Welcome to our biannual Great Book Preview! We've assembled the best books of 2023A (that is, the first half of 2023), including new work from Nicole Chung, Tsitsi Dangarembga, Claire Dederer, Brian Dillon, Samantha Irby, Heidi Julavits, Catherine Lacy, Mario Vargas Llosa, Rebecca Makkai, Fernanda Melchor, Lorrie Moore, Jenny Odell, Curtis Sittenfeld, Clint Smith, Zadie Smith, Brandon Taylor, Colm Tóibín, and many, many more. At 85 titles, you may notice our 2023A list is a bit trimmer and more selective than in year's past. We wanted to make sure that our list comprises the books that we are truly anticipating the most—which is to say, we've carefully curated our selections to showcase the very best books coming out in the first half of 2023. We hope you enjoy! Love reading our Great Book Previews? Learn how you can support The Millions here. January Age of Vice by Deepti Kapoor Part crime thriller and part saga of the powerful Wadia family, Age of Vice roams across India, from the dusty villages of Uttar Pradesh to the cauldron of New Delhi. Three lives intersect in this world of lavish estates, extravagant parties, drugs and seamy business deals: Ajay, the watchful family servant; Sunny, the playboy heir; and Neda, a journalist out to expose the consequences of corruption. The writing has authority. Kapoor, author of the novel Bad Character, grew up in northern India and has worked as a journalist in New Delhi. The result is an addictive, vivid spellbinder of a novel. —Bill Morris Decent People by De'Shawn Charles Winslow Winslow returns to the fictional Southern town of West Mills for a second time in this expertly-plotted and character-driven follow-up to his award-winning debut novel. In the 1970s, an investigation into a triple homicide reveals surprising and profoundly sad layers of reality for the townspeople of West Mills—the trauma and ramifications of segregation, class, deeply kept secrets, and underlying homophobia. A haunting, page-turning mystery, Decent People makes a must-read on anyone’s literary list. —Jianan Qian The Survivalists by Kashana Cauley In this debut novel, a perpetually single Black lawyer, Aretha, falls in love with Aaron, a coffee entrepreneur who shares a brownstone with a stable of bizarre roommates. When Aretha moves in with Aaron, she gets caught up in their household dramas, which range from illegal gun sales to half-baked schemes to prepare for the end of the world. It will not surprise people who’ve read Cauley's essays—or seen her work on The Daily Show, or read her excellent tweets—that The Survivalists is, according to Tom Perrotta, an “edgy” and “darkly funny” book. —Thom Beckwith Still Pictures by Janet Malcolm Malcolm was a master of reportage, able to dissect and decipher her subjects with startling precision. (Also one of my own writerly heroes.) She often mused on the relationship between journalist and subject; in much of her journalism, she judged her subjects from a cool distance. How, then, would she approach a memoir? What would a self-portrait by one of our most formidable portraitists look like? These were the questions that exhilarated me when I began Malcolm's posthumous memoir. Still Pictures is as much a look at Malcolm's own photos and memories as the nature of photography and memory, written with all her characteristic style and clarity. —Sophia M. Stewart The Half Known Life by Pico Iyer In this philosophical and theological travelog, Iyer searches the globe for paradise. Not for himself—he wants to understand the idea of paradise, that incentive and dream and goal that undergirds the world's religions. Maria Popova herself, the brilliant mind behind The Marginalian, has called Iyer "one of the most soulful and perceptive writers of our time" and I expect The Half Known Life will further cement that status. —SMS OK by Michelle McSweeney In this slim and lucid addition to the Object Lessons series, which explores the hidden lives of everyday objects, linguist and author Michelle McSweeney unpacks the phrase “OK,” coined 200 years ago and now ubiquitous in spoken English. As an object, “OK” reveals how technologies inscribe themselves into languages—originally, it was an acronym that stood for “all correct,” a phrase which marked some of the earliest printed newspapers as ready for publication. From there, McSweeney traces the word’s evolution through the present, illuminating the ways in which its meaning developed over time. —TB The 12th Commandment by Daniel Torday Torday presents a provocative and unexpected tale of contemporary Jewish life that owes less to Philip Roth and Saul Bellow than it does to Cynthia Ozick and Isaac Bashevis Singer. The 12th Commandment concerns the historical sect known as the Dönmeh, Turkish followers of a seventeenth-century Jewish pseudo-messiah who outwardly practice Islam but who are actually adherents of an esoteric kabbalistic faith. “Weird folk,” explains a character, “They’re like Jews and Muslims at the same time. Or something.” Unexpectedly set among an imagined group of Dönmeh in small-town Ohio, with a noirish murder plot driving the action, and The 12th Commandment will appeal to fans of Michael Chabon’s The Yiddish Policeman’s Union, but Torday’s unique imagination and vital vision are his own. —Ed Simon Forbidden Notebook by Alba de Céspedes, translated by Ann Goldstein The story begins when Valeria Cossati—a 43-year-old office worker, self-sacrificing wife, and mother of two—buys a thick black notebook and begins writing at night—her thoughts, experiences, and fury. What follows over the course of six months are reflections on motherhood and femininity in postwar Rome that were as urgent and revelatory in the 1950s, when the novel was originally published, as they are today in post-Roe America. In the words of Annie Ernaux: “Reading Alba de Céspedes was, for me, like breaking into an unknown universe.” —Jenny Wu Life on Delay: Making Peace with a Stutter by John Hendrickson I've been waiting for John to write this book since I first read his paradigm-shifting Atlantic article "What Joe Biden Can't Bring Himself to Say." Like Biden, John is a person who stutters. In Life on Delay, and with profound intelligence and insight, John examines his own stuttering life, as well as the lives of many other stutterers, to probe the many contradictions of disfluency. John has become something of a torchbearer in our community, and this book is going to be an essential contribution to the (currently very limited) literature of stuttering. I hate when people call certain books "important"—but this book is very important me, and will be important to a lot of people. We've been waiting a long time for a book like this. —SMS The Call of the Tribe by Mario Vargas Llosa, translated by John King When I began my undergraduate studies, I was disappointed by how little nonfiction appeared on the syllabi of my Spanish literature classes. Then I encountered Llosa, a Nobel-winning nonfictioneer and intellectual heavyweight (and occasional novelist) who rose to prominence during the Latin American Boom. In The Call of the Tribe, he maps out the minds that shaped his own: Sartre and Adam Smith, Friedrich A. Hayek and Isaiah Berlin, and many more (mostly male) writers and thinkers. It's a pleasure—and a pleasurable challenge—to read Llosa on the roots of his ideology. —SMS The Once and Future Sex: Going Medieval on Women's Roles in Society by Eleanor Janega Ever since I visited the Cloisters for the first time earlier this year, I've been hungry to learn more about medieval life, and specifically women's place in it. Enter The Once and Future Sex, the subtitle of which quite directly addresses this yen of mine. Janega, a medievalist by training, makes middle-age sociology accessible, highlighting how archaic notions of femininity continue to shape modern womanhood in ways both subtle and overt. Beauty, sex, work, labor, motherhood, decorum—no aspect of women's lives goes unexplored in this rigorous study, which also highlights many of the era's subversive trailblazers. —SMS Black and Female by Tsitsi Dangarembga Zimbabwean writer Dangarembga explores the long shadow cast by imperialism in her own life, and the lives of all African people, in this volume of essays. The personal and political commingle (because, as all feminists know, they're one and the same) as Dangarembga excavates her own history and the history of her nation. The result is a clear-eyed look at what navigating life and art-making as a woman in Zimbabwe has taught her, as well as the possibilities and limits of a distinctly Black feminism, which she calls "the status quo’s worst nightmare." —SMS A Guest at the Feast by Colm Tóibín One of Ireland's greatest living novelists, Tóibín is known the world over for his fiction. That's why I'm so curious to read his new essay collection, to see how he transfers his mastery across genres. A (supposedly) great compliment is to be called a nonfiction writer with a "novelist's" sensibility—the implication being that nonfiction is best when it reads like fiction. (I disagree!) This isn't Tóibín's first foray into nonfiction (he's written books on Elizabeth Bishop; contemporary queer artists; and the fathers of famous Irish writers)—but it is one of his most intimate. This is clear from the book's outset, which features one of best opening lines I've read in a minute: "It all started with my balls." —SMS Vintage Contemporaries by Dan Kois I always love reading Dan Kois's criticism (if you haven't yet read him on Tár, please do yourself the favor—and prepare to have your mind blown) so I was thrilled to hear about his forthcoming novel, a coming-of-age set in New York City at the turn of the millennium that wrestles with art, friendship, and what it means to cultivate a creative life. Our very own Lydia Kiesling blurbed it and gave it what is in my book one of the ultimate compliments: "poignant without being treacly." A near-impossible literary feat—I can't wait to see (read?) Kois pull it off for myself. —SMS Your Driver Is Waiting by Priya Guns A retelling of the movie Taxi Driver featuring a ride-share driver? An incredible premise for a novel that explores work, class, and solidarity (or the lack thereof). Damani Krishanthan works for an Uber-like company, scraping by after her father dies during his shift at a fast-food restaurant. During a summer of uprising, she drives through throngs of protestors trying to make enough to cover rent. A relationship with a white wealthy protestor goes south, prompting a dramatic ending (considering its cinematic source material, I can only imagine). —Lydia Kiesling The Guest Lecture by Martin Riker Abby, a young economist, can't sleep the night before the talk she is scheduled to present tomorrow, optimism and John Maynard Keynes. A lapsed optimist struggling to support her family, she feels grossly unprepared to offer any insights into Keynes. With wry humor and true wisdom, Riker, co-founder and publisher of Dorothy, a Publishing Project, transforms one woman’s insomnia into an enchanting and playful exploration of literature, performance, and the life of the mind. —JQ After Sappho by Selby Wynn Schwartz At the turn of the twentieth century, three queer women—Rina Faccio, Romaine Brooks, and Virginia Woolf among them—make the same decision: They take up their pens or paintbrushes to define their lives and their identities on their own terms. Taking cues from the Greek poet, After Sappho, Schwartz's Booker-longlisted debut novel, reimagines the intertwined voices of those pioneering women artists in the collective first-person, whose courage and struggles never cease to inspire and encourage those who come after. —JQ Hanging Out by Sheila Liming We’ve all heard the admonitions to slow down, drop out, resist the rush—but what does that actually look like? “Hanging out is about daring to do nothing much and, even more than that, about daring to do it in the company of others,” writes Liming in her treatise on the subject, the follow-up to her 2020 book What a Library Means to a Woman on Edith Wharton and book collections. Hanging Out, an endearing and revealing book, is well-timed, but as she notes, “we were having a hard time hanging out well before COVID-19 came along.” She makes a compelling case for us to get together. —Nick Ripatrazone Call and Response: Stories by Gothataone Moeng This debut story collection joins a chorus of literary voices rising out of contemporary Africa. Set in the author’s native village of Serowe, as well as in Gabarone, the thrumming capital of Botswana, these stories are spun from the struggles of women seeking to reconcile ancestral expectations with imported dreams—a girl who hides her sexual exploits from her family while her older brother flaunts his conquests; a young widow who ponders the custom of wearing mourning clothes for a year; a woman who returns from America, ashamed to have given up on the land of opportunity. The great Namwalli Serpell praised the collection for its "sharply observed vignettes," which together amount to a "beautiful" book full of "deep insight." —BM Black Empire by George S. Schuyler Originally published in serial form in the 1930s, Black Empire is the masterwork of George S. Schuyler, a journalist, Harlem Renaissance man, socialist-turned-arch-conservative, and creator of acid satires. This novel is the story of Dr. Henry Belsidus, a Black genius who sets out to cultivate a global network that will reclaim Africa from imperial powers and punish Europe and America for their crimes against the world’s Black population. Schuyler’s earlier novel, Black No More, is a satirical romp about a Black man who turns his skin white. In all his work, Schuyler work confronts an abiding and urgent moral quandary: How far should one go to bring justice to an unjust world? —BM February Where I'm Coming From by Barbara Brandon-Croft Drawn & Quarterly has never let me down, and its winning streak won’t be snapped by this collection from the first Black woman to have a nationally-syndicated comic strip. In the witty and groundbreaking "Where I’m Coming From," which ran from 1989 to 2005, nine Black girlfriends deliver insights and punchlines in equal measure, touching on politics, race, relationships, and everything in between. Tayari Jones says that Brandon-Croft’s work has “aged beautifully,” hailing the collection as “both ahead of its time and right on time.” —Evan Allgood Brutes by Dizz Tate This surreal and ambitious debut novel, written partially in first-person plural and billed as “The Virgin Suicides meets The Florida Project,” follows a clan of teenaged girls in Falls Landing, Florida, as they grapple with the disappearance of the local preacher's daughter. Brutes’s adolescent cast, time-jumping narrative, and promise of violence evoke the hit show Yellowjackets. Mariana Enríquez calls it “a beautiful and deeply strange novel, full of dread and longing.” —EA City of Blows by Tim Blake Nelson I love movies, but Hollywood—both the city and the industry that undergirds it—has never much interested me. Honestly, celebrity culture in America baffles me. But when a Hollywood insider and an accomplished playwright—and, not to mention, a fine actor—decides to satirize the toxic culture of Tinsel Town, I’m in. Nelson's debut novel follows four men fighting for control of a script and a place in a rapidly transforming Hollywood. There’s something sustaining in a story that shows how beautiful people can be just as petty—just as ugly—as the rest of us. —Il’ja Rákoš Couplets by Maggie Millner Lovers of horny, rhyming poetry rejoice: Millner’s “love story in poems,” arrives a week before Valentine’s Day, just in time to tie your brain to its bedposts. Kink and queerness, power and polyamory—this debut by the senior editor of the Yale Review has it all. Read an excerpt in BOMB to see why Elif Batuman, Garth Greenwell, and Leslie Jamison are all head over heels for this clever, seductive story of coming out and coming of age. —EA The Black Guy Dies First by Robin R. Means Coleman and Mark H. Harris This collaboration between Coleman, a scholar, and Harris, a journalist and film critic, explores the history of Black horror films since 1968. Named for the well-known cinematic trope, the book spans cult classics like Spider Baby up to commercial and critical successes like Get Out. According to Kirkus Reviews, the book is written with “keen observation, a satirical eye, and a genuine love for the subject.” —Edan Lepucki Big Swiss by Jen Beagin "A sex therapist's transcriptionist falls in love with a client while listening to her sessions"—that was all I needed to hear to get excited about Beagin's third novel. Throw in blurbs from Melissa Border and A Touch of Jen author Beth Morgan, and I was all but convinced that Big Swiss will be weird and horny and unfettered in all the best ways. "Pick it up because you like cheese," Morgan urges, "stay for the brilliant sentences." —SMS Culture: The Story of Us, From Cave Art to K-Pop by Martin Puchner So many books these days are described as being "sweeping histories"; Culture, which promises in its subtitle to take us from our most primitive artistic impulses all the way to the machinery of modern-day fandom. But what intrigues me most about Puchner's latest isn't its scope—it's its driving question: "What good are the arts?" In my more hopeless moments, this question bubbles up inside me, and I'm chomping at the bit to hear Puchner's answer, grounded in history and informed by cultures around the world. —SMS Dyscalculia by Camonghne Felix Following her poetry collection Build Yourself a Boat, which landed a spot on the National Book Award longlist, Camonghne Felix makes her nonfiction debut with this memoir, which charts a life-changing breakup and its many consequences for her life. When the author ends up in the hospital, she draws a parallel between her troubles as an adult and her childhood diagnosis of dyscalculia, a condition which makes it difficult to learn math or estimate place value. As she starts to tally her romantic miscalculations, she asks a wide-ranging question: who gets the right to freely express their own pain? —TB All the Beauty in the World: The Metropolitan Museum of Art and Me by Patrick Bringley A former New Yorker staffer turned museum guard is a pretty compelling tagline, to be certain, and Bringley delivers in this intimate and philosophical debut memoir—he muses on the artworks, coworkers, and museumgoers that surround him. Adding poignancy to the memoir's conceit, his observations are all permeated with profound grief as he reels from the death of his older brother. Bringly brings the Met to life on a grand scale and granular level. —NR The Wife of Willesden by Zadie Smith For her first foray into playwriting, novelist and essayist Smith reimagines Chaucer’s Canterbury Tale about the Wife of Bath for twenty-first century, northwest London. Alvita, a Jamaican-born British woman in her early fifties, tells her life story to strangers in a pub. In its review, The Guardian calls it “a celebration of community and local legends, of telling a good story and living a life worth telling. Not bad for an original text that’s 600 years old.” —EL Palo Alto: A History of California, Capitalism, and the World by Malcolm Harris I went to college in the Bay Area, where the allure of Silicon Valley was palpable. My classmates posted about their internships at Twitter and Microsoft, wore t-shirts with emblazoned with the logos of Google and Linkedin, and went on to get jobs with six-figure starting salaries. I remembered my dad's quaint stories of growing up in nearby Los Altos and struggled to reconcile that history with the present. Harris's comprehensive history of Silicon Valley, from railroad capitalism to free love to big tech, does just that. Palo Alto spans centuries in order to thoroughly demystifying the region's economics and unearth its enduring legacy of settler colonialism. Users by Colin Winnette I worked for years as a consultant at American-based IT companies with teams in Kyiv, and among those Ukrainians I knew who were handling the code, it was rare to find anyone who worshipped Steve Jobs, loved tech, or saw STEM work as anything particularly noble. No true believers in panaceas or "essential" tech. Here, in the fictional world of Winnette’s latest novel, we encounter a strong critique and timely caution that my Kyiv ITshnyks certainly understood well: the devastation that awaits when we entrust the mechanisms we’ve built to do our thinking, our feeling, and our living for us. —IR I Have Some Questions for You by Rebecca Makkai In her follow-up to her 2018 novel The Great Believers, a Pulitzer and National Book Award finalist, Makkai brings us to a New Hampshire boarding school. Film professor Bodie Kane has been eager to forget her four awful years there, which included a murder of a classmate by the athletic trainer. But when she's brought back to campus to teach a two-week course, everything she thought she knew about the case is thrown into question. Makkai plays with true-crime tropes to deliver a literary exploration of friendship. —Marie Myung-Ok Lee Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman Michael Shulman is one of the great profile-writers of our time, and one of our best writers, period. (His New Yorker profiles of Jeremy Strong, Bo Burnahm, and Adam Driver long ago took up permanent residence in my brain.) What Schulman, a student of personality, could accomplish in a study of the Oscars—that most official of personality contests—is limitless. It's also just a perfect opportunity to spill so much celebrity gossip. I imagine devouring this book poolside, while sipping on a blue drink; a big umbrella overhead, a little umbrella in my glass. Slime by Susanne Wedlich, translated by Ayca Turkoglu Primordial slime has long been considered a cornerstone of life on Earth; without it, the natural world would be unrecognizable. Slimy substances like mucous and slobber are also common features of fictional monsters in popular culture from Lovecraft to Alien. Munich-based science and nature journalist Susanne Wedlich’s ode to the semi-liquids that hold our world together—and our minds in awe—reminds us “we are sticky beings living in a sticky place” (TLS), whether we like it or not. —JW March Monstrilio by Gerardo Sámano Córdova What lengths would you go to get back someone you've loved and lost? Just for a bit, to look in their eyes one more time, or tell them what needed to be told? But play that possibility out to its inevitable conclusion and it’s difficult to envision anything good coming from it. In Córdova’s horror debut, a grieving mother in Mexico City goes to unimaginable extremes to bring her late 11-year-old son back to life, only to discover that there are worse things than death. Grief, she learns, is not something to be trifled with, or worse, avoided. —IR Francisco by Alison Mills Newman Though it garnered plaudits from Toni Morrison when it was first published in 1974, Newman's autobiographical novel has long been out of print. Now, a reissue by New Directions—with a new foreword by Saidiya Hartman—promises to introduce a new generation of readers to Newman’s innovative and genre-bending story, which draws on the author’s experience as a young actress in 1960s Hollywood. —TB The Fifth Wound by Aurora Mattia In her new novel, the Mattia reinvents the roman à clef with a magical realist memoir that puts the dusty genre of autofiction to shame. Sifting from multiple narratives—and dimensions—The Fifth Wound is a romance, a meditation on transphobic violence, and a speculative tale of time travel, ecstatic visionaries, and mystical union. Transcending the limiting confines of not just society, but reality as well, and Mattia’s novel promises the reader an experience that recalibrates simplistic notions of truth and fiction, reality and illusion. —ES Saving Time by Jenny Odell I love books that force me to recognize or reconsider the structure of existence—and Odell’s book does just this, in a way that's both enlightening and generative. Her previous book, How to Do Nothing, was a runaway hit about what happens when we subvert the temporal expectations that are placed upon us: “Letting go of one overwhelming rhythm, you invite the presence of others. Perhaps more important, you remember that the arrangement is yours to make.” Odell demonstrates how it's never too late to save the time we have left. —NR The Best of Everything by Rona Jaffe In 1958, at the age of 27, Rona Jaffe published her first novel, a revolutionary portrait of three young women employed at a New York publishing house. Renowned for its frankness and honesty, particularly in its depictions of sexual harassment, The Best of Everything is, per Michele Moses, “what you would get if you took Sex and the City and set it inside Mad Men’s universe.” Now, for its 65th anniversary, Penguin Classics is reissuing the novel, complete with a new introduction by New Yorker staff writer Rachel Syme, who is the perfect voice to prime us for a retro romp through postwar New York and its attendant glitzy patina. —TB Raving by McKenzie Wark Wark's entry into Duke University Press's Practices series, which spotlights the activities that make us human, invites us into the underground queer and trans rave scene of New York City. A bombastic collision of sound and movement, raving is, to Wark, the ideal activity for "this era of diminishing futures." An avid raver herself, she blends academic analysis with her own first-hand accounts, all relayed with sensual, staccato prose. "Some come to serve looks; some come to leave their sweat on the dance floor," she writes. "I’m the latter kind. I want to be animate and animated on the floor." —SMS Still Life with Bones by Alexa Hagerty From 1960 to 1996, more than 200,000 Guatemalans were killed, and tens of thousands more disappeared, after an American-backed coup gave rise to a steady march of genocidal dictators. Decades later, anthropologists like Alexa Hagerty are working to exhume and examine the dead, piecing together their bodies and their stories in an urgent but potentially quixotic quest for resolution, and attempting to bring a sense of humanity to the forensic sciences. —EA How to Think Like a Woman by Regan Penaluna In her first book, journalist Penaluna, who has a PhD in philosophy, explores the oft-forgotten and under-taught feminist philosophers of the seventeenth and eighteenth centuries: Mary Astell, Damaris Masham, Mary Wollstonecraft, and Catherine Cockburn. Blending biography, criticism, and memoir, Penaluna explores the lives and beliefs of these thinkers, as well as the ways women—past and present—have been devalued within philosophy, academia, and history. How to Think Like a Woman serves as an alternate philosophical canon, where women and their intellect are deeply and rigorously examined. —Carolyn Quimby Y/N by Esther Yi “Y/N,” short for “[Your/Name],” refers to a type of fanfiction that allows readers to insert their own names into brackets in the story, so as to imagine themselves in romantic scenarios with popular idols. In Esther Yi’s debut novel, our narrator devotes herself to writing fanfic about a K-pop star named Moon. When Moon suddenly retires and retreats from the spotlight, the narrator embarks on a transnational search that unveils the absurd innards of a Korean entertainment company, as well as the loneliness of modern life and the various fantasies we enact to try to escape it. Yi, a Leipzig-based writer, has earned comparisons to Elif Batuman, Thomas Pynchon, Yoko Tawada, and Marie NDiaye. —JW How Not to Kill Yourself: A Portrait of a Suicidal Mind by Clancy Martin Clancy Martin has tried to die by suicide more than 10 times. In How Not to Kill Yourself, he speaks frankly about these attempts and the thoughts that fueled them. In probing his own experiences, he inevitably comes to larger conclusions about the nature of the self-destructive mind and the philosophy of suicide. He also turns to other writers who have attempted suicide and written about it, from Yiyun Li to David Foster Wallace. Written with surprising tenderness and humor, this memoir-cum-critical-inquiry is a perspective-shifting study. Biography of X by Catherine Lacy With a title that recalls both Alex Haley’s biography of Malcolm X and Gertrude Stein’s consideration of her partner Alice B. Toklas, Lacey audaciously explores the contingencies of identity, memory, and history in her latest experimental novel. Lacey’s novel takes place in an alternative history where the American South separated from the United States and was governed as a fascist theocracy only recently being reabsorbed into the wider nation. Ostensibly The Biography of X is about the titular unknown, a celebrated but mysterious artist, and her widow’s account of that life as much as can be assembled. But with cameos by such twentieth-century luminaries as Sontag and Bowie, the novel is also a biography of American art and theory which understands that sometimes history is best understood at a slant. —ES The Last Catastrophe by Allegra Hyde This collection of 15 stories by the author of Eleutheria continues Hyde’s interest in humanity grappling with climate change. Alexandra Kleeman writes that these speculative stories are “dazzling, inventive, and glinting with dark humor.” Spaceships, AI, zombies, and body-switching abound. I, for one, am most excited to read the story about the girl growing a unicorn horn! —EL The New Earth by Jess Row A century which began with 9/11, and has so far seen economic collapse, a ground war in Europe, a global pandemic, and the rise of neo-fascism is painfully interesting. Jess Row’s latest novel interlays these interesting times on a family drama among the privileged Wilcoxes of the Upper East Side, from 2000 to 2018. The global perspective becomes synonymous with the vantage point of daughter Winter Wilcox, who on the eve of her wedding must grapple not just with her estranged family, but the ways in which her personal tragedies from years coincide with both parental secrets and historical injustices. “Disguising your origins is a deeply American impulse,” Row wrote in 2014, “but that doesn’t make it any less compromising,” a theme heartily interrogated in The New Earth. —ES Chlorine by Jade Song Song's debut novel revolves around high-schooler Ren Yu, a competitive swimmer who spends her days in the pool. Her immigrant parents expect her to train hard and secure a college scholarship, but she aspires to transform into a mermaid, freeing herself from the terrestrial world. A spiky, sapphic coming-of-age that embraces fantasy and horror to explore girlhood and its discontents. —JQ In Search of a Beautiful Freedom by Farah Jasmine Griffin A new volume of collected essays both new and previously published by Farah Jasmine Griffin, the William B. Ransford Professor of English and Comparative Literature and African American Studies at Columbia. Following her last book Read Until You Understand: The Profound Wisdom of Black Life and Literature, these new and previously unpublished essays range in topic from Covid to the efforts to ban Toni Morrison to the life work of Odetta. Griffin's insights into Black music, feminism, and literature are unparalleled. —LK Affinities by Brian Dillon When I read Dillon's previous books, Essayism and Suppose a Sentence, I considered them a diptych: two close looks at two literary forms (the essay and the sentence) that were driven by what Dillon himself calls his own "affinity." It turns out, Essayism and Suppose a Sentence were really the first two entries in a triptych! His latest book, Affinities, centers on images, from photographs to paintings to migraine auras. Why do images make us feel the way they do? Why are we drawn to certain images over other ones? Dillon is one of my favorite writers, thinkers, and close-readers, and I can't wait to read him on the pleasures of looking. —SMS Above Ground by Clint Smith I long for a literature—especially a poetry—of joy; life is too short and bland without it. Smith’s new poetry collection teems with images of love and fatherhood. Great poetry comes in many modes and subjects, but there’s something unique about a book of verse that makes me want to hold my own children a little tighter, as I think of his description of delivering a bear hug: “my arms are still / open like a universe / in need of a planet / to make it worth / something.” Juxtaposed with lines of grief and recognition—“men attempting / to unlearn the anger on their father’s / tongues, the heat in their hands”—Smith’s songs of joy are that much sweeter. —NR Ada's Room by Sharon Dodua Otoo, translated by Jon Cho-Polizzi Otoo's debut novel is about four women, all with the same name: Ada, a mother in fifteenth-century West Africa; Ada Lovelace, the real-life programmer in Victorian England; Ada, a prisoner in a concentration camp in 1945; and Ada, a young Ghanian woman in present day. As Otoo connects their narratives across centuries, the linear confines of history break down and a profound sorority comes into focus. R.O. Kwon calls this one "thrillingly, astonishingly original." —SMS April This Is Not Miami by Fernanda Melchor, translated by Sophie Hughes Taking place in and around the Mexican city of Veracruz, this collection of crónicas—narrative nonfiction pieces that blend reportage with novelistic structures—explores the criminal underworld, shedding light on social problems that manifest in gory headlines. As in her novels Paradais and Hurricane Season, Melchor draws empathetic portraits of deeply unsympathetic figures, forcing her readers to understand the mindsets of monstrous characters. —TB Chain Gang All-Stars by Nana Kwame Adjei-Brenyah Ever since the moment I finished Adjei-Brenyah’s surreal, satirical, and original debut story collection, Friday Black, I’ve been not-so-patiently waiting for whatever he wrote next. In his upcoming debut novel, two female gladiators fight to the death for their freedom on the hugely popular and controversial TV show, Chain-Gang All Stars, which airs on CAPE (Criminal Action Penal Entertainment). With his sharp eye for satire and reverence for humanity, Adjei-Brenyah’s latest explores the exploitation, violence, and false promises of the prison industrial complex, capitalism, and the country itself. —CQ Work-Life Balance by Aisha Franz, translated by Nicholas Houde This graphic novel, which was originally a comic series published by Colorama, concerns three friends who, disillusioned with their work lives, seek help from the same therapist. Franz, who lives in Berlin, was nominated for a Los Angeles Times book prize for her previous book, Shit is Real, which the Guardian called “a wise and funny journey through loneliness and confusion.” Her latest sounds just as promising. —EL Ordinary Notes by Christina Sharpe The latest book by scholar of English literature and Black Studies Christina Sharpe takes the form of a series of 248 notes on history, art, literature, and life whose meanings accumulate over the course of nearly 400 pages. At the center of the resulting polyphonic portrait of Black existence is the figure of Ida Wright Sharpe, the author’s mother. Saidiya Hartman calls Ordinary Notes "an exquisite text" that "demands everything of the reader and, in turn, offers us a vocabulary for living.” —JW A Living Remedy by Nicole Chung Chung's bestselling memoir All You Can Ever Know, published in 2018, cemented her as one of this generation's great chroniclers of family, both adoptive and biological: its limits and possibilities, what it means, how it shapes us. Her follow-up, which follows Chung as she mourns her parents and navigates the institutional inequities baked into American society, promises to be just as poignant. Blurbers Megha Majumdar, Julie Otsuka, Imani Perry, and Bryan Washington certainly think so. —SMS Second Star: And Other Reasons for Lingering by Philippe Delerm, translated by Jody Gladding A runaway hit in France, Second Star is a collection of vignettes about life's smallest and simplest moments, from washing your windows to peeling a clementine. With evocative descriptions of taste, touch, and sound, Delerm zeroes in on the sensations and pleasures that, while often overlooked or taken for granted, can make us feel most alive. Linger in the moment, he says, stay a while—be here, now. —SMS Romantic Comedy by Curtis Sittenfeld I first encountered Curtis Sittenfeld in high school, when my dad's then-girlfriend gifted me a copy of Prep. It was smart and sexy and felt like a portal into womanhood, which I was on the precipice of. Sittenfeld knows how to write romantic comedy without ever slipping into the saccharine, the chivalrous, the cliche. (Also, Brandon Taylor is a fan!) So I can't wait for her new rom-com, about a comedy writer whose decision to swear off love is rocked when she falls for a pop star. —SMS Sea Change by Gina Chung Chung's debut centers on thirty-something Ro who feels stalled in her life—heartbroken after a breakup, father missing, mother remote, friends drifting away. She's also stagnating at her job at a mall aquarium, where one of her favorite sea creatures (and last remaining link to her father), an octopus named Dolores, is about to be sold to a wealthy investor intent on moving her to a private collection. Joseph Han called Ro one of his favorite Korean American characters of all time. —MML The One by Julia Argy Argy’s debut novel, about a woman who’s a contestant on a Bachelor-style dating reality show, has garnered some killer blurbs. Julie Buntin writes, “I could not stop reading Julia Argy’s smart, funny, and tender debut novel about falling in love and finding oneself on and offscreen,” and Claire Messud calls it “riveting, astute and darkly comic.” —EL Without Children by Peggy O'Donnell Heffington As a mother of three myself, I’m interested in why people become parents—or don’t. In Without Children, Heffington, a historian of gender, explores the long history of women who did not become mothers, for a variety of reasons. Situating what seems to some to be a modern phenomenon within a larger historical context, this one seems like an essential read. Ada Calhoun deems it a “timely, refreshingly open-hearted study.” —EL The Double Life of Benson Yu by Kevin Chong I hear the word “metafiction” and I usually figure I’m in for a cerebral workout and probably a headache. While Chong’s story of a graphic novelist focusing on his art in an attempt to process his difficult youth is indeed a workout, it’s also a hugely engaging, headache-free read about a world, Chinatown, and a creative outlet, graphic arts, that I know nothing about. Yes, there is a lot of darkness in this story, episodes that could present challenges to some readers, but ultimately the heft of this novel lies in its powerful reminder that unless we confront our demons, we’ll never exorcise them. —IR Arrangements in Blue by Amy Key An essay collection about unpartnered life set to the soundtrack of Joni Mitchell's Blue—so thoughtful of Amy Key to write a book specifically and exclusively for me! Looking back at her past romantic longings and collisions, Key considers the (inflated?) value of romantic love and finds her contradictory feelings on the matter reflected in Mitchell's lyrics. There's nothing poor-me about Arrangements in Blue; in Key's hands, solitary life becomes more capacious—and more complicated—than I ever thought possible. —SMS The Ugly History of Beautiful Things by Katy Kelleher In this deeply researched collection of essays, Paris Review contributor Katy Kelleher explores the hidden histories of our favorite luxury goods, revealing how even the most beautiful objects have dark, unsavory backgrounds. In a blend of historical, scientific and autobiographical writing, Kelleher explains why some red lipstick contains beetle shells, why certain perfumes include rodent musk, and why a fancy class of dishware is made with the ashes of cow bones. Along with helping us understand how these objects came to signify beauty, Kelleher reveals the price workers pay to bring them to us – and suggests a few ways we can ethically appreciate their products. —TB May Written on Water by Eileen Chang It is no exaggeration to say Eileen Chang has shaped our perceptions of modern cities in China. Before her, big cities were monstrous, with myriads of people often seen as sordid sinners. Chang portrayed Shanghai and Hong Kong as the intersections of tradition and modernity, of the East and the West. The pleasures of modernity embody new ways of life. The subtleties of everyday life signify people’s pursuit of happiness. Chang is sharp, rebellious, and unique. You will find even her examination of Shanghainese food eerily resonating. —JQ Homebodies by Tembe Denton-Hurst When Mickey Hayward loses her coveted media job, she pens a scathing letter about the racism and sexism she's encountered in the industry. It's met with silence and soon forgotten, until a media scandal catapults the letter—and Mickey—back into the spotlight. This witty take on fame, media, and the institutions that rule our lives, Homebodies already garnered blurbs from Danielle Evans, Honorée Fanonne Jeffers, and Bryan Washington. —SMS Quietly Hostile by Samantha Irby If you’ve read Irby’s previous collections, or even skimmed her Instagram, you’re likely waiting for her next book of hilarious essays. This one sounds promising: it has a skunk on the front and covers everything from working in Hollywood, to getting a “deranged pandemic dog” (per the jacket copy), to being turned away from a restaurant for being dressed inappropriately. I can’t wait! —EL Dances by Nicole Cuffy At the age of 22, Cece Cordell is catapulted to fame when she becomes the first Black principal dancer in the history of the storied New York City Ballet. But her achievement doesn’t feel right, and she she soon embarks on a journey to find a missing older brother— and the pieces of herself that have been devoured by the voracious machinery of the highly competitive ballet world. This debut novel by the author of a decorated work of short fiction, 2018's Atlas of the Body, is an examination of the physical and spiritual costs all artists must pay in the pursuit of their art. —BM Monsters by Claire Dederer How to separate the art from the artist? A question I—and most cultural critics—have been wrestling with for a long time now. In Monsters, Claire Dederer takes a stab. Inspired by her Paris Review essay, "What Do We Do with the Art of Monstrous Men?," Dederer takes on Hemingway and Picasso, Miles Davis and Roman Polanski, to construct a deeply personal theory of art, genius, and cruelty, written from the perspective of both a critic and a fan. I've been counting down the days to this one for a while. —SMS Dykette by Jenny Fran Davis In her blurb for Davis's debut novel, the writer Samantha Hunt tells me everything I needed to know: "Like a tightly rolled spliff passed around the room," she writes, "you will inhale Dykette." Following three queer couples on a 10-day country getaway, Dykette takes on desire, debauchery, and destruction through a distinctly queer—and propulsively entertaining—lens. —SMS Avidly Reads Screen Time by Phillip Maciak Phillip Maciak is one of the best TV critics alive right now, full stop. Whether he's writing about Girls or Station Eleven or Bluey, his criticism is always characterized by wit, insight, and a remarkable propensity for close-reading. So yes, I was over the moon to learn about his new book of cultural criticism and history, Avidly Reads Screen Time, about how we define screens and how they define us. There are three Mad Men screen caps within the book's first 30 pages, so, yeah, it's gonna be ridiculously good. —SMS Thinning Blood by Leah Myers Leah Myers is likely the last official member of the Jamestown S'Klallam Tribe as a consequence of blood quantum laws. In a work of memoir and family excavation of her ancestors lives' in the Pacific Northwest, Myers explores the meaning of legacy, documentation, belonging, and weaves between and together her own life, the lives of her ancestors, and the hypotheticals of future generations. —LK King: A Life by Jonathan Eig Martin Luther King Jr. has, at this point, been flattened into an icon. The Selma to Montgomery march, "I Have a Dream," his assassination—this is what his life has been boiled down for many of us, and in the American imagination as a whole. King the leader, the orator, the pastor, the martyr—what about King the man? Eig's forthcoming tome on King, the first full biography in decades, contains new research and shines a fresh light on King's life, relationships, and interiority. —SMS A Life of One's Own: Nine Women Writers Begin Again by Joanna Biggs I've recently realized that I will read just about any book of nonfiction that has the word "women" in the title. A Life of One's Own is no exception, though the draw certainly does not end at its title. Biggs's latest combine memoir, criticism, and biography (my favorite literary concoction) to study how women writers across the centuries—Plath, Woolf, Morrison, et al.— have carved out freedom for themselves in their lives and work. (I suspect this one will be a great companion to the aforementioned How to Think Like a Woman.) —SMS The Late Americans by Brandon Taylor Everyone’s favorite Booker Prize shortlister, national bestseller, Story Prize winner, Henry James prefacer, litcrit-newsletter purveyor, tweet-sender, and sweater-enjoyer Brandon Taylor, returns in May 2023 with The Late Americans. Like his acclaimed 2020 novel Real Life, The Late Americans is set in a small midwestern college town; also like Real Life, it is more accurately set in its young characters’ exquisitely sensitive and private psyches. Its three protagonists, and a larger constellation of midwestern eccentrics, artists, and academics, confront and provoke one another in a volatile year of self-discovery leading to a trip to a cabin where they bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered. —Adam O'Fallon Price The Lost Journals of Sacajewea by Debra Magpie Earling Earling reimagines the well-trodden tale of Sacajewea and her role in the fateful expedition of Lewis and Clark in this historical novel. Endowed agency, authority, and interiority, Earling's Sacajewea rewrites the version of herself handed down through American history. Her life before the expedition comes into vivid focus, as do her complicated feelings about her role in charting the course for American imperialism. Night of the Living Rez author Morgan Talty praises this "transcendental work of literature" as "striking" and "elegant." —SMS On Women by Susan Sontag, edited by David Rieff Susan Sontag, Merve Emre—the collab of the century? I'll read anything by either writer, so I will of course be reading this. Sontag's takes on feminism, sexuality, beauty, fascism, aging, and more are the focus of this seven-essay collection, introduced by Emre and edited by Sontag's son David Rieff. Always drawn to the grey, the murky, the complicated, here Sontag considers the ubiquitous, amorphous forces that shape women's lives with her characteristic curiosity and authority. —SMS Lesbian Love Story by Amelia Possanza In her debut memoir, Brooklynite Possanza dives into the archives to recover the stories of twentieth-century New York lesbians. Sifting through records she finds role models and cautionary tales, juicy gossip and heart-wrenching regret. Writing with empathy, wit, and imagination, Possanza constructs a personal, political, and romantic history of lesbian life and love. —SMS June Where Are Your Boys Tonight?: The Oral History of Emo's Mainstream Explosion 1999-2008 by Chris Payne Emo exploded just as I gained consciousness as a human being with aesthetic tastes. For me, and many of my peers, emo music was a formative force in our lives, enunciating the frustration and darkness that many of us found ourselves newly harboring as adolescents. So I can't wait to read Chris Payne's oral history of the genre, which uses interviews with My Chemical Romance, Paramore, Panic! at the Disco, Fall Out Boy, and more to reconstruct emo's meteoric ascent and profound cultural footprint. —SMS Wannabe: Reckoning with the Pop Culture That Shapes Me by Aisha Harris Harris, host of NPR's Pop Culture Happy Hour, always has a take. Movies, TV, music—she's got an opinion and she's excited to tell you about it. Adapting her radio presence into book form, Wannabe sees Harris turning her talents for critique and criticism inward, looking at the media that has shaped her life and examining its effects. From Clueless to the Spice Girls, New Girl to Chance the Rapper, Harris teases out the connections between her identity and her love of pop culture with wit and elan. —SMS Rivermouth: A Chronicle of Language, Faith, and Migration by Alejandra Oliva Oliva is a writer, translator and immigration activist who has translated for people seeking asylum along the US-Mexico border since 2016. In this work of memoir and journalism, which won a 2022 Whiting Nonfiction Award, Oliva describes her experiences of translation, describes her own Mexican-American family's relationship to the border, and interrogates notions of citizenship and belonging. —LK I Am Homeless If This Is Not My Home by Lorrie Moore Moore's first novel since 2009's A Gate at the Stairs, I Am Homeless If This Is Not My Home (that title!) is a ghost story set in the nineteenth and twenty-first centuries about grief, devotion, and narrative. I'll be honest, I have no idea what this book is actually going to be about (the descriptive copy sums up the plot thusly: "A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . .") but the intrigue makes it all the more anticipated. —SMS Directions to Myself: A Memoir of Four Years by Heidi Julavits My first introduction to Julavits was 2015's The Folded Clock, which I read the week after I first moved to New York, back in 2020. I've been waiting for her next book ever since. It's finally here—Directions to Myself sees Julavits studying what she calls "the end times of childhood." She writes about her son's upbringing as well as her own to find answers about motherhood, family life, and growing up. George Saunders calls it "an absolute stunner." I predict I'll feel the same. —SMS [millions_email]
When I was young, I had two types of reading: public reading and private reading. Public reading was reading I accomplished mostly to have something to talk about with other kids at school, while private reading was only for myself. These two lives of mine sat in tension. Why was I reading one thing to talk about, to be part of society, and another thing to experience privately? Unknown. But as Maud Casey writes in The Art of Mystery, “The privacy of the singular mind, the privacy of consciousness, is one of fiction’s exceptional gifts to us,” and it was always the private reading, the deep one-to-one communion with another mind, that I valued more. This year I read certain books to stay tethered to the world—Shoshana Zuboff’s The Age of Surveillance Capitalism and Ibram X. Kendi’s How to Be an Antiracist and Ian Haney Lopez’s Merge Left: Fusing Race and Class, Winning Elections, and Saving America—but I also devoted myself with greater intensity to books I read only for the sustenance of my inner life. Back in March, a friend gave me a copy of her father’s favorite book, John Williams’s The Man Who Cried I Am, as part of a book exchange, and it was one of the best discoveries of the whole year. The Man Who Cried I Am is a provocative, civil rights era novel, a bestseller in 1967. It recounts the story of a Black American journalist Max Reddick and his fraught marriage to a Dutch woman, as well the King Alfred Plan, which is a CIA plot to intern and eliminate America’s Black population. There’s a brutal pain and anguish and thematic complexity and edge to this novel that’s so completely honest, never made easily digestible, never seeking to placate the reader, and I loved it. After Toni Morrison passed away over the summer, I visited and revisited a few of her novels. I was astonished to find that in my 40s Jazz read as a much more powerful novel than it did when I was a college student. I didn’t grasp in my early 20s the depth of Joe’s betrayal of his wife for a younger woman, or the ways that the younger woman’s people respond to the circumstances, and I struggled with its experimental qualities. This time around, I appreciated the genius of Morrison’s orchestration of so many characters, the boldness of a vision that knows it is worthy of being followed without any hand-holding, the way it reveals to us the ways imperfect characters miss understanding each other, just as we often miss each other in real life. I’ve been a fan of the novelist Yoko Ogawa for years. I don’t know if she can write a book I wouldn’t be interested in. I was excited to read her masterful fable The Memory Police, which is set on a totalitarian island where everything is disappearing and memory police ensure what’s disappeared remains forgotten. The book lived up to my anticipation. Its resonance arises not from its relevance in a time of creeping fascism, but from the timelessness of its consideration of memory and how much a self is made up of the memory of things, and its question of what is left in us if we lose all those things. Another writer I returned to this year as a fan was the brilliant Percival Everett. There was Erasure, a bleak, subversive, experimental novel reacting to the pigeonholing of Black writers and the commodification of “urban” experiences. In Percival Everett by Virgil Russell, a man visits his aging father in a nursing home and they tell each other stories, with father and son blending into the other. Everett’s So Much Blue was my favorite of these three: a beautiful novel made of three interwoven threads of time. As with Everett’s other novels, the narrator’s observations in So Much Blue are astute, often so sharp you feel you’ve been sliced open. I delighted in the ambiguity and skepticism of Zadie Smith’s short story collection Grand Union. Every writer could learn from her almost compulsive willingness to consider she’s wrong about what she’s imagined, about everything she thinks she knows—her talent for questioning—and that tension of not-knowing drives the collection. I loved The Atlas of Reds and Blues, a powerful debut novel by Devi Laskar, whose poetry I’d read before through the Tupelo 30/30 Project. In its fragments and linguistic intensity, it reads like the best poet’s novels do—with equal attention to language and story. It’s extremely rare to see the effects of years of racism and xenophobia against South Asian Americans laid out in such forceful and lyrical terms. Atlas insists—rightly—on its status as an American novel, blowing open the door for other acutely honest novels about the realities of South Asian American lives. I also loved Mathangi Subramanian’s heartfelt, compassionate novel A People’s History of Heaven. It is the story of a band of girls in a slum in Bangalore in India, and their bonds to each other and resistance to their grim reality. There’s so much truth resonating through this novel: “It is one thing to write stories to save others. It is another to write a story to save yourself. I also discovered for the first time several wonderful authors whose fiction had been on my radar for some time. Among these was Carolina de Robertis’s Cantoras, a beautiful novel about five queer women who take a bold trip to the beach together while living under the Uruguayan dictatorship. The tender, moving intimacies between these different women, the fierce resolve within their private lives, provide the novel’s powerful enchantments. I reviewed a number of the most inventive, original books I read this year, but I felt lucky at the sheer number of memorable debuts that drifted onto my radar. In the stark novel The Unpassing, Chia Chia Lin writes about a Taiwanese immigrant family in Alaska that is struggling to survive the loss of a daughter. The novel expresses a certain kind of dilemma so gorgeously, I physically ached in the recognition of reading it: “He had brought us to a place we didn’t belong, and taken us from a place we did. Now we yearned for all places and found peace in none.” In Kali Fajardo Anstine’s tender, and fearless short story collection Sabrina and Corina working-class Latina women survive poverty and loss. There are descriptions of living in here that are so true they hurt: “That’s when I knew she was forever caught in her own undercurrent, bouncing from one deep swell to the next. She would never lift me out of that sea.” I can’t wait to read what she writes next. In Mimi Lok’s elegant short story collection Last of Her Name, characters try to connect with each other in strange ways across a range of settings. In Lok’s story "The Wrong Dave," an architect who is getting married receives an email, and strikes up a correspondence in which he’s unsure whether she knows with whom she’s emailing. The collection closes on a can’t-miss, suspenseful novella "The Woman in the Closet" about a homeless woman. And I enjoyed, too, Sarah Vallance’s Prognosis: A Memoir of My Brain, Olga Zilberbourg’s Like Water, Sion Dayson’s As a River, and Claire Foster Rudy’s Shine of the Ever. A galley of Lydia Davis’s Essays One was one of the books I most needed to read this fall. Its focus on precise observation from different angles served as a balm against the sloppy, blunt, ideologically rigid thinking found in so many places. There’s an essay about what to read, and I’ve been thinking about its advice for purposes of my reading next year: “Read the best writers from all different periods; keep your reading of contemporaries in proportion —you do not want a steady diet of contemporary literature. You already belong to your time.” I anticipate my private reading life for 2020 to heed this advice, in spite of the dozen half-read books and galleys on my nightstand left unfinished for no apparent reason. The news is so essential to the development of a public self, a citizen, yet books are, for me, an urgently necessary bulwark, fortification for the deeper private self.
I’ve spent this year second-guessing myself. Every decision inspired fear. My emotions were out of control. I despised (yet yearned) for change. My astrology-inclined friends tell me this is my “Saturn return,” which is when Saturn returns to the position it was in during your birth. Saturn return tends to be a period of time rife with change, intensity, and questioning. And, despite being skeptical of cosmic predictions, I can’t help but feel like I’m in the midst of something larger than myself. And, like my thoughts and emotions, my reading has been all over the place. I kicked off the new year by reading Lydia Kiesling’s The Golden State poolside in the Sunshine State. Its willingness to explore the mundane (and maddening) minutiae of motherhood with a thoughtfulness usually reserved for Very Serious Topics™ felt revolutionary. I’ve never read anything like it (in the best possible way). In addition to reading and reviewing for work, I read a few books for fun including Michelle Obama’s Becoming. I listened to the audiobook and I would argue it’s the best (perhaps only?) way to read the book. Without realizing it, I started The Plot Against America (my first Philip Roth book) on a train to Newark. Disturbing in its own right, the alternate history of America post-WWII has far too many parallels to today’s political climate. I also read, and enjoyed, a little book no one’s ever heard of: Normal People by Sally Rooney. Rooney manages to capture the feeling of being young and desperate for belonging with honesty. Summer was bookmarked by queer novels: Carolina De Robertis’s Cantoras—a luscious and heartbreaking story about revolution in 1970s Uruguay—and Kristen Arnett’s Mostly Dead Things—a novel about a grief-stricken family, taxidermy, and obligation. In between those books, I read some incredible books: And Now We Have Everything by Meaghan O’Connell, which made me cringe, laugh, and cry all at the same time; What My Mother and I Don’t Talk About edited by Michele Filgate, which is one of the best anthologies I’ve read in years; Adrienne Brodeur’s Wild Game, a beautiful memoir about toxic mother-daughter relationships; The Remains of the Day by Kazuo Ishiguro, a quiet, deliberate masterpiece; Rory Power’s Wilder Girls, a creepy, queer YA dystopia; and Lauren Groff’s Florida, a short story collection further proving Groff is one of the best. The New Me by Halle Butler was feverishly inhaled over the course of one afternoon. Butler’s office novel hit too close to home and it sent me reeling. I also worked my way through Leslie Jamison’s Make It Scream, Make It Burn, which I had been (unknowingly) waiting for since I read The Empathy Exams in 2016. No one writes an essay like Jamison, and I’m already awaiting her next collection. As a freelancer, I mostly review fiction so I gravitated toward nonfiction in my free time. I read I’ll Be Gone in the Dark, the late Michelle McNamara’s haunting book about the Golden State Killer (her nickname). What a sadness that she couldn’t finish what she started but, man, what she left behind was incredible. In a move that shocked no one, I tore my way through Benjamin Dreyer’s Dreyer’s English, which was informative and hilarious in equal measure. John Glynn’s Out East warmed my cold Long Island heart with its sun-kissed honesty. Furious Hours by Casey Cep was the perfect combination of true crime and literary history. I was horrified and enthralled by Jodi Kantor and Megan Twohey’s She Said about breaking the Harvey Weinstein story and the #MeToo movement. I’ve always loved books and movies about journalism, and this is journalism at its finest. For the aspiring writer in your life: Courtney Maum’s Before and After the Book Deal (out January 2020) is an invaluable resource. And then there were my two favorite books of the year: the ones I sat with the longest, that inspired me to write, and that I’ll revisit over and over again. Read over the course of a weekend, T Kira Madden’s Long Live the Tribe of Fatherless Girls left me speechless, devastated, and hopeful. I cannot remember the last time I filled a book with so many annotations, asterisks, and exclamation points. Susan Choi’s Trust Exercise totally and completely blew my mind. I said it then and I’ll say it now: I would take a whole course dedicated to studying the structure and form of Choi’s novel. Trust Exercise left me unmoored and it took weeks to find my next book. It’s without a doubt the best novel I read all year.2019 was bad in many ways but the reading was good. If anything, that’s what I’ll take into 2020. More books and writing. Less indecision and trepidation. Stars be damned. More from A Year in Reading 2019 Do you love Year in Reading and the amazing books and arts content that The Millions produces year round? We are asking readers for support to ensure that The Millions can stay vibrant for years to come. Please click here to learn about several simple ways you can support The Millions now. Don't miss: A Year in Reading 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005 [millions_ad]
We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around). Here’s what we’re looking out for this month—for more September titles, check out our Second-Half Preview. Let us know what you’re looking forward to in the comments! Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. The Water Dancer by Ta-Nehisi Coates: One of America’s most incisive voices on race and history turns to fiction with a story of a young enslaved man who escapes bondage for the North. Early readers marvel at how Coates manages to interweave a deeply researched portrait of the all-too-real horrors of Southern slavery with sly touches of magical realism. (Michael) All This Could Be Yours by Jami Attenberg: Emma Cline pinpoints Attenberg’s strength, that she writes about death, family, sex, love, with, “a keen sense of what, despite all the sadness and secrets, keeps people connected.” The critically acclaimed and bestselling author’s seventh novel follows the tangled relationship of a family in crisis as they gather together in a sweltering and lush New Orleans. Their father, a power-hungry real estate developer, is dying. Told by alternating narrators, the story is anchored by daughter Alex, who unearths the secrets of who her father is and what he did. This book is, Zachary Lazar says, “another marvel of intelligence, humor, and soul.” (Claire) Make it Scream Make it Burn by Leslie Jamison: Jamison (The Empathy Exams) credits the poet William Carlos Williams with a sentence that inspired her title: “What the artist does applies to everything, every day, everywhere to quicken and elucidate, to fortify and enlarge the life about him and make it eloquent—to make it scream.” To fortify and enlarge the world through eloquence—apt descriptions of Jamison’s new collection, which begins with the story of 52 blue, “the loneliest whale in the world,” whose existence “suggests not just one single whale as metaphor for loneliness, but the metaphor itself as salve for loneliness”—and ends with “The Quickening,” an essay addressed to her daughter: “Eating was fully permitted now that I was doing it for someone else. I had never eaten like this, as I ate for you.” Another wonderful book from this gifted writer. (Nick R.) [millions_ad] The Dutch House by Ann Patchett: Patchett, who has long straddled the line between literary cred and pop bestsellerdom, follows up her prize-winning 2016 novel Commonwealth with another epic family saga, in this case kicked off by a real estate magnate’s purchase of a lavish suburban estate outside Philadelphia after World War II. Running from the late 1940s to the early 2000s, the novel is billed as “the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness.” (Michael) The Testaments by Margaret Atwood: The much-anticipated follow up to The Handmaid’s Tale, this sequel takes place 15 years after the van door slammed on Offred and we were left wondering what was next—freedom, prison or death? The story is told by three female narrators from Gilead. In a note to readers, Atwood says two things influenced the writing of this novel. First, all the questions she’s been asked by readers about Gilead and, second, she adds ominously, “the world we’ve been living in.” (Claire) Furnace of This World: Or, 36 Observations About Goodness by Ed Simon: Simon, a staff writer at The Millions known for his deep dives into literary and intellectual history, meditates on the nature of goodness across 36 learned, suggestive observations. He calls this project “an artifact of things I’ve lost, things I’ve loved, things I’ve feared, things I’ve prayed for,” and presents it as “the moral equivalent of a Wunderkammer—a ‘Wonder Cabinet’— that is a strange collection of occurrences, theories, philosophies, narratives, and fictions.” This curious object is well worth a look inside. (Matt) Dominicana by Angie Cruz: Life changes drastically for 15-year-old Ana, when she is uprooted from the Dominican countryside to New York City’s Washington Heights. An arranged marriage allows her, along with her entire family, to emigrate to America, and Ana is desperate to escape. As she opposes and embraces certain aspects of her new home, she makes difficult decisions between her duty to her family and her own heart. This exciting tale of immigration, love, and independence has been praised by the likes of Sandra Cisneros and Cristina Garcia, making it one of the most anticipated coming-of-age stories of the year. (Kate Gavino) Quichotte by Salman Rushdie: Quichotte, a middle-aged salesman obsessed with television, falls head over heels for a TV star. Despite the impossible love, he sets off on a roadtrip across the US to prove himself worthy of her hand. Meanwhile, his creator, a middle-aged mediocre thriller writer, has to meet his own crisis in life. Rushdie’s new novel is Don Quixote for our time, a smart satire of every aspect of the contemporary culture. Witty, profound, tender, this love story shows a fiction master at his brilliant best. (Jianan Qian) Cantoras by Carolina De Robertis: In 1977 Uruguay, a military dictatorship crushes dissent and punishes homosexuality, but five queer women manage to find each other and a village on the beach where they’re safe and free, if only for a week at a time. The five call themselves cantoras, women who sing, and for the next three decades their friendships, beach-side refuge, and cantoras identities help the women find the strength to live openly and defiantly, to revolutionary effect. (Kaulie) The Shadow King by Maaza Mengiste: Mengiste’s debut novel, Beneath the Lion’s Gaze, chronicled the life of a family during the chaotic last days of Emperor Haile Selassie’s rule. The figure of Selassie looms over her second novel, The Shadow King, as well, this time in the 1930s as an orphaned servant Hirut is caught in the clash between the emperor’s troops and Mussolini’s fascist invaders. Mengiste’s work bookends this historic era of Ethiopian life, capturing all the damage and hope of war, with prose Salman Rushdie describes as “brilliant… lyrically lifting history towards myth.” (Adam P.) Pet by Akwaeke Emezi: Emezi’s debut YA novel (following their much-loved Freshwater) sets out to answer a question that plagues every child at some point: Are monsters real, and if they are, do they want to hurt me? The children of the city of Lucille are taught that monsters are imaginary, but when protagonist Jam sees a creature emerge from the previously dead landscape of her mother’s painting, she’s forced to reconsider everything she knows about the world. Soon after, she learns that monsters are targeting her best friend Redemption, which leads her to wonder: How do you stop them if no one believes they exist? (Thom) Baron Wenckheim’s Homecoming by László Krasznahorkai (translated by Ottilie Mulzet): Winner of the 2015 Man Booker International Prize, Krasznahorkai (The World Goes On) returns with a novel about Baron Béla Wenckheim, who leaves exile in Buenos Aires, to return to his Hungarian hometown where controversy, gossip, and scheming abount. Publishers Weekly starred review writes: "Apocalyptic, visionary, and mad, it flies off the page and stays lodged intractably wherever it lands." (Carolyn) Indelible In The Hippocampus edited by Shelly Oria: Featuring poetry, fiction, and essays, Oria's (New York 1, Tel Aviv 0) intersectional anthology provides personal accounts of sexual assault, harassment, and gendered violence from (mostly) marginalized voices. The collection includes 23 writers including Kaitlyn Greenidge, Melissa Febos, Paisley Rekdal, and Samantha Hunt. Kirkus's starred review says the anthology includes "not just candid and clear revelations of abuse, but powerful demands for justice. (Carolyn) The Grammarians by Cathleen Schine: Schine's latest follows identical redheaded twins, Laurel and Daphne Wolfe, who are obsessed with language and words. As they grow up in 1980s Manhattan, their relationship becomes strained before ultimately coming to a head as they war over a family heirloom: a copy of Merriam Webster’s New International Dictionary, Second Edition. A starred Kirkus review called it an "impossibly endearing and clever novel" that "sets off a depth charge of emotion and meaning." (Carolyn) When Death Takes Something from You Give It Back by Naja Marie Aidt (translated by Denise Newman): In 2015, Aidt's son died tragically; this book was born out of that tragedy. Using various genres and forms, Aidt's slim memoir attempts to explore her grief, which is all-consuming. In a starred review, Kirkus called the memoir "a stirring, inventive masterpiece of heartbreak." (Carolyn) The Ungrateful Refugee by Dina Nayeri: Author Nayeri explores what it means to be a refugee in her first work of nonfiction. Nayeri, who was granted asylum in the United States as a child, juxtaposes her personal experience and the stories of current day refugees and asylum seekers to explore the refugee experience. She dispels myths, addresses well-intentioned yet flawed arguments (like "good" immigrants), and how much refugees give up in exchange for safety. Kirkus's starred review calls the book "a unique, deeply thought-out refugee saga perfect for our moment." (Carolyn) My Time Among the Whites by Jennine Capó Crucet: Award-winning author Crucet makes her nonfiction debut with an essay collection about race, identity, and being a first-generation American through the personal and political. Alexander Chee writes: "Crucet is an essential truth-teller, the whisper in your ear you should listen to, wise and funny as she tries to save your life—and this book is a triumph.” (Carolyn) The Nobody People by Bob Proehl: Proehl (A Hundred Thousand Worlds) returns with the first of a two-book literary science fiction series. When a group of ordinary people with extraordinary abilities (think the X-Men) emerge, they find themselves at odds with a society unwilling to accept them. After one of their own causes a mass casualty event, they must fight together or risk extinction. Booklist says: “Much like the X-Men comics, Proehl masterfully uses science fiction as a lens to examine social inequality and human evil. (Carolyn) [millions_email]
In our latest edition of featured fiction—curated by our own Carolyn Quimby—we present an excerpt from Carolina De Robertis’s new novel, Cantoras, out today from Knopf. In it's starred review, Kirkus raved: “Rich and luscious, De Robertis’ writing feels like a living thing, lapping over the reader like the ocean. Carefully crafted and expertly observed, each sentence is an elegant gift...A stunning novel about queer love, womanhood, and personal and political revolution.” And here's what our own Kaulie Lewis had to say about the book in the Second Half Preview: In 1977 Uruguay, a military dictatorship crushes dissent and punishes homosexuality, but five queer women manage to find each other and a village on the beach where they’re safe and free, if only for a week at a time. The five call themselves cantoras, women who sing, and for the next three decades their friendships, beach-side refuge, and cantoras identities help the women find the strength to live openly and defiantly, to revolutionary effect. 1 Escape The first time—which would become legend among them—they entered in darkness. Night enfolded the sand dunes. Stars clamored around a meager slice of moon. They would find nothing in Cabo Polonio, the cart driver said: no electricity, and no running water. The cart driver lived in a nearby village but made that trip twice a week to supply the little grocery store that served the lighthouse keeper and a few scattered fishermen. There was no road in; you had to know your way. It was lonely out there, he remarked, glancing at them sideways, smiling to bare his remaining teeth, hinting, though he stopped short of asking any questions about what they were doing, why they were traveling to this of all places, just the five of them, without a man, and it was just as well, as they wouldn’t have had a decent answer. The trees gradually receded, but clumps of brush still reared their tousled heads from the smooth slopes as if just being born. The horse-drawn carriage moved slowly, methodically, creaking with the weight of them, hoofs muffled in the loose sand. They were stunned by the sand dunes, the vast life of them. Each traveler became lost in her own thoughts. Their five-hour bus ride down the highway already seemed a distant memory, dislodged from this place, like a dream from which they’d now awakened. The dunes rippled out around them, a spare landscape, the landscape of another planet, as if in leaving Montevideo they’d also managed to leave Earth, like that rocket that some years ago had taken men to the moon, only they were not men, and this was not the moon, it was something else, they were something else, uncharted by astronomers. The lighthouse rose before them, with its slowly circling light. They approached the cape along a beach, the ocean to their right, shimmering in the dark, in constant conversation with the sand. The cart passed a few small, box-like huts, fishermen’s huts, black against the black sky. They descended from the cart, paid the driver, and carried their packs stuffed with food and clothes and blankets as they wandered around, staring into the night. The ocean surrounded them on three sides of this cape, this almost-island, a thumb extending off the hand of the known world. At last they found the right place, or the closest thing to it, an abandoned house that could act as windbreak for their camp. It was half-built, with walls only partially constructed and no roof. Four unfinished walls and open sky. Inside, there was plenty of space for them; it would have been an ample house if it hadn’t been left to be eaten by the elements. After they set up their things, they went outside and built a fire. A breeze rose. It cooled their skin as whisky warmed it, flask moving from hand to hand. Cheese sandwiches and salami for dinner around the campfire. The thrill of lighting the wood, keeping it burning. Laughter spiked their conversation, and when it lulled, the silence had a glow to it, crackled by flames. They were happy. They were not used to being happy. The strange feeling kept them up too late together, giddy with victory and amazement. They had done it. They were out. They had shed the city like a hazardous garment and come to the edge of the world. Finally they drifted to their blanket piles and slept to the gentle pulse of waves. But deep in the night, Paz startled awake. The sky glittered. The moon was low, about to set. The ocean filled her ears and she took it as an invitation, impossible to resist. She slid out of her covers and walked down over the rocks, toward the shore. The ocean roared like a hunger, reaching for her feet. She was the youngest in the group, fifteen years old. She’d lived under the dictatorship since she was eleven. She hadn’t known that air could taste like this, so wide, so open. Her body a welcome. Skin awake. The world was more than she had known, even if only for this instant, even if only in this place. She let her lips part and the breeze glided into her mouth, fresh on her tongue, full of stars. How did so much brightness fit in the night sky? How could so much ocean fit inside her? Who was she in this place? Standing on that shore, staring out at the Atlantic, with those women who were not like other women sleeping a few meters away, she felt a sensation so foreign that she almost collapsed under its spell. She felt free. Excerpted from Cantoras. Copyright © 2019 by Carolina De Robertis. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission from the publisher. [millions_ad]
Here’s a quick look at some notable books—new titles from the likes of Etgar Keret, Rebecca Solnit, Monique Truong, Angie Cruz, Salman Rushdie, and more—that are publishing this week. Want to learn more about upcoming titles? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. Fly Already by Etgar Keret Here's what Publishers Weekly had to say about Fly Already: "Keret (The Seven Good Years) balances gravitas and drollery in this collection of 23 pieces. Stories often begin with declarative sentences—'I celebrate the kid’s birthday the day after.'—that presume an intimacy with the reader and immediately engage. Many are very short; 'Evolution of a Breakup,' 'At Night,' 'The Next-to-Last Time I Was Shot Out of a Cannon,' each capture a moment of emotional complexity. Longer stories start with that same directness and add complications. 'Tabula Rasa' begins with the explanation of a frightening recurrent dream rooted in academia and ends with echoes of the Holocaust. In 'Crumb Cake,' Mom is grumbling because her 50-year-old son is unsatisfied with the birthday cake she has made him. As a lunch celebration plays out, deeper fissures in their relationship are revealed. The longest story, 'Pineapple Crush,' begins with 'the first hit of the day' and follows the tumultuous life of a functioning drug addict who has a job working with an after-school program. Peppered throughout the book is an email thread about terrorism, Nazism, and UFOs; it’s the most unconventional story of all, bringing home the idea that the personal is political. The endlessly inventive Keret finds the truth underlying even the simplest human interactions." Dominicana by Angie Cruz Here's what Publishers Weekly had to say about Dominicana: "The demands and expectations of family are an overpowering force in this enthralling story about Dominican immigrants in the mid-1960s from Cruz (Let It Rain Coffee). Fifteen-year-old Ana Cancion, living in the Dominican countryside, becomes Ana Ruiz when she bends to her mother’s pressure and marries the brutish 32-year-old Juan, who has recently emigrated to America and is scratching out a living in New York. Juan and his brothers intend to build a restaurant on the Cancion family land back in the Dominican Republic, and part of the plan is for the brothers to first raise money by working in New York. When Juan brings Ana to the city, she’s overwhelmed, learning hard lessons about the locals and her husband—who’s abusive until Ana becomes pregnant—and she grows closer to Juan’s younger brother, Cesar. Ana comes of age while the Vietnam War protests surge around her in New York, and when the brewing conflict in the Dominican Republic erupts, Ana becomes determined to earn her own money and bring her mother and siblings to the relative safety of the States. The intimate workings of Ana’s mind are sometimes childlike and sometimes tortured, and her growth and gradually blooming wisdom is described with a raw, expressive voice. Cruz’s winning novel will linger in the reader’s mind long after the close of the story." The Sweetest Fruits by Monique Truong Here's what Publishers Weekly had to say about The Sweetest Fruits: "Truong (The Book of Salt) gives voice to three women in the life of Lafcadio Hearn—the real-life 19th-century Greek-Irish writer who wrote about America, the West Indies, and most notably Japan—in her remarkable novel about love, the power of memory, and betrayal. On the island of Cythera in the late 1840s, Lafcadio’s mother, Rosa, meets Charles Hearn, an Irish military surgeon, and sees in him not only romance but a way to escape her oppressive father and loveless home. But when Rosa arrives in Ireland, family politics and homesickness drive her away, leaving a young Lafcadio with nothing but the memory of her scent of lavender. In 1872, Alethea Foley, a young woman born enslaved in the U.S. but now free, meets Lafcadio, also called Patrick, in Cincinnati, where he’s pursuing a career in journalism. Though they fall in love and marry, there are rifts in the marriage rooted in their racial and cultural differences that they cannot repair, and he leaves. In the last decade of the 19th century, Lafcadio arrives in Japan after reporting stints in New Orleans and the West Indies. Soon he meets Koizumi Setsu, who becomes his literary and cultural translator, wife, and mother of his children. Interwoven through these richly imagined narratives are excerpts from the first, actual biography of Lafcadio Hearn, published in 1906. Truong is dazzling on the sentence level, and she inhabits each of these three women brilliantly. Truong’s command of voice and historical knowledge brings the stories of these remarkable women to life." [millions_ad] Cantoras by Carolina De Robertis Here's what Publishers Weekly had to say about Cantoras: "This sensuous tale from De Robertis (The Gods of Tango) takes readers to the author’s native Uruguay during the 1970s to follow the harrowing lives of five women living under dictatorship. Bonded as cantoras, or 'women who sing' (a coded term for lesbians at the time), Flaca, Romina, Anita, Malena, and Paz escape the oppression of their country’s new regime and enjoy freedom at Cabos Polonio, a little known beach. Flaca is a risk taker who bucks tradition; Paz, a 16-year-old romantic just discovering who she is; Romina, a revolutionary who continues to fight despite punishment; Malena, a mysterious one hiding a dark past; and Anita, a beautiful housewife with dreams beyond her marriage. Back home in Montevideo, people disappear and women are raped, but in Polonio, relationships and romance flourish. Over the course of 35 years, these friends and lovers form a makeshift family as they struggle to find their place and awake to their true desires. After the dissolution of the civic-military dictatorship in 1985, formerly forbidden romances are allowed to take root and the characters learn how to live under democracy. De Robertis does a fine job of probing the harsh realities of what it takes to carve out a life of freedom under an oppressive government." Axiomatic by Maria Tumarkin Here's what Publishers Weekly had to say about Axiomatic: "Examining the theme of trauma and grief over the course of five extended essays, cultural historian Tumarkin (Otherland) presents a remarkable tour de force. Each essay derives its title from a different axiom—to pick two: 'You Can’t Enter the Same River Twice' and 'Time Heals All Wounds,'—and explores an easily sensationalized subject, such as, in the latter, teen suicide. That the essays come across as original is a testament to their artful construction, as they organically navigates the networks of a community and evoke a larger system through its smaller components. 'Time Heals All Wounds' delves into the repercussions of teen suicide for families, schools, and communities, and moves through different stories as if they were all part of the same larger case. In addition to trauma, the essays also touch on the effects of time, as in 'History Repeats Itself,' about a lawyer whose commitment to 'being embedded in the community, walking the streets, using the same public transport as my clients' causes Tumarkin to reflect on how time 'lets trust stick, and relationships take anchor.' Perhaps most impressive is how Tumarkin openly courts, yet escapes, cliché. These essays will linger in readers’ minds for years after." Whose Story Is This? by Rebecca Solnit Here's what Publishers Weekly had to say about Whose Story Is This?: "Solnit (Hope in the Dark) highlights gains in the reframing of the American narrative in her incisive latest essay collection. The new narrative, she argues, is progressive and wider in scope, and makes room for the voices of women and people of color. In a moving open letter to Christine Blasey Ford, who testified to the Senate during Brett Kavanaugh’s Supreme Court confirmation hearings that Kavanaugh had sexually assaulted her while the two were in high school, Solnit notes the cultural and legislative changes that came about after Anita Hill’s testimony to demonstrate how the results of such an act of bravery 'rippled outward in all directions.' In 'The Problem with Sex Is Capitalism,' Solnit explores the entitlement that causes some misogynist men to become violent when denied access to women’s bodies; in 'If I Were a Man' she enumerates the challenges of being a woman devoted to her career in a society that still expects women to sacrifice their own ambitions in order to be a caregiver and supporter of others. The collection’s standout, 'A Hero Is a Disaster,' suggests a reevaluation of the American ideal of 'rugged individualism' to reflect the fact that America’s (and the world’s) problems cannot be solved by single actors, but by 'movements, coalitions, [and] civil society' working in tandem. Solnit reasserts herself here as one of the most astute cultural critics in progressive discourse. This brief but trenchant collection will please her fans." Quichotte by Salman Rushdie Here's what Publishers Weekly had to say about Quichotte: "Rushdie’s rambunctious latest (following The Golden House) hurtles through surreal time and space with the author’s retooled Don Quixote on a quest for love and redemption in an unloving and irredeemable U.S.A. In this story within a story, Sam DuChamp, author of spy thrillers and father of a missing son, creates Quichotte, an elegant but deluded, TV-obsessed pharma salesman who strikes out cross-country with the son he’s dreamed into existence, to kneel at the feet of an actress by the name of Miss Salma R. Quichotte and son Sancho brave Rushdie’s tragicomic, terrifying version of America, a Trumpland full of bigots, opioids, and violence. They experience weird, end-of-time events—people turn into mastodons, rips appear in the atmosphere—but also talking crickets and blue fairies offering something like hope. Allowing the wild adventure to overwhelm oneself is half the fun. Rushdie’s extravagant fiction is the lie that tells the truth, and, hilariously, it’s not lost on the reader that he shares this Falstaffian and duplicitous notion with none other than Trump (who is never named). Rushdie’s uproarious comedy, which talks to itself while packing a good deal of historical and political freight, is a brilliant rendition of the cheesy, sleazy, scary pandemonium of life in modern times." Also on shelves: Chimerica by Anita Felicelli. [millions_email]
We seem to say this every six months or so, but what a year for books. The second half of 2019 brings new novels from Colson Whitehead, Ben Lerner, Jacqueline Woodson, and Margaret Atwood. It brings hotly anticipated first novels by Ta-Nehisi Coates and Wayne Koestenbaum. It brings Zadie Smith’s very first short story collection. Riveting memoirs. Coming-of-age stories. With more than 100 titles, you’re going to have your hands full this fall. As always, please let us know what we missed in the comments, and look for additional titles in our monthly previews. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today. And, get the best of The Millions delivered to your inbox every week. Sign up for our free newsletter. JULY The Nickel Boys by Colson Whitehead: Fresh off a Pulitzer for The Underground Railroad, Whitehead returns to the subject of America’s racist history with this tale of a college-bound black man who runs afoul of the law in Jim Crow Florida and ends up in the hellish Nickel Academy, where boys are beaten and sexually abused by the staff. In an early review, Publishers Weekly calls The Nickel Boys “a stunning novel of impeccable language and startling insight.” (Michael) The Need by Helen Phillips: This book had me at “existential thriller about motherhood” but when I found out that the mother in the book is also a paleobotanist, I pre-ordered, because I’ve spent a lot of time in the American Museum of Natural History staring at plant fossils. In case you need more convincing, it has garnered starred reviews from Kirkus and Publishers Weekly, is on multiple summer reading lists, and is from the author of The Beautiful Bureaucrat and Some Possible Solutions. Also, the cover is gorgeous. (Hannah) A Prayer for Travelers by Ruchika Tomar: In this modern-day Western, Tomar tells the story of a young woman’s search for her missing friend in the harsh desert landscape along the California-Nevada border. A gritty portrait of small-town life and the violence that plagues it, the novel formally experiments with time and narration. Publishers Weekly praises Tomar for “employing authorial sleight-of-hand…intentionally scrambl[ing] the chronology of the chapters, the better to immerse the reader in the disorder and dysfunction that shape her characters’ lives.” (Matt) Speaking of Summer by Kalisha Buckhanon: Buckhanon’s latest novel, her fourth, takes the reader on a quest to find out why a woman in Harlem disappeared after walking to the roof of her brownstone one day. The missing woman’s sister, Autumn, sets out to solve the case, after learning the police aren’t likely to provide her with answers. Autumn’s life unravels as her grief becomes overwhelming, and she grows steadily more fixated on the plight of missing women. (Thom) The Vexations by Caitlin Horrocks: In what Kirkus describes as “finely written and deeply empathetic, a powerful portrait of artistic commitment and emotional frustration,” Horrocks tells the story of Erik Satie and his siblings, Conrad and Louise. Set in La Belle Époque Paris, The Vexations is a finally wrought, sensitive novel about family and genius, and the toll that genius exacts on family in pursuit of great art. (Adam P.) The Book of X by Sarah Rose Etter: Etter’s first novel, The Book of X, is a “natural extension” of her wild and raucous collection of stories, Tongue Party, which Deb Olin Unferth selected as winner of (the now defunct) Caketrain’s chapbook competition. Told in fragments, The Book of X alternates between the story of the alienated and disfigured Cassie, born with her stomach twisted in the shape of a knot, and her fantasies of an alternate life for herself. Scott McClanahan calls The Book of X “our new Revelation,” while Blake Butler compares Etter’s voice to Angela Carter’s, declaring, “there’s a new boss in the Meat Quarry.” (Anne) Very Nice by Marcy Dermansky: Emma Straub says Dermanky's fourth novel is, "her best yet." If you’ve read Bad Marie and The Red Car, you know the bar is high and that no writer balances on the sharp edge between comedy and tragedy quite like Dermansky. Very Nice weaves several stories together, a wealthy divorcée in Connecticut, her college-age daughter, a famous American novelist, and a poodle, to ask a timely question—how much bad behavior from a bad man can we take? Maria Semple says it best, "so sexy and reads so smooth." (Claire) [millions_email] Circus: Or, Moira Orfei in Aigues-Mortes by Wayne Koestenbaum Poet, literary critic, and all-around cultural polymath Koestenbaum returns with this post-modern, Nabokovian take on creativity, sexuality, classical music, and the circus in his first novel. Drawing on his interests in camp, Queer theory, and the symphony hall, which he’s explored in critical works like The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire and The Anatomy of Harpo Marx, Koestenbaum gives us the evocatively named Theo Mangrove, a polyamorous pianist who fantasizes that the Italian circus performer Moira Orfei will accompany him on his comeback concert in a medieval, walled French city. Koestenbaum’s hallucinatory lyricism lends itself to declaration like “After an intense orgasm we produce voice from our head rather than our chest;” an aphorism every-bit worthy of poet John Shade in Vladimir Nabokov’s Pale Fire. (Ed) They Could Have Named Her Anything by Stephanie Jimenez: Fulbright scholar Jimenez returns to her native New York in her first novel They Could Have Called Her Anything. A subway ride from Queens to the Upper East Side will see you take the F train while switching to the 6 or the Q, for an investment of about 45 minutes, but the actual distance between Maria Anis Rosario and her privileged friend Rocky’s life couldn’t be further apart. Jimenez’ debut explores the unexpected friendship between these girls at the elite private school both attend, a world where even though “certain girls at Bell Seminary were intimidated” by Maria, a connection would be made between her and Rocky across the chasms of race and class which define the city. (Ed) Stay and Fight by Madeline ffitch: The first novel from ffitch, the author of the 2014 short story collection Valparaiso, Round the Horn, and a longtime environmental activist living in Appalachia, Stay and Fight is both a social protest novel and the moving story of an unusual family. When Lily and Karen’s son is born, they know they’ll have to leave the women-only land trust where they’ve been living. Helen, who homesteads on 20 acres nearby, invites them to join her, and they settle into a new kind of domestic routine. But over the years the outside world edges nearer, threatening both the family and the Appalachian land that supports them. (Kaulie) Costalegre by Courtney Maum: Maum’s third novel, her follow-up to I Am Having So Much Here Without You and Touch, is a pivot to historical fiction. Set in 1937, Costalegre is about heiress and art collector Leonora Calaway (modeled after Peggy Guggenheim), who bankrolls a group of Surrealist artists to flee Europe for Mexico. The book, narrated by Leonara’s 15-year-old daughter, has received starred reviews from Kirkus Reviews and Publishers Weekly; the latter of which called it “a fascinating, lively, and exquisitely crafted novel.” Samantha Hunt says that Maum’s latest is “as heady, delirious and heartbreaking as a young girl just beginning to fall in love with our world.” (Edan) The Lady in the Lake by Laura Lippman: Most people probably know Lippman as a bestselling crime novelist, but I was recently introduced to her through Longreads, in her delightfully frank essay “Game of Crones” about being an old mother and staying true to her ambition to write a novel every year. Her latest novel is set in 1960s Baltimore and follows a housewife, Maddy Schwartz, who reinvents herself as a reporter after helping to solve a murder. Maddy becomes involved in another murder case when the body of a young woman is found at the bottom of city park lake. (Hannah) Knitting the Fog by Claudia D. Hernández: This debut memoir of a young girl’s journey from Guatemala to L.A. weaves together personal essay and bilingual poetry. Described by publisher Feminist Press as “harrowing, candid, complex,” and by Bridgett M. Davis as bringing us “the immigrant experience in a refreshingly new light,” this one promises to be both timely and aesthetically exciting in its hybridity. (Sonya) Jacob's Ladder by Ludmila Ulitskaya (translated by Polly Gannon): With a cast of characters large enough to populate a mid-size village, Ulitksaya delivers an epic, Tolstoyan Russian novel that may just win her some Anglophone fans but surely will impress no one in the Kremlin. For those ready to invest the time (560 pages), her look at the clash of free will and determinism provides a solid enough critique of the tragic, untidy histories of Russia and Ukraine over the last half of the 20th century in a lithe translation by Polly Gannon. (Il’ja) Turbulence by David Szalay: In the Man Booker Prize-shortlisted author’s latest book, 12 people take 12 flights around the world, touching each other's lives in profound and unpredictable ways. Labeled as a novel but structured as a series of linked stories, Turbulence explores the interconnected nature of human relationships today. In Alex Preston’s review for The Guardian, he describes Szalay as an author "whose curiosity about his fellow humans is boundless." (Jacqueline) The Lightest Object in the Universe by Kimi Eisele: A worthy addition to the realm of speculative fiction, this debut novel “imagines what happens after the global economy collapses and the electrical grid goes down.” More than just standard techno-challenged-humanity-rendered-atavistic fare, this is a love story. More accurately, the quest for love and its potential in a world demanding to be rebuilt. (Il’ja) Beirut Hellfire Society by Rawi Hage: Set in 1978 war-torn Beirut, this tragicomic novel follows Pavlov, the son of a recently deceased local undertaker, as he joins the Hellfire Society - a secret group his late father was a member of. Throughout the novel, Hage, the second Canadian to win the prestigious Dublin IMPAC Literary Award, asks what it means to live through war, and what can be preserved in the face of imminent death. In Canada, Beirut Hellfire Society was shortlisted for the Rogers Writers' Trust Fiction Prize and the Governor General's Literary Award for fiction. (Jacqueline) Say Say Say by Lila Savage: Ella, an artistic grad school dropout turned caretaker, is hired to care for Jill, a woman who’s been left a shell of her old self after a traumatic brain injury leaves her largely nonverbal. But as she watches the dynamic between Jill and her loving husband, Bryn, Ella starts to question her own relationships—and get drawn further into the couple’s. Savage’s debut novel, informed by her own time working as a caretaker, gently digs at the roots of what keeps people together in the face of suffering and loss. (Kaulie) Shapes of Native Nonfiction edited by Elissa Washuta and Theresa Warburton: This anthology of essays by Native writers takes the formal art of basket weaving as an organizing theme, so that the authors, who include Deborah A. Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, and Kim TallBear, come together to produce something akin to a well-woven basket. Malea Powell writes that the book "offers us nonfiction that reflects, interrogates, critiques, imagines, prays, screams, and complicates simplistic notions about Native peoples and Native lives." (Jacqueline) Three Women by Lisa Taddeo: This highly anticipated debut is not about sex but rather about “the heat and sting of female want,” according to author Lisa Taddeo, who spent years criss-crossing the country and conducting thousands of hours of interviews with women about the sources and consequences of their desires. The result is a triptych: a North Dakota woman who is labeled “a freaky slut” for reporting an affair with her high school English teacher; an unfulfilled Indiana wife and mother who reconnects with a high school crush and winds up “a tangle of need and anxiety”; and a Rhode Island restaurateur whose husband picks her partners, then watches them have sex. The book has already been dubbed “an instant feminist classic.” (Bill) The Gifted School by Bruce Holsinger: Ambition, competition, and the fear of behind left out threaten to rip apart the bond between four families who are offered an unexpected chance at getting their kids into an elite school. The Paris Review notes that this satirical takedown of the concept of meritocracy in contemporary America serves as a timely expose of “the hypocrisy of white liberalism” that drives the pursuit of prestige. Caution: sense of humor required. (Il’ja) The Wedding Party by Jasmine Guillory: In just two years, Jasmine Guillory has become a New York Times bestselling author and major force (the author of the first romance novel selected for Reese Witherspoon’s coveted book club, for one). Following The Wedding Date and The Proposal, The Wedding Party is one of two novels Guillory has coming out this year—look for Royal Holiday in the fall. (Lydia) Screen Tests by Kate Zambreno: Kate Zambreno’s Screen Tests is just as ineluctable as the series of short, silent, black-and-white film portraits by Andy Warhol that they’re named after. This too gives a good sense of the book’s structure: a series of short glimpses that look deeply, and often contain autobiographical components or disquisitions. The effect, says Kirkus, is to “spin around like floating objects on an Alexander Calder mobile precariously tied together with ideas and images. Or rather, take Amber Sparks’ assessment: “If Thomas Bernhard’s and Fleur Jaeggy’s work had a charming, slightly misanthropic baby—with Diane Arbus as a nanny— it would be Screen Tests.” (Anne) A Girl Goes into the Forest by Peg Alford Pursell: Pursell is the founder of the national reading series Why There are Words, as well as the WTAW press, which puts out excellent books each year. Now she publishes a collection of eerie, short (sometimes very short) stories, many of them focusing on themes of mothers and daughters, with themes from folklore and fairytale. Publishers Weekly called the collection “haunting,” “potent,” and “sharp but disturbing.” (Lydia) What Do We Need Men For? A Modest Proposal by E. Jean Carroll: This is a work of memoir by a woman who was raped by Donald Trump, who is the current President of the United States. A haunting excerpt from the book, with an account of the rape, was published here in The Cut. (Lydia) AUGUST Coventry by Rachel Cusk: Cusk’s Outline trilogy—or as I think of it, The Cuskiad—is a masterpiece of modern literature, a formally adventurous exercise in narrative erasure that explores marriage, divorce, family, art, and representation. In her forthcoming essay collection Coventry, Cusk groups these thematic concerns into three sections, broadly: memoir, art, and criticism—although as Publishers Weekly says, the enterprise is bound by “the uses of narrative, particularly for allowing people to make sense of their lives… something Cusk interrogates exceptionally well throughout this well-crafted compilation.” (Adam P.) The World Doesn’t Require You by Rion Amilcar Scott: If Scott’s talent didn’t catch your attention with Insurrections, his award-winning debut, he’ll draw even more readers with this second book. Cross River, Maryland, the fictional town of his first book, returns in this new story collection. Scott can shift between irreverent and complex in a single story—a single sentence—as in “David Sherman, the Last Son of God”: “David didn’t believe what his older brother preached and wondered if Delante, who now called himself Jesus Jesuson (everyone, though, referred to him as Jeez), really believed, but he didn’t ask.” Also: all praise to story collections like this one that end with an anchoring novella! (Nick R.) Trick Mirror by Jia Tolentino: Tolentino’s essay collection is rangy and deft—nothing is treated superficially here. “I wrote this book because I am always confused,” she says in the introduction, but what follows are ardent and skilled attempts to make sense of the world. She tackles our digital lives (“The internet reminds us on a daily basis that it is not at all rewarding to become aware of problems that you have no reasonable hope of solving.”), athleisure and women’s bodies (“These days, it is perhaps even more psychologically seamless than ever for an ordinary woman to spend her life walking toward the idealized mirage of her own self-image”), her evangelical childhood and departure from belief (“Christianity formed my deepest instincts: it gave me a leftist worldview, an obsession with everyday morality, an understanding of having been born in a compromised situation, and a need to continually investigate my own ideas about what it means to be good.”). Also: contemporary scams, her stint on reality TV, and the panoply of nuptials she attends: “My boyfriend maintains a running Google spreadsheet to keep track of the weddings we’ve been invited to together.” (Nick R.) The Hotel Neversink by Adam O’Fallon Price: The second novel by Adam O’Fallon Price, a staff writer at The Millions, is the rambunctious, ambitious, decades- and generations-jumping tale of the Sikorsky family, who transform an abandoned mansion into the titular jewel of the Borscht Belt. Inspired by Grossinger’s Catskills Resort Hotel, Price uses a revolving cast of narrators to tell a story that is part murder mystery and part ghost story, with a dark secret lurking at its core. The novel asks a chilling question about the children who disappear from the towns and woods around the Hotel Neversink: Are they victims of coincidence, or part of a calculated plot to destroy the Sikorskys? (Bill) Everything Inside by Edwidge Danticat: A collection of eight vigorous, compelling stories provides a storyteller’s insight to how migration to and from the Caribbean affected people’s lives, personalities, and relationships. Lovers, deeply wounded by the catastrophic earthquake in Haiti in 2010, strive to reunite; an undocumented construction worker pictures his lover and adopted son in the last minute of his life; the christening of a baby reveals the chasm between the three generation of a family. “No one is immune from pain,” as Kirkus Review puts it, “but Danticat asks her readers to witness the integrity of her subjects as they excavate beauty and hope from uncertainty and loss.” (Jianan Qian) Doxology by Nell Zink: New York City in the ’90s was not quite the hyper-sanitized playground for the super-rich which parts of it feel like today, with Nell Zink giving us a gritty account of the “worst punk band on the Lower East Side” right at the turn of the millennium. As the halcyon days of the 20th-century’s last decade end, grunge seemingly eclipsed with the falling of the twin towers, Doxology uses the personal and musical travails of bandmates Pam, Daniel, and Joe to investigate our current political and environmental moment. True to the Latin meaning of her title, Zink’s Doxology provides a means of praising God in a world where we’re so often faced with the finality of silence. Doxology, rather, provides the cacophony of punk. (Ed) Drive Your Plow into the Bones of the Dead by Olga Tokarczuk (translated by Antonia Lloyd-Jones): The 2018 International Man Booker prize has done it again, this time with a noir murder mystery that is less whodunnit than it is existential inquiry, namely: what are we here for? The protagonist—Janina Duszejko—is a brilliantly rendered Polish Miss Marple, (sort of) who Tokarczuk has asking the hard questions with art that is subtle and penetrating. And, as it turns out, getting her into a lot of trouble at home, with a hard-right leaning Polish press labeling the book “anti-Christian” and the work of “a traitor.” The film adaptation (Spoor) a couple of years back just about shut the country down. Antonia Lloyd-Jones’s translation from Polish sparkles. (Il’ja) The Yellow House by Sarah M. Broom: In 2015, Broom published an essay in The New Yorker about her family’s house in New Orleans that has sat with me since I read it. The piece starts with questions: “In the ten years since Hurricane Katrina, what has plagued me most is the unfinished business of it all. Why is my brother Carl still babysitting ruins, sitting on the empty plot where our childhood home used to be? Why is my seventy-four-year-old mother, Ivory Mae, still unmoored, living in St. Rose, Louisiana, at Grandmother’s house? We call it Grandmother’s even though she died ten years ago. Her house, the only one remaining in our family, is a squat three-bedroom in a subdivision just off the River Road, which snakes seventy miles along the Mississippi, where plantation houses sit alongside grain mills and petrochemical refineries.” The next year, she was a Whiting Fellow, and this year, readers can get their hands on the book, a gorgeous work of memoir and reporting about place and family that feels like the apotheosis of a form. (Lydia) The Trojan War Museum by Ayşe Papatya Bucak: Apollo wanders through a museum, trying to make sense of war and his own history. A chess-playing automaton falls in love. Dead girls tell the story of a catastrophe and its aftermath. Bucak’s debut story collection is a surrealist wunderkammer in which the lines between history and myth, reality and performance, and the cultural and personal are blurred and redrawn. The result: “narratively precise” stories that “are also beautiful vignettes on human culture, deftly probing the fissures and pressure points of history and bringing up new forms,” writes The Millions’ own Lydia Kiesling. (Kaulie) Inland by Téa Obreht: In 2011, at age 26, Obreht burst onto the literary scene with her first novel The Tiger’s Wife, an inventive, fable-like retelling of the wars that ravaged her native Serbia in the 1990s. Eight years later, Obreht returns with – wait for it – a Western set in the Arizona Territory in 1893. No, we didn’t see that coming, either. Early reviews are rapturous, including one from Booklist that called it “a tornadic novel of stoicism, anguish, and wonder.” Yes, tornadic. (Michael) The Memory Police by Yoko Ogawa (translated by Stephen Snyder): Critically acclaimed Japanese writer Ogawa’s new novel takes place in a society where objects disappear and where the terrifying Memory Police pursue citizens who recall the disappeared objects. The protagonist is a young novelist who discovers her editor is in danger and decides to hide him beneath her floorboards. The Memory Police explores trauma, loss, memory, and surveillance, and will astound readers. Chicago Tribune calls it “a masterful work of speculative fiction” and Esquire writes, “Ogawa’s taut novel of surveillance makes for timely, provocative reading.” (Zoë) The Overthrow by Caleb Crain: A new novel from the author of Necessary Errors, The Overthrow is a romance and a story of relationships set against the backdrop of the Occupy movement, exploring, power, idealism, technology, and the way we forge connections in the dystopian world we’ve created. Keith Gessen calls it “a brilliant, terrifying, and entertaining book…part subtle novel of contemporary manners, part intellectual legal thriller, and part prophetic dystopia: Henry James meets Bonfire of the Vanities.” Sign me up. (Lydia) The Grave on the Wall by Brandon Shimoda: As we read daily of the horrors of detainment camps at the border, poet Brandon Shimoda directs our attention back to a not dissimilar blight in Grave on the Wall. It’s an elegy for Shimoda’s dead grandfather, Midori, who after Pearl Harbor was incarcerated in internment camps despite having lived in the U.S. for over 20 years. Don Mee Choi calls Grave on the Wall “a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall.” Shimoda’s remembrance is also for the living, says Karen Tei Yamashita: “we who survive on the margins of graveyards and rituals of our own making.” (Anne) When I was White by Sarah Valentine: A memoir from the author, translator, and scholar about being raised in Pittsburgh, Pennsylvania as a white person, only to learn at age 27 that her father was a black man. The memoir explores the painful process of uncovering the past, interrogating the decisions her family made, and reconceiving her own identity. Publishers Weekly calls it “a disturbing and engrossing tale of deep family secrets.” (Lydia) First Cosmic Velocity by Zach Powers: Powers’s debut novel is the story of the big lie behind the Soviet space program: They can send manned flights up, they just can’t seem to get them back down. And so they are using twins – one who will touch the face of God and the other who will stay behind on terra firm to make sure there’s an acceptable, Kremlin-approved PR tour afterward if things go badly up in space. Which they inevitably do. Mixing history and fiction, the book isn’t so much about the foibles of geopolitics as it is about one man’s search for truth in a world built on lies. (Il’ja) White Flights: Race, Fiction, and the American Imagination by Jess Row: “White flight” typically refers to the movement of white Americans into segregated communities, but in this work of criticism, Row extends the term to literature. Combining memoir as well as literary, filmic, and musical analysis, Row argues for an understanding of writing as reparative, and fiction as a space in which writers might “approach each other again.” Kirkus calls it “wide-ranging, erudite, and impassioned.” (Jacqueline) The Pretty One: On Life, Pop Culture, Disability, and Other Reasons to Fall in Love with Me by Keah Brown: The cultural narrative surrounding disability has long been overdue for a complete overhaul, and in her debut book, The Pretty One, Keah Brown offers her refreshing, joyful voice to this movement. Brown, a disability rights advocate and creator of the viral #DisabledAndCute campaign, explores aspects of pop culture, music, family, self acceptance, and love in her essays, all the while challenging society's assumptions of what it means to be black and disabled. (Kate Gavino) I Heart Oklahoma! by Roy Scranton: Few critics quit understand the implications of our cultural divisions in the warm autumn of the Anthropocene more than University of Notre Dame English professor Roy Scranton. Exploring themes that he’s written about in collections ranging from Learning to Die in the Anthropocene: Reflections on the End of a Civilization and We’re Doomed. Now What?: Essays on War and Climate Change, Scranton’s second novel returns us to a badly fractured America. A writer named Suzie travels a broken, pre-apocalyptic America that looks very much like our own nation, a place so “highly refined and audacious and dense that nobody care whether it’s bullshit or not.” When the Plums Are Ripe by Patrice Nganang: The second in Nganang’s trilogy on Cameroon before and during WWII, When the Plums Are Ripe tells the story of the country’s growing involvement in the conflict as the colonized fight to free their colonizer from Axis control. But the book is as much poetry as history, with a structure calling on oral traditions and a poet-narrator who mourns the wounds of war. Publishers Weekly writes that “with lyrical, soaring prose, Nganang… challeng[es] the Euro-written history of colonialism and replac[es] it with a much-needed African one. The result is a challenging but indispensable novel.” (Kaulie) Black Light by Kimberly King Parsons: A story collection rooted in the vastness and contradictions of Texas and composed by an author who refuses to shy away from the strange, ugly, and interesting, Black Light has been described as “Friday Night Lights meets Ottessa Moshfegh.” What more could a reader want, really? (Kaulie) How to be an Antiracist by Ibram X. Kendi: With racial invective spewed from the Twitterer-in-Chief on down, many white Americans have become increasingly entrenched in their prejudices. Scholar Ibram X. Kendi returns to a subject which he illuminated so well in Stamped from the Beginning: The Definitive History of Racist Ideas in America,, asking how we avoid both fatalism and despair in imagining what a future, antiracist version of the United States might look like. Kendi’s answers are neither to embrace the myopic obstinacy of “color blindness,” nor the feel-good platitudes of “wokeness,” but rather to acknowledge that the individual responsibility of being antiracist is “an everyday process.” (Ed) God Land: A Story of Faith, Loss, and Renewal in Middle America by Lyz Lenz: Lenz—a journalist whose profiles and personal essays are absolute must reads—brings a book that combines memoir and journalism. After the 2016 election, Lenz leaves her Trump-supporting husband and her church—and begins to travel to churches across the Midwest to understand the incomprehensible: faith in today’s America. Publishers Weekly’s starred review called the book a “slim but powerful debut on the faith and politics of Middle America.” (Carolyn) A Particular Kind of Black Man by Tope Folarin: This debut novel tells the story of Tunde Akinola’s Nigerian family as they struggle to assimilate in the impossibly foreign world of Utah. As Tunde’s father chases his version of the American Dream and his mother sinks into schizophrenia, Tunde will be forced to spend his childhood and young adulthood seeking elusive connections—through his stepmother and stepbrothers, through evangelical religion, through the black students at his middle school and the fraternity brothers at his historically black college. This is a novel that will force readers to rethink notions of family, belonging, memory, and the act of storytelling. (Bill) Empty Hearts by Juli Zeh (translated by John Cullen): Set in the near future, this novel, which Kirkus describes as a “thoughtful political thriller with a provocative sense of humor,” tells the story of Britta and Babak, who run an agency that provides suicide bombing candidates to activists/terrorists. In this post-Angela Merkel Germany, their agency provides a needed antidote to both the conservative government takeover and liberals’ passive acceptance of the new order. When two unknown suicide bombers show up in an airport, things get complicated. (Jacqueline) Hard Mouth by Amanda Goldblatt: NEA Fellow Amanda Goldblatt’s first novel is as bold and unflinching as its title suggests. The book follows suburban Maryland-born and raised Denny as she literally runs away from her grief and inability to confront mortality, that has come in the form of her father’s terminal cancer diagnosis. As she flings herself into the wilderness, Denny is wildly unprepared and accompanied only by her imagination (& her imaginary friend, Gene) in what appears like a slow form of suicide. Goldblatt nails suburban MD ennui, outdoor unpreparedness, gritty sex scenes, and a refutation of sentimentality in what R.O. Kwon calls a “blazing feat of a book.” (Anne) [millions_ad] SEPTEMBER The Water Dancer by Ta-Nehisi Coates: One of America’s most incisive voices on race and history turns to fiction with a story of a young enslaved man who escapes bondage for the North. Early readers marvel at how Coates manages to interweave a deeply researched portrait of the all-too-real horrors of Southern slavery with sly touches of magical realism. (Michael) All This Could Be Yours by Jami Attenberg: Emma Cline pinpoints Attenberg’s strength, that she writes about death, family, sex, love, with, “a keen sense of what, despite all the sadness and secrets, keeps people connected.” The critically acclaimed and bestselling author’s seventh novel follows the tangled relationship of a family in crisis as they gather together in a sweltering and lush New Orleans. Their father, a power-hungry real estate developer, is dying. Told by alternating narrators, the story is anchored by daughter Alex, who unearths the secrets of who her father is and what he did. This book is, Zachary Lazar says, “another marvel of intelligence, humor, and soul.” (Claire) Make it Scream Make it Burn by Leslie Jamison: Jamison (The Empathy Exams) credits the poet William Carlos Williams with a sentence that inspired her title: “What the artist does applies to everything, every day, everywhere to quicken and elucidate, to fortify and enlarge the life about him and make it eloquent—to make it scream.” To fortify and enlarge the world through eloquence—apt descriptions of Jamison’s new collection, which begins with the story of 52 blue, “the loneliest whale in the world,” whose existence “suggests not just one single whale as metaphor for loneliness, but the metaphor itself as salve for loneliness”—and ends with “The Quickening,” an essay addressed to her daughter: “Eating was fully permitted now that I was doing it for someone else. I had never eaten like this, as I ate for you.” Another wonderful book from this gifted writer. (Nick R.) Red at the Bone by Jacqueline Woodson: At 56, Jacqueline Woodson is moving and shaking in both YA and adult literature realms. Her new adult novel brings together a clash of social classes via an unexpected pregnancy. Another slim, compressed volume à la Another Brooklyn, Red at the Bone moves “forward and backward in time, with the power of poetry and the emotional richness of a narrative ten times its length.” Two words: can’t wait. (Sonya) The Dutch House by Ann Patchett: Patchett, who has long straddled the line between literary cred and pop bestsellerdom, follows up her prize-winning 2016 novel Commonwealth with another epic family saga, in this case kicked off by a real estate magnate’s purchase of a lavish suburban estate outside Philadelphia after World War II. Running from the late 1940s to the early 2000s, the novel is billed as “the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness.” (Michael) The Testaments by Margaret Atwood: The much-anticipated follow up to The Handmaid’s Tale, this sequel takes place 15 years after the van door slammed on Offred and we were left wondering what was next—freedom, prison or death? The story is told by three female narrators from Gilead. In a note to readers, Atwood says two things influenced the writing of this novel. First, all the questions she’s been asked by readers about Gilead and, second, she adds ominously, “the world we’ve been living in.” (Claire) Akin by Emma Donoghue: Donoghue is one of our most versatile writers. She does many things well, including historical fiction, middle grade series, and scripts for screen and stage. Akin, like her international bestseller Room, is positioned as contemporary fiction. It's about a retired professor who plans to travel to Nice, France to discover more about his mother's wartime past. Two days before the trip, circumstances mean he must take charge of his potty-mouthed pre-teen nephew. As the pair travel together, they uncover secrets about their family and discover a bond and, as the publisher’s blurb says, “they are more akin than they knew.” (Claire) Heaven, My Home by Attica Locke: The universe will soon award us with a new Attica Locke novel! Heaven, My Home is the follow-up to Locke’s Edgar Award-winning thriller Bluebird, Bluebird, and it once again centers on black Texas Ranger Daren Matthews. This time, he’s pulled into the case of a missing nine-year-old boy—and the boy’s white supremacist family. The jacket copy declares: “Darren has to battle centuries-old suspicions and prejudices, as well as threats that have been reignited in the current political climate, as he races to find the boy, and to save himself.” Attica Locke is one of the best writers working today, and I cannot wait to read this. (Edan) Furnace of This World: Or, 36 Observations About Goodness by Ed Simon: Simon, a staff writer at The Millions known for his deep dives into literary and intellectual history, meditates on the nature of goodness across 36 learned, suggestive observations. He calls this project “an artifact of things I’ve lost, things I’ve loved, things I’ve feared, things I’ve prayed for,” and presents it as “the moral equivalent of a Wunderkammer—a ‘Wonder Cabinet’— that is a strange collection of occurrences, theories, philosophies, narratives, and fictions.” This curious object is well worth a look inside. (Matt) How to Be a Family: The Year I Dragged My Kids Around the World to Find a New Way to Be Together by Dan Kois: A terrible snowstorm can derail a well-planned life, and two feet of snow in one day was “the perfect crucible to reveal how broken our family life was. Our household operated like the nation’s air traffic network: we functioned, but forever on the edge of catastrophe.” Kois is funny and sometimes satirical, but always in service of a great end: the very real lament that family life is “flying past in a blur of petty arguments, overworked days, exhausted nights, an inchoate longing for some kind of existence that made more sense.” Kois and his family actually take the dizzying leap to leave behind their lives for a year—a trek that takes them from New Zealand to Kansas—and the result is a unique book that every overstressed and anxious (meaning = every) parent should read. (Nick R) The Cheffe by Marie Ndiaye: Goncourt and Femina Prix-winning, French-born and Berlin-based Ndiaye brings us another woman-centered novel, this time about a GFC— Great Female Chef. The story is told from the perspective of a male sous-chef (and unrequited lover), from a perspective years onward. Ndiaye’s work is often described as “hypnotic,” so perhaps add this one to your summer-escape TBR list. (Sonya) Who Put This Song On? by Morgan Parker: Award-winning poet Morgan Parker offers a new coming-of-age story featuring a protagonist that just can't seem to figure it out. From spending her summer crying in bed to being teased about not being “really black” by her mostly white classmates, 17-year-old Morgan can see clearly why she's in therapy. Parker's account of teenage anxiety and depression will speak to readers of all ages, and the prose’s mix of heartbreak and hilarity makes it a prime candidate for film adaptation. Are you paying attention, Netflix? (Kate Gavino) The Divers’ Game by Jesse Ball: In what Publishers Weekly called an “atmospheric, occasionally mesmerizing tale of haves and have-nots,” Ball (Census) returns with a novel about a society that has rejected equality and embraced brutality. Through vignettes, the novel reveals how the world descended into madness. A dystopian tale imbued with empathy, philosophical musings, and questions about compassion, generational trauma, and humanity. (Carolyn) Year of the Monkey by Patti Smith: Patti Smith started writing this book on the Lunar New Year’s Day in 2016; she carried the project “in cafes, trains and strange motels by the sea, with no particular design, until page by page it became a book,” as she announced in her Instagram. This memoir evolves around the transformations both in her life and the American political landscape. Intriguing, disturbing yet humorous, with the boundary between fiction and nonfiction blurred, Smith’s work is unlikely to disappoint. (Jianan Qian) Fly Already by Etgar Keret: Keret’s new short story collection offers all the virtues readers have come to expect from the oft-New Yorker-published Keret: intelligence, compassion, frustration with the limits of human communication, and a playfulness that stays on the right side of whimsy. Whether it’s a father’s helpless desire to protect his son, a boy failing to obtain weed to impress a girl, or two people sharing a smoke on the beach, Keret’s deep interest in human connection feels important in our fractured times. As George Saunders says, “I am very happy that Etgar and his work are in the world, making things better." (Adam P.) Out of Darkness, Shining Light by Pettina Gappah: A novel of the group of people who carried David Livingstone’s body (along with his papers and effects) 1500 miles so that he could returned to England, narrated by Halima, the expedition’s cook, and a formerly enslaved man named Jacob. Jesmyn Ward writes, “A powerful novel, beautifully told, Out of Darkness, Shining Light reveals as much about the present circumstances as the past that helped create them.” (Lydia) Serotonin by Michel Houellebecq (translated by Shaun Whiteside): No contemporary French writer has interceded into the current Anglophone imagination quite as completely as Michel Houellebecq. From novels like The Elementary Particles to Submission, the cynical Houellebecq has explored everything from existentialism to sex tourism, through a voice that is simultaneously traditionalist and nihilistic, and critics and readers have argued how seriously we’re to take the reprehensible—racist, mysoginist, Islamophobic, colonialist—positions of the writer or his characters. Serotonin follows Florent-Claude Labrouste, a depressed libertine and former agricultural engineer who eventually rejects psychotropic medication in favor of a sojourn to the cheese-country of Normandy racked by globalization, where he becomes involved in an insurrection which looks very much like the gilets jaunes movement. Even while Houellebecq’s politics can be reprehensible, ranging from embrace of Brexit to denunciations of #MeToo, Serotonin’s observation of a contemporary capitalism where “people disappear one by one, on their plots of land, without ever being noticed” is instrumental in understanding not just France or Europe, but the world. (Ed) Motherhood So White: A Memoir of Race, Gender and Parenting in America by Nefertiti Austin: In her debut memoir, Austin, a single black woman, writes about her journey to adopt a black boy out of foster care. In a recent interview, Austin said, “Ultimately, I wrote Motherhood So White out of necessity. I wanted black mothers who come after me to have multiple perspectives on motherhood, not just the mainstream definition of who gets to be a mom in America. I want white mothers to see black mothers on the page and know that we are all allies in the quest for raising compassionate children.” (Edan) Doppelgänger by Daša Drndic (translated by S.D. Curtis and Celia Hawkseworth): World Literature Today calls this set of linked stories a “haunting requiem for the soul’s death in the wake of postmodernity.” Translation: Drndic’s trademark absurdist humor and image rich style assure that this slim collection will get the synapses firing. (Il’ja) Gun Island by Amitav Ghosh: In 2016, Amitav Ghosh published The Great Derangement, which argues that contemporary literary fiction, among other art forms, seems unable to directly confront the scale and impact of climate change. In an article for The Guardian, Ghosh writes, of the extreme weather phenomena caused by climate change, "To introduce such happenings into a novel is in fact to court eviction from the mansion in which serious fiction has long been in residence." Now, the author of the bestselling Ibis trilogy has written a novel that seeks to make a change in that tradition. Gun Island tells the story of rare books-dealer Deen Datta as he travels from India to Los Angeles to Venice, encountering people who will upend his understanding of himself, the world, and the Bengali legends of his childhood. (Jacqueline) Dominicana by Angie Cruz: Life changes drastically for 15-year-old Ana, when she is uprooted from the Dominican countryside to New York City’s Washington Heights. An arranged marriage allows her, along with her entire family, to emigrate to America, and Ana is desperate to escape. As she opposes and embraces certain aspects of her new home, she makes difficult decisions between her duty to her family and her own heart. This exciting tale of immigration, love, and independence has been praised by the likes of Sandra Cisneros and Cristina Garcia, making it one of the most anticipated coming-of-age stories of the year. (Kate Gavino) Quichotte by Salman Rushdie: Quichotte, a middle-aged salesman obsessed with television, falls head over heels for a TV star. Despite the impossible love, he sets off on a roadtrip across the US to prove himself worthy of her hand. Meanwhile, his creator, a middle-aged mediocre thriller writer, has to meet his own crisis in life. Rushdie’s new novel is Don Quixote for our time, a smart satire of every aspect of the contemporary culture. Witty, profound, tender, this love story shows a fiction master at his brilliant best. (Jianan Qian) The Sweetest Fruits by Monique Truong: Three women from disparate backgrounds—Ireland, Cincinnati, and Japan—tell the story of one man: Lafcadio Hearn, a Greek author known for his books about Japanese legends and cultures. In this globetrotting, luminous novel, the three narrators offer an honest, contradictory portrait of the man they knew that highlights the social expectations of their gender, race, and class for their time. Like her first novel, The Book of Salt, The Sweetest Fruits leads readers on a sweeping narrative that poses questions about belonging, existence, and storytelling. (Kate Gavino) Chimerica by Anita Felicelli: A fantastic, fantastical book built around the country of “Chimerica,” wherein a Tamil American trial lawyer is hard at work on a case...which happens to be a defense of a talking lemur come to life. Set in locations ranging from Oakland to Madagascar, Jonathan Lethem calls Chimerica “remarkable…a coolly surrealist legal thriller—in turns sly, absurd, emotionally vivid, and satirically incisive—that shifts the reader into a world just adjacent to our own." (Read Felicelli’s conversation with Huda al-Marashi at The Millions here.) (Lydia) Cantoras by Carolina De Robertis: In 1977 Uruguay, a military dictatorship crushes dissent and punishes homosexuality, but five queer women manage to find each other and a village on the beach where they’re safe and free, if only for a week at a time. The five call themselves cantoras, women who sing, and for the next three decades their friendships, beach-side refuge, and cantoras identities help the women find the strength to live openly and defiantly, to revolutionary effect. (Kaulie) The Man Who Saw Everything by Deborah Levy: The protagonist of Levy’s newest would do well to avoid Abbey Road, where he is hit by a car twice, once in 1998, right before a trip to East Germany to bury his father’s ashes, and once again in 2016. From these two brushes with death, Levy spins one of her typically entrancing narratives, one that, like Hot Milk, explores cross-cultural encounters and the strange, intense, and occasionally monstrous nature of familial ties. (Matt) Axiomatic by Maria Tumarkin: The fourth book from Australia’s Tumarkin, whose previous works have been shortlisted for several major literary prizes Down Under, Axiomaticsharply examines how we think about the force of the past on the present in a blend of storytelling, criticism, and meditation. The book spirals out from five axioms—think “Time Heals All Wounds,” “History Repeats Itself,” and “You Can’t Enter The Same River Twice”—to consider stories of struggle, trauma, and the strength of human relationships, creating a new and powerful nonfiction form along the way. (Kaulie) The Shadow King by Maaza Mengiste: Mengiste’s debut novel, Beneath the Lion’s Gaze, chronicled the life of a family during the chaotic last days of Emperor Haile Selassie’s rule. The figure of Selassie looms over her second novel, The Shadow King, as well, this time in the 1930s as an orphaned servant Hirut is caught in the clash between the emperor’s troops and Mussolini’s fascist invaders. Mengiste’s work bookends this historic era of Ethiopian life, capturing all the damage and hope of war, with prose Salman Rushdie describes as “brilliant… lyrically lifting history towards myth.” (Adam P.) Pet by Akwaeke Emezi: Emezi’s debut YA novel (following their much-loved Freshwater) sets out to answer a question that plagues every child at some point: Are monsters real, and if they are, do they want to hurt me? The children of the city of Lucille are taught that monsters are imaginary, but when protagonist Jam sees a creature emerge from the previously dead landscape of her mother’s painting, she’s forced to reconsider everything she knows about the world. Soon after, she learns that monsters are targeting her best friend Redemption, which leads her to wonder: How do you stop them if no one believes they exist? (Thom) The Undying: A Meditation on Modern Illness by Anne Boyer: I hadn’t thought it possible to write beautifully about chemotherapeutic drugs until I read the excerpt from poet Anne Boyer’s The Undying that was published in The New Yorker. Witness: “Adriamycin, is named for the Adriatic Sea, near where it was discovered. I like to think of this poison as the ruby of the Adriatic, where I have never been but would like to go, but it is also called ‘the red devil,’ and sometimes it is called “‘the red death.’” Boyer’s memoir covers developing breast cancer at 41, her treatment, and her double mastectomy, as well as scrutiny of a capitalist driven medical industry. Boyer’s memoir is a “haunting testimony about death that is filled with life,” according to Kirkus. (Anne) Night Boat to Tangier by Kevin Barry: Fans of the great Irish writer Kevin Barry have reason to rejoice. The prize-winning author of City of Bohane, Dark Lies the Island and Beatlebone is out with a scalding little hotwire of a novel called Night Boat to Tangier. The setup would’ve delighted Beckett. On October 23, 2018, two aged-out Irish drug-runners, Maurice (Moss) Hearne and Charlie Redmon, are sitting in the waiting room of the ferry terminal in the Spanish port of Algeciras. What are they waiting for? Maurice’s estranged daughter. As they wait, the men spin a reverie of past betrayals, violence and romance, with asides on drink, masturbation and the imminence of death. As always with Barry, the writing is slippery, slangy and sinewy, and a pure delight. (Bill) Rusty Brown by Chris Ware: How long does it take to investigate, narrate, and illustrate an entire consciousness during one half of a typical day? In Chris Ware’s case, almost two decades. Across 350+ pages, Ware’s graphic novel unfolds like a Joycean spin on Grouse County, Iowa, depicting the melancholic, yearning thoughts of Midwestern characters moving through realities shared and cloistered. Doing that at all—let alone in 18 years—is superhuman. (Nick M.) OCTOBER Find Me by André Aciman: In a most-anticipated list, Aciman’s Find Me may be the most anticipated of all. Set decades after Oliver and Elio first meet in Call Me by Your Name, this novel follows Elio’s father Samuel, who while traveling to Rome to visit his son meets a young woman who changes his life; Elio, a classical pianist who moves to Paris; and Oliver, a New England college professor and family man who yearns to return to Italy. I’m aching to read this and I know I’ll be aching while reading it too. (Carolyn) The Topeka School by Ben Lerner: The pre-pub blurbs for Lerner’s third novel are ecstatic, with his publisher calling it a breakthrough and Claudia Rankine describing it as “a powerful allegory of our troubled present.” Set in late 1990s Kansas, it centers on a lefty family in a red state. The mother is a famous feminist author; the father, a psychiatrist who specializes in “lost boys.” Their son, Adam Gordon, is a debate champion who unwittingly brings one of his father’s troubled patients into his friend group, to disastrous effect. (Hannah) Grand Union by Zadie Smith: Grand Union is the first short story collection of Zadie Smith, the award-winning author of White Teeth and The Autograph Man, among others. Ten unpublished new stories will be put alongside with ten of her much-applauded pieces from The New Yorker and elsewhere. Everything, however familiar or small it may seem in daily life, glows in Smith’s brilliant observation. Grand Union is a wonderful meditation on time and place, past and future, identity and the possibility of rebirth. (Jianan Qian) How We Fight for Our Lives by Saeed Jones: A 2014 NBCC finalist for his poetry collection Prelude to Bruise, How We Fight for Our Lives tells Jones’ coming-of-age as a black gay boy and man in the South via prose-poetry vignettes. From the publisher: “Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze.” (Sonya) Your House Will Pay by Steph Cha: Your House Will Pay is a propulsive and well-plotted novel set in Los Angeles where crime and tension are at an all-time high. In Cha’s narrative that explores race, class, and community in Los Angeles, her characters must confront their histories and truth. Catherine Chung describes Your House Will Pay as “a devastating exploration of grief, shame, and deeply buried truths.” (Zoë) Ordinary Girls by Jaquira Díaz: In her debut memoir, Jaquira Díaz mines her experiences growing up in Puerto Rico and Miami, grappling with traumas both personal and international, and over time converts them into something approaching hope and self-assurance. For years, Díaz has dazzled in shorter formats—stories, essays, etc.—and her entrée into longer lengths is very welcome. (Nick M.) The Factory by Hiroko Oyamada (translated by David Boyd): Hiroshima-based fiction writer Hiroko Oyamada has been called one of the most “powerfully strange” new voices to emerge from Japan of late. No surprise then that she cites Franz Kafka and Mario Vargas Llosa as influences. This fall New Directions is publishing The Factory, Oyamada’s first novel to be translated into English, and that was inspired by her experience working as a temp for an auto worker’s subsidiary. The Factory follows three seemingly unrelated characters intently focused on their jobs—studying moss, shredding paper, proofreading documents—though trajectories come together as their margins of reality, and the boundaries between life within and beyond the factory dissolve. (Anne) Things We Didn’t Talk About When I Was a Girl by Jeannie Vanasco: The CDC estimates 1 in 5 women in the U.S. are raped in their lifetimes, but concealed in those conservative, anonymized figures is the mind-bending enormity of 33,000,000 individual women and their stories. In her latest memoir, Jeannie Vanasco shares hers. Remarkably, Vanasco interviews the former friend who raped her 15 years ago, interweaving their discussions with conversations involving her close friends and peers to produce an investigation of trauma, its effects, and the ways they affect us all. “Courageous” is an inadequate word to describe this project, let alone Vanasco herself. (Nick M.) Agent Running in the Field by John le Carré: le Carré is set to offer his 25th novel since debuting with Call for the Dead back in 1961. And though the territory is familiar—London, a played out spy, a web of political intrigue—there is nothing tired in the author’s indictment of modern life: we are fickle, selfish, dogmatic, narrow minded and too often cruel bastards. The whole lot of us. My advice: if you have been stuck on thought that Le Carré is writing “spy novels” and you don’t like “spy novels”, you need to rethink. There is perhaps no more thrilling chronicler of the human condition working today. His stories are about people with secrets. You know, us. (Il’ja) False Bingo by Jac Jemc: The unsettling horror that made Jac Jemc’s The Grip of It such an unnerving read has mutated into an uneasiness that infiltrates the everyday lives depicted in False Bingo, Jemc’s second book of short stories. Jemc’s characters are misfits and dislocated, and their encounters often cross the line where fear becomes reality. There’s a father with dementia who develops an online shopping addiction and an outcast mulling over regret as he taxidermies animals. In essence False Bingo is a “collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.” (Anne) Reinhardt’s Garden by Mark Haber: Haber, who has been called “one of the most influential yet low-key of tastemakers in the book world,” is about to raise it to up level with the debut of his novel, Reinhardt’s Garden. This absurdist satire follows Jacov Reinhardt and scribe as they travel across continents in search of a legendary philosopher who has “retired” to the jungles of South America. It’s “an enterprise that makes Werner Herzog’s Fitzcarraldo … come off as a levelheaded pragmatist,” says Hernán Díaz. While Rodrigo Fresán calls it “one of those perfect books” on the level of Djuna Barnes’ Nightwood, Denis Johnson’s Train Dreams, or Thomas Bernhard’s The Loser. (Anne) Older Brother by Mahir Guven (translated by Tina Kover): Awarded the Prix Goncourt for debut novel in 2017, Older Brother takes on the Uberization of labor alongside a look at immigration, civil war, and terrorism through the story of two brothers from a French-Syrian family, and their father, a taxi driver whose way of life is utterly at odds with those of his sons. (Lydia) Last of Her Name by Mimi Lok: In Last of Her Name, the new collection from Chinese author Mimi Lok, the stories’ settings cover a little bit of everything—British suburbia, war-time Hong Kong, modern California—and the diasporic women at the heart of each piece are just as eclectic. The effect is a kaleidoscope of female desire, family, and resilience. “I can’t think of a collection that better speaks to this moment of global movement and collective rupture from homes and history, and the struggle to find meaning despite it all,” writes Dave Eggers. (Kaulie) The Girl At the Door by Veronica Raimo: Let’s say you fall in love while on vacation. The guy, a professor, seems great. You leave your country and move in with him. You get pregnant. You’re happy. Then: A girl shows up at the door. She’s your boyfriend’s ex-girlfriend, a former student, with details about a violent, drawn-out affair. What now? That’s the premise of this novel, one that dissects sexual harassment and assault from the point of view of both the professor and his girlfriend. Raimo has published two novels in Italy; this is her English-language debut. (Hannah) Holding On To Nothing by Elizabeth Chiles Shelburne: This debut novel set in the mountains and hollows of Eastern Tennessee will charm you with its warmth and love for its characters, a cast that includes a dog named Crystal Gale. (Which has to be one of the best pet names in fiction.) The novel centers on Lucy Kilgore, a young woman who was planning to leave small town Tennessee but instead ends up getting shotgun-married to Jeptha Taylor, a bluegrass musician with a drinking problem. With too little money and too much alcohol in their lives, their little family is doomed from the start, but Lucy can’t help trying to hold everyone together. (Hannah) A Peculiar Kind of Immigrant’s Son by Sergio Troncoso: A collection of stories about told from the perspective of a Mexican-American man born to poor parents and making his way through the elite institutions of America. Luis Alberto Urrea calls the book “a world-class collection.” (Lydia) NOVEMBER The Revisioners by Margaret Wilkerson Sexton: Sexton’s first novel, A Kind of Freedom, was on the longlist for the 2017 National Book Award and appeared on a number of year-end best-of lists. The Revisioners, a multigenerational story focusing on black lives in America, begins in 1925, when farm-owner Josephine enters into a reluctant, precarious relationship with her white neighbor, with disastrous results; nearly 100 years later, Josephine’s descendant, Ava, out of desperation, moves in with her unstable white grandmother. The novel explores the things that happen between; the jacket copy promises “a novel about the bonds between a mother and a child, the dangers that upend those bonds.” (Edan) In the Dream House by Carmen Maria Machado: After the runaway and wholly-deserved success of her magnificent short story collection, Her Body and Other Parties, Machado returns with a memoir chronicling an abusive relationship. Juxtaposing her personal experience with research and cultural representations of domestic abuse, the book defies all genre and structural expectations. Writer Alex Marzano-Lesnevich writes that Machado “has reimagined the memoir genre, creating a work of art both breathtakingly inventive and urgently true.” (Carolyn) Nothing to See Here by Kevin Wilson: Would you be the nanny to your ex-best-friend’s stepchildren? Yes, really? Okay. What if they were twins? Still with me? What if they exhibited strange behaviors? Still on board? What if they spontaneously caught fire when agitated? Yes? Then you must be the kind of character that only Kevin Wilson can pull off, in this, his third novel that marries the fantastic with the domestic. (Hannah) Space Invaders by Nona Fernández (translated by Natasha Wimmer): Chilean writer Nona Fernández is revered as one of the most important contemporary Latin American writers and her novel explores the experience of growing up in a dictatorship and trying to grapple with erasure and truth in adulthood. Daniel Alarcón writes, “Space Invaders is an absolute gem...Within the canon of literature chronicling Pinochet’s Chile, Nona Fernández’s Space Invaders is truly unique.” (Zoë) The Book of Lost Saints by Daniel José Older: Spanning generations, Older’s latest tells the tale of a family split between New Jersey and Cuba, who grapple with the appearance of their vanished ancestor’s ghost. The ancestor, Marisol, went missing in the tumult of the Revolution, taking with her the family’s knowledge of their painful and complicated past. When Marisol visits her nephew, he starts to learn about her story, which hinges on “lost saints” who helped her while she was in prison. (Thom) They Will Drown in Their Mothers’ Tears by Johannes Anyuru (translated by Saskia Vogel): Anyuru, a Swedish-Ugandan author, took home the Swedish-language August Prize for Fiction for this tale of authoritarianism and hate in modern Europe. After terrorists bomb a bookstore for hosting a provocative cartoonist, one of the terrorists has a vision of the future she may have brought about. Years later, a psychiatrist goes to visit her in the clinic where she’s been institutionalized, and she informs him she’s a traveler from an awful, dystopian future. As she describes a world in which “anti-Swedish” citizens are forced into a ghetto called The Rabbit’s Yard, the psychiatrist grows convinced that her sci-fi predictions are the truth. What Burns by Dale Peck: Dale Peck has published a dozen books – novels, an essay collection, a memoir, young-adult and children’s novels – and along the way he has won a Lamda Award, a Pushcart Prize, and two O. Henry Awards. Now Peck is out with something new: What Burns, his first collection of short fiction. Written over the course of a quarter-century, these stories are shot through with two threads that run through all of Peck’s writing: tenderness and violence. In “Not Even Camping Is Like Camping Anymore,” for instance, a teenaged boy must fend off the advances of a five-year-old his mother babysits. And in “Bliss,” a young man befriends the convicted felon who murdered his mother when he was a child. Tenderness and violence, indeed. (Bill) White Negroes: When Cornrows Were in Vogue ... and Other Thoughts on Cultural Appropriation by Lauren Michele Jackson: Scholar and writer Lauren Michele Jackson, who has written many incisive essays on popular culture and race for Vulture and elsewhere, now publishes her first book, an in-depth exploration of the way white America continues to steal from black people, a practice that, Jackson argues, increases inequality. Eve Ewing says of the book: "We’ve needed this book for years, and yet somehow it’s right on time." (Lydia) Vernon Subutex 1 by Virginie Despentes (translated by Frank Wynne): A writer and director dubbed the “wild child of French literature” by The Guardian, Despentes has been a fixture on the French, and global, arts scene since her provocative debut, Baise-Moi. Translated by Frank Wynne, this first in a trilogy of novels introduces us to Vernon Subutex, a louche antihero who, after his Parisian record shop closes, goes on an epic couch-surfing, drug-fueled bender. Out of money and on the streets, his one possession is a set of VHS tapes shot by a famous, recently deceased rock star that everyone wants to get their hands on. (Matt) The Fugitivities by Jesse McCarthy: The debut novel from McCarthy, Harvard professor and author of essays destined to be taught in classrooms for years to come (among them “Notes on Trap”), The Fugitivities takes place in Brooklyn, the Bronx, and Brazil, with Parisian interludes. The novel explores the collision of a teacher in crisis with a basketball coach yearning for a lost love, carrying the former on a journey that will change everything. Of The Fugitivities, Namwali Serpell writes “In exquisite, often ecstatic, prose, McCarthy gives us a portrait of the artist as a young black man—or rather, as a set of young black men, brothers and friends and rivals.” (Lydia) Jakarta by Rodrigo Márquez Tizano (translated by Thomas Bunstead): A man and his lover are trapped in a room while a plague ravages the city in this “portrait of a fallen society that exudes both rage and resignation.” Tizano fashions an original, astonishing, and terrifyingly unhinged dystopia in this, his debut novel. Thomas Bunstead adds to an impressive resumé with a seamlessly literary and peppery translation from the Spanish. (Il’ja) DECEMBER Dead Astronauts by Jeff VanderMeer: Not all writers can make you feel human emotions about ectoplasmic goo, but not all writers are Jeff VanderMeer. In his latest spin-off from Borne and The Strange Bird, VanderMeer again invites us to the hallucinatory ruins of an unnamed City, beshadowed by the all-powerful Company, and rife with all manners of mysterious characters. Fish, foxes, and madmen, Oh my. (Nick M.)