It has been a year of reading in fits and starts, indeed of doing everything in fits and starts, fits and starts being the general run of things when you have a baby.
For articles I was writing, I happily revisited passages from several books, including:
For my next novel, I read bits of books about fathers, including letters between Wolfgang and Leopold Mozart; books about Italians, including Luce D’Eramo’s Deviation; and books about conspiracy theories and “the power of the lie,” including David Aaronovitch’s Voodoo Histories, Rob Brotherton’s Suspicious Minds, Hans Rosling’s Factfulness, and a timely new anthology entitled Orwell on Truth.
I read books that were sent to me, including Free Woman by Lara Feigel and the forthcoming Such Good Work by Johannes Lichtman. In preparation for events, I read Kevin Powers’s A Shout in the Ruins, Aminatta Forna’s Happiness, Gertrude Stein’s The Autobiography of Alice B. Toklas, Aja Gabel’s The Ensemble, and Kim Fu’s The Lost Girls of Camp Forevermore. Each made me grateful for the forces that delivered it over my transom.
In London I read Sally Rooney’s absorbing Conversations with Friends while my daughter patiently paged through an old copy of The Cricket Caricatures of John Ireland.
On a flight from San Francisco to Boston I read Nick Drnaso’s Sabrina and wished it were twice as long.
On Thanksgiving I read Updike: Novels 1959-1965, including the biographical chronology at the end, marveling at a prolificacy I think only Simenon outmatched.
I read The New York Times, most avidly the obituaries, which are like little novels.
I read The New Yorker. I also listened to The New Yorker, and to Jeremy Black’s A Brief History of Italy, and Hermione Hoby’s Neon in Daylight, because of course listening is a way of reading when your hands and eyes are otherwise occupied.
I read books about motherhood, including the Sebaldian Sight, by Jessie Greengrass; And Now We Have Everything, by Meaghan O’Connell; and too many books about how to get your baby to sleep, none of which helped except for the one that asked me to consider what kind of memories of my daughter’s infancy I would like to have.
I re-read Strunk & White.
I read What’s Going on in There?: How the Brain and Mind Develop in the First Five Years of Life, which Philip Roth sent me 40 days before he died.
And, with my daughter in my lap, I read many more books, most of them multiple times, including Il flauto magico, One White Rabbit, The Range Eternal, Where’s Mr. Lion?, Giochiamo a nascondino!, Pinocchio, Biancaneve, Good Night, Red Sox, and an especially treasured box set illustrated by the late artist Leo Lionni: Due topolini curiosi, whose cover features a duly curious little mouse with her whiskers buried in a book.
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The literary world was already a flutter with anticipation for the 2018 Man Booker Longlist announcement—and then The Guardian accidentally broke the embargo. Even though the article was promptly removed, the damage was already done (aka revealing the eclectic and unexpected list a day early).
In an effort to promote fiction, the Man Booker Prize is awarded to “aims to promote the finest in fiction by rewarding the best novel of the year written in English and published in the United Kingdom.” In its 50th year, the longlist includes a few genre titles; two debut novelists (Sophie Macintosh and Guy Gunaratne); one previous Booker (and only Golden Booker) winner (Michael Ondaatje); and an emphasis on British and Irish authors.
Sabrina by Nick Drnaso
The Water Cure by Sophie Macintosh
The Mars Room by Rachel Kushner (Read our review)
Everything Under by Daisy Johnson
Snap by Belinda Bauer
Washington Black by Esi Edugyan
The Long Take by Robin Robertson
From a Low and Quiet Sea by Donal Ryan
In Our Mad and Furious City by Guy Gunaratne
Warlight by Michael Ondaatje (From our archives, a piece on attending an Ondaatje reading)
The Overstory by Richard Powers
Milkman by Anna Burns
Normal People by Sally Rooney (Rooney’s 2016 Year in Reading entry)
The Man Booker Prize shortlist will be announced on September 20th.
The Center for Fiction announced their 2018 First Novel Prize longlist this morning. The award is given to the “best debut novel published between January 1 and December 31 of the award year,” and the prize-winning author receives $10,000.
The Millions has a special connection to this list: our editor Lydia Kiesling made the list with her debut novel, The Golden State (out in September)!
Here is the 2018 longlist (featuring many titles from our Great Book Preview) with bonus links when applicable:
America is Not the Heart by Elaine Castillo
Asymmetry by Lisa Halliday
Brass by Xhenet Aliu
Confessions of the Fox by Jordy Rosenberg
The Devoted by Blair Hurley
The Distance Home by Paula Saunders
Freshwater by Akwaeke Emezi
Girls Burn Brighter by Shobha Rao
The Golden State by Lydia Kiesling (Read more of Lydia’s work here)
If You Leave Me by Crystal Hana Kim
Inappropriation by Lexi Freiman
Number One Chinese Restaurant by Lillian Li (Our interview with Li)
The Parking Lot Attendant by Nafkote Tamirat
The Pisces by Melissa Broder (Our interview with Broder)
A Place for Us by Fatima Farheen Mirza (Featured in Garth Greenwell’s Year in Reading)
Pretend I’m Dead by Jen Beagin
Restless Souls by Dan Sheehan
Sabrina by Nick Drnaso
Sadness is a White Bird by Moriel Rothman-Zecher
Self-Portrait with Boy by Rachel Lyon
Song of a Captive Bird by Jasmin Darznik
There There by Tommy Orange
Trenton Makes by Tadzio Koelb
What We Were Promised by Lucy Tan
Whiskey & Ribbons by Leesa Cross-Smith
The Wonder That Was Ours by Alice Hatcher