In her New York Times column “Match Book,” Nicole Lamy “connects readers with book suggestions based on their questions, their tastes, their literary needs and desires.” Some of those questions, tastes, literary needs and desires are stranger than others.
1.Dear Match Book,
like sympathetic protagonists who become slightly, but not too, unsympathetic
following some kind of loss, then gradually become sympathetic again while
coping with said loss. Close third-person narration preferred, with some epistolary
bits (email only) judiciously sprinkled in. No second person please! A strong
sense of place is a must, though that place need not be named as long as the
protagonist is—or vice versa.
advice would be to write this book yourself, and then check back in after it’s
published so l can recommend it to you.
2.Dear Match Book,
I love trilogies: Olivia Manning’s Fortunes of War, Evelyn Waugh’s Sword of Honour, and more recently, Rachel Cusk’s Outline trilogy. My problem is I can’t stand quartets! The very thought of four books in a series—or their readers—makes me physically ill. And yet I’ve heard great things about Elena Ferrante’s Neapolitan Quartet. Help!
I am terribly sorry to hear about your tetralogical dysfunction, which is barring you off from experiencing the wonders of Ferrante’s Naples and Lawrence Durrell’s Alexandria. Has your therapist already suggested breaking the foursomes into two twosomes? (You do have a therapist, right?)
Alternatively, you could try wetting your feet with books with “four” in the title (e.g., Ian Caldwell and Dustin Thomason’s bibliophile mystery The Rule of Four)? I don’t know. I’m grasping at straws here.
What about Ali Smith’s in-progress Seasonal Quartet? Why don’t you read Winter, Autumn, and the forthcoming Spring, and then pretend that Smith got tired of the project? Next, hole up in a cabin somewhere. After 10 to 15 years, emerge from seclusion, visit a bookstore, and thumb through a copy of Summer. If you don’t retch, you’re cured!
3.Dear Match Book,
Is this a booty call? If so, this is a first for me at Match Book. I am indeed up, but I’d prefer to keep this professional. I can, however, recommend some saucy books to get you through the night. Philip Roth’s Deception and Nicolson’s Baker’s Vox each are dazzling verbal displays that plumb the depths of desire.
4.Dear Match Book,
I earn $400 a day working from home! Want to learn more? But first, do you have any well-observed family dramas to recommend? I loved the latest Ann Tyler.
Domestic drama has been at the core of literature since Greek tragedy, so there is much to choose from. What about the Eca de Queiros’s 19th-century epic The Maias, which tells of forbidden love in a lively Lisbon? Or for something more contemporary, try Barbara Kingsolver’s Unsheltered, her era-spanning chronicle of two New Jersey families.
could think of more, but I’m intrigued by your offer. $400 a day you say? Would
I still have to write this column?
5.Dear Match Book,
A veritable and unrepentant gourmand, I’ve devoured Valerie Luiselli, inhaled Karl Ove Knaussgard, delected Ben Lerner and glutted on Ottessa Moshfegh in the last month alone. I really don’t need a recommendation. I was just writing to communicate how well read I am.
6.Dear Match Book,
books is simply a matter of data analysis. For example, with the right
algorithm I could tell you which novel to read based on the kind of paper
towels you buy.
You’ll never replace me with a machine, Bezos!
Sorry about Queens. And the dick pics.
7.Dear Match Book,
I’m looking for the perfect bathroom read. It doesn’t necessarily have to be thematically related to defecation—though bonus points if it did—just gripping enough to get me through my morning ritual.
I believe the best time to ingest knowledge is when one is expelling waste. The urbane musings of Joseph Epstein are my favorite companion, but perhaps it’s easiest to tell you what’s in our bathroom here at The Times: Clives James’s Cultural Amnesia, his sharp, sardonic portraits of 20th-century intellectual and artistic figures; Marcel Schwob’s Imaginary Lives, a toilet-friendly collection of mesmerizing biographical vignettes; and The Selected Poems of Kay Ryan, whose whimsical, technically proficient verse helps to move things along, so to speak.
There’s also The Penguin Book of Similes, but that’s in Dwight Garner’s personal stall.
8.Dear Match Book,
I’ve always looked forward to reading the latest from Michael Chabon, whom I believe to be our greatest living author. This is an impossible question, but if you could choose just one masterpiece from his incredible oeuvre, what would it be?
tell you each week, I am particularly attached to The Yiddish Policeman’s
9.Dear Match Book,
been hosting a book club on the Victorian novel for several years now. Reading Daniel
Deronda, Our Mutual Friend, and the Barchester novels has taught us
the indispensability of timeless literature and great friends.
problem is I can’t stand one member of the group—let’s call him Uriah. Can you
recommend a “loose baggy monster” that will get him to quit the club?
Part of what makes Victorian literature so compelling are its villains, from Alec d’Urberville to Becky Sharpe. Why don’t you try Wilkie Collins’s The Woman in White? Embrace your inner Count Fosco to lie, scheme, and gaslight the son of a bitch until the mere sight of a triple-decker sends shivers down his spine.
10.Dear Match Book,
recently murdered someone during an unfortunate encounter. I’m coping just
about as well as could be expected and devoting myself to self-care, including
reading literature about the ethics of killing a (former) friend. Any tips?
N.B. The Times in no way condones murder. Having said that, reading is a great way to begin the healing process. I would start with Albert Camus’s haunting existentialist novel The Stranger. Another book to help you come to terms with your homicidal instincts is Fyodor Dostoyevsky’s Crime and Punishment. And finally, for a more recent novel to help you cope with brutally ending another life, try Oyinkan Brathwaite’s delightful satire My Sister, the Serial Killer.
you don’t like these, don’t shoot the recommender! Please, don’t shoot me. I
have a family and a lot of readers dependent on my help.
11.Dear Match Book,
was a world-renowned roller-coaster engineer, but he couldn’t control the
precipitous decline of our marriage….
Dear Thrown for a Loop,
Let me stop you right there. I believe this is a “Modern Love” submission that was sent to me in error.
Image credit: Unsplash/Josh Felise.
This year I hit a string of bad luck, and ended up putting down most of the books I’d started. Over the years, I’ve really forced myself to finish anything I’d already gotten about 10 percent into, but now I have 2 kids, I was moving homes, and sometimes I just couldn’t take it any more.
But there were a few that stuck with me…
Cultural Amnesia: Necessary Memories from History and the Arts by Clive James
This is often long-winded and obtuse, but he has assembled and pretty interesting collection of 20th-century personalities to create a narrative of cultural advancement. I’d never heard of most of these people, and it is interesting to meet them via his very subjective biographical snap shots.
Outliers: The Story of Success by Malcolm Gladwell
The further I get away from this book the more I suspect that very few of the arguments actually hold water. The primary reason The Beatles were great was because they had the opportunity to practice a lot? Really? But it’s the actual constructing of the arguments and narratives that’s pretty entertaining and makes it worth the read. The section on plane crashes is great.
Thinking, Fast and Slow by Daniel Kahneman
This is from my series of self-help books last summer. Anyone looking at my list of recently-read books in August might’ve started wondering if I was about to swan dive off the George Washington Bridge. I wasn’t…I was just doing a little “house keeping” as Sam Harris (author of a lesser one I read, Waking Up, would say). Thinking, Fast and Slow does the satisfying (and wildly over-simplifying) work of categorizing the methods by which humans process information into 2 categories, “fast” and “slow” (“System 1″ and “System 2.” My “fast” reaction to this book was “wow that’s really simple…that’s really, really simple…yeah that’s too simple;” but my “slow” reaction was “it definitely rings right that my own well-considered, calculated, and contrived responses to problems have, not infrequently, set me way back in the wrong direction.” Trust your instincts!…or trust them sometimes.
Our Final Invention: Artificial Intelligence and the End of the Human Era by James Barrat
How many times can you repeat the same thing over and over in one book? Either James Barrat was toying with this in some kinda post-modern machine-esque tone, or James Barrat is himself some sort of artificial intelligence, still working out a few glitches. Either way, this has a classic doomsday forecast that you can’t help but linger on after reading…When are machines going to surpass human intelligence and thus find us not merely expendable, but too unpredictable to bother keeping around? It’s only logical. It’s also complete fantasy…but it’s kinda fun. (I stole this book from a band mate on tour…sorry, Greg.)
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In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
At 74, Clive James is a remarkably prolific poet, one who’s working hard to finish or publish three books in the next year alone. He spoke with Douglas Murray of The Spectator about his unflagging energy. “At the moment, I am in the slightly embarrassing position where I write poems saying I am about to die and I don’t,” he says. You could also read our own Garth Risk Hallberg on James’s book Cultural Amnesia.