Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever (Kindle Single)

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April April 2 Women! In! Peril! by Jessie Ren Marshall [F] For starters, excellent title. This debut short story collection from playwright Marshall spans sex bots and space colonists, wives and divorcées, prodding at the many meanings of womanhood. Short story master Deesha Philyaw, also taken by the book's title, calls this one "incisive! Provocative! And utterly satisfying!" —Sophia M. Stewart The Audacity by Ryan Chapman [F] This sophomore effort, after the darkly sublime absurdity of Riots I have Known, trades in the prison industrial complex for the Silicon Valley scam. Chapman has a sharp eye and a sharper wit, and a book billed as a "bracing satire about the implosion of a Theranos-like company, a collapsing marriage, and a billionaires’ 'philanthropy summit'" promises some good, hard laughs—however bitter they may be—at the expense of the über-rich. —John H. Maher The Obscene Bird of Night by José Donoso, tr. Leonard Mades [F] I first learned about this book from an essay in this publication by Zachary Issenberg, who alternatively calls it Donoso's "masterpiece," "a perfect novel," and "the crowning achievement of the gothic horror genre." He recommends going into the book without knowing too much, but describes it as "a story assembled from the gossip of society’s highs and lows, which revolves and blurs into a series of interlinked nightmares in which people lose their memory, their sex, or even their literal organs." —SMS Globetrotting ed. Duncan Minshull [NF] I'm a big walker, so I won't be able to resist this assemblage of 50 writers—including Edith Wharton, Katharine Mansfield, Helen Garner, and D.H. Lawrence—recounting their various journeys by foot, edited by Minshull, the noted walker-writer-anthologist behind The Vintage Book of Walking (2000) and Where My Feet Fall (2022). —SMS All Things Are Too Small by Becca Rothfeld [NF] Hieronymus Bosch, eat your heart out! The debut book from Rothfeld, nonfiction book critic at the Washington Post, celebrates our appetite for excess in all its material, erotic, and gluttonous glory. Covering such disparate subjects from decluttering to David Cronenberg, Rothfeld looks at the dire cultural—and personal—consequences that come with adopting a minimalist sensibility and denying ourselves pleasure. —Daniella Fishman A Good Happy Girl by Marissa Higgins [F] Higgins, a regular contributor here at The Millions, debuts with a novel of a young woman who is drawn into an intense and all-consuming emotional and sexual relationship with a married lesbian couple. Halle Butler heaps on the praise for this one: “Sometimes I could not believe how easily this book moved from gross-out sadism into genuine sympathy. Totally surprising, totally compelling. I loved it.” —SMS City Limits by Megan Kimble [NF] As a Los Angeleno who is steadily working my way through The Power Broker, this in-depth investigation into the nation's freeways really calls to me. (Did you know Robert Moses couldn't drive?) Kimble channels Caro by locating the human drama behind freeways and failures of urban planning. —SMS We Loved It All by Lydia Millet [NF] Planet Earth is a pretty awesome place to be a human, with its beaches and mountains, sunsets and birdsong, creatures great and small. Millet, a creative director at the Center for Biological Diversity in Tucson, infuses her novels with climate grief and cautions against extinction, and in this nonfiction meditation, she makes a case for a more harmonious coexistence between our species and everybody else in the natural world. If a nostalgic note of “Auld Lang Syne” trembles in Millet’s title, her personal anecdotes and public examples call for meaningful environmental action from local to global levels. —Nathalie op de Beeck Like Love by Maggie Nelson [NF] The new book from Nelson, one of the most towering public intellectuals alive today, collects 20 years of her work—including essays, profiles, and reviews—that cover disparate subjects, from Prince and Kara Walker to motherhood and queerness. For my fellow Bluets heads, this will be essential reading. —SMS Traces of Enayat by Iman Mersal, tr. Robin Moger [NF] Mersal, one of the preeminent poets of the Arabic-speaking world, recovers the life, work, and legacy of the late Egyptian writer Enayat al-Zayyat in this biographical detective story. Mapping the psyche of al-Zayyat, who died by suicide in 1963, alongside her own, Mersal blends literary mystery and memoir to produce a wholly original portrait of two women writers. —SMS The Letters of Emily Dickinson ed. Cristanne Miller and Domhnall Mitchell [NF] The letters of Emily Dickinson, one of the greatest and most beguiling of American poets, are collected here for the first time in nearly 60 years. Her correspondence not only gives access to her inner life and social world, but reveal her to be quite the prose stylist. "In these letters," says Jericho Brown, "we see the life of a genius unfold." Essential reading for any Dickinson fan. —SMS April 9 Short War by Lily Meyer [F] The debut novel from Meyer, a critic and translator, reckons with the United States' political intervention in South America through the stories of two generations: a young couple who meet in 1970s Santiago, and their American-born child spending a semester Buenos Aires. Meyer is a sharp writer and thinker, and a great translator from the Spanish; I'm looking forward to her fiction debut. —SMS There's Going to Be Trouble by Jen Silverman [F] Silverman's third novel spins a tale of an American woman named Minnow who is drawn into a love affair with a radical French activist—a romance that, unbeknown to her, mirrors a relationship her own draft-dodging father had against the backdrop of the student movements of the 1960s. Teasing out the intersections of passion and politics, There's Going to Be Trouble is "juicy and spirited" and "crackling with excitement," per Jami Attenberg. —SMS Table for One by Yun Ko-eun, tr. Lizzie Buehler [F] I thoroughly enjoyed Yun Ko-eun's 2020 eco-thriller The Disaster Tourist, also translated by Buehler, so I'm excited for her new story collection, which promises her characteristic blend of mundanity and surrealism, all in the name of probing—and poking fun—at the isolation and inanity of modern urban life. —SMS Playboy by Constance Debré, tr. Holly James [NF] The prequel to the much-lauded Love Me Tender, and the first volume in Debré's autobiographical trilogy, Playboy's incisive vignettes explore the author's decision to abandon her marriage and career and pursue the precarious life of a writer, which she once told Chris Kraus was "a bit like Saint Augustine and his conversion." Virginie Despentes is a fan, so I'll be checking this out. —SMS Native Nations by Kathleen DuVal [NF] DuVal's sweeping history of Indigenous North America spans a millennium, beginning with the ancient cities that once covered the continent and ending with Native Americans' continued fight for sovereignty. A study of power, violence, and self-governance, Native Nations is an exciting contribution to a new canon of North American history from an Indigenous perspective, perfect for fans of Ned Blackhawk's The Rediscovery of America. —SMS Personal Score by Ellen van Neerven [NF] I’ve always been interested in books that drill down on a specific topic in such a way that we also learn something unexpected about the world around us. Australian writer Van Neerven's sports memoir is so much more than that, as they explore the relationship between sports and race, gender, and sexuality—as well as the paradox of playing a colonialist sport on Indigenous lands. Two Dollar Radio, which is renowned for its edgy list, is publishing this book, so I know it’s going to blow my mind. —Claire Kirch April 16 The Notebooks of Sonny Rollins by Sonny Rollins [NF] The musings, recollections, and drawings of jazz legend Sonny Rollins are collected in this compilation of his precious notebooks, which he began keeping in 1959, the start of what would become known as his “Bridge Years,” during which he would practice at all hours on the Williamsburg Bridge. Rollins chronicles everything from his daily routine to reflections on music theory and the philosophical underpinnings of his artistry. An indispensable look into the mind and interior life of one of the most celebrated jazz musicians of all time. —DF Henry Henry by Allen Bratton [F] Bratton’s ambitious debut reboots Shakespeare’s Henriad, landing Hal Lancaster, who’s in line to be the 17th Duke of Lancaster, in the alcohol-fueled queer party scene of 2014 London. Hal’s identity as a gay man complicates his aristocratic lineage, and his dalliances with over-the-hill actor Jack Falstaff and promising romance with one Harry Percy, who shares a name with history’s Hotspur, will have English majors keeping score. Don’t expect a rom-com, though. Hal’s fraught relationship with his sexually abusive father, and the fates of two previous gay men from the House of Lancaster, lend gravity to this Bard-inspired take. —NodB Bitter Water Opera by Nicolette Polek [F] Graywolf always publishes books that make me gasp in awe and this debut novel, by the author of the entrancing 2020 story collection Imaginary Museums, sounds like it’s going to keep me awake at night as well. It’s a tale about a young woman who’s lost her way and writes a letter to a long-dead ballet dancer—who then visits her, and sets off a string of strange occurrences. —CK Norma by Sarah Mintz [F] Mintz's debut novel follows the titular widow as she enjoys her newfound freedom by diving headfirst into her surrounds, both IRL and online. Justin Taylor says, "Three days ago I didn’t know Sarah Mintz existed; now I want to know where the hell she’s been all my reading life. (Canada, apparently.)" —SMS What Kingdom by Fine Gråbøl, tr. Martin Aitken [F] A woman in a psychiatric ward dreams of "furniture flickering to life," a "chair that greets you," a "bookshelf that can be thrown on like an apron." This sounds like the moving answer to the otherwise puzzling question, "What if the Kantian concept of ding an sich were a novel?" —JHM Weird Black Girls by Elwin Cotman [F] Cotman, the author of three prior collections of speculative short stories, mines the anxieties of Black life across these seven tales, each of them packed with pop culture references and supernatural conceits. Kelly Link calls Cotman's writing "a tonic to ward off drabness and despair." —SMS Presence by Tracy Cochran [NF] Last year marked my first earnest attempt at learning to live more mindfully in my day-to-day, so I was thrilled when this book serendipitously found its way into my hands. Cochran, a New York-based meditation teacher and Tibetan Buddhist practitioner of 50 years, delivers 20 psycho-biographical chapters on recognizing the importance of the present, no matter how mundane, frustrating, or fortuitous—because ultimately, she says, the present is all we have. —DF Committed by Suzanne Scanlon [NF] Scanlon's memoir uses her own experience of mental illness to explore the enduring trope of the "madwoman," mining the work of Charlotte Perkins Gilman, Virginia Woolf, Sylvia Plath, Audre Lorde, and others for insights into the long literary tradition of women in psychological distress. The blurbers for this one immediately caught my eye, among them Natasha Trethewey, Amina Cain, and Clancy Martin, who compares Scanlon's work here to that of Marguerite Duras. —SMS Unrooted by Erin Zimmerman [NF] This science memoir explores Zimmerman's journey to botany, a now endangered field. Interwoven with Zimmerman's experiences as a student and a mother is an impassioned argument for botany's continued relevance and importance against the backdrop of climate change—a perfect read for gardeners, plant lovers, or anyone with an affinity for the natural world. —SMS April 23 Reboot by Justin Taylor [F] Extremely online novels, as a rule, have become tiresome. But Taylor has long had a keen eye for subcultural quirks, so it's no surprise that PW's Alan Scherstuhl says that "reading it actually feels like tapping into the internet’s best celeb gossip, fiercest fandom outrages, and wildest conspiratorial rabbit holes." If that's not a recommendation for the Book Twitter–brained reader in you, what is? —JHM Divided Island by Daniela Tarazona, tr. Lizzie Davis and Kevin Gerry Dunn [F] A story of multiple personalities and grief in fragments would be an easy sell even without this nod from Álvaro Enrigue: "I don't think that there is now, in Mexico, a literary mind more original than Daniela Tarazona's." More original than Mario Bellatin, or Cristina Rivera Garza? This we've gotta see. —JHM Prairie, Dresses, Art, Other by Danielle Dutton [NF] Coffee House Press has for years relished its reputation for publishing “experimental” literature, and this collection of short stories and essays about literature and art and the strangeness of our world is right up there with the rest of Coffee House’s edgiest releases. Don’t be fooled by the simple cover art—Dutton’s work is always formally inventive, refreshingly ambitious, and totally brilliant. —CK I Just Keep Talking by Nell Irvin Painter [NF] I first encountered Nell Irvin Painter in graduate school, as I hung out with some Americanists who were her students. Painter was always a dazzling, larger-than-life figure, who just exuded power and brilliance. I am so excited to read this collection of her essays on history, literature, and politics, and how they all intersect. The fact that this collection contains Painter’s artwork is a big bonus. —CK April 30 Real Americans by Rachel Khong [F] The latest novel from Khong, the author of Goodbye, Vitamin, explores class dynamics and the illusory American Dream across generations. It starts out with a love affair between an impoverished Chinese American woman from an immigrant family and an East Coast elite from a wealthy family, before moving us along 21 years: 15-year-old Nick knows that his single mother is hiding something that has to do with his biological father and thus, his identity. C Pam Zhang deems this "a book of rare charm," and Andrew Sean Greer calls it "gorgeous, heartfelt, soaring, philosophical and deft." —CK The Swans of Harlem by Karen Valby [NF] Huge thanks to Bebe Neuwirth for putting this book on my radar (she calls it "fantastic") with additional gratitude to Margo Jefferson for sealing the deal (she calls it "riveting"). Valby's group biography of five Black ballerinas who forever transformed the art form at the height of the Civil Rights movement uncovers the rich and hidden history of Black ballet, spotlighting the trailblazers who paved the way for the Misty Copelands of the world. —SMS Appreciation Post by Tara Ward [NF] Art historian Ward writes toward an art history of Instagram in Appreciation Post, which posits that the app has profoundly shifted our long-established ways of interacting with images. Packed with cultural critique and close reading, the book synthesizes art history, gender studies, and media studies to illuminate the outsize role that images play in all of our lives. —SMS May May 7 Bad Seed by Gabriel Carle, tr. Heather Houde [F] Carle’s English-language debut contains echoes of Denis Johnson’s Jesus’s Son and Mariana Enriquez’s gritty short fiction. This story collection haunting but cheeky, grim but hopeful: a student with HIV tries to avoid temptation while working at a bathhouse; an inebriated friend group witnesses San Juan go up in literal flames; a sexually unfulfilled teen drowns out their impulses by binging TV shows. Puerto Rican writer Luis Negrón calls this “an extraordinary literary debut.” —Liv Albright The Lady Waiting by Magdalena Zyzak [F] Zyzak’s sophomore novel is a nail-biting delight. When Viva, a young Polish émigré, has a chance encounter with an enigmatic gallerist named Bobby, Viva’s life takes a cinematic turn. Turns out, Bobby and her husband have a hidden agenda—they plan to steal a Vermeer, with Viva as their accomplice. Further complicating things is the inevitable love triangle that develops among them. Victor LaValle calls this “a superb accomplishment," and Percival Everett says, "This novel pops—cosmopolitan, sexy, and funny." —LA América del Norte by Nicolás Medina Mora [F] Pitched as a novel that "blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of U.S. writers like Ben Lerner and Teju Cole," Mora's debut follows a young member of the Mexican elite as he wrestles with questions of race, politics, geography, and immigration. n+1 co-editor Marco Roth calls Mora "the voice of the NAFTA generation, and much more." —SMS How It Works Out by Myriam Lacroix [F] LaCroix's debut novel is the latest in a strong early slate of novels for the Overlook Press in 2024, and follows a lesbian couple as their relationship falls to pieces across a number of possible realities. The increasingly fascinating and troubling potentialities—B-list feminist celebrity, toxic employer-employee tryst, adopting a street urchin, cannibalism as relationship cure—form a compelling image of a complex relationship in multiversal hypotheticals. —JHM Cinema Love by Jiaming Tang [F] Ting's debut novel, which spans two continents and three timelines, follows two gay men in rural China—and, later, New York City's Chinatown—who frequent the Workers' Cinema, a movie theater where queer men cruise for love. Robert Jones, Jr. praises this one as "the unforgettable work of a patient master," and Jessamine Chan calls it "not just an extraordinary debut, but a future classic." —SMS First Love by Lilly Dancyger [NF] Dancyger's essay collection explores the platonic romances that bloom between female friends, giving those bonds the love-story treatment they deserve. Centering each essay around a formative female friendship, and drawing on everything from Anaïs Nin and Sylvia Plath to the "sad girls" of Tumblr, Dancyger probes the myriad meanings and iterations of friendship, love, and womanhood. —SMS See Loss See Also Love by Yukiko Tominaga [F] In this impassioned debut, we follow Kyoko, freshly widowed and left to raise her son alone. Through four vignettes, Kyoko must decide how to raise her multiracial son, whether to remarry or stay husbandless, and how to deal with life in the face of loss. Weike Wang describes this one as “imbued with a wealth of wisdom, exploring the languages of love and family.” —DF The Novices of Lerna by Ángel Bonomini, tr. Jordan Landsman [F] The Novices of Lerna is Landsman's translation debut, and what a way to start out: with a work by an Argentine writer in the tradition of Jorge Luis Borges and Adolfo Bioy Casares whose work has never been translated into English. Judging by the opening of this short story, also translated by Landsman, Bonomini's novel of a mysterious fellowship at a Swiss university populated by doppelgängers of the protagonist is unlikely to disappoint. —JHM Black Meme by Legacy Russell [NF] Russell, best known for her hit manifesto Glitch Feminism, maps Black visual culture in her latest. Black Meme traces the history of Black imagery from 1900 to the present, from the photograph of Emmett Till published in JET magazine to the footage of Rodney King's beating at the hands of the LAPD, which Russell calls the first viral video. Per Margo Jefferson, "You will be galvanized by Legacy Russell’s analytic brilliance and visceral eloquence." —SMS The Eighth Moon by Jennifer Kabat [NF] Kabat's debut memoir unearths the history of the small Catskills town to which she relocated in 2005. The site of a 19th-century rural populist uprising, and now home to a colorful cast of characters, the Appalachian community becomes a lens through which Kabat explores political, economic, and ecological issues, mining the archives and the work of such writers as Adrienne Rich and Elizabeth Hardwick along the way. —SMS Stories from the Center of the World ed. Jordan Elgrably [F] Many in America hold onto broad, centuries-old misunderstandings of Arab and Muslim life and politics that continue to harm, through both policy and rhetoric, a perpetually embattled and endangered region. With luck, these 25 tales by writers of Middle Eastern and North African origin might open hearts and minds alike. —JHM An Encyclopedia of Gardening for Colored Children by Jamaica Kincaid and Kara Walker [NF] Two of the most brilliant minds on the planet—writer Jamaica Kincaid and visual artist Kara Walker—have teamed up! On a book! About plants! A dream come true. Details on this slim volume are scant—see for yourself—but I'm counting down the minutes till I can read it all the same. —SMS Physics of Sorrow by Georgi Gospodinov, tr. Angela Rodel [F] I'll be honest: I would pick up this book—by the International Booker Prize–winning author of Time Shelter—for the title alone. But also, the book is billed as a deeply personal meditation on both Communist Bulgaria and Greek myth, so—yep, still picking this one up. —JHM May 14 This Strange Eventful History by Claire Messud [F] I read an ARC of this enthralling fictionalization of Messud’s family history—people wandering the world during much of the 20th century, moving from Algeria to France to North America— and it is quite the story, with a postscript that will smack you on the side of the head and make you re-think everything you just read. I can't recommend this enough. —CK Woodworm by Layla Martinez, tr. Sophie Hughes and Annie McDermott [F] Martinez’s debut novel takes cabin fever to the max in this story of a grandmother,  granddaughter, and their haunted house, set against the backdrop of the Spanish Civil War. As the story unfolds, so do the house’s secrets, the two women must learn to collaborate with the malevolent spirits living among them. Mariana Enriquez says that this "tense, chilling novel tells a story of specters, class war, violence, and loneliness, as naturally as if the witches had dictated this lucid, terrible nightmare to Martínez themselves.” —LA Self Esteem and the End of the World by Luke Healy [NF] Ah, writers writing about writing. A tale as old as time, and often timeworn to boot. But graphic novelists graphically noveling about graphic novels? (Verbing weirds language.) It still feels fresh to me! Enter Healy's tale of "two decades of tragicomic self-discovery" following a protagonist "two years post publication of his latest book" and "grappling with his identity as the world crumbles." —JHM All Fours by Miranda July [F] In excruciating, hilarious detail, All Fours voices the ethically dubious thoughts and deeds of an unnamed 45-year-old artist who’s worried about aging and her capacity for desire. After setting off on a two-week round-trip drive from Los Angeles to New York City, the narrator impulsively checks into a motel 30 miles from her home and only pretends to be traveling. Her flagrant lies, unapologetic indolence, and semi-consummated seduction of a rent-a-car employee set the stage for a liberatory inquisition of heteronorms and queerness. July taps into the perimenopause zeitgeist that animates Jen Beagin’s Big Swiss and Melissa Broder’s Death Valley. —NodB Love Junkie by Robert Plunket [F] When a picture-perfect suburban housewife's life is turned upside down, a chance brush with New York City's gay scene launches her into gainful, albeit unconventional, employment. Set at the dawn of the AIDs epidemic, Mimi Smithers, described as a "modern-day Madame Bovary," goes from planning parties in Westchester to selling used underwear with a Manhattan porn star. As beloved as it is controversial, Plunket's 1992 cult novel will get a much-deserved second life thanks to this reissue by New Directions. (Maybe this will finally galvanize Madonna, who once optioned the film rights, to finally make that movie.) —DF Tomorrowing by Terry Bisson [F] The newest volume in Duke University’s Practices series collects for the first time the late Terry Bisson’s Locus column "This Month in History," which ran for two decades. In it, the iconic "They’re Made Out of Meat" author weaves an alt-history of a world almost parallel to ours, featuring AI presidents, moon mountain hikes, a 196-year-old Walt Disney’s resurrection, and a space pooch on Mars. This one promises to be a pure spectacle of speculative fiction. —DF Chop Fry Watch Learn by Michelle T. King [NF] A large portion of the American populace still confuses Chinese American food with Chinese food. What a delight, then, to discover this culinary history of the worldwide dissemination of that great cuisine—which moonlights as a biography of Chinese cookbook and TV cooking program pioneer Fu Pei-mei. —JHM On the Couch ed. Andrew Blauner [NF] André Aciman, Susie Boyt, Siri Hustvedt, Rivka Galchen, and Colm Tóibín are among the 25 literary luminaries to contribute essays on Freud and his complicated legacy to this lively volume, edited by writer, editor, and literary agent Blauner. Taking tacts both personal and psychoanalytical, these essays paint a fresh, full picture of Freud's life, work, and indelible cultural impact. —SMS Another Word for Love by Carvell Wallace [NF] Wallace is one of the best journalists (and tweeters) working today, so I'm really looking forward to his debut memoir, which chronicles growing up Black and queer in America, and navigating the world through adulthood. One of the best writers working today, Kiese Laymon, calls Another Word for Love as “One of the most soulfully crafted memoirs I’ve ever read. I couldn’t figure out how Carvell Wallace blurred time, region, care, and sexuality into something so different from anything I’ve read before." —SMS The Devil's Best Trick by Randall Sullivan [NF] A cultural history interspersed with memoir and reportage, Sullivan's latest explores our ever-changing understandings of evil and the devil, from Egyptian gods and the Book of Job to the Salem witch trials and Black Mass ceremonies. Mining the work of everyone from Zoraster, Plato, and John Milton to Edgar Allen Poe, Aleister Crowley, and Charles Baudelaire, this sweeping book chronicles evil and the devil in their many forms. --SMS The Book Against Death by Elias Canetti, tr. Peter Filkins [NF] In this newly-translated collection, Nobel laureate Canetti, who once called himself death's "mortal enemy," muses on all that death inevitably touches—from the smallest ant to the Greek gods—and condemns death as a byproduct of war and despots' willingness to use death as a pathway to power. By means of this book's very publication, Canetti somewhat succeeds in staving off death himself, ensuring that his words live on forever. —DF Rise of a Killah by Ghostface Killah [NF] "Why is the sky blue? Why is water wet? Why did Judas rat to the Romans while Jesus slept?" Ghostface Killah has always asked the big questions. Here's another one: Who needs to read a blurb on a literary site to convince them to read Ghost's memoir? —JHM May 21 Exhibit by R.O. Kwon [F] It's been six years since Kwon's debut, The Incendiaries, hit shelves, and based on that book's flinty prose alone, her latest would be worth a read. But it's also a tale of awakening—of its protagonist's latent queerness, and of the "unquiet spirit of an ancestor," that the author herself calls so "shot through with physical longing, queer lust, and kink" that she hopes her parents will never read it. Tantalizing enough for you? —JHM Cecilia by K-Ming Chang [F] Chang, the author of Bestiary, Gods of Want, and Organ Meats, returns with this provocative and oft-surreal novella. While the story is about two childhood friends who became estranged after a bizarre sexual encounter but re-connect a decade later, it’s also an exploration of how the human body and its excretions can be both pleasurable and disgusting. —CK The Great State of West Florida by Kent Wascom [F] The Great State of West Florida is Wascom's latest gothicomic novel set on Florida's apocalyptic coast. A gritty, ominous book filled with doomed Floridians, the passages fly by with sentences that delight in propulsive excess. In the vein of Thomas McGuane's early novels or Brian De Palma's heyday, this stylized, savory, and witty novel wields pulp with care until it blooms into a new strain of American gothic. —Zachary Issenberg Cartoons by Kit Schluter [F] Bursting with Kafkaesque absurdism and a hearty dab of abstraction, Schluter’s Cartoons is an animated vignette of life's minutae. From the ravings of an existential microwave to a pencil that is afraid of paper, Schluter’s episodic outré oozes with animism and uncanniness. A grand addition to City Light’s repertoire, it will serve as a zany reminder of the lengths to which great fiction can stretch. —DF May 28 Lost Writings by Mina Loy, ed. Karla Kelsey [F] In the early 20th century, avant-garde author, visual artist, and gallerist Mina Loy (1882–1966) led an astonishing creative life amid European and American modernist circles; she satirized Futurists, participated in Surrealist performance art, and created paintings and assemblages in addition to writing about her experiences in male-dominated fields of artistic practice. Diligent feminist scholars and art historians have long insisted on her cultural significance, yet the first Loy retrospective wasn’t until 2023. Now Karla Kelsey, a poet and essayist, unveils two never-before-published, autobiographical midcentury manuscripts by Loy, The Child and the Parent and Islands in the Air, written from the 1930s to the 1950s. It's never a bad time to be re-rediscovered. —NodB I'm a Fool to Want You by Camila Sosa Villada, tr. Kit Maude [F] Villada, whose debut novel Bad Girls, also translated by Maude, captured the travesti experience in Argentina, returns with a short story collection that runs the genre gamut from gritty realism and social satire to science fiction and fantasy. The throughline is Villada's boundless imagination, whether she's conjuring the chaos of the Mexican Inquisition or a trans sex worker befriending a down-and-out Billie Holiday. Angie Cruz calls this "one of my favorite short-story collections of all time." —SMS The Editor by Sara B. Franklin [NF] Franklin's tenderly written and meticulously researched biography of Judith Jones—the legendary Knopf editor who worked with such authors as John Updike, Sylvia Plath, Elizabeth Bowen, Anne Tyler, and, perhaps most consequentially, Julia Child—was largely inspired by Franklin's own friendship with Jones in the final years of her life, and draws on a rich trove of interviews and archives. The Editor retrieves Jones from the margins of publishing history and affirms her essential role in shaping the postwar cultural landscape, from fiction to cooking and beyond. —SMS The Book-Makers by Adam Smyth [NF] A history of the book told through 18 microbiographies of particularly noteworthy historical personages who made them? If that's not enough to convince you, consider this: the small press is represented here by Nancy Cunard, the punchy and enormously influential founder of Hours Press who romanced both Aldous Huxley and Ezra Pound, knew Hemingway and Joyce and Langston Hughes and William Carlos Williams, and has her own MI5 file. Also, the subject of the binding chapter is named "William Wildgoose." —JHM June June 4 The Future Was Color by Patrick Nathan [F] A gay Hungarian immigrant writing crappy monster movies in the McCarthy-era Hollywood studio system gets swept up by a famous actress and brought to her estate in Malibu to write what he really cares about—and realizes he can never escape his traumatic past. Sunset Boulevard is shaking. —JHM A Cage Went in Search of a Bird [F] This collection brings together a who's who of literary writers—10 of them, to be precise— to write Kafka fanfiction, from Joshua Cohen to Yiyun Li. Then it throws in weirdo screenwriting dynamo Charlie Kaufman, for good measure. A boon for Kafkaheads everywhere. —JHM We Refuse by Kellie Carter Jackson [NF] Jackson, a historian and professor at Wellesley College, explores the past and present of Black resistance to white supremacy, from work stoppages to armed revolt. Paying special attention to acts of resistance by Black women, Jackson attempts to correct the historical record while plotting a path forward. Jelani Cobb describes this "insurgent history" as "unsparing, erudite, and incisive." —SMS Holding It Together by Jessica Calarco [NF] Sociologist Calarco's latest considers how, in lieu of social safety nets, the U.S. has long relied on women's labor, particularly as caregivers, to hold society together. Calarco argues that while other affluent nations cover the costs of care work and direct significant resources toward welfare programs, American women continue to bear the brunt of the unpaid domestic labor that keeps the nation afloat. Anne Helen Petersen calls this "a punch in the gut and a call to action." —SMS Miss May Does Not Exist by Carrie Courogen [NF] A biography of Elaine May—what more is there to say? I cannot wait to read this chronicle of May's life, work, and genius by one of my favorite writers and tweeters. Claire Dederer calls this "the biography Elaine May deserves"—which is to say, as brilliant as she was. —SMS Fire Exit by Morgan Talty [F] Talty, whose gritty story collection Night of the Living Rez was garlanded with awards, weighs the concept of blood quantum—a measure that federally recognized tribes often use to determine Indigenous membership—in his debut novel. Although Talty is a citizen of the Penobscot Indian Nation, his narrator is on the outside looking in, a working-class white man named Charles who grew up on Maine’s Penobscot Reservation with a Native stepfather and friends. Now Charles, across the river from the reservation and separated from his biological daughter, who lives there, ponders his exclusion in a novel that stokes controversy around the terms of belonging. —NodB June 11 The Material by Camille Bordas [F] My high school English teacher, a somewhat dowdy but slyly comical religious brother, had a saying about teaching high school students: "They don't remember the material, but they remember the shtick." Leave it to a well-named novel about stand-up comedy (by the French author of How to Behave in a Crowd) to make you remember both. --SMS Ask Me Again by Clare Sestanovich [F] Sestanovich follows up her debut story collection, Objects of Desire, with a novel exploring a complicated friendship over the years. While Eva and Jamie are seemingly opposites—she's a reserved South Brooklynite, while he's a brash Upper Manhattanite—they bond over their innate curiosity. Their paths ultimately diverge when Eva settles into a conventional career as Jamie channels his rebelliousness into politics. Ask Me Again speaks to anyone who has ever wondered whether going against the grain is in itself a matter of privilege. Jenny Offill calls this "a beautifully observed and deeply philosophical novel, which surprises and delights at every turn." —LA Disordered Attention by Claire Bishop [NF] Across four essays, art historian and critic Bishop diagnoses how digital technology and the attention economy have changed the way we look at art and performance today, identifying trends across the last three decades. A perfect read for fans of Anna Kornbluh's Immediacy, or the Style of Too Late Capitalism (also from Verso). War by Louis-Ferdinand Céline, tr. Charlotte Mandell [F] For years, literary scholars mourned the lost manuscripts of Céline, the acclaimed and reviled French author whose work was stolen from his Paris apartment after he fled to Germany in 1944, fearing punishment for his collaboration with the Nazis. But, with the recent discovery of those fabled manuscripts, War is now seeing the light of day thanks to New Directions (for anglophone readers, at least—the French have enjoyed this one since 2022 courtesy of Gallimard). Adam Gopnik writes of War, "A more intense realization of the horrors of the Great War has never been written." —DF The Uptown Local by Cory Leadbeater [NF] In his debut memoir, Leadbeater revisits the decade he spent working as Joan Didion's personal assistant. While he enjoyed the benefits of working with Didion—her friendship and mentorship, the more glamorous appointments on her social calendar—he was also struggling with depression, addiction, and profound loss. Leadbeater chronicles it all in what Chloé Cooper Jones calls "a beautiful catalog of twin yearnings: to be seen and to disappear; to belong everywhere and nowhere; to go forth and to return home, and—above all else—to love and to be loved." —SMS Out of the Sierra by Victoria Blanco [NF] Blanco weaves storytelling with old-fashioned investigative journalism to spotlight the endurance of Mexico's Rarámuri people, one of the largest Indigenous tribes in North America, in the face of environmental disasters, poverty, and the attempts to erase their language and culture. This is an important book for our times, dealing with pressing issues such as colonialism, migration, climate change, and the broken justice system. —CK Any Person Is the Only Self by Elisa Gabbert [NF] Gabbert is one of my favorite living writers, whether she's deconstructing a poem or tweeting about Seinfeld. Her essays are what I love most, and her newest collection—following 2020's The Unreality of Memory—sees Gabbert in rare form: witty and insightful, clear-eyed and candid. I adored these essays, and I hope (the inevitable success of) this book might augur something an essay-collection renaissance. (Seriously! Publishers! Where are the essay collections!) —SMS Tehrangeles by Porochista Khakpour [F] Khakpour's wit has always been keen, and it's hard to imagine a writer better positioned to take the concept of Shahs of Sunset and make it literary. "Like Little Women on an ayahuasca trip," says Kevin Kwan, "Tehrangeles is delightfully twisted and heartfelt."  —JHM Traveling: On the Path of Joni Mitchell by Ann Powers [NF] The moment I saw this book's title—which comes from the opening (and, as it happens, my favorite) track on Mitchell's 1971 masterpiece Blue—I knew it would be one of my favorite reads of the year. Powers, one of the very best music critics we've got, masterfully guides readers through Mitchell's life and work at a fascinating slant, her approach both sweeping and intimate as she occupies the dual roles of biographer and fan. —SMS All Desire Is a Desire for Being by René Girard, ed. Cynthia L. Haven [NF] I'll be honest—the title alone stirs something primal in me. In honor of Girard's centennial, Penguin Classics is releasing a smartly curated collection of his most poignant—and timely—essays, touching on everything from violence to religion to the nature of desire. Comprising essays selected by the scholar and literary critic Cynthia L. Haven, who is also the author of the first-ever biographical study of Girard, Evolution of Desire, this book is "essential reading for Girard devotees and a perfect entrée for newcomers," per Maria Stepanova. —DF June 18 Craft by Ananda Lima [F] Can you imagine a situation in which interconnected stories about a writer who sleeps with the devil at a Halloween party and can't shake him over the following decades wouldn't compel? Also, in one of the stories, New York City’s Penn Station is an analogue for hell, which is both funny and accurate. —JHM Parade by Rachel Cusk [F] Rachel Cusk has a new novel, her first in three years—the anticipation is self-explanatory. —SMS Little Rot by Akwaeke Emezi [F] Multimedia polymath and gender-norm disrupter Emezi, who just dropped an Afropop EP under the name Akwaeke, examines taboo and trauma in their creative work. This literary thriller opens with an upscale sex party and escalating violence, and although pre-pub descriptions leave much to the imagination (promising “the elite underbelly of a Nigerian city” and “a tangled web of sex and lies and corruption”), Emezi can be counted upon for an ambience of dread and a feverish momentum. —NodB When the Clock Broke by John Ganz [NF] I was having a conversation with multiple brilliant, thoughtful friends the other day, and none of them remembered the year during which the Battle of Waterloo took place. Which is to say that, as a rule, we should all learn our history better. So it behooves us now to listen to John Ganz when he tells us that all the wackadoodle fascist right-wing nonsense we can't seem to shake from our political system has been kicking around since at least the early 1990s. —JHM Night Flyer by Tiya Miles [NF] Miles is one of our greatest living historians and a beautiful writer to boot, as evidenced by her National Book Award–winning book All That She Carried. Her latest is a reckoning with the life and legend of Harriet Tubman, which Miles herself describes as an "impressionistic biography." As in all her work, Miles fleshes out the complexity, humanity, and social and emotional world of her subject. Tubman biographer Catherine Clinton says Miles "continues to captivate readers with her luminous prose, her riveting attention to detail, and her continuing genius to bring the past to life." —SMS God Bless You, Otis Spunkmeyer by Joseph Earl Thomas [F] Thomas's debut novel comes just two years after a powerful memoir of growing up Black, gay, nerdy, and in poverty in 1990s Philadelphia. Here, he returns to themes and settings that in that book, Sink, proved devastating, and throws post-service military trauma into the mix. —JHM June 25 The Garden Against Time by Olivia Laing [NF] I've been a fan of Laing's since The Lonely City, a formative read for a much-younger me (and I'd suspect for many Millions readers), so I'm looking forward to her latest, an inquiry into paradise refracted through the experience of restoring an 18th-century garden at her home the English countryside. As always, her life becomes a springboard for exploring big, thorny ideas (no pun intended)—in this case, the possibilities of gardens and what it means to make paradise on earth. —SMS Cue the Sun! by Emily Nussbaum [NF] Emily Nussbaum is pretty much the reason I started writing. Her 2019 collection of television criticism, I Like to Watch, was something of a Bible for college-aged me (and, in fact, was the first book I ever reviewed), and I've been anxiously awaiting her next book ever since. It's finally arrived, in the form of an utterly devourable cultural history of reality TV. Samantha Irby says, "Only Emily Nussbaum could get me to read, and love, a book about reality TV rather than just watching it," and David Grann remarks, "It’s rare for a book to feel alive, but this one does." —SMS Woman of Interest by Tracy O'Neill [NF] O’Neill's first work of nonfiction—an intimate memoir written with the narrative propulsion of a detective novel—finds her on the hunt for her biological mother, who she worries might be dying somewhere in South Korea. As she uncovers the truth about her enigmatic mother with the help of a private investigator, her journey increasingly becomes one of self-discovery. Chloé Cooper Jones writes that Woman of Interest “solidifies her status as one of our greatest living prose stylists.” —LA Dancing on My Own by Simon Wu [NF] New Yorkers reading this list may have witnessed Wu's artful curation at the Brooklyn Museum, or the Whitney, or the Museum of Modern Art. It makes one wonder how much he curated the order of these excellent, wide-ranging essays, which meld art criticism, personal narrative, and travel writing—and count Cathy Park Hong and Claudia Rankine as fans. —JHM [millions_email]

A 2016 Cheat Sheet for All You New Kindle (and Other E-Reader) Owners

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With each new holiday season the reach of ereaders expands, as a new crop of Kindles, Nooks and iPads are fired up. The first thing to do is download a few books. Just a few years after ebooks and ereaders first emerged as futuristic curiosity, they are fully mainstream now. Even among the avid, book-worshiping, old-school readers that frequent The Millions, ebooks are very popular. Looking at the statistics that Amazon provides us, 57% of all the books bought by Millions readers at Amazon after clicking on our links this year were Kindle ebooks. This is up from 48% two years ago and up from 25% five years ago. The volume in ebook sales seems to be driven in part by promotional pricing that will see prices on books (usually backlist, but not always) drop below $3.00 for days or weeks at a time. Followers of our Twitter feed know that we are adept at finding these deals, usually posting about two a day. Many a great book has been snagged this way, and if you are reading more on a device, we highly recommend you follow us on Twitter and look out for these posts as they are a great way to build a deep digital library. We also occasionally post them on Facebook. For all those readers unwrapping shiny new devices (or looking for new titles to add to an old one), here are some more links to get you going. For starters, The Millions published a pair of very highly regarded and very affordable ebook originals back in 2013. If you haven't read them yet, we hope you'll pick up these titles: Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by Mark O'Connell ($1.99) The Pioneer Detectives: Did a distant spacecraft prove Einstein and Newton wrong? by Konstantin Kakaes ($2.99) They are also available on Apple and other platforms. Here are some of the most popular ebooks purchased by Millions readers in 2016 (which you'll see are very similar to our Hall of Fame and most recent top-ten which take into account books in all formats). Publishers appear to still be having luck pricing ebooks pricing near the magic $9.99 number that has been a focus for many in the industry (all prices as of this writing). Occasional promotional pricing, a frequent occurrence in the Kindle store, has likely driven some of these sales as well. Mr. Splitfoot by Samantha Hunt ($5.99) Norwegian by Night by Derek B. Miller ($1.99) The Sympathizer by Viet Thanh Nguyen ($7.02) An Unnecessary Woman by Rabih Alameddine ($2.99) The Sellout by Paul Beatty ($9.99) Innocents and Others by Dana Spiotta ($11.99) Girl Through Glass by Sari Wilson ($7.99) The Past by Tessa Hadley ($10.99) What Belongs to You by Garth Greenwell ($9.99) My Name Is Lucy Barton by Elizabeth Strout ($11.99) Other potentially useful ebook links: Editors' Picks Best of 2016 Bestsellers Kindle Singles And in this fractured ebook landscape, you've also got your NookBooks, Google ebooks, Apple ibooks, and the IndieBound ereader app that lets you buy ebooks from your favorite indie bookstore. Finally, don't forget Project Gutenberg, the original purveyor of free ebooks (mostly out-of-copyright classics), and check your local library! Many will allow you to download lots of ebooks for free. Happy Reading! [millions_ad]

A 2013 Cheat Sheet for All You New Kindle (And Other Ereader) Owners

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With each new holiday season the reach of ereaders expands, as a new crop of Kindles, Nooks and iPads are fired up. The first thing to do is download a few books. Just a few years after ebooks and ereaders first emerged as futuristic curiosity, they are fully mainstream now. Even among the avid, book-worshiping, old-school readers that frequent The Millions, ebooks are very popular. Looking at the statistics that Amazon provides us, 45% of all the books bought by Millions readers at Amazon after clicking on our links this year were Kindle ebooks. Last year it was 33% and the year before it was 25%, so the trend continues unabated. So, for all those readers unwrapping shiny new devices, here are some links to get you going. For starters, The Millions published a pair of very highly regarded and very affordable ebook originals in 2013. If you are new to the ereader game, we hope you'll pick up these titles: Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by Mark O'Connell ($1.99) The Pioneer Detectives: Did a distant spacecraft prove Einstein and Newton wrong? by Konstantin Kakaes ($2.99) They are also available on Apple and other platforms. Here are some of the most popular ebooks purchased by Millions readers in 2013 (which you'll see are very similar to our Hall of Fame and most recent top-ten which take into account books in all formats). Publishers appear to still be having luck pricing ebooks pricing above the magic $9.99 number that has been a focus for many in the industry (all prices as of this writing). The Goldfinch by Donna Tartt ($7.50) The Flamethrowers by Rachel Kushner ($10.99) Selected Stories by Alice Munro ($10.74) The Luminaries by Eleanor Catton ($8.59) Bleeding Edge by Thomas Pynchon ($10.99) The Lowland by Jhumpa Lahiri ($9.99) Tenth of December by George Saunders ($8.99) Fox 8 by George Saunders ($0.99) The Interestings by Meg Wolitzer ($8.99) Visitation Street by Ivy Pochoda ($11.04) MaddAdam by Margaret Atwood ($1.99) Other potentially useful ebook links: Editors' Picks Best of 2012 Top 100 Paid and Free Kindle Singles And in this fractured ebook landscape, you've also got your NookBooks, Google ebooks, Apple ibooks, and the IndieBound ereader app that lets you buy ebooks from your favorite indie bookstore. Finally, don't forget Project Gutenberg, the original purveyor of free ebooks (mostly out-of-copyright classics) available for years. Happy Reading!

A Year in Reading: 2013

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Another year of living, another year of reading. And, if you're like us, when you look back, you'll mark out the year in books -- weeks, months, even whole seasons that will forever be wedded in the mind to a memorable reading experience. Each book put back on the shelf becomes a postcard reminder. And now, as we kick off another Year in Reading, we become the postcard collectors, learning where the minds of some of our favorite writers and thinkers traveled in 2013. For our esteemed guests, the charge was to name, from all the books they read this year, the one(s) that meant the most to them, regardless of publication date. Grouped together, these ruminations, cheers, squibs, and essays will be a chronicle of reading and good books from every era. We hope you find in them seeds that will help make your year in reading in 2014 a fruitful one. As in prior years, the names of our 2013 “Year in Reading” contributors will be unveiled one at a time throughout the month as we publish their contributions. You can bookmark this post and follow the series from here, or load up the main page for more new Year in Reading posts appearing at the top every day, or you can subscribe to our RSS feed or follow us on Facebook or Twitter and read the series that way. Stephen Dodson, co-author of Uglier Than a Monkey’s Armpit, proprietor of Languagehat. Claire Messud, author of The Woman Upstairs. Choire Sicha, co-proprietor of The Awl, author of Very Recent History: An Entirely Factual Account of a Year (c. AD 2009) in a Large City. Alice McDermott, author of Someone. Hamilton Leithauser, lead singer for The Walkmen. Sergio De La Pava, author of A Naked Singularity Dani Shapiro, author of Still Writing. Norman Rush, author of Subtle Bodies. Gary Shteyngart, author of Little Failure. Benjamin Percy, author of Red Moon. Garth Risk Hallberg, staff writer for The Millions, author of A Field Guide to the North American Family. David Gilbert, author of And Sons. Sarah Waters, author of The Little Stranger. Jason Diamond, literary editor at Flavorwire, founder of Vol. 1 Brooklyn Mark O'Connell, staff writer for The Millions, author of Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever. Elliott Holt, author of You Are One of Them. Saïd Sayrafiezadeh, author of Brief Encounters with the Enemy. Chimamanda Ngozi Adichie, author of Half of a Yellow Sun. Michael Nye, author of Strategies Against Extinction. Lydia Kiesling, staff writer for The Millions. Hannah Gersen, staff writer for The Millions. Thomas Beckwith, social media writer for The Millions. Edan Lepucki, staff writer for The Millions, author of If You're Not Yet Like Me. Nick Moran, social media editor for The Millions. Anne K. Yoder, staff writer for The Millions. Aleksandar Hemon, author of The Book of My Lives. Khaled Hosseini, author of The Kite Runner. Edwidge Danticat, author of  Claire of the Sea Light. Charlie Jane Anders, managing editor of io9. Elizabeth Strout, author of Olive Kitteridge. Scott Turow, author of Identical. Chang-rae Lee, author of  The Surrendered. Janet Potter, staff writer for The Millions. Rachel Kushner, author of The Flamethrowers. Tom Drury, author of Pacific. Gabriel Roth, author of The Unknowns. Adelle Waldman, author of The Love Affairs of Nathaniel P. Paul Harding, author of Enon. Janice Clark, author of The Rathbones. Reif Larsen, author of The Selected Works of T.S. Spivet. Elizabeth Minkel, staff writer for The Millions. Matt Bell, author of In the House upon the Dirt between the Lake and the Woods. Caleb Crain, author of Necessary Errors. Mohsin Hamid, author of How to Get Filthy Rich in Rising Asia. Roxane Gay, author of Ayiti. Emily St. John Mandel, staff writer for The Millions, author of The Lola Quartet. Bill Morris, staff writer for The Millions, author of Motor City. Tess Malone, intern for The Millions. Adam Wilson, author of Flatscreen. Michael Bourne, staff writer for The Millions. Sonya Chung, staff writer for The Millions, author of Long for This World. Kathryn Davis, author of Labrador. Sam Lipsyte, author of The Ask. Marisa Silver, author of Mary Coin. Teddy Wayne, author of Kapitoil. Kelly Link, author of Monstrous Affections. Olivia Laing, author of The Trip to Echo Spring: On Writers and Drinking. Dara Horn, author of A Guide for the Perplexed. Kate Milliken, author of If I’d Known You Were Coming. Michael Robbins, author of Alien vs. Predator. Parul Sehgal, editor at the New York Times Book Review. Helen Oyeyemi, author of Boy, Snow, Bird. Kristopher Jansma, author of The Unchangeable Spots of Leopards. Kevin Barry, author of Dark Lies the Island. Kevin Hartnett, staff writer for The Millions. Bennett Sims, author of A Questionable Shape. Ann Hood, author of The Obituary Writer. Charles Blackstone, author of Vintage Attraction.

How The Room Was Made

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Readers of Millions Originals ebook Epic Fail are deeply familiar with Tommy Wiseau’s heroically bad 2003 film, The Room. So, too, are people masochistic enough to sit through the actual movie. Together, they might be wondering how such a production came to be – and how it came to fail so horribly. Well, finally a new book co-authored by Greg Sestaro and Tom Bissell seeks to answer that question. You can check out an excerpt over here.

The Millions Top Ten: July 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for July. This Month Last Month Title On List 1. 3. Taipei 2 months 2. 4. Stand on Zanzibar 5 months 3. 5. The Middlesteins 5 months 4. 7. The Orphan Master's Son 3 months 5. 8. Billy Lynn's Long Halftime Walk 5 months 6. - The Interestings 1 month 7. 9. Vampires in the Lemon Grove 4 months 8. - Visitation Street 1 month 9. - The Pioneer Detectives 1 month 10. - Fox 8 1 month   Big changes on our list this month as four titles graduate to our illustrious Hall of Fame. Let's run through new Hall of Famers quickly: Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever: As many of our readers are already aware, staff writer Mark O'Connell's shorter-format ebook was The Millions' first foray into ebook publishing. We have been thrilled by the great reader response. And, if you haven't had a chance to check it out yet, why not mark its graduation to the Hall of Fame by checking out this special, little book (for only $1.99!) Tenth of December: 2013 opened with the book world agog over George Saunders' newest collection. He famously graced the cover of the New York Times Magazine under the banner "Greatest Human Ever in the History of Ever" (or something like that) and the book figured very prominently in our first-half preview. Unsurprisingly, all the hype helped drive a lot of sales. It also led our own Elizabeth Minkel to reflect on Saunders and the question of greatness in a thoughtful essay. Building Stories: Chris Ware has reached the point in his career (legions of fans, museum shows) where he can do whatever he wants. And what he wanted to do was produce a "book" the likes of which we hadn't seen before, a box of scattered narratives to be delved into any which way the reader wanted, all shot through with Ware's signature style and melancholy. Ware appeared in our Year in Reading last year with an unlikely selection. Mark O'Connell called Building Stories "a rare gift." Arcadia: Lauren Groff is another Millions favorite, though it took a bit longer for her book, first released in March 2012, to make our list. Our own Edan Lepucki interviewed Groff soon after the book's release, and Groff later participated in our Year in Reading, discussing her "year of savage, brilliant, and vastly underrated female writers." That leaves room, then, for four debuts on this month's list: The Interestings: Though Meg Wolitzer is already a well-known, bestselling author, her big novel seems to be on the slow burn trajectory to breakout status, with the word-of-mouth wave (at least in the part of the world that I frequent), building month by month. That word of mouth was perhaps helped along the way by Edan Lepucki's rollicking review, in which, among other things, she posited what it means for a "big literary book" to be written by someone other than a "big literary man." Visitation Street: Ivy Pochoda's new thriller featured prominently in our latest preview and carries the imprimatur of Dennis Lehane. That seems to have been enough to land the book on our list. The Pioneer Detectives: As one Millions Original graduates from our list, another arrives. The Pioneer Detectives, which debuted in the second half of July, is an ambitious work of page-turning reportage, the kind of journalism we all crave but that can often be hard to find. Filled with brilliant insights into how scientific discoveries are made and expertly edited by our own Garth Hallberg, The Pioneer Detectives is a bargain at $2.99. We hope you'll pick it up. Fox 8: And as one George Saunders work graduates from our list, another arrives. This one is an uncollected story, sold as an e-single. Meanwhile, Tao Lin's Taipei easily slides into our top spot. For more on the book's unlikely success in our Top Ten, don't miss my commentary for last month's list. Near Misses: They Don't Dance Much, Speedboat, My Struggle: Book 1, The Flamethrowers and Life After Life. See Also: Last month's list.

The Millions Top Ten: June 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for June. This Month Last Month Title On List 1. 1. Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 6 months 2. 2. Tenth of December 6 months 3. - Taipei 1 month 4. 4. Stand on Zanzibar 4 months 5. 5. The Middlesteins 4 months 6. 6. Building Stories 6 months 7. 9. The Orphan Master's Son 2 months 8. 7. Billy Lynn's Long Halftime Walk 4 months 9. 8. Vampires in the Lemon Grove 3 months 10. 10. Arcadia 6 months   We had one debut on our list this month, and it may come as a surprise for readers who have been following the site. Our own Lydia Kiesling read Tao Lin's Taipei and came away viscerally turned off by a book that has received quite a lot of attention both for its attempt to forge a new style and for the aura of its author, who has an army of followers and is, as New York once called him, "a savant of self-promotion." Despite Lydia's misgivings, the book has been on balance reviewed positively, including in the Times. Still, Lydia's review - negative as it was - was utterly compelling (Gawker thought so too), and because of that, as I watched the sales of Taipei pile up last month, I was not completely surprised. After all, the last target of a stirring and controversial pan (don't miss the angry comments) at The Millions was Janet Potter's fiery takedown of Stieg Larsson's Millennium Trilogy, and two of those three of those books now sit in comfortable retirement in our Hall of Fame. In the case of Taipei, the lion's share of credit of course goes to Lin for writing a book that readers are evidently very curious to read, but I think it is also true that a well crafted, properly supported, and strongly opinionated review like Lydia's can have the odd effect of compelling the reader to see what all the fuss is about. In fact, this phenomenon has been studied and a recent paper showed that, "For books by relatively unknown (new) authors, however, negative publicity has the opposite effect, increasing sales by 45%." (I think in the context of this study, it is fair to call Lin "relatively unknown." While Lin may be well-known among Millions readers, he is not a household name outside of certain households in Brooklyn, and when readers flocked to read the review from Gawker and other sites that linked to it, they may have been compelled to check the book out for themselves.) As we have known for a while at The Millions, to cover a book at all is to confer upon it that we believe the book is important, and whether you believe the book is "good" or "bad," Taipei was certainly worthy of our coverage. Otherwise, June was another quiet month for our list with the top two positions unchanged, including Millions ebook Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever at number one, while An Arrangement of Light, Nicole Krauss's ebook-only short story graduates to our Hall of Fame. Next month, things will get interesting on our list as we may see as many as four books graduate to the Hall of Fame, opening up plenty of room for newcomers. Near Misses: Fox 8, The Interestings, All That Is, The Round House, and The Flamethrowers. See Also: Last month's list.

The Millions Top Ten: May 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for May. This Month Last Month Title On List 1. 1. Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 5 months 2. 2. Tenth of December 5 months 3. 3. An Arrangement of Light 6 months 4. 5. Stand on Zanzibar 3 months 5. 4. The Middlesteins 3 months 6. 6. Building Stories 5 months 7. 7. Billy Lynn's Long Halftime Walk 3 months 8. 10. Vampires in the Lemon Grove 2 months 9. - The Orphan Master's Son 1 month 10. 8. Arcadia 5 months   May was quiet for our list, with the top three positions unchanged, including Millions ebook Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever at number one. Our one debut, an number eight, is Adam Johnson's much lauded The Orphan Master's Son, recent recipient of both the Pulitzer and the Rooster. Johnson's book pushes the David Foster Wallace essay collection Both Flesh and Not off the list. Other Near Misses: Fox 8, The Round House, All That Is, and Going Clear: Scientology, Hollywood, and the Prison of Belief. See Also: Last month's list.

The Millions Top Ten: April 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April. This Month Last Month Title On List 1. 1. Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 4 months 2. 2. Tenth of December 4 months 3. 3. An Arrangement of Light 5 months 4. 4. The Middlesteins 2 month 5. 7. Stand on Zanzibar 2 months 6. 5. Building Stories 4 months 7. 8. Billy Lynn's Long Halftime Walk 2 months 8. 9. Arcadia 4 months 9. 10. Both Flesh and Not 5 months 10. - Vampires in the Lemon Grove 1 month   In September 2012, we interviewed Sadie Stein, one of the Paris Review editors behind Object Lessons: The Paris Review Presents the Art of the Short Story, a book that seems tailor-made to appeal to Millions readers. In it, a handful of accomplished short story writers -- Ann Beattie, Jeffrey Eugenides, Joy Williams, and so on -- were asked to pick a favorite story from the journal’s archive, then write a brief introduction explaining how the story spoke to them. After a six-month run, the book has now graduated to our Hall of Fame. Otherwise, our list doesn't see a whole lot of movement, with the top four positions unchanged, including Millions ebook Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever at number one. Karen Russell's Vampires in the Lemon Grove is our one debut this month. We've interviewed Russell twice, in 2011 and again early this year. Vampires was also featured in our big 2013 book preview. Near Misses: The Round House, The Orphan Master's Son, Fox 8, Going Clear: Scientology, Hollywood, and the Prison of Belief, and Dear Life. See Also: Last month's list.

The Millions Top Ten: March 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for March. This Month Last Month Title On List 1. 1. Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 3 months 2. 3. Tenth of December 3 months 3. 4. An Arrangement of Light 4 months 4. - The Middlesteins 1 month 5. 5. Building Stories 3 months 6. 6. Object Lessons: The Paris Review Presents the Art of the Short Story 6 months 7. - Stand on Zanzibar 1 month 8. - Billy Lynn's Long Halftime Walk 1 month 9. 8. Arcadia 3 months 10. 7. Both Flesh and Not 4 months   Last fall saw the arrival of three hotly anticpated titles from a trio of the most popular literary writers working today. Now those three titles are ending their run in our Top Ten by graduating to our Hall of Fame: This Is How You Lose Her by Junot Díaz, NW by Zadie Smith, and Telegraph Avenue by Michael Chabon. Those graduations made room for three debuts. Jami Attenberg's The Middlesteins pops up at number four. Attenberg made an appearance in our Year in Reading in December. The most popular piece on The Millions last month, by a wide margin, was Ted Gioia's unearthing of John Brunner's Stand on Zanzibar and the remarkably prescient predictions contained within. The essay sent readers running to check out the book. Finally, Billy Lynn's Long Halftime Walk by Ben Fountain completed its long, stead ascent onto our list. Fountain also appeared in our Year in Reading, and Edan Lepucki interviewed him in these pages last June. Our first ebook original, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by staff writer Mark O'Connell, stayed atop our list and continues to win praise from readers and critics. An exerpt is available here and you can learn more about the book here. Near Misses: The Round House, Vampires in the Lemon Grove, Dear Life, Going Clear: Scientology, Hollywood, and the Prison of Belief, and Sweet Tooth. See Also: Last month's list.

The Millions Top Ten: February 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for February. This Month Last Month Title On List 1. 1. Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 2 months 2. 2. This Is How You Lose Her 6 months 3. 3. Tenth of December 2 months 4. 4. An Arrangement of Light 3 months 5. 5. Building Stories 2 months 6. 8. Object Lessons: The Paris Review Presents the Art of the Short Story 5 months 7. 9. NW 6 months 8. - Arcadia 2 months 9. 10. Telegraph Avenue 6 months 10. 7. Both Flesh and Not 3 months   With our top five remaining unchanged, the big action in February was the graduation of a pair of books to our Hall of Fame. Gillian Flynn's juggernaut Gone Girl won over Millions readers with help from Edan Lepucki and Janet Potter's entertaining tag-team reading of the book in September, though copies were already flying off the shelves in the months prior. Meanwhile, D.T. Max's Every Love Story Is a Ghost Story: A Life of David Foster Wallace was hotly anticipated by Millions readers from the moment the book was announced. We ran an excerpt and interviewed Max. Those graduations made room for the return of Lauren Groff's Arcadia (recently interviewed in our pages) and, appropriately enough, David Foster Wallace's Both Flesh and Not. Our first ebook original, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by staff writer Mark O'Connell, stayed atop our list and continues to win praise from readers and critics. An exerpt is available here and you can learn more about the book here. Near Misses: Dear Life, Sweet Tooth, The Round House, Going Clear: Scientology, Hollywood, and the Prison of Belief, and Billy Lynn's Long Halftime Walk. See Also: Last month's list.

The Millions Top Ten: January 2013

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We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for January. This Month Last Month Title On List 1. - Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever 1 month 2. 1. This Is How You Lose Her 5 months 3. - Tenth of December 1 month 4. 5. An Arrangement of Light 2 months 5. - Building Stories 1 month 6. 4. Gone Girl 6 months 7. 2. Every Love Story Is a Ghost Story: A Life of David Foster Wallace 6 months 8. 3. Object Lessons: The Paris Review Presents the Art of the Short Story 4 months 9. 6. NW 5 months 10. 7. Telegraph Avenue 5 months   To kick off a new year of our Top Ten lists at The Millions, we made a slight adjustment to our calculations. The change has to do with how we account for lower-priced, shorter-form ebook originals that have become popular with our readers and effectively gives a modest penalty to the cheaper ebooks and recognizes that a purchase of a $1.99 ebook is different from buying a hardcover costing $20 or more. Despite this change, thanks to the overwhelmingly positive response from our readers, our first ebook original, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever by staff writer Mark O'Connell, lands atop our list. So far, the feedback from readers has been great, and we hope more will be inspired to pick it up. An exerpt is available here and you can learn more about the book here. Also debuting is Tenth of December by George Saunders, one of our Most Anticipated books and a title that has gotten a ton of positive press. Finally, also debuting is Chris Ware's Building Stories, reviewed in these pages by none other than Mark O'Connell. Ware also participated in our Year in Reading in December. Dropping from the list were David Foster Wallace's Both Flesh and Not, Lauren Groff's Arcadia and Sweet Tooth by Ian McEwan Other Near Misses: Dear Life and The Round House. See Also: Last month's list.

The Millions Conversation: Mark O’Connell on Viral Celebrity, Internet Weirdness, and the Phenomenon of the Epic Fail

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Last month, The Millions entered the e-book publishing business with Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever. Staff writer Mark O'Connell has hitherto produced delightful work on, among other things, an obscure video game enthusiast named Martin Amis and "the Proust of pencil sharpeners." In Epic Fail, he traces the origins of viral fame to a pre-Internet age, squiring the reader effortlessly from Shakespeare to the Insane Clown Posse.  Mark was kind enough to correspond with me for a Millions Conversation about his new book and early life as a middle school film critic. Lydia: You and I are colleagues who have never met but maintain an infrequent friendly chatting over the Twitter and the emails. It's enough distance that I didn't know this project was in the works until C. Max Magee's general announcement to the group, but close enough that upon hearing the news I felt the special kind of chuffed you only feel over a friend's achievement.  Epic Fail has the distinction of bringing The Millions into a new phase of its existence, as a purveyor of e-books, which is already very exciting. And then I read Epic Fail and felt even more chuffed.  I really enjoyed it. So now that I've buttered you up, I want to ask you about how this endeavor came about.  Was this something you were working as a Millions or other piece that took on a life of its own?  How long have you been thinking about the project? Our own Garth Risk Hallberg was your editor, I believe.  When did he come on board? Mark: Actually, I have to think quite hard to formulate a coherent answer to the straightforward question of how it came about. Max got in touch early last year, February or March I think, to say that he'd been talking to Byliner about partnering on an e-book series, and to ask whether I had any ideas I thought might work for such a piece. I'd read something somewhere about this Irish schoolteacher called Amanda McKittrick Ros, who'd become widely known around the turn of the 20th century as the worst novelist of all time. I was fascinated not so much by the novels themselves – which are truly atrocious, obviously, but mostly just incredibly dull to read – as by the ironic way they were celebrated by this cultural elite in London and Oxford - C.S. Lewis and J.R.R. Tolkien and Aldous Huxley and all those guys. I thought this was really interesting in itself, but also felt that it was a kind of fame or notoriety that we tend to think of as more or less uniquely contemporary. So I thought maybe this eccentric old Irish schoolteacher and amateur novelist might provide sort of a sneaky back door into a discussion of Internet culture, and of the whole ostensibly contemporary phenomenon of the Epic Fail. I'd been thinking about Ros as a possible topic for quite a while, but then this thing, because of the scope and length that the e-book allowed for, forced me to actually try and connect her to some wider and more contemporary cultural currents. Garth came on board very early on - at the outline stage, in fact. He was really instrumental in helping to broaden it out conceptually in the beginning; and then, when it came to writing the thing, in sharpening actual arguments, and sort of forcing me to come out into the open and say things in a very unequivocal way. Like yourself, I come from an academic background, where things like concision and having a solid "takeaway" are, or are supposed to be, paramount; but I think, constitutionally, I'm the type of writer who only figures out what I'm trying to say – or if indeed I have anything to say at all – by blindly writing my way into it. I'm not naturally a bottom-line type of person who goes in with an argument in mind, is what I think I might be saying here (see?), but Garth really stepped in and sort of forced me to be that when I needed to be. Lydia: That was what I found most enlightening about the essay -- in terms of information I did not have before -- that these literary lights of the early twentieth century went into ironic ecstasies over Amanda McKittrick Ros, held readings, formed clubs. I knew that they were elitist dicks (not a value statement) but it's funny to think that they did something so, I guess, unproductive and time-wastey, as read these awful, awful novels, like looking at lots of YouTube videos (shouldn't C.S. Lewis have been communing with the Lord?). But then, that's one takeaway of Epic Fail -- the thing with Ros and all the Worst Thing Evers to have followed, is that they either rise into some ethereal, sublime level of badness, or are so unheimlich in their nearness to regular mediocrity (or a combination of both), that it makes them special. (I loved, incidentally, your point about the virulent, absurd badness that actually infects the entirety of literature and art -- let's come back to that.) I see now there are two untrue things about my first sentence above, the first being that this was the best new information I gleaned from this piece. Because that was actually the song "Miracles," and also the song "Friday," which I had in fact made it this far without ever hearing in its entirety. I had sort of willfully not clicked on it, because I kept seeing it everywhere and I guess that was my way of keeping my own ironic distance. So, um, thank you for those things. You do realize you kind of wrote a hypertext book, because you can't read it and not go digging for, er, miracles, on the internet? And, truly, the most enlightening thing was learning about Mark O'Connell's rap phase. Although you're a tease -- first you talk about washing the lemon juice from your face (buy the book, get the reference) and lifting the veil from your readers' eyes, then you talk about the Irish rap scene, and I was in a fever of anticipation that the next thing coming was the revelation that you had done your own Worst Thing Ever, and that it was a rap, and that possibly there were bootleg tapes about. But it turns out that the secret shame -- which was a transcendent bit of prose, incidentally -- is actually that you once did something really dickish yourself to an aspiring rapper. A different kind of worst thing ever. In the beginning of the piece, your compare Cecilia Jimenez, the perpetrator of the Ecce Homo Christ fresco fiasco, to your grandmother, and you invoke the term "mortify" in the Catholic sense. Another Catholic word occurred to me when I got to this last bit of the book: penance. Sorry in advance for sounding like Geraldo, but had this been eating away  Was your ebook, dare I say, an exorcism? Mark: I can't believe you'd never actually heard "Friday." That is hugely impressive to me. Although I can see how you'd want to avoid that stuff, or just never end up actually giving it the time of day. I don't think I've watched more than a few seconds of Gangnam Style, actually (although that's a whole other cultural ball of wax, obviously). That's interesting what you said about it being a kind of hypertext ebook. I don't think it really occurred to me when I was writing it, which seems completely idiotic now. But then after I finished it, I wrote this essay about unboxing videos for The Dublin Review, and the editor, Brendan Barrington, pointed out that having it on ink and paper actually made a lot of sense, because if it was online, the temptation for the reader -- even if the text itself wasn't full of links -- would be to just keep going away from the actual text to watch the videos being discussed. I wound up putting in a perhaps overly-cute footnote asking readers to just bear with me and watch the videos after finishing the essay, rather than whipping out their iPhones there and then. And then a couple of my friends who read Epic Fail said exactly what you've just said: that they kept having to put it down to go online and watch the stuff I was writing about. I suppose that would be even more pronounced if you happen to be reading it on an iPad, where you're just swiping away the text to check out some awful YouTube video. Maybe a major flaw of the book, in that sense, is that it keeps suggesting things to the reader that are more entertaining than itself. That's another thing that never occurred to me at all -- that a reader might think that the revelation at the end would be that I myself was a Worst Thing Ever. (Although of course I've done embarrassing stuff. Just probably nothing that would be entertaining for anyone who didn't know me.) But it's an interesting question, about the idea of penance. It's a concept I don't really understand. I didn't have a Catholic upbringing, so maybe it's a difficult thing to get your head around if it hasn't been part of your psycho-cultural make-up. Personally, I didn't feel any kind of relief from writing about the dickishness you mention. It actually just made me feel really awful about it all over again. In that sense, it's probably the opposite of penance; my writing about it actually exacerbated my guilt about it. I mean, obviously we're not exactly talking about an Augustinian level of moral self-disburdening here, but I do think that that's the sort of niggling, more or less banal guilt that a lot of people walk around with, and that makes them wince when they think about it. Some really shabby thing they did when they were a teenager, or whatever. But to answer your question about whether the book was an exorcism, the answer, I suppose, would be definitely not. Or at least it would be a spectacularly ineffective exorcism, seeing as I felt more possessed by it after writing about it than before. I just felt it would have been dishonest and sort of morally shifty not to talk about myself, and my own personal complicity in this culture of ridicule, in terms of the context I was writing in. Although I'm not convinced there's not something morally shifty about it anyway. Writing is a morally shifty thing to be doing, a lot of the time. What would Geraldo say to that? Lydia: Well, I didn't imagine you sitting at your carrel in a hair shirt. But I think the thrust of the book does invite everyone to put on at least a moderately hairy shirt and do a bit of reflection. I confess when I did watch "Friday," and thought uncharitable thoughts, I was brought a bit low by the gallantry, or I guess basic human decency, you extend to Ms. Black. And while I had hitherto missed the "Friday" phenomenon, I had seen, and laughed the proverbial tits off while seeing, monkey Jesus. I found your comparison of Cecilia Jimenez to your own grandmother, your touching description of the latter as "a constitutionally private, reserved, and serious person," and your remark that "if something like this were to happen to her, I'm afraid it might literally kill her," sobering. The dicks of the early twentieth century argued, probably on the way home from their Amanda McKittrick Ros fan club meetings, about whether art could be good without a moral component. And I'm stodgy and I feel that's the case, so what I perceived as a slight bit of moralizing on your part made the piece resonate with me. But since you have a sense of humor, (number-one most desirable quality in a writer), you don't try to act as though these things aren't hilariously bad. You just provide a friendly reminder that the road of the Worst Thing Ever in the technological age is one hundred percent of the time going to lead to a YouTube comment saying "I hope you die/get raped/etc." I was probably projecting about the rap stuff. In my experience the only thing that approaches the shame of shabby teenage things done is the shame of ludicrous teenage things written. And when I think about "Friday" and then some of the horrible things I wrote in high school or college, I offer a prayer or thanks to the monkey Jesus that I did not have to bear that particular cross at a time in my development when I would have been constitutionally disinclined to survive sustained mockery. Having managed to turn your interview into my personal feelings time, let's go back to Epic Fail. You mentioned Gangnam Style, and I thought of that phenomenon while reading. The same way that truly terrible efforts can, as you write, infect the whole of art with their badness, good writing invites the mind to romp. Epic Fail caused me to spend a Saturday afternoon sort of furiously taxonomizing, trying to sort through the spiritual differential of something like the film The Room, or something that seems well-produced and self-consciously zany (and thus, I think, unexciting) like Gangnam Style, or terrible Eurovision-style songs, or Susan Boyle, or the (brilliant) show Arrested Development. It sounds like faint praise to call something "tidy," but I really admire how you (with Garth's careful shepherding, it sounds like) avoided getting bogged down in trying to explain the whole landscape of viral fame, and list all the sort of subspecies and things that are not x but are y and so on. Your examples seemed really exemplary, and the whole effort was very clean. That said, it's such a vast field of inquiry, with many tributaries (I think I have like 200 metaphors in here so far). Do you feel finished thinking about it? You said in your last response that you feel more possessed by the subject than before. Would you consider a long-long-form on this topic? Mark: Can I just start by saying that the phrase "laugh the proverbial tits off" is itself a phrase that makes me laugh the proverbial tits off? But, to swiftly resume an attitude of moral seriousness – before no doubt just as swiftly relinquishing it – your point about things you did as a kid in high school is an important one, I think. Because part of what's so fascinating and troubling about this stuff is the almost complete randomness of it. You get the sense that this kind of viral celebrity could befall almost anyone. (Which is maybe, actually, another way of thinking about what the term "viral" actually means in that formulation.) We've all done stuff to some extent that could make us a source of amusement to a large number of people. I was just thinking the other day of this notebook I used to keep when I was about eleven or so, where I used to write in little reviews of films I'd watched on video. My sister found it in a drawer a few years back, and it had these hilariously po-faced reviews of movies where I'd give star ratings and list cast members and stuff like that. But the combination of wrongness and priggishness was kind of fantastic. Like there was a review of Glengarry Glen Ross (and I'm laughing just thinking about this) where I took grave umbrage at the unnecessary level of swearing in the film – "the characters seem to use f-words instead of punctuation" – and gave it 2 stars, memorably dismissing it as "a waste of an all-star cast." And then you turn the page and there's a five star review of Sister Act 2 that is just enraptured with the whole thing. I mean, if I was an 11 year-old kid nowadays, that would probably be a Tumblr or something, and those reviews could have wound up being a source of amusement to a lot of people outside my family, which would be a whole other story. Like that lady who reviewed an Olive Garden for her local paper last year and briefly became the Internet's woman of the hour. It's just very weird how randomly that stuff can happen. She seemed fine with it; she ultimately seemed not to give a rat's ass, but not all octogenarians would be so cool about something like that happening. I kind of love that woman actually. Her whole reaction was basically "What the hell is wrong with you people? Get back to work." Yes, I know what you mean about that taxonomizing urge. (If it weren't too aggressively meta, the whole human species might have been taxonomized as Homo Taxonomiens.) It was definitely a temptation for me, but I don't think it would have been all that helpful for the reader. Although I do talk at one point about the difference between "organic" or "free-range" epic fails and genetically engineered weirdness like Tim and Eric and that sort of stuff. I don't know that I'd want to write a whole book on it, because I feel like I'd like to move on to something else, but you never know. I do seem to be preoccupied by Internet weirdness. That unboxing video essay consumed me for a long time - and to be honest the essay became a sort of cover story for indulging that compulsion - and I've just finished writing a thing about ASMR videos for Slate. You're welcome. But who isn't fascinated by that stuff, really? (The answer to that rhetorical question is actually, no doubt, lots of normal people.) Lydia:  The juxtaposition of Glengarry Glen Ross and Sister Act 2 in the notebook of Mark O'Connell, aged 11, the toughest critic on the block, is such pure comedy that I think the writers of Arrested Development would really struggle to find something as home-grown and delightful (local, organic, free-range fails, if you will).  All the better because this was probably just before (or concurrent with) the moment when, according to your book, you yourself became hip to the joys of "entertaining ineptitude" and found nothing funnier than the vast distance between ambition and execution. Which brings me to the Dunning-Kruger Effect, a part of your book that I found really fascinating.  Brutally paraphrasing, Science has proven that the more of an idiot you are, the greater your confidence that you aren't an idiot. It occurs to me that in a sense being a kid is one sustained exercise in Dunning-Krugerism. In fact, arguably to be a proper kid you need those moments of total unselfconscious and total commitment -- it's hateful to think of a child having to posit his or her movie reviews or, ahem, paeans to exotic cats and cars, in some ironic, self-conscious frame. Once you get to middle and high school and college, where there are strange and multifarious forces at work -- your teachers try to nurture your better instincts and squelch your worse ones, while you and your peers spend much of your time trying feel one another up whilst putting one another down -- slowly you learn to think about your output (artistic or otherwise) in a different way. In terms or raw artistic ability, the wheat and the chaff alike have to go through this process of maturation. But your A. M. Ros, your Tommy Wiseau (of The Room), somehow come through it all with a really majestic, unshakable belief in their own ability that certainly exceeds that of people who really make great art. (When I read Epic Fail I was in the middle of re-reading Of Human Bondage -- have you read it? -- which has a whole section on artistic toils. Everything synced together beautifully at the moment when Philip the protagonist asks a professional painter to look over his work and give an opinion: "Don't you know if you have talent?" the painter asks, and Philip says, "All my friends know they have talent, but I am aware some of them are mistaken.") Okay, so you don't want to write a book about YouTube comments.  I will forgive you. But according to your bio in Epic Fail you have a book on the horizon -- about John Banville? Please to explain. Mark: I have read it, but it was years ago. Actually, it was one of the first bits of "proper/serious" literature I ever really connected with - as in it wasn't about dragons or aliens or what have you. I don't remember all that much about it, but I do remember the business with the club foot, and that Mildred girl being a total bitch. (Am I somehow wrong in remembering it this way?) (Ed.: No.) I do remember being really impressed with myself for finishing it, though. I should probably read it again, through not-15-year-old eyes. I almost certainly didn't get it at all. But yeah, the Dunning-Krueger effect is a good one, isn't it? The ironic thing about it, of course, is how primed for misuse it seems to be. The last people who would ever see it applying to themselves are probably the people most affected by it. It's a usefully scientific-seeming way of explaining why other people are such idiots. Why "The best lack all conviction while the worst/ Are full of passionate intensity", as Yeats put (it in a context so different as to make even bringing it up here wildly inappropriate). I do think most writers - most people, really - could probably do with a touch of the William McGonagall or Amanda McKittrick Ros or Tommy Wiseau unshakable self-belief. If you could somehow combine that with actual talent, you could do a very brisk artistic trade. That's possibly some kind of formula for genius: major talent combined with the self-belief that's more often associated with talentlessness. I do have a book on Banville on the horizon. Last I heard it's due to come out in July or thereabouts. It's based on my PhD thesis, which I finished a couple of years ago now. It looks at Banville's novels from the point of view of various psychoanalytic understandings of what narcissism means. It sounds quite narrow, but narcissism is so variously and broadly interpreted by theorists from Freud onwards that it's actually become almost like a kind of synonym for psychoanalysis itself. Even though it contains no quips about Trapped in the Closet, it will nonetheless be tremendous fun to read, I assure you. Lydia: Well, two things are clear. Number one, I must pray for "major talent combined with the self-belief that's more often associated with talentlessness." Number two, I must read John Banville. Mark, I can't thank you enough for chatting with me about yourself and your wonderful book. Any parting thoughts or, better yet, YouTube videos? Mark: It's unacceptable that you haven't read Banville. That needs to be redressed straight away. Unfortunately none of his books are set in Turkey, but there are parts of The Book of Evidence and Shroud that are set in a kind of warped version of San Francisco, if that's any good to you. Thanks for the back-and-forth, Lydia. It was a lot of fun. Like a proper old-fashioned epistolary set-up. Plus this whole thing has been a textbook example of vertical integration, when you think about it. Lydia: I hate that I just had to google vertical integration, but am also grateful to now know what that means. Ye olde one-stoppe shoppe, that's us.

Paul Murray on Epic Fail

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"'There's no success like failure,' Bob Dylan once sang – but he couldn't have envisaged the international notoriety that bad art would achieve in the digital age. Mark O'Connell's Epic Fail gleefully hops genres and centuries in a quest to understand our obsession with lameness. Clever, profound, bitingly funny, it's a brilliant analysis from one of the smartest new critics around." — Paul Murray, author of Skippy Dies

Introducing The Millions Originals and An Excerpt of Our First eBook, ‘Epic Fail’

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Learn about our newest title, The Pioneer Detectives The Millions turns 10 years old this year, and to celebrate, we're trying something new. The Millions Originals will give our talented writers a platform to publish as ebooks longer, magazine-quality pieces that will explore a variety of unusual and interesting topics. They cost just $1.99 and provide a jolt of entertainment that we hope will be worth much more than the price. Our ebooks will generally run about 15,000 words (a good deal longer than most magazine articles, but not nearly as long as a book). So please, hop on over here to learn a bit more about our first title and to buy it from the ebookstore of your choice. Or, read on for an excerpt, if you still need convincing. To kick off our new series, Dublin-based staff writer Mark O'Connell has penned an exploration of the Internet-era obsession with terrible art - bad YouTube pop songs, Tommy Wiseau's The Room, and that endless stream of "Worst Things Ever" that invades your inboxes, newsfeeds, and Twitter streams. What, exactly, draws us to these futile attempts at making songs, movies, and art? What are the essential ingredients that render a ridiculous failure sublime? More importantly, what does our seemingly insatiable appetite say about our aesthetic impulses? In setting out to answer these questions, O'Connell uncovers the historical context for our affinity for terrible art, tracing it back to Shakespeare and discovering the early 20th-century novelist who was dinner-party fodder for C.S. Lewis and J.R.R. Tolkien. Read on for the first chapter of The Millions' first ebook original, Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever. - C. Max Magee, editor, The Millions *  *  * 1. Behold the Monkey   In the Sanctuary of Mercy church in the town of Borja, in northern Spain, there used to be a fresco by the 19th-century painter Elías García Martínez. It was a fairly standard Ecce Homo scene, portraying the scourged Christ—the crown of thorns, the expression of serene forgiveness—in the moments before crucifixion. No one much cared about this fresco. It was the unremarkable work of a minor painter, of little or no interest to art historians, and the priests and parishioners of the Sanctuary of Mercy clearly didn’t hold it in especially high regard either. Until recently, Martínez’s fresco was in a state of severe decline, with most of the paint having rubbed off around the middle of Christ’s torso and some pretty serious chipping and flaking going on toward the right-hand side of His face. Because no one else had bothered to do anything about it, and because the church seemed uninterested in commissioning a professional restoration, an 81-year-old parishioner named Cecilia Giménez decided to take matters into her own hands. She had lived in Borja and worshiped at Sanctuary of Mercy all her life; even if the fresco was not a parish priority, she saw artistic and devotional value in it and was upset to see it fall into disrepair. She did her best with her limited talents, but the restoration attempt was not successful, and the fresco looked considerably worse by the time she was through. The attempt was so badly botched, in fact, that she wound up becoming internationally famous because of it. For a while there, Cecilia Giménez was probably the most talked-about artist in the world. Chances are you’ve seen the result of her work, in which Martínez’s Christ is transfigured into what looks like a beady-eyed baboon wearing an ushanka. It very quickly became an iconic image; the Spanish took to calling it Ecce Mono (Behold the Monkey), while in the English-speaking world it became known simply as “the Jesus fresco.” For much of the late summer and early autumn of 2012, you couldn’t go online or open a newspaper without seeing it. People were obsessed not just with the aesthetic monstrosity of the restoration itself but with the idea of the devout and well-intentioned octogenarian who had created it. Twitter timelines filled with jokes about Giménez and links to articles about her, and tribute Tumblrs featured smudgily simian faces gimmicked onto the Mona Lisa, The Last Supper, Van Gogh’s self-portraits, Warhol’s Marilyn, Michelangelo’s David, Munch’s The Scream. The Financial Times, Der Spiegel, The New York Times, and Libération all covered the story of the restoration. The chief art critic for The New Statesman skittishly considered its supreme incompetence on Sky News. And here was the poor woman herself, grilled by television journalists, poignantly insisting that she had the full permission of the parish priest and that, anyway, she hadn’t finished the retouch yet; she had been called away mid-job to go on a trip with her son. (“When I got back, the whole village was there, and I couldn’t defend myself! I said, ‘Let me finish it,’ and they said not to touch it!”). More than 23,000 people signed an online petition to have the piece preserved in its current, profanely post-Giménez form. In a more or less textbook illustration of postmodern irony, the Church of the Face-palm Fresco became a site of tourist pilgrimage, a sacred location beyond the event horizon where ridicule becomes veneration. “The truth,” as one local small-business owner put it in a television-news interview, “is that we should be thanking her because of how much it has helped catering trade in the town. We were having economic problems, and now, thanks to this woman, we are recovering.” Anyone who had read Don DeLillo’s novel White Noise would have found it difficult not to think of the famous scene in which Jack Gladney (professor of Hitler Studies) and his colleague Murray Siskind drive out into the New England countryside to visit a tourist attraction known as “the Most Photographed Barn in America.” They stand back from the crowd of tourists, observing them as they take photographs of a building that is noteworthy solely for the frequency with which people like themselves take photographs of it. In the epigrammatically deadpan idiom of DeLillo’s characters, Murray refers to the scene as “a religious experience in a way, like all tourism.” They are, as he puts it, “taking pictures of taking pictures.” What was being enacted here, in the little town of Borja, was a kind of exponentially ironic pilgrimage. The object of fetishization was not so much the icon as the very act of fetishization itself—of participating in, and contributing to, the fame of the thing being venerated. More troubling, though, was the fact that this involuted self-regard was also characteristic of the precise way in which Cecilia Giménez herself had become famous. The consideration of her fame, in other words, was itself a major element of that fame. The woman herself became caught up in the seething vortex of our cultural self-fascination. *  *  * The Face-palm Fresco Affair is a definitive example of our obsession with a particular kind of bad art. Its watchword is “Epic Fail”—the collective cry of elated online schadenfreude that greets each new disastrous attempt to create art or entertainment. The success, through captivating dreadfulness, of R. Kelly’s R&B opera buffa Trapped in the Closet. The brief but intense fame of the impressively atrocious American Idol contestant William Hung. The meme mother lode that was Insane Clown Posse’s attempt to illuminate the wonder of everyday “Miracles” (“Fuckin’ magnets: how do they work?”). The Irish mother-daughter-and-son country trio Crystal Swing, whose viral success with their transcendently lame and somehow insidiously creepy video for “He Drinks Tequila” saw them appear on The Ellen DeGeneres Show without any apparent awareness that they were an object of fun. Every day brings some new fantastic artistic outrage, some new Greatest Worst Thing Ever. There is now an entire echelon of viral celebrity populated by people—your Crystal Swings, your Giménezes—who have become known for their resounding failures. I suspect that had the Spanish fresco simply been the anonymous work of an unknown guerrilla retoucher—if there wasn’t a body to be seen to undergo the indignity of the slapstick—the story would not have been nearly as compelling to nearly as many people. The personal element is crucial, and this is what accounts for the paradoxically humanistic and cruel constitution of the Epic Fail. It is predicated not just on the appreciation of the failed artwork but also on the aesthetic fetish for a particular misalignment of confidence and competence. We insist, in our judgments, on a sort of cultural habeas corpus. We don’t just want to look at the horribly disfigured Jesus fresco or listen to the horribly misfired effort at a pop song; we want to look at the person who thought they were talented enough to pull these things off in the first place. And I think part of our perverse attraction to these people and to the bad art they make is a particular sort of authenticity. Vigilant self-consciousness is both a primary component and a primary product of our online culture; an entire generation of Westerners (i.e., mine) has become preoccupied with the curation of permanent exhibitions of the self. We hate ourselves for the inauthenticity of these exhibitions, even if we wouldn’t have it any other way. And so the Epic Fail is, among other things, a paradoxical ritual whereby a pure strain of un-self-consciousness is globally venerated and ridiculed. To watch an interview with Cecilia Giménez is to glimpse the strange and flamboyant cruelty of this phenomenon. The scale, the intensity, and the bewildering modernity of the attention that has been imposed upon her is something by which she is very clearly mortified—an essentially Catholic term, this. Soon after the restoration attempt went viral, she retreated behind closed doors and took to her bed, in the grip of a sustained anxiety attack. According to her family, they were having trouble getting her to eat anything. Perhaps, then, it’s worth thinking about what is truly emblematic of our contemporary culture here—and where the real Epic Fail actually is. Is it the smudged, monkey-faced Jesus and the exultantly amused response it provoked, or is it the debilitating case of viral celebrity now afflicting a frail old lady who just wanted to do some small good deed for her church? Special thanks to our pals at Byliner who helped us turn our idea into an ebook. Click here to buy the book from the ebookstore of your choice for $1.99.