The Innocents: A Novel

New Price: $26.95
Used Price: $14.99

Mentioned in:

Tuesday New Release Day: Starring Davis, Jackson, Comensal, Pinckney, and More

Here’s a quick look at some notable books—new titles from the likes of Lydia Davis, Lauren Michele Jackson, Jorge Comensal, Darryl Pinckney, and more—that are publishing this week.

Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

Essays One by Lydia Davis

Here’s what Publishers Weekly had to say about Essays One: “The first in a planned two-volume collection of the nonfiction of short story author Davis (Samuel Johnson Is Indignant) proves a cornucopia of illuminating and timeless observations on literature, art, and the craft of writing. A master of short, punchy prose works, Davis discloses her influences, some of which may be surprising even to longtime fans, including Roland Barthes, Franz Kafka, and Grace Paley, among many more. In a few essays, Davis presents first drafts of her own work along with the final versions, annotating and explaining revisions and providing an instructive window into her process. Interwoven throughout are short pieces on some of Davis’s favorite artists, or alternatively, those whom she finds pleasingly confounding. In the latter category is expressionist painter Joan Mitchell, whose 1973 work Les Bluets Davis credits with helping her to accept and embrace the inscrutable. Invaluable is the 2013 piece ‘Thirty Recommendations for Good Writing Habits,’ which outlines best practices for creative writing, from honing one’s observational techniques to crafting believable dialogue. Fans of Davis’s unfailingly clever work should add this volume to their collection, and creative writers of every genre should take the opportunity to learn from a legend.”

The Innocents by Michael Crummey

Here’s what Publishers Weekly had to say about The Innocents: “In his fifth novel, Crummey (Sweetland) imparts another heartfelt, extraordinary perspective on survival in the rugged isolation of his homeland of Newfoundland, this time from two pre-adolescent, newly orphaned siblings, after illness fells their infant sister and parents. Evered and Ada Best endure inconceivably severe weather conditions; their 19th-century livelihoods are at the mercy of nature—will they harvest enough fish to trade for necessary winter provisions? Besides the biannual visits of the ship, ironically named The Hope and run by an unscrupulous money-man, the brother and sister only have each other for companionship. Happenstance brings a captain and his cook to their cove—just in time to save a feverish Ada from near death; later a ship full of sailors looking to replace their mainmast arrives, temporarily enlivening their existence. Against the sensitive portrayal of how two naïfs handle their budding sexuality, these fortuitous encounters underscore Evered’s and Ada’s innocence about life and the larger world. Crummey delivers profound insight into how individuals grapple with the forces of nature, not only in the unpredictable environment, but in the mystifying interior of their temperaments, drives, and character. This story of how two guileless youngsters navigate life will have a deep emotional impact on its readers.”

White Negroes: When Cornrows Were in Vogue … and Other Thoughts on Cultural Appropriation by Lauren Michele Jackson

Here’s what Publishers Weekly had to say about White Negroes: “Northwestern University professor Jackson’s insightful debut essay collection takes on cultural appropriation—particularly of black innovation by white celebrities, artists, and entrepreneurs—through the lens of power dynamics, identifying it as a process by which ‘society’s imbalances are exacerbated and inequalities prolonged.’ In the realm of pop culture, she analyzes the pursuit of ‘urban’ sexual wildness by Britney Spears and Miley Cyrus, the aesthetic but not economic investment of the Kardashians in black fashion, and Paula Deen’s fetishistic presentation of Southern food alongside explicit racism. Her exploration of the art world juxtaposes the public reaction to Rachel Dolezal, made famous by her ‘impulse to inhabit blackness,’ with accusations against institutions such as the Whitney Biennial, which she asserts ignores black artists but treats depictions of antiblack violence as edgy and relevant. She identifies toxic white resentment of black success in the recent viral videos of white people calling the police on black people (often children) for using public pools, having lemonade stands, or barbecuing in parks. Jackson is uncompromising in her bold language, palpable in her outrage; she keeps her razor-sharp analysis in an accessible but academic register. She both calls out the damage done by appropriative and oppressive behavior and calls in white readers to take part in valuing black contributions in a way that helps black lives.”

The Bad Side of Books: Selected Essays of D.H. Lawrence edited by Geoff Dyer

Here’s what Publishers Weekly had to say about The Bad Side of Books: “Dyer (Broadsword Calling Danny Boy) selects and introduces an uneven but fascinating array of essays by D.H. Lawrence (1885–1930). Comprising 38 selections from the earlier collections Phoenix and Phoenix II, the book demonstrates Lawrence’s mastery of multiple genres, from philosophical tract (‘Of Being and Not-Being’) and book review (‘Death in Venice by Thomas Mann’), to memoir (“Myself Revealed”) and nature writing (“Flowery Tuscany”). Dyer edits with a light hand, presenting the essays in strict chronological order so readers can ‘follow the twists and turns of Lawrence’s writing and thought over time.’ Occasionally, his editorial presence proves too recessive, with minimal footnotes. The wide variety of topics—one stretch of essays considers, in turn, Cézanne, pornography, Christianity, and the mines of Lawrence’s home county of Nottingham—makes it likely that any reader can find something of interest, but unlikely that the entirety will appeal consistently to those new to Lawrence. Such neophytes will also find that some of Lawrence’s thoughts regarding race, ethnicity, and gender jar discordantly against modern norms. Nonetheless, it’s an impressive example of a curious mind grappling with big issues, and samples the work of a writer of great intelligence and wit.”

The Mutations by Jorge Comensal (translated by Charlotte Whittle)

Here’s what Publishers Weekly had to say about The Mutations: “Comensal’s punchy debut follows a group of physically and emotionally ailing characters in present-day Mexico City. Lawyer Ramon Martinez opens his mouth ‘like an angry baboon’ to discover a painful lump. His whole tongue needs to be removed; his wife Carmela seems more worried about his children’s reactions than his pain, though she adopts his insomnia ‘in solidarity.’ Psychoanalyst Teresa de la Vega, a breast cancer survivor, specializes in treating people with illnesses. One patient is Eduardo, a young man also very concerned with cancer, having had leukemia as a child. Teresa obsesses over Eduardo as Carmela does over her family. When Eduardo comes down with bronchitis, Teresa and the reader are compelled to wonder about the connection between neurosis and physical ailments. A quote from Susan Sontag’s Illness as Metaphor introduces the novel’s second half. Teresa, Eduardo, and Ramon and his family anchor the narrative, while Comensal folds in other, complementary plot threads. Ramon’s doctor, Joaquin Aldama, becomes passionately involved in the care of his terminal patient Lorena Galvan, but not so much in that of Luis Ramirez, who is fond of complex conspiracy theories about his illness. The novel gets its comic charge from blunt and colorful descriptions of emotional situations that in other fiction would dictate long and evocative passages (‘The dream’s latent content represented the paradox of the jouissance of the Other.’). Sidestepping sentimentality and elaborate emotional expression, Comensal brings comic compassion to his treatment of contemporary neuroses.”

Busted in New York and Other Essays by Darryl Pinckney

Here’s what Publishers Weekly had to say about Busted in New York and Other Essays: “This robust group of essays written between 1994 and 2018 by novelist Pinckney (Black Deutschland) explores African-American identity, politics, and culture. Covering such topics as Aretha Franklin’s ‘profound influence’ and what Pinckney sees as Afro-pessimism’s futility, the author puts his insightful perspective on full display in each selection. From the highs of Barack Obama’s first presidential campaign to the lows of police violence in Ferguson, Mo., Pinckney acknowledges both the social progress that’s been made and the urgency for further change. In the book’s title essay, Pinckney recounts spending a night in the Manhattan municipal jail known as ‘the Tombs’ after he and two friends were arrested for smoking a joint outside a nightclub. Spending that night and much of the next day behind bars, Pinckney observes how ‘the system’ exercises absolute control over ‘the nonwhite young, the poor’ in ways previously unknown to him and his friends, all educated professionals able to easily brush off the experience. Reflections on black women’s experiences are relatively underrepresented, but nonetheless, Pinckney demonstrates his extensive range as a commentator on African-American life. This collection offers a deep dive into his prolific career as an indispensable critic of his times.”

November Preview: The Millions Most Anticipated (This Month)

| 1

We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around).  Here’s what we’re looking out for this month—for more November titles, check out our Second-Half Preview. Let us know what you’re looking forward to in the comments!

Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

The Revisioners by Margaret Wilkerson Sexton: Sexton’s first novel, A Kind of Freedom, was on the longlist for the 2017 National Book Award and appeared on a number of year-end best-of lists. The Revisioners, a multigenerational story focusing on black lives in America, begins in 1925, when farm owner Josephine enters into a reluctant, precarious relationship with her white neighbor, with disastrous results; nearly 100 years later, Josephine’s descendant, Ava, out of desperation, moves in with her unstable white grandmother. The novel explores the things that happen between; the jacket copy promises “a novel about the bonds between a mother and a child, the dangers that upend those bonds.” (Edan)

In the Dream House by Carmen Maria Machado: After the runaway and wholly deserved success of her magnificent short story collection, Her Body and Other Parties, Machado returns with a memoir chronicling an abusive relationship. Juxtaposing her personal experience with research and cultural representations of domestic abuse, the book defies all genre and structural expectations. Writer Alex Marzano-Lesnevich writes that Machado “has reimagined the memoir genre, creating a work of art both breathtakingly inventive and urgently true.” (Carolyn)

Space Invaders by Nona Fernández (translated by Natasha Wimmer): Chilean writer Nona Fernández is revered as one of the most important contemporary Latin-American writers, and her novel explores the experience of growing up in a dictatorship and trying to grapple with erasure and truth in adulthood. Daniel Alarcón writes, “Space Invaders is an absolute gem…Within the canon of literature chronicling Pinochet’s Chile, Nona Fernández’s Space Invaders is truly unique.” (Zoë)

The Book of Lost Saints by Daniel José Older: Spanning generations, Older’s latest tells the tale of a family split between New Jersey and Cuba, who grapple with the appearance of their vanished ancestor’s ghost. The ancestor, Marisol, went missing in the tumult of the Revolution, taking with her the family’s knowledge of their painful and complicated past. When Marisol visits her nephew, he starts to learn about her story, which hinges on “lost saints” who helped her while she was in prison. (Thom)

What Burns by Dale Peck: Dale Peck has published a dozen books—novels, an essay collection, a memoir, young-adult and children’s novels—and along the way he has won a Lamda Award, a Pushcart Prize, and two O. Henry Awards. Now Peck is out with something new: What Burns, his first collection of short fiction. Written over the course of a quarter-century, these stories are shot through with two threads that run through all of Peck’s writing: tenderness and violence. In “Not Even Camping Is Like Camping Anymore,” for instance, a teenaged boy must fend off the advances of a 5-year-old his mother babysits. And in “Bliss,” a young man befriends the convicted felon who murdered his mother when he was a child. Tenderness and violence, indeed. (Bill)

White Negroes: When Cornrows Were in Vogue … and Other Thoughts on Cultural Appropriation by Lauren Michele Jackson: Scholar and writer Lauren Michele Jackson, who has written many incisive essays on popular culture and race for Vulture and elsewhere, now publishes her first book, an in-depth exploration of the way white America continues to steal from black people, a practice that, Jackson argues, increases inequality. Eve Ewing says of the book: “We’ve needed this book for years, and yet somehow it’s right on time.” (Lydia)

Vernon Subutex 1 by Virginie Despentes (translated by Frank Wynne): A writer and director dubbed the “wild child of French literature” by The Guardian, Despentes has been a fixture on the French, and global, arts scene since her provocative debut, Baise-Moi. Translated by Frank Wynne, this first in a trilogy of novels introduces us to Vernon Subutex, a louche antihero who, after his Parisian record shop closes, goes on an epic couch-surfing, drug-fueled bender. Out of money and on the streets, his one possession is a set of VHS tapes shot by a famous, recently deceased rock star that everyone wants to get their hands on. (Matt)

The Fugitivities by Jesse McCarthy: The debut novel from McCarthy, Harvard professor and author of essays destined to be taught in classrooms for years to come (among them “Notes on Trap”), The Fugitivities takes place in Brooklyn, the Bronx, and Brazil, with Parisian interludes. The novel explores the collision of a teacher in crisis with a basketball coach yearning for a lost love, carrying the former on a journey that will change everything. Of The Fugitivities, Namwali Serpell writes “In exquisite, often ecstatic, prose, McCarthy gives us a portrait of the artist as a young black man—or rather, as a set of young black men, brothers and friends and rivals.” (Lydia)

Jakarta by Rodrigo Márquez Tizano (translated by Thomas Bunstead): A man and his lover are trapped in a room while a plague ravages the city in this “portrait of a fallen society that exudes both rage and resignation.” Tizano fashions an original, astonishing, and terrifyingly unhinged dystopia in this, his debut novel. Thomas Bunstead adds to an impressive resumé with a seamlessly literary and peppery translation from the Spanish. (Il’ja)

Girl, Woman, Other by Bernardine Evaristo: Joint winner of the 2019 Booker Prize and first black woman to receive the award, Evaristo’s eighth novel follows the lives of 12 black British people—predominately, thought not entirely, women—from different classes and identities. The Booker judges called the novel “a must-read about modern Britain and womanhood” that “deserves to be read aloud and to be performed and celebrated in all kinds of media.” (Carolyn)

Essays One by Lydia Davis: In the first half of a two-volume collection, Davis gathers a collection of nonfiction writing from the last five decades. The famed short story writer’s essays about reading and writing explore her artistic influences, literary criticism, and even annotations of her own work—which offers a rare deep dive into her craft. Publishers Weekly’s starred review says readers “should take the opportunity to learn from a legend.” (Carolyn)

The Worst Kind of Want by Liska Jacobs: Pricilla (Cilla) Messing has spent her life caring for others so she expects more of the same when she’s called to Rome to babysit her out-of-control teenage niece. Instead, while falling under the spell of scenic Italy and a forbidden flirtation, Cilla’s erratic behavior jeopardizes her future. Publishers Weekly wrote that the “intoxicating” novel is “a love letter to Italy and an evocative study of grief and desire.” (Carolyn)

The Witches are Coming by Lindy West: In a follow-up to her bestselling memoir Shrill, West’s new essay collection—complete with a title playing on the idea of “witch hunt”—explores our current cultural moment. Whether it’s #MeToo, misogyny in the Trump era, or how the media covers serial killers, West’s writing is biting, funny, and whip smart. “Satirical, raw, and unapologetically real, West delivers the bittersweet truths on contemporary living,” says Kirkus. (Carolyn)

On Swift Horses by Shannon Pufahl: Purahl’s debut novel set in the 1950s follows Muriel, a 21-year-old newlywed who has moved from rural Kansas to San Diego with her husband, Lee. Listless and restless, Muriel sets off to find the brother-in-law she harbors deep affection for. Kirkus’ starred review says, “the book is filled with such rhythmically lovely, splendidly evocative, and masterfully precise descriptions.” (Carolyn)

The Innocents by Michael Crummey: Finalist for the 2019 Giller Prize, Crummey’s latest novel follows two recently-orphaned siblings as they navigate the brutal conditions of 19th-century Newfoundland. About The Innocents, Smith Henderson writes, “what makes this story timeless is Crummey’s rich depiction of the human heart in extremis, the unflagging beat of life in a world that is too much to bear.” (Carolyn)

The Starless Sea by Erin Morgenstern: Eight years after The Night Circus became a literary and book club sensation, Morgenstern returns with her much anticipated sophomore novel, which has received starred reviews from Publishers Weekly, Kirkus, Booklist, and Library Journal. Steeped in her signature fantastical style, the novel follows a graduate student who stumbles upon a mysterious book that leads him to a subterranean library called the Harbor on the Starless Sea—and that’s just the beginning of the tale. (Carolyn)

All Blood Runs Red by Phil Keith and Tom Clavin: This new biography excavates the fascinating untold and nearly lost story of Eugene Bullard, a globally famous boxer, the first African-American fighter pilot, a WWII French spy, and nearly everything in between. In a starred review which calls the book “dazzling,” Publishers Weekly writes, “This may be a biography, but it reads like a novel.” (Carolyn)

Surprise Me!

BROWSE BY AUTHOR