It’s been 23 years since Terry Pratchett and Neil Gaiman wrote Good Omens together, but a new collaboration is in the works. Director Dirk Maggs revealed to RadioTimes.com that he’s working with Gaiman on a Pratchett project for BBC Radio. Previously, Maggs teamed up with Gaiman on the excellent Neverwhere radio adaptation. More good news for Pratchett fans: he just signed a 10-book deal with Doubleday and Anchor Books.
Garth and Elise had some aditional thoughts on yesterday’s question: Elise, daughter of a children’s librarian and a great afficianado of too-smart-for-kids-too-fun-for-adults fantasy, likes the Garth Nix books (Lirael, Sabriel, and something else I can’t remember). I used to love Lloyd Alexander’s Taran Wanderer. Also, the Neil Gaiman/Terry Pratchett collabo Good Omens is pretty awesome. And did anyone actually read Summerland [by Michael Chabon]? Maybe it’s good, too.Great ideas. I can’t speak to many of these picks, although they sound intriguing. I didn’t read Summerland and I didn’t have any customers rush back into the store a week after buying it saying that it changed their kid’s life, as I occasionally do with, say, the Philip Pullman books. On the other hand, Chabon is a talented writer, so it makes sense that the book is at the very least quite readable. Moving on. Garth also posed an interesting question in which we enjoy the pleasures of trying to predict the future: Here’s my book question. Who are the under-50 writers you and your readers think are capable of producing something that will be read widely and passionately 100 years from now? Here’s my extemporaneous list: Jonathan Franzen, Michael Chabon, Jonathan Lethem, Jeffrey Eugenides, Rick Moody, Colson Whitehead, David Foster Wallace, Zadie Smith, Peter Carey, Roddy Doyle, Nick Baker, Paul Beatty, Jhumpa Lahiri, Conor McPherson, Suzan-Lori Parks, Patrick Chamoiseau and myself. Any thoughts?This is an interesting question having to do with capabilities. I think it’s fair to say that with the possible exception of Franzen’s The Corrections, none of these writers has as of yet written something that will be read in a 100 years. I am familiar with most but not all of the writers mentioned above, having said that, here are the writers that I think have the best chance to become immortal from the above list: Franzen, Wallace, Whitehead, and Lahiri. On the other hand I’m not sure that Zadie Smith or Suzan-Lori Parks should be included at all, though that may have to do more with my personal taste than the quality of their writing. This is of course an impossible question to answer, but you have to wonder what the prevailing opinion might have been to the same question posed 50 to 100 years ago. Do Hemingway and Faulkner get mentioned? Or is everyone convinced that Sinclair Lewis wll have enduring undying popularity. At any rate, it’s clear that the most fervent current acclaim is no guarantee of canonization. (For what it’s worth, the most voraciously read books that are at least 50 years old are as follows: The Catcher in the Rye, Fahrenheit 451, Great Gatsby, Lord of the Flies, 1984 and Animal Farm. These will be joined by To Kill a Mockingbird in a few years when it turns 50.) I would add a few names to Garth’s list George Saunders, Gary Schteyngart, Maile Meloy, and my favorite to take the title, Jonathan Safran Foer. Finally, I would like to point out three authors who may have already written something that will be read by future generations. All three have only recently turned fifty, so I don’t mind bending the rules to include them in this discussion. They are: Denis Johnson (age 54), Ian McEwan (age 55), Haruki Murakami (age 54), and maybe I’ll throw in Paul Auster (age 55) for good measure…….. Anyone else got some ideas???Loving the Little GuysI went to a “publishing party” at Book Soup in West Hollywood the other day to celebrate the emergence of two local publishers. First Cut Books is the coolest online book store ever. Each month or so they feature a new set of great books that their dedicated staff of reviewers selects and recommends. First Cut is also a publisher and their first publication is Filthy, a quarterly about baseball pitching, to which I am a contributor. Also there was Tam Tam Books, devoted publisher of all things Serge Gainsbourg, Boris Vian, and Guy Debord. Small publishers and the devoted people who run them may be the most exciting thing about the publishing industry.A Brief ExcerptFrom the book I’m reading right now: “I watch him go not without a tinge of envy. In nearly two decades of meditation the Buddha has not told me a single joke. Surely one would laugh for eternity?”