more severely injured. Thompson has drawn on newly unearthed documents and interviews with participants from all sides of the debacle to create what is being billed the “first definitive account” of the uprising 45 years ago. (Michael) Known and Strange Things by Teju Cole: This first work of nonfiction by the Nigerian-American novelist best known for Open City collects more than 50 short essays touching on topics from Virginia Woolf and William Shakespeare to Instagram and the Black Lives Matter movement. In one essay, Cole, an art historian and photographer, looks at how African-American photographer Roy DeCarava, forced to shoot with film designed for white skin tones, depicted his black subjects. In another essay, Cole dissects “the White Savior Industrial Complex” that he says guides much of Western aid to African nations. (Michael) September Born to Run by Bruce Springsteen: After performing at halftime for the 2009 Super Bowl, the bard of New Jersey decided it was time to write his memoirs. This 500-page doorstopper covers Springsteen’s Catholic childhood, his early ambition to become a musician, his inspirations, and the formation of the E Street Band. Springsteen’s lyrics have always shown a gift for storytelling, so we’re guessing this is going to be a good read. (Hannah)   Weapons of Math Destruction by Cathy O’Neil: Big Data is everywhere, setting our insurance premiums, evaluating our job performance, and deciding whether we qualify for that special interest rate on our home loan. In theory, this should eliminate bias and make ours a better, fairer world, but in fact, says O’Neil, a former Wall Street data analyst, the algorithms that rule our lives can reinforce discrimination if they’re sloppily designed or improperly applied. O’Neil has a Ph.D. in math from Harvard, and runs the blog, mathbabe.org, where you can find answers to questions like “Why did the Brexit polls get it so wrong?” and why the data-driven policing program “Broken Windows” doesn’t work. (Michael) Words on the Move by John McWhorter: Does the way some people use the word “literally” drive you up the (metaphorical) wall? Before you, like, blow a gasket, try this book by a Columbia University professor who argues that we should embrace rather than condemn the natural evolution of the English language, whether it’s the use of “literally” to mean “figuratively” or the advent of business jargon like “What’s the ask?” If that’s not enough bracing talk about how we talk, in January 2017 McWhorter is releasing a second book, Talking Back, Talking Black, about African American Vernacular English. (Michael) The Pigeon Tunnel by John le Carré: The British intelligence officer turned bestselling spy novelist has written his first memoir, regaling readers with stories from his extraordinary writing career. A witness to great historical change in Europe and abroad, le Carré visited Russia before and after the fall of the Berlin Wall, and met many fascinating characters in his travels, including KGB officers, an imprisoned German terrorist, and a female aid worker who was the inspiration for the main character in The Constant Gardner. Le Carré also writes about watching Alec Guinness take on his most famous character, George Smiley. (Hannah) Avid Reader: A Life by Robert Gottlieb: Legendary editor and dance aficionado Gottlieb has had a career that could fill several memoirs. He began at Simon & Schuster, where he quickly rose to the top, discovering American classics like Catch-22 along the way. He left Simon & Schuster to run Alfred A. Knopf, and later, to succeed William Shawn as editor of The New Yorker. Gottlieb has worked with some of the country’s most celebrated writers, including John Cheever, Toni Morrison, Shirley Jackson, and Robert Caro. (Hannah) This Vast Southern Empire by Matthew Karp: In the contemporary American mind, the Confederacy is recalled as a rump government of Southern plutocrats bent on protecting an increasingly outmoded form of chattel slavery, but as this new history reminds us, before the Civil War, many of the men who guided America’s foreign policy and territorial expansion were Southern slave owners. At the height of their power in antebellum Washington, Southern politicians like Vice President John C. Calhoun and U.S. Secretary of War Jefferson Davis modernized the U.S. military and protected slavery in Brazil, Cuba, and the Republic of Texas. (Michael) Shirley Jackson by Ruth Franklin: Shirley Jackson, best known for her bone-chilling and classic short story, “The Lottery,” has to be one of our most underrated novelists. Franklin describes Jackson’s fiction as “domestic horror,” a pioneering genre that explored women’s isolation in marriage and family life through the occult. Franklin’s biography has already been praised by Neil Gaiman, who wrote that it provides “a way of reading Jackson and her work that threads her into the weave of the world of words, as a writer and as a woman, rather than excludes her as an anomaly.” (Hannah) When in French by Lauren Collins: New Yorker staffer Collins moved to London only to fall in love with a Frenchman. For years, the couple spoke to each another in English but Collins always wondered what she was missing by not communicating in her partner’s native tongue. When she and her husband moved to Geneva, Collins decided to learn French from the Swiss. When in French details Collins’s struggles to learn a new language in her 30s, as well as the joy of attaining a deeper understanding of French culture and people. (Hannah)   Hidden Figures by Margot Lee Shetterly: During the early Space Race years, female mathematicians known as “human computers” used slide rules and adding machines to make the calculations that launched rockets, and later astronauts, into space. Many of these women were black math teachers recruited from segregated schools in the South to fill spots in the aeronautics industry created by wartime labor shortages. Not surprisingly, Hidden Figures, which focuses on the all-black “West Computing” group at the Langley Memorial Aeronautical Laboratory, is being made into a movie starring Taraji Henson and Kevin Costner. (Michael) American Prophets by Albert J. Raboteau: This fascinating social history profiles seven religious leaders whose collective efforts helped to fight war, racism, and poverty and bring about massive social change in midcentury America. It’s a list that includes Dr. Martin Luther King, Jr., as well as Abraham Joshua Heschel, A. J. Muste, Dorothy Day, Howard Thurman, Thomas Merton, and Fannie Lou Hamer. Raboteau finds new connections between these figures and delves into the ideas and theologies that inspired them. (Hannah) The Art of Waiting by Belle Boggs: The title of this essay collection comes from Boggs’s much-shared Orion essay, which frankly depicted her despair as she realized that she might never conceive a child. What made the essay special was Boggs’s eye to the natural world, as she observed fertility and birth in the birds and animals near her rural home. Boggs continues to focus her gaze outward in these essays as she reports on families who have chosen to adopt, LBGT couples considering surrogacy and assisted reproduction, and the financial and legal complications accompanying these alternative means of fertility. (Hannah) Time Travel: A History by James Gleick: The tech-savvy author of The Information and Chaos shows how time travel as a literary conceit is intimately intertwined with the modern understanding of time that arose from technological innovations like the telegraph, train travel, and advances in clock-making. Beginning with H.G. Wells, author of The Time Machine, Gleick tracks the evolution of time travel as a cultural construct from the novels of Marcel Proust to the cult British TV show Doctor Who. (Michael) Strangers in Their Own Land by Arlie Russell Hochschild: Perfectly timed for the start of the last lap of the presidential campaign, this book endeavors to see red-state voters as they see themselves -- not as dupes of right-wing media, but as ordinary, patriotic Americans trying to do the best for their families and themselves. A renowned sociologist and author of The Second Shift, a classic 1989 study of women’s roles in working families, Hochschild ventures far from her home in uber-liberal Berkeley, Calif., to meet hardcore conservatives in southern Louisiana. There, as in so much of working-class America, she finds lives riven by stagnant wages, the loss of homes, and an exhausting chase after an ever-elusive American dream. (Michael) Eyes on the Street by Robert Kanigel: Anyone who has window-shopped in SoHo or marveled at the walkability of their neighborhood can thank activist Jane Jacobs who forever changed how planners thought about and designed urban spaces with her landmark 1961 book The Death and Life of Great American Cities. Kanigel, author of The Man Who Knew Infinity, traces the roots of the great urban pioneer who wrote seven books and stopped New York’s all-powerful planning czar Robert Moses from running a major highway through Lower Manhattan, all without a college degree. (Michael) October Love for Sale by David Hajdu: In his previous books, Hajdu has written about jazz and folk music; in Love for Sale he tells the story of American popular music from its vaudeville beginnings to Blondie at CBGB to today’s electronic dance music. Hajdu highlights overlooked performers like blues singer Bessie Smith and Jimmie Rodgers, a country singer who incorporated yodeling into his music. (Hannah)   Future Sex by Emily Witt: In her first book, journalist and critic Witt writes about the intersection between sex and technology, otherwise known as online dating. Witt reports on internet pornography, polyamory, and other sexual subcultures, giving an honest and open-minded account of how people pursue pleasure and connection in a changing sexual landscape. (Hannah)     Hungry Heart by Jennifer Weiner: No, it’s not the second volume of Springsteen’s memoirs -- instead, it’s an essay collection from a bestselling author who may be as famous for her defense of chick-lit as she is for her own female-centric novels. This is Weiner’s first volume of nonfiction, and she has a lifetime of topics to cover: growing up as an outsider in her picture-perfect town, her early years as a newspaper reporter, finding her voice as a novelist, becoming a mother, the death of her estranged father, and what it felt like to hear her daughter use the “f-word” -- “fat” -- for the first time. (Hannah) Truevine by Beth Macy: One day in 1899, a white man offered a piece of candy to George and Willie Muse, the children of black sharecroppers in Truevine, Va., setting off a chain of events that led to the boys being kidnapped into a circus, which billed them as cannibals and “Ambassadors from Mars” in tours that played for royalty at Buckingham Palace and in sold-out shows at Madison Square Garden. Like Macy’s last book, Factory Man, about a good-old-boy owner of a local furniture factory in Virginia who took on low-cost Chinese exporters and won, Truevine promises a mix of quirky characters, propulsive narrative, and an insider’s look at a neglected corner of American history. (Michael) Upstream by Mary Oliver: Essays from one of America’s most beloved poets. As always, Oliver’s draws inspiration from the natural world, and Provincetown, Mass., her home and life-long muse. Oliver also writes about her early love of Walt Whitman, the labor of poetry, and the continuing influence of classic American writers such as Robert Frost, Edgar Allan Poe, and Ralph Waldo Emerson. (Hannah) Black Elk by Joe Jackson: A biography of a Native American holy man whose epic life spanned a dramatic era in the history of the American West. In his youth, Black Elk fought in Little Big Horn, witnessed the death of his second cousin, Crazy Horse, and traveled to Europe to perform in Buffalo Bill’s Wild West Show. In later years, he fought in Wounded Knee, became an activist for the Lakota people, and converted to Catholicism. Known to many through his spiritual testimony, Black Elk Speaks, this biography brings the man to life, as well as the turbulent times he lived through. (Hannah) November Born a Crime by Trevor Noah: As the child of a white Dutch father and a black Xhosa mother who had to pretend she was her own child’s nanny on the rare occasions the family was together, comedian Noah’s very existence was evidence of a crime under the apartheid laws of his native South Africa. In his memoir, Noah recalls eating caterpillars to stave off hunger and being thrown by his eccentric mother from a speeding car driven by murderous gangsters. If you survived a childhood like that, you might not be so intimated at the prospect of replacing Jon Stewart on The Daily Show, either. (Michael) My Lost Poets by Philip Levine: In this posthumous essay collection from one of our pre-eminent poets, Levine writes about composing poems as a child, studying with John Berryman, the influence of Spanish poets on his work, his idols and mentors, and his many inspirations: jazz, Spain, Detroit, and masters of the form like William Wordsworth and John Keats. (Hannah)     Writing to Save a Life by John Edgar Wideman: Ten years before Emmett Till was brutally lynched for supposedly whistling at a white woman in Mississippi, his father Louis was executed by the U.S. army for rape and murder. Wideman, who was the same age as Emmett Till, just 14, the year he was murdered, mixes memoir and historical research in his exploration of the eerily twinned executions of the two Till men. A Rhodes Scholar and MacArthur “genius grant” recipient, Wideman knows all too well what it means to have a close relative accused of a violent crime: his son, Jacob, and his brother, Robert, were both convicted of murder. (Michael) Searching for John Hughes by Jason Diamond: Diamond has established himself as an authority on/gently obsessive superfan of John Hughes with pieces on the filmmaker for Buzzfeed and The Atlantic (from where I learned the shameful fact that John Hughes was responsible for the movie Flubber in addition to his suite of beloved suburban-white-kid films). Diamond’s Hughes interest stretches back to his time as an aspiring, and doomed, Hughes biographer. Diamond commemorates this journey through a memoir and cultural history of a brief, vanished moment in the Chicagoland suburbs. (Lydia) December The Undoing Project by Michael Lewis: Why do people go with their guts, even when their guts so often steer them wrong? Lewis stumbled onto this fundamental human question in his bestselling 2003 book Moneyball, about how the Oakland A’s, a cash-strapped major league team, used data analysis to beat wealthier teams. A brief reference in a review of Moneyball in The New Republic led Lewis to two psychologists, Daniel Kahneman and Amos Tversky, whose work explores why humans follow their intuition. If Kahneman’s name sounds familiar, that’s because he’s a Nobel laureate and author of the 2011 bestseller Thinking Fast and Slow. That’s a lot of bestseller cred in one book. (Michael) And Beyond To Be a Machine by Mark O’Connell: In his first full-length book, due out in March 2017, longtime Millions staff writer O’Connell offers an inside look at the “transhumanism movement,” the adherents of which hope to one day “solve” the problem of death and use technology to propel human evolution. If O’Connell’s pieces for this site and his ebook, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever, published by The Millions in 2013, are any guide, To Be a Machine will be smart and odd and very, very funny. (Michael) Abandon Me by Melissa Febos: Following on the success of her debut memoir, Whip Smart, about her years as a professional dominatrix and junkie, Febos turns back the clock to examine her relationship with her birth father, whose legacy includes his Native American heritage and a tendency toward addiction. Interwoven with these family investigations is the story of Febos’s passionate long-distance love affair with another woman. Abandon Me is slated for February 2017. (Michael)   Lower Ed by Tressie McMillan Cottom: A much-needed examination of the recent expansion of for-profit universities, which have put millions of young people into serious debt at the beginning of their careers. Cottom links the rise of for-profit universities to rising inequality, drawing on her own experience as an admissions counselor at two for-profit universities, and interviewing students, activists, and senior executives in the industry. (Hannah) Hunger by Roxane Gay: In our spring nonfiction preview, we looked forward to Gay’s memoir Hunger, which was slated to be published in June 2016, but her publishing date has been pushed back to June 2017. According to reporting from EW, and Gay’s own tweets, the book simply took longer than Gay expected. She also wanted its release to follow a book of short stories, Difficult Women, which will be published in January 2017. (Hannah) And Now We Have Everything by Meaghan O’Connell:  Millions Year in Reading alum and New York magazine’s The Cut columnist O’Connell will bring her signature voice to a collection of essays about motherhood billed as “this generation’s Operating Instructions.” Readers who follow O’Connell’s writing for The Cut or her newsletter look forward to a full volume of her relatable, sometimes mordant, sometimes tender reflections on writing and family life. (Lydia)