This past week at the LBC was a lot of fun. We discussed the book I nominated, The Cottagers by Marshall Klimasewiski. If you missed it, you should check it out, particularly Friday’s podcast which includes an appearance by yours truly.In other podcast news, Ed, who is an accomplished podcaster, tried and failed to interview Marisha Pessl, author of Special Topics in Calamity Physics, for his show. Callie also had some thoughts on Pessl, as did CAAF.Fresh off of declaring that the typical litblogger is “some guy sitting in his basement in Terre Haute,” Richard Ford will see his Bascombe trilogy turned into an HBO mini-series (via Scott). Litblogger Noah gave Ford’s Lay of the Land a good review last year, but for all Ford knows, Noah was writing from here.Scott looks at Dave Eggers’ What is the What and ponders how atrocity is portrayed in fiction.
From icy Philadelphia, some links to start the day:The latest round at the LBC is over, but we’ve posted our nominees for the next round. Read the books now so you can discuss them with us in a month or so. I was a nominator this round and my pick is The Cottagers by Marshall N. Klimasewiski.An Ask Metafilter thread on books by women for men who don’t like books by women. Lots of good recommendations… Might do a separate “booklist” post here at some point compiling all those suggestions.Dan Wickett’s Dzanc Books has two more titles on the way, one by Yannick Murphy who wrote LBC nominee Here They Come and one by Wickett fave Peter Markus (who he mentioned in his 2006 best of here at The Millions.)Combining Garfield and reference books seems like a bad idea. Note: A groundbreaking work in that it is the “1st dictionary with attitude” (via)
Let’s say you’re slightly to the left of the Bell Curve: you read, on average, a book a week. And let’s say you’re also slightly leftward-listing in your survival prospects: that, due to the marvels of future medicine (and no thanks to the blunders of contemporary foreign policy) you’ll live to the fine old age of 90. Let’s furthermore presuppose that you’re one of those people, the precocious ones who were reading Kesey and King and Kingsolver and Kipling at 15. How many great books will you get to read in a lifetime? Assuming you’ve already answered the adjunct question (why?) for yourself, the prospect of having to choose only three thousand books from among the many Millions may sound daunting. My Merriam-Webster Encyclopedia of World Literature contains some entries on authors alone, and is hardly comprehensive. Balzac alone could eat up almost one percent of your lifetime reading. On the other hand, as usual, limitation shades into wonder… because in an infinite reading universe, we would be deprived of one of the supreme literary pleasures: discovery. Half of my favorite works of fiction of the year were by authors (women, natch) I’d never read, had barely heard of: Kathryn Davis’ The Thin Place, Lynne Tillman’s American Genius: A Comedy, and Mary Gaitskill’s Veronica.And if I had gone my whole life without discovering Deborah Eisenberg, I would have missed something like a literary soulmate. The beguiling, bewildered quality of Eisenberg’s Twilight of the Superheroes – the sentences whose endings seem to surprise even their writer – is so close to the texture of life as I experience it as to be almost hallucinatory. On the other hand, Eisenberg’s world is much, much funnier and more profound than mine. She’s single-handedly rejuvenated my relationship with the short story… and just in time for the remarkable new Edward P. Jones collection, All Aunt Hagar’s Children. I’ve already expressed my suspicion that Jones has been a positive influence on Dave Eggers, as evidenced by What is the What. So I’ll just round out my survey of new fiction by mentioning Marshall N. Klimasewiski’s overlooked first novel, The Cottagers – a dazzlingly written thriller.In between forays into the contemporary landscape, I’ve been trying to bone up on the classics. I’m ashamed to say I hadn’t read Pride and Prejudice until this year; it’s about the most romantic damn thing I’ve ever encountered, and I’m a sucker for romance. Pricklier and more ironic, which is to say more Teutonic, was Mann’s The Magic Mountain – a great book for when you’ve got nothing to do for two months. Saul Bellow’s Herzog completely blew my doors off, suggesting that stream-of-consciousness (and the perfect evocation of a summer day) did not end with Mrs. Dalloway. Herzog is such a wonderful book, so sad, so funny, so New York. So real. I can’t say the same thing about Kafka’s The Castle, but it is to my mind the most appealing of his novels. As in The Magic Mountain, futility comes to seem almost charming. E.L. Doctorow’s Billy Bathgate was another wonderful discovery – a rip-roaring read that’s written under some kind of divine inspiration: Let there be Comma Splices! Similarly, I was surprised by how well page-turning pacing and peel-slowly sentences worked in Franzen’s first novel, The Twenty-Seventh City. Ultimately, it’s sort of a ridiculous story, but it’s hard to begrudge something this rich and addictive. Think of it as a dessert. I’d be remiss if I didn’t mention the rip-roar of that most sweeping of summer beach books, Lonesome Dove. And if the last three titles make you feel self-indulgent, because you’re having too much fun, cleanse the palate the way I did, with the grim and depressing and still somehow beautiful. Namely, Samuel Beckett’s Texts for Nothing or W.G. Sebald’s Rings of Saturn. (What is it with those Germans?)Nonfiction-wise, I managed to slip away from journalism a bit, but did read James Agee’s Let Us Now Praise Famous Men while I was in Honduras… sort of like reading Melville at sea. I made it most of the way through Martin Heidegger’s Being and Time (God knows why, half of me adds. The other half insists, You know why.) Adorno and Horkheimer’s Dialectic of the Enlightenment lightened things up… Not! But I will never read Cosmo Girl the same way again. Come to think of it, pretty much all the nonfiction I loved this year was a downer, about the impure things we can’t get away from: Susan Sontag’s On Photography, Greil Marcus’ Lipstick Traces, David Harvey’s The Condition of Postmodernity, and especially the late George W.S. Trow’s astonishing, devastating Within the Context of No Context. Lit-crit offered a little bit of a silver lining, as William H. Gass’ A Temple of Text and James Wood’s The Irresponsible Self. Wood’s essays on Tolstoy and Bellow remind me that “the world is charged with the grandeur of God”… which is, I guess, why I’ll keep reading in 2007.