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A Year in Reading: 2024
Welcome to the 20th (!) installment of The Millions' annual Year in Reading series, which gathers together some of today's most exciting writers and thinkers to share the books that shaped their year. YIR is not a collection of yearend best-of lists; think of it, perhaps, as an assemblage of annotated bibliographies. We've invited contributors to reflect on the books they read this year—an intentionally vague prompt—and encouraged them to approach the assignment however they choose.
In writing about our reading lives, as YIR contributors are asked to do, we inevitably write about our personal lives, our inner lives. This year, a number of contributors read their way through profound grief and serious illness, through new parenthood and cross-country moves. Some found escape in frothy romances, mooring in works of theology, comfort in ancient epic poetry. More than one turned to the wisdom of Ursula K. Le Guin. Many describe a book finding them just when they needed it.
Interpretations of the assignment were wonderfully varied. One contributor, a music critic, considered the musical analogs to the books she read, while another mapped her reads from this year onto constellations. Most people's reading was guided purely by pleasure, or else a desire to better understand events unfolding in their lives or larger the world. Yet others centered their reading around a certain sense of duty: this year one contributor committed to finishing the six Philip Roth novels he had yet to read, an undertaking that he likens to “eating a six-pack of paper towels.” (Lucky for us, he included in his essay his final ranking of Roth's oeuvre.)
The books that populate these essays range widely, though the most commonly noted title this year was Tony Tulathimutte’s story collection Rejection. The work of newly minted National Book Award winner Percival Everett, particularly his acclaimed novel James, was also widely read and written about. And as the genocide of Palestinians in Gaza enters its second year, many contributors sought out Isabella Hammad’s searing, clear-eyed essay Recognizing the Stranger.
Like so many endeavors in our chronically under-resourced literary community, Year in Reading is a labor of love. The Millions is a one-person editorial operation (with an invaluable assist from SEO maven Dani Fishman), and producing YIR—and witnessing the joy it brings contributors and readers alike—has been the highlight of my tenure as editor. I’m profoundly grateful for the generosity of this year’s contributors, whose names and entries will be revealed below over the next three weeks, concluding on Wednesday, December 18. Be sure to subscribe to The Millions’ free newsletter to get the week’s entries sent straight to your inbox each Friday.
—Sophia Stewart, editor
Becca Rothfeld, author of All Things Are Too Small
Carvell Wallace, author of Another Word for Love
Charlotte Shane, author of An Honest Woman
Brianna Di Monda, writer and editor
Nell Irvin Painter, author of I Just Keep Talking
Carrie Courogen, author of Miss May Does Not Exist
Ayşegül Savaş, author of The Anthropologists
Zachary Issenberg, writer
Tony Tulathimutte, author of Rejection
Ann Powers, author of Traveling: On the Path of Joni Mitchell
Lidia Yuknavitch, author of Reading the Waves
Nicholas Russell, writer and critic
Daniel Saldaña París, author of Planes Flying Over a Monster
Lili Anolik, author of Didion and Babitz
Deborah Ghim, editor
Emily Witt, author of Health and Safety
Nathan Thrall, author of A Day in the Life of Abed Salama
Lena Moses-Schmitt, author of True Mistakes
Jeremy Gordon, author of See Friendship
John Lee Clark, author of Touch the Future
Ellen Wayland-Smith, author of The Science of Last Things
Edwin Frank, publisher and author of Stranger Than Fiction
Sophia Stewart, editor of The Millions
A Year in Reading Archives: 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2011, 2010, 2009, 2008, 2007, 2006, 2005
The Great Fall 2024 Book Preview
With the arrival of autumn comes a deluge of great books. Here you'll find a sampling of new and forthcoming titles that caught our eye here at The Millions, and that we think might catch yours, too. Some we’ve already perused in galley form; others we’re eager to devour based on their authors, plots, or subject matters. We hope your next fall read is among them.
—Sophia Stewart, editor
October
Season of the Swamp by Yuri Herrera, tr. Lisa Dillman [F]
What it is: An epic, speculative account of the 18 months that Benito Juárez spent in New Orleans in 1853-54, years before he became the first and only Indigenous president of Mexico.
Who it's for: Fans of speculative history; readers who appreciate the magic that swirls around any novel set in New Orleans. —Claire Kirch
The Black Utopians by Aaron Robertson [NF]
What it is: An exploration of Black Americans' pursuit and visions of utopia—both ideological and physical—that spans the Reconstruction era to the present day and combines history, memoir, and reportage.
Who it's for: Fans of Saidiya Hartman's Wayward Lives, Beautiful Experiments and Kristen R. Ghodsee's Everyday Utopia. —Sophia M. Stewart
The Third Realm by Karl Ove Knausgaard, tr. Martin Aitken [F]
What it is: The third installment in Knausgaard's Morning Star series, centered on the appearance of a mysterious new star in the skies above Norway.
Who it's for: Real Knausgaard heads only—The Wolves of Eternity and Morning Star are required reading for this one. —SMS
Brown Women Have Everything by Sayantani Dasgupta [NF]
What it is: Essays on the contradictions and complexities of life as an Indian woman in America, probing everything from hair to family to the joys of travel.
Who it's for: Readers of Durga Chew-Bose, Erika L. Sánchez, and Tajja Isen. —SMS
The Plot Against Native America by Bill Vaughn [F]
What it is: The first narrative history of Native American boarding schools— which aimed "civilize" Indigenous children by violently severing them from their culture— and their enduring, horrifying legacy.
Who it's for: Readers of Ned Blackhawk and Kathleen DuVal. —SMS
The Mighty Red by Louise Erdrich [F]
What it is: Erdrich's latest novel set in North Dakota's Red River Valley is a tale of the intertwined lives of ordinary people striving to survive and even thrive in their rural community, despite environmental upheavals, the 2008 financial crisis, and other obstacles.
Who it's for: Readers of cli-fi; fans of Linda LeGarde Grover and William Faulkner. —CK
The Position of Spoons by Deborah Levy [NF]
What it is: The second book from Levy in as many years, diverging from a recent streak of surrealist fiction with a collection of essays marked by exceptional observance and style.
Who it's for: Close lookers and the perennially curious. —John H. Maher
The Bog Wife by Kay Chronister [F]
What it's about: The Haddesley family has lived on the same West Virginia bog for centuries, making a supernatural bargain with the land—a generational blood sacrifice—in order to do so—until an uncovered secret changes everything.
Who it's for: Readers of Karen Russell and Jeff VanderMeer; anyone who has ever used the phrase "girl moss." —SMS
The Great When by Alan Moore [F]
What it's about: When an 18-year old book reseller comes across a copy of a book that shouldn’t exist, it threatens to upend not just an already post-war-torn London, but reality as we know it.
Who it's for: Anyone looking for a Sherlock Holmes-style mystery dipped in thaumaturgical psychedelia. —Daniella Fishman
The Message by Ta-Nehisi Coates [NF]
What it's about: One of our sharpest critical thinkers on social justice returns to nonfiction, nearly a decade after Between the World and Me, visiting Dakar, to contemplate enslavement and the Middle Passage; Columbia, S.C., as a backdrop for his thoughts on Jim Crow and book bans; and the Israeli-occupied West Bank, where he sees contemporary segregation in the treatment of Palestinians.
Who it’s for: Fans of James Baldwin, George Orwell, and Angela Y. Davis; readers of Nikole Hannah-Jones’s The 1619 Project and Isabel Wilkerson’s Caste, to name just a few engagements with national and racial identity. —Nathalie op de Beeck
Abortion by Jessica Valenti [NF]
What it is: Columnist and memoirist Valenti, who tracks pro-choice advocacy and attacks on the right to choose in her Substack, channels feminist rage into a guide for freedom of choice advocacy.
Who it’s for: Readers of Robin Marty’s The New Handbook for a Post-Roe America, #ShoutYourAbortion proponents, and followers of Jennifer Baumgartner’s [I Had an Abortion] project. —NodB
Gifted by Suzuki Suzumi, tr. Allison Markin Powell [F]
What it's about: A young sex worker in Tokyo's red-light district muses on her life and recounts her abusive mother's final days, in what is Suzuki's first novel to be translated into English.
Who it's for: Readers of Susan Boyt and Mieko Kanai; fans of moody, introspective fiction; anyone with a fraught relationship to their mother. —SMS
Childish Literature by Alejandro Zambra, tr. Megan McDowell [F]
What it is: A wide-ranging collection of stories, essays, and poems that explore childhood, fatherhood, and family.
Who it's for: Fans of dad lit (see: Lucas Mann's Attachments, Keith Gessen's Raising Raffi, Karl Ove Knausgaard's seasons quartet, et al). —SMS
Books Are Made Out of Books ed. Michael Lynn Crews [NF]
What it is: A mining of the archives of the late Cormac McCarthy with a focus on the famously tight-lipped author's literary influences.
Who it's for: Anyone whose commonplace book contains the words "arquebus," "cordillera," or "vinegaroon." —JHM
Slaveroad by John Edgar Wideman [F]
What it is: A blend of memoir, fiction, and history that charts the "slaveroad" that runs through American history, spanning the Atlantic slave trade to the criminal justice system, from the celebrated author of Brothers and Keepers.
Who it's for: Fans of Clint Smith and Ta-Nehisi Coates. —SMS
Linguaphile by Julie Sedivy [NF]
What it's about: Linguist Sedivy reflects on a life spent loving language—its beauty, its mystery, and the essential role it plays in human existence.
Who it's for: Amateur (or professional) linguists; fans of the podcast A Way with Words (me). —SMS
An Image of My Name Enters America by Lucy Ives [NF]
What it is: A collection of interrelated essays that connect moments from Ives's life to larger questions of history, identity, and national fantasy,
Who it's for: Fans of Ives, one of our weirdest and most wondrous living writers—duh; anyone with a passing interest in My Little Pony, Cold War–era musicals, or The Three Body Problem, all of which are mined here for great effect. —SMS
Women's Hotel by Daniel Lavery [F]
What it is: A novel set in 1960s New York City, about the adventures of the residents of a hotel providing housing for young women that is very much evocative of the real-life legendary Barbizon Hotel.
Who it's for: Readers of Mary McCarthy's The Group and Rona Jaffe's The Best of Everything. —CK
The World in Books by Kenneth C. Davis [NF]
What it is: A guide to 52 of the most influential works of nonfiction ever published, spanning works from Plato to Ida B. Wells, bell hooks to Barbara Ehrenreich, and Sun Tzu to Joan Didion.
Who it's for: Lovers of nonfiction looking to cover their canonical bases. —SMS
Blue Light Hours by Bruna Dantas Lobato [F]
What it's about: Through the emanating blue-glow of their computer screens, a mother and daughter, four-thousand miles apart, find solace and loneliness in their nightly Skype chats in this heartstring-pulling debut.
Who it's for: Someone who needs to be reminded to CALL YOUR MOTHER! —DF
Riding Like the Wind by Iris Jamahl Dunkle [NF]
What it is: The biography of Sanora Babb, a contemporary of John Steinbeck's whose field notes and interviews with Dust Bowl migrants Steinbeck relied upon to write The Grapes of Wrath.
Who it's for: Steinbeck fans and haters alike; readers of Kristin Hannah's The Four Winds and the New York Times Overlooked column; anyone interested in learning more about the Dust Bowl migrants who fled to California hoping for a better life. —CK
Innie Shadows by Olivia M. Coetzee [F]
What it is: a work of crime fiction set on the outskirts of Cape Town, where a community marred by violence seeks justice and connection; also the first novel to be translated from Kaaps, a dialect of Afrikaans that was until recently only a spoken language.
Who it's for: fans of sprawling, socioeconomically-attuned crime dramas a la The Wire. —SMS
Dorothy Parker in Hollywood by Gail Crowther [NF]
What it is: A history of the famous wit—and famous New Yorker—in her L.A. era, post–Algonquin Round Table and mid–Red Scare.
Who it's for: Owners of a stack of hopelessly dog-eared Joan Didion paperbacks. —JHM
The Myth of American Idealism by Noam Chomsky and Nathan J. Robinson [NF]
What it is: A potent critique of the ideology behind America's foreign interventions and its status as a global power, and an treatise on how the nation's hubristic pursuit of "spreading democracy" threatens not only the delicate balance of global peace, but the already-declining health of our planet.
Who it's for: Chomskyites; policy wonks and casual critics of American recklessness alike. —DF
Mysticism by Simon Critchley [NF]
What it is: A study of mysticism—defined as an experience, rather than religious practice—by the great British philosopher Critchley, who mines music, poetry, and literature along the way.
Who it's for: Readers of John Gray, Jorge Luis Borges, and Simone Weil. —SMS
Q&A by Adrian Tomine [NF]
What it is: The Japanese American creator of the Optic Nerve comic book series for D&Q, and of many a New Yorker cover, shares his personal history and his creative process in this illustrated unburdening.
Who it’s for: Readers of Tomine’s melancholic, sometimes cringey, and occasionally brutal collections of comics short stories including Summer Blonde, Shortcomings, and Killing and Dying. —NodB
Sonny Boy by Al Pacino [NF]
What it is: Al Pacino's memoir—end of description.
Who it's for: Cinephiles; anyone curious how he's gonna spin fumbling Diane Keaton. —SMS
Seeing Baya by Alice Kaplan [NF]
What it is: The first biography of the enigmatic and largely-forgotten Algerian artist Baya Mahieddine, who first enchanted midcentury Paris as a teenager.
Who it's for: Admirers of Leonora Carrington, Hilma af Klint, Frida Kahlo, and other belatedly-celebrated women painters. —SMS
Absolution by Jeff VanderMeer [F]
What it is: A surprise return to the Area X, the stretch of unforbidding and uncanny coastline in the hit Southern Reach trilogy.
Who it's for: Anyone who's heard this song and got the reference without Googling it. —JHM
The Four Horsemen by Nick Curtola [NF]
What it is: The much-anticipated cookbook from the team behind Brooklyn's hottest restaurant (which also happens to be co-owned by James Murphy of LCD Soundsystem).
Who it's for: Oenophiles; thirty-somethings who live in north Williamsburg (derogatory). —SMS
Seeing Further by Esther Kinsky, tr. Caroline Schmidt [F]
What it's about: An unnamed German woman embarks on the colossal task of reviving a cinema in a small Hungarian village.
Who it's for: Fans of Jenny Erpenbeck; anyone charmed by Cinema Paradiso (not derogatory!). —SMS
Ripcord by Nate Lippens [NF]
What it's about: A novel of class, sex, friendship, and queer intimacy, written in delicious prose and narrated by a gay man adrift in Milwaukee.
Who it's for: Fans of Brontez Purnell, Garth Greenwell, Alexander Chee, and Wayne Koestenbaum. —SMS
The Use of Photography by Annie Ernaux and Marc Marie, tr. Alison L. Strayer [NF]
What it's about: Ernaux's love affair with Marie, a journalist, while she was undergoing treatment for cancer, and their joint project to document their romance.
Who it's for: The Ernaux hive, obviously; readers of Sontag's On Photography and Janet Malcolm's Still Pictures. —SMS
Nora Ephron at the Movies by Ilana Kaplan [NF]
What it is: Kaplan revisits Nora Ephron's cinematic watersheds—Silkwood, Heartburn, When Harry Met Sally, You've Got Mail, and Sleepless in Seattle—in this illustrated book. Have these iconic stories, and Ephron’s humor, weathered more than 40 years?
Who it’s for: Film history buffs who don’t mind a heteronormative HEA; listeners of the Hot and Bothered podcast; your coastal grandma. —NodB
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The Philosophy of Translation by Damion Searls [NF]
What it is: A meditation on the act and art of translation by one of today's most acclaimed practitioners, best known for his translations of Fosse, Proust, et al.
Who it's for: Regular readers of Words Without Borders and Asymptote; professional and amateur literary translators alike. —SMS
Salvage by Dionne Brand
What it is: A penetrating reevaluation of the British literary canon and the tropes once shaped Brand's reading life and sense of self—and Brand’s first major work of nonfiction since her landmark A Map to the Door of No Return.
Who it's for: Readers of Christina Sharpe's Ordinary Notes and Elizabeth Hardwick's Seduction and Betrayal. —SMS
Masquerade by Mike Fu [F]
What it's about: Housesitting for an artist friend in present-day New York, Meadow Liu stumbles on a novel whose author shares his name—the first of many strange, haunting happenings that lead up to the mysterious disappearance of Meadow's friend.
Who it's for: fans of Ed Park and Alexander Chee. —SMS
November
The Beggar Student by Osamu Dazai, tr. Sam Bett [F]
What it is: A novella in the moody vein of Dazai’s acclaimed No Longer Human, following the 30-something “fictional” Dazai into another misadventure spawned from a hubristic spat with a high schooler.
Who it's for: Longtime readers of Dazai, or new fans who discovered the midcentury Japanese novelist via TikTok and the Bungo Stray Dogs anime. —DF
In Thrall by Jane DeLynn [F]
What it is: A landmark lesbian bildungsroman about 16-year-old Lynn's love affair with her English teacher, originally published in 1982.
Who it's for: Fans of Joanna Russ's On Strike Against God and Edmund White's A Boy's Own Story —SMS
Washita Love Child by Douglas Kent Miller [NF]
What it is: The story of Jesse Ed Davis, the Indigenous musician who became on of the most sought after guitarists of the late '60s and '70s, playing alongside B.B. King, Bob Dylan, John Lennon, and more.
Who it's for: readers of music history and/or Indigenous history; fans of Joy Harjo, who wrote the foreword. —SMS
Set My Heart on Fire by Izumi Suzuki, tr. Helen O'Horan [F]
What it is: Gritty, sexy, and wholly rock ’n’ roll, Suzuki’s first novel translated into English (following her story collection, Hit Parade of Tears) follows 20-year-old Izumi navigating life, love, and music in the underground scene in '70s Japan.
Who it's for: Fans of Meiko Kawakami, Ursula K. Le Guin, and Marlowe Granados's Happy Hour. —DF
Didion & Babitz by Lili Anolik [NF]
What it is: A dual portrait of Joan Didion and Eve Babitz, who are so often compared to—and pitted against—each other on the basis of their mutual Los Angeles milieu.
Who it's for: Fans or haters of either writer (the book is fairly pro-Babitz, often at Didion's expense); anyone who has the Lit Hub Didion tote bag. —SMS
The Endless Refrain by David Rowell [NF]
What it's about: How the rise of music streaming, demonitizing of artist revenue, and industry tendency toward nostalgia have laid waste to the musical landscape, and the future of music culture.
Who it's for: Fans of Kyle Chayka, Spence Kornhaber, and Lindsay Zoladz. —SMS
Every Arc Bends Its Radian by Sergio De La Pava [F]
What it is: A mind- and genre-bending detective story set in Cali, Colombia, that blends high-stakes suspense with rigorous philosophy.
Who it's for: Readers of Raymond Chandler, Thomas Pynchon, and Jules Verne. —SMS
Something Close to Nothing by Tom Pyun [F]
What it’s about: At the airport with his white husband Jared, awaiting a flight to Cambodia to meet the surrogate mother carrying their adoptive child-to-be, Korean American Wynn decides parenthood isn't for him, and bad behavior ensues.
Who it’s for: Pyun’s debut is calculated to cut through saccharine depictions of queer parenthood—could pair well with Torrey Peters’s Detransition, Baby. —NodB
Rosenfeld by Maya Kessler [F]
What it is: Kessler's debut—rated R for Rosenfeld—follows one Noa Simmons through the tumultuous and ultimately profound power play that is courting (and having a lot of sex with) the titular older man who soon becomes her boss.
Who it's for: Fans of Sex and the City, Raven Leilani’s Luster, and Coco Mellor’s Cleopatra and Frankenstein. —DF
Lazarus Man by Richard Price [F]
What it is: The former The Wire writer offers yet another astute chronicle of urban life, this time of an ever-changing Harlem.
Who it's for: Fans of Colson Whitehead's Crook Manifesto and Paul Murray's The Bee Sting—and, of course, The Wire. —SMS
Stranger Than Fiction by Edwin Frank [NF]
What it is: An astute curveball of a read on the development and many manifestations of the novel throughout the tumultuous 20th century.
Who it's for: Readers who look at a book's colophon before its title. —JHM
Letters to His Neighbor by Marcel Proust, tr. Lydia Davis
What it is: A collection of Proust’s tormented—and frequently hilarious—letters to his noisy neighbor which, in a diligent translation from Davis, stand the test of time.
Who it's for: Proust lovers; people who live below heavy-steppers. —DF
Context Collapse by Ryan Ruby [NF]
What it is: A self-proclaimed "poem containing a history of poetry," from ancient Greece to the Iowa Workshop, from your favorite literary critic's favorite literary critic.
Who it's for: Anyone who read and admired Ruby's titanic 2022 essay on The Waste Land; lovers of poetry looking for a challenge. —SMS
How Sondheim Can Change Your Life by Richard Schoch [NF]
What it's about: Drama professor Schoch's tribute to Stephen Sondheim and the life lessons to be gleaned from his music.
Who it's for: Sondheim heads, former theater kids, end of list. —SMS
The Serviceberry by Robin Wall Kimmerer [NF]
What it is: 2022 MacArthur fellow and botanist Kimmerer, an enrolled member of the Citizen Potawatomi Nation, (re)introduces audiences to a flowering, fruiting native plant beloved of foragers and gardeners.
Who it’s for: The restoration ecologist in your life, along with anyone who loved Braiding Sweetgrass and needs a nature-themed holiday gift. —NodB
My Heart Belongs in an Empty Big Mac Container Buried Beneath the Ocean Floor by Homeless [F]
What it is: A pseudonymous, tenderly comic novel of blue whales and Golden Arches, mental illness and recovery.
Who it's for: Anyone who finds Thomas Pynchon a bit too staid. —JHM
Yoke and Feather by Jessie van Eerden [NF]
What it's about: Van Eerden's braided essays explore the "everyday sacred" to tease out connections between ancient myth and contemporary life.
Who it's for: Readers of Courtney Zoffness's Spilt Milk and Jeanna Kadlec's Heretic. —SMS
Camp Jeff by Tova Reich [F]
What it's about: A "reeducation" center for sex pests in the Catskills, founded by one Jeffery Epstein (no, not that one), where the dual phenomena of #MeToo and therapyspeak collide.
Who it's for: Fans of Philip Roth and Nathan Englander; cancel culture skeptics. —SMS
Selected Amazon Reviews by Kevin Killian [NF]
What it is: A collection of 16 years of Killian’s funniest, wittiest, and most poetic Amazon reviews, the sheer number of which helped him earn the rarefied “Top 100” and “Hall of Fame” status on the site.
Who it's for: Fans of Wayne Koestenbaum and Dodie Bellamy, who wrote introduction and afterword, respectively; people who actually leave Amazon reviews. —DF
Cher by Cher [NF]
What it is: The first in a two-volume memoir, telling the story of Cher's early life and ascendent career as only she can tell it.
Who it's for: Anyone looking to fill the My Name Is Barbra–sized hole in their heart, or looking for something to tide them over until the Liza memoir drops. —SMS
The City and Its Uncertain Walls by Haruki Murakami, tr. Philip Gabriel [F]
What it is: Murakami’s first novel in over six years returns to the high-walled city from his 1985 story "Hard-Boiled Wonderland and the End of the World" with one man's search for his lost love—and, simultaneously, an ode to libraries and literature itself.
Who it's for: Murakami fans who have long awaited his return to fiction. —DF
American Bulk by Emily Mester [NF]
What it's about: Reflecting on what it means to "live life to the fullest," Mester explores the cultural and personal impacts of America’s culture of overconsumption, from Costco hauls to hoarding to diet culture—oh my!
Who it's for: Lovers of sustainability; haters of excess; skeptics of the title essay of Becca Rothfeld's All Things Are Too Small. —DF
The Icon and the Idealist by Stephanie Gorton [NF]
What it is: A compelling look at the rivalry between Margaret Sanger, of Planned Parenthood fame, and Mary Ware Dennett, who each held radically different visions for the future of birth control.
Who it's for: Readers of Amy Sohn's The Man Who Hated Women and Katherine Turk's The Women of NOW; anyone interested in the history of reproductive rights. —SMS
December
Rental House by Weike Wang [F]
What it's about: Married college sweethearts invite their drastically different families on a Cape Code vacation, raising questions about marriage, intimacy, and kinship.
Who it's for: Fans of Wang's trademark wit and sly humor (see: Joan Is Okay and Chemistry); anyone with an in-law problem.
Woo Woo by Ella Baxter [F]
What it's about: A neurotic conceptual artist loses her shit in the months leading up to an exhibition that she hopes will be her big breakout, poking fun at the tropes of the "art monster" and the "woman of the verge" in one fell, stylish swoop.
Who it's for: Readers of Sheena Patel's I'm a Fan and Chris Kraus's I Love Dick; any woman who is grateful to but now also sort of begrudges Jenny Offil for introducing "art monster" into the lexicon (me). —SMS
Berlin Atomized by Julia Kornberg, tr. Jack Rockwell and Julia Kornberg [F]
What it's about: Spanning 2001 to 2034, three Jewish and downwardly mobile siblings come of age in various corners of the world against the backdrop of global crisis.
Who it's for: Fans of Catherine Lacey's Biography of X and Joshua Cohen's The Netanyahus. —SMS
Sand-Catcher by Omar Khalifah, tr. Barbara Romaine [F]
What it is: A suspenseful, dark satire of memory and nation, in which four young Palestinian journalists at a Jordanian newspaper are assigned to interview an elderly witness to the Nakba, the violent 1948 expulsion of native Palestinians from Israel—but to their surprise, the survivor doesn’t want to rehash his trauma for the media.
Who it’s for: Anyone looking insight—tinged with grim humor—into the years leading up to the present political crisis in the Middle East and the decades-long goal of Palestinian autonomy. —NodB
The Shutouts by Gabrielle Korn [F]
What it's about: In the dystopian future, mysteriously connected women fight to survive on the margins of society amid worsening climate collapse.
Who it's for: Fans of Korn's Yours for the Taking, which takes place in the same universe; readers of Becky Chambers and queer-inflected sci-fi. —SMS
What in Me Is Dark by Orlando Reade [NF]
What it's about: The enduring, evolving influence of Milton's Paradise Lost on political history—and particularly on the work of 12 revolutionary readers, including Malcom X and Hannah Arendt.
Who it's for: English majors and fans of Ryan Ruby and Sarah Bakewell—but I repeat myself. —SMS
The Afterlife Is Letting Go by Brandon Shimoda [NF]
What it's about: Shimoda researches the mass incarceration of Japanese Americans during WWII, and speaks with descendants of those imprisoned, for this essay collection about the “afterlife” of cruelty and xenophobia in the U.S.
Who it’s for: Anyone to ever visit a monument, museum, or designated site of hallowed ground where traumatic events have taken place. —NodB
No Place to Bury the Dead by Karina Sainz Borgo, tr. Elizabeth Bryer [F]
What it's about: When Angustias Romero loses both her children while fleeing a mysterious disease in her unnamed Latin American country, she finds herself in a surreal, purgatorial borderland where she's soon caught in a power struggle.
Who it's for: Fans of Maríana Enriquez and Mohsin Hamid. —SMS
The Rest Is Silence by Augusto Monterroso, tr. Aaron Kerner [F]
What it is: The author of some of the shortest, and tightest, stories in Latin American literature goes long with a metafictional skewering of literary criticism in his only novel.
Who it's for: Anyone who prefers the term "palm-of-the-hand stories" to "flash fiction." —JHM
Tali Girls by Siamak Herawi, tr. Sara Khalili [F]
What it is: An intimate, harrowing, and vital look at the lives of girls and women in an Afghan mountain village under Taliban rule, based on true stories.
Who it's for: Readers of Nadia Hashimi, Akwaeke Emezi, and Maria Stepanova. —SMS
Sun City by Tove Jansson, tr. Thomas Teal [F]
What it's about: During her travels through the U.S. in the 1970s, Jansson became interested in the retirement home as a peculiarly American institution—here, she imagines the tightly knit community within one of them.
Who it's for: Fans of Jansson's other fiction for adults, much of which explores the lives of elderly folks; anyone who watched that documentary about The Villages in Florida. —SMS
Editor's note: We're always looking to make our seasonal book previews more useful to the readers, writers, and critics they're meant to serve. Got an idea for how we can improve our coverage? Tell me about it at sophia@themillions.com.
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Tuesday New Release Day: Starring Horrocks, Russo, Lenz, Zink, and More
Here’s a quick look at some notable books—new titles from the likes of Caitlin Horrocks, Richard Russo, Lyz Lenz, Nell Zink, and more—that are publishing this week.
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The Vexations by Caitlin Horrocks
Here's what Publishers Weekly had to say about The Vexations: "Horrocks’s vivid, hard-edged debut about French composer Erik Satie focuses on his erratic career, difficult personality, and dysfunctional family. In 1872, widower Alfred Satie leaves his children—six-year-old Eric, youngest brother Conrad, middle sister Louise—to be raised by their grandmother in Normandy. A great-uncle takes Louise to live with him. When the grandmother dies, Alfred brings the boys home to Paris. By his early 20s, Eric, now calling himself Erik 'with a k,' plays piano at Chat Noir and other Montmartre cafes. Louise, widowed within a year of getting married, resides with her son on her husband’s debt-ridden estate, until relatives confiscate both the estate and the son. Often neglectful and hurtful of friends and family, Erik collaborates with modernists like Cocteau and Diaghilev to varying success. Horrocks includes the perspectives of Erik’s onetime librettist (fictional Philippe) and sometime lover (real-life Suzanne Valadon) for a portrait of avant-garde turn-of-the-century Paris that proves art isn’t easy and neither are artists. Horrocks shines while envisioning Erik scoring a silent film, debuting a masterpiece, or being released from jail (where he was held for defaming a reviewer) so he can complete a commission. Horrocks’s description of Satie’s music is also apt for her noteworthy novel: slow, spare, and at its best finely filigreed."
Chances Are... by Richard Russo
Here's what Publishers Weekly had to say about Chances Are...: "Russo’s first standalone novel in a decade (after Everybody’s Fool) mixes his signature themes—father-and-son relationships, unrequited love, New England small-town living, and the hiccups of aging—with stealthy clue-dropping in a slow-to-build mystery about a young woman’s 1971 disappearance. Set mostly in Martha’s Vineyard circa 2015 with flashbacks to the characters’ coming-of-age in the 1960s and ’70s, the story follows three college buddies who, now in their mid-60s, decide to reunite on the island. There’s Lincoln, a happily married and successful real estate broker with six kids; Teddy, an editor and publisher of a small university press who’s prone to panic attacks and disorienting spells that leave him depressed; and Mickey, a musician renowned for his ability to rock hard, play hard, and sometimes beat up anyone in his way. Then there’s the missing link—gorgeous Jacy, the 'three musketeers’ ' closest gal pal from college and secret crush—who was engaged to 'privileged, pre-school, Greenwich, Connecticut' Vance, and had joined her boys at Lincoln’s Vineyard cabin for one last hurrah before she vanished. Relayed in alternating chapters from mostly Lincoln and Teddy’s perspectives, the narrative touches on the Vietnam draft, Lincoln’s complicated relationship with his dogmatic father and meek mother, and an accident that befalls Teddy. In the final stretch, surprising, long-kept secrets are revealed. This is vintage Russo."
The Chelsea Girls by Fiona Davis
Here's what Publishers Weekly had to say about The Chelsea Girls: "The strong friendship between two women who meet performing in USO shows during WWII is tested as the country descends into McCarthy-era madness in the solid latest from Davis (The Masterpiece). Hazel Ripley is a perennial understudy, pushed into performance by a mother who is grieving Hazel’s brother, a talented actor who died during the war. When Hazel joins the USO tour as the maid in Blythe Spirit, she initially dislikes star Maxine Mead, but as the women endure a sideline view to the horrors of war, they find that they are a good team, with Maxine acting and Hazel writing. After the war, they meet again in New York City when both are living at the Chelsea Hotel. Maxine has become a rising Hollywood starlet, and Hazel is staging her first play on Broadway. Soon the Red Scare consumes the nation, and Hazel is flagged as a possible communist and threatened with being blacklisted due to her association with Chelsea Hotel proprietor Lavinia Smarts. Maxine and Hazel are fearful their newly found community might be broken apart when they find mysterious men investigating the building. As a government agent appears to monitor rehearsals, Hazel is irritated but remains confident there’s nothing to be found. However, as the production nears opening night, Hazel worries her confidence could be misplaced. Featuring vibrant, witty characters who not only weather but thrive in a dark period of American history, Davis’s tale of one friendship’s strength will stun and satisfy readers."
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Marilou Is Everywhere by Sarah Elaine Smith
Here's what Publishers Weekly had to say about Marilou Is Everywhere: "Smith’s solid debut follows the isolated and overlooked life of a teen in rural Pennsylvania. After 14-year-old Cindy Stoat and her older brothers, Clinton and Virgil, are abandoned by their mother, they make do with canned goods, candy, and income from the brothers’ lawn-mowing business amid the constant meddling of education officials who hope to bring Cindy back to school. Their stagnant and isolated existence is broken open when a teenage neighbor, Jude Vanderjohn, goes missing. A popular but complicated girl, Jude is so much of what Cindy herself feels she could never be, and her disappearance rocks not only the community, but Cindy’s day-to-day existence, especially after Virgil begins bringing her to spend time with Jude’s mother, Bernadette. Bernadette is a former hippie, a half-mystic, and an alcoholic who mistakes Cindy for her disappeared daughter, an identity crisis that Cindy cherishes, hoping desperately for her life to change, and leading to a terrible decision as she tries to maintain the illusion. Smith’s rural world is brought to life with precise and devastating descriptions of poverty and neglect, though sometimes the lyricism of the prose doesn’t gel. Still, fans of Gabriel Tallent’s My Absolute Darling will appreciate Cindy’s toughened point of view and Smith’s close attention to the details of rural Appalachian life. This is a promising debut."
This Is Not America by Jordi Puntí
Here's what Publishers Weekly had to say about This Is Not America: "This thoughtful collection of short stories from Catalonian writer and translator Puntí (Lost Luggage) is set primarily in Barcelona and largely features a cast of jaded male protagonists. Though the stories often blend together, one not particularly standing out from the other, memorable instances occur throughout, such as the somber twist at the end of 'Kidney,' about a loner ignoring letters from his sick, estranged brother. In 'My Best Friend’s Mother,' and 'Consolation Prize,' men pursue fantasies of women they barely know, then realize their dream doesn’t match their reality. In 'Seven Days on the Love Boat,' a disgruntled husband exchanges anniversary tickets to France for a solo trip on a Mediterranean cruise liner, where he meets a sage American pianist. In 'The Miracle of the Loaves and the Fishes,' a Catalonian with a gambling problem moves to Las Vegas, where he manages to turn his addiction into an unexpected career. Although the collection lacks variety, the stories make for a consistently pleasant reading experience, especially when consumed in small doses."
The Accidentals by Minrose Gwin
Here's what Publishers Weekly had to say about The Accidentals: "Evocatively depicting the small town of Opelika, Miss., in 1957, Gwin (Promise) tells the heart-rending story of a mother feeling trapped in her life, whose death throws her family into turmoil. Olivia goes to a 'chiropractor' for an illegal abortion, dying a few days later from complications. Her husband, Holly, copes by trying to protect his daughters from the unlikely threats of bombs and natural disasters while ignoring their emotional needs. The older daughter, Grace, blames herself for not finding Olivia sooner, and her own poor choices lead to her becoming pregnant at 16 and getting sent away to have the baby in secret. The younger daughter, June, grows up to marry unhappily. Meanwhile, Ed Mae, the orphanage worker who cares for Grace’s child, has a moment of distraction that leads to complex consequences. Though the story is wrought with sadness, there’s a sense of hope that those thrown off course may find happiness in the end. Fans of tear-jerkers will forgive the occasional too-pat coincidence as Gwin brings all the threads together for an uplifting finale. This is a satisfying fable of errors and consequences in a tumultuous era."
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In the Country of Women by Susan Straight
Here's what Publishers Weekly had to say about In the Country of Women: "Novelist Straight (Between Heaven and Here) focuses on the lives of the women in her family in this moving memoir. The narrative is framed as a letter to Straight’s three daughters—Gaila, Delphine, and Rosette—whom Straight shares with her ex-husband Dwayne Sims, and honors the daughters’ rich ancestral past through stories of female relatives struggling to overcome violence, oppression, and hardship. Straight celebrates Jennie Stevenson, an aunt on the Sims side who, in the early 1900s, shot a man who cornered her, and Straight’s mother, a Swiss immigrant who left home after her stepmother tried to marry her off at 15 to a pig farmer. The author excels in chapters about raising her kids, and about finding her place in the Sims clan (Straight is white, Sims is African-American). She feels indebted to her mother-in-law, Alberta Sims, who showed her how to keep family and friends close ('she took my hand and led me to the kitchen.... Alberta cooked for the whole community'). In the touching final chapter, Straight reflects on the enduring power of memory: 'All we women have to give you is memory.... What we felt we might keep to ourselves, unless someone wrote it down.' Straight passionately illuminates the hard journeys of women."
The Other's Gold by Elizabeth Ames
Here's what Publishers Weekly had to say about The Other's Gold: "Four women form an intense bond as college freshmen and support one another through life-altering mistakes across a decade and a half in Ames’s unfocused debut. In 2002, sporty Alice, uber-rich Ji Sun, stunningly beautiful but academically struggling Margaret, and feisty, adopted Lainey arrive at Quincy-Hawthorne College. After immediate friendship, Alice divulges that years before she caused her brother’s intellectual disability by intentionally pushing him off a tractor. In their sophomore year, all four become entranced by a popular professor until Ji Sun fabricates a claim of sexual harassment against him. After college they all gravitate to New York City, where Lainey becomes a well-known voice of the Occupy Movement and Alice struggles with fertility problems. The foursome’s friendship cools when Margaret, now a popular blogger and wife to a wealthy scion, crosses a serious line, and drifts further apart when Lainey makes an even more shocking mistake. Ames rarely provides sufficient retribution for characters’ bad decisions, and the tangents about their lives become distracting. Though there are moments of powerful emotion, and the details and emotional crises are well drawn, most readers will feel frustrated by the meandering plot and the characters’ choices."
Black Card by Chris L. Terry
Here's what Publishers Weekly had to say about Black Card: "Terry’s darkly humorous coming-of-age novel (after Zero Fade) explores the nuances and challenges of being a young black man in America. A punk rock bassist with a white mother and black father living in Richmond, Va., the unnamed narrator struggles with feeling 'black enough.' 'Being mistaken for white erases half of me,' he muses, 'and happens so often that I think I’ve failed at blackness.' In a desperate attempt to finally earn his Black Card—an actual card—he indulges in misconceived stereotypes of blackness. He tries to 'speak more black' and changes up his style of dress. He earns his card but has it revoked by his guide/mentor Lucius when he fails to speak up during a racist incident. Determined to earn back his card, he performs rap songs at a white karaoke bar and musters up the courage to ask out his black coworker, Mona. When Mona is assaulted in her apartment, he becomes a suspect and is finally forced to face his racial identity. 'The minute Mona told the cops about me, she’d given me something. She’d made it so I’d never, ever doubt that I was black.' This memorable, deeply insightful work has echoes of Ralph Ellison’s Invisible Man. Terry’s provocative and timely novel challenges readers to confront the racial stereotypes and injustices in America."
God Land by Lyz Lenz
Here's what Publishers Weekly had to say about God Land: "Journalist Lenz blends memoir and reporting in this slim but powerful debut on the faith and politics of Middle America. After a lifetime of straining against her prescribed place within a white, Protestant world, Lenz left both her marriage and church in the wake of the 2016 election. Unable to compromise any longer with a husband who voted for Donald Trump, and unable to worship at a church that ignored violent white supremacy, divorce and departure become her only path forward. 'The story of who leaves the church,' Lenz writes, 'is just as important as the story of who stays.' In a series of episodic chapters, the author travels across the Midwest exploring stories of both the belonging and exclusion she finds there. Highlights include her tale of a home church that imploded around questions of authority and submission, and her tracking of a resurgent 'muscular' and patriarchal Christianity. She also reveals online and physical communities built by women, queer Christians, and people of color pushed out of conservative evangelical spaces. This work will resonate with any readers interested in understanding American landscapes where white, evangelical Christianity dominates both politics and culture."
Doxology by Nell Zink
Here's what Publishers Weekly had to say about Doxology: "Beginning in the early days of the 1990s and moving through the years to the 2016 election, Zink’s solid fourth novel (after Nicotine) follows the exploits of the members of a short-lived New York City punk band. Pam and Daniel have a daughter, Flora, before their careers can even begin to take off; meanwhile, Joe, the singer, has a breakthrough when he writes an unexpected hit single. As his fame grows, Pam and Daniel focus on raising Flora. On 9/11, everything changes, not just because of the attacks, but also because of an unexpected death that occurs on the same day. The second half of the book focuses more on Flora’s coming-of-age as she, among other things, becomes a campaign staffer for Jill Stein. As time passes, Zink infuses the novel with as many period details as possible (for instance, 'bricklike cell phones'), but the repeated intrusion of the narrator explaining the political and cultural developments during the last 30 years becomes a bit overbearing and, worse, mostly unnecessary. Still, Zink’s gifts for characterization and richly evoked periods and places are on display throughout. Zink’s longest novel is her most ambitious and perhaps her most effective."
To Be Eaten in Case of Emergency: Inspiration and Comfort for Writers
When fellow staff writer Hannah Gersen asked if I had any visuals that helped me to better understand my novel-in-progress -- a timeline, for example, or an Excel spreadsheet -- I didn't have much to offer. Her request made me think, though, about the other visuals we writers surround ourselves with, however silly or inessential: for inspiration or company, as talismans or reminders. I currently have two favorites. The first is a note from my husband that reads, "To Be Eaten In Case of Emergency!", which last spring he attached to a chocolate bar and stowed away in the luggage I took to a writers' retreat. The chocolate bar is long gone (alas), but the note by itself makes me laugh, offering comfort in my lonely little office. Someday, when things get really dire around here, I might just rip the note off the wall and stick it into my mouth.
The second is a photograph by Klaus Pichler, called "Middle Class Utopia 21." I find the image ominous and strange and beautiful, as I hope my novel-in-progress, Woman No. 17, is -- or will be. There's also a lot of photography in my book, and I find it useful to stare at this picture and think about staging, perspective, color, and artistic intention.
I asked a few writers to share what visuals they kept near them while working. Perhaps what they keep near them as they make sentences will inspire you to get writing, too.
1. Christian Kiefer, author of The Infinite Tides and, forthcoming, The Animals:
As a novelist, I tend toward strict realism. Nonetheless, for five years I’ve been working on a long novel in the spirit of [Jorge Luis] Borges and [Italo] Calvino, a book detached from strict realism. I’ve taped Kayama Matazo’s “Winter” to the wall in my workspace to remind myself of the world I’m trying to create: weird, malicious, strangely beautiful, and filled with flapping animal life. That book is at 650 pages in manuscript so far but I’m beginning to see the end.
2. Catie Disabato, author of the forthcoming novel The Ghost Network:
This is a picture of my mom when she was a teen; she's the second girl from the left, the one looking at the camera. I love it because she looks beautiful but also like she's the vicious enforcer in a '60s girl gang. My mom is an artist and has supported my writing since I was a tiny little girl, so looking at this picture reminds me both of the foundation she built and the creative home I grew up in. When I need writing energy, looking at this picture charges my batteries. I have a copy of this image on every single device I own.
3. Susan Straight, author, most recently, of Between Heaven and Here, and the winner of the Los Angeles Times Kirsch Award for lifetime achievement:
Three things always on my desk are a photo of my three girls when they were little, a piece of fluff with a black seed inside that floated down from the tree my brother planted in the yard, a shell I found near a Sea Island in South Carolina to remind me of my first novel, I Been in Sorrow's Kitchen And Licked Out All the Pots. Two things for the novel I'm working on now are sea glass I found on a small beach on Prince Edward Island, and a wallet covered with PEI lupines given to me by my best friend, writer Holly Robinson.
4. Marie Mutsuki Mockett, author of the novel Picking Bones from Ash and the nonfiction book Where the Dead Pause, and the Japanese Say Goodbye:
A wise friend once said to me that sometimes you simply have to do things scared. I was scared the entire time I wrote Where the Dead Pause, and the Japanese Say Goodbye. No one really likes to hear about a writer's insecurities, but I had and have had them in spades and they plagued me throughout this project. There's really only one way out of fear for a writer, and that is to work. And so, I put a note on my computer that simply reads: "Work." I'd switch on Facebook, from which I had previously taken a long hiatus, and get distracted, and then look down and see my note to myself, and then I'd exit Facebook and then I'd work. And wouldn't you know -- I finished writing the manuscript. And it became a book.
5. Paula Tang, a current MFA candidate at the University of California, Riverside, at work on her first book, a novel in stories presently titled Little China House:
When you asked if I look at anything interesting on my desk when I write, I didn't even know how to begin to describe this print that I have by artist Kimiaki Yaegashi. The illustration is beyond strange, and reminds me to push past the familiar in my writing, to always weird my images somehow and aim to surprise and electrify the reader.
6. Rebecca Makkai, author of two novels, The Borrower and The Hundred-Year House, and the forthcoming story collection, Music For Wartime:
Okay, this is temporary, obviously, but: I'm at Yaddo now, writing from a little studio on the third floor of West House. Sylvia Plath wrote The Colossus in this room, and Patricia Highsmith wrote Strangers on a Train. You start to go a little crazy working 16-hour days alone (making friends with insects, etc.). I drew a face on this orange, a la Wilson from Castaway. And then I decided it looked like Patricia Highsmith. It helps to get work done...You can't spend too much time playing computer solitaire if Patricia Highsmith is staring at you. Of course, I'll eventually have to eat her...
7. Celeste Ng, author of Everything I Never Told You:
This is a painting I made, which hangs over my desk. It's actually a passage from Annie Dillard's The Writing Life. Each color represents a different letter of the alphabet, so the colored blotches can be decoded to read as follows:
Every morning you climb several flights of stairs, enter your study, open the French doors, and slide your desk and chair out into the middle of the air. The desk and chair float thirty feet from the ground, between the crowns of maple trees. The furniture is in place; you go back for your thermos of coffee. Then, wincing, you step out again through the French doors and sit down on the chair and look over the desktop. You can see clear to the river from here in winter. You pour yourself a cup of coffee.
Birds fly under your chair. In spring, when the leaves open in the maples' crowns, your view stops in the treetops just beyond the desk; yellow warblers hiss and whisper on the high twigs, and catch flies. Get to work. Your work is to keep cranking the flywheel that turns the gears that spin the belt in the engine of belief that keeps you and your desk in midair.
I love this quote, and it's especially fitting as my office is on the second floor, accessed by French doors, and with maple trees right outside the window. But I wanted it to look visually beautiful too, and this is what I came up with. Whenever I look up from my computer, I see the painting and remember what it says, without getting distracted by words when I'm wordsmithing myself.
What do you keep by your desk? I'd love to hear.
Tuesday New Release Day: Eggers; Domini; Straight; Davis
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison's Sula.)
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