April Preview: The Millions Most Anticipated (This Month)

We wouldn’t dream of abandoning our vast semi–annual Most Anticipated Book Previews, but we thought a monthly reminder would be helpful (and give us a chance to note titles we missed the first time around). Here’s what we’re looking out for this month. Let us know what you’re looking forward to in the comments!

Want to know about the books you might have missed? Then go read our most recent book preview. Want to help The Millions keep churning out great books coverage? Then sign up to be a member today.

How Much of These Hills Is Gold by C Pam Zhang: Zhang’s debut novel is a smart, beautiful, and intimate legend, not only of an immigrant family, but also of an expanding empire. One day, a pair of teenage siblings wake up to the sudden death of their father, a former prospector and coal miner. In the afterglow of the American gold rush, the two girls find themselves orphaned and vulnerable, and their very existence as immigrants is denied by this seemingly promising land. Carrying a stolen horse, their father’s body, and a pistol, they set off on their journey to give their father a proper burial. In their adventure, they witness the extermination of giant buffalos, encounter the ghosts of ruined nature, and discover family memories. How Much of These Hills Is Gold ambitiously examines the nation’s long neglected racialized past and, more importantly, brings those individuals to life again on the page, with their desire and anger, longing and frustration. (Jianan Qian)

Notes from an Apocalypse by Mark O’Connell: With his Wellcome-Prize winning To Be a Machine, The Millions’ own Mark O’Connell established himself as a poet laureate of human frailty, quixotism, and creativity as they manifest in the technologic age. Now, O’Connell travels across the world to tour bunkers and silos and interview all manner of people who are living as though the end of the world is upon us. Kirkus called it “A contribution to the doom-and-gloom genre that might actually cheer you up.” Long-time McConnell fans know it will be gloriously funny, incredibly alarming, empathetic, insightful, and beautifully written. (Lydia)

Mothers Before​ by ​Edan Lepucki, ed.​: Who was your mother before she became a mother? Lepucki, the New York Times-bestselling novelist of California and Woman No. 17 and indispensable contributing editor at The Millions, asks this question. She and her contributors offer answers in more than 60 essays and photographs, including work by Brit Bennett, Jennifer Egan, Jia Tolentino, Lisa See, and many others. The book builds on the popular Instagram account @mothersbefore. (Claire)

Perfect Tunes by Emily Gould: In her second novel, Gould tells the story of Laura, who comes to New York City in the early 2000s, fresh from Columbus, Ohio, with big plans to record an album and live out her dreams. Things don’t go as planned: Love (or lust) gets in the way. In this “sharply observant” (Publishers Weekly) novel by the author of Friendship, we get not only a bygone New York, but also: music, sex, motherhood, and ambition. Stephanie Danler says it’s an “intoxicating blend of music, love, and family from one of the essential writers of the internet generation.” P.S. there’s a great description of a penis. (Edan)

The Dominant Animal by Kathryn Scanlan: If there were an ancestry of influences in writing, Scanlan’s would be charted as the love child of Gary Lutz and Diane Williams. She shares their linguistic obsessions, including an “outrageous attention to sound and structure that approaches the devotional.” Scanlan’s first book was the unexpected and heralded Aug 9—Fog, which she developed from a found text, a journal written by an elderly woman, which Scanlan then edited and rearranged into its current state. Of her forthcoming book of short stories, The Dominant Animal, Gary Lutz says, “Kathryn Scanlan comes to us as an oracle when we have never before been so desperately in need.” (Anne)

Godshot by Chelsea Bieker: Bieker’s debut novel, Godshot, takes her readers to the fertile fields of California, where divinities are seemingly as much of a bumper crop as avocados, except for adolescent Lacey May there’s lots of the former and little of the latter (or any other crop for that matter). The California of Godshot is in the midst of a brutal drought, and for the cult that Lacey May lives with, the faith of the indoctrinated turns towards their leader Pastor Vern who claims that he can once again make the rain come. What Lacey May brutally learns are the depths to which men can sink, the pain that they’re willing to inflict on women, and the promise of solidarity that can be approached as she goes on a road trip to find her exiled mother. A gothic phantasmagoria, Bieker’s book explores the ways in which cultish devotion in times of ecological catastrophe can seemingly push groups of people towards a social apocalypse—a novel eerily pertinent in 2020. (Ed S.)

The Moment of Tenderness by Madeleine L’Engle: Few fantasy writers had as indelible an influence on a certain tribe of bookish, introverted, curious children during the 20th century as the great L’Engle. Her classic A Wrinkle in Time, and the series of books that she wrote about the Wallace siblings and their journeys through time and space, remain not just classics of children’s literature, but an indelible exploration of authoritarianism as well. Now, like one of her characters who is able to transcend the fourth dimension, a collection of previously unpublished work written between her time in college and the publication from her first novel is being posthumously published as The Moment of Tenderness, after its rediscovery by her granddaughter. Some stories are clear drafts of later writing, and others are completely original, but for fans of L’Engle, they allow us a window into her process of writing fantasy, which she called the “one and only language in the world that cuts across all barriers of time, place, race, and culture.” (Ed S.)

What Is Grass by Mark Doty: In the visionary 1855 poem “Song of Myself” from Walt Whitman’s prophetic collection Leaves of Grass, the good, grey poet imagines a child approaching the narrator of the verse (a variable “I” often conflated with the author) and asking “What is the Grass?” That line has been borrowed for the title of poet Mark Doty’s new reflection What Is Grass: Walt Whitman in My Life. Whitman is simultaneously the most singular and the most universal of poets, the most subjective and most objective, both “Walt” and a very “Kosmos.” It’s been said that no American poet can entirely ignore Whitman, and Doty is a reverential penitent before the greatest American poet, giving an account of how his own subjective experience intersects with that of the singer of “Song of Myself.” Both men are lovers of men; both men are New Yorkers; both men are poets. What Doty most shares with Whitman, however, is a heretic’s faith in language, both its promise and its failures. As Doty wrote of “he who’d written his book over and over, nearly ruining it, /so enchanted by what had first compelled him/ – for him the word settled nothing at all.” (Ed S.)

How to Pronounce Knife by Souvankham Thammavongsa: In poet Thammavongsa’s fiction debut, Lao immigrants and refugees write letters, experience new desires, and struggle to build lives in unfamiliar territory. Described by Publishers Weekly as “sharp and elegant,” the collection is a visceral and tender exploration of what it means to make a living. David Chariandy calls How to Pronounce Knife “a book of rarest beauty and power…one of the great story collections of our time.” (Jacqueline)

Life for Sale by Yukio Mishima: After a failed suicide attempt, salaryman Hanio Yamada places an ad in a Tokyo newspaper offering to sell his life. Soon, he is contacted by a few interested buyers: an old man who wants to punish his adulterous wife, a librarian looking for a guinea pig for a drug testing, and a son in need of a volunteer for his vampiric mother. Different from Mishima’s other works, Life for Sale is a wildly funny pulp fiction. The novel grapples with the grave topic of humanity’s instincts for self-preservation and self-destruction, but you’ll find yourself laughing through instead of agonizing over it. (Jianan Qian)

The Knockout Queen by Rufi Thorpe: The third novel from Thorpe, The Knockout Queen follows Bunny Lambert, a beautiful, desperate 6’3″ blonde, and Michael, the boy next door who’s trying to understand his sexuality, as they become strange friends. All too soon, though, that friendship is marked by a dangerous mix of first love, brutal gossip, and violence. Our own Edan Lepucki says Thorpe’s “one-of-a-kind narrator is funny, vulnerable, brilliant, and brimming with longing, and the story he tells distills the pain and beauty of a life-changing friendship like nothing else I’ve read before. This book’s got guts and heart, and wisdom for days.” (Kaulie)

The Only Good Indians by Stephen Graham Jones: A horror story about four men from the Blackfeet Nation who are being hunted for something they did in the past. Paul Tremblay calls this novel “a masterpiece. Intimate, devastating, brutal, terrifying, yet warm and heartbreaking in the best way, Stephen Graham Jones has written a horror novel about injustice and, ultimately, about hope. Not a false, sentimental hope, but the real one, the one that some of us survive and keeps the rest of us going.” (Lydia)

St. Ivo by Joanna Hershon: Hershon’s last novel, A Dual Inheritance, published seven years ago, was a riveting intergenerational saga covering decades in the lives of two families. In St. Ivo, Hershon narrows the aperture to focus on two couples over the course of a long weekend spent together upstate. “Hershon explores with moving simplicity the complexities friendships and a marriage that has frayed but not yet died,” says Publishers Weekly in an early review. (Michael)

Afterlife by Julia Alvarez: The bestselling author of In the Time of the Butterflies and How the Garcia Girls Lost Their Accents returns with a novel focused on Antonia Vega, a recently retired English professor and writer whose husband unexpectedly dies and whose sister disappears. Soon after these losses, an undocumented and pregnant teen arrives at her door. Luis Alberto Urrea says that Afterlife is “the exact novel we need in this fraught era. A powerful testament of witness and written with audacity and authority.” (Zoë)

Simon the Fiddler by Paulette Jiles: Following up on her National Book Award finalist News of the World, Jiles returns to post-Civil War Texas with the tale of Simon Boudlin, a 23-year-old fiddle player, and Doris Mary Dillion, the indentured Irish girl he meets as the war comes to an end. The novel follows Simon and Doris as they follow their own post-war paths—and the lengths he will go to reunite with the woman he loves. Kirkus’ starred review calls Jiles a “master storyteller” and the novel “vividly evocative and steeped in American folkways.” (Carolyn)

What You Become in Flight by Ellen O’Connell Whittet: When an injury during rehearsal derails Whittet’s promising ballet career, the 19-year-old turns to writing to work through the loss of the future she’d always envisioned; the years of physical and emotional trauma she suffered (inflicted by herself and others); and the journey she took to heal herself. About the memoir, author Melissa Febos writes: “An elegant and compelling künstlerroman that begins in the body and ends on the page.” (Carolyn)

Everything Is Under Control by Phyllis Grant: Grant’s debut memoir is a pinch of personal, poetic vignettes and a dash of her favorite recipes. The chef and food writer explores her journey from being a dancer at Julliard and working in high-end kitchens in New York City, to marrying her husband and relocating to California after 9/11. Writer Dani Shapiro says, “With raw candor and discipline, Phyllis Grant peels back the layers of her innermost experience and gives us a memoir as rich and nuanced, as delicate as life itself.” (Carolyn)

Starling Days by Rowan Hisayo Buchanan: Following her acclaimed debut, Harmless Like You, Buchanan’s second novel follows Mina and Oscar, a married couple who relocate to London after a foiled tragedy. Suffering from mental health issues, Mina finds comfort—and something more—in a woman named Phoebe. Kirkus’ starred review calls the novel “poetic and understated” and “complex and resonant.” (Carolyn)

The Book of Longings by Sue Monk Kidd: In her fourth novel, Kidd—the acclaimed author of The Secret Life of Bees—imagines the life of Ana, a young woman who defies her arranged marriage to marry Jesus of Nazareth. Rebellious and intellectually curious, Ana finds her purpose in recording the secret narratives of silenced women—a pursuit that puts her in danger. A starred review in Publishers Weekly called the novel “a vibrant portrait of a woman striving to preserve and celebrate women’s stories—her own and countless others.” (Carolyn)

A Thousand Moons by Sebastian Barry: The newest novel from two-time Booker Prize finalist Barry focuses on Winona Cole, the Native American adopted daughter of John Cole and Thomas McNulty—whose lives were explored in his previous novel Days Without End. Set in Reconstruction-era Tennessee, a brutal act of violence sends Winona on a journey—toward healing and connection with her Lakota ancestors. The Guardian’s review says Barry’s “work reminds us how much we need these rare gifts of the natural storyteller, for reckoning with our past and present.” (Carolyn)

Sea Wife by Amity Gaige: In Gaige’s fourth novel, a married couple and their two young children take to the sea on a search for adventure and fulfillment. Instead, they find their marriage and lives thrown irreparably and dangerously off course. Claire Messud says, “Taut as a thriller, emotionally precise yet threaded with lyricism, Sea Wife is at once the compelling story of a family’s glorious, misbegotten seafaring adventure and an allegory for life itself.” (Carolyn)

Missed Translations by Sopan Deb: Deb, a New York Times writer and comedian, explores his immigrant roots in this debut memoir. Growing up in suburban (read: white) New Jersey, Deb yearned for a connection to his culture but was ultimately unable to find one after his parent’s marriage imploded and his father returned to India alone. As an adult, he travels to India to reunite with his father, spend time with extended family, and uncover secrets that would otherwise have stayed buried. Booklist says Deb’s writing is “breezy and witty” and that “his earnestness will sweep readers up into this charmer of a memoir.” (Carolyn)

Five Little Indians by Michelle Good: Winner of the 2018 HarperCollins/UBC Prize for Best New Fiction, Good’s debut novel is told from the alternating perspectives of Kenny, Lucy, Clara, Howie, and Maisie—who are survivors of a church-run residential school. As their lives intersect over the decades, the then teens (now adults) attempt to overcome the trauma inflicted on them and not only survive, but thrive, in downtown Vancouver. (Carolyn)

A Year in Reading: Carolyn Quimby

I’ve spent this year second-guessing myself. Every decision inspired fear. My emotions were out of control. I despised (yet yearned) for change. My astrology-inclined friends tell me this is my “Saturn return,” which is when Saturn returns to the position it was in during your birth. Saturn return tends to be a period of time rife with change, intensity, and questioning. And, despite being skeptical of cosmic predictions, I can’t help but feel like I’m in the midst of something larger than myself. And, like my thoughts and emotions, my reading has been all over the place. 

I kicked off the new year by reading Lydia Kiesling’s The Golden State poolside in the Sunshine State. Its willingness to explore the mundane (and maddening) minutiae of motherhood with a thoughtfulness usually reserved for Very Serious Topics™ felt revolutionary. I’ve never read anything like it (in the best possible way). In addition to reading and reviewing for work, I read a few books for fun including Michelle Obama’s Becoming. I listened to the audiobook and I would argue it’s the best (perhaps only?) way to read the book. Without realizing it, I started The Plot Against America (my first Philip Roth book) on a train to Newark. Disturbing in its own right, the alternate history of America post-WWII has far too many parallels to today’s political climate. I also read, and enjoyed, a little book no one’s ever heard of: Normal People by Sally Rooney. Rooney manages to capture the feeling of being young and desperate for belonging with honesty.

Summer was bookmarked by queer novels: Carolina De Robertis’s Cantoras—a luscious and heartbreaking story about revolution in 1970s Uruguay—and Kristen Arnett’s Mostly Dead Things—a novel about a grief-stricken family, taxidermy, and obligation. In between those books, I read some incredible books: And Now We Have Everything by Meaghan O’Connell, which made me cringe, laugh, and cry all at the same time; What My Mother and I Don’t Talk About edited by Michele Filgate, which is one of the best anthologies I’ve read in years; Adrienne Brodeur’s Wild Game, a beautiful memoir about toxic mother-daughter relationships; The Remains of the Day by Kazuo Ishiguro, a quiet, deliberate masterpiece; Rory Power’s Wilder Girls, a creepy, queer YA dystopia; and Lauren Groff’s Florida, a short story collection further proving Groff is one of the best. The New Me by Halle Butler was feverishly inhaled over the course of one afternoon. Butler’s office novel hit too close to home and it sent me reeling. I also worked my way through Leslie Jamison’s Make It Scream, Make It Burn, which I had been (unknowingly) waiting for since I read The Empathy Exams in 2016. No one writes an essay like Jamison, and I’m already awaiting her next collection. 

As a freelancer, I mostly review fiction so I gravitated toward nonfiction in my free time. I read I’ll Be Gone in the Dark, the late Michelle McNamara’s haunting book about the Golden State Killer (her nickname). What a sadness that she couldn’t finish what she started but, man, what she left behind was incredible. In a move that shocked no one, I tore my way through Benjamin Dreyer’s Dreyer’s English, which was informative and hilarious in equal measure. John Glynn’s Out East warmed my cold Long Island heart with its sun-kissed honesty. Furious Hours by Casey Cep was the perfect combination of true crime and literary history. I was horrified and enthralled by Jodi Kantor and Megan Twohey’s She Said about breaking the Harvey Weinstein story and the #MeToo movement. I’ve always loved books and movies about journalism, and this is journalism at its finest. For the aspiring writer in your life: Courtney Maum’s Before and After the Book Deal (out January 2020) is an invaluable resource. 

And then there were my two favorite books of the year: the ones I sat with the longest, that inspired me to write, and that I’ll revisit over and over again. Read over the course of a weekend, T Kira Madden’s Long Live the Tribe of Fatherless Girls left me speechless, devastated, and hopeful. I cannot remember the last time I filled a book with so many annotations, asterisks, and exclamation points. Susan Choi’s Trust Exercise totally and completely blew my mind. I said it then and I’ll say it now: I would take a whole course dedicated to studying the structure and form of Choi’s novel. Trust Exercise left me unmoored and it took weeks to find my next book. It’s without a doubt the best novel I read all year.2019 was bad in many ways but the reading was good. If anything, that’s what I’ll take into 2020. More books and writing. Less indecision and trepidation. Stars be damned. 

More from A Year in Reading 2019

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Don’t miss: A Year in Reading 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

National Book Awards Names 2019 Winners

The 2019 National Book Award winners were announced in New York City tonight. The big prize for fiction went to Trust Exercise by Susan Choi. (Bonus: Read our 2019 interview with Choi).

 In his opening remarks for the 70th annual ceremony, host Levar Burton spoke about the power of books personally and politically.

During his speech, Burton—television’s most beloved bibliophile—credited his mother with instilling him with a lifelong love of literature, and went on to wax poetic about the power of literacy: “Literature is the birthright of every one of us—if you can read in at least one language, you are in my definition, free. No one can pull the wool over your eyes.”

As for the awards, they went as follows:

The award in the Young People’s Literature category went to 1919: The Year That Changed America by Martin W. Sandler.

The award for translated literature went to Baron Wenckheim’s Homecoming by László Krasznahorkai; translated by Ottilie Mulzet. (Bonus: Read our review).

The poetry award went to Arthur Sze for Sight Lines.

The nonfiction award went to The Yellow House by Sarah M. Broom.

 Bonus Links: Earlier in the year, we dove into both the shortlist and the longlist to share excerpts and reviews where available.

Margaret Atwood and Bernardine Evaristo Win 2019 Booker Prize

In a stunning turn of events (and perhaps even taking a page out of the Nobel’s playbook), the 2019 Booker Prize has been awarded to two books: Margaret Atwood’s The Testaments and Bernardine Evaristo’s Girl, Woman, Other. The two winners will share the £50,000 prize.

Peter Florence, the chair of the 2019 judges, said: “This ten month process has been a wild adventure. In the room today we talked for five hours about books we love. Two novels we cannot compromise on. They are both phenomenal books that will delight readers and will resonate for ages to come.”

A few fun facts about this years prize:

The Booker Prize has been awarded to two works twice before, but this is the first joint-winner since 1993—when the rules were changed to allow only one author to win the prize at a time.
Evaristo is the first black woman to have ever won the Booker Prize.
This is Atwood’s second win (she won in 2000 for The Blind Assassin), and she has been shortlisted four times: The Handmaid’s Tale (1986), Cat’s Eye (1989), Alias Grace (1996), and Oryx and Crake (2003). 

Here are the authors that made this year’s short and long lists.

Olga Tokarczuk and Peter Handke Win Nobel Prizes in Literature

This morning’s Nobel Prize in Literature announcement marked a first in the award’s 118-year history: two awards will be bestowed—one for 2018 and one for 2019.

Shortly after Kazuo Ishiguro won the prize in 2017, the Academy was rocked by a multi-faceted scandal: Jean-Claude Arnault, the husband of Katarina Frostenson, an academy member, was accused (and later convicted) of sexual abuse, exploitation, and rape, The husband and wife are also accused of misusing academy funding. In the wake of those crises and multiple resignations, the 2018 prize and ceremony were cancelled.

This morning, however, Olga Tokarczuk and Peter Handke were awarded the Nobel Prize in Literature as well as the its 9m Swedish krona purse ($910,000+) prize.

Polish author Olga Tokarczuk won the 2018 prize for “a narrative imagination that with encyclopedic passion represents the crossing of boundaries as a form of life.”

Tokarczuk is no stranger to awards. For her novel Flights, she won the 2008 Nike Award—Poland’s most prestigious literary prize—and the English translation by Jennifer Croft would go on to win the 2019 Man Booker International award. Translated by Antonia Lloyd-Jones, Tokarczuk’s second novel, Drive Your Plow Over the Bones of the Dead, was longlisted for the 2019 Man Booker International Prize and longlisted for the National Book Award in Translated Literature.

She also recently cracked into The Millions Top Ten as well—which may be the most exciting feat of all (depending on who you’re asking, I guess). To learn more about Tokarczuk, The Millions has a fantastic review of her novel Flights, as well as an astute profile of the author by Gabe Habash.

Austrian author Peter Handke won the 2019 prize for “an influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience.” The Millions predicted Handke’s chances to win in 2009. Handke is a controversial figure that even called for the Nobel Prize to be abolished in 2014 in an Austrian newspaper. 

Center for Fiction Names 2019 First Novel Prize Shortlist

The Center for Fiction named its 2019 First Novel Prize shortlist over at LitHub this morning. The award is given to the “best debut novel published between Jan. 1 and Dec. 31 of the award year,” and the prize-winning author receives $10,000.

This year’s judges—Maaza Mengiste, Claire Messud, Emma Straub,  Monique Truong, and Tommy Orange (last year’s winner)—whittled the 27-title longlist down to just seven titles.

Here’s the 2019 shortlist, with bonus links when applicable:

American Spy by Lauren Wilkinson (Read Wilkinson’s 2018 Year in Reading)

Bangkok Wakes to Rain by Pitchaya Sudbanthad (Read Sudbanthad’s 2018 Year in Reading)

Disappearing Earth by Julia Phillips (Recently longlisted for the National Book Award in Fiction)

Fall Back Down When I Die by Joe Wilkins

In West Mills by De’Shawn Charles Winslow (Featured in our June Preview)

On Earth We’re Briefly Gorgeous by Ocean Vuong (Featured in two Year in Reading posts)

The Unpassing by Chia-Chia Lin (Featured in Julia Phillips’s list of eight books set in the middle of nowhere)

The winner will be announced at The Center for Fiction’s annual Benefit and Awards Dinner on December 10.

National Book Awards Names 2019 Longlists

Award season is back in full swing!

The National Book Foundation spent the week slowly revealing the National Book Award longlists. Established in 1950, the NBAs seek to “celebrate the best writing in America.” Starting on Monday, the 10-title longlists in nonfiction, poetry, young people’s literature, and translated literature were released on The New Yorker‘s Page Turner blog.

Here’s some fun facts about this year’s nominees:

The fiction list includes one previous winner, Colson Whitehead (2016), and one previous NBA judge, Laila Lalami (2018).
The nonfiction list includes three debut titles and one previous NBA finalist, Greg Grandin.
Olga Tokarczuk is a two-time nominee in the translated literature category, following last year’s inaugural award.
The Young Adult list includes one “5 Under 35” nominee, Akwaeke Emezi; one previous NBA winner, Cynthia Kadohata (2013); and four previous NBA nominees: Jason Reynolds (2016, 2017); Laura Ruby (2015); and Laurie Halse Anderson (1999, 2008, 2014).

Here’s a list of the finalists in all five categories, with bonus links where applicable:

Fiction:

Fleishman Is in Trouble by Taffy Brodesser-Akner (Featured in our June preview)
Trust Exercise by Susan Choi (Read our 2019 interview with Choi)
Sabrina & Corinas by Kali Fajardo-Anstine (Featured in our Great First-Half 2019 Book Preview)
Black Leopard, Red Wolf by Marlon James (Read a profile about James)
The Other Americans by Laila Lalami (Read Lalami’s 2018 Year in Reading entry)
Black Light by Kimberly King Parsons (Read our 2019 interview with Parsons)
The Need by Helen Phillips (Featured in our Great Second-Half 2019 Book Preview)
Disappearing Earth by Julia Phillips (Featured in our Great First-Half 2019 Book Preview)
On Earth We’re Briefly Gorgeous by Ocean Vuong (Read our review of Vuong’s debut)
The Nickel Boys by Colson Whitehead (Featured in our Great Second-Half 2019 Book Preview)

Nonfiction:

Go Ahead in the Rain: Notes to A Tribe Called Quest by Hanif Abdurraqib (A 2016 Year in Reading alum)
The Yellow House by Sarah M. Broom (Featured in our Great Second-Half 2019 Book Preview)
Thick by Tressie McMillan Cottom (Featured in our Great First-Half 2019 Book Preview)
What You Have Heard is True: A Memoir of Witness and Resistance by Carolyn Forché
Say Nothing: A True Story of Murder and Memory in Northern Ireland by Patrick Radden Keefe
The Heartbeat of Wounded Knee: Native America from 1890 to the Present by David Treuer
The End of the Myth: From the Frontier to the Border Wall in the Mind of America by Greg Grandin
Burn the Place: A Memoir by Iliana Regan
Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership by Keeanga-Yamahtta Taylor
Solitary by Albert Woodfox with Leslie George



Poetry:

Variations on Dawn and Dusk by Dan Beachy-Quick
The Tradition by Jericho Brown (Read an excerpt from Brown’s collection)
“I”: New and Selected Poems by Toi Derricotte (Read our 2019 interview with Derricotte)

Build Yourself a Boat by Camonghne Felix
Deaf Republic by Ilya Kaminsky (Featured in March’s Must-Read Poetry roundup)
A Sand Book by Ariana Reines
Dunce by Mary Ruefle
Be Recorder by Carmen Giménez Smith (Read an excerpt from Smith’s collection)
Sight Lines by Arthur Sze
Doomstead Days by Brian Teare


Translated Literature

When Death Takes Something from You Give It Back: Carl’s Book
by Naja Marie Aidt, translated by Denise Newman
The Collector of Leftover Souls by Eliane Brum, translated by Diane Grosklaus Whitty
Space Invaders by Nona Fernández, translated by Natasha Wimmer
Will and Testament by Vigdis Hjorth, translated by Charlotte Barslund
Death Is Hard Work by Khaled Khalifa, translated by Leri Price
Baron Wenckheim’s Homecoming by László Krasznahorkai, translated by Ottilie Mulzet (Read our review]
The Barefoot Woman by Scholastique Mukasonga, translated by Jordan Stump
The Memory Police by Yoko Ogawa, translated by Stephen Snyder (Featured in our Great Second-Half 2019 Book Preview)
Crossing by Pajtim Statovci, translated by David Hackston
Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk, translated by Antonia Lloyd-Jones (Read Gabe Habash’s profile of Tokarczuk)

Young People’s Literature:

The Undefeated by Kwame Alexander; illustrations by Kadir Nelson
Shout by Laurie Halse Anderson
Pet by Akwaeke Emezi (Featured in our Great Second-Half 2019 Book Preview)
A Place to Belong by Cynthia Kadohata; illustrations by Julia Kuo
Look Both Ways: A Tale Told in Ten Blocks by Jason Reynolds
Patron Saints of Nothing by Randy Ribay
Thirteen Doorways, Wolves Behind Them All by Laura Ruby
1919: The Year That Changed America by Martin W. Sandler
Out of Salem by Hal Schrieve
Kiss Number 8 by Colleen AF Venable; illustrations by Ellen T. Crenshaw


The five-title shortlists will be announced on October 8, and the awards will be revealed in New York City on November 20.

Man Booker Prize Names 2019 Shortlist

The 2019 Man Booker Prize shortlist is here!

The literary prize, among the most prestigious of its kind, aims “to promote the finest in fiction by rewarding the best novel of the year written in English and published in the United Kingdom.” (Feel free to brush up on the longlist before diving into the shortlist below.)

Announced during a press conference at London’s British Library, 2019 Chair of Judges Peter Florence said: “We have a shortlist of six extraordinary books and we could make a case for each of them as winner, but I want to toast all of them as ‘winners.’ Anyone who reads all six of these books would be enriched and delighted, would be awe-struck by the power of story, and encouraged by what literature can do to set our imaginations free.”

This year’s shortlist includes former winner and six-time nominee, Margaret Atwood, for her heavily guarded sequel to The Handmaid’s Tale (out next Tuesday!); former winner Salman Rushdie; Lucy Ellmann for an experimental 1,000-page monologue; British novelist Bernardine Evaristo; our own Chigozie Obioma, who was a 2015 finalist; and Turkish novelist Elif Shafak.

Here’s the 2019 Man Booker shortlist (and applicable bonus links):


The Testaments by Margaret Atwood (Read our 2015 interview with Atwood)
Ducks, Newburyport by Lucy Ellmann
Girl, Woman, Other by Bernardine Evaristo
An Orchestra of Minorities by Chigozie Obioma (Read our interview with Obioma)
Quichotte by Salman Rushdie (Read a recent profile of Rushdie)
10 Minutes 38 Seconds in This Strange World by Elif Shafak 

The Man Booker Prize winner will be announced on October 14 at a ceremony in London.

Man Booker Prize Names 2019 Longlist

The Man Booker Prize, which “aims to promote the finest in fiction by rewarding the best novel of the year written in English and published in the United Kingdom,” announced its 2019 longlist.

Whittled down from 151 novels published in the U.K. or Ireland between Oct. 1, 2018 and Sept. 30, 2019, the 13-title longlist includes two previous winners (Salman Rushdie and Margaret Atwood), one American author (Lucy Ellmann), and one debut novelist (Oyinkan Braithwaite). We are also extremely excited that our own contributing editor Chigozie Obioma made the list!

Here’s the 2019 “Booker Dozen,” featuring 13 novels—plus applicable bonus links:


The Testaments by Margaret Atwood (Read our 2015 interview with Atwood)
Night Boat to Tangier by Kevin Barry (Read Barry’s 2017 Year in Reading entry)
My Sister, The Serial Killer by Oyinkan Braithwaite (Featured in our November Most Anticipated List)
Ducks, Newburyport by Lucy Ellmann
Girl, Woman, Other by Bernardine Evaristo
The Wall by John Lanchester
The Man Who Saw Everything by Deborah Levy (Featured in our Great Second-Half Book Preview)
Lost Children Archive by Valeria Luiselli (Read reviews of Luiselli’s other works here and here)
An Orchestra of Minorities by Chigozie Obioma (Our interview with Obioma)
Lanny by Max Porter (Read our review of Lanny)
Quichotte by Salman Rushdie
10 Minutes 38 Seconds in This Strange World by Elif Shafak 
Frankissstein by Jeanette Winterson

The Man Booker Prize shortlist will be announced on Sept. 3rd.

Women’s Prize for Fiction Names 2019 Shortlist

The Women’s Prize for Fiction announced its 2019 shortlist.

Formerly the Orange Prize and Baileys Prize, the Women’s Prize for Fiction recognizes the best English-language novel by a woman published in the U.K. in the previous year. The award celebrates “excellence, originality and accessibility in women’s writing from throughout the world.”

The shortlist includes one debut author (Oyinkan Braithwaite), one previously shortlisted author (Anna Burns), a previous Orange Prize for Fiction winner (Madeline Miller), and an Orange Award for New Writers winner (Diana Evans). The list also includes a few Year in Reading alums, and all the books were featured in our 2018 First-Half and Second-Half Book Previews.

Here is the 2019 shortlist, with Publishers Weekly reviews:

The Silence of the Girls by Pat Barker

Read Publishers Weekly’s review here: Barker, author of the Booker-winning The Ghost Road, speculates about the fate of the women taken captive during the Trojan War, as related in Homer’s Iliad. Briseis, queen of the small country of Lyrnessus, was captured by the Greek forces and awarded to Achilles, fated to serve him as slave and concubine. Through her eyes readers see the horror of war: the sea of blood and corpses, the looting, and the drunken aftermath of battle. When Agamemnon demands that Briseis be handed over to him, Achilles reacts with rage and refuses to fight, and when his foster brother and lover Patrocles is killed, having gone into battle in Achilles’s stead, Briseis becomes the unwitting catalyst of a turning point in the war. In Barker’s hands, the conflict takes on a new dimension, with revisionist portraits of Achilles (“we called him the butcher”) and Patroclus (he had “taken his mother’s place” in Achilles’s heart). Despite its strong narrative line and transportive scenes of ancient life, however, this novel lacks the lyrical cadences and magical intensity of Madeline Miller’s Circe, another recent revising of Greek mythology. The use of British contemporary slang in the dialogue is jarring, and detracts from the story’s intensity. Yet this remains a suspenseful and moving illumination of women’s fates in wartime.

My Sister, the Serial Killer by Oyinkan Braithwaite

Here’s what Publishers Weekly’s starred review had to say: Braithwaite’s blazing debut is as sharp as the knife that twists in the chest of Femi, the now-dead boyfriend of Ayoola, whose boyfriends, curiously, seem to keep winding up dead in her presence. Femi makes dead boyfriend number three—each were killed in self-defense, according to Ayoola—and, per usual, Ayoola’s older sister, Korede, is called upon to help dispose of the body. The only confidante Korede has is a coma patient at the Lagos hospital where she works, which is the only place she can go to escape Ayoola. It is also where she can see the man she loves, a handsome and thoughtful doctor named Tade. Of course, this means that when the capricious Ayoola decides to start visiting her sister at work, she takes notice of him, and him of her. This is the last straw for Korede, who realizes she is both the only person who understands how dangerous her sister is and the only person who can intervene before her beloved Tade gets hurt, or worse. Interwoven with Korede, Ayoola, and Tade’s love triangle is the story of Korede and Ayoola’s upbringing, which is shadowed by the memory of their father, a cruel man who met a tragic and accidental death—or did he? As Korede notes when she considers her own culpability in her sister’s temperament: “His blood is my blood and my blood is hers.” The reveal at the end isn’t so much a “gotcha” moment as the dawning of an inevitable, creeping feeling that Braithwaite expertly crafts over the course of the novel. This is both bitingly funny and brilliantly executed, with not a single word out of place.

Milkman by Anna Burns

Here’s Publishers Weekly’s starred review: In her Booker-winning novel, Burns (No Bones) gives an acute, chilling, and often wry portrait of a young woman—and a district—under siege. The narrator—she and most of the characters are unnamed (“maybe-boyfriend,” “third brother-in-law,” “Somebody McSomebody”)—lives in an unspecified town in Northern Ireland during the Troubles of the 1970s. Her town is effectively governed by paramilitary renouncers of the state “over the water,” as they call it. The community is wedged between the renouncers, meting out rough justice for any suspected disloyalty, and the state’s security forces. One day, “milkman,” a “highranking, prestigious dissident” who has nothing to do with the milk trade, offers the narrator a ride. From this initial approach, casual but menacing, the community, already suspicious of her for her “beyond-the-pale” habit of walking and reading 19th-century literature, assumes that she is involved with the rebel. Milkman, however, is in essence stalking her, and over the course of several months she strives, under increasing pressure, to evade his surveilling gaze and sustained “unstoppable predations.” There is a touch of James Joyce’s Stephen Dedalus in the narrator’s cerebral reticence, employing as she does silence, exile, and cunning in her attempt to fly the nets of her “intricately coiled, overly secretive, hyper-gossippy, puritanical yet indecent, totalitarian district.” Enduring the exhausting “minutiae of invasion” to which she is subjected by milkman, and the incursion of the Troubles on every aspect of life, the narrator of this claustrophobic yet strangely buoyant tale undergoes an unsentimental education in sexual politics. This is an unforgettable novel.

Ordinary People by Diana Evans

Read what Publishers Weekly had to say: Evans’s striking novel (following 26A) investigates the relationships of two sets of friends as they navigate pivotal moments during 2008. Melissa and Michael remain engaged after 13 years; Melissa misses her former job as a magazine’s fashion editor, which she left to care for her seven-year-old, Ria, and infant, Blake, while Michael longs for the passionate relationship they used to have. Continually feeling rebuffed at home, Michael searches for attention from others and notices a younger woman in his office. Hesitant to be unfaithful, Michael plans an outing to connect with Melissa, but the evening falls short of expectations and Melissa withdraws further. Meanwhile, in the second narrative, Michael’s friend Damian is frustrated with Stephanie, his wife of nearly 16 years, because she refuses to live in London like their friends, opting instead to raise their children in the suburbs, thereby squelching his dream of city life and ambition of being a writer. Along with coping with the recent loss of his activist father, Damian believes his wife and her family don’t share his values, and instead measure their success by the size of their home and the private lessons they provide their children. With penetrating emotional and psychological observations, Evans creates a realistic portrayal of the couples as they struggle to redefine commitment. Readers looking for careful studies of relationship dynamics will find much to contemplate.

An American Marriage by Tayari Jones

Read Publishers Weekly’s review: Jones (Silver Sparrow) lays bare the devastating effects of wrongful imprisonment in this piercing tale of an unspooling marriage. Roy, an ambitious corporate executive, and Celestial, a talented artist and the daughter of a self-made millionaire, struggle to maintain their fledgling union when Roy is sentenced to 12 years in prison on a rape charge he is adamant is false. Before Roy’s arrest, the narrative toggles between his and Celestial’s perspectives; it takes an epistolary form during his imprisonment that affectingly depicts their heartbreaking descent into anger, confusion, and loneliness. When Roy is proven innocent and released seven years early, another narrator is introduced: Andre, Celestial’s lifelong best friend who has become very close to her while Roy has been away. Jones maintains a brisk pace that injects real suspense into the principal characters’ choices around fidelity, which are all fraught with guilt and suspicion, admirably refraining from tipping her hand toward one character’s perspective. The dialogue—especially the letters between Roy and Celestial—are sometimes too heavily weighted by exposition, and the language slides toward melodrama. But the central conflict is masterfully executed: Jones uses her love triangle to explore simmering class tensions and reverberating racial injustice in the contemporary South, while also delivering a satisfying romantic drama.

Circe by Madeline Miller

Read Publishers Weekly’s starred review here: Miller follows her impressive debut (The Song of Achilles) with a spirited novel about Circe’s evolution from insignificant nymph to formidable witch best known for turning Odysseus’s sailors into swine. Her narrative begins with a description of growing up the awkward daughter of Helios, the sun god. She does not discover her gift for pharmakeia (the art of using herbs and spells) until she transforms her first love, a poor fisherman, into a god. When he rejects her in favor of vain Scylla, Circe turns Scylla into a sea monster. Now considered dangerous, Circe is exiled to an island, where she experiments with local flora and fauna. After returning from a visit to Crete to help her sister give birth to the Minotaur, Circe is joined on the island by errant nymphs sentenced to do their penance in her service. By the time Odysseus’s ship arrives, winding its way home from the Trojan War, Circe reigns over a prosperous household. Welcome guests enjoy her hospitality; unwelcome guests are turned into wild pigs. Neither the goddess Athena nor the deadliest poison known to man makes Circe flinch. Weaving together Homer’s tale with other sources, Miller crafts a classic story of female empowerment. She paints an uncompromising portrait of a superheroine who learns to wield divine power while coming to understand what it means to be mortal.

The winner will be announced on June 5.