Out this week: My Lost Poets by Philip Levine; Orphans of the Carnival by Carol Birch; These Are the Names by Tommy Wieringa; A Poet’s Dublin by Eavan Boland; and Against Sunset by Stanley Plumly. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: Levine; Birch; Wieringa; Boland; Plumly
Virginia in Vogue
Look back on an article Virginia Woolf wrote for Vogue in 1924. Staff writer emeritus Emily Colette Wilkinson tackles Woolf’s difficult text, To the Lighthouse.
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Minister of Defense and Propaganda of the New Cinema
Recommended Reading: On the the anticriticism of Jonas Mekas, the “raving maniac of the cinema,” courtesy of The Paris Review.
Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
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“Afro Picks” Image & Pun Draws Criticism
The cover image of this week’s Publisher’s Weekly, which centers around an annual feature on African American book publishing, is drawing a lot of attention, mostly negative. Read PW senior news editor Calvin Reid‘s explanation/mea culpa.
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For the Sake of Cohesion
“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
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The Book in 2100
Lots of publications — The Millions included — have tackled the differences between reading e-books and physical books. It’s hard to know just what these differences mean for the future of literature. In the Chicago Tribune, John Warner proposes a novel argument (registration required) for why physical books will live on.
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In a Room of the Auction House
“It can not be that I monopolize / The making of the songs that give you praise / Or that such pools as are your dearest eyes / Have just one bather through the unclear days. / Then, let me take my place amid the pack, / If I so pack my songs with your rare worth / There were no quality they then should lack / But they were bettered by that happy death.” A previously unpublished Ezra Pound sonnet selling at auction is always newsworthy–especially when it fetches nearly $12,000. Here is a related Millions piece about the difficult poetry of Ezra Pound, John Berryman, and Ted Berrigan.
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