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Most Anticipated: The Great Spring 2024 Preview

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April April 2 Women! In! Peril! by Jessie Ren Marshall [F] For starters, excellent title. This debut short story collection from playwright Marshall spans sex bots and space colonists, wives and divorcées, prodding at the many meanings of womanhood. Short story master Deesha Philyaw, also taken by the book's title, calls this one "incisive! Provocative! And utterly satisfying!" —Sophia M. Stewart The Audacity by Ryan Chapman [F] This sophomore effort, after the darkly sublime absurdity of Riots I have Known, trades in the prison industrial complex for the Silicon Valley scam. Chapman has a sharp eye and a sharper wit, and a book billed as a "bracing satire about the implosion of a Theranos-like company, a collapsing marriage, and a billionaires’ 'philanthropy summit'" promises some good, hard laughs—however bitter they may be—at the expense of the über-rich. —John H. Maher The Obscene Bird of Night by José Donoso, tr. Leonard Mades [F] I first learned about this book from an essay in this publication by Zachary Issenberg, who alternatively calls it Donoso's "masterpiece," "a perfect novel," and "the crowning achievement of the gothic horror genre." He recommends going into the book without knowing too much, but describes it as "a story assembled from the gossip of society’s highs and lows, which revolves and blurs into a series of interlinked nightmares in which people lose their memory, their sex, or even their literal organs." —SMS Globetrotting ed. Duncan Minshull [NF] I'm a big walker, so I won't be able to resist this assemblage of 50 writers—including Edith Wharton, Katharine Mansfield, Helen Garner, and D.H. Lawrence—recounting their various journeys by foot, edited by Minshull, the noted walker-writer-anthologist behind The Vintage Book of Walking (2000) and Where My Feet Fall (2022). —SMS All Things Are Too Small by Becca Rothfeld [NF] Hieronymus Bosch, eat your heart out! The debut book from Rothfeld, nonfiction book critic at the Washington Post, celebrates our appetite for excess in all its material, erotic, and gluttonous glory. Covering such disparate subjects from decluttering to David Cronenberg, Rothfeld looks at the dire cultural—and personal—consequences that come with adopting a minimalist sensibility and denying ourselves pleasure. —Daniella Fishman A Good Happy Girl by Marissa Higgins [F] Higgins, a regular contributor here at The Millions, debuts with a novel of a young woman who is drawn into an intense and all-consuming emotional and sexual relationship with a married lesbian couple. Halle Butler heaps on the praise for this one: “Sometimes I could not believe how easily this book moved from gross-out sadism into genuine sympathy. Totally surprising, totally compelling. I loved it.” —SMS City Limits by Megan Kimble [NF] As a Los Angeleno who is steadily working my way through The Power Broker, this in-depth investigation into the nation's freeways really calls to me. (Did you know Robert Moses couldn't drive?) Kimble channels Caro by locating the human drama behind freeways and failures of urban planning. —SMS We Loved It All by Lydia Millet [NF] Planet Earth is a pretty awesome place to be a human, with its beaches and mountains, sunsets and birdsong, creatures great and small. Millet, a creative director at the Center for Biological Diversity in Tucson, infuses her novels with climate grief and cautions against extinction, and in this nonfiction meditation, she makes a case for a more harmonious coexistence between our species and everybody else in the natural world. If a nostalgic note of “Auld Lang Syne” trembles in Millet’s title, her personal anecdotes and public examples call for meaningful environmental action from local to global levels. —Nathalie op de Beeck Like Love by Maggie Nelson [NF] The new book from Nelson, one of the most towering public intellectuals alive today, collects 20 years of her work—including essays, profiles, and reviews—that cover disparate subjects, from Prince and Kara Walker to motherhood and queerness. For my fellow Bluets heads, this will be essential reading. —SMS Traces of Enayat by Iman Mersal, tr. Robin Moger [NF] Mersal, one of the preeminent poets of the Arabic-speaking world, recovers the life, work, and legacy of the late Egyptian writer Enayat al-Zayyat in this biographical detective story. Mapping the psyche of al-Zayyat, who died by suicide in 1963, alongside her own, Mersal blends literary mystery and memoir to produce a wholly original portrait of two women writers. —SMS The Letters of Emily Dickinson ed. Cristanne Miller and Domhnall Mitchell [NF] The letters of Emily Dickinson, one of the greatest and most beguiling of American poets, are collected here for the first time in nearly 60 years. Her correspondence not only gives access to her inner life and social world, but reveal her to be quite the prose stylist. "In these letters," says Jericho Brown, "we see the life of a genius unfold." Essential reading for any Dickinson fan. —SMS April 9 Short War by Lily Meyer [F] The debut novel from Meyer, a critic and translator, reckons with the United States' political intervention in South America through the stories of two generations: a young couple who meet in 1970s Santiago, and their American-born child spending a semester Buenos Aires. Meyer is a sharp writer and thinker, and a great translator from the Spanish; I'm looking forward to her fiction debut. —SMS There's Going to Be Trouble by Jen Silverman [F] Silverman's third novel spins a tale of an American woman named Minnow who is drawn into a love affair with a radical French activist—a romance that, unbeknown to her, mirrors a relationship her own draft-dodging father had against the backdrop of the student movements of the 1960s. Teasing out the intersections of passion and politics, There's Going to Be Trouble is "juicy and spirited" and "crackling with excitement," per Jami Attenberg. —SMS Table for One by Yun Ko-eun, tr. Lizzie Buehler [F] I thoroughly enjoyed Yun Ko-eun's 2020 eco-thriller The Disaster Tourist, also translated by Buehler, so I'm excited for her new story collection, which promises her characteristic blend of mundanity and surrealism, all in the name of probing—and poking fun—at the isolation and inanity of modern urban life. —SMS Playboy by Constance Debré, tr. Holly James [NF] The prequel to the much-lauded Love Me Tender, and the first volume in Debré's autobiographical trilogy, Playboy's incisive vignettes explore the author's decision to abandon her marriage and career and pursue the precarious life of a writer, which she once told Chris Kraus was "a bit like Saint Augustine and his conversion." Virginie Despentes is a fan, so I'll be checking this out. —SMS Native Nations by Kathleen DuVal [NF] DuVal's sweeping history of Indigenous North America spans a millennium, beginning with the ancient cities that once covered the continent and ending with Native Americans' continued fight for sovereignty. A study of power, violence, and self-governance, Native Nations is an exciting contribution to a new canon of North American history from an Indigenous perspective, perfect for fans of Ned Blackhawk's The Rediscovery of America. —SMS Personal Score by Ellen van Neerven [NF] I’ve always been interested in books that drill down on a specific topic in such a way that we also learn something unexpected about the world around us. Australian writer Van Neerven's sports memoir is so much more than that, as they explore the relationship between sports and race, gender, and sexuality—as well as the paradox of playing a colonialist sport on Indigenous lands. Two Dollar Radio, which is renowned for its edgy list, is publishing this book, so I know it’s going to blow my mind. —Claire Kirch April 16 The Notebooks of Sonny Rollins by Sonny Rollins [NF] The musings, recollections, and drawings of jazz legend Sonny Rollins are collected in this compilation of his precious notebooks, which he began keeping in 1959, the start of what would become known as his “Bridge Years,” during which he would practice at all hours on the Williamsburg Bridge. Rollins chronicles everything from his daily routine to reflections on music theory and the philosophical underpinnings of his artistry. An indispensable look into the mind and interior life of one of the most celebrated jazz musicians of all time. —DF Henry Henry by Allen Bratton [F] Bratton’s ambitious debut reboots Shakespeare’s Henriad, landing Hal Lancaster, who’s in line to be the 17th Duke of Lancaster, in the alcohol-fueled queer party scene of 2014 London. Hal’s identity as a gay man complicates his aristocratic lineage, and his dalliances with over-the-hill actor Jack Falstaff and promising romance with one Harry Percy, who shares a name with history’s Hotspur, will have English majors keeping score. Don’t expect a rom-com, though. Hal’s fraught relationship with his sexually abusive father, and the fates of two previous gay men from the House of Lancaster, lend gravity to this Bard-inspired take. —NodB Bitter Water Opera by Nicolette Polek [F] Graywolf always publishes books that make me gasp in awe and this debut novel, by the author of the entrancing 2020 story collection Imaginary Museums, sounds like it’s going to keep me awake at night as well. It’s a tale about a young woman who’s lost her way and writes a letter to a long-dead ballet dancer—who then visits her, and sets off a string of strange occurrences. —CK Norma by Sarah Mintz [F] Mintz's debut novel follows the titular widow as she enjoys her newfound freedom by diving headfirst into her surrounds, both IRL and online. Justin Taylor says, "Three days ago I didn’t know Sarah Mintz existed; now I want to know where the hell she’s been all my reading life. (Canada, apparently.)" —SMS What Kingdom by Fine Gråbøl, tr. Martin Aitken [F] A woman in a psychiatric ward dreams of "furniture flickering to life," a "chair that greets you," a "bookshelf that can be thrown on like an apron." This sounds like the moving answer to the otherwise puzzling question, "What if the Kantian concept of ding an sich were a novel?" —JHM Weird Black Girls by Elwin Cotman [F] Cotman, the author of three prior collections of speculative short stories, mines the anxieties of Black life across these seven tales, each of them packed with pop culture references and supernatural conceits. Kelly Link calls Cotman's writing "a tonic to ward off drabness and despair." —SMS Presence by Tracy Cochran [NF] Last year marked my first earnest attempt at learning to live more mindfully in my day-to-day, so I was thrilled when this book serendipitously found its way into my hands. Cochran, a New York-based meditation teacher and Tibetan Buddhist practitioner of 50 years, delivers 20 psycho-biographical chapters on recognizing the importance of the present, no matter how mundane, frustrating, or fortuitous—because ultimately, she says, the present is all we have. —DF Committed by Suzanne Scanlon [NF] Scanlon's memoir uses her own experience of mental illness to explore the enduring trope of the "madwoman," mining the work of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Audre Lorde, and others for insights into the long literary tradition of women in psychological distress. The blurbers for this one immediately caught my eye, among them Natasha Trethewey, Amina Cain, and Clancy Martin, who compares Scanlon's work here to that of Marguerite Duras. —SMS Unrooted by Erin Zimmerman [NF] This science memoir explores Zimmerman's journey to botany, a now endangered field. Interwoven with Zimmerman's experiences as a student and a mother is an impassioned argument for botany's continued relevance and importance against the backdrop of climate change—a perfect read for gardeners, plant lovers, or anyone with an affinity for the natural world. —SMS April 23 Reboot by Justin Taylor [F] Extremely online novels, as a rule, have become tiresome. But Taylor has long had a keen eye for subcultural quirks, so it's no surprise that PW's Alan Scherstuhl says that "reading it actually feels like tapping into the internet’s best celeb gossip, fiercest fandom outrages, and wildest conspiratorial rabbit holes." If that's not a recommendation for the Book Twitter–brained reader in you, what is? —JHM Divided Island by Daniela Tarazona, tr. Lizzie Davis and Kevin Gerry Dunn [F] A story of multiple personalities and grief in fragments would be an easy sell even without this nod from Álvaro Enrigue: "I don't think that there is now, in Mexico, a literary mind more original than Daniela Tarazona's." More original than Mario Bellatin, or Cristina Rivera Garza? This we've gotta see. —JHM Prairie, Dresses, Art, Other by Danielle Dutton [NF] Coffee House Press has for years relished its reputation for publishing “experimental” literature, and this collection of short stories and essays about literature and art and the strangeness of our world is right up there with the rest of Coffee House’s edgiest releases. Don’t be fooled by the simple cover art—Dutton’s work is always formally inventive, refreshingly ambitious, and totally brilliant. —CK I Just Keep Talking by Nell Irvin Painter [NF] I first encountered Nell Irvin Painter in graduate school, as I hung out with some Americanists who were her students. Painter was always a dazzling, larger-than-life figure, who just exuded power and brilliance. I am so excited to read this collection of her essays on history, literature, and politics, and how they all intersect. The fact that this collection contains Painter’s artwork is a big bonus. —CK April 30 Real Americans by Rachel Khong [F] The latest novel from Khong, the author of Goodbye, Vitamin, explores class dynamics and the illusory American Dream across generations. It starts out with a love affair between an impoverished Chinese American woman from an immigrant family and an East Coast elite from a wealthy family, before moving us along 21 years: 15-year-old Nick knows that his single mother is hiding something that has to do with his biological father and thus, his identity. C Pam Zhang deems this "a book of rare charm," and Andrew Sean Greer calls it "gorgeous, heartfelt, soaring, philosophical and deft." —CK The Swans of Harlem by Karen Valby [NF] Huge thanks to Bebe Neuwirth for putting this book on my radar (she calls it "fantastic") with additional gratitude to Margo Jefferson for sealing the deal (she calls it "riveting"). Valby's group biography of five Black ballerinas who forever transformed the art form at the height of the Civil Rights movement uncovers the rich and hidden history of Black ballet, spotlighting the trailblazers who paved the way for the Misty Copelands of the world. —SMS Appreciation Post by Tara Ward [NF] Art historian Ward writes toward an art history of Instagram in Appreciation Post, which posits that the app has profoundly shifted our long-established ways of interacting with images. Packed with cultural critique and close reading, the book synthesizes art history, gender studies, and media studies to illuminate the outsize role that images play in all of our lives. —SMS May May 7 Bad Seed by Gabriel Carle, tr. Heather Houde [F] Carle’s English-language debut contains echoes of Denis Johnson’s Jesus’s Son and Mariana Enriquez’s gritty short fiction. This story collection haunting but cheeky, grim but hopeful: a student with HIV tries to avoid temptation while working at a bathhouse; an inebriated friend group witnesses San Juan go up in literal flames; a sexually unfulfilled teen drowns out their impulses by binging TV shows. Puerto Rican writer Luis Negrón calls this “an extraordinary literary debut.” —Liv Albright The Lady Waiting by Magdalena Zyzak [F] Zyzak’s sophomore novel is a nail-biting delight. When Viva, a young Polish émigré, has a chance encounter with an enigmatic gallerist named Bobby, Viva’s life takes a cinematic turn. Turns out, Bobby and her husband have a hidden agenda—they plan to steal a Vermeer, with Viva as their accomplice. Further complicating things is the inevitable love triangle that develops among them. Victor LaValle calls this “a superb accomplishment," and Percival Everett says, "This novel pops—cosmopolitan, sexy, and funny." —LA América del Norte by Nicolás Medina Mora [F] Pitched as a novel that "blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of U.S. writers like Ben Lerner and Teju Cole," Mora's debut follows a young member of the Mexican elite as he wrestles with questions of race, politics, geography, and immigration. n+1 co-editor Marco Roth calls Mora "the voice of the NAFTA generation, and much more." —SMS How It Works Out by Myriam Lacroix [F] LaCroix's debut novel is the latest in a strong early slate of novels for the Overlook Press in 2024, and follows a lesbian couple as their relationship falls to pieces across a number of possible realities. The increasingly fascinating and troubling potentialities—B-list feminist celebrity, toxic employer-employee tryst, adopting a street urchin, cannibalism as relationship cure—form a compelling image of a complex relationship in multiversal hypotheticals. —JHM Cinema Love by Jiaming Tang [F] Ting's debut novel, which spans two continents and three timelines, follows two gay men in rural China—and, later, New York City's Chinatown—who frequent the Workers' Cinema, a movie theater where queer men cruise for love. Robert Jones, Jr. praises this one as "the unforgettable work of a patient master," and Jessamine Chan calls it "not just an extraordinary debut, but a future classic." —SMS First Love by Lilly Dancyger [NF] Dancyger's essay collection explores the platonic romances that bloom between female friends, giving those bonds the love-story treatment they deserve. Centering each essay around a formative female friendship, and drawing on everything from Anaïs Nin and Sylvia Plath to the "sad girls" of Tumblr, Dancyger probes the myriad meanings and iterations of friendship, love, and womanhood. —SMS See Loss See Also Love by Yukiko Tominaga [F] In this impassioned debut, we follow Kyoko, freshly widowed and left to raise her son alone. Through four vignettes, Kyoko must decide how to raise her multiracial son, whether to remarry or stay husbandless, and how to deal with life in the face of loss. Weike Wang describes this one as “imbued with a wealth of wisdom, exploring the languages of love and family.” —DF The Novices of Lerna by Ángel Bonomini, tr. Jordan Landsman [F] The Novices of Lerna is Landsman's translation debut, and what a way to start out: with a work by an Argentine writer in the tradition of Jorge Luis Borges and Adolfo Bioy Casares whose work has never been translated into English. Judging by the opening of this short story, also translated by Landsman, Bonomini's novel of a mysterious fellowship at a Swiss university populated by doppelgängers of the protagonist is unlikely to disappoint. —JHM Black Meme by Legacy Russell [NF] Russell, best known for her hit manifesto Glitch Feminism, maps Black visual culture in her latest. Black Meme traces the history of Black imagery from 1900 to the present, from the photograph of Emmett Till published in JET magazine to the footage of Rodney King's beating at the hands of the LAPD, which Russell calls the first viral video. Per Margo Jefferson, "You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence." —SMS The Eighth Moon by Jennifer Kabat [NF] Kabat's debut memoir unearths the history of the small Catskills town to which she relocated in 2005. The site of a 19th-century rural populist uprising, and now home to a colorful cast of characters, the Appalachian community becomes a lens through which Kabat explores political, economic, and ecological issues, mining the archives and the work of such writers as Adrienne Rich and Elizabeth Hardwick along the way. —SMS Stories from the Center of the World ed. Jordan Elgrably [F] Many in America hold onto broad, centuries-old misunderstandings of Arab and Muslim life and politics that continue to harm, through both policy and rhetoric, a perpetually embattled and endangered region. With luck, these 25 tales by writers of Middle Eastern and North African origin might open hearts and minds alike. —JHM An Encyclopedia of Gardening for Colored Children by Jamaica Kincaid and Kara Walker [NF] Two of the most brilliant minds on the planet—writer Jamaica Kincaid and visual artist Kara Walker—have teamed up! On a book! About plants! A dream come true. Details on this slim volume are scant—see for yourself—but I'm counting down the minutes till I can read it all the same. —SMS Physics of Sorrow by Georgi Gospodinov, tr. Angela Rodel [F] I'll be honest: I would pick up this book—by the International Booker Prize–winning author of Time Shelter—for the title alone. But also, the book is billed as a deeply personal meditation on both Communist Bulgaria and Greek myth, so—yep, still picking this one up. —JHM May 14 This Strange Eventful History by Claire Messud [F] I read an ARC of this enthralling fictionalization of Messud’s family history—people wandering the world during much of the 20th century, moving from Algeria to France to North America— and it is quite the story, with a postscript that will smack you on the side of the head and make you re-think everything you just read. I can't recommend this enough. —CK Woodworm by Layla Martinez, tr. Sophie Hughes and Annie McDermott [F] Martinez’s debut novel takes cabin fever to the max in this story of a grandmother,  granddaughter, and their haunted house, set against the backdrop of the Spanish Civil War. As the story unfolds, so do the house’s secrets, the two women must learn to collaborate with the malevolent spirits living among them. Mariana Enriquez says that this "tense, chilling novel tells a story of specters, class war, violence, and loneliness, as naturally as if the witches had dictated this lucid, terrible nightmare to Martínez themselves.” —LA Self Esteem and the End of the World by Luke Healy [NF] Ah, writers writing about writing. A tale as old as time, and often timeworn to boot. But graphic novelists graphically noveling about graphic novels? (Verbing weirds language.) It still feels fresh to me! Enter Healy's tale of "two decades of tragicomic self-discovery" following a protagonist "two years post publication of his latest book" and "grappling with his identity as the world crumbles." —JHM All Fours by Miranda July [F] In excruciating, hilarious detail, All Fours voices the ethically dubious thoughts and deeds of an unnamed 45-year-old artist who’s worried about aging and her capacity for desire. After setting off on a two-week round-trip drive from Los Angeles to New York City, the narrator impulsively checks into a motel 30 miles from her home and only pretends to be traveling. Her flagrant lies, unapologetic indolence, and semi-consummated seduction of a rent-a-car employee set the stage for a liberatory inquisition of heteronorms and queerness. July taps into the perimenopause zeitgeist that animates Jen Beagin’s Big Swiss and Melissa Broder’s Death Valley. —NodB Love Junkie by Robert Plunket [F] When a picture-perfect suburban housewife's life is turned upside down, a chance brush with New York City's gay scene launches her into gainful, albeit unconventional, employment. Set at the dawn of the AIDs epidemic, Mimi Smithers, described as a "modern-day Madame Bovary," goes from planning parties in Westchester to selling used underwear with a Manhattan porn star. As beloved as it is controversial, Plunket's 1992 cult novel will get a much-deserved second life thanks to this reissue by New Directions. (Maybe this will finally galvanize Madonna, who once optioned the film rights, to finally make that movie.) —DF Tomorrowing by Terry Bisson [F] The newest volume in Duke University’s Practices series collects for the first time the late Terry Bisson’s Locus column "This Month in History," which ran for two decades. In it, the iconic "They’re Made Out of Meat" author weaves an alt-history of a world almost parallel to ours, featuring AI presidents, moon mountain hikes, a 196-year-old Walt Disney’s resurrection, and a space pooch on Mars. This one promises to be a pure spectacle of speculative fiction. —DF Chop Fry Watch Learn by Michelle T. King [NF] A large portion of the American populace still confuses Chinese American food with Chinese food. What a delight, then, to discover this culinary history of the worldwide dissemination of that great cuisine—which moonlights as a biography of Chinese cookbook and TV cooking program pioneer Fu Pei-mei. —JHM On the Couch ed. Andrew Blauner [NF] André Aciman, Susie Boyt, Siri Hustvedt, Rivka Galchen, and Colm Tóibín are among the 25 literary luminaries to contribute essays on Freud and his complicated legacy to this lively volume, edited by writer, editor, and literary agent Blauner. Taking tacts both personal and psychoanalytical, these essays paint a fresh, full picture of Freud's life, work, and indelible cultural impact. —SMS Another Word for Love by Carvell Wallace [NF] Wallace is one of the best journalists (and tweeters) working today, so I'm really looking forward to his debut memoir, which chronicles growing up Black and queer in America, and navigating the world through adulthood. One of the best writers working today, Kiese Laymon, calls Another Word for Love as “One of the most soulfully crafted memoirs I’ve ever read. I couldn’t figure out how Carvell Wallace blurred time, region, care, and sexuality into something so different from anything I’ve read before." —SMS The Devil's Best Trick by Randall Sullivan [NF] A cultural history interspersed with memoir and reportage, Sullivan's latest explores our ever-changing understandings of evil and the devil, from Egyptian gods and the Book of Job to the Salem witch trials and Black Mass ceremonies. Mining the work of everyone from Zoraster, Plato, and John Milton to Edgar Allen Poe, Aleister Crowley, and Charles Baudelaire, this sweeping book chronicles evil and the devil in their many forms. --SMS The Book Against Death by Elias Canetti, tr. Peter Filkins [NF] In this newly-translated collection, Nobel laureate Canetti, who once called himself death's "mortal enemy," muses on all that death inevitably touches—from the smallest ant to the Greek gods—and condemns death as a byproduct of war and despots' willingness to use death as a pathway to power. By means of this book's very publication, Canetti somewhat succeeds in staving off death himself, ensuring that his words live on forever. —DF Rise of a Killah by Ghostface Killah [NF] "Why is the sky blue? Why is water wet? Why did Judas rat to the Romans while Jesus slept?" Ghostface Killah has always asked the big questions. Here's another one: Who needs to read a blurb on a literary site to convince them to read Ghost's memoir? —JHM May 21 Exhibit by R.O. Kwon [F] It's been six years since Kwon's debut, The Incendiaries, hit shelves, and based on that book's flinty prose alone, her latest would be worth a read. But it's also a tale of awakening—of its protagonist's latent queerness, and of the "unquiet spirit of an ancestor," that the author herself calls so "shot through with physical longing, queer lust, and kink" that she hopes her parents will never read it. Tantalizing enough for you? —JHM Cecilia by K-Ming Chang [F] Chang, the author of Bestiary, Gods of Want, and Organ Meats, returns with this provocative and oft-surreal novella. While the story is about two childhood friends who became estranged after a bizarre sexual encounter but re-connect a decade later, it’s also an exploration of how the human body and its excretions can be both pleasurable and disgusting. —CK The Great State of West Florida by Kent Wascom [F] The Great State of West Florida is Wascom's latest gothicomic novel set on Florida's apocalyptic coast. A gritty, ominous book filled with doomed Floridians, the passages fly by with sentences that delight in propulsive excess. In the vein of Thomas McGuane's early novels or Brian De Palma's heyday, this stylized, savory, and witty novel wields pulp with care until it blooms into a new strain of American gothic. —Zachary Issenberg Cartoons by Kit Schluter [F] Bursting with Kafkaesque absurdism and a hearty dab of abstraction, Schluter’s Cartoons is an animated vignette of life's minutae. From the ravings of an existential microwave to a pencil that is afraid of paper, Schluter’s episodic outré oozes with animism and uncanniness. A grand addition to City Light’s repertoire, it will serve as a zany reminder of the lengths to which great fiction can stretch. —DF May 28 Lost Writings by Mina Loy, ed. Karla Kelsey [F] In the early 20th century, avant-garde author, visual artist, and gallerist Mina Loy (1882–1966) led an astonishing creative life amid European and American modernist circles; she satirized Futurists, participated in Surrealist performance art, and created paintings and assemblages in addition to writing about her experiences in male-dominated fields of artistic practice. Diligent feminist scholars and art historians have long insisted on her cultural significance, yet the first Loy retrospective wasn’t until 2023. Now Karla Kelsey, a poet and essayist, unveils two never-before-published, autobiographical midcentury manuscripts by Loy, The Child and the Parent and Islands in the Air, written from the 1930s to the 1950s. It's never a bad time to be re-rediscovered. —NodB I'm a Fool to Want You by Camila Sosa Villada, tr. Kit Maude [F] Villada, whose debut novel Bad Girls, also translated by Maude, captured the travesti experience in Argentina, returns with a short story collection that runs the genre gamut from gritty realism and social satire to science fiction and fantasy. The throughline is Villada's boundless imagination, whether she's conjuring the chaos of the Mexican Inquisition or a trans sex worker befriending a down-and-out Billie Holiday. Angie Cruz calls this "one of my favorite short-story collections of all time." —SMS The Editor by Sara B. Franklin [NF] Franklin's tenderly written and meticulously researched biography of Judith Jones—the legendary Knopf editor who worked with such authors as John Updike, Sylvia Plath, Elizabeth Bowen, Anne Tyler, and, perhaps most consequentially, Julia Child—was largely inspired by Franklin's own friendship with Jones in the final years of her life, and draws on a rich trove of interviews and archives. The Editor retrieves Jones from the margins of publishing history and affirms her essential role in shaping the postwar cultural landscape, from fiction to cooking and beyond. —SMS The Book-Makers by Adam Smyth [NF] A history of the book told through 18 microbiographies of particularly noteworthy historical personages who made them? If that's not enough to convince you, consider this: the small press is represented here by Nancy Cunard, the punchy and enormously influential founder of Hours Press who romanced both Aldous Huxley and Ezra Pound, knew Hemingway and Joyce and Langston Hughes and William Carlos Williams, and has her own MI5 file. Also, the subject of the binding chapter is named "William Wildgoose." —JHM June June 4 The Future Was Color by Patrick Nathan [F] A gay Hungarian immigrant writing crappy monster movies in the McCarthy-era Hollywood studio system gets swept up by a famous actress and brought to her estate in Malibu to write what he really cares about—and realizes he can never escape his traumatic past. Sunset Boulevard is shaking. —JHM A Cage Went in Search of a Bird [F] This collection brings together a who's who of literary writers—10 of them, to be precise— to write Kafka fanfiction, from Joshua Cohen to Yiyun Li. Then it throws in weirdo screenwriting dynamo Charlie Kaufman, for good measure. A boon for Kafkaheads everywhere. —JHM We Refuse by Kellie Carter Jackson [NF] Jackson, a historian and professor at Wellesley College, explores the past and present of Black resistance to white supremacy, from work stoppages to armed revolt. Paying special attention to acts of resistance by Black women, Jackson attempts to correct the historical record while plotting a path forward. Jelani Cobb describes this "insurgent history" as "unsparing, erudite, and incisive." —SMS Holding It Together by Jessica Calarco [NF] Sociologist Calarco's latest considers how, in lieu of social safety nets, the U.S. has long relied on women's labor, particularly as caregivers, to hold society together. Calarco argues that while other affluent nations cover the costs of care work and direct significant resources toward welfare programs, American women continue to bear the brunt of the unpaid domestic labor that keeps the nation afloat. Anne Helen Petersen calls this "a punch in the gut and a call to action." —SMS Miss May Does Not Exist by Carrie Courogen [NF] A biography of Elaine May—what more is there to say? I cannot wait to read this chronicle of May's life, work, and genius by one of my favorite writers and tweeters. Claire Dederer calls this "the biography Elaine May deserves"—which is to say, as brilliant as she was. —SMS Fire Exit by Morgan Talty [F] Talty, whose gritty story collection Night of the Living Rez was garlanded with awards, weighs the concept of blood quantum—a measure that federally recognized tribes often use to determine Indigenous membership—in his debut novel. Although Talty is a citizen of the Penobscot Indian Nation, his narrator is on the outside looking in, a working-class white man named Charles who grew up on Maine’s Penobscot Reservation with a Native stepfather and friends. Now Charles, across the river from the reservation and separated from his biological daughter, who lives there, ponders his exclusion in a novel that stokes controversy around the terms of belonging. —NodB June 11 The Material by Camille Bordas [F] My high school English teacher, a somewhat dowdy but slyly comical religious brother, had a saying about teaching high school students: "They don't remember the material, but they remember the shtick." Leave it to a well-named novel about stand-up comedy (by the French author of How to Behave in a Crowd) to make you remember both. --SMS Ask Me Again by Clare Sestanovich [F] Sestanovich follows up her debut story collection, Objects of Desire, with a novel exploring a complicated friendship over the years. While Eva and Jamie are seemingly opposites—she's a reserved South Brooklynite, while he's a brash Upper Manhattanite—they bond over their innate curiosity. Their paths ultimately diverge when Eva settles into a conventional career as Jamie channels his rebelliousness into politics. Ask Me Again speaks to anyone who has ever wondered whether going against the grain is in itself a matter of privilege. Jenny Offill calls this "a beautifully observed and deeply philosophical novel, which surprises and delights at every turn." —LA Disordered Attention by Claire Bishop [NF] Across four essays, art historian and critic Bishop diagnoses how digital technology and the attention economy have changed the way we look at art and performance today, identifying trends across the last three decades. A perfect read for fans of Anna Kornbluh's Immediacy, or the Style of Too Late Capitalism (also from Verso). War by Louis-Ferdinand Céline, tr. Charlotte Mandell [F] For years, literary scholars mourned the lost manuscripts of Céline, the acclaimed and reviled French author whose work was stolen from his Paris apartment after he fled to Germany in 1944, fearing punishment for his collaboration with the Nazis. But, with the recent discovery of those fabled manuscripts, War is now seeing the light of day thanks to New Directions (for anglophone readers, at least—the French have enjoyed this one since 2022 courtesy of Gallimard). Adam Gopnik writes of War, "A more intense realization of the horrors of the Great War has never been written." —DF The Uptown Local by Cory Leadbeater [NF] In his debut memoir, Leadbeater revisits the decade he spent working as Joan Didion's personal assistant. While he enjoyed the benefits of working with Didion—her friendship and mentorship, the more glamorous appointments on her social calendar—he was also struggling with depression, addiction, and profound loss. Leadbeater chronicles it all in what Chloé Cooper Jones calls "a beautiful catalog of twin yearnings: to be seen and to disappear; to belong everywhere and nowhere; to go forth and to return home, and—above all else—to love and to be loved." —SMS Out of the Sierra by Victoria Blanco [NF] Blanco weaves storytelling with old-fashioned investigative journalism to spotlight the endurance of Mexico's Rarámuri people, one of the largest Indigenous tribes in North America, in the face of environmental disasters, poverty, and the attempts to erase their language and culture. This is an important book for our times, dealing with pressing issues such as colonialism, migration, climate change, and the broken justice system. —CK Any Person Is the Only Self by Elisa Gabbert [NF] Gabbert is one of my favorite living writers, whether she's deconstructing a poem or tweeting about Seinfeld. Her essays are what I love most, and her newest collection—following 2020's The Unreality of Memory—sees Gabbert in rare form: witty and insightful, clear-eyed and candid. I adored these essays, and I hope (the inevitable success of) this book might augur something an essay-collection renaissance. (Seriously! Publishers! Where are the essay collections!) —SMS Tehrangeles by Porochista Khakpour [F] Khakpour's wit has always been keen, and it's hard to imagine a writer better positioned to take the concept of Shahs of Sunset and make it literary. "Like Little Women on an ayahuasca trip," says Kevin Kwan, "Tehrangeles is delightfully twisted and heartfelt."  —JHM Traveling: On the Path of Joni Mitchell by Ann Powers [NF] The moment I saw this book's title—which comes from the opening (and, as it happens, my favorite) track on Mitchell's 1971 masterpiece Blue—I knew it would be one of my favorite reads of the year. Powers, one of the very best music critics we've got, masterfully guides readers through Mitchell's life and work at a fascinating slant, her approach both sweeping and intimate as she occupies the dual roles of biographer and fan. —SMS All Desire Is a Desire for Being by René Girard, ed. Cynthia L. Haven [NF] I'll be honest—the title alone stirs something primal in me. In honor of Girard's centennial, Penguin Classics is releasing a smartly curated collection of his most poignant—and timely—essays, touching on everything from violence to religion to the nature of desire. Comprising essays selected by the scholar and literary critic Cynthia L. Haven, who is also the author of the first-ever biographical study of Girard, Evolution of Desire, this book is "essential reading for Girard devotees and a perfect entrée for newcomers," per Maria Stepanova. —DF June 18 Craft by Ananda Lima [F] Can you imagine a situation in which interconnected stories about a writer who sleeps with the devil at a Halloween party and can't shake him over the following decades wouldn't compel? Also, in one of the stories, New York City’s Penn Station is an analogue for hell, which is both funny and accurate. —JHM Parade by Rachel Cusk [F] Rachel Cusk has a new novel, her first in three years—the anticipation is self-explanatory. —SMS Little Rot by Akwaeke Emezi [F] Multimedia polymath and gender-norm disrupter Emezi, who just dropped an Afropop EP under the name Akwaeke, examines taboo and trauma in their creative work. This literary thriller opens with an upscale sex party and escalating violence, and although pre-pub descriptions leave much to the imagination (promising “the elite underbelly of a Nigerian city” and “a tangled web of sex and lies and corruption”), Emezi can be counted upon for an ambience of dread and a feverish momentum. —NodB When the Clock Broke by John Ganz [NF] I was having a conversation with multiple brilliant, thoughtful friends the other day, and none of them remembered the year during which the Battle of Waterloo took place. Which is to say that, as a rule, we should all learn our history better. So it behooves us now to listen to John Ganz when he tells us that all the wackadoodle fascist right-wing nonsense we can't seem to shake from our political system has been kicking around since at least the early 1990s. —JHM Night Flyer by Tiya Miles [NF] Miles is one of our greatest living historians and a beautiful writer to boot, as evidenced by her National Book Award–winning book All That She Carried. Her latest is a reckoning with the life and legend of Harriet Tubman, which Miles herself describes as an "impressionistic biography." As in all her work, Miles fleshes out the complexity, humanity, and social and emotional world of her subject. Tubman biographer Catherine Clinton says Miles "continues to captivate readers with her luminous prose, her riveting attention to detail, and her continuing genius to bring the past to life." —SMS God Bless You, Otis Spunkmeyer by Joseph Earl Thomas [F] Thomas's debut novel comes just two years after a powerful memoir of growing up Black, gay, nerdy, and in poverty in 1990s Philadelphia. Here, he returns to themes and settings that in that book, Sink, proved devastating, and throws post-service military trauma into the mix. —JHM June 25 The Garden Against Time by Olivia Laing [NF] I've been a fan of Laing's since The Lonely City, a formative read for a much-younger me (and I'd suspect for many Millions readers), so I'm looking forward to her latest, an inquiry into paradise refracted through the experience of restoring an 18th-century garden at her home the English countryside. As always, her life becomes a springboard for exploring big, thorny ideas (no pun intended)—in this case, the possibilities of gardens and what it means to make paradise on earth. —SMS Cue the Sun! by Emily Nussbaum [NF] Emily Nussbaum is pretty much the reason I started writing. Her 2019 collection of television criticism, I Like to Watch, was something of a Bible for college-aged me (and, in fact, was the first book I ever reviewed), and I've been anxiously awaiting her next book ever since. It's finally arrived, in the form of an utterly devourable cultural history of reality TV. Samantha Irby says, "Only Emily Nussbaum could get me to read, and love, a book about reality TV rather than just watching it," and David Grann remarks, "It’s rare for a book to feel alive, but this one does." —SMS Woman of Interest by Tracy O'Neill [NF] O’Neill's first work of nonfiction—an intimate memoir written with the narrative propulsion of a detective novel—finds her on the hunt for her biological mother, who she worries might be dying somewhere in South Korea. As she uncovers the truth about her enigmatic mother with the help of a private investigator, her journey increasingly becomes one of self-discovery. Chloé Cooper Jones writes that Woman of Interest “solidifies her status as one of our greatest living prose stylists.” —LA Dancing on My Own by Simon Wu [NF] New Yorkers reading this list may have witnessed Wu's artful curation at the Brooklyn Museum, or the Whitney, or the Museum of Modern Art. It makes one wonder how much he curated the order of these excellent, wide-ranging essays, which meld art criticism, personal narrative, and travel writing—and count Cathy Park Hong and Claudia Rankine as fans. —JHM [millions_email]

A Year in Reading: C Pam Zhang

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There are years in which you are a stranger to yourself. This was one of them. I stopped keeping to-do lists, forgot obligations, hit pause on making sense of my life: why I cried when I should have been happy, why I grew angry or listless, why convictions I’d held no longer convinced even me. It was the last year of my third decade on this earth, and it seems that with every passing year I grow increasingly alien to that earth, or it to me. A fragmented year. This was the year I moved to San Francisco for the third time, ambivalent. A bizarre place. Nowhere else can the simple act of buying snacks or going to a day job trigger in me the question, How to live?, or perhaps, How to live as a human?, or, What is a human?, or, How is humanity defined in a place of enormous income disparity and mind-boggling callousness as well as beauty? I’m not sure we all share the same definition of human these days. I’m not sure that, were I to rap politely on the skulls of those beside me on Valencia Street or in the backseat of my rideshare, I would hear flesh rather than a more synthetic response. A surreal place. In trying to make sense of it, I found conversational partners in Jenny Odell’s How to Do Nothing, Sarah Rose Etter’s The Book of X, Jia Tolentino’s Trick Mirror. This was the year I got engaged, and though publicly I kept it low-key, privately I gave myself license to obsess over my favorite obsession: the impossible paradox of being a good parent in a very bad world. I found dark and delightful and intelligent company in Louse Erdrich’s Future Home of the Living God, Karen Russell’s Orange World, Alex Ohlin’s Dual Citizens, Lydia Kiesling’s The Golden State, Meng Jin’s forthcoming Little Gods. I sobbed through Mira Jacob’s Good Talk. Though I doubt I want children, I have a perverse desire to marinate in the idea—maybe because children seem to bring with them a sense of anticipatory loss, and so a child might be a tangible thing on which to pin the ache I feel anyway. This was the year I was so paralyzed by anxiety that only horror could shake me out of it. In the summer, my non-American partner was exiled in Mexico for an unspecified amount of time, awaiting opaque “further processing” on his routine visa run. On my trip back alone, the only book that could distract me was Lee H. Whittlesey’s Death in Yellowstone—at least we weren’t being boiled alive or eaten by bears! I read Junji Ito’s Uzumaki, Sarah Moss’s Ghost Wall, Megan Gidding’s forthcoming Lakewood, Brian Evenson’s Song for the Unraveling of the World. Meanwhile, I practiced pacing my apartment while voicing the very worst possibilities: I could quit my job and move to another country! I could sell our needy puppy! I could delete my digital presence and become a hermit! How soothing to twist reality into its most nightmarish shape, and then study it. This was the year I sought to lose myself in worlds I’d visited before. I reread sagas: Ursula Le Guin’s Tehanu from the Earthsea Cycle, Cynthia Voigt’s Elske from the Tales of the Kingdom series, and George R. R. Martin’s entire A Song of Ice and Fire series (as far as it exists; George, please). The escapism is not lost on me. Closer to home, I reread Jhumpa Lahiri’s Interpreter of Maladies and Unaccustomed Earth—more than one reread, in the case of certain stories. "As ordinary as it all appears," Lahiri writes of the immigrant experience of shifting from one world to another, "there are times when it is beyond my imagination." This was the year I grieved and found solace in books that peered closely at the texture of daily, mundane grief. I read Chia-Chia Lin’s The Unpassing and Rowan Hisayo Buchanan’s Starling Days, and Miriam Toews’s strangely hilarious All My Puny Sorrows. This was the year I looked for joy in the last pure place: in syllables. I read Patrick DeWitt’s Undermajordomo Minor and Jamil Jan Kochai’s 99 Nights in Logar, in which syntax is sheer delight. I reread Hilary Mantel’s Wolf Hall and Bring Up the Bodies on a solo writing trip to Hiroshima where, alone in my hotel with a sea view and two beds, no one minded if I occasionally threw the book across the room to yell WHAT THE FUCK when metaphors got too good. Intending it as mourning, I reread Toni Morrison’s Beloved the day the news of her death broke. I felt only elation. It is a perfect book. It is new every single time, as if the language is being birthed in radical shapes as you read—you can’t help but celebrate the life in it. This was the year I stopped assuming I could see how things would turn out and cozied up to ambiguity. I read books that, rather than force a sweeping lesson, do what good friends do: hold space for complexity. I read Brandon Taylor’s forthcoming Real Life and T Kira Madden’s Long Live the Tribe of Fatherless Girls, in which endings are not ends. I reread the lyrical puzzle box that is Michael Ondaatje’s Divisadero. I read collections whose individual pieces fragmented, overlapped: Kali Fajardo-Anstine’s Sabrina & Corina, Esmé Weijun Wang’s The Collected Schizophrenias. I read Sarah Elaine Smith’s Marilou Is Everywhere and Alexandra Chang’s forthcoming Days of Distraction, their narrators keeping me company in my state of persistent bemusement. Maybe it’s enough, these books say, to live with integrity through a day, a paragraph, a sentence. This was the year in which I wondered what happens to women’s rage and hurt when it is no longer as fresh as it was in, say, 2016. What happens as time passes, what ferments or crusts or festers. I read Shelly Oria’s Indelible in the Hippocampus and Carmen Maria Machado’s In the Dream House and Miriam Toews’s Women Talking. One of the first books I read this year was Susan Choi’s Trust Exercise, a real mindfuck of a book, too smart and too cynical and too exacting to give its reader the easy gift of catharsis. It won’t let me forget it. I don’t want to forget. In 2019, I stopped reading more books than I ever have before; life is too fucking short. The books that held my attention this year—that reached out to me—are capsules of strangeness, of varied extremity; what they don’t do is try to convince me that everything is okay. That was a form of companionship I needed very much. [millions_ad]

A Year in Reading: Jianan Qian

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During our school years in Shanghai, we were always reading two books at the same time. One was our textbook, which sat open on the desk, protected by extra covers, lines highlighted and margins filled with tidy handwriting, reflecting our diligence; the other was the book we were actually reading, hidden inside our desks, probably dog-eared and without notes. As our teacher droned on and on, our souls slipped into the worlds of those books: some of us fought to be Kung Fu masters, others fell in love with someone magnificent. Now, years later, I often hear people say that the books we loved in youth are not good, and that we liked them only because we desperately wanted to escape from the chore of schoolwork. This year, I spent a lot of time rereading the same books I used to sneak into my desk back in old days. And I mean to say this: We don’t need to feel apologetic about loving these books. Most of them still speak to us. 1. Walden, “Civil Disobedience,” and Other Writings by Henry David Thoreau For most of this year, I was translating English Professor Laura Dassow Walls’s most recent biography, Henry David Thoreau: A Life, into Chinese. I took the opportunity to reread Thoreau’s major works. Now, it’s safe for me to say that I still admire Thoreau. Not because I, as a city person, fancy the romantic idea of living in the woods, but because I appreciate his moral struggle and his life-long journey to elevate himself. There have always been two Thoreaus: one was the hermit by the lakeside, a moralist who maintained his self-purity by disengaging with the infected human society; the other was a politically responsible citizen who would rather go to jail than support the unjust American government by paying poll-tax and who tirelessly called on his people to do the same, to commit civil disobedience. Walls’s biography inspires me to see the two contradicting images as one. Thoreau saw the interconnectedness of all reality—“A man is a bundle of relations” (Ralph Waldo Emerson)—firstly in nature, where the newly-built hydraulic machinery threatened the lives of innocent fish. He defended the fish in his first book, A Week on the Concord and Merrimack Rivers. Later, he extended his defense to include all oppressed forms of life: slaves controlled by their owners, Native Americans expelled by Anglo Immigrants, Mexicans threatened by the war of conquest…He was not merely interested in self-cleansing, either; he aimed to be the “chanticleer” (Walden) who would wake his neighbors with the dawn and remind them to live up to Higher Laws. In a time when we are so easily lost in the trappings of material success, perhaps we can always turn to Thoreau for insight and courage. As Walls beautifully puts it: When [Thoreau] wrote that “a man is rich in proportion to the number of things which he can afford to let alone,” he meant not an ascetic’s renunciation, but a redefinition of true wealth as inner rather than outer, aspiring to turn life itself, even the simplest acts of life, into a form of art. “There is Thoreau,” said one of his closest friends. “Give him sunshine, and a handful of nuts, and he has enough.” (Henry David Thoreau: A Life) 2. After the Quake by Haruki Murakami One often has to defend their love for Haruki Murakami in the same way one must defend their love for J.D. Salinger’s The Catcher in the Rye. It is true that there are certain books that you will never truly understand—and, even if you do understand, you will never experience that same electrifying feeling—unless you have read them at a certain age. This speaks to my experience with Norwegian Wood, which we carefully kept away from parents and teachers during adolescence and which offered us an exciting glimpse into what then seemed to us the mysteries of adulthood. Earlier this year, I reread After the Quake, a collection of stories Murakami wrote after Japan’s 1995 Kobe earthquake. This time, I must confess that I enjoyed the book even more. I remember I used to adore “Thailand” and “All God’s Children Can Dance,” but now my favorite piece is “Super-Frog Saves Tokyo.” In this story, an average Japanese salaryman is chosen by Super-Frog to save the metropolis. When this ordinary man doubts himself for lacking any traditional heroic qualities, Super-Frog convinces him otherwise: “Tokyo can only be saved by a person like you. And it’s for people like you that I am trying to save Tokyo.” Amanda Lewis, in her essay about Murakami and his un-Japanese style, suggests that Murakami’s exploration of “the needs of the individual” is his refusal of “the essence of the Japanese mind,” which often contains an undertone of “a disregard for the sacredness of human life.” (Amanda Lewis, “The Essence of the Japanese Mind: Haruki Murakami and the Nobel Prize.”) I am not saying I like all of Murakami’s works—some of them are disappointing—but the books that enthralled me when I was young—Norwegian Woods, After the Quake, South of the Border, West of the Sun—have quite a lasting charm. [millions_ad] 3. The Sound and The Fury by William Faulkner My American friends often find it unbelievable that I read Sound and Fury when I was a teenager. Back then, I read its Chinese translation; Li Wenjun, the translator, carefully inserted footnotes to offer the much-needed context when time-shifting occurs. So I didn’t find it too difficult. This year, to write a script for a Chinese radio show, I reread the book in English. Because I already had the plot in my mind, I was able to appreciate the beauty of Faulkner’s writing. Quentin’s section stunned me, as it had years ago. What seems like nonsense—long, chaotic sentences without quotation marks is also pure poetry. Of course, the young Faulkner—he was only 31 when he wrote this masterpiece—was probably also showing off his mastery of different prose styles. His genius may overawe all the aspiring young writers of today. But it is fine to feel intimidated; that is how we push ourselves to write better. P.S.: As a woman of color myself, I am aware of the race and gender issues in “the Western canon.” So, I would also like to recommend the best history book I have read this year: A More Beautiful and Terrible History: The Uses and Misuses of Civil Rights Movement by Jeanne Theoharis. Theoharis argues that politicians have twisted the narrative of the civil rights movement. Now, we feel as if American democracy is a self-correcting and self-renewing system. However, the struggle of African Americans is proof of the system’s problems, not of its perfection. By glossing over the complexity of history, the current narrative turns us away from the still-dire racial present. The most deep-rooted racism, Theoharis suggests, doesn’t take the form of violence; it lies in the way parents assert their rights as taxpayers to maintain a dominantly white “neighborhood school.” Racism happens not only in the Deep South but also in New York City, in Los Angeles, in all those big cities which purport to embrace diversity. Besides, while we appreciate the problems and values of the literature of the past, we can also keep an eye out for the potential classics of the future. I enjoyed reading The Study of Animal Language by Lindsay Stern and 99 Nights in Logar by Jamil Jan Kochai. And I am also looking forward to reading the following books, all of which boast excellent reviews: In West Mills by De’Shawn Charles Winslow, The Travelers by Regina Porter, and The Most Fun We Ever Had by Claire Lombardo. Yes, these authors are all my workshop buddies at Iowa, but I will feel honored to have been one of their first readers. More from A Year in Reading 2019 Do you love Year in Reading and the amazing books and arts content that The Millions produces year round? We are asking readers for support to ensure that The Millions can stay vibrant for years to come. Please click here to learn about several simple ways you can support The Millions now. Don't miss: A Year in Reading 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

Tuesday New Release Day: Starring Dreyer, Lapidos, Winters, and More

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Here’s a quick look at some notable books—new titles from the likes of Benjamin Dreyer, Juliet Lapidos, Ben Winters and more—that are publishing this week. Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. Dreyer’s English by Benjamin DreyerHere's what Publishers Weekly had to say about Dreyer's English: "Dreyer, copy chief at Random House, presents a splendid book that is part manual, part memoir, and chockfull of suggestions for tightening and clarifying prose. These begin with his first challenge to writers: 'Go a week without writing ‘very,’ ‘rather,’ ‘really,’ ‘quite,’ and ‘in fact.’ ' ('Feel free to go the rest of your life without another ‘actually,’ ' he says.) Dreyer goes on to write with authority and humor about commonly confused or misspelled words, punctuation rules, and 'trimmables,' or redundant phrases (the most memorable he ever encountered was, “He implied without quite saying”; Dreyer was so 'delighted' he 'scarcely had the heart' to eliminate it from the manuscript). But Dreyer’s most effective material comprises his recollections of working with authors, including Richard Russo, who after noticing a maxim posted in Dreyer’s office from the New Yorker’s Wolcott Gibbs—'Try to preserve an author’s style if he is an author and has a style'—later called him to ask, 'Would you say I am an author? Do I have a style?' This work is that rare writing handbook that writers might actually want to read straight through, rather than simply consult." Talent by Juliet LapidosHere's what Publishers Weekly had to say about Talent: "In her snappy debut, Lapidos questions cultural obsessions with productivity and maximized potential that date back to Jesus’s parable of the talents. A graduate student at Collegiate University (a thinly veiled Yale) and on the cusp of thirty, Anna struggles to complete her languishing dissertation on artistic inspiration, already looking ahead to 'the life of a professor emerita” before her career has even begun. A chance encounter with Helen Langley at the grocery store puts her in 'physical proximity to genetic proximity to fame': Helen is the niece of Frederick Langley, a deceased author of some renown who stopped writing after a promising early career. Helen is involved in a legal battle with Collegiate over its possession of Langley’s unpublished notebooks, which the idling graduate student hopes to mine for material to kick-start her dissertation. The novel proceeds briskly as Anna delves into Frederick’s papers to explain his premature retirement and as the impoverished Helen angles to secure the valuable manuscripts. Anna’s voice is sharp and humorous, capturing the jaded graduate student’s mix of posturing, snark, and self-loathing, but Frederick isn’t as enigmatic as he’s intended to be, and his scheming niece Helen is insufficiently drawn, which weakens the pull of the literary mystery. However, the novel is redeemed by its intelligent musings on the responsibilities of literary culture: what do talented authors owe their readers and themselves?" Golden State by Ben WintersHere's what Publishers Weekly had to say about Golden State: "This disappointing postapocalyptic thriller from Edgar winner Winters (Underground Airlines) boasts an irresistible setup: in the near future, California is a sovereign state governed by absolute truth, and telling a lie can result in jail time or worse. Laszlo Ratesic, a veteran police officer whose innate ability to know when someone is lying helps him piece together unsolved crimes, investigates the death of a construction worker who fell off of a roof during a job. The seemingly accidental fatality is filled with anomalies, which leads Ratesic and the young female officer he’s mentoring to uncover a grand-scale conspiracy with staggering implications. While the story, in which every second of the populace’s lives is meticulously recorded, is tonally comparable to Orwell’s 1984, the thematic impact simply isn’t there. Some of the societal elements seem contrived, such as how every citizen must archive every single life event in a journal, and the reveal at the end is too nebulous to be completely effective. Winters’s exploration into the nature of truth will grip many readers, but this ambitious novel misses the mark." The Weight of a Piano by Chris CanderHere's what Publishers Weekly had to say about The Weight of a Piano: "In her elegiac and evocative novel, Cander (Whisper Hollow) explores the legacy of loss, the intersections of art and music, and what happens when physical objects assume outsized symbolism. As a young girl in the Soviet Union in 1962, Katya admires her neighbor’s Blüthner piano; when he leaves it to her after his death, Katya pursues her musical passions and becomes obsessed with maintaining possession of the piano, even when given the opportunity to flee as a dissident. In California in 2012, Clara is a 26-year-old auto mechanic. Her boyfriend has just ended their relationship and demanded that she move out—along with the Blüthner that is her only remaining link to her dead parents. When a piano-moving accident leaves Clara with a broken hand and unable to work, she impulsively puts the piano for sale on Craigslist—and the response she receives sends her deep into the barren beauty of Death Valley and into a new relationship that may shed light on her family history, and on the cursed history of that piano. Reminiscent of Annie Proulx’s Accordion Crimes, Cander’s novel delves into the often unexplainable genesis of artistic inspiration and examines how family legacy—the physical objects people inherit, the genetic traits people carry on, and the generational lore people internalize—can both ignite imagination and limit its scope. Cander brilliantly and convincingly expresses music and visual art in her writing, capturing both within a near-alien but surprisingly stunning landscape." 99 Nights in Logar by Jamil Jan KochaiHere's what Publishers Weekly had to say about 99 Nights in Logar: "Kochai’s debut is an imaginative, enthralling, and lyrical exploration of coming home—and coming-of-age—set amid the political tensions of modern Afghanistan. Twelve-year-old Marwand returns to his family’s village of Logar in 2005—and on the very first day, has the tip of his index finger bitten off by the compound’s fearsome guard dog, Budabash. Marwand, with his cousin, two 'little uncles'” and younger brother, then vow 'jihad against Budabash'—as soon as they can find the runaway hound. The seemingly Huck Finn–like tale, however, slowly evolves into a mesmerizing collection of stories, first narrated by Marwand (who recounts the vicious beating he gave an old mutt when the family first settled in Afghanistan in 1999) and set against the backdrop of a war-torn region. Through nightly conversations in the family compound, Marwand discovers that talk 'always seemed to circle back to war.' His 99-day-long search for the devil dog Budabash is filled with the stories of events both real and imagined: a family wedding, a mysterious illness that takes down the household, and finally the dreamlike clash between Marwand and Budabash. Kochai is a masterful storyteller, and will leave readers eager for the next tale." [millions_ad] The Eulogist by Terry GambleHere's what Publishers Weekly had to say about The Eulogist: "Gamble’s third novel (after Good Family) concerns the lives of the Givens siblings, Irish immigrants who start over in 1819 Cincinnati. Olivia, the book’s strong-willed narrator, takes a shine to like-minded doctor Silas Orpheus, who admires her distaste for religion and allows her to surreptitiously dissect corpses with him. Olivia’s older brother, James, a successful candle maker who married rich, is initially reluctant to give his blessing for their marriage, as Silas’s disreputable brother, Eugene, sends a slave, Tilly, in lieu of a proper dowry. Olivia and Tilly become friendly, and Tilly helps her set up her own business doing hair. Olivia’s ambivalence toward slavery dissipates when Silas dies and she meets Eugene’s family on their Kentucky property. When Olivia enlists the help of her younger brother, Erasmus, now a Methodist preacher living on a river encampment, to help lead one of the slaves to freedom, Eugene retaliates by demanding that Tilly be returned. Since Ohio is a free state, an ill-fated trial ensues. Olivia and her family are thereafter pulled into the movement to smuggle slaves to freedom. Gamble adeptly chronicles Olivia’s transformation from a free-thinking but unaffected young woman into a determined widow who wants to indirectly avenge Tilly. This is a standout depiction of family dynamics, and will appeal to fans of fiction set in pre–Civil War America." Also on shelves: Hear Our Defeats by Laurent Gaudé and Castle on the River Vistula by Michelle Tea (which you can read an excerpt of here).