Welcome to the 19th installment of The Millions' annual Year in Reading series! YIR gathers together some of today's most exciting writers, thinkers, and tastemakers to share the books that shaped their year. What makes the series special is that it celebrates the subjectivity of reading: where yearend best-of lists pass off their value judgement as definitive, YIR essayists take a more phenomenological tact, focusing instead on capturing the experience of the books they read. (I'm not particularly interested in handing down a decision on "The 10 Best Books of 2023," and neither are this year's contributors.) This, of course, makes for great, probing essays—in writing about our reading lives, we inevitably write about our inner lives. YIR contributors were encouraged approach the assignment—to reflect on the books they read this year, an intentionally vague prompt—however they wanted, and many did so with dazzling creativity. One contributor, a former writer at the Metropolitan Museum of Art, arranged her essay like an art gallery, with each book she read assigned a museum wall label. Another, whose work revolves around revolutionary and utopian movements in history, organized her year by the long-defunct French Revolutionary calendar. Some opted to write personal narratives, while others embraced the listicle format. Some divided up their reading between work and pleasure; for others, the two blended together (as is often the case for those of us in the literary profession). The books that populate this year's essays also varied widely. Some contributors read with intention: one writer of nonfiction returned to reading fiction for the first time in 13 years; one poet decided to read only Black romance in the second half of 2023. For two new parents, their years in reading were defined by the many picture books that they read to their infants. There were, however, common threads. This year, contributors read one book more than any other: Catherine Lacey's novel Biography of X, which chronicles the life of a fictional artist against the backdrop of an alternate America. Also widely read and written about were Dan Sinykin's Big Fiction, an analysis of the conglomeration of the publishing industry, and the works of Annie Ernaux (a star of last year's YIR as well). I'm profoundly grateful for the generosity of this year's contributors, the names of whom will be revealed below as entries are published throughout the month, concluding on Thursday, December 21. Be sure to bookmark this page and follow us on Twitter to stay up to date. —Sophia Stewart, editor Emily Wilson, classicist and translator of The IliadVauhini Vara, author of This Is SalvagedJenn Shapland, author of Thin SkinDamion Searls, writer and translator from German, Norwegian, French, and DutchLaToya Watkins, author of Holler, ChildIsle McElroy, author of People Collide
The National Book Critics Circle announced their 2017 Award Finalists, and the winners of three awards: the Ivan Sandrof Lifetime Achievement Award, John Leonard Prize, and Nona Balakian Citation for Excellence in Reviewing. The finalists include 30 writers across six different categories: Fiction, Nonfiction, Biography, Autobiography, Fiction, Poetry, and Criticism. Here are the finalists separated by genre: Fiction: Exit West by Mohsin Hamid (The Millions' review) The Ninth Hour by Alice McDermott The Ministry of Utmost Happiness by Arundhati Roy Improvement by Joan Silber Sing, Unburied, Sing by Jesmyn Ward (Read our interview with Ward) Nonfiction: Gulf: The Making of An American Sea by Jack Davis The Evangelicals: The Struggle to Shape America by Frances FitzGerald The Future is History: How Totalitarianism Reclaimed Russia by Masha Gessen (Read our 2017 interview with Gessen) Border: A Journey to the Edge of Europe by Kapka Kassabova A Brief History of Everyone Who Ever Lived: The Human Story Retold Through Our Genes by Adam Rutherford Biography: Prairie Fires: The American Dreams of Laura Ingalls Wilder by Caroline Fraser The Invention of Angela Carter: A Biography by Edmund Gordon The Kelloggs: The Battling Brothers of Battle Creek by Howard Markel Gorbachev: His Life and Times by William Taubman Hoover: An Extraordinary Life in Extraordinary Times by Kenneth Whyte Autobiography: The Best We Could Do: An Illustrated Memoir by Thi Bui Hunger: A Memoir of (My) Body by Roxane Gay Admissions: A Life in Brain Surgery by Henry Marsh The Girl From the Metropol Hotel: Growing Up in Communist Russia by Ludmilla Petrushevskaya Nine Continents: A Memoir In and Out of China by Xiaolu Guo Poetry: Fourth Person Singular by Nuar Alsadir Earthling by James Longenbach Whereas by Layli Long Soldier (Recommended by Contributing Editor Nick Ripatrazone) The Darkness of Snow by Frank Ormsby Directions for Use by Ana Ristović Criticism: You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages by Carina Chocano The Art of Death: Writing the Final Story by Edwidge Danticat Guidebook to Relative Strangers: Journeys into Race, Motherhood and History by Camille Dungy Tell Me How It Ends: An Essay in Forty Questions by Valeria Luiselli (Review) Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts and Fake News by Kevin Young (Read Young's Year in Reading) For the three stand along awards, here are the winners: John McPhee won the Ivan Sandrof Lifetime Achievement Award for his contribution to letters and book culture, exploration of widely varying topics, and mentorship of young writers and journalists. Author and critic Charles Finch won the Nona Balakin Citation for Excellence in Reviewing. The John Leonard Prize—for a first book in any genre—went to Carmen Maria Machado's Her Body and Other Parties. The winners of the National Book Critics Circle awards will be announced on Thursday, March 15, 2018.