Here’s a quick look at some notable books—new titles from the likes of Sam Lipsyte, Niviaq Korneliussen, Kristen Roupenian, Tessa Hadley, and more—that are publishing this week.
Hark by Sam Lipsyte
Here’s what Publishers Weekly had to say about Hark: “Lipsyte (The Fun Parts) pillories the mindfulness movement in this acerbic and surprisingly moving novel of a hesitant guru and his self-involved inner circle. Failed comic Hark Morner writes a book and launches an unexpected craze for “mental archery,” a practice combining disconnected ramblings of invented history, opaque aphorisms, and yogalike poses. Among his devoted inner circle are Kate, an aimless and wealthy 20-something who finances the movement; Teal, a convicted embezzler and unlicensed marriage therapist; and Fraz, a middle-aged man disappointed by his career stagnation and tense marriage. Hark rejects their schemes to monetize his teachings and offers only oblique answers to questions, saying that the only point is to focus. Facing pressures from tech magnate Dieter Delgado, who wants to co-opt mental archery, Hark retreats to the Upstate New York home of true believer Meg. When Fraz accidentally injures his young daughter, he pleads for Hark to call for a worldwide focus to help her survive a coma, leading to a wild conclusion an unexpected denouement. This is a searing exploration of desperate hopes, and Lipsyte’s potent blend of spot-on satire, menacing bit players, and deadpan humor will delight readers.”
Bonus: And check out Gerald Howard’s recent essay for The Millions about Lipsyte.
Late in the Day by Tessa Hadley
Here’s what PW had to say about Late in the Day: “Hadley’s perceptive, finely wrought novel (after Bad Dreams) traces the impact of the death of one man on three others. When affable art gallery owner Zachary dies suddenly in his 50s, he leaves behind not only his flamboyant and determinedly helpless widow, Lydia, but also the couple closest to them, Alex and Christine. Alex, an acerbic failed poet turned primary school teacher, and Christine, an artist who frequently exhibits her work in Zach’s gallery, have a long, complicated relationship with Zach and Lydia. Christine and Lydia, friends since childhood, met the two slightly older men when the young women were just out of college. Lydia set her sights on the melancholy Alex, who barely noticed her. Instead, he settled into a relationship with the at first reluctant Christine after her brief fling with Zach, who was actually infatuated with Lydia. Over the years, the two couples settled into the passive happiness of married life, but Zach’s death forces Lydia, Alex, and Christine to finally confront the feelings Alex and Lydia have for each other. As the two move forward together, and Christine, to her own surprise, discovers that she relishes time alone, Alex and Christine’s daughter Grace decides to make a death mask of her father, and moves in with Alex and Christine’s daughter Isobel. Hadley is a writer of the first order, and this novel gives her the opportunity to explore, with profound incisiveness and depth, the inevitable changes inherent to long-lasting marriages.”
Bonus: Take a look back at our interview with Hadley from 2015.
To Keep the Sun Alive by Rabeah Ghaffari
Here’s what PW had to say about To Keep the Sun Alive: “A family whose members hold varying loyalties shapes Ghaffari’s evocative debut set during the Iranian Revolution. Akbar, a retired judge, and his wife, Bibi, invite their extended family for leisurely lunches at their orchard in Naishapur. Akbar’s brother Habib is a mullah who’s fond of his own voice and increasingly passionate about the need for religious cleansing. His widower nephew, Shazdehpoor, bristles at Iran’s provincialism and yearns for the charms of Europe. His two sons reject their father’s intent fastidiousness: Jamsheed through opium addiction and Madjid through his heady love affair with Nasreen. As tensions rise, the family focuses more on quotidian challenges: Bibi’s friendship with an elderly midwife, the buried disappointments of marriage, servant Mirza’s propensity for forbidden alcohol, and Bibi’s adopted son Jafar’s extreme fondness for the chickens they raise. When the revolution finally arrives, shocking, sudden violence sweeps up the family with tragic results. Ghaffari delves into her characters with sensitivity for their positions and differences. Readers will savor the emotional depth of one family’s experience of the terrifying effects of religious fundamentalism and political instability. ”
The Far Field by Madhuri Vijay
Here’s what PW had to say about The Far Field: “Vijay’s remarkable debut novel is an engrossing narrative of individual angst played out against political turmoil in India’s Jammu and Kashmir state in the late 2000s. Unmoored by her mother’s death, 24-year-old Shalini apathetically floats from job to job while receiving financial support from her affluent father. In an effort to find closure, Shalini leaves her native Bangalore to search for Bashir Ahmed, her mother’s only friend, who she hasn’t seen in years. Upon arriving in tumultuous Jammu, Shalini is taken in by a Muslim family in Kishtwar and struggles to understand the fractured nature of her surroundings: the role of the omnipresent Indian Army, the disappearances of local Muslims, and the frequent violence against and perpetrated by both Muslims and Hindus. Her search eventually leads to a Himalayan village, whose generous inhabitants temporarily give her a sense of purpose amidst staggering natural beauty. However, Shalini’s ignorance and inability to be honest with herself and others results in dangerous consequences for everyone she comes in contact with. Interspersed with flashbacks of Shalini’s relationships with her dazzling yet mentally ill mother, the mysterious but kind Bashir Ahmed, and her withdrawn father, Shalini’s misguided attempts at love, fulfillment, and friendship are poignant. Vijay’s stunning debut novel expertly intertwines the personal and political to pick apart the history of Jammu and Kashmir.”
Mothers by Chris Power
Here’s what PW had to say about Mothers: “Full of travelers and troubled relationships, Power’s debut contains enough greatness to recover from sometimes repetitious narratives. ‘Mother 1: Summer 1976,’ the sparkling first story, concerns a 10-year-old Swedish girl, Eva, as she navigates her feelings toward Nisse, a neighbor boy, after she accuses him of defacing their apartment complex. Eva appears in two more stories. In ‘Mother 2: Innsbruck,’ she is a young adult, traveling Europe and contemplating suicide, while in ‘Mother 3: Eva,’ she is married with a daughter yet impaired by depression and wanderlust. ‘Mother 2: Innsbruck’ suffers from a sameness that weakens the collection, as a series of tales revolve around characters hiking rural landscapes. Of these, ‘The Crossing,’ with its newly minted couple testing their relationship on a multiday walk, works best. Other highlights include ‘Johnny Kingdom,’ which follows a Rodney Dangerfield–esque tribute comic on his farewell performances in Florida, and ‘Above the Wedding,’ about an affair between a man and his friend’s future husband. There’s plenty to admire in Power’s writing, and the author mines his characters for unexpected traits and decisions, making for an auspicious debut.”
Bonus: Check out Power’s YIR post from 2018.
You Know You Want This by Kristen Roupenian
Here’s what PW had to say about You Know You Want This: “Roupenian’s solid debut is highlighted by moments of startling insight into the hidden—and often uncomfortable—truths underneath modern relationships. ‘Cat Person,’ which caused a sensation when it was first published in The New Yorker in 2017, is an unrelentingly, almost painfully, honest and perfectly rendered dramatization of the millennial heterosexual relationship and all its attendant anxieties and violences. The other stories, about sex, power, and personhood, range from the highly conceptual—in ‘Scarred,’ a woman magically summons what she thinks is her heart’s desire, before she realizes the sacrifices one must make to truly attain it—to the aggressively realistic—in one of the best stories, ‘The Good Guy,’ readers are immersed into the train wreck thought process of Ted, who is certifiably and pathologically not like other guys, except, of course, that he is actually like so many guys. Another strong entry is ‘Death Wish,’ in which a divorced man living in a motel meets a girl on Tinder; when she shows up at his motel room, she has an unusual and upsetting sexual request for him. Though some stories don’t land and rely too much on explication, there are some stellar moments of pithy clarity: In ‘Scarred,’ upon summoning a way to cheat desire, the protagonist muses, ‘I had everything that could be wanted. I invented new needs just to satisfy.’ This is a promising debut.”
Last Night in Nuuk by Niviaq Korneliussen
Here’s what PW had to say about Last Night in Nuuk: “Korneliussen’s captivating debut centers around five young people over the course of a party and its aftermath in Nuuk, Greenland, as they come to terms, in various ways, with their identities. Told in bouncy, colloquial prose (‘My hair is still partying,’ a woman thinks to herself as she looks in the mirror after a night of heavy drinking), the novel honestly explores sexuality and gender identity, and the ways in which they can cause distance and connection with others. Ivik can’t figure out why she panics whenever her girlfriend touches her, while Inuk is unable to cope with his anger at his native country, from which he fled—though he’s actually mad at Arnaq for revealing his scandalous secret. After breaking up with her boyfriend, Fia finds herself drawn to Ivik’s girlfriend, Sara,who herself struggles to remain hopeful when ‘life is shit.’ The deeper issues beneath these stories bring about revelations both touching and heartbreaking. What’s so unexpected and lovely is the narrative’s irrepressible optimism and earnestness. Translated seamlessly into idiomatic English, Korneliussen’s wonderful novel introduces readers to a notable new voice in world literature.”
The Dreamers by Karen Thompson Walker
Here’s what PW had to say about The Dreamers: “Walker’s richly imaginative and quietly devastating second novel (after The Age of Miracles) begins in a college dorm in an isolated town in the hills of Southern California, where a freshman thinks she is coming down with the flu. In fact, she has a mysterious disease that causes its victims to fall into a deep, dream-laden sleep from which they cannot be woken, and which sometimes leads to death. The disease spreads slowly at first, then more rapidly, and soon the whole town is under a quarantine. The perspective moves smoothly in and out of the minds of several of the college students and town residents, drawing back to look at the entire situation from a detached but compassionate point of view and then plunging back into the minds of those attempting to deal with the escalating problems. Among the characters are Mei, a lonely college freshman; 12-year-old Sara, who copes with an unhinged survivalist father; Sara’s neighbors, a faculty couple with a newborn baby; and aging biology professor Nathaniel. As the majority of the people of the town fall victim to the disease, neuropsychiatrist Catherine Cohen, separated from her family by the quarantine, tries desperately to find its cause, until arson at a library that’s being used as a makeshift hospital has unintended results on the state of some of the dreamers. The relatively large number of central characters makes it likely that some will succumb to the disease, upping the suspense of the story. Walker jolts the narrative with surprising twists, ensuring it keeps its energy until the end. This is a skillful, complex, and thoroughly satisfying novel about a community in peril.”
Unquiet by Linn Ullmann
Here’s what PW had to say about Unquiet: “Ullmann’s spellbinding novel (after The Cold Song) is a fragmentary portrait of a place and time, and a testament to the legacies of those she mourns. Blending memoir and literary fiction, this book presents revelatory, frank depictions of the author’s relationship to her father, legendary filmmaker Ingmar Bergman, and of his relationship to the author’s mother, Liv Ullmann, an actress and filmmaker often considered to be his greatest inspiration. Based originally on a brief series of taped conversations between Ullmann and her father just before his death, Ullmann confronts the nature of growing old while subtly studying her own childhood and middle age through the lens of her father’s decline. She reminisces on her often idyllic and tumultuous youth, studying stacks of love letters between her parents, and considering the situations that must have brought the life of her family to where it is. Some of Ullmann’s best passages are about her charming, confounding mother: ‘Mamma’s rules for good parenting: 1. Children must drink milk. 2. Children must live near trees.’ Echoing Duras’s The Lover in its blurring of the real and the imagined as well as in its obsessive attention to detail, this is a striking book about the enduring love between parents and children, and the fierce attachments that bind them even after death.”
Talk to Me by John Kenney
Here’s what PW had to say about Talk to Me: “Kenney’s bittersweet, darkly funny latest (after Truth in Advertising) is equal parts family drama and commentary on communication and news consumption in the age of instant gratification. Fifty-nine-year-old New York anchorman Ted Grayson has been the beloved—and ruggedly handsome—face of the national evening news for 20 years. But a vicious epithet (which he immediately regrets) hurled at a young female hairstylist on a particularly bad day (and caught on video) proves to be his undoing. Additionally, Claire, his wife of 30 years, has fallen in love with someone else, and his daughter, Franny, won’t speak to him. When the video leaks, the retribution is swift and brutal: he’s skewered by the press, hounded by protesters, and eventually fired. When Franny, who writes for a sensationalist online rag and is thoroughly unsatisfied with her own life, asks him to do an interview, he accepts, but it has unintended consequences that force Franny to examine her own life and her fractured relationship with her father. Kenney is supremely gifted at creating flawed, vivid characters and capturing the wonder, ennui, and heartbreak of marriage and parenthood, and the seemingly small moments that make life precious. The conclusion, while satisfying, offers no easy solutions, but it does offer a healthy dose of hope. This is a fun, winning novel. ”
Elsey Come Home by Susan Conley
Here’s what PW had to say about Elsey Come Home: “Probing questions about how to balance motherhood, a career, marriage, and a drinking problem resonate throughout Conley’s excellent novel narrated by an American painter looking back on her past few years in China, which were mostly spent teetering on the verge of a breakdown. When Elsey’s Dutch husband, Lukas, suggests she attend a weeklong spiritual retreat, Elsey begrudgingly capitulates to save their crumbling marriage. But the experience isn’t as woo-woo as she expects. Instead, while learning to weather the dreaded ‘Talking Circle’ and enduring the day of silence, she alternates between closing herself off from her emotions and ruminating on her demons, including the death of her younger sister when they were children, and her inability to ‘understand how to be obsessed with [her] children and obsessed with [her] painting at the same time.’ Elsey also befriends Mei, an esteemed painter married to another esteemed painter, whose frankness about feeling trapped in a restrictive country and marriage gives Elsey perspective. Though Elsey continues to falter and obsess over past decisions after returning home, her growing ability to tackle previously insurmountable challenges (her daughter’s appendicitis, a visit to her childhood home, AA meetings, a return to painting) proves she is slowly learning how to ‘be a different kind of mother. A different kind of wife.’ Conley (Paris Was the Place) hits the mark on a story line that feels both high-stakes and fine-tuned. But it’s the raw desperation of Elsey’s inner dialogue that elevates the novel, making for an honest and astute depiction of the human psyche.”
Big Bang by David Bowman
Here’s what PW had to say about Big Bang: “‘Where were you when you first heard President Kennedy had been shot?’ asks Bowman (1957–2012) in the opening of his big, bold, and brilliant posthumous novel, and for the next 600 pages, he investigates what occurred in the years leading up to that monumental event in American history. Through the lives of such iconic figures as Norman Mailer, Elvis, William de Kooning, Marilyn Monroe, Dr. Spock, Ngô Dihn Diem, Aristotle Onassis, the Kennedys themselves, and dozens of others, Bowman conjures an enormous narrative out of the troubled years from 1950 to 1963. Bowman takes the reader to Nevada, where Arthur Miller and Saul Bellow become short-term neighbors while waiting to obtain quickie divorces; to Seattle, where Jimi Hendrix and Bruce Lee have a strange encounter; to Mexico City, where William S. Burroughs shoots his wife in the head during a William Tell stunt gone horribly wrong; to Robert McNamara’s home, where he and some Washington, D.C., friends have a book club; to Vietnam, where a fake coup quickly becomes a real one; and, of course, to Dallas on the day the President was gunned down. Bowman (Let the Dog Drive) relates all of these remarkable tales with a straight-faced, just-the-facts approach, stripping these giants of the 20th century of their mythic status and rendering them as mere humans—caught, like everyone, in the crossfire of unrelenting history. Bowman’s self-described ‘nonfiction novel’ is a stunning and singular achievement.”
The Accidental Further Adventures of the Hundred-Year-Old Man by Jonas Jonasson:
Here’s what PW had to say about The Accidental Further Adventures of the Hundred-Year-Old Man: “Jonasson continues the globetrotting adventures of centenarian Allan Karlsson and his sidekick, petty thief Julius Jonasson, in this uproarious sequel to The 100-Year-Old Man Who Climbed Out of the Window and Disappeared. Lounging in Indonesia with the briefcase full of cash they procured in the previous book, Allan and Julius have it made. They sip drinks on the beach, take visits from Harry Belafonte, and play around with smartphones while lazing in the sun. Allan finds himself becoming more interested in world politics as he reads the news, and when the money finally runs out, he concocts another outlandish plan: to travel around the world in a hot air balloon. When the balloon crashes and the pair are rescued by a North Korean ship, their travels take them from North Korea, to America, Sweden, and eventually Tanzania as Allan and Julius try unload a suitcase filled with enriched uranium they find onboard the ship. But, as they meet world leaders—including Kim Jong-un, Angela Merkel, and Donald Trump—they discover their options are quite limited. Jonasson’s clever prose, madcap delights, and satirical political commentary will please fans of the original novel and newcomers alike.”
Still in Love by Michael Downing:
Here’s what PW had to say about Still in Love: “Downing’s witty follow-up to Perfect Agreement satisfyingly transports readers to college as teacher Mark Sternum begins winter term at Hellman College in New England. Mark’s highly acclaimed creative writing class is filled with 12 students, yet hopefuls line the classroom to listen to the writer’s workshop. Mark jointly teaches with the Professor, a distant man whom the students fear as much as they feel at ease with Sternum. This term is challenging for Mark as he tries to fill the void left by Paul, his partner of 30 years who is currently overseas, by staying at Paul’s condo more than in his own house. The students, meanwhile, dissect each other’s work and try to sort out their lives. Mark takes an interest in Anton, a student whom he learns is battling cancer. In addition to focusing on his own writing, Mark stresses over an important departmental report, and even though he’s tenured, he likes to please and allows union meetings to be held in his office. In depicting Mark’s ordinary semester, Downing poignantly illustrates the dynamics of the college classroom as well as its potential for lasting lessons, making for a resonant campus novel.”
I’ve always liked books about drugs; they’re a good substitute for drugs. This year I read Michael Clune’s White Out: The Secret Life of Heroin, a memoir that reads like a lost modernist novel — James Joyce as a junkie in modern day Baltimore. James Frey eat your heart out.
I finally got around to reading Edward St. Aubyn’s Patrick Melrose books. There was a lot of noise about the cycle’s most recent installment, At Last, but I preferred the earlier, druggier Bad News, a comic masterpiece about an upper class British twit trying to score heroin in 1990s New York that calls to mind one of the all-time great novels of excess, Martin Amis’s Money.
Sam Lipsyte has always written wonderfully about substance abuse — see his early story “Cremains,” in which a man mixes his mother’s ashes with morphine and injects them into his arm — and his new collection The Fun Parts is no exception. Not all the stories are about drugs though, and my favorites cover fresh ground, from drone invasions to high school shot put competitions. No matter the subject, Lipsyte wins with his swervy sentences that can carry a reader from pants-pissing laughter to pants-shitting pathos in a just couple of comma-hinged clauses.
Rachel Kushner’s The Flamethrowers is like a drug cocktail — equal parts Dexedrine and Viagra — with its disarmingly brilliant depiction of woman named Reno who rides motorcycles, men, and the icy waves of the New York art world. Lots of praise has been heaped upon this novel, and, unlike most bags of overpriced cocaine, it actually lives up to the hype.
I’d be remiss if I didn’t mention my father’s book, Kick and Run, a lovely and haunting memoir about his life as a soccer fan, player, journalist, and coach. The book begins with my father getting injured falling out of bed while scoring prescription drug-inspired goals in his middle-aged fever dreams, and also includes useful ruminations on the problem of playing soccer stoned — sometimes the ball is big, sometimes it’s small.
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The Fun Parts by Sam Lipsyte: For the last decade, Sam Lipsyte has very slyly become one of the leading deep-sea explorers of our contemporary American society. I won’t be giving much away if I tell you that what he has so far surfaced to report back to us hasn’t been very pretty. The Fun Parts, book five in Mr. Lipsyte’s opus, which includes The Ask and Home Land, continues the troubling dispatches from beneath. This collection of stories, several originally appearing in The New Yorker, are as subversive, absurd, and hilarious as his earlier work. Witness, for instance, how our fellow citizens wrestle with their weight, their families, their jobs as, say, a (male) doula. “Classic American story,” Mr. Lipsyte begins one story, “I was out of money and people I could ask for money.” You know this won’t end well, but you’ll enjoy getting there. Mr. Lipsyte has mastered the art of fusing, within one sentence, pathos and hilarity. The effect on the reader is generally a guilty ghoulish humor — that is if they’re able to avoid looking in the mirror. In “The Republic of Empathy,” a tale about a man being hounded to have a second child, Mr. Lipsyte writes, “That night, I dreamed I had another son, a bigger one, and he punched me in the neck and I stumbled off the edge of a skyscraper. I fell through the air. I could also feel myself climbing out of the dream.” This might be as good a way as any to sum up our American century thus far.
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There is an almost gravitational pull towards farce — perhaps explaining why we descend into it — that draws everything from Congressional budget negotiations to the badminton competition at the 2012 London Olympics into its field. And yet farce also depends on the careful orchestration of systematic collapse, whether it be a badminton player guiding her shot into the net or a writer steering her fictions towards anarchy in a most orderly and exquisitely timed fashion.
This imaginative drive to bring farcical inevitability under control is both disciplined and, as G.K. Chesterston points out, romantic. In his defense of the “lighter and wilder forms of art,” Chesterton whimsically describes the “nameless anarchism” behind our desire for farce:
To the quietest human being, seated in the quietest house, there will sometimes come a sudden and unmeaning hunger for the possibilities or impossibilities of things; he will abruptly wonder whether the teapot may not suddenly begin to pour out honey or sea-water, the clock to point to all hours of the day at once, the candle to burn green or crimson, the door to open upon a lake or a potato-field instead of a London street.
The descent into farce is thus an ascent into a higher imaginative realm, the yearning for a chaos more magical than the one that governs our lives.
Several recent farcical works have crafted this chaotic order to predictably entertaining effect. If you missed any of these the first time around, fear not. It is a minor readerly tragedy easily remedied.
1. Michael Frayn, Skios
In Skios, Michael Frayn, the author of the beloved theatrical farce Noises Off, set out to capture the same bustling comic energy in a novel. The plot involves Oliver Fox, a charming roué who on a whim decides to impersonate the keynote speaker of a European cultural conference taking place on a sun-baked Greek island. Fox is welcomed by the lovely Nikki Hook, who shepherds the impostor through the weekend’s events even as some part of her knows the dashing figure is too good — and good-looking — to be true. By a causal chain of events too complicated to recount here, Dr. Norman Wilfred, the real keynote speaker, adopts Oliver Fox’s identity only to be hounded by the latter’s scorned lovers and the scorching Greek sun.
In the novel’s first chapter, there is a description of the arriving plane carrying Oliver and Norman that aptly describes the farcical condition: “Too late now to alter what that was going to be. It was coming towards them all at 500 mph.” This inevitable force finds a particularly suitable target in the perfectly ordered and manicured grounds of the foundation’s retreat:
Everything was so at ease with itself, so delicately balanced, like the works of a good watch, or nature itself…It was a complete world, a miniature model of the European civilization that it existed to promote…
The very clockwork precision that makes this miniature world so balanced also makes it particularly primed for comic disruption. In one scene, Fox can’t remember the name of his cabin, all of which are named after Greeks. After shuttling among Xenocles, Theodectes, Menander, and Demosthenes, he convinces himself that Damocles is the right name. Oliver is wrong about the name but right in sense that Damocles is an apt figure for the farcical impostor who is always one false move, or unlucky circumstance, away from disastrous revelation. The least slip-up and the strings controlling the puppet show are severed, which is precisely what makes farce so exhilarating:“[Oliver] felt intensely alive, like a mayfly with only one day to enjoy it all.”
2. Penelope Lively, How It All Began
Penelope Lively’s How It All Began, which itself begins with an epigraph on chaos theory, is also structured around a merciless and uncontrollable causal chain of events. While Lively’s novel is best described as a comedy of manners, it originates by drawing on the accidents and “swerves” of farcical theater. The plot involves how the mugging of an elderly woman systemically “derail[s]” the lives of seven people. As the consequences of the mugging ripple outward, a series of personal, professional, and familial humiliations are “capriciously triggered” and meticulously chronicled by Lively.
How It All Began’s one true farcical character is a retired history professor, Henry, who is so quintessentially donnish that “you couldn’t invent him.” Some of the novel’s funniest scenes involve his doomed effort to host a TV program on Hogarth’s London for the BBC, whose executive is alternately fascinated and repulsed by the parodic don’s “awful appeal.” And yet his farcical status makes him an oddly moving figure of pathos as he muffs his lines and is mocked by youths hanging out on street corners. Among the seven people whose lives are disrupted by the mugging, one feels the most for Henry, whose harmless pedantry is exposed to the public’s — and the reader’s — enjoyment.
3. Dave Barry, Insane City
If you like your farce manic, pure, and pathos-free, then Dave Barry’s Insane City is perfect. The novel is set during the wedding weekend of a mismatched pair — the moneyed bride is a high-powered lawyer while the groom is a marketer who tweets about feminine hygiene products. The plot involves a lost wedding ring, Haitian refugees, and a stoned billionaire’s inventive, extravagant method of procuring late-night take-out. A sample sentence captures the spirit of the novel: “Any man fleeing from the police with three women, two children, and an orangutan is a friend of mine.” And that’s not even mentioning the flamingo suit and pirate ship.
4. Lucy Ellmann, Mimi
In the same manic vein is Lucy Ellman’s Mimi, a novel that stays true to farce’s etymologic roots — from farcire, to stuff — by packing in a romantic comedy, family tragedy, lists, music scores, a manifesto, and even a deli menu. The plot involves a neurotic Manhattan plastic surgeon who takes up with an free-spirited public speaking guru, Mimi, who in turn inspires him to start a feminist revolution. Ellmann’s is a frenetic, energetic style that attempts to will comedy into existence through sheer determination by deploying an army of exclamation marks, legions of italics, swarms of puns. Farcical in style if not in content, the novel feels somehow off, like a sentence with a dangling modifier. Unlike the concentrated zaniness of Barry’s south Florida or the delicate balance of Frayn’s circumscribed Skios, Mimi’s sprawl disperses Ellmann’s anarchic energy until it is too diffuse to provide a charge.
5. Helen DeWitt, Lightning Rods
There is not a trace of Ellmann’s exuberance to be found in Helen DeWitt’s Lightning Rods, a daring attempt to translate the bedroom farce into the boardroom. Her novel follows an entrepreneur who translates his particular sexual fantasy into a farfetched solution to combat sexual harassment in the workplace. For a fee, he supplies a company’s top earning workers with a perk that must break every OSHA regulation: anonymous sexual encounters with female employees specifically hired for the task. We learn all about the initial resistance to the idea, the hiring and implementation process and the ingenious contraption devised to back the undercover “lightning rods” into the bathroom’s handicap stall. With such a setup, the opportunity for farce abounds, but DeWitt seems more interested in pursuing her outrageous conceit with an equally outrageous affectlessness. The prose, by design, is as passionate as the sex, which is to say not very. Logic rather than Eros reigns. The real triumph is not in the satire of alpha-male behavior and female exploitation but in the novel-length commitment to so flat and eerie a comic vision.
6. Nathan Englander, “Camp Sundown”
Farces originated as brief comic interludes stuffed between longer, more serious fare. It is therefore fitting to conclude with two short stories, one from Nathan Englander’s collection, What We Talk About When We Talk About Anne Frank, and the other from Sam Lipsyte’s more recent The Fun Parts.
Englander’s “Camp Sundown” establishes a perfect farcical scenario — a geriatric camp in the Berkshires that “revives certain adolescent elements of human nature.” But the septuagenarians’ hijinks take a darker turn when several campers become convinced that there is a Nazi war criminal in their midst and resolve to bring him to justice. As the beleaguered camp director, Josh, puts it: “An old Nazi hiding in the Berkshires under the guise of a blue-toed low-sodium bridge-playing Jew. It is madness. It is too much to take.” Within the space of two-dozen pages, Englander pivots from the initial comic setup — and its pitch-perfect Jewish humor — to an unsettling and lyrical exploration of guilt, responsibility, and memory. The story ends gorgeously as the focus shifts from the old kvetches to the even older inhabitants of Camp Sundown, creatures who are immune from all human history and farce: “They watch those turtles on their slow march and behold those ancient creatures, shell-backed and the color of time, as they lower themselves, turtle upon turtle, disappearing into the stillness of the lake.”
7. Sam Lipsyte, “The Republic of Empathy”
Sam Lipsyte’s “The Republic of Empathy” is a kaleidoscopic story narrated by different voices, including that of a drone. The first narrator, William, witnesses a shocking accident on a Manhattan rooftop. Two janitors are rehearsing a fight scene for their action movie when one falls to his death. The scene rattles William but teaches him a valuable lesson we too often forget: “It just reminds you of the fragility of everything…Especially the fragility of brawling on the roof of a very tall building.” Later, William falls victim to an equally senseless act of violence, inexplicably targeted by a roving Reaper 5, or as the central command puts it, “a truly mouthwatering piece of drone ass.” If there is a moral in this slippery tale, it is that the dearth of empathy leads to terrifying farce; to viewing people as nameless, impersonal falling objects; to an absurd state of affairs in which a “slightly chubby man in his pajamas standing on his lawn in the middle of the night” is a valid target for a hyper-sexualized drone with a “death-bringing ass and titties” and a “sweet armored bod.”
2013 is looking very fruitful, readers. While last year offered new work from Zadie Smith, Junot Díaz, Michael Chabon, and many more, this year we’ll get our hands on new George Saunders, Karen Russell, Jamaica Kincaid, Anne Carson, Colum McCann, Aleksandar Hemon and even Vladimir Nabokov and J.R.R. Tolkien, as well as, beyond the horizon of summer, new Paul Harding, Jonathan Lethem, and Thomas Pynchon. We’ll also see an impressive array of anticipated work in translation from the likes of Alejandro Zambra, Ma Jian, László Krasznahorkai, Javier Marías and Karl Ove Knausgaard, among others. But these just offer the merest hint of the literary plenty that 2013 is poised to deliver. A bounty that we have tried to tame in another of our big book previews.
The list that follows isn’t exhaustive – no book preview could be – but, at 7,900 words strong and encompassing 79 titles, this is the only 2013 book preview you will ever need.
January or Already Out:
Tenth of December by George Saunders: Tenth of December is George Saunders at his hilarious, heartbreaking best, excavating modern American life in a way that only he can. In “Home,” a soldier returns from the wars in Afghanistan and Iraq to a deteriorating family situation. In “Victory Lap,” a botched abduction is told from three very different perspectives. Tenth of December has already prompted an all-out rave profile from the New York Times. And for those George Saunders super fans out there, yes, there is a story set at a theme park. (Patrick)
Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright: While Wright was working on his 25,000-word take-down of the Church of Scientology for The New Yorker (where he is a staff writer), a spokesman for the organization showed up with four lawyers and 47 binders of documentation. “I suppose the idea was to drown me in information,” Wright recently told the Times, “but it was like trying to pour water on a fish.” The investigation has blossomed into a full-length book that’s shaping up to be as controversial as anything that crosses Scientology’s path: Wright has been receiving numerous legal missives from the church itself and the celebrities he scrutinizes, and his British publisher has just backed out—though they claim they haven’t been directly threatened by anyone. (Elizabeth)
Umbrella by Will Self: Shortly before Umbrella came out in the UK last September, Will Self published an essay in The Guardian about how he’d gone modernist. “As I’ve grown older, and realised that there aren’t that many books left for me to write, so I’ve become determined that they should be the fictive equivalent of ripping the damn corset off altogether and chucking it on the fire.” Umbrella is the result of Self’s surge in ambition, and it won him some of the best reviews of his career, as well as his first Booker shortlisting. He lost out to Hilary Mantel in the end, but he won the moral victory in the group photo round by doing this. (Mark)
Revenge by Yoko Ogawa: English-reading fans of the prolific and much-lauded Yoko Ogawa rejoice at the advent of Revenge, a set of eleven stories translated from Japanese by Stephen Snyder. The stories, like Ogawa’s other novels (among them The Diving Pool, The Housekeeper and the Professor, and Hotel Iris) are purportedly elegant and creepy. (Lydia)
Ways of Going Home by Alejandro Zambra: Drop the phrase “Chilean novelist” and literary minds automatically flock to Bolaño. However, Alejandro Zambra is another name those words should soon conjure if they don’t already. Zambra was named one of Granta’s Best Young Spanish Language Novelists in 2010, and his soon-to-be-released third novel, Ways of Going Home, just won a PEN translation award. The novel has dual narratives: a child’s perspective in Pinochet’s Chile and an author’s meditation on the struggle of writing. In Zambra’s own words (from our 2011 interview): “It’s a book about memory, about parents, about Chile. It’s about the 80s, about the years when we children were secondary characters in the literature of our parents. It’s about the dictatorship, as well, I guess. And about literature, intimacy, the construction of intimacy.” (Anne)
Scenes from Early Life by Philip Hensher: In his eighth novel, Scenes from Early Life, Philip Hensher “shows for the first time what [he] has largely concealed in the past: his heart,” writes Amanda Craig in The Independent. Written in the form of a memoir, narrated in the voice of Hensher’s real-life husband Zaved Mahmood, the novel invites comparison with Gertrude Stein’s The Autobiography of Alice B. Toklas. Described as a hybrid of fiction, history, and biography—and as both “clever” and “loving”—the inventive project here is distinctly intriguing. (Sonya)
Exodus by Lars Iyer: Exodus, which follows Spurious and Dogma, is the eminently satisfying and unexpectedly moving final installment in a truly original trilogy about two wandering British intellectuals—Lars and W., not to be confused with Lars Iyer and his real friend W., whom he’s been quoting for years on his blog—and their endless search for meaning in a random universe, for true originality of thought, for a leader, for better gin. (Emily M.)
Vampires in the Lemon Grove by Karen Russell: Russell’s short stories are marked by superb follow-through: many succeed due to her iron-clad commitment to often fantastical conceits, like the title story of her first collection, St. Lucy’s Home for Girls Raised by Wolves, which draws a powerful metaphor for adolescent girlhood in an actual orphanage for girls raised by wolves. Last year saw her debut novel, Swamplandia!, nominated for the Pulitzer prize; this year, her second short story collection—and another batch of fantastical conceits—finally arrives. Just imagine the characters in this title story, trying to quell their bloodlust, sinking their fangs into lemons under the Italian sun. (Elizabeth)
My Brother’s Book by Maurice Sendak: When Maurice Sendak died last May he left one, final, unpublished book behind. It is, according to a starred review in Publisher’s Weekly, a beautiful, intensely serious elegy for Sendak’s beloved older brother Jack, who died in 1995. The story, illustrated in watercolors, has Guy (a stand-in for Sendak), journeying down the gullet of a massive polar bear named Death- “Diving through time so vast—sweeping past paradise”- into an underworld where he and Jack have one last reunion. “To read this intensely private work,” writes Publisher’s Weekly, “is to look over the artist’s shoulder as he crafts his own afterworld, a place where he lies in silent embrace with those he loves forever.” (Kevin)
Benediction by Kent Haruf: Kent Haruf’s previous novels, which include Plainsong and Eventide, have all taken place in the fictional Colorado town of Holt, which is based on the real life city of Yuma. His newest work is no exception. It is a network of family dramas in a small town, most of which revolve around loss or impending loss, strained relationships, and efforts to grapple, together, with the pain the characters face in their own lives and feel in the lives of those around them. (Kevin)
See Now Then by Jamaica Kincaid: For See Now Then, her first novel in a decade, Jamaica Kincaid settles into a small town in Vermont, where she dissects the past, present and future of the crumbling marriage of Mrs. Sweet, mother of two children named Heracles and Persephone, a woman whose composer husband leaves her for a younger musician. Kincaid is known as a writer who can see clean through the surface of things – and people – and this novel assures us that “Mrs. Sweet could see Mrs. Sweet very well.” (Bill)
The Bridge Over the Neroch: And Other Works by Leonid Tsypkin: Like Chekhov, Tsypkin was a doctor by trade. In fact, that was all most people knew him as during his lifetime. At the time of Tsypkin’s death, his novel Summer in Baden-Baden, one of the most beautiful to come out of the Soviet Era, remained unpublished, trapped in a drawer in Moscow. Now New Directions brings us the “remaining writings”: a novella and several short stories. (Garth)
How Literature Saved My Life by David Shields: Like his 2008 book The Thing About Life is that One Day You’ll Be Dead, which was nearly as much a biology text book as it was a memoir, How Literature Saved My Life obstinately evades genre definitions. It takes the form of numerous short essays and fragments of oblique meditation on life and literature; and, as you’d expect from the author of Reality Hunger, it’s heavily textured with quotation. Topics include Shields’s identification with such diverse fellows as Ben Lerner (his “aesthetic spawn”) and George W. Bush, the fundamental meaninglessness of life, and the continued decline of realist narrative fiction. (Mark)
The City of Devi by Manil Suri: Manil Suri is perhaps best known for his first novel The Death of Vishnu, which was long-listed for the Booker and shortlisted for the 2002 PEN/Faulkner Award. The City of Devi, his third novel, takes place in a Mumbai emptied out under threat of nuclear attack. Sarita, a 33-year-old statistician, stays in the city to find her beloved husband, who has mysteriously vanished. She ends up teaming up with a gay Muslim man named Jaz, and together they travel across this dangerous and absurd and magical landscape. According to Keran Desai, this is Suri’s “bravest and most passionate book,” which combines “the thrill of Bollywood with the pull of a thriller.” (Edan)
Breakfast at Tiffany’s & Other Voices, Other Rooms: Two Novels by Truman Capote: Holly Golightly is turning 55, and to mark her entry into late middle age, the Modern Library is reissuing Capote’s dazzling 1958 novella that made her and Tiffany’s Fifth Avenue showroom into American icons. The short novel is paired with Capote’s (also brief) debut novel Other Voices, Other Rooms, a strange and haunting semi-fictional evocation of Capote’s hauntingly strange Southern childhood. Modern Library will also reissue Capote’s Complete Stories in March. (Michael)
Nothing Gold Can Stay by Ron Rash: Ron Rash has earned a spot as one of the top fiction writers describing life in Appalachia with his previous books, The Cove, Serena, and One Foot in Eden. His newest collection of short stories tells of two drug-addicted friends stealing their former boss’s war trophies, of a prisoner on a chain-gang trying to convince a farmer’s young wife to help him escape, and of an eerie diving expedition to retrieve the body of a girl who drowned beneath a waterfall. (Kevin)
The Love Song of Jonny Valentine by Teddy Wayne: If you have ever wondered what, if anything, is going on inside the head of one of those kiddie pop stars who seem animatronically designed to make the tween girls swoon, then Jonny Valentine may be for you. Winner of a Whiting Writers’ Award for his first novel Kapitoil, Wayne has built a reputation for offbeat wit in his humor columns for Vanity Fair and McSweeney’s, as well as “Shouts & Murmurs” pieces in The New Yorker. Here, he channels the voice of a lonely eleven-year-old pop megastar in a rollicking satire of America’s obsession with fame and pop culture. (Michael)
Give Me Everything You Have: On Being Stalked by James Lasdun: English poet, novelist and short story writer James Lasdun’s new book is a short memoir about a long and harrowing experience at the hands of a former student who set out to destroy him and through online accusations of sexual harassment and theft. J.M. Coetzee has called it “a reminder, as if any were needed, of how easily, since the arrival of the Internet, our peace can be troubled and our good name besmirched.” (Mark)
Fight Song by Joshua Mohr: Joshua Mohr’s previous novels—Some Things That Meant The World To Me, Termite Parade, and Damascus—formed a loose trilogy, each book standing alone but all three concerned with a mildly overlapping cast of drifting and marginal characters in San Francisco. In Fight Song, Mohr is on to new territory, “way out in a puzzling universe known as the suburbs,” where a middle-aged man embarks on a quest to find happiness, to reconnect with his distant and distracted family, and to reverse a long slide into purposelessness. (Emily M.)
Middle C by William H. Gass: Not many writers are still at the height of their powers at age 88. Hell, not many writers are still writing at 88. (We’re looking at you, Philip Roth.) But William H. Gass has always been an outlier, pursuing his own vision on his own timetable. His last novel (and magnum opus) The Tunnel took thirty years to write. Middle C, comparatively svelte at 400-odd pages, took a mere fifteen, and may be his most accessible fiction since 1968’s In The Heart of the Heart of the Country. It’s a character piece, concerning one Joseph Skizzen, a serial (and hapless) C.V. embellisher and connoisseur of more serious forms of infamy. The plot, such as it is, follows him from war-torn Europe, where he loses his father, to a career as a music professor in the Midwest. Not much happens – does it ever, in Gass? – but, sentence by sentence, you won’t read a more beautifully composed or stimulating novel this year. Or possibly any other. (Garth)
The Burgess Boys by Elizabeth Strout: Maine native Elizabeth Strout won the Pulitzer Prize for fiction in 2009 for Olive Kitteridge, her novel in the form of linked stories. Strout’s fourth novel, The Burgess Boys, is the story of the brothers Jim and Bob Burgess, who are haunted by the freak accident that killed their father when they were children in Maine. They have since fled to Brooklyn, but they’re summoned home by their sister Susan, who needs their help dealing with her troubled teenage son. Once they’re back home, long-buried tensions resurface that will change the Burgess boys forever. (Bill)
The Fun Parts by Sam Lipsyte: Sam Lipsyte returns to short stories with his new book The Fun Parts. The collection contains some fiction previously published in The Paris Review, Playboy, and The New Yorker, including his excellent “The Climber Room,” which ends with a bizarre twist. Several of the stories, including “The Dungeon Master” and “Snacks,” explore the world from the perspectives of misfit teens. As with all of Lipstye’s stories, expect his absurdist humor and a just a touch of perversion. Get excited. (Patrick)
Red Doc> by Anne Carson: It’s been more than a decade since Carson, a poet and classicist, published The Autobiography of Red, a dazzling and powerful poetic novel that reinvents the myth of Herakles and Greyon: hero and monster reworked into a story of violently deep unrequited love. Red Doc> promises to be a sequel of sorts, with “a very different style,” “changed names,” and the spare preview is incredibly intriguing: “To live past the end of your myth is a perilous thing.” (Elizabeth)
A Thousand Pardons by Jonathan Dee: Author of The Privileges, arguably the best novel about haute New York in the boom years of the past decade, Dee returns with another tale of family life in the upper reaches of New York society, this time post-recession. When her husband loses his job as a partner at a white-shoe law firm, Helen Armstead finds a job at a PR firm, where she discovers she has an almost magical, and definitely lucrative, gift: she can convince powerful men to admit their mistakes. But this is a novel, so her professional success does not necessarily translate into success in her personal life. (Michael)
Speedboat by Renata Adler: This novel, first published in 1976, brings to mind the old saw about the Velvet Underground. Not everybody read it, but everybody who did went on to write a novel of his or her own. Adler is primarily known for her acerbic New Yorker fact pieces, but, like her omnicompetent contemporary Joan Didion, she is also a terrific fiction writer. This fragmented look at the life of an Adler-like journalist may be her Play It As It Lays. Writers still urgently press out-of-print copies on each other in big-city bars near last call. Now it’s getting the NYRB Classics treatment. (Garth)
Mary Coin by Marisa Silver: Following the success of her novel The God of War, The New Yorker favorite Marisa Silver returns with Mary Coin, a novel inspired by Dorothea Lange’s iconic “Migrant Mother” photo. The book follows three characters: Mary, the mother in the photograph; Vera Dare, the photographer; and Walker Dodge, a contemporary-era professor of cultural history. Ben Fountain says it’s “quite simply one of the best books I’ve read in years,” and Meghan O’Rourke calls it “an extraordinarily wise and compassionate novel.” (Edan)
How to Get Filthy Rich in Rising Asia by Mohsin Hamid: Hamid’s previous novels were The Reluctant Fundamentalist and Moth Smoke. His third borrows the structure of self-help books (chapter titles include “Avoid Idealists”, “Don’t Fall in Love”, and “Work For Yourself”) to follow a nameless man’s ascent from a childhood of rural poverty to success as a corporate tycoon in a metropolis in “rising Asia.” (Emily M.)
The Tragedy of Mr. Morn Vladimir Nabokov: I furrowed my brow when I saw Nabokov’s name on the preview list, imagining a horde of publishers rooting through his undies for hitherto undiscovered index cards. But this is a very old play, in the scheme of Nabokov’s life–written in 1923, published in Russian in 2008, published in English this spring. The play is about royalty, revolutionaries, allegories; “On the page,” writes Lesley Chamberlain for the TLS, ” the entire text creeps metonymically sideways. Its author weaves language into a tissue of reality hinting at some veiled, mysteriously interconnected, static truth beyond.” I’m not sure what that means, but I think I like it. (Lydia)
The Book of My Lives by Aleksandar Hemon: Sarajevo-born, Chicago-based author Aleksandar Hemon—winner of the MacArthur “genius grant” and editor of Dalkey Archive’s stellar Best European Fiction series—abandons fiction for essay and memoir in his fifth book, The Book of My Lives. The title alludes to and, as far as we can tell, calls upon Hemon’s New Yorker essay “The Book of My Life,” about his former literature professor turned war criminal, Nikola Koljevic. Just as Hemon’s novel Lazarus Project straddled the fiction/nonfiction divide, The Book of My Lives isn’t strictly memoir, pushing boundaries of genre now from the nonfiction side. (Anne)
The Unchangeable Spots of Leopards by Kristopher Jansma: Kristopher Jansma, academic and Electric Literature blogger, drawer of daring and controversial parallels on the digital pages of our own august publication (Is The Killing like or not like Kafka?), publishes his debut novel on the first day of spring. The novel features young writers, young love, artistic competition, girls, jaunts. I predict that at least one blurber will reference This Side of Paradise. (Lydia)
A Map of Tulsa by Benjamin Lytal: In the 2003, “a young Oklahoman who work[ed] in New York” stole the eleventh issue of McSweeney’s from the likes of Joyce Carol Oates and T.C. Boyle with a story – well, scenario, really – called “Weena.” Maybe I only loved it so much because I, too, was from outlands like those it so lovingly described. Still, I’ve been keeping an eye out for that young Oklahoman, Benjamin Lytal, ever since. I assume that A Map of Tulsa, too, is about coming of age in Tulsa, a city that looks from the window of a passing car at night “like a mournful spaceship.” (Garth)
In Partial Disgrace by Charles Newman: Newman, the editor who put TriQuarterly on the map in the 1960s, was once spoken of in the same breath with the great dark humorists of postwar American writing. Even before his death, in 2006, his novels were falling out of print and his reputation fading. If there is any justice in the republic of letters (which is a big if), the belated publication of his incomplete masterwork, a sprawling trilogy set in a fictional Mitteleuropean nation to rival Musil’s Kakania, should put him permanently back on the map. (Garth)
The Childhood of Jesus by J.M. Coetzee: J.M. Coetzee, Nobel laureate and two-time Booker Prize winner, continues to explore the plight of the outsider in his new allegorical novel, The Childhood of Jesus. It’s the story of an unnamed man and boy who cross an ocean to a strange land where, bereft of memories, they are assigned the names Simon and David before they set out to find the boy’s mother. They succeed, apparently, only to run afoul of the authorities, which forces them to flee by car through the mountains. One early reader has called the novel “profound and continually surprising.” (Bill)
Life After Life by Kate Atkinson: The beloved author of Case Histories, Behind the Scenes at the Museum, and Started Early, Took My Dog (among others) is out with the stor(ies) of Ursula Todd. In 1910, Todd is born during a snowstorm in England, but from then on there are parallel stories — one in which she dies at first breath, and one in which she lives through the tumultuous 20th century. As the lives of Ursula Todd continue to multiply, Atkinson asks what, then, is the best way to live, if one has multiple chances? (Janet)
All That Is by James Salter: Upon return from service as a naval officer in Okinawa, Philip Bowman becomes a book editor during the “golden age” of publishing. The publisher’s blurb promises “Salter’s signature economy of prose” and a story about the “dazzling, sometimes devastating labyrinth of love and ambition.” In our interview with Salter in September, he told us it was “an intimate story about a life in New York publishing,” some 10 years in the making. From John Irving: “A beautiful novel, with sufficient love, heartbreak, vengeance, identity confusion, longing, and euphoria of language to have satisfied Shakespeare.” Tim O’Brien: “Salter’s vivid, lucid prose does exquisite justice to his subject—the relentless struggle to make good on our own humanity.” April will not come soon enough. (Sonya)
The Woman Upstairs by Claire Messud: The Emperor’s Children, Messud’s bestselling novel from 2006, did as much as anyone has to bridge the gap between the social novel and the novel of consciousness her husband, James Wood, has championed in his criticism. Now, Messud returns with the story of a Boston-area woman who becomes entangled with a Lebanese-Italian family that moves in nearby. Expect, among other things, insanely fine writing. (Garth)
The Interestings by Meg Wolitzer: In a review of her most recent book, 2011’s The Uncoupling, the San Francisco Chronicle declared that, “At this point in her career, Meg Wolitzer deserves to be a household name.” Wolitzer’s tenth novel begins at a summer camp for the arts in 1974, and follows a group of friends into the adulthood. They’re all talented, but talent isn’t enough, and as they grow up, their paths split: some are forced to exchange their childhood dreams for more conventional lives, while others find great success—and, as one might imagine, tensions arise from these differences. (Elizabeth)
The Flamethrowers by Rachel Kushner: Rachel Kushner’s first novel, Telex from Cuba, was lauded for its evocative descriptions and its power of suspense. Kushner will surely call on both talents for The Flamethrowers, as her heroine first becomes immersed in a late ‘70s New York downtown scene peopled by artists and squatters, and then follows a motorcycle baron to Italy during the height of the Autonomist movement. Images are central to Kushner’s creative process: a ducati, a woman in war paint, and a F.T. Marinetti lookalike riding atop a cycle with a bullet-shaped sidecar were talismans (among others) for writing this book. (Anne)
Harvard Square by André Aciman: In 1970s Cambridge, Massachusetts, a young Harvard graduate student from Egypt wants to be the consummate American, fully assimilated and ensconced in the ivory tower as a literature professor. Then he meets Kalaj — an Arab cab driver who denigrates American mass culture and captivates the student with his seedy, adventurous life. Harvard Square tells the story of this young student’s dilemma, caught between the lofty world of Harvard academia and the magnetic company of his new friend. (Janet)
Woke Up Lonely by Fiona Maazel: Woke Up Lonely is Fiona Maazel’s first novel since being named a “5 Under 35” choice by the National Book Foundation. The book focuses on Thurlow Dan, the founder of the Helix, a cult that promises to cure loneliness. Ironically, Thurlow himself is profoundly lonely and longing for his ex-wife, Esme. The book has been compared to the work of Sam Lipsyte and Karen Russell, and if there’s one phrase that continually appears in early reviews and press materials, it is “action packed.” (Patrick)
The Dark Road by Ma Jian: Ma Jian, whose books and person are both banned from China, published his third novel The Dark Road in June (Yunchen Publishing House, Taipei); the English translation will be released by Penguin. The story: a couple determined to give birth to a second child in order to carry on the family line flee their village and the family planning crackdown. At Sampsonia Way, Tienchi Martin-Liao described it as “an absurd story” that uses “magical realism to describe the perverse reality in China.” The publisher describes it as “a haunting and indelible portrait of the tragedies befalling women and families at the hands of China’s one-child policy and of the human spirit’s capacity to endure even the most brutal cruelty.” Martin-Liao tells us that the book’s title, Yin Zhi Dao, also means vagina, or place of life and origin. (Sonya)
The Pink Hotel by Anna Stothard: Stothard’s second novel (after Isabel and Rocco) follows an unnamed 17-year-old narrator as she flies from London to L.A. for the funeral of Lily, a mother she never knew, the proprietess of The Pink Hotel. While the hotel’s residents throw a rave in Lily’s honor, her daughter steals a suitcase of Lily’s photos, letters, and clothes. These mementos set her on a journey around L.A., returning letters to their writers and photos to their subjects and uncovering the secrets of her mother’s life. Longlisted for the 2012 Orange Prize, The Pink Hotel has been optioned for production by True Blood’s Stephen Moyer and Anna Paquin. (Janet)
Our Man in Iraq by Robert Perišic: Perišic is one of the leading new writers to have emerged from Croatia after the fall of the Iron Curtain. In this, his first novel to appear stateside, he offers the funny and absurd tale of two cousins from Zagreb who get caught up in the American Invasion of Iraq, circa 2003. Perišic speaks English, and assisted with the translation, so his voice should come through intact, and a blurb from Jonathan Franzen never hurts. (Garth)
And the Mountains Echoed by Khaled Hosseini: Few details have been released so far about the third novel from international publishing juggernaut Hosseini (The Kite Runner, A Thousand Splendid Suns). In a statement posted to Penguin’s website, Hosseini explains, “My new novel is a multi-generational family story as well, this time revolving around brothers and sisters, and the ways in which they love, wound, betray, honor, and sacrifice for each other.” (Kevin)
My Struggle: Book Two: A Man in Love by Karl Ove Knausgaard: The first part of Knausgaard’s six-part behemoth was the single most stirring novel I read in 2012. Or is the word memoir? Anyway, this year sees the publication of Part Two, which apparently shifts the emphasis from Knausgaard’s childhood and the death of his father to his romantic foibles as an adult. But form trumps content in this book, and I’d read 400 pages of Knausgaard dilating on trips to the dentist. There’s still time to run out and catch up on Part One before May rolls around. I can’t imagine many readers who finish it won’t want to keep going. (Garth)
You Are One of Them by Elliott Holt: You Are One of Them is Pushcart Prize-winner Elliott Holt’s debut novel. You might be forgiven for thinking she’d already published a few books, as Holt has been a fixture of the literary Twittersphere for years. Holt’s debut is a literary suspense novel spanning years, as a young woman, raised in politically charged Washington D.C. of the 1980s, goes to Moscow to investigate the decades-old death of her childhood friend. (Patrick)
The Fall of Arthur by J.R.R. Tolkien: In a letter to his American publisher two decades after abandoning The Fall of Arthur, Tolkien expressed regret that he’d left the epic poem unfinished (some suggest it was cast aside as he focused on writing The Hobbit, published in 1937). Nearly eighty years later, the work has been edited and annotated by his son, Christopher, who has written three companion essays that explore the text and his father’s use of Arthurian legend in Middle Earth. Tolkien fans will be grateful for the uncharted territory but unused to the book’s bulk, or lack thereof: in the American edition, poem, notes, and essays clock in just shy of 200 pages long. (Elizabeth)
Americanah by Chimamanda Ngozi Adichie: The author of the critically acclaimed novels Half of a Yellow Sun and Purple Hibiscus, both set in Adichie’s home country of Nigeria, now turns her keen eye to the trials of cultural assimilation for Africans in America and England. In the novel, a young Nigerian couple leave their homeland – she to America for an education, he to a far more unsettled, undocumented life in England. In their separate ways, each confront issues of race and identity they would never have faced in Nigeria, where they eventually reunite. (Michael)
Red Moon by Benjamin Percy: Percy, whose previous books include the novel The Wilding and the story collection Refresh, Refresh, imagines a world wherein werewolves have always lived among us, uneasily tolerated, a hidden but largely controlled menace, required by law to take a transformation-inhibiting drug. He describes his new novel as “a narrative made of equal parts supernatural thriller, love story and political allegory.” (Emily M.)
A Guide to Being Born by Ramona Ausubel: A short story collection that includes the author’s New Yorker debut, “Atria”. If that piece is any indication, the book is more than a bit fabulist – the plot involves a girl who finds herself pregnant and worries she’ll give birth to an animal. The specter of parenthood, as the title suggests, appears in numerous guises, as does the reinvention that marked the protagonists of her novel (the genesis of which she wrote about in our own pages). (Thom)
The Hanging Garden by Patrick White: The last work of Nobel Laureate Patrick White gives his homeland an Elysian feel. At the beginning, we meet two orphans, Eirene Sklavos and Gilbert Horsfall, whose parents both died in separate conflicts early on in the second World War. They escape to a house in suburban Sydney and bond in a lush little garden. As with most things published posthumously, the story is a little bit scattershot, but early reviews out of Oz (and our own take) say the book is worthy of its author. (Thom)
Love Is Power, or Something Like That by A. Igoni Barrett: Barrett’s middle name, Igonibo, means stranger, though he’s no stranger to all things literary: he chronicled his childhood bookishness in our pages last year, and his father is Jamaican-born poet Lindsay Barrett who settled in Nigeria, where the younger Barrett was born and still lives. The streets of Lagos provide the backdrop for his second story collection, Love Is Power, or Something Like That. His first was called From the Cave of Rotten Teeth, and rotting teeth seems to be something of a recurring motif. It’s picked up at least tangentially in this book with “My Smelling Mouth Problem,” a story where the protagonist’s halitosis causes disturbances on a city bus ride. (Anne)
The Unwinding: An Inner History of the New America by George Packer: George Packer reveals the state of affairs in America in his ominously-titled new book, a history told in biographical inspections of its various residents (read about one, a lobbyist, in a truly riveting excerpt in The New Yorker). The bad news, probably, is that American is fucked. The good news, I learned from an interview in The Gunn Oracle, the paper of record at Packer’s high school, is that Packer didn’t become a proper journalist until age 40, which is sort of heartening, and may officially qualify him for Bloom status. (More bad news: no posted vacancies at The Gunn Oracle.) (Lydia)
Pacific by Tom Drury: Drury’s fans will be ecstatic to learn that his new novel focuses once again on the inhabitants of Grouse County, Iowa, where two of his four previous books, The End of Vandalism and Hunts in Dreams, also take place. In this new novel, Tiny Darling’s son Micah travels to L.A. to reunite with his mother who abandoned him years before, while back in the Midwest, a mysterious woman unsettles everyone she meets. The novel tells two parallel tales, plumbing both the comic and tragic of life. Yiyun Li says that Drury is a “rare master of the art of seeing.” This novel is sure to prove that—yet again. (Edan)
Forty-One False Starts: Essays on Artists and Writers by Janet Malcolm: The title of this collection comes from a 1994 New Yorker profile of the artist David Salle, in which Malcolm tried in 41 different ways, without success, to penetrate the carefully constructed shell of an artist who had made a bundle during the go-go 1980s but was terrified that he was already forgotten by the art world, a has-been. Malcolm trains her laser eye on a variety of other subjects, including Edward Weston’s nudes, the German photographer Thomas Struth, Edith Wharton, the Gossip Girl novels, and the false starts on her own autobiography. (Bill)
Transatlantic by Colum McCann: Known for deftly lacing his fiction with historical events – such as the high-wire walk between the twin towers that opened his National Book Award-winning novel, Let the Great World Spin – McCann threads together three very different journeys to Ireland in his new novel, Transatlantic. The first was Frederick Douglass’s trip to denounce slavery in 1845, just as the potato famine was beginning; the second was the first transatlantic flight, in 1919, by Jack Alcock and Arthur Brown; and the third was former U.S. Sen. George Mitchell’s repeated crossings to broker the 1998 Good Friday Agreement. In an interview, McCann said it’s the aftermath of such large historic events that interests him as a novelist: “What happens in the quiet moments? What happens when the plane has landed?” (Bill)
The Hare by César Aira: A recent bit of contrarianism in The New Republic blamed the exhaustive posthumous marketing of Roberto Bolaño for crowding other Latin American writers out of the U.S. marketplace. If anything, it seems to me, it’s the opposite: the success of The Savage Detectives helped publishers realize there was a market for Daniel Sada, Horacio Castellanos Moya, and the fascinating Argentinian César Aira. The past few years have seen seven of Aira’s many novels translated into English. Some of them, like Ghosts, are transcendently good, but none has been a breakout hit. Maybe the reissue of The Hare, which appeared in the U.K. in 1998, will be it. At the very least, it’s the longest Aira to appear in English: a picaresque about a naturalist’s voyage into the Argentinean pampas. (Garth)
Taipei by Tao Lin: Indie darling Tao Lin officially enters the world of big six publishing with his eighth published work, Taipei, an autobiographical novel beginning in 2009 and concerning a few years in the life of a 25-year-old protagonist moving from Taiwan to New York City and Las Vegas. In an Observer interview from 2011, Lin said that the book “contains a marriage, somewhat extreme recreational drug usage, parents, [and] a book tour” – all of which should be familiar subjects to people who’ve followed Lin’s exploits on Twitter, Tumblr and his blog over the past few years. (And especially if you’ve been one of his “interns.”) (Nick)
In the House upon the Dirt between the Lake and the Woods by Matt Bell: Matt Bell’s novel is an exploration of parenthood and marriage, and it carries the premise and the force of myth: a woman who can sing objects into being and a man who longs for fatherhood get married and leave their hectic lives for a quiet homestead by the side of a remote lake. But as pregnancy after pregnancy fails, the wife’s powers take a darker turn—she sings the stars from the sky—and their grief transforms not only their marriage but the world around them. (Emily M.)
His Wife Leaves Him by Stephen Dixon: Stephen Dixon, a writer known for rendering unbearable experiences, has built his 15th novel around a premise that is almost unbearably simple: A man named Martin is thinking about the loss of his wife, Gwen. Dixon’s long and fruitful career includes more than 500 shorts stories, three O. Henry Prizes, two Pushcart Prizes and a pair of nominations for the National Book Award. His Wife Leaves Him, according to its author, “is about a bunch of nouns: love, guilt, sickness, death, remorse, loss, family, matrimony, sex, children, parenting, aging, mistakes, incidents, minutiae, birth, music, jobs, affairs, memory, remembering, reminiscence, forgetting, repression, dreams, reverie, nightmares, meeting, dating, conceiving, imagining, delaying, loving.” (Bill)
Seiobo There Below by László Krasznahorkai: The novels of the great Hungarian writer László Krasznahorkai have recently begun to break through with American audiences. Thus far, however, we’ve only glimpsed one half of his oeuvre: the one that deals (darkly, complexly) with postwar Europe. Krasznahorkai has also long taken an interest in East Asia, where he’s spent time in residence. Seiobo There Below, one of several novels drawing on this experience, shows a Japanese goddess visiting disparate places and times, in search of beauty. (Garth)
Carnival by Rawi Hage: True to its title, Carnival – which takes place in a city loosely based on the author’s hometown of Montreal – takes the reader on a tour of a place well-populated with odd and eccentric characters. The protagonist, Fly, is a cab driver with a penchant for binge reading. We learn that he chose his name to draw a contrast with a group called the Spiders. The Spiders are a loose collection of predatory cab drivers, who choose to wait for their customers rather than to hunt them on the streets. Fly himself, too, is no slouch when it comes to weirdness – he says that his mother gave birth to him in front of an audience of seals. (Thom)
Cannonball by Joseph McElroy: Of the American experimental novelists of the 1960s and 1970s, Joseph McElroy may be the most idiosyncratic. He specializes in what you might call information architecture, overloading his narratives with nonfictional data while strategically withholding the kinds of exposition that are conventional in fiction. The results speak for themselves: moments of startling resonance, power, mystery…and topicality. His work has previously tackled the Pinochet regime, artificial intelligence, and, in his terrific recent story collection, Night Soul, terrorism. Now he turns his attention to the Iraq War. (Garth)
On the Floor by Aifric Campbell: Banker-turned-novelist Aifric Campbell takes on the testosterone of the eighties. At Morgan Stanley, she saw firsthand the excesses of the era, which drove young female analysts to develop “contempt” for other women. As a product of that environment, her main character, Geri, feels like a “skirt among men.” She lacquers her ambitions with conspicuously feminine gestures and modes of dress. In an interview with the Guardian, Campbell pointed out that she used to race greyhounds, which gave her a “certain logic” that helped her in banking and writing. (Thom)
Love, Dishonor, Marry, Die, Cherish, Perish by David Rakoff: Rakoff passed away last summer at the age of 47, shortly after completing this slender novel “written entirely in verse.” His previous books have been largely satirical, so this final work is a departure: stretching across the country and the twentieth century, the novel’s stories are linked by “acts of generosity or cruelty.” Ira Glass, who brought Rakoff to the airwaves for more than a decade, has described the book as “very funny and very sad, which is my favorite combination” (a fair descriptor of much of Rakoff’s radio work, like this heartbreaking performance from the live episode of “This American Life” staged just a few months before his death.) (Elizabeth)
Five Star Billionaire by Tash Aw: In his third novel, Aw writes about Malaysian immigrants to contemporary Shanghai, featuring an ensemble cast who hail from diverse backgrounds; their stories are interwoven, and counterpointed with the lives they left behind. Aw, who was a practicing lawyer while writing his first novel, The Harmony Silk Factory, won accolades for his debut: longlisted for Man Booker Prize, International Impac Dublin Award and the Guardian First Book Prize; winner of the Whitbread First Novel Award as well as the Commonwealth Writers Prize for Best First Novel (Asia Pacific region). (Sonya)
Night Film by Marisha Pessl: This much-anticipated, oft-delayed follow-up to Pessl’s bestselling Special Topics in Calamity Physics originally set to come out in 2010 is now scheduled – no, this time they really mean it – in the fall. The novel is a “psychological literary thriller” about a young New Yorker who sets out to investigate the apparent suicide of Ashley Cordova, daughter of a reclusive European movie director. (Michael)
The Infatuations by Javier Marías: Javier Marías’s new book, translated by Marguerite Jull Costa, is his 14th novel to be published in English. It was awarded Spain’s National Novel Prize last October, but Marías turned it down out of an aversion to receiving public money. It’s the story of a woman’s obsession with an apparently happy couple who inexplicably disappear. It’s his first novel to be narrated from a woman’s perspective, so it will be interesting to see how Marias manages to accommodate his penchant for detailed descriptions of ladies crossing and uncrossing their legs. (Mark)
Clare of the Sea-Light by Edwidge Danticat: My time at the University of Miami overlapped with Danticat’s, though unfortunately I never took her creative writing course. I did, however, see her speak at an event for the English department during my junior year. She was astounding. There are prose stylists in this world and then there are storytellers, and rare are people like Danticat who are both. She read from her memoir Brother, I’m Dying, which features one of the most devastating and personal depictions of our wretched immigration system ever written. Haiti has always been an remarkable place – a nation built with equal measures of hope, passion, charm, malfeasance and tragedy. In this forthcoming story collection, Clare of the Sea-Light – which draws its title from a piece she originally published in Haiti Noir – we can expect the prodigiously talented author to render each aspect of the place beautifully. (Nick)
Necessary Errors by Caleb Crain: Caleb Crain’s debut novel, which concerns the topic of “youth,” borrows its title from W. H. Auden’s 1929 poem “[It was Easter as I walked in the public gardens]” and takes place in the Czech Republic during the last decade of the 20th century. Look for Crain, a journalist, critic and banished member of the NYPL’s Central Library Plan advisory committee, to use research and insight from his previous book – a provocative look at male friendship, personal lives, and literary creation – in order to give Jacob Putnam and the rest of the characters in Necessary Errors a great deal of interwoven influences, covert desires and realistic interaction. (Nick)
Enon by Paul Harding: In 2009, the tiny Bellevue Literary Press published Harding’s debut novel, Tinkers, which went on to win the Pulitzer Prize. Tinkers tells the story of George Washington Crosby, an old man reliving the memories of his life as he dies surround by family. Enon, named for the Massachusetts town where Crosby died, is about his grandson, Charlie Crosby, and Charlie’s daughter Kate. (Janet)
The Signature of All Things by Elizabeth Gilbert: Elizabeth Gilbert’s mega-bestselling Eat Pray Love put her on Time Magazine’s list of most influential people in the world, and then Julia Roberts played her in the movie adaptation. What many fans of that memoir don’t know is that Gilbert started her career as a fiction writer, penning a short story collection, Pilgrims, and the novel, Stern Men, which was a New York Times Notable Book in 2000. Now, 13 years later, she returns to the form with the publication of “a big, sprawling, epic historical novel that takes place from 1760 to 1880, following the fortunes of a family called the Whittakers, who make their name in the early botanical exploration/proto-pharmaceutical business trade.” That description is from Gilbert herself, taken from this candid, illuminating and entertaining interview with Rachel Khong for The Rumpus. (Edan)
Dissident Gardens by Jonathan Lethem: Sunnyside Queens has long held a contrarian perspective. In the 1920s, as urban development projects washed over the outer boroughs, the folks in Sunnyside did all they could to keep the place from turning into a cookie-cutter suburb. Driveways were banned and garages were disallowed. Instead of lawns, the neighborhood’s designers recommended long courtyards that spanned the entire length of blocks – these were meant to encourage mingling and space sharing. It’s no doubt this spirit of dissent, skepticism and opinionated egalitarianism that’s drawn Jonathan Lethem to the neighborhood as the centerpiece for his new novel, a “family epic,” which focuses on three generations of American leftists growing up in the outer borough. (Nick)
Bleeding Edge by Thomas Pynchon: Washington Post critic Ron Charles broke the news recently that Thomas Pynchon will have a new book out from Penguin this fall called Bleeding Edge. (Though Penguin says the book has not yet been scheduled). Charles said the news of the new book was confirmed by two Penguin employees and that “everything is tentative” at this time. More as we know it, folks. (Max)
Subtle Bodies by Norman Rush: There’s still not much to report on Rush’s latest, a novel of love and friendship set in upstate New York on the eve of the Iraq War. In October, though Granta Books in the U.K. announced an autumn 2013 publication date, so here’s hoping… (Garth)
The Dying Grass by William T. Vollmann: The fifth of Vollmann’s Seven Dreams books to appear, The Dying Grass will most likely not see print until summer of 2015, according to his editor. First up is Last Stories, a collection of ghost stories slated to hit bookstores next year. Assuming there still are bookstores next year. (Garth)
Your Name Here by Helen DeWitt: Your Name Here seems to be stuck in a holding pattern at Noemi Press, befitting, one supposes, its tortured publication history. In a recent Believer interview, DeWitt suggested that the version that appears in print, if it appears in print, may not be the same as the .pdf she was selling on her website a few years back. Chunks may have been spun off into other works of fiction. Whatever the damn thing ends up looking like, we eagerly await it. (Garth)
Escape from the Children’s Hospital by Jonathan Safran Foer: Foer returns to childhood, to trauma, and to interwoven voices and storylines. The childhood here is Foer’s own, though, so this may mark a kind of departure. We’ll have to wait and see, as no publication date has been set. (Garth)
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