A Natural: A Novel

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January Pure Wit by Francesca Peacock [NF] I first learned about the life and work of seventeenth-century writer and philosopher Margaret Cavendish in Regan Penaluna's stellar study of women thinkers, and I've been dying to read a biography of Cavendish ever since. And I'm in luck (all of us are) thanks to biographer Peacock. A proto-feminist, science-fiction pioneer, and divisive public figure, Cavendish is endlessly fascinating, and Peacock's debut gives her the rigorous, in-depth treatment that she deserves. —Sophia M. Stewart Nonfiction by Julie Myerson [F] A blurb from Rachel Cusk is just about all it takes to get me excited about a book, so when I saw that Cusk called Myerson's latest novel "glitteringly painful," "steady and clear," and "the book [Myerson] was intended to write," I was sold. A tale of art, addiction, and the ties that bind mothers and daughters, Nonfiction promises to devastate. —SMS Immediacy by Anna Kornbluh [NF] Did the pandemic kill postmodernism? And what comes after the end of history? University of Illinois–Chicago professor Kornbluh dubs our contemporary style “immediacy,” characterized by same-day delivery, bingeable multimedia, and real-time news updates that spin the economic flywheel ever faster. Kornbluh names this state of emergence and emergency, and suggests potential off-ramps in the direction of calm reflection, measured art-making, and, just maybe, collective wisdom. —Nathalie op de Beeck Slow Down by Kōhei Saitō, tr. Brian Bergstrom [NF] In this internationally-bestselling treatise, Japanese philosopher Saitō argues against "sustainable growth" in favor of degrowth—the slowing of economic activity—which he sees at the only way to address the twinned crises of inequality and climate change. Saitō's proposal is simple, salient, and adapts Marx for the modern day. —SMS Relic by Ed Simon [NF] From Millions alum Simon comes a slim study of the objects we imbue with religious (or quasi-religious) meaning, from the bone of a Catholic martyr to Jimi Hendrix's guitar pick. Bloomsbury's Object Lessons series never misses, and Relic is one of the series' most unconventional—and compelling—entries yet. —SMS Filterworld by Kyle Chayka [NF] The outline of reality has become increasingly blurry as the real world melds with the digital one, becoming what Chayka, staff writer at the New Yorker, calls “Filterworld,” a society built on a foundation of ever-evolving algorithms. In his book of the same name, Chayka calls out the all-powerful algorithm, which he argues is the driving force behind current and accelerating trends in art, consumption, and ethics. —Daniella Fishman Portrait of a Body by Julie Delporte, tr. Helge Dascher and Karen Houle [NF] A gripping narrative of coming to terms with her queer identity, Canadian cartoonist Delporte's latest graphic memoir—praised by Eileen Myles and Fariha Róisín—sees Delporte learning to embrace herself in both physical and metaphysical ways. Dreamy colored pencil illustrations and gently flowing storytelling capture the beauty, trauma, and ultimate tranquility that comes with learning to exist on your own terms. —DF Beautyland by Marie-Helene Bertino [F] In Bertino’s latest novel, following 2020's Parakeet, the launch of Voyager 1 into space coincides with the birth of Adina Giorno, who, much like the solitary satellite, is in search of something she can't yet see. As a child, she senses that she is not of this world and struggles to make a life for herself amid the drudgery of human existence. Playing on Adina's alienness as both a metaphor and a reality, Bertino asks, “Are we really alone?” —DF The Last Fire Season by Manjula Martin [NF] Martin returns ablaze in her latest memoir, pitched as "H Is for Hawk meets Joan Didion in the Pyrocene." Following an anguishing chronic pain diagnosis, Martin attempts to reconnect with her beloved Northern California wilderness in order to escape not only her deteriorating health but a deteriorating world, which has ignited around her in the worst fire season California has ever seen. Devastating and ambivalent, The Last Fire Season tries to sift through the ashes of climate change. —DF The Furies by Elizabeth Flock [NF] Violence by women—its role, its potential righteousness—is the focus of Flock's latest. Following the real-life cases of a young rape survivor in Alabama, a predator-punishing gang leader in India, and an anti-ISIS militia fighter in Syria, Flock considers how women have used lethal force as a means to power, safety, and freedom amid misogynistic threats and oppression. Is violence ever the answer? Flock looks to three parallel lives for guidance. —SMS Imagining the Method by Justin Owen Rawlins [NF] University of Tulsa professor Rawlins demystifies that most celebrated (and controversial) acting school, challenging our contemporary conceptions of screen performance. I was sold the moment I saw Rawlins received the ultimate stamp of approval from Isaac Butler, author of the definitive account of method acting: "If you care about the evolution of twentieth-century screen performance, you should read this book." —SMS We Are Free to Change the World by Lyndsey Stonebridge [NF] Famed twentieth-century philosopher and political theorist Hannah Arendt wrote passionately about power, freedom, and inequality against the backdrop of fascism—a project as relevant today as it ever was. Stonebridge, a professor of humanities and human rights, revisits the lessons of Arendt's writings and applies them to the twenty-first century, creating a dialogue between past, present, and future. —DF Walter Benjamin Stares at the Sea by C.D. Rose [F] In these 19 short stories, Rose meditates on philosophy, photography, and literature. Blending erudition and entertainment, Rose's fables follow writers, teachers, and artists through various situations—and in a standout story, imagines how St. Augustine would fare on Twitter. —DF Black Women Taught Us by Jenn M. Jackson [NF] Jackson's debut book foregrounds the work of Black feminist writers and leaders—from Ida B. Wells and Harriet Jacobs to Shirley Chisholm and bell hooks—throughout American history, revealing the centuries-long role that Black women have played in imagining and fighting for a more just society. Imani Perry calls Jackson "a beautiful writer and excellent scholar." —SMS The Bullet Swallower by Elizabeth Gonzalez James [F] Pitched as Cormac McCarthy meets Gabriel García Márquez (yeesh!), The Bullet Swallower is the second novel (after Mona at Sea) from Elizabeth Gonzalez James, who also wrote the weird and wonderful essay/play Five Conversations About Peter Sellers. Infusing the spaghetti western with magical realism, the novel follows a Mexican bandito on a cosmic journey generations in the making. —SMS Last Acts by Alexander Sammartino [F] In Sammartino's debut novel, the owner of a gun store hatches a plan to resurrect his struggling business following his son's near-death experience. George Saunders, Mary Karr, and Nana Kwame Adjei-Brenyah have all heaped on praise, and Jenny Offill finds it "hard to believe Last Acts is a first novel." —SMS I Sing to Use the Waiting by Zachary Pace [NF] Pace fuses memoir and criticism (my favorite combination) to explore the emotional and cultural impacts of women singers across time, from Cat Power and Rihanna to Kim Gordon and Whitney Houston. A queer coming-of-age story that centers the power of music and the legacies of women artists. —SMS Dead in Long Beach, California by Venita Blackburn [F] Blackburn, the author of the stellar story collections Black Jesus and Other Superheroes and How to Wrestle a Girl, delivers a debut novel about storytelling and unreality, centering on a successful novelist who gets hold of her dead brother's phone—and starts answering texts as him. Kristen Arnett calls this one "a bonafide knockout" that "rewired my brain." —SMS Everyone Who Is Gone Is Here by Jonathan Blitzer [N] New Yorker staff writer Blitzer traces the harrowing history of the humanitarian crisis at the U.S.-Mexico border, foregrounding the stories of Central American migrants whose lives have been threatened and upended by political tumult. A nuanced, layered, and rigorously reported portrait that Patrick Radden Keefe hails as "extraordinary." —SMS The Survivors of the Clotilda by Hannah Durkin [NF] Durkin, a British historian, explores the lives of 103 Africans who were kidnapped and transported on the last slave ship to dock in the U.S., shortly before the Civil War began in 1861. Many of these captives were children, and thus lived their lives against a dramatic backdrop, from the Civil War all the way up to the dawn of the Civil Rights movement. What these people experienced and how they prevailed should intrigue anybody interested in learning more about our nation’s darkest chapter. —Claire Kirch Your Utopia by Bora Chung, tr. Anton Hur [F] Following her acclaimed sophomore novel The Cursed Bunny, Chung returns with more tales from the realm of the uncanny. Covering everything from unruly AI to the quest for immortality to the environmental destruction caused by capitalism, Chung’s story collection promises more of the mystifying, horror-filled goodness that has become her calling card. —DF The Rebel's Clinic by Adam Shatz [NF] Frantz Fanon—political philosopher, psychiatrist, and author of the trailblazing Black Skin, White Masks and The Wretched of the Earth—is one of the most important writers and thinkers of the postcolonial era, and his work continues to inform contemporary thinking on race, capitalism, and power. In this sprawling biography, Shatz affirms Fanon's place as a towering intellect and groundbreaking activist. —SMS You Dreamed of Empires by Álvaro Enrigue, tr. Natasha Wimmer [F] Enrigue's latest novel, following Sudden Death, reimagines the fateful 1519 invasion of Tenochtitlan (now Mexico City) by Spanish conquistador Hernán Cortés. With exuberant style, and in a lively translation by Wimmer, Enrigue brings the Aztec capital and the emperor Moctezuma to vibrant life—and rewrites their destinies. —SMS February Love Novel by Ivana Sajko, tr. by Mima Simić [F] Croatian literature may lag behind its Russian, Hungarian, Polish, and Ukrainian counterparts—roughly in that order—as far as stateside recognition goes, but we all make mistakes. Just like couples do in love and under capitalism. “A war between kitchen and bedroom,” as the liner notes read, would have been enough to sell me, but that war’s combatants, “an unemployed Dante scholar” and “a passable actress,” really sealed the deal. —John H. Maher The Unforgivable by Cristina Campo, tr. Alex Andriesse [NF] This new NYRB edition, introduced by Kathryn Davis, brings together all of the essays Campo published in her lifetime, plus a selection of additional essays and autofiction. The result is a robust introduction to a stylish—but largely forgotten—Italian writer whose "creativity was a vocation in the truest sense," per Jhumpa Lahiri. —SMS Alphabetical Diaries by Sheila Heti [NF] Last year, I was enraptured by Heti's limited-run New York Times newsletter in which she alphabetized sentences from 10 years' worth of her diary entries—and this year, we can finally enjoy the sublime results of that experiment in book form. This is my favorite work of Heti's, full stop. —SMS Dinner on Monster Island by Tania De Rozario [NF] Blending film criticism, social commentary, and personal narrative, De Rozario (most recently the author of the Lambda Literary Award–nominated And the Walls Came Crumbling Down) explores her experience growing up queer, brown, and fat in Singapore, from suffering through a "gay-exorcism" to finding solace in horror films like Carrie. —SMS Wrong Norma by Anne Carson [NF] Everyone shut up—Anne Carson is speaking! This glistening new collection of drawings and musings from Carson is her first original work since the 2016 poetry collection Float. In Carson's own words, the collection touches on such disparate topics (she stresses they are "not linked") as Joseph Conrad, Roget's Thesaurus, snow, Guantánamo, and "my Dad." —DF Self-Portraits: Stories by Osamu Dazai, tr. Ralph McCarthy [F] Japanese writer Dazai had quite the moment in 2023, and that moment looks likely to continue into the new year. Self-Portraits is a collection of short autofiction in the signature melancholic cadence which so many Anglophone readers have come to love. Meditating on themes of hypocrisy, irony, nihilism—all with a touch of self-deprecating humor—Dazai’s work will either pull you out of a deep depression or crack your rose-colored glasses; there is no in-between. —DF Imagination by Ruha Benjamin [NF] Visionary imagination is essential for justice and a sustainable future, argues Benjamin, a Princeton professor of African American studies and founder of the Ida B. Wells Just Data Lab. In her treatise, she reminds readers of the human capacity for creativity, and she believes failures of imagination that lead to inequity can be remedied. In place of quasi-utopian gambles that widen wealth gaps and prop up the surveillance state, Benjamin recommends dreaming collective and anti-racist social arrangements into being—a message to galvanize readers of adrienne marie brown and Alexis Pauline Gumbs. —SMS Literary Theory for Robots by Dennis Yi Tenen [NF] Artificial intelligence and machine-generated writing are nothing new, and perhaps nothing to fear, argues Tenen, a Columbia English professor and former software engineer. Traveling through time and across the world, Tenen reveals the labor and collaboration behind AI, complicating the knee-jerk (and, frankly, well-founded!) reactions many of us have to programs like ChatGPT. —SMS A Sign of Her Own by Sarah Marsh [F] Alexander Graham Bell is best known as the inventor of the telephone, but what he considered his life's work was the education of deaf children—specifically, the harmful practice of oralism, or the suppression of sign language. Marsh's wonderful debut novel unearths this little-known history and follows a deaf pupil of Bell's as she questions his teachings and reclaims her voice. —SMS Get the Picture by Bianca Bosker [NF] Journalist Bosker, who took readers behind the scenes with oenophiles in her 2017 Cork Dork, turns to avid artists, collectors, and curators for this sensory deep dive. Bosker relies on experiential reporting, and her quest to understand the human passion for visual art finds her apprenticing with creators, schmoozing with galleristas, and minding canonical pieces as a museum guard. —NodB Columbo by Amelie Hastie [NF] Columbo experienced something of a renaissance during the pandemic, with a new generation falling for the rugged, irresistible charms of Peter Falk. Hastie revisits the series, a staple of 70s-era TV, with refreshing rigor and appreciation, tackling questions of stardom, authorship, and the role of television in the process. —SMS Acts of Forgiveness by Maura Cheeks [F] Cheeks's debut novel sounds amazing and so au courant. A woman is elected U.S. president and promises Black Americans that they will receive reparations if they can prove they are descended from slaves. You’d think people would jump on achieving some social justice in the form of cold cash, right? Not Willie Revel’s family, who’d rather she not delve into the family history. This promises to be a provocative read on how the past really isn’t past, no matter how much you run from it. —CK The Sentence by Matthew Baker [F] I minored in Spanish linguistics in college and, as a result, came to love that most useless and rewarding of syntactic exercises, diagramming sentences. So I'm very excited to read Baker's The Sentence, a graphic novel set in an alternate America and comprising single, 6,732-word sentence, diagrammed in full. Syntax wonks, assemble! —SMS Neighbors by Diane Oliver [F] Before her untimely death in 1966 at the age of 22, Oliver wrote stories of race and racism in Jim Crow America characterized by what Dawnie Walton calls "audacity, wit, and wisdom beyond her years." Only four of the 14 stories in Neighbors were published in Oliver's lifetime, and Jamel Brinkley calls the publication of her posthumous debut collection "an important event in African American and American letters." —SMS The Weird Sister Collection by Marisa Crawford [NF] Essayist, poet, and All Our Pretty Songs podcaster Crawford founded the Weird Sister blog in 2014, covering books and pop culture from contemporary young feminists’ and queer perspectives. The now-defunct blog offered literary reviews, Q&As with indie authors, and think pieces on film and music. For this collection, whose foreword comes from Michelle Tea, Crawford gathers favorite pieces from contributors, plus original work with a Weird Sister edge. —NodB Smoke and Ashes by Amitav Ghosh [NF] As research for his Ibis trilogy, Ghosh mapped the opium trade around the world and across centuries. This global and personal history revisits the British Empire’s dependence on Indian opium as a trade good, and how the cultivation of and profits from opium shaped today’s global economy. In his nonfiction The Great Derangement, Ghosh employs personal anecdotes to make sense of larger-scale developments, and Smoke and Ashes promises to connect his own family and identity to today’s corporate, institutional, and environmental realities. —NodB Private Equity by Carrie Sun [NF] In her debut memoir, Sun recounts her time on Wall Street, where she worked as an assistant to a billionaire hedge-fund founder and was forced to rethink everything she thought she knew about work, money, sacrifice, and living a meaningful life. This one sounds like a great read for fans of Anna Wiener's Uncanny Valley (e.g. me). —SMS I Love You So Much It's Killing Us Both by Mariah Stovall [F] When Khaki Oliver receives a letter from her estranged former best friend, she isn’t ready for the onslaught of memories that soon cause her to unravel. A Black Bildungsroman about friendship, fandom, and sanity, I Love You So Much It's Killing Us Both is an unflinching look at "what it means to be young in a hard, and nonetheless beautiful, world," per Vauhini Vara. —Liv Albright Dreaming of Ramadi in Detroit by Aisha Sabatini Sloan [NF] I know from personal experience that anything published by Graywolf Press is going to open my eyes and make me look at the world in a completely different way, so I have high expectations for Sloan’s essays. In this clever collection, a Black creative reflects upon race, art, and pedagogy, and how they relate to one’s life in this crazy country of ours during the time period between the 2016 election and the onset of the pandemic. —CK Language City by Ross Perlin [NF] Perlin travels throughout the most linguistically diverse city on the planet—New York—to chronicle the sounds and speakers of six endangered languages before they die out. A linguist and co-director of the Endangered Language Alliance, Perlin argues for the importance of little-known languages and celebrates the panoply of languages that exists in New York City. —SMS Monkey Grip by Helen Garner [F] A tale as old as time and/or patriarchal sociocultural constructs: a debut novel by a woman is published and the critics don't appreciate it—until later, at least. This proto-autofictional 1977 novel is now considered a classic of Australian "grunge lit," but at the time, it divided critics, probably because it had depictions of drug addiction and sex in it. But Lauren Groff liked it enough to write a foreword, so perhaps the second time really is the charm. —JHM Ours by Phillip B. Williams [F] A conjuror wreaks magical havoc across plantations in antebellum Arkansas and sets up a Brigadoon for the enslaved people she frees before finding that even a mystic haven isn't truly safe from the horrors of the world. What a concept! And a flexible one to boot: if this isn't adapted as a TV series, it would work just as well as an RPG. —JHM Violent Faculties by Charlotte Elsby [F] A philosophy professor influenced by the Marquis de Sade designs a series of experiments to prove its relevance as a discipline, specifically with regard to life and death, a.k.a. Philip Zimbardo (Chopped and Screwed Remix): The Novel. If you ever trusted a philosophy professor with your inner self before—and you probably shouldn't have?—you probably won't after reading this. —JHM American Abductions by Mauro Javier Cárdenas [F] Plagued by data harvesting, constant surveillance, mass deportation, and incarceration, the society at the heart of Cárdenas's new novel is less speculative dystopia than realist reflection. Channeling Philp K. Dick and Samuel Delaney, Cárdenas imagines a society where Latin Americans are systematically expunged. Following the lives of two Columbian-American sisters, one who was deported and one who stayed in the U.S., American Abduction tells a new kind of immigrant story, suffused with mysticism and philosophical rigor. —DF Closures: Heterosexuality and the American Sitcom by Grace Lavery [NF] I took Lavery's class on heterosexuality and sitcoms as an undergrad, and I'm thrilled to see the course's teachings collected in book form. Lavery argues that since its inception the sitcom has depicted heterosexuality as constantly on the verge of collapse, only to be reconstituted at the end of each half-hour episode. A fascinating argument about the cultural project of straightness. —SMS Whiskey Tender by Deborah Taffa [NF] Almost a decade in the making, this memoir from Taffa details generations of Southwest Native history and the legacies of assimilationist efforts. Taffa—a citizen of the Quechan Nation and Laguna Pueblo tribe, and director of the MFA in Creative Writing at the Institute of American Indian Arts—was born on the California Yuma reservation and grew up in Navajo territory in New Mexico in the 1970s and 1980s. She reflects on tribal identity and attitudes toward off-reservation education she learned from her parents’ and grandparents’ fraught formative experiences. —NodB Normal Women by Philippa Gregory [NF] This is exciting news for Anglophiles and history nerds like me: Philippa Gregory is moving from historical fiction (my guilty pleasure) about royal women and aristocrats in medieval and early modern England to focus on the lives of common women during that same time period, as gleaned from the scraps of information on them she has unearthed in various archives. I love history “from the bottom up” that puts women at the center, and Gregory is a compelling storyteller, so my expectations are high. —CK Blue Lard by Vladimir Sorokin, tr. Max Lawton [F] Upon its publication in 1999, Sorokin's sci-fi satire Blue Lard sparked protests across Russia. One aspect of it particularly rankled: the torrid, sexual affair it depicts between Stalin and Khruschev. All to say, the novel is bizarre, biting, and utterly irreverent. Translated into English for the first time by Lawton, Sorokin's masterwork is a must-read for anyone with an iconoclastic streak. —SMS Piglet by Lottie Hazell [F] Hazell's debut novel follows the eponymous Piglet, a successful cookbook editor identified only by her unfortunate childhood nickname, as she rethinks questions of ambition and appetite following her fiancé's betrayal. Per Marlowe Granados, Hazell writes the kind of "prose Nora Ephron would be proud of." —SMS Grief is for People by Sloane Crosley [NF] Crosley enlivens the grief memoir genre with the signature sense of humor that helped put her on the literary map. In Grief Is for People, she eulogizes the quirks and complexities of her friendship with Russell Perreault, former publicity director at Vintage Books, who died by suicide in 2019. Dani Shapiro hails Crosley’s memoir—her first full-length book of nonfiction—as “both a provocation and a balm to the soul.” —LA The Freaks Came Out to Write by Tricia Romano [NF] The freaks came out to write, and you better believe the freaks will come out in droves to read! In this history of the legendary alt-weekly the Village Voice, Romano (a former writer for the Voice) interviews some 200 members the paper’s most esteemed staff and subjects. A sweeping chronicle of the most exciting era in New York City journalism promises to galvanize burgeoning writers in the deflating age of digital media. —DF Burn Book by Kara Swisher [NF] Swisher has been reporting on the tech industry for 30 years, tracing its explosive growth from the dawn of the internet to the advent of AI. She's interviewed every tech titan alive and has chronicled their foibles and failures in excruciating detail. Her new book combines memoir and reportage to tell a comprehensive history of a troubled industry and its shortsighted leaders. —SMS Wandering Stars by Tommy Orange [F] Orange returns with a poignant multi-generational tale that follows the Bear Shield-Red Feather family as they struggle to combat racist violence. Picking up where Orange's hit debut novel, There There, left off, Wandering Stars explores memory, inheritance, and identity through the lens of Native American life and history. Per Louise Erdrich, “No one knows how to express tenderness and yearning like Tommy Orange." —LA March The Hearing Test by Eliza Barry Callahan [F] Callahan's debut novel follows a young artist as she faces sudden hearing loss, forcing to reevaluate her orientation to her senses, her art, and the world around her. Amina Cain, Moyra Davey, and Kate Zambreno are all fans (also a dream blunt rotation), with the latter recommending this one be "read alongside the novels of W.G. Sebald, Rachel Cusk, and Maria Gainza." —SMS The Extinction of Irena Rey by Jennifer Croft [F] When a group of translators arrive at the home of renowned novelist Irena Rey, they expect to get to work translating her latest book—instead, they get caught up in an all-consuming mystery. Irena vanishes shortly after the translators arrive, and as they search for clues to the author's disappearance, the group is swept up by isolation-fueled psychosis and obsession. A “mischievous and intellectually provocative” debut novel, per Megha Majumdar. —LA Thirst by Marina Yuszczuk, tr. Heather Cleary [F] This isn’t your typical meet-cute. When two women—one grieving, the other a vampire, both of them alienated and yearning for more—cross paths in a Buenos Aires cemetery, romance blooms. Channelling Carmen Maria Machado and Anne Rice, Yuszczuk reimagines the vampire novel, with a distinctly Latin American feminist Gothic twist. —LA The Great Divide by Cristina Henríquez [F] I'm a sucker for meticulously researched and well-written historical fiction, and this one—a sweeping story about the interconnected lives of the unsung people who lived and labored at the site of the Panama Canal—fits the bill. I heard Henríquez speak about this novel and her writing processes at a booksellers conference, and, like the 300 booksellers present, was impressed by her presentation and fascinated at the idea of such a sweeping tale set against a backdrop so larger-than-life and dramatic as the construction of the Panama Canal. —CK Bite Your Friends by Fernanda Eberstadt [NF] Melding memoir and history, Eberstadt's Bite Your Friends looks at the lives of saints, philosophers, and artists—including the author and her mother—whose abberant bodies became sites of subversion and rebellion. From Diogenes to Pussy Riot, Eberstadt asks what it means to put our bodies on the line, and how our bodies can liberate us. —SMS Anita de Monte Laughs Last by Xochitl Gonzalez [F] When Raquel Toro, an art history student, stumbles on the story of Anita de Monte, a once prominent artist from the '80s whose mysterious death cut short her meteoric rise, her world is turned upside down. Gonzalez's sophomore novel (after her hit debut Olga Dies Dreaming) toggles between the perspectives of Raquel and Anita (who is based on the late Ana Mendieta) to explore questions of power, justice, race, beauty, and art. Robert Jones, Jr. calls this one "rollicking, melodic, tender, and true—and oh so very wise." —LA My Heavenly Favorite by Lucas Rijneveld, tr. Michele Hutchison [F] Rijneveld, author of the International Booker Prize-winning novel The Discomfort of Evening, returns with a new take on the Lolita story, transpiring between a veterinarian and a farmer's daughter on the verge of adolescence. "This book unsettled me even as it made me laugh and gasp," gushes Brandon Taylor. "I'm in awe." Radiant by Brad Gooch [NF] Lauded biographer Gooch propels us through Keith Haring’s early days as an anonymous sidewalk chalk artist to his ascent as a vigilante muralist, pop-art savant, AIDS activist, and pop-culture icon. Fans of Haring's will not want to miss this definitive account of the artist's life, which Pulitzer-winner biographer Stacy Schiff calls "a keen-eyed, beautifully written biography, atmospheric, exuberant, and as radiant as they come." —DF The Riddles of the Sphinx by Anna Shechtman [NF] Sometimes you encounter a book that seems to have been written specifically for you; this was the feeling I had when I first saw the deal announcement for Shechtman's debut book back in January 2022. A feminist history of the crossword puzzle? Are you kidding me? I'm as passionate a cruciverbalist as I am a feminist, so you can imagine how ravenously I read this book. The Riddles of the Sphinx is one of the best books of 2024, hands down, and I can't wait for everyone else—puzzlers and laymen alike—to fall in love with it too. —SMS The Silver Bone by Andrey Kurkov, tr. Boris Drayluk [F] Kurkov is one of Ukraine's most celebrated novelists, and his latest book is a murder mystery set against the backdrop of WWI-era Kyiv. I'll admit what particularly excites me about The Silver Bone, though, is that it is translated by Dralyuk, who's one of the best literary translators working today (not to mention a superb writer, editor, and poet). In Drayluk's hands, Kurkov's signature humor and sparkling style come alive. —SMS Feeding Ghosts by Tessa Hulls [NF] This multigenerational graphic memoir follows Hull, alongside her mother and grandmother, both of whom hail from China, across time and space as the delicate line between nature and nurture is strained by the forces of trauma, duty, and mental illness. Manjula Martin calls Feeding Ghosts “one of the best stories I’ve read about the tension between family, history, and self.” —DF It Lasts Forever and Then It's Over by Anne de Marcken [F] Haunting prose and a pithy crow guide readers through Marcken's novel of life after death. In a realm between reality and eternity, the undead traverse westward through their end-of-life highlight reel, dissecting memories, feelings, and devotions while slowly coming to terms with what it means to have lived once all that remains is love. Alexandra Kleeman admits that she "was absolute putty in this book's hands." —DF Parasol Against the Axe by Helen Oyeyemi [F] When I visited Prague, a year after the 1989 Velvet Revolution, the Czech capital struck me as a magical place, where anything is possible, and Oyeyemi captures the essence of Prague in Parasol Against the Axe, the story of a woman who attends her estranged friend's bachelorette weekend in the city. A tale in which reality constantly shifts for the characters and there is a thin line between the factual and the imagined in their relationships, this is definitely my kind of a read. —CK Say Hello to My Little Friend by Jennine Capó Crucet [F] Crucet's latest novel centers on a failed Pitbull impersonator who embarks on a quest to turn himself into a modern-day Tony Montana—a quest that leads him to cross paths with Lolita, a captive orca at the Miami Seaquariam. Winking at both Scarface and Moby-Dick, Say Hello to My Little Friend is "a masterclass in pace and precision," per Nana Kwame Adjei-Brenyah. —SMS But the Girl by Jessica Zhan Mei Yu [F] Girl, a Malaysian-Australian who leaves home for the U.K. to study Sylvia Plath and write a postcolonial novel, finds herself unable to shake home—or to figure out what a "postcolonial novel" even is. Blurbs are untrustworthy, but anything blurbed by Brandon Taylor is almost certainly worth checking out. —JHM Wrong Is Not My Name by Erica N. Cardwell [NF] Cardwell blends memoir, criticism, and theory to place her own Künstlerroman in conversation with the work of Black visual artists like Lorna Simpson, Lorraine O'Grady, and Kara Walker. In interconnected essays, Cardwell celebrates the brilliant Black women who use art and storytelling to claim their place in the world. —SMS Great Expectations by Vinson Cunningham [F] A theater critic at the New Yorker, Cunningham is one of my favorite writers working today, so I was thrilled to learn of his debut novel, which cheekily steals its title from the Dickens classic. Following a young Black man as he works on a historic presidential campaign, Great Expectations tackles questions of politics, race, religion, and family with Cunningham's characteristic poise and insight. —SMS The Future of Songwriting by Kristin Hersh [NF] In this slim volume, Throwing Muses frontwoman and singer-songwriter Hersh considers the future of her craft. Talking to friends and colleagues, visiting museums and acupuncturists, Hersh threads together eclectic perspectives on how songs get made and how the music industry can (and should) change. —SMS You Get What You Pay For by Morgan Parker [NF] Parker, a brilliant poet and author of the stellar There Are More Beautiful Things Than Beyonce, debuts as an essayist with this candid, keen-eyed collection about life as a Black woman in America. Casting her gaze both inward and onto popular culture, Parker sees everything and holds back nothing. —SMS Mother Doll by Katya Apekina [F] Following up her debut novel, The Deeper the Water, the Uglier the Fish, Apekina's Mother Doll follows Zhenia, an expectant mother adrift in Los Angeles whose world is rocked by a strange call from a psychic medium with a message from Zhenia's Russian Revolutionary great-grandmother. Elif Batuman calls this one "a rare achivement." —SMS Solidarity by Astra Taylor and Leah Hunt-Hendrix [NF] What does "solidarity" mean in a stratified society and fractured world? Organizers and activists Hunt-Hendrix and Taylor look at the history of the concept—from its origins in Ancient Rome to its invocation during the Black Live Matter movement—to envision a future in which calls for solidarity can produce tangible political change. —SMS The Manicurist's Daughter by Susan Lieu [NF] After her mother, a refugee of the Vietnam war and the owner of two nail salons, dies from a botched cosmetic surgery, Lieu goes looking for answers about her mother's mysterious life and untimely death. Springing from her hit one-woman show 140 LBS: How Beauty Killed My Mother, Lieu's debut memoir explores immigration, beauty, and the American Dream. —SMS Through the Night Like a Snake ed. Sarah Coolidge [F] There's no horror quite like Latin American horror, as any revering reader of Cristina Rivera Garza—is there any other kind?—could tell you. Two Lines Press consistently puts out some of the best literature in translation that one can come by in the U.S., and this story collection looks like another banger. —JHM Headshot by Rita Bullwinkel [F] Bullwinkel's debut collection, Belly Up, was a canful of the uncanny. Her debut novel, on the other hand, sounds gritty and grounded, following the stories of eight teenage girls boxing in a tournament in Reno. Boxing stories often manage to punch above their weight (sorry) in pretty much any medium, even if you're not versed enough in the sport to know how hackneyed and clichéd that previous clause's idiomatic usage was. —JHM Choose This Now by Nicole Haroutunian [F] Haroutunian's novel-in-stories, part of Noemi Press's Prose Series, follows a pair of inseparable friends over the years as they embark on careers, make art, fall in and out of love, and become mothers. Lydia Kiesling calls this one "a sparkling, intimate look at women's lives" that makes "for a lovely reading experience." —SMS Death by Laughter by Maggie Hennefeld [NF] Hennefeld's scholarly study explores the forgotten history and politics of women's "hysterical laughter," drawing on silent films, affect theory, feminist film theory, and more. Hennefeld, a professor of cultural studies and comparative literature, offers a unique take on women's pleasure and repression—and how the advent of cinema allowed women to laugh as never before. —SMS James by Percival Everett [F] In James, the once-secondary character of The Adventures of Huckleberry Finn narrates his version of life on the Mississippi. Jim, who escapes enslavement only to end up in adventures with white runaway Huck, gives his account of well-known events from Mark Twain’s 1880s novel (and departs from the record to say what happened next). Everett makes readers hyperaware of code-switching—his 2001 novel Erasure was about a Black novelist whose career skyrockets when he doubles down on cynical stereotypes of Blackness—and Jim, in James, will have readers talking about written vernacular, self-awareness, and autonomy. —NodB A Chance Meeting by Rachel Cohen [NF] Chronicling 36 fateful encounters among 30 writers and artists—from Henry James to Gertrude Stein, Mark Twain to Zora Neal Hurston—Cohen paints a vast and sparkling portrait of a century's worth of American culture. First published in 2004, and reissued by NYRB, A Chance Meeting captures the spark of artistic serendipity, and the revived edition features a new afterword by the author. —SMS Who's Afraid of Gender? by Judith Butler [NF] Butler has had an outsized impact on how we think and talk about gender and sexuality ever since the 1990 publication of Gender Trouble, which theorized the way gender is performed and constructed. Butler's latest is a polemic that takes on the advent of "anti-gender ideology movements," arguing that "gender" has become a bogeyman for authoritarian regimes. —SMS Green Frog by Gina Chung [F] Chung, author of the acclaimed debut novel Sea Change, returns with a story collection about daughters and ghosts, divorcees and demons, praying mantises and the titular verdant amphibians. Morgan Talty calls these 15 stories "remarkable." —SMS No Judgment by Lauren Oyler [NF] Oyler is one of our sharpest and most fearless cultural critics, and No Judgement is her first essay collection, following up her debut novel Fake Accounts. Opining on gossip and anxiety, autofiction and vulnerability, and much, much more, Oyler's caustic wit and penetrating voice shine through every essay. —SMS Memory Piece by Lisa Ko [F] Following up her National Book Award–nominated debut novel The Leavers, Ko's latest follows three lifelong friends from the 1990s to the 2040s. A meditation on the meaning of a "meaningful life" and how to adapt to an increasingly inhospitable world, Memory Piece has earned praise from Jacqueline Woodson and C Pam Zhang, who calls the novel "bright with defiance, intelligence, and stubborn love." —SMS On Giving Up by Adam Phillips [NF] Psychoanalyst Phillips—whose previous subjects include getting better, wanting to change, and missing out—takes a swing at what feels like a particularly timely impulse: giving up. Questioning our notions of sacrifice and agency, Phillips asks when giving up might be beneficial to us, and which parts of our lives might actually be worth giving up. —SMS There's Always This Year by Hanif Abdurraqib [NF] Abdurraqib returns (how lucky are we!) with a reflection on his lifelong love of basketball and how it's shaped him. While reconsidering his childhood, his relationship with his father, and the meaning of "making it," Abdurraqib delivers what Shea Serrano calls "the sharpest, most insightful, most poignant writing of his career." —SMS The Angel of Indian Lake by Stephen Graham Jones [F] The final installment of Jones's trilogy picks up four years after Don't Fear the Reaper. Jade Daniels is back from prison, and upon her release, she encounters serial killer-worshipping cults, the devastating effects of gentrification, and—worst of all—the curse of the Lake Witch. Horror maestro Brian Keene calls Jones's grand finale "an easy contender for Best of the Year." —LA Worry by Alexandra Tanner [F] This deadpan debut novel from Tanner follows two sisters on the cusp of adulthood as they struggle to figure out what the hell to do with their lives. Heads butt, tempers flare, and existential dread creeps in as their paths diverge amid the backdrop of Brooklyn in 2019. Limning the absurdity of our internet-addled, dread-filled moment, Tanner establishes herself as a formidable novelist, with Kiley Reid calling Worry "the best thing I've read in a very long time." —DF [millions_email]

Most Anticipated: The Great Second-Half 2017 Book Preview

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It's the (second) most wonderful time of the year: Millions Most Anticipated Great Second-Half Preview time!  Below you will find just shy of 80 wonderful books to get you from July to December 2017. We've got new titles from big names (Erdrich! Eugenides! Ward! Messud!); we've got stellar debuts (Zhang! Clemmons! Rooney! Khong!); we've got translated gems (Binet! Szabó! Krasznahorkai!); we've even got cross-genre celebrities (Weiner! Hanks! McKibben!). The Millions Previews -- both our semi-annual long lists and our newer monthly offerings -- are some of the best things we do at this site. As Millions founder and publisher C. Max Magee wrote yesterday, you can help ensure that these previews, and all our great books coverage, continue for years to come by lending your support to the site as a member. The site has been running for 14 years on a wing and a prayer, and we're incredibly grateful for the love of our recurring readers and current members who help us sustain the work that we do. Please enjoy the rich offerings below, come back August 1 for the monthly preview, and prepare yourselves for 2018 (which, according to our agents in the literary field, is going to be a doozie). July Made for Love by Alissa Nutting: A retiree has sold his station wagon to buy a lifelike sex doll, his daughter’s come home after running out on her paranoid tech billionaire husband, and another man’s been sexually assaulted by a dolphin. Just so you know what you’re getting into: all of this happened in the first 60 pages of Nutting’s new novel, a darkly comic exploration of familial and romantic love, and how technology warps both. (Read our review.) (Nick M.)   Who Is Rich? by Matthew Klam: Klam was one of The New Yorker’s original “20 Under 40” writers in 1999 and published a story collection, Sam the Cat, the next year. And then nothing. For 17 years. Now at last, Klam is publishing his debut novel, about a has-been cartoonist who leaves his family behind to teach at a weeklong arts conference where he rekindles an affair with one of his students, the unhappy wife of a Wall Street titan. When he’s firing on all cylinders, Klam is hilarious. (Michael)   What We Lose by Zinzi Clemmons: The buzz around this debut is more like a roar. Thandi is caught between black and white, America and South Africa. When she loses her mother, she has to try to connect the dislocated pieces of her life. While Clemmons has recently ​burst to prominence, she has long been doing the work to get there. She teaches literature and creative writing, her work has appeared in Zoetrope: All-Story, Transition, the Paris Review Daily, she is co-founder of Apogee Journal, and a contributing editor to LitHub.com. The best part? She's got a two-book deal. (Claire)   The Unwomanly Face of War by Svetlana Alexievich: Nobel Prize—winner Alexievich is best known stateside for her Voices of Chernobyl, where she documented the stories of survivors of the nuclear disaster, but it’s her first book The Unwomanly Face of War that established her as an oral historian. Alexievich gave voice to the less documented women’s role in WWII by interviewing female gunners, pilots, medical workers, and others. She writes: “Their words and feelings? A whole world is hidden from us. Their war remains unknown...I want to write the history of that war.” First published in English in 1985, this new edition is translated by the renowned Russian duo Richard Pevear & Larissa Volokhonsky. (Read our interview with her.) (Anne) My Heart Hemmed In by Marie NDiaye: A novel “in the existentialist tradition” that both obscures and exposes xenophobia in contemporary French society, the story of provincial school teachers Nadia and her husband, Ange, is described by the publisher as “surreal, allegorical, and psychologically acute,” and by Publishers Weekly in a starred review as “revelatory and devastating."  NDiaye, winner of both the Prix Goncourt and Prix Femina, is the author of 13 works of fiction, seven of which have been translated into English. She also co-wrote the powerful, artful film White Material with Claire Denis. Despite comparisons to Elena Ferrante and Doris Lessing, she is little known in the U.S.; hopefully this will change.  (Sonya) Refuge by Dina Nayeri: Nayeri’s first novel, A Teaspoon of Earth, follows a young girl as she grows up in post-revolutionary Iran and dreams about her sister’s life in America. Refuge, Nayeri’s second novel, also centers on a young Iranian girl, Niloo, but this time the story is flipped: Niloo flees Iran, leaving her father behind, and grows up in Europe. Twenty years later, she’s a sophisticated academic struggling to navigate her connections to her family, a growing community of Iranian refugees, and her adopted homeland. A nuanced look at what it means to seek refuge; novels don’t get more timely than this. (Kaulie) The Dark Dark by Samantha Hunt: Maybe you’ve heard of Hunt’s last novel, Mr. Splitfoot? It’s in our Millions Hall of Fame, and Hunt’s been interviewed for the site. She’s also published in The New Yorker and been reviewed (glowingly) by almost every major publication. Now she’s back with her first collection of short stories and, in true Hunt style, they’re bizarre, beautiful, and haunting. Dead dogs come back to life, women turn into deer, and there’s at least one killer robot; there’s also suburban loneliness and anxiety mixed with a healthy dose of witty humor. What more could you ask for? (Kaulie) Conversations with Friends by Sally Rooney: In Rooney's debut novel, former lovers and current best friends Frances and Bobbi are Trinity College students turned spoken word artists who become entangled in the lives of Melissa and Nick, an older married couple with married-people problems. Much has been made of Rooney's age (she was born in 1991), and her sharp, funny dialogue. Her editor calls her the "Salinger for the Snapchat generation" and in its review, The Guardian notes, "Her hyperarticulate characters may fail to communicate their fragile selves, but Rooney does it for them in a voice distinctively her own." (Edan) Out in the Open by Jesús Carrasco: In this 2013 debut, the Spanish novelist spins a dystopian yarn tracking a young boy’s flight into the wild. There he is confronted by an ancient goat herder bearing wisdom that trust is a hard-won commodity, and once violated, often too fragile to ever be redeemed. Described as “harrowing,” “stark,” “violent,” and “parabolic,” Out in the Open provides a timely and certainly intense meditation on the role trust plays in cultural progress and preservation. A reliably literate, fluid Margaret Jull Costa translation makes for a gripping read. (Il’ja)   A Twenty Minute Silence Followed by Applause by Shawn Wen: A long essay exploring, of all things, a mime. Wen, a former radio producer, pens this tribute to Marcel Marceau, the “artist of silence,” who in addition to being the most well-known mime in history was also a Holocaust survivor and member of the French Resistance. Kirkus raves “Readers will marvel not only at Marceau, but at the book itself, which displays such command of the material and such perfect pitch.” (Lydia)   The Art of Death by Edwidge Danticat: In this hybrid work of memoir-criticism, prolific writer (and Year in Reading alumna) Danticat reflects on the death of her mother, part of a longer meditation on the way that artists cope with death. Michiko Kakutani writes that Danticat “wants to learn how to use language to try to express the inexpressible, to use her art to mourn.” (Lydia)     Goodbye, Vitamin by Rachel Khong: Khong, who was an editor at Lucky Peach, brings us a debut novel about a 30-year-old woman who's moved back home with her parents to help with her father's Alzheimer's. Told in short vignettes that span a single year, Goodbye, Vitamin has, according to Justin Taylor, "breathed fresh life into the slacker comedy, the family drama, and the campus novel." In its starred review, Booklist writes: "In her tender, well-paced debut novel...Khong writes heartbreaking family drama with charm, perfect prose, and deadpan humor." (Edan)   South Pole Station by Ashley Shelby: Just when you think you’ve seen all the books, along comes a comedy of manners about climate change starring a ragtag team of cultural misfits at the edge of the world. Shelby’s novel grew out of a(n award-winning) short story, but its scope is capacious; in an advance review, Year in Reading alum Robin Sloan says “South Pole Station is a portrait painted with the whole palette―science and politics; art and history; love and frostbite―and all of it crackles with the can't-make-this-up details of life at the bottom of the world.” (Kirstin)   Sex and Rage by Eve Babitz: 1960s and 70s L.A. party girl and writer extraordinaire Babitz is having a revival. Eve’s Hollywood and Slow Days, Fast Company were recently published by NYRB Classics, and now her novel Sex and Rage is being re-issued by Counterpoint. Readers can’t seem to get enough of her writing and it’s hard to imagine literary L.A. without her voice. That’s because Los Angeles is not just a setting in her work, it’s not a character, it’s not a myth, or a lover. It’s love itself. (Zoë)   The Violins of Saint-Jacques by Patrick Leigh Fermor: Fermor, who died in 2011, is perhaps best known for the books chronicling his youthful tramp across Interwar Europe—drinking and frolicking and picking up a half-dozen languages along the way. Here, in his only novel (originally published in 1953), the action is concentrated on the island of Saint Jacques, whose French aristocracy is in the midst of Mardi Gras revels. A volcano looms over the picturesque town in carnival, an outsized force of nature in this slender work as florid as it is fun. (Matt)   Moving Kings by Joshua Cohen: The latest by the man behind the labyrinthine Book of Numbers kicks off with a situation that’s nothing if not explosive. Two Israeli veterans, Yoav and Uri, decide to spend a year in New York with Yoav’s cousin, a right-wing American patriot who runs a tri-state moving company. In short order, the two get enlisted to work as ruthless eviction-movers, which leads inevitably to one homeowner seeking revenge. (Thom)   A Life of Adventure and Delight by Akhil Sharma: The title of Sharma’s new story collection is apparently ironic—“An apter phrase might be ‘bad luck and isolation,’” according to Kirkus Reviews. David Sedaris deems the stories “complex, funny enough to laugh out loud at but emotionally devastating,” and the Kirkus reviewer does ultimately concede that the stories exhibit “a psychological acuity that redeems their dark worldview.” Fans of Sharma’s Family Life may be interested in a story that seems to have been the seed of that novel. And if you’re interested in a sneak, the title story and “You are Happy?” (among others) were both published in The New Yorker.  (Sonya) The Epiphany Machine by David Burr Gerrard: In an interview with Vol. 1 Brooklyn about his first novel, Short Century, Gerrard succinctly described the plot of his second: “It’s about a machine that tattoos epiphanies on the forearms of its users. That is my attempt to question and honor one of the major ideas of fiction, which is that fiction should lead up to an epiphany.” This new work explores the effects of such epiphanies—the narrator’s tattoo reads “Dependent on the Opinion of Others”—on the inscribed-upon individuals and society as a whole. The result, according to Publishers Weekly, is a “wildly charming, morally serious bildungsroman.” (Matt) I Hear Your Voice by Young-ha Kim: One of Korea's most prolific and celebrated authors brings us a new novel, translated by Krys Lee, about two young men on the streets of Seoul: Jae, who is abandoned as a baby and becomes a leader of a powerful motorcycle gang, and Dongyu, who runs away from home as a teenager to follow Jae. Booklist remarks: "this is a wrenching examination of discarded youth, abuses of power, and the irreparable disintegration of societal structures," and John Darnielle is a fan, saying, "Young-ha Kim is kin to those writers of more experimental times than ours: Daniel Defoe and Thomas Nashe, writers who followed their stories and themes into whatever haunted, humid dark corners they found, and who weren't afraid to linger in those places to see what else might be there. (Edan) Like A Fading Shadow by Antonio Muñoz Molina: Part memoir and part historical fiction, this unusual book uses recently declassified FBI files to trace the escape of Martin Luther King Jr.’s assassin, James Earl Ray. With a fake passport, Ray managed to elude capture for 10 days in Lisbon, Portugal. Muñoz Molina’s fascination with this story has to do, in part, with his personal connection to Lisbon, a city that was the inspiration for his first novel, Winter in Lisbon. Muñoz Molina recounts Ray’s hideouts in Lisbon in 1968, while also looking back on his own memories of the place, when he lived there in the late 1980s, and was just getting started as a novelist. Throughout the narrative, Muñoz Molina reflects on the writing process itself, and how he came to construct Ray’s narrative. (Hannah) August The Burning Girl by Claire Messud: Following The Woman Upstairs, Messud's new novel tells the story of lifelong friends Julia and Cassie. Their paths diverge and the result is a story about adolescence that contrasts a childhood’s imaginary world against adult reality. Messud, who will always have my heart for her response to a question about an unlikeable female character, tackles big questions with complex and nuanced novels. It looks like this will deliver. (Claire)   Sour Heart by Jenny Zhang: Sour Heart is Lena Dunham’s first pick for her imprint at Random House, which is a delight since Zhang is a powerful fiction writer who offers an intimate look at girlhood. Karan Mahajan says that the book, which is narrated by daughters of Chinese immigrants, “blasts opens the so-called immigrant narrative.” And Miranda July reveals that Sour Heart will come to “shape the world—not just the literary world, but what we know about reality.” (Zoë)   Mrs. Fletcher by Tom Perrotta: Here is how Mrs. Fletcher, the seventh novel by the author behind The Leftovers, begins: a woman named Eve Fletcher gets an anonymous text with a simple and unsubtle message: “U R a MILF!” The message, over the course of several months, drives Mrs. Fletcher to grow obsessed with a MILF-porn website, which leads to some unsavory consequences in her day-to-day life. It doesn’t bode well that she’s also the director of a senior center. (Thom)   The Seventh Function of Language by Laurent Binet: French intellectual history is unlikely whodunit territory, but leave it to Binet to mine comic and genre gold from the milieu of 1980s Paris. Set into motion by the sudden (and real-life) 1980 death of cultural critic Roland Barthes, Binet’s novel features all the literary and cultural heavyweights of the time—Butler, Derrida, Deleuze, Eco, Foucault, and Kristeva—while also, in a Calvino-like touch, including a hunt for a manuscript that purports to unlock hitherto unknown linguistic mysteries. Highbrow hijinks ensue, obviously. (Kirstin)   The Red-Haired Woman by Orhan Pamuk: The 10th novel from Nobel Prize-winning Pamuk, The Red-Haired Woman is a story of fathers, sons, and myths. Master Mahmut, a traditional Turkish well-digger, and his young apprentice work hard at their back-breaking trade, searching for water in a barren land, until an accident changes everything; the “demonic” voice of a red-haired woman haunts the survivor. Allusions to Oedipus Rex and Shanameh, stories of patricide and filicide, fill the novel, but there’s more than a little mystery here as well. And since this is Pamuk, you can be sure to find plenty of musings on the clash between modernism and tradition, new and old. (Kaulie) New People by Danzy Senna: The fifth book from Senna, whose previous work includes the best-selling novel Caucasia and a memoir, Where Did You Sleep Last Night?, about her parents’ marriage. Like her earlier work, New People explores complex issues of race and class, following two light-skinned black Americans who marry and attempt to have it all in Brooklyn in the 1990s. In her review for The New Republic, Morgan Jerkins writes “What this novel succeeds in is creating a dense psychological portrait of a black woman nearing the close of the 20th century: inquisitive, obsessive, imaginative, alive.” (Lydia) Autumn by Karl Ove Knausgaard: What’s newsworthy about Autumn is what it is not: it’s not an entry in the epic (and still going) My Struggle, which made Knausgaard famous. Instead, it’s book number one in a new, unrelated project, which the author refers to (naturally) as the Four Seasons Quartet. Conceived as a “lexicon for an unborn child,” the projects consists of hundreds of very short texts, each of which tackles a different everyday object. “Now, as I write this,” the first entry begins, “you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...” (Thom) Home Fire by Kamila Shamsie: Described as “a modern-day Antigone,” Home Fire follows Isma Pasha, a British woman who comes to America in pursuit of her Ph.D., her beautiful younger sister, and their brother, who’s haunted by the legacy of their jihadi father. Add in a rival London family, an increasingly tense political climate, an impossible romance, and remorse in Raqqa, and perhaps you can begin to see the Grecian similarities. The latest novel from Shamsie, whose Burnt Shadows was shortlisted for the Orange Prize for Fiction, Home Fire should prove moving and thought-provoking, even for those who never cared much for Antigone. (Kaulie) The Mountain by Paul Yoon: In his second published story collection, Yoon presents six distinct stories set at various times—past, present, and future—and all across the world. Throughout, characters are linked not by personal connections to one another, but instead by a shared theme: how they reconcile violent, traumatic pasts with their present-day lives. (Nick M.)     The Talented Ribkins by Ladee Hubbard: The Ribkins are quite the talented family. Johnny Ribkins, now 72, can make a precise map of any space, whether he’s been there or not. Johnny’s father could see colors no one else could see. His brother could scale walls. His cousin belches fire. This black American family once used their powers to advance the civil rights movement, but when disillusionment set in, Johnny and his brother turned their talents to a string of audacious burglaries. Now Johnny’s got one week to come up with the money he stole from a mobster—or he’ll swim with the fishes, as they say. Praised by Toni Morrison and Mary Gaitskill, Hubbard arrives on the scene with an auspicious bang. (Bill) White Plains by Gordon Lish: Would we be highlighting this collection of literary odds and ends from a tiny indie press if its author were not the erstwhile Captain Fiction, editor of Raymond Carver’s early stories, and one of American fiction’s most infamous provocateurs? Probably not. Even the publisher’s own promotional materials expend more words on Lish than on the book he has written, enigmatically subtitled Pieces and Witherings. But whatever else can be said about the man, Lish is among the most influential literary figures of his generation. His own work, though wildly uneven, is worth a read. (Michael) After Kathy Acker by Chris Kraus: In her life and work, radical punk writer Kathy Acker assaulted the male hegemony of narrative fiction with her transgressive experimental books, including Blood & Guts in High School and her re-appropriation of Great Expectations. As true to these ideals in life, Acker begat a full mythology. “Acker understands that writing without myth is nothing,” writes Kraus, Semiotext(e) editor, author of I Love Dick, and now author of Acker’s first biography. After Kathy Acker, according to Sheila Heti, “feels like it’s being told in one long rush of a monologue over late-night drinks by someone who was there.” (Anne) Gravel Heart by Abdulrazak Gurnah: Gurnah’s Gravel Heart is a book that may remind some readers of the author's Man Booker Prize finalist, Paradise. It circles around the falling of a society, herein Zanzibar, in the wake of colonial disruption. The protagonist, Salim, is caught in the midst of all this, and his slow spinning—internally and externally—revolves into a moving portraiture of a man caught in a web of things, hard and difficult. The structure of the book pays homage to William Shakespeare, and it may this that solidifies Gurnah’s ninth novel as an ambitious work worthy of attention. (Chigozie) My Absolute Darling by Gabriel Tallent: The book industry trades in superlatives, but the buzz for this debut novel stands out. To read it is to become an evangelist for it, apparently, and Stephen King says he’ll remember it forever. It’s about 14-year-old Turtle Alveston and her “tortured but charismatic father,” from whom she’s gradually realized she needs to escape, with the help of her one and only friend and an arsenal of survival skills. (Janet)   Eastman Was Here by Alex Gilvarry: Artistic ambition, intellectual misogyny, and Saigon provide the backdrop for Gilvarry’s second novel, whose Norman Mailer-like protagonist seeks to reclaim his former journalistic eminence by chronicling the end of the Vietnam War. It turns out, however, that no matter how far from home you go, you take your troubles with you; and the titular Eastman finds that his ghosts, like those of the nation that created his oversized public persona, can’t be outrun. Year in Reading alum Saïd Sayrafiezadeh says “Eastman Was Here is a wildly entertaining book, intoxicatingly written and deceptively profound in its insights into the nature of celebrity, country, marriage, war and the pitfalls of being a writer.” (Kirstin) Stay with Me by Ayobami Adebayo: This debut was described by The Guardian as a “clever and funny take on domestic life and Nigerian society.” Set in the 1980s, the story centers around the familial—and family planning—struggles of a young woman trying to conceive. She does everything she can, including ascending the Mountain of Jaw-Dropping Miracles, goat in tow, only to have her in-laws foist a second, and presumably more fertile, wife, upon her feckless husband. Published earlier this year in Britain, the novel was shortlisted for the Bailey’s Women Prize for Fiction. (Matt)   The Future Won’t Be Long by Jarett Kobek: Kobek had a surprise hit on his hands with 2016’s I Hate The Internet, his self-published satirical novel that lambasted the tech industry’s distortion of San Francisco. After that novel published to favorable reviews—including one from Dwight Garner in The New York Times—and strong sales, Kobek is returning with The Future Won’t Be Long.The forthcoming novel is a prequel to Internet that finds a younger version of Internet's protagonist, Adeline, as a struggling young artist in New York. Written before Internet, Won’t Be Long tracks Adeline and her friend Baby as they navigate, in Kobek’s words, “the decaying remnants of Punk New York.” We can expect this novel to observe that decay with the same wit that characterized Internet. (Read our interview with him.) (Ismail) A Kind of Freedom by Margaret Wilkerson Sexton: New Orleans native Sexton’s debut novel tracks the sliding fortunes of three generations of a black family in her hometown, as they move from tenuous middle-class respectability during World War II through the ravages of the War on Drugs, the crack epidemic, and the psychic calamity of Hurricane Katrina, casualties of the American Dream that has unraveled from Jim Crow to Donald Trump. (Bill)   To Lay to Rest Our Ghosts by Caitlin Hamilton Summie: Ten stories whose settings range widely from WWII Kansas City to New York City to western Massachusetts to woodsy Wisconsin to rural Minnesota and the Twin Cities—from a writer who’s been working the biz side of indie publishing for decades. Foreword Reviews writes: "What is remembered; what is missed; what will never be again...all these are addressed with the tenderness of a wise observer whose heart is large enough, kind enough, to embrace them all without judgment...intense and finely crafted.” From Kirkus: “...Summie writes elegantly of Minnesota and northern Wisconsin, with their disappearing farmland, aging population, and winters that are both brutal and engendering of intimacy.” Summie’s debut marks her later-life chapter, and you can read about that in our interview with her here.  (Sonya) September Sing, Unburied, Sing by Jesmyn Ward: Ward returns with her first novel since her National Book Award-winning Salvage the Bones. Ward’s two books between, a memoir (Men We Reaped) and a book of essays she edited (The Fire This Time), deal head-on with racism in America and the woeful ways it’s still deeply embedded in our society. In Sing, Unburied, Sing, Ward’s southern-steeped voice is just as keen and continues to take on the South’s murky history, this time through the young Jojo as he travels with his drug-addicted mother and baby sister as they go to pick up his father just released from prison. (Anne) Forest Dark by Nicole Krauss: Krauss's fourth novel follows the lives of two Americans in Israel in alternating chapters. The first character, Jules Epstein, is a recently-divorced, retired lawyer drawn to a rabbi; the second, a novelist named Nicole, is recruited by a mysterious literature professor working on a project about Franz Kafka. Krauss's novel A History of Love has been rightly praised, but this new book might send people back to her equally intriguing debut, Man Walks into a Room, another investigation of what happens when our lives are radically transformed. (Nick R.)   Little Fires Everywhere by Celeste Ng: With her 2014 debut, Everything I Never Told You, Ng proved she is a powerful storyteller of multifaceted families and the women within them forced to make difficult decisions. Her sophomore effort tangles multiple families in a drama of class and race in a Cleveland suburb. When single mother and artist Mia Warren moves to Shaker Heights, she rents from the well-off Richardson family. Of course, the initial fascination with the Warrens turns sour when they are pitted against the Richardsons in a town rift about a family adopting a Chinese-American child. (Tess) The Ninth Hour by Alice McDermott: National Book Award winner McDermott is simply one of the finest living Catholic writers, and her new novel looks to capture the spirit of her previous work: families and cultures strained by the optimism of faith tempered by the suffering of reality. A man's suicide early in the novel leaves behind his pregnant wife. She is comforted by The Little Nursing Sisters of the Sick Poor, a Brooklyn convent. A generational novel sure to appeal to longtime McDermott fans, and to bring-in new readers as well. (Nick R.)   Five-Carat Soul by James McBride: McBride returns to fiction for the first time since winning the National Book Award for The Good Lord Bird, his masterly novel about the exploits of the doomed abolitionist John Brown and his entourage. McBride’s new book, Five-Carat Soul, is a collection of stories told through the eyes of an antique toy dealer who makes the score of a lifetime; the poor kids in a neighborhood band called the Five-Carat Soul Bottom Bone Band; a mixed-race child who believes he’s the son of Abraham Lincoln; a boxer; a lion; a doctoral student who uncovers a beautifully complicated war story. Five-Carat Soul will thrill fans of McBride’s unmistakable fictional voice. (Bill) The Golden House by Salman Rushdie: Rushdie’s 13th novel—heralded by his American publisher as a return to realism—is concerned with the lives of the extremely wealthy in Obama-era Manhattan. On Obama’s inauguration day, a mysterious billionaire named Nero Golden and his three adult sons move into a “cloistered community” in Greenwich Village. Their young neighbor René, drawn in by the family’s glamor, finds himself increasingly entangled in their lives, while elsewhere in Manhattan, another billionaire—or, well, perhaps we should go with “self-proclaimed billionaire,” because who knows—begins an improbable campaign for the presidency. (Emily) The Origin of Others by Toni Morrison: This volume collects the great novelist’s Norton lectures at Harvard University, giving those of us who didn’t get to attend a glimpse at Morrison’s thoughts on race and otherness, and how these things affect literature and lives around the world. The lectures also include revealing discussion of her own novels. With an introduction by Ta-Nehisi Coates. (Lydia)     Dinner at the Center of the Earth by Nathan Englander: Though the latest by Englander takes place on three different continents, at heart it’s a novel about the conflicts of modern Israel. Z, or rather Prisoner Z, has been held at a black site in the desert for close to 12 years, where the only company he’s allowed is a single guard. The one official who knows about him is a comatose figure named The General. Through a series of flashbacks, we learn who Z really is: an American operative who compromised Israeli state secrets. (Thom)   Katalin Street by Magda Szabó: Why does writing this vivid take so long to find its way West? Equal parts lament, paean, and family saga, Szabó’s 1969 novel (and 2007 Prix Cévennes winner) in Len Rix’s legato English translation captures handily the “double tragedy of eastern Europe”—razed by Nazis and rebuilt by Communists. The unquiet spirits of post-war Budapest put meat on the bones of the Soviet joke that “only the past is unpredictable,” and one less-than-silent witness of the sins and slights of a shattered community harbors no illusions about permitting the living to exist peaceably in the soft-focus sentimentality of their survival. (Il’ja) Bluebird, Bluebird by Attica Locke: I heard Locke—award-winning author of Pleasantville, a writer on Fox’s Empire, and a native of Texas—say that she wanted to write something about the black experience in the South that wasn’t only about prejudice, but showed that complexity and love and joy exist even in oppressive systems. I may be paraphrasing poorly, but I’m excited to read her book, which is about a black Texas Ranger trying to solve the murders of a black lawyer from Chicago and a local white woman. (Janet)   The Living Infinite by Chantel Acevedo: Acevedo’s third novel is a retelling of the life of the Spanish princess Eulalia, born four years before the revolution that removed her mother, Queen Isabella II, from the Spanish throne. After an upbringing in the Spanish court and in exile, Eulalia traveled first to Cuba and then to the 1893 Chicago World's Fair, with secret hopes of finding a publisher for her scandalous memoir. (Emily)   The Twelve-Mile Straight by Eleanor Henderson: It is 1930, in Cotton County, Ga., and Elma Jesup, a white sharecropper’s daughter, gives birth to two babies, one light-skinned, the other dark. A field hand is accused of her rape, lynched, and dragged behind a truck down a road known as the Twelve-Mile Straight. So begins this second novel by the author of the radically different Ten Thousand Saints, set in New York’s gritty Lower East Side in the 1980s. “This is the kind of novel you sink into, live inside,” says Victor LaValle, author of The Changeling, about The Twelve-Mile Straight. (Michael) Draft No. 4 by John McPhee: McPhee has been producing lithe nonfiction pieces like “Uncommon Carriers,” “The Ransom of Russian Art,” and “Coming Into the Country” for The New Yorker for 54 years. That alone should provide sufficient incentive to sit up and listen when the man offers a primer in the how, the why, the who, and the humor of getting at the story without sacrificing the art. And that’s what Draft No. 4 is: eight crunchily practical, previously published New Yorker essays/workshops on the craft of creative nonfiction. Written by the departmental dean, no less. (Il’ja)   A Loving, Faithful Animal by Josephine Rowe: Rowe’s two previous books—How a Moth Becomes a Boat and Tarcutta Wake—were collections that walked the line between short fiction and prose poetry. A Loving, Faithful Animal, her exquisite first novel, is concerned with the long shadow of war across generations. Rowe tells the story of a fractured family in 1990s Australia after the father, a Vietnam War veteran, leaves home. (Emily)   Border by Kapka Kassabova: When Kassabova was a child growing up in Iron Curtain-era Bulgaria, the country’s isolated southern borderland—where Bulgaria meets Turkey and Greece—was rumored to be a relatively easy crossing point into the West, and so the region swarmed with migrants, soldiers, and spies. In Border, a work of narrative reportage, Kassabova returns to a region whose natural beauty is matched only by the complexity of its political and cultural landscapes: the Communist-era spies have long since departed, but the borderland, Mark Mazower wrote recently in The Guardian, remains “an environment that does not spare the unlucky or the vulnerable.” (Emily) The Doubles by Scott Esposito: Esposito wears many literary hats as founder of lit blog Conversational Reading and its companion journal Quarterly Conversation; as director at Two Lines Press; and as a columnist at Lit Hub writing on strategies for enduring the Trump Presidency. With The Doubles, he turns his focus to film and through film, back to his own life. Mathew Specktor writes that through this prism, Esposito “arrives at something magnificent: a work of sustained criticism that is itself a work of high art and a profound meditation on how the art we see becomes who we are.” (Anne) October Manhattan Beach by Jennifer Egan: Six years after her quirkily brilliant novel-in-stories A Visit from the Goon Squad won the Pulitzer, Egan is back with a noirish historical novel set in wartime Brooklyn. At the Brooklyn Naval Yard, Anna Kerrigan becomes the nation’s first female diver, repairing ships that will help America win World War II. Through a chance encounter, she meets nightclub owner Dexter Styles, who she hopes can help her solve the riddle of her father’s disappearance years before. (Michael)   Fresh Complaint by Jeffrey Eugenides: Surprisingly, this is Eugenides’s first collection of short fiction—a debut of sorts from an author best known for his novels, especially his sprawling, Pulitzer Prize-winning saga, Middlesex. The stories in this collection span Eugenides’s 25-year career, and many were originally published in The New Yorker, including the story “Baster,” which was adapted into the 2010 romantic comedy The Switch. (Hannah)   Dogs at the Perimeter by Madeleine Thien: After the massive success of Man Booker Prize shortlisted Do Not Say We Have Nothing, the world has realized that Thien is one of the most gifted and powerful novelists writing today. Her ​previous ​novel, Dogs at the Perimeter, set in Cambodia during the regime of the Khmer Rouge and in present day Montreal, explores the aftermath of war. It was published in Canada 2011 and will now ​be released in the U.S. for the first time. Welcome to the party. (Claire)   We Were Eight Years in Power by Ta-Nehisi Coates: A collection of new and previously published essays on the Obama years, from the writer whose access to and insights about the former president were beautifully documented in The Atlantic essay “My President Was Black.” The new collection includes an interview with Obama. (Lydia)     A Field Guide to the North American Family by Garth Risk Hallberg: A decade after it first appeared, Hallberg’s debut illustrated novella is being reissued in a newly designed edition. It arrives two years after Hallberg, a contributing editor at The Millions, published his breathtaking first novel, City on Fire.  Field Guide consists of 63 interlinked vignettes with accompanying photographs and annotations, which probe the inner workings of two families in the New York suburbs. The book’s subtitle would have delighted John James Audubon: “Concerning chiefly the Hungates and Harrisons, with accounts of their habits, nesting, dispersion, etc., and full descriptions of the plumage of both adult and young, with a taxonomic survey of several aspects of family life.” Taxonomic is the perfect word for this gorgeously executed little marvel. (Bill) Her Body and Other Parties by Carmen Maria Machado: Machado is a talented essayist; particularly notable are her pieces for The New Yorker, including "O Adjunct! My Adjunct!," one of the finest examinations of the adjunct crisis in America. Her fiction deals with more surreal fears, with sharply-drawn pieces like "Horror Story" in Granta: "It started so small: a mysteriously clogged drain; a crack in the bedroom window." Stories like "The Husband Stitch" are marvels of language and experimentation. A fiction debut to watch. (Nick R.).   Uncommon Type by Tom Hanks: Yes, it is that Tom Hanks. A collection of 17 short stories involving typewriters, which the author also collects in real life. This is the debut collection of the 60-year-old cinema lion. According to The Guardian, everything came together for Hanks as a fiction writer when he published this story in The New Yorker in 2014. (Lydia)     The King Is Always Above the People by Daniel Alarcón: Award-winning writer Alarcón returns with a new short story collection that features a wide range of memorable characters. The King Is Always Above the People examines immigration, Latin American families, Los Angeles, and much more. Alarcón has received much critical acclaim for his previous books and his most recent novel, At Night We Walk in Circles, was a finalist for the 2014 Pen-Faulkner Award. (Zoë)   Here in Berlin by Cristina García: The Cuban-born American writer García—novelist, journalist, poet, anthologist, and National Book Award finalist—transports us to Berlin for her seventh novel. An unnamed Visitor, armed with a camera, goes spelunking in the German capital, seeking to reckon with the city’s tangled, living history. The result is a series of snapshots: a Cuban teenager taken as a POW on a German submarine; a female lawyer still haunted by her childhood in the bombed-out suburbs of Berlin; the son of a Berlin zookeeper who fought to protect the animals from both bombs and a starving human populace. These and other ghosts still walk the streets of García’s bewitching contemporary Berlin. (Bill) A Natural by Ross Raisin: Named one of Granta's “Best Young British Novelists” in 2013 and the author of books (God’s Own CountryWaterline) about intense loners, Raisin places his latest protagonist within a more communal setting: a soccer (or rather football) club. The novel follows a young, gay player navigating the sporting world. As Raisin explained in an interview, the subject threw some British publishers off, who explained their reasoning thusly: “We don’t know how to sell it to women because it’s about football, but at the same time we don’t know how we sell it to football supporters because it’s got gay in it.” Quite the dilemma, but thankfully not all were scared off the pitch. (Matt)   Ferocity by Nicola Lagioia: Ferocity is the latest from Europa Editions, which also publishes Elena Ferrante (as well as gems like Treasure Island!!! and The Elegance of Hedgehog). Pitched as Gillian Flynn meets Jonathan Franzen, Ferocity won the 2015 Strega Prize, Italy's preeminent fiction prize, and concerns a dead woman, her brother who's set on figuring out what happened to her, and Southern Italy in the 1980s. Sign me up. (Edan)   Vacationland by John Hodgman: Known variously for his work on The Daily Show, his podcast and New York Times Magazine column—both titled "Judge John Hodgman"—his role as “the PC” in those Mac commercials in the aughts, and three books of fake facts, Hodgman is a unique and hilarious public figure. Hodgman’s new book—a memoir about fatherhood, aging, travel, and his home state of Massachusetts—is the most (maybe the first) unironic thing in his career. (Janet)   November Future Home of the Living God by Louise Erdrich: A new offering from Erdrich on the heels of her National Book Critics Circle Award win for LaRose last year. The new book takes place during an environmental cataclysm—evolution has begun reversing itself, and pregnant women are being rounded up and confined. A pregnant woman who was adopted in infancy from her Ojibwe birth mother returns to her mother’s reservation to pursue her own origin story even while society crumbles around her. (Lydia)   Don't Save Anything by James Salter: November 2017. I remember hearing Salter read his heartbreaking story "Last Night" to a captivated audience in Newark, N.J., at Rutgers University—it was a moment of shared intimacy that I've rarely experienced at a reading. Salter had a presence both on and off the page. Don't Save Anything collects Salter's previously uncollected non-fiction; essays that appeared in The New Yorker, Esquire, People, and elsewhere. The book's title comes from a line from one of Salter's final interviews: "You try to put everything you have in a book. That is, don't save anything for the next one." (Nick R.) Mean by Myriam Gurba: In her coming-of-age nonfiction novel about growing up queer and Chicana, Gurba takes on misogyny, racism, homophobia, and classism with cutting humor. Mean will make you LOL and break your heart. Mean has already received advance praise from brilliant, badass feminist writers Jill Soloway, Michelle Tea, and Wendy C. Ortiz. Gurba’s previous book Dahlia Season won the Edmund White Award and was a finalist for the Lambda Literary Award. (Zoë)   Houses of Ravicka by Renee Gladman: This fall Dorothy Project publishes Houses of Ravicka, the fourth book in Gladman’s series of novels set in the city-state of Ravicka and told in the author's nimble prose. The books catalog the intricacies of language and architecture and their intersection—something Gladman’s recent Prose Architectures from Wave Press does quite literally. As The Renaissance Society notes, “Gladman approaches language as a space to enter and travel within, and her writing is attuned to the body as it moves through architectures of thought and experience.” In this latest volume, Ravicka’s comptroller tracks the ways the houses in the city-state shift with time. (Anne)   The World Goes On by László Krasznahorkai: The Hungarian author has described his style as “fun in hell.” With this, the seventh! New Directions translation of his work, English language hell just got even more fun. A giant with an H2O fixation and a Portuguese child quarry slave on a quest for the surreal are just two of the characters met in this short story collection that examines the practicalities of cultural entropy, and stylistically sacrifices little of the author’s depth, range, and extraordinary stacking of subordinate clauses. These stories should provide the uninitiated with a workable introduction to Krasznahorkai and his formidable oeuvre. (Il’ja) Heather, the Totality by Matthew Weiner: The creator of Mad Men and former writer and producer for The Sopranos applies his screenwriting chops to literary fiction with this debut novel. Set in a privileged milieu in modern-day New York, it’s been described as “a dark fable,” “a collision course,” and, most intriguingly, by Philip Pullman, as a story characterized by an “ice-cold mercilessness reminiscent of Evelyn Waugh.” At 144 pages, this novel apparently cuts to the chase and doesn’t spare any of its characters. (Hannah)   Radio Free Vermont by Bill McKibben: Is it a surprise that the debut novel from one of our best-known environmental activists focuses on grassroots resistance? In backwoods Vermont, two radicals use an underground radio show to recruit people interested in seceding from the United States. What follows is a zany, witty, and altogether timely imagination of modern resistors. (Nick M.)     They Can’t Kill Us Until They Kill Us by Hanif Willis-Abdurraqib: A collection of essays on music, culture, and personal history from the poet and Year in Reading alum (and MTV News writer, before MTV News made their woeful decision to “pivot to video”). Terrance Hayes writes, "Abdurraqib bridges the bravado and bling of praise with the blood and tears of elegy." (Lydia)   December The Vanishing Princess by Jenny Diski: British writer Diski won a wide following with a strikingly clear-eyed chronicle of her battle with the lung cancer that killed her last year at the age of 68. The Vanishing Princess, her only collection of short stories, is now available in the U.S. for the first time, and it will be welcomed by fans of Diski’s piercing nonfiction and dreamlike novels. In the story “Short Circuit,” Diski mines her own stays in mental institutions to pose an old but not unreasonable question: are the people we regard as mad the truly sane ones? (Bill)   Three Daughters of Eve by Elif Şafak: Şafak is one of Turkey’s most popular novelists, and her fiction and nonfiction has been translated around the world. Three Daughters of Eve, her 10th novel, takes place in contemporary Istanbul, but looks back on an earlier era, as Peri, a wealthy housewife, recalls her friendship with two fellow students at Oxford University. Together, these three young women became close through their studies, debating the role of women in Islam, and falling under the influence of a charismatic but controversial professor. The scandal that broke them apart still haunts Peri. (Hannah)