New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison’s Sula.)
“Though statements have been issued over the years, no one has ever provided full disclosure of the alleged 1974 government experiment called OPERATION EMU (Experimental Mitigated Universe) during which an entire Hollywood film crew, contracted by the government, disappeared in a remote section of Nevada.” Is this Web site a mysterious government coverup of the ravings of a lunatic? Neither. It’s the marketing campaign of a writer shopping his manuscript. (thanks, R.J.)The University of Nebraska Press has a blog. They’ve been plugging away at the blog since January, but I hadn’t seen it until today, when I got an email about it.New issues of The Virginia Quarterly Review and Narrative Magazine are out.
Our review of A Widow’s Story took Joyce Carol Oates to task for not mentioning that she had remarried not long after the death of her husband. In the New York Review of Books, Julian Barnes recently made the same point. Responding to the Barnes review, Oates defended her choice, but diplomatically added, “In retrospect I can see that I should have added something like an appendix.”
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he “still believe[s] art is more powerful than money.” This from the man whose tiger shark and formaldehyde sculpture “The Physical Impossibility of Death in the Mind of Someone Living” sold for $12 million– the figure that Don Thompson reports in The $12 Million Stuffed Shark.
Over at The New York Times, Citizen author Claudia Rankine reviews Teju Cole’s new essay collection. As she puts it, “Cole attempts to untangle the knot of who or what belongs to us and to whom or what do we belong as artists, thinkers and, finally, human beings.” Pair with this Millions interview with Cole.
“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.